If you're looking for an unusual but gripping theatrical production this weekend, you should head straight to UC's College-Conservatory of Music for The Threepenny Opera. Don't think that this is some stuffy old piece from 1928, although that's when the
show with a script by Bertoldt Brecht and music by Kurt Weill was first
performed. It was radical and challenging, mocking the establishment
and paying no heed to social structures. This musical theater production, staged by CCM Opera Chair Robin Guarino, feels lethal and threatening. You'll recognize a tune or two ("Mack the Knife" is the show's familiar tune), and if you've seen Cabaret or Urinetown, you'll recognize how this piece influenced those works. Guarino's production, with a big cast and an
imaginative set (designed by Tony Award winner John Arnone), captures
the vitality and spirit of the original work. I doubt we'll see another
production of this one very soon, so here's your chance to catch a bit
of theater history — and be both entertained and provoked. Definitely worth seeing. Through March 10. Box office: 513-556-4183.
If you haven't yet seen Know Theatre's production of When the Rain Stops Falling, that's another one you should have in your sights. Andrew Bovell's dense, imaginative script is a compelling story of multiple, intersecting generations of two families. (Review here.) The taut, engaging 100-minute production, staged by Cincinnati Shakespeare's Brian Phillips, features several of that company's best actors, as well as several other local standouts. One of the best productions from Know Theatre in several seasons. It's onstage through March 16. Tickets: 513-300-5669.
I haven't seen it (alas, my schedule just doesn't have room for everything), but Legally Blonde: The Musical at NKU has received props from the League of Cincinnati Theatres as an entertaining production. It's the story of Elle Woods, spurned by her fiancé, off to Harvard Law School in pursuit of him, only to discover that she's got the smarts to be more than just a girlfriend. Not profound, but surefire entertainment. Through Sunday. Tickets: 859-572-5464
Today, the Enquirer posted a story about the Cincinnati Museum Center considering the addition of a 11,200-square-foot green roof system, which is an awesome prospect. The roof would be covered with plants, could last longer than a normal roof, and would better deal with storm run-off. Not only that, but it would double the amount of green roof space in the city.
But buried at the bottom of this article is mention of another part of the issue. "The other components of the center's project - funded by a $2.4 million local tax levy, the city of Cincinnati, the state and a National Parks Service program called Save America's Treasures - include restoring long-unused dining rooms and exterior repairs," the article states.
It's the National Parks Service program that I think deserves a little more attention. Frankly, it seems amazing, not only for what it has done for the country, but for what it has done for Cincinnati.
Save America's Treasures (SAT) was started in 1998 and has the directive of "protected America's threatened cultural treasures," like a governmental, art-saving Boondock Saint. Actually a daughter organization of both the National Parks Service and the National Trust for Historic Preservation, it has completed more than 850 projects since its creation with what seems like a focus on architecture.
In Cincinnati alone, the SAT in 2003 granted $199,000 in 2003 to the Majestic Theater, $250,000 to the Cincinnati Union Terminal, $150,000 to The Showboat Majestic. And in 2005, they granted $135,250 to restore Joan Miro and Saul Steinberg Murals from Terrace Plaza Hotel and get them on display at the Cincinnati Art Museum.
This 11 x 75 ft mural by New Yorker artist Saul Steinberg is one of the only murals he made.
What other badass art has the SAT helped saved, you might ask. Well, how about the Palace Theatre in Columbus. Not a theater buff, what about the The New York Philharmonic Leonard Bernstein Collection. Still not impressed, what about the Moundville Archaeological Park in Tuscaloosa, Alabama. Oh, you're more into recent history, they gave$295,586 to the USS Joseph P. Kennedy in Massachusetts. Maybe you just like to party, in 2006 Gadsby's Tavern in Alexandria, Virginia got about $50,000 . And my personal favorite, in 1999 they granted $331,000 to save the Anti-Slavery Pamphlet Collection in Ithaca, New York.
The collections of dances, photographs and other documents that have been touched by Saving America's Treasures is astounding, not to mention the dozen of courthouse they've helped to restore across the country.
Just check them out. Our government isn't complete screwed up all the time.
We are building an art production studio. No big deal you say? Well what if I told you it was compiled from two groups of teenagers, still nothing special? Okay, they are young people who are incarcerated and those recently released from incarceration. Yes, in jail and on parole. Now what do you say? That’s what I thought.
I am an artist who is part of a team spearheading a new project - Inside Out Studios – a pilot program conceived by Stephen Canneto and Eliah Thomas of ArtSafe in Columbus, Ohio. We have embarked on a 17-week journey to guide youth - to develop skills both artistic and business, to improve focus and self-worth, to increase self-discovery and community while designing and creating art that will earn income for them.
Through it all I am learning. Learning about choices, incarceration, what makes us unique and similar, how the same circumstances can put each of us on different paths, how getting caught can be a good thing. I am reminded with every coming together that these young people, not unlike us, are smart and creative and loving and curious and passionate and opinionated and original. Check back over the next several weeks for updates and revelations and get to know them as I do. It is challenging and joyful and full of the wonderful stuff of life.
For more information about ArtSafe and its programs visit Artsafe.org
ArtSafe - Art for a Child's Safe America Foundation (ArtSafe) is a not-for-profit organization established to provide opportunities for communities to use the arts to create safe, nurturing environments for children, youth and adults. ArtSafe creates, develops, and implements programs that promote productivity, positive outlook, and a sense of community through encouraging participants to discover, value, and use their innate talents and individual interests. Creating programs and products that provide meaningful alternatives to violence is ArtSafe's highest priority.
Remember: The One Who Says It Can’t Be Done Should Not Interrupt The One Doing It
Cincinnati Art Museum has just released attendance figures for the recently closed Wedded Perfection: Two Centuries of the Wedding Gown, and it was a blockbuster. The exhibit, which ran Oct. 9-Jan. 30, drew 63,176 visitors, making it the biggest CAM exhibit since Petra: The Lost City of Stone drew 62,203 people in the 2004-2005 season.
OK, so it's Memorial Day weekend, and theater-going might not be what you have in mind. How about this? If you're heading downtown for the feeding frenzy at Taste of Cincinnati (and what true Cincinnatian isn't?), you can take a quick side trip to Jackson Street in Over-the-Rhine to pick up some tickets or a pass for the eighth annual Cincinnati Fringe Festival. It's the perfect time to find your way to Know Theatre (1120 Jackson, right next to the Gateway Garage), which is Fringe headquarters.
Presuming that reports about Disney's High School Musical wouldn't interest CityBeat's readers, I've not previously written about that popular phenomenon, driven by repeated airing on the Disney Channel. And I'm still not certain that it's of that much interest to anyone who regularly reads this blog.
But I went to see High School Musical 2 on Feb. 28, presented by the Children's Theatre of Cincinnati (CTC) at the Taft Theatre. I imagined a show that would appeal to kids, and my expectations were reinforced by the hordes of moms and dads escorting little ones into the Taft. But what I saw onstage surprised me.
In this week's Big Picture column, there is an item that Matt Distel — long active on the local contemporary art scene and current executive director of Northside's Visionaries + Voices center for artists with disabilities — had been named adjunct curator of contemporary art at Cincinnati Art Museum. Today comes the announcement he will leave V+V to be exhibitions director at The Carnegie in Covington, effective in June. He replaces Bill Seitz, who announced his retirement last month. His adjunct position at the art museum will continue.
“Matt is the perfect person to build upon the successes we’ve had in the galleries and we are honored to have him join our team,” said Katie Brass, Carnegie executive director, in a press release. “His personality, his connection to local artists, and background all make him the ideal candidate to run the Carnegie Galleries and to grow programming.”
In that same release, Distel said, “To be part of the legacy the Carnegie has for supporting local and regional artists, it’s very exciting. The Carnegie is one of the premier arts organizations in the region and Bill [Seitz] has established a great framework for me to continue to build an exhibition program that plays a compelling role in the arts community.”
Jan Leno bores me, I dig Jimmy Kimmel and I think Conan is the king of late night (even before he takes over Leno's show in the very near future). David Letterman is the Jack Benny and Johnny Carson of our times, all rolled into one.
Last night, Letterman showed his class, his legendary status and his sense of history by having Bill Hicks' mother on and then playing the legendary Hicks' appearance he originally censored some 16 years ago. Hicks had a career-making appearance on Letterman's show, and it was "banned," as Letterman said last night, by himself. Hicks, disappointed by what had happened, died soon after the show's non-airing.
8 is the real-life story about two loving same-sex couples
living in California who want to get married but can't because in 2008 Proposition 8
took away the right for LGBT couples to marry in California.
Just like these couples, gay-rights
activists have been fighting for same-sex marriages across America for more than a
decade. Some progress has been made as gay marriage is now legal in nine states
and the District of Columbia, but many California residents feel left
out and are eager to resume same-sex marriage in their state.
After being engrossed with all the drama of the courtroom and seeing
how the case affects the plaintiffs in 8, tune back into
reality as the U.S. Supreme Court is likely to announce a decision about
Proposition 8 today.