Oscar nominations for the yearly industry wankfest known as Academy Awards were announced on Feb. 2. As expected, James Cameron’s Avatar and Kathryn Bigelow’s The Hurt Locker did well: Each yielded nine nominations, including nods for Best Picture and Best Director. (Curious side-note: Bigelow and Cameron were once married; for the record, she made the better film.)
What's up with the rush of interesting documentaries in recent weeks? On second thought, make the years.
Many have called this the golden age of documentaries ever since Errol Morris and, to a larger extent, Michael Moore broke through and had relatively robust box-office and critical success in the late 1980s, cresting with the unprecedented frenzy that surrounded Moore's Fahrenheit 9/11 and continuing with Davis Guggenheim's An Inconvenient Truth, March of the Penguins and a flood of other unique contributions to the genre.
More recently, the last few weeks alone have given us such diverse docs as Catfish, Restrepo, I'm Still Here, Guggenheim's Waiting for Superman and even Jackass 3D, all of which are presented via different perspectives and techniques that challenge what a documentary is and should do.
Oscar season kicks into high gear this week as two of the year’s most talked-about films finally open here: Gus Van Sant’s Milk and Danny Boyle’s Slumdog Millionaire.
Harmony Korine is a polarizing filmmaker. One either finds his films — Gummo (1997), Julien Donkey Boy (1999) and Mister Lonely (2007) — intriguing pieces of art or complete rubbish, the work of a jerk-off provocateur who represents the “end of cinema.”
In an effort to be as informative as possible to Tristate cinema geeks of every genre, political persuasion and religious affiliation, I thought I'd alert you to the coming presence of a movie that some have called “excellent,” “very worthwhile” and “absolutely dynamic.”
Oscar nominations were announced this morning. At first glance, I have to admit that this year’s batch seems uncommonly competent.
The 10 Best Picture nominees are all worthwhile in one way or another, and four of them actually made my top 10 of 2010: The Social Network, Toy Story 3, True Grit and Winter’s Bone. See, I told you they were competent.
A heads up for those who want like to mix a little creativity into your cinematic fix: Cincinnati World Cinema's most popular event, the annual Oscar Shorts & More, still has one more screening at The Madison Theater in Covington 7:30 p.m. Sunday.
The screen fills with a close-up of a military-issued boot marching along. Its owner, a grizzled and scarred commander, bellows, “You ain't in Kansas anymore.” So begins the preview footage of Avatar, the long-awaited and much ballyhooed sci-fi epic from James Cameron.
It's the filmmaker's first full-length feature project since Titanic made him the self-proclaimed “King of the World.”
The fall movie season is off to a shaky start. Anticipated films like the Coen brothers' Burn After Reading, Clark Gregg’s Choke, Spike Lee’s Miracle at St. Anna and Fernando Meirelles’ Blindness have left critics (and most audiences) wanting.
Even the relatively well received Nick and Nora's Infinite Playlist has its detractors (like me) — if you're hanging your entire premise on being knowing and hip, you'd better be knowing and hip, which N&N doesn't quite pull off. It's like a meld of 200 Cigarettes and Empire Records (come to think of it, that might sound good to some people) — glossy imitations of the real thing. N&N is much too conventional, which is somewhat surprising considering director Peter Sollett was the guy who gave us the perceptive teenage romance Raising Victor Vargas.
(Michael Cera and Kat Demmings contemplate what might have been in Nick and Nora's Infinite Playlist.)
Add this week’s two biggies — The Duchess and Body of Lies — to the list of disappointments. While each has its charms, neither is entirely satisfying. (See reviews below.)
Lucky for us, we have other options. The Contemporary Arts Center begins its “Historical/Horror Film Series” on Monday night (Oct. 13) with a double feature of John Huston’s Let There Be Light at 6:30 p.m. and Carl Dreyer’s Vampyr at 7:40 p.m.
Finally, and most curiously, the Esquire Theatre will present a Paul Newman Tribute with rotating screenings of Cat on a Hot Tin Roof, Cool Hand Luke, Butch Cassidy and the Sundance Kid and The Verdict beginning today through Oct. 16. Go to www.esquiretheatre.com for times.
On to a complete list of this week's theatrical releases. As usual, several didn't screen for critics in advance, which means I'll have reviews up for them later this weekend.
Opening films (Oct. 17):
BODY OF LIES — While Ridley Scott's film strips away much of the fat from David Ignatius’ source novel, it also winds up frustratingly superficial. Body of Lies is a nuts-and-bolts action drama putting on the undercover persona of something with a message. Still, it's fairly successful as an action drama. (Read review here.) (Rated R.) Grade: C plus
CITY OF EMBER — Upstart British director Gil Kenan’s latest family-friendly fantasy finds an elaborate underground city in peril as its once powerful generator begins to fail. It’s up to a pair of teenagers (Soairse Ronan, so strong in Atonement, and Harry Treadway) to save the residents of Ember — including its curiously upbeat mayor (Bill Murray) — before it’s too late. The massive cast includes Tim Robbins, Mary Kay Place, Toby Jones and Martin Landau. (Rated PG.) Grade: Review coming soon
THE DUCHESS — Saul Dibb’s costume drama captures the look and feel of the period exquisitely but lacks the daring to provide greater context for its titular character's political activism. Stars Keira Knightley and Ralph Fiennes. (Read review here.) (Rated PG-13.) Grade: C plus
THE EXPRESS —Dennis Quaid has a thing for sports flicks. The trend continues in this true-life story of Syracuse running back Ernie Davis (Rob Brown), the first African American to win the Heisman Trophy. Quaid plays Ben Schwartzwalder, Davis' inspirational — and revolutionary — coach. Gary Fleder, the guy who once upon a time gave us the stylish, corrosive crime thriller Things Denver to Do in Denver When You're Dead, directs what looks to be yet another uplifting sports drama. (Rated PG.) Grade: Review coming soon
QUARANTINE — Quarantine might be a remake of Jaume Balaguero’s Spanish thriller [Rec], but, if the trailer is any indication, John Erick Dowdle’s big feature splash looks to suckle the creative teat of last year’s surprise success, Cloverfield. The plot centers on a television reporter (Jennifer Carpenter) and her cameraman (Steve Harris) who battle a mysterious adversary while trapped in an apartment building. (Rated R.) Grade: Review coming soon