A diverse group of friends, family and various artist-types who knew and loved 1305 Gallery owner Lily Mulberry will gather together at several different events this coming weekend to celebrate the life of the longtime OTR resident/gallery owner.
Mulberry was diagnosed more than two years ago with Hodgkin's lymphoma, a cancer that affects the immune system, but she kept the gallery on Main Street open and running long after many neighboring galleries closed. The longtime OTR resident and arts advocate died at Jewish Hospital April 16 at the age of just 31 and is survived by her husband of almost seven years, Richard Applin. She is also survived by mother Jackie Mulberry of Woodlawn, Ky.; father Rick Faigle of Covington, Ky.; two sisters, Jesse Mulberry-Faigle of Covington and Johnna Mulberry of Ohio; and stepsister Danna Faigle of Michigan.
exhibition at 1305 Gallery featured Mulberry’s own work, and nine years
later — almost to the day — friends and loved ones will host an opening reception
for Thank You Lily: Part I, an
exhibition featuring the artist’s own work juxtaposed with pieces from her own
collection, including but not limited to artists who’ve shown at the
gallery. Lily’s friends Michael
Stillion and Melanie Derrick are curating the show and all proceeds will go to the
family. A donation can also be made to
the Lily Mulberry Memorial Fund at any U.S. Bank branch. Thank You Lily opens 6-9 p.m. Friday at 1305 Main Street, OTR. More information here.
Another celebration of Lily Mulberry’s life will happen this Saturday at her alma mater, Covington Latin School. Also hosted by friends (of which, Miss Mulberry had many), this gathering will include music, food and speeches of remembrance as well as a collaborative memorial art project. Celebrate Lily runs 4:30-7 p.m. Saturday at 21 E. 11th St., Covington, Ky. Details here.
Both events are free and open to the public.
There are several good theater choices south of the Ohio River this weekend.
The theater (and dance) program at Northern Kentucky University presents a truly varied array of programming — this season has included a play by Orson Welles, the legendary musical South Pacific, Shakespeare's As You Like It and more. The academic year's final production Monty Python's Spamalot, opened last evening, and it seems to be a perfect vehicle for a lot of onstage clowning. (In case you haven't been tuned in, the show is subtitled "A musical lovingly ripped off from the motion picture Monty Python and the Holy Grail," and many of the show's most hilarious moments are reproduced wholesale onstage.) But clowning can be serious work, and if you catch NKU's production, pay attention to the choreography (the work of NKU grad Roderick Justice) which is complex, amusing and very well executed by the cast of 25. Director Ken Jones keeps things moving; the actors get into the tomfoolery from start to finish, especially Kat Moser as the diva who's the Lady of the Lake and Bradley Goren as long-suffering Patsy (he's the one who clicks the coconut shells to simulate King Arthur riding on horseback, among other amusing moments). The show is a fine entertainment, if you're a fan of the low but articulate humor of the Python troupe. Through April 27. Tickets ($8-$14): 859-572-5464.
Comedy of an entirely different sort is available at another Kentucky venue, the Carnegie in Covington, where Mary Chase's 1945 Pulitzer Prize winner Harvey is available through April 27. This is a piece of gentle humor from the past, about a slightly off-kilter guy who sees a six-foot-plus rabbit — he calls it a "pooka" — named Harvey, much to the dismay of several family members who are embarrassed by his behavior. Their efforts to get him committed to a local asylum go awry to much merriment and a message about being, well, gentle and sweet. This is good, old-fashioned fun. Tickets: 859-957-1940.
If you prefer a well-written contemporary drama, this weekend is your last chance to see A Delicate Ship at the Cincinnati Playhouse. Anna Ziegler's new show (this is its world premiere) is a memory play that explores an unexpected chain of events triggered by a love triangle. It's beautifully staged by Michael Evan Haney with a cast of three actors who are just right for each of their roles. I gave this one a Critic's Pick when it opened; it's as good as anything I saw recently at the much-respected Humana Festival of New American Plays at Actors Theatre of Louisville. Tickets ($30-$80): 513-421-3888.
This evening at its Jackson Street headquarters in Over-the-Rhine, Know Theatre of Cincinnati revealed the lineup for the 11th annual Cincinnati Fringe Festival to a crowd of nearly 100 enthusiastic supporters and performers. The two-week festival begins Tuesday, May 27, with the CityBeat Fringe Kick-Off Party; it winds up 12 days later on Saturday, June 7, having presented 32 productions — 17 plays, two musicals, seven solo performers, and six dance presentations. In addition, there will be four FringeNext productions (selected from 11 applicants — a record number), featuring original material produced and performed by local students from the School for Creative and Performing Arts, Newport Central Catholic High School, St. Xavier High School and Highlands High School.
Performance Gallery is kind of the alpha and omega of the Cincinnati Fringe: They’ve been in all 11 festivals, including the 2008 hit show fricative. Producer Eric Vosmeier calls them the inspiration for much of what the Fringe is about: They were doing “fringe-like” work before the festival began, and they’ve returned annually with work that pushes the envelope. This time they’ll offer Heist, about three crooks of questionable ability. Vosmeier also cited Pones Inc., the dance-based company that returns for the seventh time with Traffick, a piece of audience engagement that explores issues of human trafficking. Vosmeier says, “This is the kind of work the Fringe was built to exhibit.”
“We had a great mix of new producers and returning favorites in the applicant pool,” Vosmeier says. “The word continues to spread about our Cincinnati Fringe Festival, which has a national reputation for being the most artist-friendly festival. We’ve worked very hard on this over the years, and I believe that we’ve created something special for our artists and for our region.”
The Cincinnati Fringe differs from festivals elsewhere in that productions are screened and handpicked by a committee of local theater artists. Drawing from a large pool of applicants, comparable to last year’s record-breaking number, this yielded a balanced mix of local vs. out-of-town producers: 15 from Greater Cincinnati and 18 from beyond. The latter number includes three international shows, the most ever for the festival: Around Dark Matter, a Holocaust memory piece by Mica Dvir, is from Tel Aviv, Israel; A Brief History of Beer by Wish Experience from London, a company that has performed at festivals from Edinburgh to Adelaide; and Prefer Not to Say, an interactive piece by blueDragonfly Productions, another U.K. group, the presenter of And All the Rest is Junk Mail a year ago.
For Wednesday evening’s announcement event, members of the Fringe staff mentioned the shows they were most looking forward to. They named:
· An Unauthorized Autobiography of Benny Hill by Four Humors Theater (Minneapolis), the creative minds behind such past Festival favorites as Lolita: A Three Man Show, Bombus and Berylline and Harold. This will be their sixth consecutive Cincinnati Fringe appearance.
· Blogging Behind Bars by Unity Productions, creators of two past Fringe hits, The Wave and Nothing. This time it’s a true story about a young, nonviolent criminal who wrote a blog while incarcerated in a maximum-security prison.
· Papa Squat’s Store of Sorts by solo artist Paul Strickland from Indianapolis, whose Ain’t True and Uncle False was a “Pick of the Fringe” last year. His new show is a music-filled memorial for a guy who “once filled the emptiness in Big-Fib Cul-de-sac with his insightful songs.”
· Something Something New Vagina by Rebecca Kling, a transgender artist and educator from Chicago with a follow-up show to her 2012 production, Beneath Her Skin.
· The Ultimate Stimulus by Felipe Ossa, a Brooklyn-based playwright and a new artist to the Cincy Fringe, is presented in the form of a TED Talk that argues for concubinage as a way to address the problem of income inequality.
The festival is also a chance for Cincinnati’s local theater companies to show off. Clifton Performance Theatre will present Sarge, a piece by Kevin Crowley about the wife of discredited Penn State assistant football coach Jerry Sandusky. Untethered Theatre has prepared Where Edward Went, a new play by Ben Dudley and Adam Sievering about a screenwriter’s effort to make a documentary about Edward, the late fiancé of Elyse, a painter. They don’t quite agree about the portrait. New Edgecliff Theatre will offer TRAGEDY: a tragedy, described as “one of the funniest apocalypses of our time.” And Ensemble Theatre Cincinnati’s intern company always offers a fine showcase of young talent. This year it’s two one-act plays: Sheila Callaghan’s Crumble (Lay Me Down, Justin Timberlake) and Itamar Moses’s Authorial Intent.
In addition to the productions offered nightly, artists, audience members, staff and volunteers flock nightly at Know Theatre’s Underground and headquarters for the Fringe Bar Series, with a reasonably priced bar, some free food inside and offerings for purchase from food wagons on Jackson Street. Each evening after the Channel Fringe Hard Hitting Action News Update, everyone has a chance to be a performer with activities such as the Fringe Olympics, Fringe-A-Oke, Fringe Prom, Segway Night and the Night Without Technology. This year the Bar Series night adds Fringetoberfest, an evening of German-inspired food and brews from local craft beer creators.
Vosmeier expects the festival to attract more than 8,000 visitors this year. If you’re someone who tries to see as much as possible, your best bet is a “Full Frontal” Fringe pass ($200) providing access to every event in the festival. Know also offers “Voyeur” passes ($60) good for six shows of your choice. If you can only make it once, a “One Night Stand” pass ($25) is available — admission to any two performances in an evening plus one drink at Know’s Underground bar. Single tickets to Fringe shows continue to be priced at $12; they’ll go on sale in mid-May.
There will be lots more — and the lineup can change. Hey, it’s the Fringe, so be ready for anything. You’ll find details on all these shows and more at cincyfringe.com.
The Contemporary Arts Center marks its 75th anniversary with the launch of its newly redesigned website, contemporaryartscenter.org.
By adding a timeline and a list of exhibits dating back to 1939, the updated site highlights some of the museum’s most notable attractions through videos and interactive learning. The historical timeline depicts an honest look at what Cincinnati was like in 1939 and displays the iconic artists that put the CAC on the map. In 1940, Picasso’s Guernica toured the Midwest for its first and only time and made a pit stop in Cincinnati. In 1963, the Pop art show An American Viewpoint was one of the first exhibitions of its kind. And in 1990, nearly 81,000 people visited the Robert Mapplethorpe exhibition.
Along with the illustrated timeline and videos, the CAC site also offers lesson plans, exhibit brochures, audio files and slideshows about past exhibits. New features like online ticket admission and family visitor information have been added. After 75 years and hundreds of amazing artists, the Contemporary Arts Center has proven it’s still the coolest place in Cincinnati to spark your creativity and become inspired.
FORM, a Cleveland-based creative services firm, designed the visual layout of the site.
“We had a great mix of new producers and returning favorites in the applicant pool,” says Producing Artistic Director Eric Vosmeier. “The word continues to spread about our Cincinnati Fringe Festival, which has a national reputation for being the most artist-friendly festival. We’ve worked very hard on this over the years, and I believe that we’ve created something special for our artists and for our region.”
The pool of applicants, comparable to last year’s record-breaking number, has yielded a mix of local vs. out-of-town producers: 15 from Greater Cincinnati, including the return of Performance Gallery for the 11th consecutive year (it’s the only group that’s been in every Fringe) with a new piece, Heist, about three crooks of questionable ability. There will be 18 productions from beyond Cincinnati, including three international shows.
Vosmeier expects the festival to attract more than 8,000 visitors for 2014. If you’re one of those people who tries to see as much as possible, your best bet is a “Full Frontal” Fringe pass ($200) that gives you access to every event in the festival. Know also offers “Voyeur” passes ($60) good for six shows of your choice. If you can be there for one evening, a “One Night Stand” pass ($25) is available, offering access to any two performances in an evening and one drink at Know Theatre’s Underground bar. Individual tickets to Fringe Festival shows continue to be priced at $12; they’ll go on sale in mid-May.
Look for more information at CityBeat.com after the 7 p.m. announcement tonight. More info: cincyfringe.com.
If you follow music coverage in CityBeat (hey, isn't that really why you pick up the paper?), you're certainly aware of Green Day's 2004 recording American Idiot.
But since you're reading my weekend theater previews, you must be
interested in other kinds of performance, so here's a tip: For two nights
only, Green Day's American Idiot, a stage version of the powerful Punk score, will be onstage at the Aronoff. That's right — Friday and Saturday
only, just three performances, much shorter that Broadway in
Cincinnati's two-week presentation of touring Broadway musicals. I can
vouch for this one, since I saw it a year ago during a similar tour stop
It's the story of three disaffected guys who take different downward spirals when confronted with the numbing boredom of everyday life — "alien nation" — as they sing in the opening number. The recording was conceived as a "Punk Rock Opera" and turned into a Tony Award-nominated Broadway show in 2010, with a lot of involvement by Green Day's lead singer Billie Joe Armstrong (who actually appeared onstage in New York at various performances; that's not happening here in Cincinnati). There's a day-of-performance lottery for a limited number of $25 tickets; you need to show up two-and-a-half hours before the performance you're hoping to see (8 p.m. Friday, and 5 and 8 p.m. on Saturday) with a valid photo ID. Complete an entry form and wait 30 minutes to find out if you're a winner. If you prefer to just go ahead and buy your seats ($38-$91), you can call the Aronoff box office: 513-621-2787.
Actors Theatre’s Humana Festival is indeed a launching pad for exciting new works. That makes its final weekend the perfect moment for the American Theatre Critics Association to recognize a set of outstanding plays produced at regional theaters during 2013. None of the 2013 Humana Festival shows was nominated, but one of the three works to win a significant cash prize ($7,500) was Martín Zimmerman’s Seven Spots on the Sun, given its world premiere at the Cincinnati Playhouse in the Park last fall. The play blends magical realism and political issues in an affecting tale examining if forgiveness is truly possible. Set in a Central American nation ravaged by civil war, lust, plague and a consuming need for vengeance, it’s about a widowed doctor in a small village and a newly-married soldier charged with subduing dissent. Their journeys towards redemption converge in some painful ways.
The top prize ($25,000) went to Lauren Gunderson for her play I and You, about a cranky high school student who needs a liver transplant. A smart, athletic classmate recruits her to help him finish a school project focused on Whitman’s Leaves of Grass. As their unlikely relationship evolves, they explore the meaning of life and death without a shred of condescension or pretentiousness. I and You was staged last October at Marin Theatre Company in California, where Jasson Minadakis, who founded Cincinnati Shakespeare Company, is now artistic director and nurtured the development of Gunderson’s script. Her play Toil & Trouble was presented locally last summer by Know Theatre.
Five years ago, Over-the-Rhine was considered one of the most dangerous and dilapidated neighborhoods in the United States, a title earned through a controversial analysis of the area’s crime statistics. Today it’s a different story, with Over-the-Rhine at the forefront of community revitalization, and Washington Park at the core of that progress.
At last year’s inaugural LumenoCity, the Cincinnati Symphony Orchestra brought in a total of 35,000 spectators over two nights to see Music Hall come to life through a visual and musical collaboration. The crowds alone were proof of the growth OTR has made as a neighborhood and the mark it continues to make on Cincinnati.
This year, the free concert experience will be expanded to three days – Aug. 1-3, rain or shine. The 40-minute, all-new visual performances promise heart-pounding music paired with stunning animation.
Using a technique called architectural mapping, three-dimensional graphics will be projected from trailers on Race Street onto the façade of Music Hall, quite literally shining a light on a cherished city landmark. Each performance will begin at 8:30 p.m. with John Morris Russell conducting the orchestra as the Cincinnati Pops. After a brief intermission, Music Director Louis Langree will lead the Cincinnati Symphony Orchestra in the light show for the second time.
In an interview with CityBeat’s Anne Arenstein last year, Langree stated why he loved performing in Over-the-Rhine over other venues: “There’s a great sense of creativity and innovation you can feel. Washington Park is a great venue. I know that at one time it was a sketchy place but now it’s alive and thriving. To see so many thousands of people gathered to celebrate the city was marvelous.”
The visual elements for the concert’s second half are being developed by Brave Berlin, a world-class creative design and production company based in Cincinnati. Music to be featured in the second performance include Copland’s “Fanfare for the Common Man,” John Adams’ “Short Ride in a Fast Machine,” the fourth movement from Tchaikovsky’s Fifth Symphony, Elgar’s “Nimrod” and Borodin’s “Polovtsian Dances.” Details of the concert’s first half with Russell and the Cincinnati Pops will be announced on a date closer to the festival.
LumenoCity isn’t just a collaboration between some of Cincinnati’s best music and art scenes, but a celebration of the city itself. In addition to the performances, organizers are planning an all-new LumenoCity Village with pre-concert performances, arts and crafts, and greatly expanded food and beverage services. Two additional speaker arrays are being added this year for improved sound coverage, as well as expanded restroom services. Performers from the May Festival Chorus, Cincinnati Ballet and Cincinnati Opera will also be showcased during the event.
The village will open at 3 p.m. on Friday, Aug. 1, and 11 a.m. on Saturday and Sunday. The designated viewing area inside Washington Park will be fenced in to ensure guest safety and comfort, and attendance within that designated area will be capped at 12,500 people each night. All are welcome, and this year’s concerts will be free to the general public, but ticketed. Advance tickets will be offered starting May 19 to CSO and Pops season ticket holders. Complimentary tickets will be available starting Monday, June 9, at 8 a.m. at lumenocity.com and will be issued until capacity is reached. For audience members without a computer or Internet access, a supply of free tickets will be made available to several of CSO’s partner organizations. In addition to the www.lumenocity2014.com website, the CSO has established a LumenoCity telephone information line at 513-744-3372.