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by 12.06.2010
Posted In: Theater at 03:29 PM | Permalink | Comments (0)
 
 
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Pop-Up Theater

Cincinnati finally got its first "pop-up shop," a holiday effort by local merchants to band together to take over unused retail space in Over-the-Rhine for a short period and then vacate when done. See photos from its opening weekend here.

'Tis also the season for pop-up theater, smaller productions that are squeezed in between performances of mainstage shows. One opens tonight at Know Theatre of Cincinnati.

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by Rick Pender 08.20.2010
Posted In: Theater at 05:32 PM | Permalink | Comments (0)
 
 

25: The Season (at Ensemble Theatre)

OK, I’m a little behind the curve in sharing the word about Ensemble Theatre of Cincinnati’s 25th season, which was actually announced about a week ago. It was a tad anticlimactic, since Producing Artistic Director D. Lynn Meyers had announced some of this information back in early June. Nevertheless, with the opening of the 2010-2011 season just a few weeks away, the complete picture is now in place. ETC will offer four regional premieres, a premiere musical revue and several special limited performance events.

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by Rick Pender 02.24.2012
Posted In: Theater at 11:23 AM | Permalink | Comments (0)
 
 
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Stage Door: Sondheim at CCM; Broadway 2012-13

A lot of Stephen Sondheim’s shows are kind of heady, but Into the Woods — an intersection of a bunch of fairytale characters — is perhaps the most approachable and especially when it’s given the kind of colorful, overflowing with talent treatment that you’ll find for the next two weekends at UC’s College-Conservatory of Music (that’s longer than usual, but tickets will still be in short supply, I suspect). Act I is about “happily every after,” while Act II explores what comes next. Twenty years ago, when an endowed chair in musical theater (the first in the nation) was established at CCM, professor and director Aubrey Berg staged the show; to honor the gift of Patricia Corbett, he’s mounting a new production at the theater named in her honor. I thought last fall’s Oklahoma at CCM was a wonderful production, but this one, which I saw open on Thursday evening, is even better, with an incredible array of talent and wildly inventive staging. Tickets: 513-556-4183.

A year ago Cincinnati Shakespeare had a big hit with a stage adaptation of Jane Austen’s Pride & Prejudice. Looks like they’ve done it again with another adaptation of the 19th-century novelists Sense & Sensibility. This time it’s the sisters Dashwood, one rational and one emotional. The roles are wonderfully played by Kelly Mengelkoch (as the reserved, reasonable Elinor) and Sara Clark (as the willful and romantic Marianne), and they’re surrounded by delightfully drawn supporting characters — and a story of romance and domestic intrigue. I gave the production a Critic’s Pick. I’m told that several performances are already sold out (it’s onstage through March 18), so if you hope to see this one, you should line your tickets up right away. Tickets: 513-381-2273.

In case you wanted a short course in shows by Sondheim, the next few weeks is your big opportunity. In addition to Into the Woods at CCM, you can catch the touring production of West Side Story at the Aronoff (it opens a two-week run on Tuesday), a show that Sondheim wrote the lyrics for when he was 26 (he’s about to turn 82). And a week from now, the Cincinnati Playhouse will start previews of Merrily We Roll Along, a show from 1981 that was a flop at first, but now is praised as one of his greatest musical accomplishments. It’s about the joys and frustrations of success from the perspective of people involved in creating musical theater. It will be on the Marx Stage through March 31.

Andrew Bovell’s Speaking in Tongues is a complicated noir-ish tale of marital deceit and cryptic crime that unfolds more clearly because of its accomplished four-actor cast, including local professionals Bruce Cromer (who’s played roles as varied as Ebenezer Scrooge for the Playhouse to King Lear for Cincinnati Shakespeare) and Amy Warner (a regular at Ensemble Theatre and Cincinnati Shakespeare). The show is a fascinating piece of theater that takes work to watch, follow and absorb. I suppose that some casual theatergoers will be put off by it, but if you like challenging drama and multi-layered acting, you’ll leave the theater with their gears spinning. I gave Speaking in Tongues a Critic’s Pick. Through March 4. Box office: 513-421-3888.

Know Theater’s “comedy of anxiety” by Allison Moore, Collapse, opens with the collapse of a highway bridge over the Mississippi River in Minneapolis. But it’s about all kinds of things falling down — the economy, relationships. This is the kind of edgy script Know Theatre is known for, funny but meaningful. I gave the production a Critic’s Pick because it combines heart and humor. Collapse is presented with comic finesse and fine acting, especially by local professional actress Annie Fitzpatrick. Know’s best work of the season. Through March 3. Tickets: 513-300-5669.

Planning for next season? Check out my blog from last Sunday about what Broadway in Cincinnati will be presenting, including the zany Blue Man Group.

Each week in Stage Door, Rick Pender offers theater tips for the weekend, often with a few pieces of theater news.

 
 
by Rick Pender 11.20.2011
Posted In: Opera, Theater at 06:55 PM | Permalink | Comments (0)
 
 
Joshua Jeremiah

Cincinnati-Trained Singer Is Making a Name

From CCM to New York City Opera

For several years Joshua Jeremian seemed to be onstage everywhere in Cincinnati. He was a regular in opera productions at UC’s College-Conservatory of Music, where he was pursuing a master’s degree and then an artist’s diploma (additional graduate-level training) as an opera singer. But he was glad to find performing opportunities with many Cincinnati perfroming arts institutions. In 2005 he played a pair of princes in Ensemble Theatre of Cincinnati’s holiday musical, Sleeping Beauty. (In fact, the big-voiced baritone was nominated for a 2006 Cincinnati Entertainment Award for his performance at ETC.)

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by Rick Pender 03.17.2010
Posted In: Theater at 01:05 PM | Permalink | Comments (0)
 
 

Theater Mentor: Paul Rutledge, 1918-2010

It's easy to spend time writing about exciting new developments in our local theater scene. But who got things started? 

It could be argued that F. Paul Rutledge was the guy who laid the foundation. He passed away a week ago at the age of 91. Rutledge was a theater pioneer in Cincinnati, and many people who shaped what we have today were inspired by him.

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by Julie Mullins 09.15.2012
Posted In: Dance at 03:40 PM | Permalink | Comments (0)
 
 
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Cincinnati Ballet's 'New Works' Opens with Emotion

Contemporary new work's moments of stillness and quiet grab you and draw you in

The intense energy between Principal dancers Cervilio Amador and Janessa Touchet is so palpable you can feel it — even when their hands aren’t touching.

Their expressive duet in Heather Britt’s world premier “Opus 5.5” provided an inviting opening to Cincinnati Ballet’s annual Kaplan New Works season opener last Thursday evening.

The production offers a rare chance to see dance up close, as it takes place in the company’s home performance studio at the Cincinnati Ballet Center.

There’s nothing like watching live performance, but there’s something even more exciting and visceral about seeing the dancers glowing and their muscles flexing.

Full of emotion, Britt’s sweeping contemporary new work has the dancers really moving all over: across the stage in sculptural lifts, through the air in expansive leaps and extravagant extensions. But it’s really the rare moments of stillness and quiet that grab you and draw you in closer.

New Works’ stock in trade has always been pushing stylistic boundaries.

“It’s our R&D,” says Cincinnati Ballet CEO/Artistic Director Victoria Morgan. “We need to scare ourselves, to try things we’ve never done before.”

But this year is noteworthy for another reason: For the first time, all of the choreographers featured are female.

Dance-wise, the women also stand out in the spotlight this year more than usual. Though, as always, there are plenty of equally fine turns by the men as well.

Paige Cunningham Caldarella’s “Without Consideration,” the program’s most offbeat piece, presents a topsy-turvy look at social media and its pleasures and pitfalls.

Its five short sections comprise a modern dance piece cut with classical ballet. It’s by turns satirical, ominous and oddly compelling.

Clad in a lime green tee-shirt and a short, ruffled floral skirt, Corps de Ballet dancer Courtney Hellebuyck shines in her solo.

She attacks each movement with ferocious intensity. Her dramatic facial expressions and stage presence are spellbinding. She and the other four dancers appear equally comfortable switching between styles — instant, by instant — in this mash-up of ballet and modern. The women even manage to perform modern floor drops in pointe shoes.

A physical wall (think social media) covered in paper provides the backdrop and set piece. The dancers write on it, hurl themselves against it, and press into it. They connect and disconnect, or nearly connect with each other. But at times, they just miss, undulating away from each other. Individual gestures are repeated, such as one’s own hand suddenly turning the head and face away in a slo-mo sideways “slap.” It seems to suggest the struggle to turn one’s attention away from staying online all day.

Amy Seiwert, San Francisco-based Resident Choreographer for Smuin Ballet (where she was also a longtime dancer), has created a thoroughly delightful getaway world in her world premier modern ballet ,“Think of You Often.”

The weather is balmy. The light-colored clothing, designed by the Cincinnati Ballet Wardrobe Department, is carefree and casual. The women collectively become an ocean tide, even in their pointe shoes. Its feel-good soundtrack, music by the Swedish group Koop, delivers effusive swing and a touch of Latin flair.

Principal dancer Sarah Hairston warmly embraces her role, full of flirtation and feline sassiness. First two, then four men lift and sway her — and no doubt cater to her every need.

But don’t let the piece’s escapist playfulness belie its underlying choreographic sophistication. The partnering throughout is highly complex, original, and technically demanding.

In a most striking duet, Zach Grubbs and Jacqueline Damico make the most intricate sequences look as easy and natural as an ocean breeze.

Jessica Lang’s contemporary neoclassical work “La Belle Danse” (2007) presents a slightly quirky court dance of sorts. Set to a score of the likes of Handel and Mozart, it’s the sole work here that the Ballet has presented previously, in 2009.

It’s the most classical piece on the program — relatively speaking — yet unexpectedly it marks the only one where the women wear soft shoes.

Displaying a very different, more sacred type of passion in this role’s solo, Hairston demonstrates her versatility as  dancer, and a performer.

The large cast brims over with expressive dancing, filled with plenty of leaps, turns, waltzing… and conducting gestures.

Amador and Touchet rapid-fire their way through pirouettes and petit allegro galore. Although their style here sharply contrasts their opening duet, this superb pairing brings this production — one of the best New Works in recent years — full circle.




 
 
by Rick Pender 10.06.2009
Posted In: Theater at 09:19 AM | Permalink | Comments (0)
 
 

Covedale Center Unveils Expansion Tonight

Since the Covedale Center for the Performing Arts opened back in 2002, it’s become the go-to place for onstage entertainment on the West Side, including the summertime Cincinnati Young People’s Theatre, which provides theater opportunities for high school kids from across the city. The facility is owned and operated by Cincinnati Landmark Productions (CLP), recently inducted into the Cincinnati Entertainment Awards Hall of Fame on Aug. 30. CLP also operates the Showboat Majestic

The Covedale Center has been a busy place, but the converted 1940s movie house had minimal backstage space — until now. After several years of tight quarters, no running water or bathrooms, the facility has been renovated and expanded: There is now a rehearsal studio, a green room, two dressing rooms, shop space and two handicapped-accessible bathrooms. This evening marks the grand opening of the addition with a reception for VIPs and local media.

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by Alli Walker 10.30.2012
Posted In: Classical music at 02:00 PM | Permalink | Comments (0)
 
 
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CSO's New Program Brings Classical Music to the Community

"One City, One Symphony" performances continue through Nov. 18

The Cincinnati Symphony Orchestra (CSO) launched its new seven-week initiative, “One City, One Symphony” earlier this month. The goal of the program is to get the CSO engaged with people of all walks of life through nine listening parties across the region. “One City, One Symphony” concludes with three concerts Nov. 15, 17 and 18 at Music Hall featuring A Survivor From Warsaw by Arnold Shoenburg and Beethoven’s Ninth Symphony. 

The Jewish Foundation of Cincinnati and The Carol Ann and Ralph V. Haile, Jr./U.S. Bank Foundation host the free listening parties across Greater Cincinnati and Northern Kentucky. These parties are a chance for the public to interact with CSO musicians and conductors while listening and discussing the music from Schoenburg and Beethoven.

“I already feel a strong connection with our audiences, the supportive community and of course the incredible musicians of the CSO, and I am looking forward to deepening this relationship in the coming months and years," Music Director Louis Langrée said in a press release.

If you haven’t attended a listening party yet, there are still several more chances to meet the players and discuss the music around town.

Tonight, Anderson High School welcomes CSO timpanist Patrick Schleker to host a listening party from 7-8:30 p.m.

To attend one of these performances or learn more about the CSO and One City, One Symphony, click here.

The rest of the listening parties are as scheduled:

Thursday, Nov. 1, 7-8:30 p.m. at the Xavier University’s Bellarmine Chapel. This performance is hosted by CSO violinist Sylvia Samis and XU Director of Interfaith Community Engagement Abie Ingber.

Thursday, Nov. 8, 6-7:30 p.m. at Coffee Emporium. Associate Conductor Robert Treviño hosts.

Tuesday, Nov. 13, 2-3:30 p.m. at Mayerson Jewish Community Center. Again hosted by Sylvia Samis and Abie Ingber.


 
 
by Rick Pender 01.16.2015
Posted In: Theater at 09:36 AM | Permalink | Comments (0)
 
 
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Stage Door: A Weekend of Classic Musicals and Plays, Plus a Party and Some Lies

Things are off to a good start for 2015: The touring production of Cinderella at the Aronoff is a very entertaining retooling of music by Rodgers and Hammerstein into a more contemporary version of the classic fairy tale. It's the same story, but the attitudes are of the 21st century, with a "power to the people" thread running through it and Cinderella conveying a populist message, convincing her prince that democracy is the way to go. The music is charming and there's some magical things done with quick changes in and out of ball gowns that will keep audiences guessing as to how it's done. I gave this one a Critic's Pick with my CityBeat review. Tickets: 513-621-2787.

Another classic musical is onstage at Covington's Carnegie: West Side Story. The show requires a lot of dancing and strong orchestral support, and this production offers both.The leads have excellent voices, although I felt (CityBeat review here) they were a tad too operatic for "kids" affected by gang warfare. Nevertheless, this show has some of the finest music ever written for the stage — the score is by Leonard Bernstein and the lyrics by Stephen Sondheim — so it's definitely worth seeing. Tickets: 859-957-1940.

Cincinnati Shakespeare Company opens its production of one of the 20th century's great stage works, Samuel Beckett's Waiting for Godot this weekend. I haven't seen it yet, but with a cast feature stage veteran Bruce Cromer and longtime Cincy Shakes actor Nick Rose, it's sure to be watchable. Here's a fun fact: Cromer has played Scrooge in A Christmas Carol at the Cincinnati Playhouse for eight years; this year Rose understudied the role and actually had to cover several performances when Cromer was out of commission with a twisted ankle. I expect their onstage chemistry to fuel a production that audiences will enjoy. 513-381-2273.

CCM voice professor Pat Linhart presents her annual faculty recital on Sunday afternoon at 4 p.m. It's a free event at Patricia Corbett Theater on the UC Campus. Every year Linhart assembles a program of zany humor and heartfelt singing, accompanied by the inestimable Julie Spangler. There are always a few surprises, and this year should be no exception. The theme is "It's My Party" celebrating Pat's 65th birthday, and I'm envisioning party hats and noisemakers for everyone in the audience.

Rick Pender's STAGE DOOR blog appears here every Friday. Find more theater reviews and feature stories here.
 
 
by Rick Pender 12.04.2009
Posted In: Theater at 04:03 PM | Permalink | Comments (3)
 
 
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Stage Door: Holiday-Free Theater

I think there are few more satisfying segments of musical theater than the opening 10 minutes of the musical Chicago, which is in town for a brief run at the Aronoff Center. The first number, “All That Jazz,” gives you an encyclopedia of the stylistic dance moves of iconic choreographer Bob Fosse, followed by “Funny Honey,” an introduction of Roxie Hart, who murders her low-life lover. A few minutes later, “Cell Block Tango” provides the set-up for the colorful women who are in prison for their acts of violence. The touring production stars Terra MacLeod as Velma Kelly and Bianca Marroquin as Roxie Hart (the roles played by Catherine Zeta-Jones and Renee Zellweger in the Academy Award-winning film) and they dance and sing with the requisite zest. Chicago opens with a quick speech defining it as containing “violence, exploitation, adultery and treachery — all the things we hold near and dear to our hearts.” If you’re looking for a stylish musical with nary a whiff of the holidays, this is the show to see this weekend. It runs through Sunday. Tickets: 800-982-2787.

 
 

 

 

 
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