• At this weekend's Whispering Beard Folk Festival in Southeast Indiana, masterful Cold Spring, Ky., Americana group The Kentucky Struts debuted their great new music video for the ominous, creeping and soulful tune, "Country Road," from their The Year of the Horse album. The band made the video with Keith Neltner and Brian Steege, who worked on the documentary Charlie Louvin: Still Rattlin' the Devil's Cage. (Read more about the Struts recent album from CityBeat here.)
Archer’s paradox, according to Wikipedia, is the phenomenon whereby "in order to strike the center of the target with an arrow, the arrow must be pointed slightly to the side of the target."
Archer’s Paradox, the band, according to the two members I spoke with on a hot Thursday — much the same.
“It started about a year ago. I disbanded from a band I was in earlier (with Mia Carruthers, of MTV’s Taking the Stage fame) and Stefan Wright (drummer) and I started making songs in my room by myself,” says project founder, Seth Huff, “and then Cam (Nawaz, synth and backup vocals) started coming over out of nowhere, and we started hanging out and he was like, ‘Hey, those songs are pretty good’, and here we are, a year later, with four other people, having fun.”
Originally conceived as a two-piece consisting of Huff and Nawaz performing live with recorded backing tracks, the duo realized that direction would be “the most boring thing in the world,” says Nawaz, “so we quickly moved past that. And we realized that we have numerous friends who are really good at playing instruments.”
The band was fleshed out with Wright on drums, guitarist Alex Solin, and bassist Mark Wilson.
Working with a five-song EP recorded solely on Huff’s MacBook Pro, Archer’s Paradox has a distinctly DIY vibe. Very calculated in their approach to publicity and performing, Archer’s Paradox only performed its first show this year at Rohs Street Café during the sixth The Heights Music Festival in Clifton.
“We’re all about the DIY thing. That’s kind of like our religion. If we had to pick a religion, it would be DIY,” says Huff, who writes all of Archer’s Paradox material.
More shows followed, and in “a stroke of luck”, as Nawaz says, Archer’s Paradox earned a slot at the inaugural Bunbury Music Festival, held at Sawyer Point today through Sunday. Nawaz details how, while informing friends via text of their latest project and upcoming show, Wright happened to text Ian Bolender, a former bandmate from another band (Ellison), who happened to be an employee of Nederlander Entertainment, which happened to be the company booking Bunbury Music Festival. Bolender responded within 15 minutes with the offer of having Archer’s Paradox play Bunbury.
“We make our own luck,” clarifies Nawaz. “We use every outlet of who we know and every resource to our absolute maximum potential.”
Huff agrees, relaying how other shows have fallen into place just as harmoniously. I point out that maybe instead of finding "luck," Archer’s Paradox has serendipity on their side.
“THAT’S our religion,” Huff jumps in, eagerly. “I take back that thing I said before.” We note the fact that the letters “DIY” are also in ‘serendipity’, and thusly, the band’s definition is fully confirmed.
“Work smart, not hard,” Huff continues. “Observing the way other bands do it, you can learn a lot and make a game plan from that. If you have decent music, you have a really good shot if you learn to use the machine that is the Internet.”
“We knew we didn’t want to take the ‘let’s get signed right away, let’s get distributed’ path before playing anything,” Nawaz chimes in, referencing internet-phenom bands without much substance to back up their product.
“You have to gain the respect of fans and then they’ll actually want to pay for the music,” says Huff.
At this year’s Bunbury Music Festival, Archer’s Paradox will have their biggest chance yet to do just that.
Archer’s Paradox opens up the Landor Stage at Bunbury on Sunday at noon. Listen to them here and check out this clip for the group's song "Patience."
After the tumultuous revolution of The White Stripes, the twisted Pop/Rock convention of The Raconteurs and the Blues/Indie Rock gene splice of Dead Weather, there was nothing left for Jack White to do but to hang his own name on the marquee and go the solo route. There is an argument to be made that every White project is an extension of his musical persona regardless of the personnel he surrounds himself with or what he calls it; even the album's he produces bear his distinctive mark. At the same time, it’s also true White uses his shifting musical guises to offer a prismatic glimpse into the unique facets of his creative psyche, each one cut from the same bolt of cloth but patterned into something subtly but noticeably different.
White’s debut solo album, Blunderbuss, follows that logic line in much the same way. He explores and expands upon many of the genre variations that have defined his catalog to date in the service of imploding love songs that, at least on the surface, would seem to point toward his recent divorce as inspiration. In fact, the lack of actual drama surrounding that event indicates that White has written a song cycle about theoretical bad love rather than using pages out of his tear-stained journal for his muse.
Musically, Blunderbuss is a mixed bag of White’s best tricks; the Who-like guitar blast of “Sixteen Saltines,” the Prince-channels-the-Stooges Soul squall of “Freedom at 21” and the bluesy sugar swing of “I’m Shakin’.” But White also pushes his work down some interesting new paths as well, from the Americanapolitan Soul of “Love Interruption" (where White and singer Ruby Amanfu duet in a manner befitting Robert Plant and Alison Krauss) and the purer Country sway of the effecting title track to the Ray Davies-tinged dancehall Pop of “Hip (Eponymous) Poor Boy” and the loungey piano Pop of “Hypocritical Kiss.”
Blunderbuss is another prime example of Jack White’s impeccable track record as one of Indie Rock’s most reliable chameleons.
(Edited to correct White's duet partner on "Love Interruption")
Music Tonight: From the land of Bob Dylan comes Thomas Kivi and Sarah Pray, a Minneapolis-based Folk duo styled after Dylan and Joan Baez's collaborative performances and similar to contemporary duos like Gillian Welch and David Rawlings or current breakout stars The Civil Wars. The twosome performs a free, 9 p.m. show tonight at Sitwell's on Ludlow Ave. in Clifton, part of their four-week U.S. jaunt called "The Better Weather Tour" (oops — sorry for the rain, y'all!). Joining forces in the summer of 2010, Kivi and Pray wasted no time taking their music to the world, embarking on an 11-week, 11-country tour of Europe in the fall of 2010. The pair have also found time to tend to their solo careers —a year ago, Kivi released his debut, Crying Child, to widespread local acclaim, while both artists have new recordings coming soon. Below, enjoy some great footage put together by bandwithsessions.com when the duo was in Ireland on that first big tour (billed as "Minnesota Nice").
Music Tonight: Though Brooklyn is viewed as the U.S. capitol of Indie music cool, that doesn’t mean every musician working out the New York borough fits the bill. One such band is progressive Funk/Rock jammers Dopapod, who moved to Brooklyn from Boson, where they met and formed as students at the Berklee College of Music. With twinges of Jazz and Electronica, Dopapod’s groovy mash has been building steam on the jam-band circuit. The group has released two studio albums since 2009 and, two days ago, the first Dopapodz live album, I Saw Live Dopapod Evil Was I, was released (it’s available as a free download if you “like” the group’s Facebook page). The band is joined by local, like-minded Psychedelic adventurers Pharaoh Loosey for tonight’s 9 p.m. show at Corryville club The Mad Frog. Check out the below clip for a taste of the group’s funky live sylings.
Neon Indian is finally getting ready to release the much-anticipated follow-up to its 2009 breakthrough debut album, Psychic Chasms. The Texas Indie/Electronic band — a MidPoint Indie Summer Series "regular," playing packed shows at Fountain Square's free Friday night concerts this and last year — is dropping Era Extraña on Neon Indian mastermind Alan Palomo's (pictured) own Static Tongues imprint on Sept. 13. Want a sneak peak? Head below and click the widget to receive a link for a free download of the new album track, "Fallout."
The Van's Warped Tour might not be the most financially successful summer package tour of all time (the promoter and performers work together to keep an ego-free environment and low ticket prices), but it's hard to argue that it is not the most successful overall, especially in terms of longevity. Now in its 18th year, Kevin Lyman's eclectic traveling festival has outlived all of the roving music events that sprouted up around the same time (from Lollapalooza to Lilith Fair) by creating a "customer friendly" experience that's also very "artist friendly."
The tour's 2012 finale is this weekend in Portland, but before shutting things down for the summer, the fest makes its annual stop at Cincinnati's Riverbend today. Doors open at 11 a.m. and music kicks off shortly after. The show ends around 9 p.m. Tickets at the box office will cost ya $42 (about a dime a band, by my estimation).
Click here for more local show details, including info on how you can "Skip the Line" and walk right into the venue.
The set-times for each act are decided just prior to the gates opening; if you're going, look for the giant inflatable Warped logoed amp to see when your favorites are playing. I also highly recommend grabbing the official Warped Tour app.
Be sure to support our local music scene reps — The Few The Fallen, Heres To The Heroes and Let It Happen will play the Ernie Ball Stage. Check out Let It Happen's recent video for "Bridges" from the great release, It Hurts, But It's Worth It.
Here is who's playing where (via Riverbend's site). (Welsh rockers Lostprophets are also on the bill, though not listed on Riverbend's site; all info is subject to change.)
MAIN STAGE: Taking Back Sunday, All Time Low, New Found Glory, Streetlight Manifesto, Yellowcard, Piece The Veil, Four Year Strong, Of Mice and Men, We The Kings, Breathe Carolina, Miss May I, Falling In Reverse, Blood On The Dance
TBD STAGE: Every Time I Die, Mayday Parade, blessthefall, Chelsea Grin, For Today, Memphis May Fire, Motionless In White, Rise To Remain, Sleeping With Sirens, The Ghost Inside, Vampires Everywhere!, Title Fight
TILLY’S STAGE: Senses Fail, Vanna, Polar Bear Club, We Are The Crowd, Man Overboard, A Loss For Words, Funeral Party, I Fight Dragons, Machine Gun Kelly, Oh No Fiasco
TBD STAGE: Echo Movement, G-Eazy, Stepdad, The Constellations, Ballyhoo!, Champagne, T. Mills, Tomorrows Bad Seeds, Mod Sun, The Green, Amyst
ERNIE BALL STAGE: iwrestledabearonce, Born Of Osiris, Chunk! No Captain, Fireworks, Transit, Cold Forty Three, The Scissors, The Few The Fallen, Here's To The Heroes and Let It Happen.
KEVIN SAYS STAGE: Make Do And Mend, Matt Toka, Tonight Alive, Skip The Foreplay, Sick of Sarah, Mighty Mongo, Captain Capa, I Call Fives, Hostage Calm, The Silver Comet, Twin Atlantic, The Darlings, Dead Sara
ACOUSTIC BASEMENT: A Loss For Words, Koji, Brian Marquis, Rocky Votolato, Transit Owen Plant, Anthony Raneri
Music Tonight: This is the start of one of the more jam-packed music weekends of the summer, with numerous festivals (Feywill, Swinefest, Ohmstead, Taste of Blue Ash, Whispering Beard) competing with some quality club shows, concerts at larger venues and more. First up, a look at the less local-music-centric lineup for Swinefest and the always interesting bookings for Taste of Blue Ash.