Sales of MidPoint VIP Passes end tonight at midnight, as do all online ticket sales for MPMF.11. Go here to make your online purchases of VIP Passes ($125) and 3-day wristbands ($49); you'll receive your tickets in the mail before MidPoint begins on Thursday.
Meanwhile, Biore® Skincare's giveaway of 20 free pairs of 3-day wristbands ends tomorrow at 12 noon. Register to win here.
If you prefer to buy your 3-day wristbands in person, you still have two options: visit one of 19 local retail stores in Cincinnati and Northern Kentucky selling wristbands (full list is here) or stop by the MPMF.11 Ticket/Info Booth on the MidPoint Midway Thursday evening during the first night of MidPoint. You won't be able to buy a 3-day wristband at any MPMF.11 venue — only the Midway ticket booth — and you won't be able to buy one after Thursday night.
The MPMF.11 Ticket/Info Booth will also have 1-day wristbands for sale each night during the festival for $30. You won't be able to buy a 1-day wristband at any MPMF.11 venue — only the Midway ticket booth.
I got a late start to the final night of MPMP 2010, and by the time I got to the Main Event, Natural Child only had a few songs left in their set. Having just turned old enough to get into bars a few weeks ago, it was the first time I’d stepped into the Main Event and I was happy with what I saw and heard. Housing Rock & Roll at its roots, the club featured a lot of plaid and, from what I heard, three damn good bands.
The 2010 MidPoint Music Festival is finally upon us. In fact, it actually kicks off at noon today on the outdoor plaza outside the Main Public Library at Ninth and Vine streets with local Americana/Roots favorites Magnolia Mountain. Should be a hot start to a long, action-packed weekend. Literally.
If you're looking for last-minute updates and answers to your questions, you can stop by the MidPoint World Headquarters across from the library at Garfield Suites Hotel (Vine Street and Garfield Place). They'll be open for business by noon today. The MidPoint web site is a good spot for daily schedules, venue details, maps, Metro shuttle bus info and everything else.
Everything was easy — parking, finding venues, moving from place to place. Easy street. Even the weather was easy — not too hot, not too cold, not even crisp yet. Clouds just hung out in the sky, slightly alive, so gray. Steel.
When I literally jumped out of the car in front of SCPA, excited strange people started offering me donuts. I didn’t take one, but I considered it. Fuck, that was stupid, I should have. Free damn donut. “Glazed!” they yelled, “Glazed!” Shout out to hot Dot, the lady in pink with the donut tray.
Welcome to the randomness that is sometimes called Midpoint. Bring it on.
Lucky score — found a wicked parking spot on Court, and I wandered over to Below Zero for Brooklyn’s Bear Hands. Standing in front of the bar’s enormous red “Z” on the wall, singer Dylan Rau also played bass and keys. Backed by two guitars and drums, Rau’s voice had a strong Post-Punk, New Wave edge that shone with the band’s catchy, circular rhythm. He was charismatic, big-eyed, and easy on the eyes. There was a good reason that neon-heavy Below Zero became packed very quickly. This band was not one to miss, in my book. I wonder how Bear Hands felt about the disco balls inside? I bet there was some lovin’ going on there.
MidPoint Music Festival headliners Cut Copy yesterday dropped a new video, "Blink and You'll Miss a Revolution," from the band's recently released full-length Zonoscope. The clip uses Planet of the Apes-esque dudes in a way that's both amusing and crafty — way better than most of the videos MTV used to play back when it was a music channel. And it's a nice primer for the Aussies stop here next week.
Oh, and here's what I wrote when Zonoscope was released back in March — notice the bit about them not touring here:
"Not as dancey as the the first two CC records, Zonoscope is a spacier, more laid-back grower that reveals frontguy Dan Whitford's lyrical acumen (the big beats and thick synths used to push his words to the background). I'm curious to hear how this sounds live. Unfortunately, CC's current tour does not feature a Cincy stop — though the band is slated to play the Pitchfork Music Festival July 17 in Chicago. Road trip!"
A new batch of over 20 artists has been announced for this year’s MidPoint Music Festival, which returns to the clubs and venues of Over-the-Rhine and Downtown Sept. 25-27. The following acts join The Afghan Whigs, who were announced last week as the Washington Park headliners on Sept. 26, at 2014’s MPMF.
New Jersey Indie rockers Real Estate enhanced the buzz they’ve been building on in March when Domino Records issued the group’s latest album, Atlas. The tough critics at Pitchfork, supporters of the band since its 2009 debut, gave Atlas an 8.8 (out of 10) and said it’s “at once their most forlorn album and their most beautiful.” “It is rare, and special, for a band to be this effortlessly and completely themselves,” Pitchfork added.
Noah Lennox is a founding member of Animal Collective but also a successful solo artist under his stage name, Panda Bear. His experimental, psychedelic style will be on glorious display at MPMF as he promotes his latest solo effort, Panda Bear Meets the Grim Reaper, due sometime this year on Domino Records. (Fun fact: Panda Bear was a guest artist on Daft Punk’s Album of the Year Grammy-winning Random Access Memories.)
Ambient Electronic artist Tycho (born Scott Hansen) makes critically acclaimed music for the esteemed Ghostly International label. His latest album, Awake, came out in March and reached No. 2 on Billboard’s Dance/Electronic Albums chart (and No. 23 on the general Billboard album chart). In a review of the new album, Consequence of Sound said, “Listening to Tycho is the aural equivalent of exploring a new art museum. The overall effect is one of remarkable beauty and you still have the option of how you’ll take it in.”
Uniquely adventurous San Francisco metallers Deafheaven take a unique approach to Black Metal, which has led to wider acclaim and a more diverse audience than most other Black Metal bands … and, of course, has led to some of the genre’s fans to decry them as “not Black Metal.” Whatever. The group’s fantastic Sunbather was one of the more compelling albums of 2013 (and, subsequently, one of the best reviewed albums of last year, as well). Here’s CityBeat’s interview with the band from earlier this year.
Gardens & Villa
After spending a couple of years touring the world and becoming a tighter, better band in the process, Californian Indie Electro Pop band Gardens & Villa released its second album, Dunes, on the Secretly Canadian imprint earlier this year.
Danish Indie Rock duo The Raveonettes have been buzzing around since 2001, when Rolling Stone editor David Fricke saw the band at a music festival and publicly raved about them. The twosome’s fuzzy Pop sound was an instant hit upon the release of Chain Gang of Love on Columbia in 2003. Over a decade later, Sune Rose Wagner and Sharin Foo are prepping their seventh full-length and continue to tour the globe.
Sun Kil Moon
Mark Kozelek first brought his emotive, slo-mo Indie Rock to the masses with the great Red House Painters. When that band dissolved around the turn of the century, the singer/songwriter and actor (he was in Cameron Crowe’s Almost Famous and Vanilla Sky) continued the vibe with Sun Kil Moon, which released its sixth album, Benji (featuring Sonic Youth’s Steve Shelley and Will Oldham, among other guests), in February of this year. In July, Kozelek will release a live Sun Kil Moon album.
Barrence Whitfield & the Savages
The Afghan Whigs aren’t the only MPMF band with international acclaim and Cincinnati ties. Vintage R&B/Rock & Roll outfit Barrence Whitfield & the Savages was formed in the ’80s by Soul shouter Whitfield and Peter Greenberg, guitarist for the pioneering Cincy Garage Rock band The Customs (and, later in Boston, DMZ and The Lyres). The twosome reformed the band (with some local musicians in the fold) and released the locally-recorded Savage Kings album in 2010. Building a bigger audience with every tour, the band’s Dig Thy Savage Soul album last year was its best received yet, leading to successful shows across Europe (and a spot of Later … with Jools Holland in the U.K.). Read CityBeat’s feature story on the band from last year when they played a two-night stand at MPMF venue MOTR Pub.
EMA is Erika M. Anderson, a South Dakota native who honed her chops in the California experimental music scene. With EMA, Anderson makes slinky Indie Pop Rock so infectious it caught the attention of indie label giants Matador Records. The label released EMA’s latest album, The Future’s Void, in April to widespread praise.
Ex Hex is the new band from Mary Timony, leader of Helium, member of Wild Flag and also a solo artist (the band name comes from the title of her 2005 Lookout! Records album). The band’s first release, the 7-inch single “Hot and Cold,” came out on Merge Records in March.
Formed by Man Man’s Adam Schatz, Brooklyn’s Landlady became a hometown favorite thanks to consistently great live shows and a 2011 self-released album. In July, the band releases its new album, Upright Behavior, on Hometapes, home to artists like Matthew E. White and Megafaun.
When Massachusetts Indie Rock band Speedy Ortiz had its first official full-length, Major Arcana, released on Carpark Records last year, the band instantly became an audience and critical favorite, landing on many scribes’ “Best of 2013” lists. The A.V. Club called the album “a markedly assured debut, one that makes Speedy Ortiz an act to watch. Like its songs, the band’s detonation is inevitable.” Earlier this year, the band released the Real Hair EP.
Low Cut Connie
After building a strong following in Cincinnati thanks to repeated visits (including a great set at last year’s MPMF), Piano Rock crew Low Cut Connie return for another rollicking show in the Queen City. Read CityBeat’s interview with LCC from March here.
Houston Indie rockers The Tontons hit the touring circuit hard over the past seven years and now, with the release of their second album, Make Out King and Other Stories of Love, earlier this year, the hard work is paying off for the band. The self-released LP received high praise from the likes of The New York Times, Paste and Rolling Stone.
Psych/Proto Punk band Ex-Cult hails from Memphis and recently released its second album, Midnight Passenger, on Goner Records. CMJ says, “This second full-length breathes with a more expansive volume and guitar churn, without resorting to every other current garage band’s habit of just dumping reverb on everything. In fact as this rec moves along, its snaky sprawl sees the band crawling out of its genre garage, like spilled oil and gas seeping into the weeds and cracks in the driveway, making everything a bit more slippery as you approach.”
Brooklyn’s Milagres make Indie Synth Rock for the Kill Rock Stars label. After the success of their 2011 album, Glowing Mouth, the band released Violent Light in early 2014.
Formed by two former members of Reggae group John Brown’s Body, trippy Dance Rock band Rubblebucket self-released its debut, Rose’s Dream, in 2008. Since then, the band has had its cover of The Beatles’ “Michelle” declared on the 50 greatest Fab Four covers of all time by Paste, appeared on Jimmy Kimmel Live and recorded with LCD Soundsystem’s Eric Broucek. The band’s most recent release is the EP Save Charlie.
NYC-based Mutual Benefit is the dreamy project of singer/songwriter Jordan Lee, who grew up in suburban Columbus, Ohio. Last year’s debut full-length, Love’s Crushing Diamond, drew comparisons to the likes of Sufjan Stevens and Grizzly Bear.
The Cave Singers
Seattle Indie Folk group The Cave Singers formed in 2007 out of the ashes of the great Pretty Girls Make Graves. The band’s latest album, Naomi, came out last year on Jagjaguwar.
Canadian Indie rockers July Talk formed just a couple of years ago, but already they have an international profile, touring with artists like Billy Talent and Besnard Lakes and catching audiences attention with a great live show. The group recently premiered a new music video for “Summer Dress,” a song slated for a forthcoming EP.
St. Paul & the Broken Bones
Alabama Soul ensemble St. Paul & the Broken Bones’ great sound and live show have made them a favorite on the international touring circuit. The band’s debut album, Half the City, came out earlier this year, leading to the group’s appearance on CBS’s The Late Late Show and, more recently, a nomination for Emerging Act of the Year from the Americana Music Association.
Three-day tickets (and VIP tickets) are on sale now at mpmf.cincyticket.com. Today at noon, single-show tickets for The Afghan Whigs’ all-ages (kids under 10 can get in free with a paying adult) concert in Washington Park on Sept. 26 go on sale at the same site.
If you're craving some solid live music, it's a surprisingly busy Monday night in the area clubs. Besides the always entertaining Insane Clown Posse's return to Bogart's tonight, here are a few other offerings:
• Los Angeles-based The Lonely Wild plays a free show tonight at MOTR Pub in Over-the-Rhine. Showtime is 10 p.m.
The Indie Folk ensemble formed just three short years ago, quickly becoming a favorite on the L.A. club circuit. The group's momentum has only increased since; the Wild's recently released debut full-length, The Sun As It Comes, has been garnering strong reviews and national radio's embrace of it gets stronger by the day. The band is also known for its entertaining, energized live show, which is helping The Lonely Wild grow its fan base rapidly on its current cross-country headlining tour. Read CityBeat's preview of tonight's show here.
Have a listen to The Sun As It Comes in full:
And here is The Lonely Wild performing live in L.A. late last year:
• It's an "Up-and-coming Indie Folk band" kind of night in Cincy this evening, as The Comet in Northside welcomes Denver crew Paper Bird. Austin, Texas-based Indie folkers Dana Falconberry open at 10 p.m.
With an exuberant, modern mesh of Roots and Americana, Paper Bird recently released its fourth LP, Rooms, the follow-up to its 2011 score for a collaboration with the Ballet Nouveau Colorado called Carry On. The seven-piece band's compelling sound has gotten Paper Bird featured on NPR's All Things Considered and in a New York Times piece earlier this year about Denver's blossoming music scene (which includes breakthrough, Grammy-nominated Folk Pop act The Lumineers, a tour mate of Paper Bird's).
Here's the music video for "As I Am," the first single off of Paper Bird's Rooms:
• Justin Furstenfeld, known for his emotional, honest songwriting in the band Blue October, brings his solo tour — dubbed "Open Book: An Evening with Justin Furstenfeld" — to Oakley's 20th Century Theatre tonight for an 8 p.m. show. Tickets are $25 at the door. Texas Indie Pop singer/songwriter Ashleigh Stone opens.
Furstenfeld's bipolar disorder has resulted in some highly open-hearted, sometimes excruciatingly bleak songs, something documented in his book, Crazy Making, detailing the origins of each Blue October song in words and music. The Open Book tour features Furstenfeld performing acoustically and talking about his songs (don't fear a total gloom fest; the singer/songwriter also has a sharp sense of humor). Check out CityBeat's preview of tonight's show here.
Here is Furstenfeld performing live at the Open Book tour's stop in Santa Ana, Calif., from early April:
Click here for even more live show in Greater Cincinnati tonight.
I love music festivals. Like, love. The crowds, the music, the excitement in the air. MidPoint Music Festival is special for all of these reasons, but also because it’s essentially in my backyard. I don’t have to find a hotel, or crash on a friend of a friend of a friend’s couch (see: Lollapalooza 2011) or worry about parking (see: no car) or getting lost (see: backyard). I can wander around the streets of Over the Rhine and downtown Cincinnati with lots of other like-minded people, basking in the glow emanating from each venue, where musicians and fans are creating those magical, collaborative moments I love.
Hugely popular Canadian Electro Funk duo Chromeo is bringing its groovy sound and stage show to this year’s MidPoint Music Festival. Chromeo’s tour in support of its recently-released fourth album, White Women, will include a headlining turn at MPMF.14 as the twosome heads up the bill on the Washington Park stage on Thursday, Sept. 25.
Chromeo performed the single “Jealous (I Ain’t With It)” on The Late Show with David Letterman a few weeks ago (to the apparent delight of the soon-to-be-retired host):
And the duo worked the crowd into a lather from the main stage at this year’s Coachella festival, drawing acclaim from outlets like The Hollywood Reporter, who declared Chromeo’s appearance one of the Top 10 sets of the entire Californian fest.
Chromeo’s White Women single “Come Alive” features MPMF alum Toro Y Moi:
Three-day passes for MPMF.14 (running Sept. 25-27 in various venues across Over-the-Rhine and Downtown) are on sale now for just $69 at mpmf.cincyticket.com (there are also a few early-bird-priced VIP tickets available). Single-show tickets for Chromeo’s Washington Park appearance go on sale this Friday. (Single-show tickets to Washington Park’s Friday night performances on Sept. 26 — which include headliners The Afghan Whigs — are on sale now at the CincyTicket link.)
Click here to check out some of the other previously announced performers.