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by Mike Breen 09.28.2012
 
 
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Turbo Fruits' Guitars Stolen at MPMF

Nashville rockers lose two guitars prior to show last night at Drinkery

Not cool, MPMF thieves. A pair of guitars were stolen from Nashville's Turbo Fruits last night before the band closed out the festival's first night at The Drinkery in Over-the-Rhine. Here's the skinny:

"Both of Kingsley's guitars went missing from the 2nd level green room at The Drinkery (1150 Main St) in Cincinatti last night before our MPMF show. These guitars have a lot of sentimental value and we're looking for any leads or suggestions for pawn shops, etc. where we might track them down. One is a 1994 american fender stratocaster 40th anniversary model. The other is a 70's aria les Paul with original bigsby and an original 70's Gibson case. Its Tobacco burst with old locking tuning keys with the screw to the locking tuner key on the high e missing. Please email us at turbofruits69@gmail.com.

-Turbo Fruits"

Photo of the Strat above.

 
 
by Mike Breen 09.18.2012
 
 
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Daily MPMFer: Walkmen, You, You're Awesome and More

Just nine days until the 11th annual MidPoint Music Festival

MPMF news and musings: ArtWorks/Springboard Cincinnati is once again handling one of the cooler aspects of the "MidPoint Midway" (the fairgrounds-like area connecting Main to Vine streets, with food vendors, a music stage, poster expo and lots more). Last year's MidPoint Music Festival saw the introduction of the "Box Truck Carnival," where numerous local artists and organizations turned nondescript moving trucks into their own little worlds (last year, there was a theater, a skate park and a Putt Putt course).

This year, Springboard is profiling the trucks on its website leading up to the big event next week. So far, they've introduced the Art for All People truck, "Art and Music Box," where you'll be able to add your own creative paint job, and the truck by OTRimprov, which will feature improv games and "on-the-spot workshops" for aspiring UCB comedians (or just the curious). Click here to check out these and other "fun in a box" experiments.

• The other big news of the day is that one of the bigger headlining acts, Sleigh Bells, has been forced to cancel its appearance at Washington Park during the festival. The band was slated to headline the park stage at 7 p.m. on Saturday, Sept. 29. The full lineup for Saturday is up in the air, but will be retooled with additional acts. Expect an announcement soon.

If Sleigh Bells was the only act you wanted to see at the festival and you'd like a refund, here's the official details: "Customers who have purchased the Washington Park Saturday Ticket may choose to either keep their tickets, or may receive a refund by contacting support@cincyticket.com by the end of the day Sept. 21st. If you elect the refund, only the cost of the ticket is refunded, not the shipping or service fees. No refunds will be issued for All Music Access Passes."

Sleigh Bells guitarist Derek Edward Miller tweeted that he fractured his arm while skateboarding in Florida recently, causing the cancellation of MPMF and a few other dates.

And now, with the countdown down to just 9 days (single digits!), here are our daily MidPoint Music Festival 2012 picks …

BIG SHOT
The Walkmen (New York, NY)
Indie Rock

A dozen years since members of Jonathan Fire*Eater and the Recoys coalsced into the formidable Walkmen? It hardly seems possible. But then, neither does the band's almost supernatural string of confusingly brilliant albums, all crafted by the same line-up that began at the dawn of the new millennium; the sparse, atmospheric jangle of Everyone Who Pretended to Like Me Is Gone, the intense and visceral Bows + Arrows (featuring their signature "The Rat"), the quiet beauty of A Hundred Miles Off, their weirdly wonderful cover of Harry Nilsson's Pussy Cats, the powerful You & Me, the fabulous Lisbon, and their latest, Heaven, widely acknowledged as their best album to date, a phenomenal accomplishment for a band in their 13th year. Long may they walk.
You'll Dig It If You Dig: The Strokes if they'd been guided by Bob Dylan, Bob Dylan if he'd been backed by The Strokes. (Brian Baker)

The Walkmen perform Saturday, Sept. 29, on the Grammer's/Dewey's Pizza Stage at 9:15 p.m. Here is the band's music video for "The Love You Love."



SLEEPER PICK
Holy Ghost Tent Revival (Greensboro, NC)
Folk Rock

When a band lists the Rolling Stones and Glenn Miller as primary influences, there’s a good chance their musical pegs don’t fit the standard genre holes. So it is with Holy Ghost Tent Revival, a North Carolina sextet that redefines eclectic, veering from Ragtime and Hot Jazz to an electric brand of Swing and the kind of funky, rootsy Country Rock that would have made Levon Helm grin and stomp. You don’t often see the Charleston breaking out in the middle of the mosh pit, but anything is possible at a Holy Ghost Tent Revival gig. Be prepared.
Dig: Squirrel Nut Zippers explore their secret love of the Band, Blood Sweat & Tears and Burt Bacharach. (BB)

Holy Ghost Tent Revival performs Saturday, Sept. 29, at Japp's at 11:30 p.m. Here's a preview of the band's just-released album Sweat Like the Old Days.



LOCAL LOCK PICK
You, You're Awesome (Cincinnati, OH)
Indie/Electronica/Dance

The duo You, You’re Awesome has been the Cincinnati Indie music scene’s go-to Dance music favorites for the past few years, blending live drums with quirky, playful soundscapes that call back to earlier electronic music pioneers. As EDM and other forms of Electronica have grown in popularity, a lot of artists seem to have a hard time figuring out how to distinguish themselves. But You, You’re Awesome doesn’t have that problem, emerging with a versatile sound that isn’t based on any one trend. The group released several EPs before last year’s debut full-length, but YYA is most fun to experience in a live setting. You can dance if you want to — everyone else will be.
Dig: Daft Punk reborn as Saturday morning cartoon characters. (Mike Breen)

You, You're Awesome are slated to play at 5 p.m. on the Washington Park stage on Friday, Sept. 28. Here's the track and visuals for YYA's "Yippee Ki Yay Mister Falcon." Click below for a playlist featuring numerous YYA clips.



Click here for full MPMF details via the official MidPoint site.

 
 
by Mike Breen 09.24.2012
 
 
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Daily MPMFer: Freelance Whales, Leogun and More

The MidPoint Music Festival countdown clock reaches three days

The MidPoint Music Festival countdown is down to just 3 days, kicking off this Thursday. Here are our daily MidPoint Music Festival 2012 picks …

BIG SHOT
Freelance Whales (Queens, NY)
Baroque Indie Electro Pop

Frontman Judah Dadone founded Freelance Whales in 2008 and recorded much of the band's lauded, self-released debut album from late 2009, Weathervanes (reissued by Frenchkiss and Mom + Pop in 2010). The band not only scored a lot of fans based on the album, but also a ton of licensing (for a variety of films and TV shows). The band's consistent international touring, external exposure and word-of-mouth PR has built anticipation for its new album, Diluvia, to a fever pitch. The LP is set for an Oct. 9 release (MPMF serves as the opening date on the band's tour behind the record). Freelance Whales' mix of electronic sounds and Chamber Folk ideals has led them to be compared to everyone from The Postal Service to Sufjan Stevens.
You'll Dig It If You Dig: Sufjan Stevens making a Postal Service album; Postal Service making a Sufjan album. (Mike Breen)

Freelance Whales (their name, if you're wondering, was inspired by the huge amount of "freelancers" working in NYC) performs Saturday in Washington Park at 7 p.m. (taking the slot vacated by Sleigh Bells). Here's a new track from Diluvia, "Spitting Image."



SLEEPER PICK
Leogun (London, UK)
Rock & Roll

With “big breaks” today mostly coming in the form of internet exposure, London trio Leogun’s big-time entry into the music biz was decidedly old-fashioned. Singer/guitarist Tommy Smith snuck into an Eagles of Heavy Metal show in London and met an industry heavyweight who introduced him to Elton John’s Rocket Music Management. From there, the band became the first band signed to instrument-maker Yamaha’s new record label. Leogun went to Nashville to lay down some of their timeless, passionate Rock & Roll, the first results of which are set for an EP due Oct. 16 (a full-length is planned for 2013). Leogun’s transcendent take on vintage Blues-inspired Rock & Roll is strong enough to earn them one the “bands most likely to return soon for an arena show” awards from this year’s MPMF.
Dig: Wolfmother, Pearl Jam, Queens of the Stone Age. (MB)

Leogun performs at The Drinkery Saturday at 12:30 a.m. Here's the band's new single and video, "Let's Be Friends," which just premiered on MTV.com.


LOCAL LOCK PICK
The Perfect Children (Cincinnati, OH)
Garage Soul

The Perfect Children is a duo featuring guitarist/keyboardist/vocalist/songwriter Kristen Kreft (a musical theater veteran formerly of J. Dorsey Blues Revival) and drummer Adam Shelton (Barbury Coast, RX-2, Gordy Horn) sure to be blowing fuses and minds with Kreft’s gale force voice and the twosome’s versatile instrumental skills. From Peggy Lee Soul/Pop grooves to Etta James Blues moves, management cannot be responsible for dropped jaws.
Dig: A Garage duo with the Soul of Otis Redding, the cool of Etta James and Nina Simone and the Rock of Bo and Chuck. (Brian Baker)

The Perfect Children perform Friday at Japp's at 10:30 p.m. Click here to listen to their song "Tumblin' Down" and other MPMF tracks, courtesy of the Vitaminwater media player.

Click here for full MPMF details via the official MidPoint site.

 
 
by Staff 03.02.2010
 
 

MPMF Registration Now Open

Is it really that time again? It seems like just yesterday that we were jumping from one packed MPMF venue to another, checking out everyone from local favorites to national and international gems to local favorites turned (inter)national gems.

Yes, bands and artists the world over can now register to take part in the 2010 MidPoint Music Festival, a three-day (Sept. 23-25) downtown Cincinnati party that is rapidly becoming a highlight of the region’s musical landscape.

Read More

 
 
by Mike Breen 09.18.2013
 
 
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The Ridges Return to MidPoint

Indie Orchestral Folk troupe from Athens to showcase twice during next week's MPMF

Athens, Ohio's Orchestral Folk Rock ensemble The Ridges has become a Cincinnati favorite thanks to frequent visits, including during several past MidPoint Music Festivals. The band is returning to MPMF this year for a pair of showcases. Since last year's MPMF appearance, the group has toured extensively (hitting the South, Midwest and East Coast hard), played seven (!) showcases at Austin, Texas' South By Southwest and, most recently, opened for Indie stars Ra Ra Riot.

The Ridges will play MidPoint again this year, on Saturday, Sept. 28, at Mr. Pitiful's on Main Street in Over-the-Rhine. The band made a promotional video for its official MPMF showcase, featuring a clip of an unreleased song called "Shadows."



In addition to the official showcase, The Ridges have curated the musical lineup for FotoFocus Presents: The MidPoint Sessions, an afternoon "day party" to celebrate the concert photography exhibit Reverberation: Capturing the Live Music Experience at the Art Academy of Cincinnati's Childlaw Gallery (1212 Jackson St., Over-the-Rhine, just off the MidPoint Midway).

Though not officially affiliated with MidPoint, the showcase and exhibit are great examples of some of the cool auxiliary events that are scheduled around official MPMF events. The exhibit will be open longer during MidPoint; fans
can check out the show until 9 p.m. on Sept. 26 and 10 p.m. on Sept. 27-28. The exhibit closes Sept. 29.

For The MidPoint Sessions, The Ridges have invited some of their fellow Ohio musician pals (and fellow MPMF 2013 showcasers) to join in on Saturday, Sept. 28's event at the Art Academy. Cincinnati's The Happy Maladies and Molly Sullivan, as well as Columbus, Ohio's great Indigo Wild are also slated to play. The performances are being filmed by The Queen City Project; look for video of the artists' Sessions after MidPoint.
 
 
by Mike Breen 04.15.2015 78 days ago
 
 
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Free 2015 MidPoint Indie Summer Concert Lineup Released

Friday night concerts to include Surfer Blood, The Tings Tings, San Fermin, Sloan and much more

The lineup for this year's MidPoint Indie Summer was announced this morning. Along with a slew of solid local acts, this year's free Friday night concerts on Fountain Square will feature more well known national acts than ever before.

Shows run 7-11 p.m. from May 29-Sept. 4.

May 29: Surfer Blood; The Yugos; Automagik; Harbour
Jun 5: The Mowgli's; One Day Steady; Nevele; Beloved Youth
Jun 12: Kopecky; Broncho; Coconut Milk; Near Earth Objects
Jun 19: Buffalo Killers; Ohio Knife; Mad Anthony; Go Go Buffalo
Jun 26: Sloan; Mother Mother; Old City
Jul 3: Red Wanting Blue; Young Heirlooms; Motherfolk; Chris Salyer
Jul 10: Saint Motel
Jul 17: The Ting Tings; Brick + Mortar; Black Signal
Jul 24: Givers; Prim; Even Titles
Jul 31: The Whigs; Multimagic; Pop Goes the Evil; Never Setting Suns
Aug 7: Tweens; Leggy; Smut; Shark Week
Aug 14: Judah & The Lion; Seabird; Matt Hires; Along the Shore
Aug 21: San Fermin; Lemon Sky
Aug 28: Wussy; Pike 27; The Perfect Children; JetLab
Sep 4:The World is a Beautiful Place and I am No Longer Afraid to Die; Injecting Strangers; Moonbeau: Edison

The shows are sponsored by CityBeat's MidPoint Music Festival (MPMF does not book artists for the Fountain Square events). MidPoint returns this year Sept. 24-26. The festival is currently accepting applications from artists interested in playing MPMF 2015. Click here for details.

 
 
by Mike Breen 09.28.2012
 
 
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MPMF.12 Day 1: Kick-Off Run Back For Touchdown

Opening night of the MidPoint Music Festial makes for best Thursday yet

Night 1 of the 2012 MidPoint Music Festival is in the books, a fantastic Thursday that has to be by far the best attended, best booked Thursday in the festival's 11-year history.

It was a rockin' night, and also a weird one. In a good way. I caught great sets by some top-notch Rock & Roll bands, like the excellently named Shark? — which the singer/guitarist kept alternately calling "Shark?" (as a question) and SharkWithAQuestionMark. It's the sound of a great Rock band raised on equal doses of Black Flag and The Beach Boys. I can't take credit for that wise observation — the singer/guitarist's ax had a Black Flag "four bars logo" sticker doctored to read "Beach Boys." I think. My eyes are shot. It could have said Bleck Flog. And I don't know who that is. Great songs, ’90s Indie guitars-meets-the-Ramones-grind-and-shine, all peppered with some great low-key humor. Deadpan Alley Indie Rock Punk Pop? Definitely a strong if fairly under-attended set at Cincinnati Club's basement venue. It was early.

Still, by this point, I'd been going for about four hours, catching a nice opening performance on the Washington Park stage by Bonesetters, whose music fits perfectly between Pomegranates and Andrew Bird — which works out great because they performed on the same lineup as Cincinnati's Poms and genuine "Indie Star" Andrew Bird. The Washington Park stage was one of the best aesthetically. The back drop of Music Hall right behind the big MPMF-trucked-in stage was majestic. The buildings and rich surroundings of Over-the-Rhine made the whole scene perfect — I especially dug the helix stage props hovering above the performers from the stage-top, which lit up as the sun dropped and provided a great visual with the giant glowing Music Hall art-glass window right behind it like the moon looking on in approval.

Bird drew a solid crow to the Washington Park field, some hypnotized by his unique and diverse sound — he had a band but sometimes it seemed like Bird was multi-tasking his brains out, playing violin, singing, playing with effects, hitting the xylophone, whistling like a Classically-trained bird, crooning all charming-like. It was lilting and mesmerizing at times, but there was also about 75% of the crowd that decided to talk throughout Bird's entire set. I guess it's somewhat fair — they were just multi-tasking, too. But this was slightly annoying because, although Bird's music rises to an Indie Pop strut at times, mostly his music is about spaciousness — sparse percussion, airy violin, ethereally noisy guitar cloud-bursts, pure Americana moments, those whistles and that swoony croon.

I got a great dose of classic "Indie Rock" from a pair of groups that were playing the local original music scene before "Indie Rock" ever entered our lexicon. Filament opened up festivities at MOTR Pub and sounded amazing — not just like the members hadn't stopped playing about 14 years ago (this was one of their first shows back), but like they hadn't stopped playing and got even tighter and better. The trio looked comfortable on stage together and mind-melded in their interplay. Sometimes certain people are just meant to play together. Looking forward to hearing more of Filament's angled, muscular, anxious Post Punk sound soon.

The great Fairmount Girls are 11 for 11 in MidPoint plays — the Cincy greats have played every MPMF. And every time I've seen them it's a highlight. The Fairmounts' sound is always such of colorful explosion of melodies and grooves (talk about two people meant to perform together — keyboardist Melissa Fairmount and drummer Dana Hamblen are the Everly Brothers of Indie Pop, their creative rapport seemingly so effortless and perfectly natural). Pat Hennessy (also of The Tigerlilies) and Randy Cheek (also of The Ready Stance) add greatly to the colorwheel, also giving the songs shadows and corners with their creative guitar parts (and, in Cheek's case, effected-out, Xmas-light-decorated trumpet backing). 

At one point in my Thursday adventures, I started to drag and found myself feeling like I needed something "weird" to snap me out of it. Or some crack. Luckily, I opted to — at that very moment — walk into Below Zero where I was greeted with what appeared to be a giant table-cloth monster with lights, dancing as a giant mass towards me. I SWEAR I didn't choose option "crack."

Turned out to be the last few songs from The Terror Pigeon Dance Revolt. I spent last night and this morning trying to wrap my head around the whole experience of TPDR and the following performer, Canada's Richard Aucoin. I'm still not sure I can explain.

There are a few artists finding increased success in Electronic/Dance music circles (and, due to the power/entertainment value of the performance, with people beyond that scene as well) who are putting the "show" back in "Hey, let's go check out a show." TPDR and Aucoin, as well as Dan Deacon and Girl Talk to an extent, are the most interactive artists in music right now, not only erasing the line between audience and performer, but disintegrating it to the point where the audience is part of the performance and the performer is part of the audience.

Both TPDR and Aucoin performed amongst the audience at Below Zero, constantly encouraging everyone to participate, move closer, squeeze in, huddle up, jump, chant. Aucoin worked with — and actually interacted with — synched-up video that included some hilarious clips ("previews") and funny shout-outs to Cincinnati, some of the other participating artists, MidPoint and other weird, funny shit. Aucoin sang the Electro anthems (from the floor to the top of the bar) over driving programmed backing and a propulsive live drummer. It was like a strange performance art/comedy/film/dance party, with Andrew W.K's. energy and party-starting-abilities and Flaming Lips-like carnival action — made all the more amazing taking place in a pretty small club space (made smaller by his constant insistence that everyone mush in around him as tight as possible).

The audience was enthralled and sucked in. (The above photo by Jesse Fox and the reactions on the people's faces are the perfect description of the show.)

I got a little more "weird" next door at the Emery Theatre, the restored historic theater just off Central Parkwkay that is shaping up to be — along with Washington Park — a crown jewel venue and a perfect fit for MidPoint. Though familiar with their music, I wasn't sure what to expect from Dirty Projectors, but it was a truly unique performance of Beefheart-ian R&B Folk Jazz Pop …  yeah, they're wonderfully hard to explain.The show was likewise. The Emery was packed for the Projectors's avant-garde outerspace jams, a glorious sight, the perfect site for it and a vision of the theater's promising future. (The National next week is even more must-see because it's at The Emery.)

The MidPoint Midway was fairly hopping once the sun went down. The Box Truck Carnival is fittingly bonkers this year. Trucks have been turned into an improv comedy club, magnet crafts station, old-school video game arcade and a Soul Train dance-off/silhouette peek-a-boo truck, which got funnier and drunker as the night went on. Check out those and the other trucks even if you don't have a ticket to the festival. There's also good food options (Washington Park had solid vendors as well) and a large stage that will feature "second play" surprise sets by artists playing elsewhere during the fest.

I ended my night perfectly, coming full circle and back to "The Rock." Turbo Fruits were firebombs of no bullshit Rock & Roll, intense and heavy, but also very melodic and engaging, especially on some of the off-the-path Psych Pop songs they slip into the grinding gears. Turbo Fruits were a reminder that Rock bands can put on a show — they were thoroughly entertaining without confetti canons and surper-groovy light shows. Not that there isn't place for both. And that place, apparently, is MidPoint.

Night 2, here we come.

Check out oodles of photos from Day 1 of MPMF.12 here.
 
 
by Mike Breen 06.19.2014
 
 
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WATCH: Buffalo Killers, Afghan Whigs Recent TV Appearances

Two Cincinnati-spawned Rock acts featured on network TV on the same night

On June 4, two Cincinnati-born bands were featured on two different late-night network television shows. Rock foursome Buffalo Killers, promoting their excellent new album, Heavy Reverie, appeared on NBC’s Last Call with Carson Daly in a pre-recorded interview package sprinkled with some cool performance footage. It was the band’s network television debut.



Earlier that same night, one of Cincinnati’s most renowned musical exports, The Afghan Whigs, played on The Late Show with David Letterman. The band — which is coming home to headline this year’s MidPoint Music Festival — played a great version of their tune “Matamoros” from the recent Do to the Beast album, their first new LP in 16 years. 



 
 
by Deirdre Kaye 09.30.2013
Posted In: Live Music, MidPoint Music Festival, Reviews at 11:29 AM | Permalink | Comments (2)
 
 
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MPMF Day 3: Anchoring Down at the Taft

Great news, y’all! I made it through another MidPoint without getting raped or mugged. (Getting mugged might not be so bad, though. “No, officer, it was definitely not me who bought Duck Dynasty underwear at Walmart.”) I know you were concerned for my safety.

I did MPMF quite a bit differently than I have in years past and I have to say, I think it contributed to it being the best one yet for me.

First, I forwent going with friends. I like my friends in small doses and on a couch talking about TV and girlfriends/boyfriends. Trying to coordinate concert plans with them, though, has always been an ordeal. Some of us are more hipster than others.  Going it alone sometimes feels slightly sketchy, but mostly I think it helped my experience. I wasn’t forced to stand in any hot, cram packed rooms to see bands I was less-than-thrilled to see.

Second, I decided to spend my entire Saturday night in just one venue. I did this for a few reasons: 1) Everyone I wanted to see was in that venue; 2) Cheap parking close-by. Therefore, I spent my Saturday night either pacing around outside the Taft Theatre or swaying back and forth inside the Taft’s Ballroom.

And, ya know what? I had a damn good time.

The Taft is my favorite venue in town. Whether it’s in the seated portion or down in the basement, it just has an amazing vibe. I love those bright white bulb-lights out front around the marquee. It makes the whole place sparkle. It just looks like you could pick it up and sit it in the middle of Gatsby’s New York City. Downtown Cincy has plenty of art deco touches that I dearly love. However, nothing makes me feel more fancy and more ready for a special night than standing outside the Taft. In addition, the basement Ballroom, where all three of Saturday’s bands performed, has this comfortable, almost sexy darkness to it. You could get into a little bit of trouble in some of those shadowed corners. I wouldn’t judge you if you have. I might be disappointed you never invited me, though.

Bear’s Den opened the night and, since I’d seen them recently, I didn’t feel too bad when I spent the better part of their set outside on the phone. It gave me the chance to people watch, which is always a ton of fun at MidPoint. MPMF pulls in a jumbled assortment of people to tramp around downtown with their wristbands. I saw people my parents’ age, dressed rather fancifully, chat with security and then slip down into the basement. I also saw an insane amount of frat guys, plus one very drunk Reds fan and his seriously concerned girlfriend. (I still don’t know why she unleashed her concern to me. But I really hope she finds a new date for next year. Like, maybe someone who won’t put her life in danger?) Oh! And I saw one seriously fabulous drag queen. (I appreciate your use of neon, girlfriend.)

Despite missing London’s Bear’s Den, I know they rocked. Not just because I’ve seen them and I love them, but because they still had a line of fans waiting to meet them when the final act went on at midnight. I think Cincinnati fell in love on Saturday. I’m giddy for Bear’s Den and for Cincinnati. Good choice, my friends.

I caught Cincinnati’s Bad Veins, though. Of course, I’ve seen them before, but I never mind the chance to see them again. Those two boys can make a ton of noise. Even with a few sound/mixing issues, they still managed to keep the room enthralled. That may have had something to do with Ben Davis’ bellowing into the microphone or climbing to the top of the monitors. I have no musical talent whatsoever and my balance is minimal at best, but I was envious as he stood towering above me with his hands on the ceiling and an entire room of people staring up at him in awe. The Veins are a genuinely good band. Not “good for a local band,” but good enough to root for them to keep gaining fans across the country.

Later, I watched Davis stand in the back of the room talking to a couple people for a surprisingly long time. They seemed to devour everything he said. He has dangerous levels of charisma. It was fun to watch.

As much as I love Bad Veins and Bear’s Den, I’d spent all weekend eagerly awaiting Daughter’s performance. I’m not sure why, but I didn’t expect many people to show. I guess because I remember when “Daughter” was just Elena Tonra. I slinked my way pretty close to the stage and gaped at Tonra as she charmed the pants off everyone in the room. When it got stuffy a few songs in, I turned around and was speechless by the sheer amount of people that had suddenly come in behind me.

It makes sense, though. Jesus. Her voice is beautiful. If you were anywhere else in the city on Saturday night, you messed up. She sent heads to the shoulders of girlfriends and, shockingly enough, most cell phones managed to stay in purses and pockets. It’s not that she wasn’t worth capturing. It’s that she was too captivating for anyone to have any other thoughts other than keeping their eyes glued to her face and their ears filled with her voice. Oh. The bow across the electric guitar was a great (albeit not very new) approach, too. It added a nice eerie feel to Tonra’s already haunting voice.

As I left, I had big plans to reflect on the concerts and do a little pre-writing for this review while walking to my car. One of my favorite former co-workers waylaid me, though. So much for avoiding my friends. Cincinnati is too small for that. I didn’t mind too much; I got all the dirt on who had left and who (sadly) was still around.

Eventually, I said goodbye to my ex co-worker, wandered away from Taft Theatre’s bright lights and into the ever darkening street.  As I meandered, it occurred to me just how much of a feat MPMF is for us. Cincinnati may be a city, but we’re not a very big one. How do we manage to talk so many stellar bands into visiting us every year? How is it possible we have something as beautiful as the Taft? How do we produce such a bounty of awesome local bands?

My best friend likes to joke that Ohio has bred more astronauts than any other state. He says it’s because Ohio is awful and space was as far away as they could get. However, I think we’ve bred so many astronauts for the same reason we’ve spawned bands like Walk the Moon and Bad Veins and all of the other great acts playing MPMF and for the same reason we put on such an great festival. We’re small but mighty. We put our hearts into the things and the people we love. Even if they don’t deserve it. (I’m lookin’ at you, Bengals.)

 
 
by Staff 09.18.2011
 
 
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MidPoint VIP Passes, Ticket Giveaway Coming to End

Sales of MidPoint VIP Passes end tonight at midnight, as do all online ticket sales for MPMF.11. Go here to make your online purchases of VIP Passes ($125) and 3-day wristbands ($49); you'll receive your tickets in the mail before MidPoint begins on Thursday.

Meanwhile, Biore® Skincare's giveaway of 20 free pairs of 3-day wristbands ends tomorrow at 12 noon. Register to win here.

If you prefer to buy your 3-day wristbands in person, you still have two options: visit one of 19 local retail stores in Cincinnati and Northern Kentucky selling wristbands (full list is here) or stop by the MPMF.11 Ticket/Info Booth on the MidPoint Midway Thursday evening during the first night of MidPoint. You won't be able to buy a 3-day wristband at any MPMF.11 venue — only the Midway ticket booth — and you won't be able to buy one after Thursday night.

The MPMF.11 Ticket/Info Booth will also have 1-day wristbands for sale each night during the festival for $30. You won't be able to buy a 1-day wristband at any MPMF.11 venue — only the Midway ticket booth.

 
 

 

 

 
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