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by Mike Breen 07.13.2012
Posted In: Festivals, Live Music, Local Music at 10:19 AM | Permalink | Comments (0)
 
 
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Bunbury or Bust: Music Fest Kicks Off Today

Three-day Bunbury Music Festival takes over Sawyer Point starting today

The three-day Bunbury Music Festival kicks off today at noon at Sawyer Point Park along the riverfront. Stay tuned to our music blog for updates and reports from the festival all weekend. Follow @CityBeatMusic on Twitter for updates as well.

If you're headed to the festival and have a smartphone, I highly recommend downloading the official Bunbury app (available for iProducts and Android, in their respective stores), which is simple and straightfoward, primarily enabling festgoers to customize their own schedule and plot out their experience in advance (as much as that's possible). (Be sure to visit the TechBury area if you need a recharge for your device.)

Looks like we might get a splash of rain, but temperatures will be nice and humidity fairly low; way better than, say, last weekend. All in all, this weekend's looking near perfect for outdoor music festival merriment.

From BunburyFestival.com, here are some more tips for the fest. Visit the site for tickets and further details. And be sure to pick up a copy of this week's CityBeat, with recommendations, a primer on the local acts performing and an interview with music-fest godfather Perry Farrell, whose Jane's Addiction headlines tonight's festivities. Bee free, yes, but also bee safe.

What to Bring (Allowed Items)

  1. Sun Gear (e.g., sunglasses, sunscreen, etc.)
  2. Seating (e.g., folding chair*, blanket, etc.)
  3. Bug Repellent (no Deet)
  4. Rain Gear (ponchos are best, but small hand-held umbrellas are OK)
  5. Earplugs
  6. Baby strollers
  7. Empty water bottled (no glass) or Cambelbak
  8. Binoculars
  9. Wall mounted rapid charger (charging stations provide iPhone and mini-USB chords, but if you have your own chord, you won't have to wait)
* Sand chair with seat no more than 9" off the ground.

What NOT to Bring (Prohibited Items)

  1. Weapons, fireworks or explosives of any kind
  2. Illegal substances (including narcotics) or drug paraphernalia
  3. Framed or large backpacks
  4. Glass containers of any kind or coolers
  5. Food, beverages or Cambelbaks that are full
  6. Carts, bicycles, skateboards, scooters, or personal motorized vehicles (including Segways)
    • There is bike/scooter parking outside the event site
  7. Tents, large umbrellas or chairs that are NOT sand chairs (seat more than 9" off the ground)
  8. Pets (except service dogs)
  9. Any audio recording, professional camera or video equipment
  10. Moshing, crowd surfing, and/or stage diving
  11. Vending without a Bunbury license or permit
  12. Bills over $20.00. We won't accept them at the beverage booths.
All subject to change. Festival organizers reserve the right to prohibit any item that isn't listed.

Stay Hydrated

Keeping hydrated by drinking plenty of water throughout the day. Cincinnati in July can be hot. It’s quite a distance from one end of the park to the other. Considering all the walking, dancing, etc., you’ll need to make this a priority. Take advantage of the water stations. (NOTE: As mentioned above, don't bring water, but you can bring an empty container to fill throughout the weekend.)

Kids

We love kids. LOVE THEM! (NOTE: Kids 10 and under admitted free with a paid adult.) There are; however, some tips for those families who plan on coming to Bunbury:

  1. Re-read the the first part of this page. Sunscreen, staying hydrated, etc. is even more important for kids.
  2. A stroller or small wagon is permitted. The park is large, kids will get tired and you don’t want to carry them.
  3. Head phones or ear plugs for ear protection.
  4. A first aid kit; Band-Aids and Neosporin always come in handy.
  5. Baby wipes are awesome. Even if you don’t have a kid they can be great to have!
  6. Feeding your baby formula? Please use plastic bottles with disposable liner bags.

 

 
 
by Mike Breen 07.26.2013
Posted In: Festivals, Live Music, Music Video, Local Music at 11:50 AM | Permalink | Comments (0)
 
 
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A Music Festival Kind of Weekend

Two very different weekend music fests kicks off tonight in Cincinnati

• Macy’s Music Festival — still often referred to locally as “Jazz Fest” as a nod to the fest’s roots (despite a complete lack of Jazz nowadays) — returns to downtown’s Paul Brown Stadium tonight and tomorrow.

The festival is a Cincinnati tradition, a true “event,” regardless of what music is featured (which may explain the lackluster booking rut the fest was in for a while). But this year’s Macy’s Music Fest has one of the best lineups in recent memory.

Tonight's performers include headliner Jill Scott, plus Charlie Wilson, TGT (Tyreese, Ginuwine, Tank), locals The Faize Band and a rare performance by Cincinnati legend, Funk superhero and Rock and Roll Hall of Famer, Bootsy Collins.

Charlie Wilson is fresh off of receiving the BET Awards' Lifetime Achievement honors.

           

And here's the crowd rockin' to Charlie at last year's Macy's Music Festival.


Saturday’s lineup features newcomer Leela James, KEM, Prince’s ol’ pals Morris Day and The Time, Fantasia and blockbuster headliner R. Kelly, an arena-worthy star fresh off of his odd but successful (despite the many "Pee on Me!" signs in the hipster audience) 38-song, headlining appearance at the Pitchfork music festival in Chicago. But … MORRIS DAY AND THE TIME!


Morris Day and The Time - Jungle Love by DemonPreyer

Find more about the fest at macysmusicfestival.com. Tickets are available through Ticketmaster. Prices range from $40-$85 (only single-day tickets are available). Showtime is 7:30 p.m. each night.

• If your tastes trend more towards old-timey music and Bluegrass (and your wallet trends more towards empty), downtown's Arnold's is presenting the two-night Tito's Old Time Music Festival, running tonight and tomorrow. "Tito's" refers to sponsor Tito's Homemade Vodka, an Austin, Texas-produced spirits producer; Tito's reps will be on hand and Tito's drink specials will be plentiful. There will be also a chance to win an Epiphone acoustic guitar and purchase signed fest poster created by local poster-art great Keith Neltner.


You don't have to be a vodka enthusiast to attend — there is some great local Roots/Americana music each night. Tonight, Western Swing crew The Sidecars kick things off at 7:30 p.m., followed by My Brother the Bear, The Goodle Boys and AltCountry greats Terminal Union, which just released an amazing debut album, Making Arrangements (look for a review on this here blog soon).



Tomorrow, the Tito's fest starts at 7:30 p.m. with great Roots/Americana group Hickory Robot, followed by Crowshot, Rattlesnakin' Daddies and The Part-Time Gentlemen.



Tito's Old-Time Music Festival is a free event.

 
 
by mbreen 09.13.2012
Posted In: Reviews, Live Music, Festivals at 11:14 AM | Permalink | Comments (0)
 
 
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Daily MPMFer: Two Week Countdown Begins

The first of two weeks' worth of daily recommendations for 2012's MidPoint Music Festival

The official MidPoint Music Festival guide, featuring preview blurbs on all 186 artists performing at this year's fest, is on the streets now to help make your MPMF.12 itinerary-planning a little easier. Yesterday, when the issue had just come out, I already had a handful of people asking me who my top picks were for the fest. Writing and/or reading and editing 186 paragraphs about 186 bands does things to your mind that I can't even explain, so I had to beg off. But I'm ready now.

Starting today, exactly two weeks before MPMF.12 kicks off in the venues of Over-the-Rhine and Downtown, we're beginning the "Daily MPMFer," a daily dose of recommendations for who to see at the festival, should you have a hole in your personal schedule. We'll post three blurbs a day — one about a bigger, more known act, one about a slightly more under-the-radar "sleeper" and one about a local band. I'll also add a song sample or music video to each to give MPMF-goers an even better sense of the artists' talents. (The blurbs were written by myself, the legendary Brian Baker and scrappy up-and-comer Deirdre Kaye, both of whom were hugely helpful compiling our beast of a guide this year.)

There are so many great performers at this year's fest, we probably won't get to all the worthy contenders, but we'll get you started (you have to do some exploring on your own). And, when in doubt, always go with the artist with "(Cincinnati, OH)" next to their name; all of our hometown MPMFers are worthy of your attention. Be sure to grab a guide (there should be plenty floating around come fest time) and start mapping out your long weekend of music.

We'll also add any MPMF updates — crucial or otherwise — in these "Daily MPMFers," to keep you abreast of the latest developments. You can also click here for our MPMF hub on citybeat.com, with feature stories, MPMF-related tweets and more.

Today's big news — three-day wristbands are selling quick and may well sell out. Be sure to grab yours immediately for the best pricing deal (limited one-day tickets will be $50 or you can pay individual cover charges which will add up quickly). Click here for more ticket info.

BIG SHOT
Hospitality (Brooklyn, NY)
Indie Pop
Driven by the singular Pop song stylings of Amber Papini, Hospitality first caught attention with a lo-fi, untitled EP, which garnered a rare glowing review from Pitchfork. The band signed with legendary Indie Rock label Merge and released its self-titled full-length debut for the label earlier this year. At its core, Hospitality’s music has some of the primal vibe of early ’90s K Records releases, but the sophisticated arrangements wrapped around Papini’s compellingly unique voice give the album a depth those artists were rarely capable of.
You'll Dig It If You Dig: Ivy, Tennis, Barbara Manning, Tiger Trap. (Mike Breen)

Hospitality performs at 8 p.m. Thursday, Sept. 27, on the Grammer's/Dewey's Pizza stage. Check out the band's emotionally-heavy new video for the track "Eighth Avenue."

Hospitality - Eighth Avenue from Merge Records on Vimeo.

SLEEPER PICK
Kitten (Los Angeles, CA)
Indie Electro Pop
Kitten frontwoman Chloe Chaidez grew up on Classic Rock and CMJ compilation CDs thanks to a tuned-in father who once drummed for Punk bands in L.A. Chaidez had her first band by the time she was 10 and by 12 she was opening for artists like Midlake and Bright Eyes. She had a false-start entry into the music biz when she was almost derailed by drinking and drugging, but she quickly righted the ship and got back on a sober track, crafting the music that would become Kitten’s recently released EP, Cut It Out, for Atlantic Records. The album mixes New Wave electronics, driving guitars and Chaidez’s stellar Pop songwriting abilities for a sound hip enough for the cool kids but catchy enough to fit right in with a lot of today’s Top 40 offerings.
Dig: The Ting Tings and Teagan and Sara on the dancefloor, Grimes. (MB)

Kitten performs at 10:30 p.m. Thursday, Sept. 27, on the Know Theater/Biore Strip main stage. Here's the video for the title track of Kitten's new EP.



LOCAL LOCK PICK
Automagik (Cincinnati, OH)
Indie Rock
It’s been a couple of years since Automagik dropped their eponymous debut full-length, and it’s way past time for the Cincinnati highwire rockers to birth its follow up. With helium-tinged vocals, glammy guitars and a Viking rhythm section reminiscent of The Darkness and Queen, Automagik has found the perfect balance of Garage Rock swagger, ’70s Rock bluster, New Wave quirk and Indie Rock anthemics, creating a jet-fueled sonic explosion that sounds eerily familiar and wildly original. Presumably, Automagik has worked up new material, but can they top the sugar rush head chill of “Brain Freeze” or the Rock operatics of “Paper Heart”? Show up, drink the Kool-Aid and be converted.
Dig: Foxy Shazam if they’d been more obsessed with Weezer than Queen, and yet devoted to both. Queezer? (Brian Baker)

Automagik performs Friday, Sept. 28, at Below Zero Lounge. Here's the very cool, dizzying video for "Teleportation Blues."



Click here for full MPMF details via the official MidPoint site.

 
 
by Jeff Roberson 04.26.2012
Posted In: Festivals, Live Music, Reviews at 11:34 AM | Permalink | Comments (0)
 
 
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Merle Fest 2012: Getting Psyched

(Editor's Note: CityBeat's annual coverage of music festivals around the country started off its 2012 campaign with Emily Maxwell's write-ups from South By Southwest in Austin in March. But our coverage picks up in earnest — ahead of the barrage of late spring/summer fests — with this week's dispatches from North Carolina's MerleFest. Local musician Jeff Roberson will be filing reports and uploading photo galleries from the event all weekend. The fest kicks off tonight and below is Jeff's first report from the field. Get a look at the MerleFest lineup and more here.)

Weds April 25: Super 8 Motel, Hillsville, Va.

Welcome to the 25th MerleFest. Well, not yet, as I'm holed up in a motel in Hillsville, Va. thrilin' and chillin' to Vin Diesel and The Rock tearing up Brazil. I will arrive at Merle Fest tomorrow morning. As a preface, I thought I'd drop some MerleFest facts on you all. In the biz, this is known as regurgitating the press release. Well, not really, it's letting the PR folks do your work for you, and what the hell is wrong with that? Nothing, that's what.

MerleFest is a music and mountain heritage festival dedicated to the memory of Eddy Merle Watson, the late son and musical partner of legendary guitarist Doc Watson. Located in the foothills of the Blueridge Mountains in Wilkesboro, NC, on the campus of Wilkes Community College just down US 421 where, in 1866, ol' Tom Dula (in western NC parlance, that's pronounce "doolee") killed his fiancé Laura Foster (yep, as you can see, already ankle deep in old timey mountain mojo).

The festival features more then 90 acts of mountain, Bluegrass, Cajun, various forms of acoustic Blues, the occasional Alternative Country, all kinds of synthesis of the aforementioned musical styes, and, for some reason, last year, a washed-up Arena Rock act more suited to A Taste of Blue Ash — aka The Doobie Brothers. Go figure. There are also local non-profits selling food, dozens of vendors selling everything from Red Dirt T-Shirts to hippy garb and the Heritage Tent where accomplished crafts people demonstrate and sell pottery, carved bowls, musical instruments, hand tooled leather goods and split oak baskets.

Over the next four days, I'll be telling you about the music, people and crafts — the people playing, attending and exhibiting at MerleFest. I won't be paying much attention to the big nighttime acts. They don't particularly interest me. I'll be writing about the lesser known, regional acts like Blind Boy Chocolate, old timers like Roy Bookbinder and other bands I stumble across as well as my favorite 2011 Merle Fest experience — participating in a workshop on the Sacred Harp-style of congregation singing.

Did I mention it's alcohol and tobacco free? That's a bug and a feature.
 
 
by Mike Breen 08.16.2012
Posted In: Festivals, Live Music, Local Music at 02:51 PM | Permalink | Comments (0)
 
 
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Ohmestead Teams with Wham Bam Thank You Jam

Local band The Ohms' fest near Oxford showcases eclectic lineup of artists from Ohio and beyond

Cincinnati crew The Ohms have built an impressive career over the past decade-plus, starting out in the ’00s as a popular draw on the “Jam band” circuit as Four Ohms, before shifting gears and developing a surprisingly unique twist on the Rock-meets-Reggae hybridization, a pairing that everyone from Eric Clapton, The Clash and The Police to modern players like No Doubt, The Aggrolites and Matisyahu has flirted with and/or embraced since the ’70s.

Changing the band name to simply The Ohms a few years back (and garnering some national industry attention), the now stripped-down three-piece is in top fighting shape, sounding better than ever, as their recently released second album, Press On, proves beyond a shadow of a spliff. They’re a lean, mean skankin’ machine with a fresh coat of Modern Rock paint glazed atop.

Press On succeeds through careful and crafty, yet very natural-feeling, mixology — the Rock and Reggae elements never get in each other’s way, feel forced or fight for space in The Ohms’ groove-driven mix, a testament to the musicians’ abilities as arrangers and writers. The title track, for example, sounds like a perfectly natural jam session between Green Day and Rancid. A minute into the track, the Punk/Pop-like drive drops to a head-bobbing flow of buoyant, vintage Reggae rhythms, ’70s-styled songcraft and Ska horns.

The album continues with that basic blueprint throughout, but few tracks are predictable and there are variations galore. “Vampire” is a voodoo strut that explodes into a huge, engulfing chorus, while elsewhere the band tinkers with the full range of Reggae sounds, styles and approaches (from Roots to Ska to Dub, grunting toasting to full-voiced, highly melodic melodies) and welds them together with the musicians’ excellent grasp of Classic Rock and top-notch musicianship.

Reggae and Ska remain two of the more maligned genres in music (usually unfairly … and it always comes back around), but The Ohms have such an addictive energy, even the most hardened “Pfft — Reggae sucks” protestor won’t be able to resist bobbing along to the contagious beats and rhythm.

Fresh on the heels of the release of Press On, The Ohms have been focused on this weekend's big Ohmstead music festival at Hannon’s Camp America (hannonscampamerica.com) near Oxford.

Ohmstead is now entering its 11th year, which certainly puts the event amongst some of the longest running artist-built festivals of its kind in the region. For this weekend’s (Friday and Saturday, plus a little Sunday morning/afternoon action) Ohmstead blowout, The Ohms have joined forces with Wham Bam Thank You Jam fest to help manage and operate a big “Ohmstead Wham Bam Thank You Jam” conglomo-fest, which once again features an impressively diverse lineup of inventive music makers, mostly from across Ohio.

The multi-act festival — with The Ohms performing both nights, as has become tradition — presents everything from progressive Psychedelic Jam Rock (Cincy’s Mr. Brown’s Mysterious Sounds), Kent, Ohio-based Ambient/Electronic/Industrial musician Pyrosonic, smooth acoustic guitarist Brian Henke (from Bay Village, Ohio) and fellow Reggae squad Soul Rebels (from straight outta Yellow Springs), promising Cincy Alt/Psych/Garage/Rock foursome Lemon Sky, retro-tinged local rockers Tattered Roots, popular touring “Hippie-Hop Jam Rock” outfit Boogie Matrix (Toledo) and Northern Ohio Jam band Aliver Hall, which showcases former Four Ohms member Alex Hall on guitar and vocals. Other artists slated to appear include Dayton-based Phish tribute band Oh Kee Pa, Dayton Funk rockers Magic Jackson, Oxford area Blues band Bad Men on a Mission and Nigerian-born/Cincy-based AfroBeat champ Baoku Moses.

Here is the most recent 2012 Wham Bam Thank U Jam and Ohmstead lineup (with "city of origin"), posted by the WhamBam folks (who add that attendees should check the info booth because times will "likely change"):

Friday

3pm - Trench Foot - Dayton, Ohio
4pm - Tony Herdman and Tracy Sax - Kettering, Ohio
5pm - Gild the Lily - Dayton, Ohio
6pm - Mr. Brown’s Mysterious Sounds - Cincinnati, Ohio
7pm - Brown Street Breakdown - Dayton, Ohio
8pm - Tattered Roots - Cincinnati, Ohio
9pm - Subterranean House Band - Dayton, Ohio
10pm - Prophets Mire - Dayton, Ohio
11pm - Magic Jackson - Dayton, Ohio
12:30am - The Ohms - Cincinnati, Ohio
2:30am - Pyrosonic - Kent, Ohio

Saturday (in the Barn)

10am - Brian Henke - Bay Village, Ohio
Noon - Andyman Hopkins Band - Cincinnati, Ohio
1pm - Bad Men on a Mission - College Corner, Ohio
2pm - Soul Rebels - Yellow Springs, Ohio
3pm - Elementree Presents - Cincinnati, Ohio
4pm - Nine False Suns - Dayton, Ohio
5pm - M 8 7 - Dayton, Ohio

Saturday (Wham & Bam Stages)

6pm - S O L - Piqua, Ohio
7pm - Happy Lemmy - Birmingham, Alabama
8pm - Lemon Sky - Cincinnati, Ohio
Fire Celebration Ceremony - at Dusk / Sunset - in Middle Earth
9pm - Aliver Hall - Akron, Ohio
10pm - Oh Kee Pa (Phish trib) - Dayton, Ohio
11:30pm - Boogie Matrix - Toledo, Ohio
1am - The Ohms - Cincinnati, Ohio
2:30am - Baoku & the Image Afro Beat Band - Cincinnati, Ohio
2:30am - Pyrosonic - Kent, Ohio - In the Barn!

Sunday (in the Barn)

10am - Tracy Sax Therapy - Kettering, Ohio
Noon - Steev Inglish - London, England
1pm - The Finders - Cincinnati, Ohio
2pm - Troll - Cincinnati, Ohio

Three-day passes are only $35. Visit whambamthankujam.com for info on how/where to buy tickets, the full rundown of performer links and a list of the various on-site vendors, plus perks like “Ohio’s Largest Fire Sculpture” and camping opportunities.

For even more details, as well as info on The Ohms’ new Press On release, visit www.ohmsmusic.com. Here's a sample of the new material.



 
 
by Mike Breen 05.10.2012
 
 
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MidPoint 2012 Submissions Deadline Tomorrow

Bands/performers interested in showcasing — y'all better hurry!

If you are a musician who has an act they'd like to showcase at this year's MidPoint Music Festival and you haven't submitted for consideration, you better get on it. Tomorrow is the final day submissions will be accepted.

Click here for details on how to submit an EPK for consideration.

In related news, the MidPoint Indie Summer concert series (which has it's own Wikipedia page!) returns every Friday on Fountain Square starting June 1. Expect lineup announcements soon. A certain amazing local Power Pop/Rock band has "hinted" they will be a part of the series this year. But you didn't hear it from me.

MidPoint has also posted some fresh artwork that you are encouraged to use to create your own "posters, clothes, or otherwise interesting and useful things." Get your base materials here and check out the design below.

 
 
by Mike Breen 07.11.2012
Posted In: Live Music, Local Music, Festivals, Music Video at 10:02 AM | Permalink | Comments (0)
 
 
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Bunbury Sleeper: Child Bite

The inaugural Bunbury Music Festival — three days of top-shelf Alternative music at Cincinnati's riverfront Sawyer Point Park — is just two days away. All this week, CityBeat's music blog will be featuring samples from some of our "sleeper picks" for the fest, artists who some may not be as familiar with as they are Weezer or Death Cab for Cutie or Jane's Addiction.

Our next "sleeper" is Detroit's Child Bite, performing Sunday at noon on the Bud Light Stage.

Like an anxious jam session between Nick Cave’s Birthday Party, ProgCore’s Reduced and the more avant garde side of early Sebadoh, the Detroit area’s Child Bite is definitely the most outrageously adventurous act to grace any Bunbury stage this year. The group’s latest release, Monomania, is a neck-snapping, time-changing, shape-shifting beast of inventive, disjointed riffage, raw, natural Punk power, rhythms somewhere between Free Jazz and experimental Electronica and bug-eyed vocals that often sound like something captured on a field recording made inside the halls of an insane asylum. In other words, the perfect way to start off your Bunbury Sunday (after church, of course).

Here's the Monomania track "Wrong Flesh."


Tickets and full info on the Bunbury music festival can be found here.

 
 
by Mike Breen 06.14.2013
 
 
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MidPoint Music Festival 2013 Playlist Update

The unofficially official Spotify playlist featuring the artists booked so far for Cincinnati's 2013 MidPoint Music Festival has been updated with all of the artists announced for this September's festival so far. Dig around and explore, find your favorite new artists (you may even find an artist or two not mentioned in the first two lineup announcements) and start planning for what is looking to be the best MidPoint Music Fest yet, Sept.. 26-28 in the venues of beautiful Over-the-Rhine and Downtown Cincinnati.

Click here to grab your MPMF.13 tickets now.


 
 
by Jeff Roberson 04.30.2012
Posted In: Live Music, Reviews, Festivals at 08:09 AM | Permalink | Comments (0)
 
 
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MerleFest 2012: Lost Bayou Ramblers and More

Friday Evening, Apr 27: MerleFest Festival Grounds

After lunch, I was ready for something a little more upbeat, so I headed back to the Americana stage to check out The Lost Bayou Ramblers. I caught these guys last year at the same stage, and they brought the place down. I suppose most Cajun and Zydeco is infectious — that constant backbeat and sing-songy lilt of the melodies, but done well, it can be a bit mind blowing.

The Lost Bayou Ramblers hail from Lafayette, La. and their Zydeco is the real deal. Not quite as hard hitting as The Bluerunners, they still bring an enormous drum sound to an already rhythm-heavy beat. Fiddle, accordion, electric guitar, double bass, acoustic guitar and drums — the fiddle, accordion and electric guitar feed a triple-stack tone attack to every melody. It's like Lynyrd Skynyrd ca. 1975 without the volume, hair or rednecks. It's really something to behold and listen to. The fiddler sings and works the crowd in both French and English, the bass player holds his big acoustic bass like he's ready to swing it over his head, while the electric guitar player stands at the front of the stage arena rock style and the acoustic player runs back and forth behind everyone. These guys are regulars at the Blue Moon Saloon in Lafayette and I suspect a trip to catch them in such intimate surroundings would be life changing. Check YouTube for some of their videos.

I left the Americana stage a bit exhausted and headed over to see what was going on in the Traditional Tent and found Phil and Gaye Johnson in the middle of their set. Long time radio host of various roots music programs, Phil and Gaye do tight harmonies and Roots-based acoustic music. Easy to listen to, they move from original to traditional and without a little bit of knowledge of traditional music, it would be easy to confuse what's original and what's not. Phil's a fantastic acoustic and dobro guitar player moving easily between slide, flatpicking, various forms of fingerpicking and sometimes both. The music is not something I generally sit and listen to, but like everything you see at MerleFest, the playing is top notch and professionally presented.

I slipped out of the tent and as I walked past the picking area, I could here the strains of Peter Rowan and the Free Mexican Airforce moving though the air. Like a lot of kids brought up in the 1970s, Peter was my first real introduction to Bluegrass music though the Old and In The Way LP. My dad had a few Bill Monroe LPs, but my mom wouldn't let him play that "hillbilly" music while she was around, which was pretty much all the time.

I wasn't planning on heading back to the Watson Stage, but I was intrigued. As I got closer, Peter was doing an slow acoustic version of "Panama Red." Frankly, I thought he was mailing it in, but I was still pretty far from the stage, so I kept moving in. By the time I got close enough to the stage to take pictures, which is basically standing in the front in everyone's way, he easy doing a song called "The Raven" and it was mesmerizing. It's probably Bluegrass heresy, but off all the Bluegrass I've heard over the last 35 years, his is the tenor I associate with "that sound" and, man, he's still got it. It rises and floats and breaks in all the right places.

I took some pictures and grabbed a seat near the back of the reserved section where the sound would be optimal. His band was outstanding. Peter on acoustic joined by a electric guitar player playing shimmering notes, a lap steel player doing pedal licks and swells, acoustic bass and drums. The lap steel player was especially amazing. Every swell and fill felt like a feather in my heart. They launched into a 20 minute version of the Rowan classic "Land of the Navajo" and by the time he started doing the falsetto calls, I was awash in transcendent tears. Peter Rowan has still got it all and I'm a big baby.

Next up I headed up to the Heritage Tent to converse with another of my favorite MerleFest craft exhibitors, bowl maker Larry Kearson of Marion, NC. And not just bowls, but dough bowls. As a boy growing up in NJ, we always had a wooden bowl mounted up on the wall. Occasionally my dad would take it down to kneed some bread dough in. I never thought much about it till I started making bread in earnest in my 20's. Then I wanted it. Desperately. It was a large bowl, about 18"-by-12" and had been hand carved from a piece of black walnut from the family farm in Tennessee. I finally claimed it 10 years ago or so and now it's a regular kitchen tool in our kitchen. Larry hand carves dough bowls from single pieces of wood. Some small and decorative other huge and highly desirable. The Zeke Bowl is one such bough bowl. About two feet long and 18-inches across, it was carved from a single piece of maple from Larry's neighbor's tree. His neighbor's dog, Zeke, laid by the downed tree for days and then growled and whined the day the tree was cut up — Zeke's Bowl. It's a beauty. Dough bowls shouldn't be stained or varnished, and Larry's aren't. You need a dough bowl carved the old way, hit Larry up.

From the Heritage Tent I headed over to the Dance Tent to check out Asheville's contribution to Hot Club-style Jazz — Viper's Dream. I guess I'm spoiled by Cincinnati's Faux Frenchman, Viper's Dream didn't quite cut it. Yes, you got to be one hell of a musician to pull off Django tunes, but the sound was shrill and I wasn't digging the fiddle player. Paul Patterson of the Faux Frenchmen is without doubt a Cincinnati treasure.

I quickly jumped to the Traditional stage to see Wayne Henderson. With him was a fiddle, frailing banjo and acoustic bass players. Wayne has done three tours with the "Masters of the Six String Guitar" as well as received a National Heritage Award for his instrument building prowess. Wayne is one hell of a fingerpicker, easily one of the best living and funny as hell to boot. Very humble and unassuming. The quartet ran through some Carter Family songs, traditional mountain ballads and fiddle tunes, each played with great dexterity and devotion. What a thrill.

Following dinner, I headed up to the Hillside Stage for a set from Donna The Buffalo. A MerleFest favorite, this band has seemingly been on the road for twenty years. I'm a bit baffled how I've never seen them before. Another one of those alternativecountryrootsrockamericana band with some serious jam band leanings, Donna the Buffalo has been a perennial favorite on the tour and festival circuit. They have a loyal following among MerleFest attendees and the tie dye and swirling dancers were out in force tonight. They played a crowd pleasing set, leaving their fans wanting more. Not much more then you can ask for then that.

(View Jeff Roberson's photo's from MerleFest 2012 here.)

 
 
by Amy Harris 07.16.2012
Posted In: Live Music, Festivals, Interview at 04:00 PM | Permalink | Comments (0)
 
 
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Forecastle Recap: Backstage with Everest

Another music fest on the banks of the Ohio River, Forecastle, celebrated a killer weekend

I started out the second day of the Forecastle festival in Louisville by getting caught in the rain and being picked up like a hitchhiker by the Everest band van on the way to setup for their set on the main Mast Stage of the festival. The band agreed to let me hang for “A Day in the Life” photo series as they prepped to play the 10th Anniversary of Forecastle. They were laid back as the rain moved in and gear was unplugged and wrapped in saran wrap.

Click here to check out the "A Day in the Life" photo series featuring Everest.

Everest has been on the road promoting their third album Ownerless. On Ownerless, you can hear a refined sound in which the band speaks about powerful issues as they took their time to record and find their true voice, writing from the heart and soul. The band consists of members Russell Pollard (vocals/guitar/drums), Joel Graves (guitar/keys/vocals), Jason Soda (guitar/keys/vocals), Eli Thomson (bass/vocals) and new addition Kyle Crane (drums).
Everest are rising stars in the alternative music scene and have toured with My Morning Jacket and they will be heading back on the road with Neil Young this fall.

It turned out to not be such a typical “day in the life” as the show was held back because of lightning in the area but the band unloaded and prepared to play even as heavy rain descended on the festival. The festival opened an hour late due to rain delays but they did make time for all the planned acts to perform (albeit with shorter set lists).

Everest played loud and rocked the crowd as it gathered to hear this band singing my favorite track on the new album as the opening song “Rapture.” Founding member Pollard’s raspy vocals were captivating and I instantly became a fan of this band as they sang older tunes and new record songs like “Into the Grey.” The Watson Twins joined the band for a few songs on backing vocals to round out their set.

Overall it was a great day to play music in Louisville as fans gathered to celebrate 10 years of the fest, which self-defines itself as being all about "music, art and activism." The Preservation Hall Jazz Band took the main stage by storm and had fans dancing in the grass; special guests onstage including Jim James and Andrew Bird playing classic tunes with the legendary jazz musicians from New Orleans. James' band (and hometown heroes) My Morning Jacket played over two hours to close out the night while Girl Talk played on the second stage and had a festival rave in full action on the banks of the Ohio river.

Click here to check out even more photos from Forecastle.

 
 

 

 

 
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