The ever-busy Greenhornes bring their current tour with San Antonio rockers Hacienda (“discovered” by Dan Auerbach of The Black Keys and also the bulk of Auerbach’s solo touring band, The Fast Five) to Covington’s Mad Hatter Thursday night for an all-ages, 8 p.m. show. (Local openers are The Kickaways and Two Headed Dog, featuring former members of The Virgins and Thee Shams.) If you can’t make it or want to keep the Greenhorne vibe going into April Fool’s Day, you can catch the band performing on Carson Daly’s late-night NBC show Friday (yes, it’s still on the air and, in fact, actually features a number of interesting musical and cultural figures now that the network appears to have no interest in it).
MPMF news and musings: The official MPMF.12 "Kick Off Celebration" is set for Wednesday, Sept. 26, in the Hanke Building just off Main St. (215 Michael Bany Way, between 12th and Reading). The free, open-to-all (21-and-up) party starts at 6 p.m. and will feature music from DJ Ice Cold Tony (who will be laying down some mash-ups featuring MPMF artists) and great Cincy rockers 500 Miles to Memphis will blow the rest of the roof off with a set starting at 9 p.m. There will be giveaways, free Vitaminwater, free Eli's BBQ (while it lasts) and a chance to win a pair of VIP tickets to the CityBeat-sponsored New Year's Eve blow-out at Bogart's featuring music by The Afghan Whigs.
And now, with the countdown down to just 8 days, here are our daily MidPoint Music Festival 2012 picks …
Tennis (Denver, CO)
It’s been a breakthrough year for Colorado Indie trio Tennis, starting with the winter release of its stellar (and highly anticipated) sophomore full-length, Young and Old, on Fat Possum Records. After touring its comparatively lo-fi, critically-lauded debut Cape Dory (crafted by core duo Alaina Moore and Patrick Riley), the duo took its vintage Pop songs into the studio with The Black Keys’ Patrick Carney, who helped give the songs a more direct punch (resulting in the addition of a drummer to the fold). Where acts like Best Coast and Jesus and Mary Chain rewire the classic Pop of the ’60s, Tennis write songs that often recall the ballads of ’50s Pop, something more evident and effective on Young and Old, which charted well and performed exceptionally at college radio. The band’s songs have been used on TV shows like Grey’s Anatomy and are becoming favorites in the fashion world, and they’ve also made a fan out of the Republican (one of "the good ones") daughter of an almost-President, Meghan McCain, who tweeted her joy that Tennis had become the soundtrack to her summer this earlier this year.
You'll Dig It If You Dig: Lesley Gore, Dusty Springfield, the house band for Mad Men (if they had one). (Mike Breen)
Tennis performs at the Know Theatre on the Bioré Strip's Main Stage Saturday, Sept. 29, at 11:45 p.m. Here's Tennis' clip for their swoony tune "Pigeon."
The Bonesetters (Muncie, IN)
Bonesetters don’t necessarily sound like a lot of bands but they fit well in the Midwestern construct of talented groups crafting a complex sound out of relatively simple ingredients. Sparse guitar melodies, both plugged and unplugged, are appointed with spartan rhythmatism, unexpected instrumental counterpoints (mariachi trumpet, keening violin, gentle vibes, wheezing harmonium) and a quiet sense of Indie Rock urgency on Savages, Bonesetters’ full-length debut from late last year. It’s easy to understand why Muncie loves Bonesetters, it’s harder to understand why they don’t play here all the bloody time.
Dig: Clem Snide, My Morning Jacket and Gomez making high lonesome carnival Surf Rock for emo hodads. (Brian Baker)
The Bonesetters perform Thursday in Washington Park at 5 p.m. Here's the band's debut album, which you can sample below, then download the whole shebang for free.
LOCAL LOCK PICK
The Dukes Are Dead (Cincinnati, OH)
Rock & Roll
If you’re a local Rock fan who has yet to catch a live show from exciting Cincinnati foursome The Dukes Are Dead, you’ve missed out on some great shows … and you only have this one more before The Dukes Are Dead are dead. In just a couple of years — first as “The Dukes,” before adding “Are Dead” to avoid confusion with the 17,000 other bands with the same name — the foursome amassed a loyal following and even got into theater, becoming the house band for the local staging of “Rock musical” Bloody Bloody Andrew Jackson. Though the band’s last show (sure to be a debauched blow-out) is this one at MPMF, there is hope for fans — in their farewell note on Facebook, it was announced that the members will each continue to pursue making music in the future.
Dig: No-nonsense Rock & Roll, bands with names that turn out to be prophetic. (MB)
The Dukes Are Dead's final show is Saturday, Sept. 28, at 8:30 p.m. at The Drinkery. The kind gentlemen of The Dukes are also giving fans some final recorded music as a parting gift — sample below then click on the player to download your free copy of the five-track EP, Before We Died.
Click here for full MPMF details via the official MidPoint site.
Paul McCartney — "The Cute One" — will perform at Great American Ballpark on Aug. 4 as a part of a string of summer dates that'll see the former Beatle playing Yankee Stadium and Wrigley Field (among many other giant venues). Tickets for the Cincinnati date go on sale this Friday through tickets.com.
Two highly anticipated concerts this week have been canceled. Last night, I received an emailed press release from the promoters of the Stone Temple Pilots concert at Taft Theatre at 7:24 p.m. announcing the show had been called off due to singer Scott Weiland’s inability to perform (not for the reason you’re thinking — Weiland was suffering from “inflamed vocal chords”). The concert was scheduled to start last night at 7:30 p.m., so that was a close call (especially for fans already at the venue). Today, Live Nation announced that the rare performance by Black Star (featuring modern Hip Hop heroes Mos Def and Talib Kweli) at Bogart’s this Saturday had also been canceled.
The Cincinnati natives of hugely popular Brooklyn-based Indie Rock band The National have recorded a song for the upcoming soundtrack for the second season of HBO's critically-acclaimed series, Game of Thrones. The soundtrack is due June 19. The National is the only group featured; the rest of the soundtrack album is the instrumental score, written by Ramin Djawadi and recorded by the Czech Film Orchestra and Choir.
According to Spin, the band members took the words from Game of Thrones creator George R.R. Martin's 2000 novel, A Storm of Swords. Check it out below.
Southwestern Ohio native Greg Dulli and his band The Twilight Singers can cross "Play Letterman" off of the To Do list of promo duties for the group's new album, Dynamite Steps. Just as they did on Jimmy Kimmel's late-night show in February, the band played the elegant rocker "On the Corner" on The Late Show last night. The single also has a new accompanying music video (watch both below). Letterman — a notoriously big lover of music both new and classic — appears to be a Twilights fan, calling them a "wonderful Rock & Roll band" in his intro and seeming genuinely pumped up when he shook hands with each member after the song (if you've watched Dave long enough, you can tell when he truly loves the musical acts that appear on his show and when he couldn't care less about them).
On this date in 1972, Les Harvey — guitarist for the Scottish band (which many believed would become huge) Stone the Crows — died on stage when he was electrocuted by a microphone. He reportedly died when he touched the (probably) ungrounded mic and his guitar at the same time during soundcheck (with what many believe were wet hands).
Harvey is a member of the sad club of rockers who died at the age of 27. He's also a member of a smaller club of known musicians who died from electrocution.
Keith Relf, singer for The Yardbirds, died in 1976 at the age of 33 after being electrocuted by an (again) ungrounded electric guitar.
John Rostill was the bassist for the British Pop group that gave Cliff Richard to the world, The Shadows (he was also a member of Zoot Money Quartet alongside future Police guitarist Andy Summers). Rostill was found dead in 1973, electrocuted by a guitar that was (again!) believed to be improperly grounded.
French Pop singer/songwriter Claude Francois — who cowrote the classic Sinatra tune "My Way" and sold over 70 million records in his career — died in 1978 at the age of 39. Francois returned to his Paris abode after recording a BBC special and was standing in a full bathtub when he tried to adjust a light on the wall above the tub. He was electrocuted and died. As far as I know, everything was properly grounded in the bathroom.
Lessons: Bathtubs and electronics don't mix. And always make sure your equipment is grounded before touching anything.
Born This Day: Musical movers and shakers sharing a May 3 birthday include singer/actor Bing Crosby (1903); early Blues musician and slide guitarist Homesick James (1914); late Funk superhero James Brown (1933); Pop star with the Four Seasons, Frankie Valii (1934); bassist for proto-Garage band The Troggs ("Wild Thing"), Pete Staples (1944); Soft Rock superstar Christopher Cross (1951); singer for Nu Metal band Saliva, Josey Scott (1971); singer/guitarist for Indie Rock favorites Interpol, Paul Banks (1978); and Folk legend Pete Seeger (1919).
Seeger — who will be awarded a "Distinguished Service" honor from the American Academy of Arts and Letters on May 16 — popped up in the news recently in a manner befitting the revolutionary singer/songwriter who penned (or co-penned) standards like "Where Have All the Flowers Gone?," "If I Had Hammer" and "Turn, Turn, Turn!" He also popularized the spiritual "We Shall Overcome," which became the Civil Rights Movement's theme song.
Seeger's social consciousness in song was used once again in a powerful way last week when tens of thousands of Norwegians joined together for a marathon singalong of his song, "My Rainbow Race" (the Norwegian version is called "Children of the Rainbow") as a way to protest/heckle admitted mass murderer Anders Behring Breivik during his trial for murdering 77 people last summer. Breivek had previously dissed the song because it "brainwashed" children into believing that things like cultural diversity and racial harmony are good. He said, in court, that the song was brought to schools by "cultural Marxists."
"The curriculum is stripped of knowledge relating to the codes of honor that have been so important for Europe for thousands of years,” Breivik said. “They put up these songs and propaganda films to get students to despise their forefathers.”
Here's Lillebjørn Nilsen leading the singalong (he popularized the original Norwegian version).
The ongoing saga of locally-spawned music and broadcasting legacy WOXY continues and, once again, the station has been forced off the "air" (or Internet, as the case is) due to financial problems.
Entertainment Weekly's website recently debuted a bizarre music video for Twisted Sister frontman Dee Snider's cover of "Mack the Knife." The clip features Eric Nally, singer for internationally renowned, Cincy born-and-bred hard rockers Foxy Shazam, as a nerded-up emcee introducing Snider before a less-than-enthused small crowd. The song is from Snider's album of covers, Dee Does Broadway, which includes Broadway cameos from Bebe Neuwirth and Patti LuPone. The video clip also includes a cameo by modern Prog Rock legend Mike Portnoy (Dream Theater, Translatlantic). "Mack the Knife" is rendered fairly straightforward by Dee … at first. (You just knew he wasn't going to take it anymore.)
Snider is a Foxy fan, apparently. On a morning show in L.A. recently, he shouted-out the band to viewers, calling them "Queen meets The Darkness … so brilliant!
It's not the first Rock veteran to take notice of Foxy's talent. Nally co-wrote songs with Justin Hawkins of The Darkness, Meat Loaf and others for Meat Loaf's 2010 album Hang Cool Teddy Bear. Here's "California Isn't Big Enough (Hey There Girl)," which Nally and Hawkins wrote together. (Foxy and the since-reunited Darkness have been touring together a bunch lately, a match made in flamboyant Rock & Roll heaven.)
Welsh musician Gruff Rhys is bringing his current unique (and brief) tour to Cincinnati's Contemporary Arts Center tomorrow (Thursday). The show starts at 8 p.m. Click here to grab your tickets.
attending the tour’s stop at the CAC will also be treated to an extra
rare bonus — Rhys’ Neon Neon project-mate and Cincinnati native Boom Bip (aka Bryan Hollon, who now works from out of the West Coast) will be
joining Gruff onstage after the main performance for a one-of-a-kind DJ
Rhys’ band Super Furry Animals released its major label debut, Rings Around the World,
in 2001 and the group appeared to be a successor to the throne occupied
by fading superstars like Blur and Oasis. The album (following SFA’s
excellent debut, Fuzzy Logic,
and a trio of experimental-oriented albums put out by king-maker Alan
McGee’s Creation Records) put a brilliant, creative spin on “Brit Pop,”
highlighted by fascinating sounds between the grooves, but also an
extraordinary knack for writing incredibly potent melodies. Rings
contained several hit-songs-in-waiting and did well in the U.K., but
never fully grabbed the ears of the U.S. mainstream like a few of the
band’s predecessors did.
While some artists would have simply gone back and cleaned up/out the sound of their potential breakthrough to appeal more to the mainstream, it soon became clear that Rhys and the Furries weren’t interested in pandering. The band had always been underlined by a progressive, adventurous streak (early works embraced Electronic and Ambient music, among other approaches) and it was evident that the opportunity to crossover or become a massive success was less important to Rhys and Co. than following their own creative whims. (By the mid-’00s, SFA had left the Sony family for the artist-friendlier confines of Rough Trade Records).
Rhys’ work outside of the Furries’ domain has been even more exploratory. Rhys’ eclectic solo albums have contained songs sung alternately in Welsh, English and Spanish. And he’s a huge fan of collaboration, working with artists like Mogwai, Sparklehorse, De La Soul, Gorillaz, Simian Mobile Disco and Brazilian artist Tony da Gatorra, to name a few. One of his most celebrated collaborations has been with Boom Bip; the pair’s Neon Neon project has been widely acclaimed, earning a Mercury Prize nomination in 2008 for the album Stainless Style (a loose concept piece about the life of John De Lorean).
Rhys’ current project/tour is a follow-up to Separado!, a feature film/multimedia venture during which film crews followed the musician as his “investigative concert tour” traveled through South America. The film followed Rhys on his journey to learn more about his “long lost, guitar-playing, poncho-wearing uncle, Rene Griffiths.” Given his musical output, it was fitting that Rhys’ intellectual and creative curiosity had led him down such another unique path.
Here's the trailer for Rhys' "psychedelic western musical," Separado!
current “investigative tour” is another adventure in genealogy and
travel, as the artist (again trailed by a film crew for a planned
movie sequel/music/prose/photo project) journeys through North America to find
the burial site of John Evans, another distant relative who allegedly
left Wales in the late 1700s on a quest to verify the legend of a
Welsh-speaking tribe of Native Americans.
Rhys put this call out to anyone with info that could help: “Gruff urges anyone with clues regarding Evans’s unknown burial place; imaginary volcanos; wandering tribes of Welsh Speakers, or lingering river reptiles to come to the shows, where their help with his investigations will be appreciated and featured in the movie.” You might even make the film's final cut just by showing up and checking out the show.
Rhys’ performance will include music, discussion, his cutting humor and more. As the trailer above suggests, and anyone who’s seen SFA live knows (the band's criminally under-attended show at the Southgate House many years ago was one of my all-time favorite concerts), don't go into one of Gruff’s appearances with too many expectations because, most likely, they’ll be blown out of the water.