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by Nick Swartsell 03.27.2015 58 days ago
Posted In: News at 09:46 AM | Permalink | Comments (0)
 
 
tedstrickland

Morning News and Stuff

UC's Innocence Project exonerates three wrongfully convicted men; state House advances fetal heartbeat abortion ban; powerful Republicans: Cruz has no chance at presidency

Good morning y’all. It’s the end of the week and the sun is out. Those are both good enough reasons to keep this news update short, so just the facts for you today.

Starting on a somber note, officials continue to investigate the death of Cincinnati firefighter Daryl Gordon, who fell down an elevator shaft while responding to a fire at an apartment building in Madisonville yesterday. Gordon was a 30-year veteran of the department. Two other firefighters and four residents where hurt in the blaze, which broke out early yesterday morning. Investigators are still trying to piece together exactly what happened to Gordon.

• Will you be able to walk around The Banks with an open beer in time for the Major League Baseball All Star Game in July? It’s looking increasingly possible. The Ohio House passed a bill allowing the creation of so-called “open container districts” this week. The proposed law could allow cities to designate specific areas where people can drink a cold one right out on the sidewalk. But the timeline is tight for would-be All Star Game revelers. The bill still has to go to through the state Senate and get Gov. John Kasich’s autograph. After that, the city could rush through designations for specific districts but would have to wait 30 days for them to take effect. The race is on.

• Three men who have wrongfully spent the past 18 years in prison may soon walk free thanks to efforts by the Ohio Innocence Project, which is based at University of Cincinnati’s College of Law. The Innocence Project announced yesterday that a Cuyahoga County Judge has thrown out the convictions of Derrick Wheatt, Laurese Glover and Eugene Johnson based on new evidence. The three will be released on bond and get a new trial. Their incarceration stems from the 1995 murder of Clifton Hudson, Jr. in Cleveland. Wheatt, Glover and Johnson who were nearby, were eventually arrested for the crime and convicted on the testimony of a single 14-year-old eyewitness. That witness later recanted her testimony and other evidence surfaced casting doubt that the three had a role in the crime.

• Ever been in a situation where you have to spend extended amounts of time the same room with someone who is competing with you for the affections of your crush? That’s probably how former Ohio Gov. Ted Strickland and Cincinnati City Councilman P.G. Sittenfeld will feel tonight when both attend and speak at the Ohio Democratic Party’s annual dinner. The two are currently going head to head in the party’s primary for the chance to take on incumbent Republican U.S. Senator Rob Portman. Making things especially uncomfortable is the fact that Sittenfeld had signaled he wouldn’t continue with campaign if Strickland entered the race. But the city councilman gained some good fundraising momentum and has decided to stay in the contest. Most of the higher-ups in the Democratic party have backed his more experienced foe, but Sittenfeld has said he’s in it to win it. I really hope someone seated them at the same table. 

• I mentioned a couple days ago that the Ohio House was mulling a fetal heartbeat bill that would ban abortions as early as six weeks into a pregnancy. That bill has now passed the House thanks in part to local state representatives Jonathan Dever of Madeira and Paul Zeltwanger of Mason, who both voted for the proposed law. The bill will now make its way to the state Senate, where it faces skepticism from some moderate Republicans. They say the bill wouldn't survive an inevitable legal challenge. Some supporters of the measure, however, say bring it on — they see the ensuing legal battle as a way to challenge the Supreme Court's Roe v. Wade decision prohibiting abortion bans. 

• Let's jaunt next door to the great state of Indiana where Republican Gov. Mike Pence signed into law yesterday a measure that prohibits the government from restricting religious freedom unless absolutely necessary. Critics of that bill say it could allow businesses to refuse service to people, including LGBT individuals, based on the business owner's religious beliefs. Pence says the bill will do no such thing, but that hasn't stopped backlash from forming. A number of businesses, including the NCAA, and even some religious groups have expressed reservations about the law, which takes effect in July. OK, let's leave Indiana now.

• News is happening in national politics. So much news. Well, really, political quasi-news that probably doesn’t actually make a difference but that we should pay attention to anyway because politicians are technically our employees and they haven’t really done that great of a job lately. One of the more interesting, and probably meaningless, stories on that front right now is that powerful Republicans in key primary states are saying that U.S. Sen. Ted Cruz of Texas, who is so far the only presidential candidate to officially announce his campaign, has no chance of winning. A poll of 100 influential Republicans in Iowa and New Hampshire found that not one thought Cruz had a chance at the nomination, let alone prevailing in the general election. That’s important because those states are big in the primary game. Winning them signals to other delegates and funders around the rest of the country that you’re a serious contender.

• The other big story in national politics is that the most powerful, and many would say infamous, Democrat in the Senate will retire after his current term. Sen. Harry Reid, who is currently the Senate minority leader, has been a thorn in the side of nearly every Republican in Congress. Reid is a bare-knuckle brawler of a legislator who pulled out just as many nasty tricks during his time as Senate majority leader as his counterpart in the House, Republican John Boehner has. Reid’s 10-year turn as majority leader ended last November when Republicans took control of the Senate, but he’s continued to be a force there. The 75-year-old’s term ends next year. Republicans are rejoicing, seeing a rare opportunity to take Reid’s seat as one of Nevada’s two Senators.

 
 
by Steven Rosen 03.27.2015 58 days ago
at 08:42 AM | Permalink | Comments (0)
 
 
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Cincinnati-Filmed 'Carol' to Premiere at Cannes?

Carol, the drama about a romance between a younger and older woman in 1950s New York that was filmed in Cincinnati last spring, may have its premiere in May at the prestigious Cannes Film Festival in France.

Variety, which closely follows the film industry, yesterday published a speculative report about what may be appearing at this years Cannes, the world's most important film festival. It said, in part:

"Looking to represent North America in competition are [Todd] Haynes’ Carol, a 1950s lesbian love story starring Cate Blanchett and Rooney Mara, and [Denis] Villeneuve’s Sicario, a south-of-the-border crime drama starring Emily Blunt, Benicio Del Toro and Josh Brolin. Slots may also be reserved in the official selection for Jeff Nichols’ Midnight Special, a science-fiction chase thriller starring Adam Driver and Michael Shannon, and Gus Van Sant’s The Sea of Trees, a suicide drama starring Matthew McConaughey and Ken Watanabe."

Based on a novel The Price of Salt by Patricia Highsmith, Carol has impeccable credentials for Cannes. The director is Todd Haynes (Far From Heaven, I'm Not There), a producer is Christine Vachon, and it stars Oscar-winner Cate Blanchett and Oscar-nominee Rooney Mara. The film came here with the assistance of the Greater Cincinnati and North Kentucky Film Commission.

This year's Cannes Festival occurs May 13-24. The full official-selection lineup will be announced April 16.

 
 
by Rick Pender 03.27.2015 58 days ago
Posted In: Theater at 08:22 AM | Permalink | Comments (0)
 
 
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Stage Door: Race and Urban Living on Local Stages

Two shows on local stages are dealing with top-of-mind issues of race and urban living, one at the Cincinnati Playhouse, the other at Ensemble Theatre.

Last evening the Playhouse opened its production of Tracey Scott Wilson's Buzzer. Wilson is a playwright who's not afraid to get at prickly issues of contemporary life (read more here), and that's what she does in this piece that could be set in Cincinnati's Over-the-Rhine. (It's actually in New York City, but that doesn't make it less relevant.) Jackson returns to his onetime childhood neighborhood, once neglected and now trendy; he's black, girlfriend Suzy is white, and so is Jackson's troubled friend Don, out of rehab yet again and needing a place to stay. Their triangle is a toxic mix with a troubled past that's exacerbated by life in a neighborhood where black and white relations are strained. The Playhouse is offering talkbacks after each performance to discuss issues raised, and there will be a panel discussion focused on OTR's housing challenges here in Cincinnati on Saturday evening at 6 p.m. My take: This show is more about personal relationships that aren't entirely honest, even though there is constant conversation about "no secrets." The actors in this tense drama are vividly real, unpredictable and vulnerable; you'll feel like they're people you know. (Through April 19.) Tickets: 513-421-3888

The second show that's heating up conversations about race is ETC's staging of Dominic Morisseau's award-winning play, Detroit ’67 (reviewed here). While the story has a historical setting — the story of family aspirations and disappointments unfolds against the backdrop of the Motor City's race riots almost 50 years ago — it almost feels ripped from current news stories about unrest stemming from police brutality in Ferguson, Mo. Five actors portray some colorful and occasionally humorous characters from the era involving the family dynamic between a brother and sister who differ about making ends meet in a challenging environment. Motown tunes from the ’60s are the soundtrack for a story that's often painful but ultimately hopeful. (Through April 5.) Tickets: 513-421-3555

Know Theatre opens Hearts Like Fists tonight at its Jackson Street stage in Over-the-Rhine. Adam Szymkowicz's comic-book-inspired action adventure has some fine local actors as the Crimefighters, female superheroes who are out to stop Dr. X, on a mission to murder happy couples in their sleep using a deadly serum that goes straight to the heart. When the show was staged in New York in 2012, the New York Times called the show's comic hybrid of parody and punches "madcap" and "hysterical." That's what Know will be striving for, through April 25. Tickets: 513-300-5669

If you are interested in seeing actors, singers and dancers who are on their way to professional careers, you might want to catch Senior Showcases from the drama and musical theater programs at UC's College-Conservatory of Music. The drama majors, readying their piece for trips to Los Angeles (for potential TV work) and New York City, will perform today at 2 and 7 p.m. at Patricia Corbett Theatre. (Admission is free.) The triple threats graduating from the musical theater program offer their showcase twice on Saturday at 4 and 8 p.m. as they prepare to shine for Broadway producers and casting agents in New York next week. Admission is free but reservations are required: 513-556-4183.  

Planning ahead? The popular touring production of The Lion King returns to Cincinnati where it's been a big hit twice, in 2003 and 2007. The magnificent musical about good overcoming evil and youth finding maturity opens on Tuesday for a four-week run at the Aronoff Center. (Through April 26.) Tickets: 513-621-2787


Rick Pender’s STAGE DOOR blog appears here every Friday. Find more theater reviews and feature stories here.

 
 
by Staff 03.27.2015 58 days ago
Posted In: Arts, Comedy, Concerts, Culture, Food, Fun, Events, Drinking, Life at 08:13 AM | Permalink | Comments (0)
 
 
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Your Weekend To Do List (3/27-3/29)

Sebadoh. The Pops + acrobats. Thrillers about 1971 Belfast. Vintage markets. More!

Music! Plays! Events with alcohol! Acrobats and Classical music! Gorilla suits!


FRIDAY 27

MUSIC: SEBADOH
Influential Indie Rock band Sebadoh began in 1986 as an outlet for Dinosaur Jr. bassist Lou Barlow, who showed a keen lo-fi, experimental sensibility early on but also proved himself to be a compelling songwriter. After leaving Dinosaur Jr., Sebadoh evolved into one of the best bands of the era, with Barlow’s emotionally honest and effective songs becoming the band’s centerpiece. After reuniting with Dinosaur Jr., Barlow reteamed with longtime co-conspirator Jason Loewenstein and drummer Bob D’Amico to make the first new Sebadoh album in 14 years, Defend Yourself, released in 2013 on the Joyful Noise label. Defend Yourself received mixed reviews, but it’s a great addition to the band’s impossibly strong discography. The band returns to Cincinnati Friday after sneaking into town to play a free show at MOTR Pub last year. 9 p.m. Friday. $12; $15 day of show. Woodward Theater, 1404 Main St., Over-the-Rhine, woodwardtheater.com.



Cirque Mechanics
Photo: Armand Thomas Photography

ONSTAGE: CIRQUE MECHANICS

The Cincinnati Pops presents Cirque Mechanics, an innovative show featuring aerialists, trapeze artists and contortionists performing alongside orchestral favorites from composers like Tchaikovsky, Strauss, Copland, Ravel and more. In a press release, conductor John Morris Russell describes it as a mix between Cirque du Soleil and the steampunk scene, with a huge titanium infrastructure placed before the orchestra that serves as the canvas for the entertainment. Additional fire performers, jugglers and magicians will also be at the event. 8 p.m. Friday and Saturday; 2 p.m. Sunday. $25-$99; $10 children. Music Hall, 1241 Elm St., Over-the-Rhine, cincinnatisymphony.org.



EVENT: ART AFTER DARK AT THE CINCINNATI ART MUSUEM

The theme of this art-meets-cocktail-party event is “Cherry Blossom Bash.” Check out the museum’s Japanese art collection with hourly docent-led tours, and enjoy live music from The Happy Maladies (6:30 p.m.) in the Great Hall. Sushi and drinks available for purchase. 5-9 p.m. Free. Cincinnati Art Museum, 953 Eden Park Drive, Eden Park, cincinnatiartmuseum.org.



 

ONSTAGE: PETER AND THE STARCATCHER

In Rick Elice’s loopy script (based on Dave Barry and Ridley Pearson’s novel about Peter Pan’s backstory), wordplay abounds, sometimes blowing by faster than the typhoon that comes upon ships on the way to Rundoon with three orphan boys to be sold into slavery. But this ensemble cast can manage wind speed as they narrate and perform the hilarious show — sometimes individually, sometimes together — but even more so as they race through delirious reinvention of the fairytale. Everything is performed both obviously and imaginatively, from levitating (at the close end of a seesaw plank) to a storm at sea to flying (with just the suggestion of motion, no wires — no “real” taking flight). Amusing costumes, a star field of 200 incandescent light bulbs and buckets of stage magic make it possible. Peter and the Starcatcher continues through April 4. $30-$85. Cincinnati Playhouse in the Park, 962 Mt. Adams Circle, Mount Adams, cincyplay.com.


Photo: Roadside Attractions

FILM: ’71

Streets don’t get much meaner than those of Belfast back in 1971 as the British army all but occupied the territory, caught up in what amounted to terroristic street fights between Catholics and Protestants with few truly innocent bystanders in the middle. Everyone took sides, no matter how reluctantly. Gary Hook (Jack O’Connell), an anonymous soldier in the British army, trains hard but is no standout. Hook looks for all intents and purposes like a young Liam Neeson or a baby-faced soldier-boy of few words (think Clint Eastwood) who is simply waiting for the opportunity to prove himself in the theater of battle. And he certainly gets his chance when his unit, under the command of a rather green lieutenant (Sam Reid), receives orders to back up local police in a neighborhood search for weapons. Opens Friday. Read full review here




SATURDAY 28

Over the Moon Vintage Market

EVENT: OVER THE MOON VINTAGE MARKET

Rustic vases, crocheted tops, paint-chipped mirror frames and more will flood the Over the Moon Vintage Market this weekend. Shop a variety of vendors as you peruse various booth displays for vintage and urban goods, including primitives, furniture, garden items, artisan jewelry and unique feminine and bohemian style clothing. 4-9 p.m. Friday; 9 a.m.-4 p.m. Saturday. Free. Agner Hall at Lawrenceburg Fairgrounds, U.S. 50 and Hollywood Blvd., Lawrenceburg, Ind., facebook.com/overthemoonvintagemarket.


Elliott Brood
Photo: Provided 

MUSIC: ELLIOTT BROOD WITH YOUNG HEIRLOOMS

When a band’s sound gets tagged as “Death Country,” you know something special is afoot. And Canadian trio Elliott Brood lives up to its advance billing in every conceivable way. Utilizing guitar, banjo, ukulele, bass pedals, kazoo, harmonica, keyboards, percussion and a sampler in acoustic and electric contexts, Elliott Brood has reimagined rootsy Country, Bluegrass and Folk in a twangy and bracing manner that suggests Old 97’s and legitimately deserves the designation of Canadiana.The trio’s latest triumph is Work and Love, released late last year to rapturous reviews, many of which cited it as the trio’s best album to date. No need to plan a long trip to see Elliott Brood; the best of the Great White North is coming your way. Free. MOTR Pub, 1345 Main St., Over-the-Rhine, motrpub.com.



POP-UP CINCY
Photo: Provided

EVENT: POP-UP CINCY CONCEPT CAMP

POP-UP CINCY, a monthly pop-up organization founded by local artist and designer Catherine Richards, invites creative thinkers and makers to participate in the second Concept Camp at an unused storefront in Corryville. Participants will brainstorm with peers from various sectors about effective ways to take their ideas from concept to completion in this one-day event. The space will feature an “idea wall” to pin project outlines and receive feedback from participants, as well as the opportunity to connect with those whose skillsets might help accelerate your plan. Work session: 1-4:30 p.m. (sign-up required); celebration: 5-7 p.m. Free. 3501 Burnet Ave., Corryville, facebook.com/popup.cincy.



How to Build a Rain Barrel
Photo: The Civic Garden Center

CLASS: HOW TO BUILD A RAIN BARREL

Spring is slowly showing itself as the winter and its accursed snow melt away. As you plan to plant petunias, sunflowers, vegetables and more, consider the task of watering and the best practices to save money, go green and store water for a hot summer so your plants (and your wallet) won’t suffer. The Civic Garden Center hosts a DIY class on how to build and use your own rain barrel to collect free rain water to use for the garden. 1:30-3 p.m. Saturday. $10; free for Civic Garden Center volunteers. 2715 Reading Road, Avondale, civicgardencenter.org.



D.C. Benny
Photo: Provided

COMEDY: DC BENNY

Like his peers Jimmy Shubert and Rocky LaPorte, D.C. Benny is a talented veteran comic who received a nice boost by competing on last season’s Last Comic Standing. Well-known in the New York and L.A. comedy scenes, Benny has also written and performed extensively for various TV projects. He also functions as the producer and head writer for Jim Breuer Unleashed on Sirius/XM satellite radio. On stage he mixes jokes with storytelling, peppering them with several original characters. Showtimes Thursday-Sunday. $15-$17. Funny Bone on the Levee, Newport on the Levee, Newport, Ky., funnyboneonthelevee.com.



Detroit '67
Photo: Mikki Schaffner

ONSTAGE: DETROIT ’67

Detroit ’67, making its regional premiere at Ensemble Theatre Cincinnati this month, is not something to smile about — but it might be possible to feel good about the “tryin’,” even though 48 years later the backdrop of this story feels eerily familiar, perhaps leading us to ask if America will ever rise above such racially driven conflicts. The details behind the story of Chelle (Zina Camblin) and Lank (Bryant Bentley), a sister and brother hoping to build a secure future, are this: In late July 1967, more than 10,000 citizens of Detroit rioted. Police had raided a blind pig — an unauthorized after-hours hangout very much like the one Chelle and Lank have established in their family’s basement — where more than 80 patrons, all African-American, had gathered to celebrate the return of a Vietnam veteran. Detroit '67 continues through April 5. $18-$44. Ensemble Theatre Cincinnati, 1127 Vine St., Over-the-Rhine, ensemblecincinnati.org.


SUNDAY 29

Ian Svenonius in Moon Dust

FILM: MOON DUST

Detroit-based painter Scott Reeder’s new Moon Dust is a sci-fi feature film with a one-and-a-half-hour running time. Moon Dust is about the denizens of a run-down tourist resort on the moon (called Moon World) who struggle to maintain enthusiasm at a time when the hip, wealthier travelers have all gone to Mars. With its deadpan tone, frequently improvised dialogue from non-professional actors (including Reeder, himself) and eccentric production design featuring color-saturated, patterned or monochromatic sets and oddball costumes and hairstyles, it very much is the work of a visual artist.  2 p.m. Sunday. Free. Cincinnati Art Museum’s Mary R. Schiff Library & Archives, 953 Eden Park Drive, Mount Adams, cincinnatiartmuseum.org.



The Cincinnati Gorilla Run
Photo: Provided 

CHARITY: CINCINNATI GORILLA RUN

This Sunday don’t be surprised to find downtown resembling a scene from Planet of the Apes. Hundreds of runners dressed as our endangered primate relatives will be participating in the Cincinnati Gorilla Run 5K presented by The Gorilla Glue Company, which aims to raise money for the Mountain Gorilla Conservation Fund. Gorillas found in the African mountains are close to extinction, and the Mountain Gorilla Conservation Fund is working to expand the program’s wildlife health and research center in Uganda. Registration closes at 5 p.m. March 28. Race opens at 9 a.m.; run starts at 11 a.m. $99.95 first-time gorillas; $40 and up for returning gorillas; $15 kid gorillas. Montgomery Inn Boathouse, 925 Riverside Drive, East End, cincinnatigorillarun.com



Mummies of the World
Photo: Cincinnati Museum Center 

ATTRACTIONS: MUMMIES OF THE WORLD

The Cincinnati Museum Center’s new once-in-a-lifetime exhibit, featuring real mummies and artifacts, some dating back as far as 4,500 years, is in its final weeks. Discover how mummies are created, where they come from and who they are in an immersive, multi-media display. Through April 26. Non-member exhibition-only tickets: $19.50, $17.50 senior, $12.50 child. Cincinnati Museum Center, 1301 Western Ave., Queensgate, mummies.cincymuseum.org.

See more stuff to do here.


 
 
by John Hamilton 03.26.2015 59 days ago
at 01:00 PM | Permalink | Comments (0)
 
 
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Reel Redux: Top 10 Good Remakes

Today, whenever the terms “remake,” “reboot” or anything like that pop up in terms of film or TV, people automatically assume the worst thing imaginable. While I won’t deny the fact that there have been several remakes that have been pointless, there have been a lot of remakes that have been very good and, in a lot of cases, have improved on a few aspects.

Now, I’m not claiming that the 10 I’m listing off are “better” than the original. Instead, these films (listed by release date in chronological order) are evidence that a remake is not an automatic seal of sucking.

The Magnificent Seven (1960, John Sturges)

I’m sure some of you saw this coming given what my first "Reel Redux" was about, but none the less this is still a pretty good film. A remake of Akira Kurosawa’s Seven Samurai, this version doesn’t do too much different from the original film but it is still holds up through its fine acting, amazing music score and story.

A Fistful of Dollars (1964, Sergio Leone)

Another remake of a Kurosawa film, this time a remake of his film Yojimbo. In this film you see the foundations of Eastwood’s most famous screen persona, many of Leone’s trademarks and an awesome final duel. A good stepping stone for anyone wanting to get into Spaghetti Westerns.

The Thing (1982, John Carpenter)

Yes, believe it or not there are some good horror remakes, and this was one. John Carpenter’s remake of the Howard Hawks-produced The Thing from Another World ups the ante with the suspense and gore. This is not for the faint of heart. But it’s more than just a gore-fest — it’s a film with amazing suspense and atmosphere.

Little Shop of Horrors (1986, Frank Oz)

This music adaptation of the Roger Corman B-movie is a genuine delight and definitely improves on a few aspects of the original, mainly the special effects. That glorious Audrey II puppet is a testament to how great practical effects can be. Also, Levi Stubbs of The Four Tops is a perfect voice for Audrey II.

Beauty and the Beast (1991, Gary Trousdale & Kirk Wise)

This classic Disney animated musical actually has a lot in common with the 1946 French surrealist adaptation by Jean Cocteau. Both beasts have a similar design, both feature a castle of human servants that are also appliances, and both have a Gaston equivalent. But of course the animated version does do a few things differently, mainly musical numbers, funny side characters and, of course, being a cartoon.

Homeward Bound – The Incredible Journey (1993, Duwayne Dunham)

Here’s another Disney remake that proved its worth. A remake of the 1963 movie just called The Incredible Journey, this renditions seems to hold up for anyone because of the animals. All three have distinct voices and personas that make us love and root for them.

The Birdcage (1996, Mike Nichols)

A film by the late Mike Nichols and starring the late Robin Williams is a remake of a French-Italian film called La Cage aux Folle. With the combined comedic charm and brilliance of Williams and Nathan Lane, it’s no wonder why Nichols had a hard time holding his laughter during some of the scenes. My words won’t do it justice — you just have to watch.

Lord of the Rings Trilogy (2001-2003, Peter Jackson)

If we’re loosely defining the term remake, Jackson’s fantasy trilogy is technically a remake of Ralph Bakshi’s Lord of the Rings (1978) and Rankin/Bass’ Return of the King. If you’ve seen those animated films then you can see why Jackson’s are usually the preferred versions. Jackson's films create an epic fantasy environment, they have an amazing film score and feature some awesome battle sequences.

3:10 to Yuma (2007, James Mangold)

Many hold the original 1957 film as a classic and it is, but Mangold’s version doesn’t try to duplicate it. Instead he goes the action route, and it does not disappoint. The gunfights are stunning throughout the film. Also, the chemistry between Christian Bale and Russell Crowe is stunning, and it also has a great villain performance from Ben Foster.

True Grit (2010, Ethan & Joel Coen)

My first two listed were westerns and so we end with two westerns. The Coen Brother’s version of the manhunt of Tom Chaney is truly phenomenal. The Coens stay close to the tone and style of Charles Portis’ original book by sticking to the dryer tone, keeping it less romanticized and “Hollywood.” And it features some trying fantastic performances from everyone.

 
 
by Steven Rosen 03.26.2015 59 days ago
Posted In: Visual Art at 12:45 PM | Permalink | Comments (0)
 
 
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FotoFocus Sponsors Upcoming Robert Mapplethorpe Symposium

Symposium will be co-presented by the Contemporary Arts Center in October

Last night before photographer Roe Ethridge's FotoFocus Lecture at Cincinnati Art Museum, FotoFocus' Artistic Director Kevin Moore announced the organization is co-presenting a two-day symposium on photographer Robert Mapplethorpe's work with the Contemporary Arts Center on Oct. 23-24.

It will mark the 25th anniversary of CAC's presentation of The Perfect Moment, the retrospective of Mapplethorpe's work that prompted conservative elements — led by then-Sheriff Simon Leis Jr. — to pursue criminal charges for alleged obscenity. (Some of Maplethorpe's work in the show was sexually graphic.) A Hamilton County jury cleared the museum of all charges.

Specifics for the symposium have yet to be announced, although indications are speakers from around the country will be invited. Also not yet announced is what, if any, works by Mapplethorpe will be shown and in what context.

Information should go on on the FotoFocus site when firm.

 
 
by Jac Kern 03.26.2015 59 days ago
Posted In: Humor, TV/Celebrity, Movies at 11:57 AM | Permalink | Comments (0)
 
 
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I Just Can't Get Enough

Jac's roundup of pop culture news and Internet findings

A terrified-looking local 2-year-old has become something of an Internet sensation over the past week. In a funny photo with a cute story-turned-viral image, Quincy Kroner posed with two friendly looking garbage men in front of their truck (as he held his own mini garbage truck toy).

 

Pictured: Internet gold.

Dad and Northside resident Ollie Kroner, who’s no stranger to CityBeat, posted the photo on Facebook, saying, “Quincy's been waiting all week to show the garbage men his garbage truck. But, in the moment, he was overwhelmed in the presence of his heroes.” The photo was shared by friends and family, then their friends and so on until the image appeared prominently on Tumblr, Imgur, Awkward Family Photos, Huffington Post and ABC News.

Despite the sudden fame, Quincy continues to live a low-profile, tiny human life. Read more here. (Worth noting is the writer’s choice to drive home the point that “it started with a sticker chart” and to include the comment "Garbage men get swole as hell and are generally the greatest people around.")

Stock footage provider Dissolve created a “faux” TV trailer using only stock video, and it appears only slightly more generic that a CBS fall lineup.

Just in time for Mad Men’s final season premiere, AMC paid tribute to the show with a bench resembling the Don Draper silhouette logo that has become so iconic. The bench — which I really need them to mass-produce — was unveiled in front of the Time-Life building, which Sterling Cooper & Partners has called home in Mad Men universe since Season Four. Jon Hamm was profiled in GQ’s April issue, and the show’s leading man shared some advice given to him from a guy who knows what it’s like to portray an iconic TV character and then, suddenly, not — Breaking Bad’s Bryan Cranston.

"It's hard, man," Cranston told him. "It's hard to let it go. It'll hit you a couple of different ways at different times."

But before you get depressed thinking about all of Mad Men joining Walter White and the other characters in the big TV set in the sky, there’s still a whole (OK, half) season of Mad Men to obsess and drink over, starting April 5.

Serena Williams made her own 7/11 video a la Beyoncé.

Almost as good as the original and how cute is it when she stops dancing to let that old man walk by? Definitely needed more azz, though.

Goodbye Zuckerberg, hello Luthor! Jesse Eisenberg lost his curly locks to embody his upcoming role as Lex Luthor in Batman v Superman: Dawn of Justice. Check out his TRANSFORMATION (he just shaved his head) here.

The cast of Pretty Woman the movie’s 25th anniversary with a reunion on the Today Show. While it has been quite a few years since the last good hooker-with-a-heart-of-gold movie, don’t count on a sequel. They say there will never be a Pretty Woman 2. At least some things are sacred.

With that being said, of course there’s new remake news this week.

Fox announced that David Duchovny and Gillian Anderson will return as Mulder and Scully in the network’s limited-series reboot of The X-Files.

The John Candy classic Uncle Buck is also getting a TV remake. Mike Epps and Nia Long are set to star in the ABC comedy. (This isn’t the first time Uncle Buck is getting the TV treatment — there was a short-lived series of the same name in 1990). Until then, go downtown and have a rat gnaw that thing off your face.

Some movies are getting turned into TV shows while some television series are getting reworked for the big screen. Finally, the Entourage movie trailer is here.

Who doesn’t love a good conspiracy theory? Reddit user Euchrid_Eucrow posted an in-depth analysis on the Barenaked Ladies song “One Week” (yes, you’re reading all of this correctly) in the Fan Theories subreddit. S/He argues that that song — an upbeat Pop-Rock earworm full of random bits of early-Millennium pop culture — is about a man who killed his girlfriend and is slowly going mad as he stays in a room with the corpse. Internet!

Here’s Sarah Jessica Parker throwing fifty shades of shade at Tom Hanks at a hockey game.

Forget Resting Bitchface — Carrie Bradshaw’s got a very active bitchface.

 
 
by Nick Swartsell 03.26.2015 59 days ago
Posted In: News at 09:42 AM | Permalink | Comments (0)
 
 
gay-marriage-rights

Morning News and Stuff

Council passes resolution supporting same-sex marriage; street named in honor of Camp Washington Chili owner; anti-abortion activists target Boehner

Morning all. Are you as disappointed with the soggy gray awfulness outside as I am? Over the past few days I’ve been tuning up my bike, getting ready for spring. My plan was to get it out today and ride to work instead of walking. But this morning has been more kayak commuting weather, and since I don’t own a kayak, I’m working from home. Bummer. Anyway, let’s move on to news. This is the weekly City Council update edition, where I tell you about all the zany stuff our council members got up to yesterday.

First, council passed a resolution supporting marriage equality in the state of Ohio authored by Chris Seelbach, Cincinnati’s first openly gay elected official.

“The protection and equality we want is no different than what everyone wants," Seelbach said, highlighting the ways in which his life with his partner are the same as any married couple’s. Seelbach also drew attention to the continued court battles being waged by Cincinnatians against Ohio’s gay marriage ban. Among them is Jim Obergefell, whose case against Ohio’s gay marriage ban will be tried in the U.S. Supreme Court next month. Obergefell is seeking to be listed on his late husband John Arthur’s death certificate. The two were legally married in Maryland.

“Our city could have fought us, as our state continued to do, but instead our city stood on the side of love with a message that is resoundingly clear: We welcome, accept and love everyone,” Obergefell said in a written statement read by a representative from LGBT rights group Why Marriage Matters.

Six council members voted for the resolution, with Councilman Charlie Winburn voting against it and two, P.G. Sittenfeld and Amy Murray, absent from the meeting for unrelated reasons. Winburn applauded Seelbach’s advocacy for the issue, but said he didn’t agree with its premise. Winburn has been a vocal opponent of gay marriage. Cincinnati joins several other Ohio cities, including Dayton and Columbus, in supporting marriage equality.

• More council stuff: our esteemed deliberative body yesterday rejected another stab at a parking plan for Over-the-Rhine that would have created 400 permitted spots around the neighborhood. The plan would have cost residents in the area $109 a year, plus $5 each for guest permits. Some council members, including Seelbach, said the price is still a bit too high and probably not necessary to generate the revenue needed. “I think we’re close,” Seelbach said. “This is close to what we would support. But the annual permit at $109 is the highest in America.”

Vice Mayor David Mann said he expected the plan to pass.

“This continues to be a work in progress,” Mann said. “We’re very open to changes as we implement and see how it works … but I think it’s time to do something. It’s been in and out of committee for three months.”

• Council also named a whole block of Colerain Avenue in Camp Washington after John "Johnny" Johnson, who has been working at Camp Washington Chili in the neighborhood for a mind-boggling 64 years. That's pretty cool. The restaurant, which I have patronized many a late night after various shows, has received national accolades for its chili, which is awesome. Johnson's uncle started the restaurant in 1940, and he began working there in 1951after coming here from Greece.

• The road is long and difficult and every step is studded with obstacles. No, I’m not talking about an underdog team in the NCAA tournament, nor the plot of a Tolkien novel. I speak of the streetcar, which is facing yet another round of drama this week involving contracts for who will operate the transit system. The Southwest Ohio Regional Transit Authority, tasked with finding employees to operate the streetcar, must choose between two types of bids: those from companies that will manage SORTA’s union employees and those that will hire their own. Democrats on council want SORTA to go the former route and consider only bids that rely on employees from the Amalgamated Transit Union, of which most of SORTA’s employees are members. A past effort by council to get more details about the bids in relation to this wish drew sharp rebuke from the Federal Transit Authority, however, which said that any attempt to change SORTA’s bid process could result in loss of federal funds for the streetcar. The feds provided more than $45 million for the nearly $150 million project.

"If confidentiality is not maintained,” wrote FTA attorney John Lynch in a Monday letter to SORTA, “that presents risks to the process and increases potential exposure to protests and legal action from the proposers. The council's proposed changes to the procurement process could be perceived as giving preferential treatment to one contractor over another."

Now a new motion proposed yesterday by most of council’s Democrats would direct SORTA to only consider bids in which SORTA employees are used to run the streetcar. That motion needs two more votes and isn’t binding — it’s asking, not telling, SORTA to hire ATU employees. That motion also leaves maintenance personnel out of the equation, which is important because that’s a sticking point in negotiations between SORTA and the ATU on what using union workers would look like. The two are tangling over a few specialized maintenance positions that require particular electrical engineering training. The ATU says whoever does those jobs should be union members; SORTA says it has the right to hire outside workers for those positions. Phew. So there you have it. Bids for operating the streetcar are due at the end of the month, and SORTA’s board will vote to award the contract in July.

• Here’s a completely unsubstantiated, unscientific observation: People named “Woody” seem much more apt to support legalization efforts for marijuana. First there was Woody Harrelson, and now we have Taft Broadcasting Co. Development Director Woody Taft. Taft and his brother Dudley are among the funders of an ongoing effort by ResponsibleOhio to get an Ohio constitutional amendment legalizing marijuana on the November ballot. The Tafts are just a couple of the big names in town who have invested in the legalization scheme, which would legalize production and sale of marijuana but limit commercial cultivation to 10 legal growers. That dimension of the provision has raised ire from other pot legalization advocates. ResponsibleOhio has modified its proposal to allow for home growth of small amounts of weed, but those growers would not be allowed to sell their products.

The Tafts would be part owners of a marijuana cultivation farm proposed in Butler County should the ballot initiative pass.

“Our current laws are archaic and cruel to the people in Ohio who need medical marijuana,” Woody Taft said in a statement sent out by the pro-marijuana group.

• Finally, eight protesters were arrested outside House Speaker John Boehner’s Washington office yesterday. No, they weren’t up in arms about his continued efforts to dismantle the Affordable Care Act, or his moves to stymie Democrats’ immigration reform agenda. Nor were they there staging an intervention for Boehner’s all-too-evident tanning bed addiction.

Instead, they were all riled up about the fact that Boehner and other congressional Republicans haven’t moved fast enough on a ban on abortions after 20 weeks. The House was set to vote on the bill way back at the beginning of the year, but some moderate GOPers balked at the ban because it required a woman to report her rape or incest to law enforcement in order to qualify for an exception to the proposed law. Members of the Christian Defense Coalition, who were the protesters praying outside of Boehner’s office, say his failure to push that bill through is a “betrayal” of the pro-life cause. Boehner’s office shot back that he’s the most pro-life speaker in history, which seems a hard claim to fact-check considering abortion was illegal for much of our country’s history.

That’s it for me. Tweet me. Email me. You know the drill. 

 
 
by Mike Breen 03.25.2015 60 days ago
Posted In: Live Music, Local Music, Music News at 10:40 AM | Permalink | Comments (0)
 
 
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Heartless Bastards Announce New Album, Two Cincy Shows

Cincinnati-spawned band to release fifth album, play Woodward Theater in June

Former Cincinnati-based (now Austin, Texas headquartered) band Heartless Bastards have announced the release of its fifth album, Restless Ones, on the Partisan Records imprint on June 16. It’s the band’s first new full-length since 2012’s acclaimed Arrow, the group’s debut for Partisan. (The band took local group Wussy on tour after Arrow's release.)


The Bastards, who recently opened some arena concert dates for Rock music legend Bob Seger, also announced a string of tour dates beginning in June that will bring them back to Cincinnati for a two-night stand at Woodward Theater.  The band plays the newly remodeled/reopened Over-the-Rhine venue June 25-26 with opener Craig Finn (frontman for The Hold Steady).

A limited number of tickets for the Woodward shows are available starting today at noon through a special songkick.com presale. Click here for details


 
 
by Nick Swartsell 03.25.2015 60 days ago
Posted In: News at 09:50 AM | Permalink | Comments (0)
 
 
beerissue_madtree-cans

Morning News and Stuff

3CDC moves ahead with huge 15th and Race development; Ohio transportation budget includes obstacle for student voters; House to hear fetal heartbeat abortion restriction bill

Hey all, here’s the news today.

After some reconfiguration, 3CDC has announced it is moving ahead with its plans for development on the corner of 15th and Race Street. The development is set to include 27 affordable units of housing and 63 units total, along with more than 37,000 square feet of commercial space. It’s unclear what level of affordability the subsidized units will be, but 3CDC is applying for federal low-income housing tax credits and partnering with Model Group and Cornerstone Renter Equity on those units. The project will be 3CDC’s second-largest in OTR at 2.2 acres, just slightly smaller than Mercer Commons on Vine Street. The nonprofit developer had floated earlier plans that included a parking garage, but has nixed that idea after outcry from some neighborhood groups and historic preservation advocates. Instead, the project will include a surface lot behind buildings on Race Street.

• Suspended Hamilton County Juvenile Court Judge Tracie Hunter was back in court today on a reprisal of sorts from her trial last  year, when she was tried on nine felony charges and convicted of one. She’s being tried again on charges that she misused a court credit card. The jury couldn’t consider that charge last time due to a legal technicality dealing with the language of the charge, then-Hamilton County Court Judge Norbert Nadel ruled. Hunter also faces retrial on the other charges in June after the last jury couldn’t reach a verdict. Hunter pleaded not guilty to the credit card charge. She faces a year in prison if convicted.

• If you attend City Council meetings as much as I do, you hear the name Jeff McElravy pretty often. He’s been a big part of the city’s Department of Trade and Development, a post the city recently announced he’ll be leaving next month. McElravy had been interim head of the department during the city’s negotiations to bring General Electric to The Banks before he was replaced by current permanent trade and development head Oscar Bedolla. McElravy currently serves as the city’s downtown development manager. He’ll leave that job, and working for the city, on April 20.

• Though I’m sometimes pretty critical of our hometown grocery giant, I’ll give Kroger this: They do pretty well when it comes to beer selection. Just last night I scored Rivertown Brewery’s Vanilla Espresso Porter there, one of my favorites. And apparently, it’s just going to get better. The grocery chain has announced it is increasing its stock of local craft beers by 30 percent, giving more shelf space to Cincinnati names like Rhinegiest, Madtree and Christian Moerlein. I usually prefer to hit up Party Source for my beer (worker owned, what’s up) because they carry some of the best crazy dark beers, but hey, I’ll go Krogering in an emergency.

• A proposed transportation budget the Ohio General Assembly is mulling includes a provision that could make it much harder for college students from out of state to vote. The provision requires residents to register their cars in Ohio, if they have one, and get an Ohio driver’s license in order to vote here. Conservatives who are pushing the measure say it’s designed to keep non-residents from voting in state elections. If you register to vote from a campus address, you have to re-register your car in Ohio, the new provision stipulates. If you don’t, your out-of-state license becomes invalid.

Some Democratic lawmakers have cried foul, saying it amounts to voter suppression and intimidation of college students, who tend to vote more progressively. Some Democrats have shot back with a counter-proposal. If students must register their cars to register to vote, it only makes sense they get in-state tuition as well, right? State Rep. Kathleen Clyde, a Democrat from Portage County, is pushing that exact logic in response to the Republican voter registration idea. She says the fees associated with car registration and license changes would be a deterrent for students and amount to suppressing their votes. Clyde and other Democrats have signaled they may not vote for the transportation budget if the provision isn’t removed.

• In other State House news, another abortion restriction bill will be up for a floor vote today in the Ohio House of Representatives. The bill would ban abortions after a fetal heartbeat has been detected. Republicans there say they have enough votes to get the bill on to the state Senate, but GOP leaders there are worried the law could cause federal court challenges that might undermine other abortion restrictions passed in Ohio.

That’s it for me. Hit me up on Twitter or email me with your news tips.

 
 

 

 

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by Zack Hatfield 05.22.2015 57 hours ago
Posted In: Film at 11:15 AM | Permalink | Comments (0)
 
 
the joke

Foreign Film Friday: The Joke (1969)

This weekly series discusses the cultural and artistic implications of a selected foreign film.

A couple of weeks ago, I noticed a new Milan Kundera short story in The New Yorker. One of my favorite authors, I was intrigued to learn Kundera was releasing his tenth novel — the first in 15 years — later this year (in English; it was previously released in French). Though I enjoy reading Kundera’s work, the Czech author is known for taking umbrage at his books’ English translations. I began to wonder how he felt about his novels that have been translated onscreen, to film. 

Some quick Googling revealed he had served as either screenwriter or consultant on the only adaptations of his works, 1988's Unbearable Lightness of Being and 1969's The Joke, films that bookend the communist regime in the Czech Republic. Disappointed with Unbearable Lightness of Being, an American film starring Daniel Day-Lewis, I turned to The Joke. A film by auteur Jaromil Jireš at the crest of the Czech New Wave movement, its political tides swept the country during the end of the Prague Spring, a brief elision in the Soviet regime where democracy seemed attainable for a fleeting moment. 

I wasn’t disappointed. Not surprisingly, The Joke is inherently political, but its lofty themes of freedom thinly veil a more nuanced, personal narrative of intimacy and revenge. Told in effective jumps from the past and present, the film follows Ludvík, a man who sends a sarcastic jest in the mail to his romantic interest, Markéta, mocking Trotsky. The letter is read by his university comrades in the Party and they sentence him to six years in prison and the army, where he becomes the butt of his own joke. 

Jump to the present: Ludvík attempts to get revenge by seducing Helena, the wife of one of his betrayers from the Party years ago. The film unsnarls with an arid humor as Ludvík’s pessimistic outlook is upended by revelatory moments, often soundtracked by the film’s traditional music. The polyphonic chapters of Kundera’s novel are traded here for colliding tonalities between now and then, as the helixing of the visual tenses instill a sense of upheaval, of never truly being able to escape the past.

Cinematographer Jan Curík frames the imagery with a monochrome staccato to complement the frenetic visual grammar, and Jireš intercuts archival footage with the action to suggest the reality of the atmosphere. Voiceovers are capitalized on frequently, and add a dimension of helplessness that was shown in the book through multiple points of view. As Ludvík narrates his fruitless schemes, there’s a false sense of omniscience, even though it becomes clear that he has no control over his destiny. Jirês captures Kundera’s inimitable brand of existential romance, and Josef Somr plays the protagonist with an understated brilliance and ennui. Trying to convince Helena of his love, the godless Ludvík tells her, “It’s as strong as fate.” 

Kundera has suggested in interviews that all of his novels could have been titled The Joke or Unbearable Lightness of Being, and I found that true in this case, even though there is a clear heaviness to the causes and effects, in and outside the screen. Jireš was exiled after the movie was banned, and was pressured to erase The Joke from his filmography, a film whose weightlessnesses arrive in the form of old Folk songs, a practice that allows the characters to never forget their heritage. Cinema was Jireš’s way to remember, and his second film survives, thankfully, for us. 

It was alleged, in 2009, that Kundera was an informant for the Chezch secret police as a student, and turned over a Western spy who served 14 years after almost facing a death sentence. Whether or not this is true, it intensifies the texture of sin and ambiguity within the film, which Kundera co-wrote. Maybe it was a type of catharsis, a way to cope with his guilt. Or maybe it is the film’s final joke, leaving no one to have the last laugh. 


THE JOKE is currently screening on hulu plus as part of their Criterion Collection. hulu.com.

 
 
by Steven Rosen 05.22.2015 58 hours ago
Posted In: Visual Art at 09:48 AM | Permalink | Comments (0)
 
 
peggy crawford candid with raphaela-2

CAC Announces the Death of Founding Member Peggy Crawford

The Contemporary Art Center today announced that founding member Peggy Crawford died on April 18 in Santa Fe, N.M., where she had been living. She was one of three women who founded the CAC's precursor, the Modern Art Society, in 1939. She was able to come to the CAC last September to celebrate its 75th anniversary — an exhibition of her photography was part of the observance.

Here are excerpts from the CAC press release:

Contemporary Arts Center Director Raphaela Platow fondly recalled the impact that Peggy Crawford made on so many: "Mrs. Crawford’s life is an inspiration to me. As a young woman she was one of the three women founders of the Contemporary Arts Center (called Modern Art Society at the time), an institution she initiated, against all odds, in a moment in time when the Great Depression was still shaking the world and the second World War was about to erupt. It is so easy not to do something, to shy away from a great idea because of the many obstacles and hurdles in the way, a lack of resources, or fear of failure. But Peggy Crawford and her two companion co-founders created the Modern Art Society in 1939 because their lives urged them to do it. Mrs. Crawford applied the same passion, tenacity, and energy to her different life pursuits and I feel lucky that I had the opportunity to meet her and to spend time in her presence."

Born in 1917, Peggy Frank graduated from Smith College. In 1939, along with Betty Rauh and Rita Rentschler, she founded the Modern Art Society in Cincinnati, Ohio, which would become the Contemporary Arts Center.

The three founders had little  or no formal museum experience. For a year, their "office" consisted of a portable typewriter set up in a living room. At the start, the society had staunch backers and hard workers, but they had very little money and had only a borrowed gallery space in the basement of the Cincinnati Art Museum.

During the first year, the founders raised $5,000 to produce six exhibitions, each with a catalogue. Their first exhibition, Modern Paintings from Cincinnati (Nov.-Dec. 1939) showed their early commitment to showcasing up-and-coming local artists. 

The fledgling Modern Art Society mounted new and often controversial exhibitions, published catalogues, encouraged local artists and helped promote contemporary art collections and education. Between 1940 and 1951, the Modern Art Society exhibited such artists as Pablo Picasso (1940), George Grosz, Paul Klee and Alexander Calder (1942), Fernand Leger (1944), Rufino Tamayo (1947), Jean Arp (1949) and other new artists in abstraction, Surrealism, modern architecture and contemporary design. One of the highlights of this time was the Cincinnati showing of Picasso’s "Guernica" in 1940 because it represented the first and only time the important work was shown in the Midwest.

Peggy Frank married Ralston Crawford, a painter and photographer, who preceded her in death.

She is survived by two sons, Neelon (Susan Hill), and John, along with a stepson, Robert (Eldrid Crawford).

A memorial service was held at Kingston Retirement Center in Santa Fe, New Mexico. April 30, 2015.

 
 
by Staff 05.22.2015 59 hours ago
Posted In: Drinking, Events, Fun, Comedy, Culture, Concerts, Holidays, Life, Movies, Music at 09:24 AM | Permalink | Comments (0)
 
 
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Your Weekend To Do List (5/22-5/25)

Taste of Cincinnati. The May Festival. Memorial Day Weekend.

The big party this weekend is Taste of Cincinnati, but there are plenty of other options if you don't want to spend your entire weekend gorging. Check out the May Festival, Memorial Day Weekend at Spring Grove cemetery, plenty of live music, live theater and more.

FRIDAY
Celebrate the power of the voice with THE MAY FESTIVAL
The May Festival, one of the oldest and most prestigious choral festivals in the Western Hemisphere, kicks off its 2015 showcase at Music Hall with Haydn’s “The Creation” on Friday and works by Handel and Vaughn Williams on Saturday. A special May Festival Youth Chorus/May Festival Chorus performance takes place Sunday at Covington, Ky.’s Cathedral Basilica of the Assumption. Renowned guest vocalists will be joining each performance, with pre-concert festivities before Music Hall performances, including al fresco food trucks, lobby recitals, drink specials and more. The May Festival continues through May 30. $12-$125; subscriptions available. More details at mayfestival.com.


Mamma Mia!
Photo: Universal Pictures
Bring a blanket for MOVIES IN THE VINEYARD
You can pop corks or corn at Vinoklet Winery’s vineyard, which is hosting three outdoor movie nights this summer. On Friday, get your Streep on when they show Mamma Mia! on the silver screen amid the sprawling acres of the award-winning vineyard. And hey, if ABBA isn’t your thing, you can catch later flicks in June and July with Under the Tuscan Sun and Phantom of the Opera, respectively. Bring a blanket or a lawn chair, but no outside coolers, drinks or food; picnic snacks, beer and wine will be for sale. 7 p.m. Friday; film starts at dusk. Free. 11069 Colerain Ave., Colerain, vinokletwines.com.

The Cavalcaders
Photo: Pat Conley
Erin go Bragh with the ACTING IRISH INTERNATIONAL THEATRE FESTIVAL
Irish theater is top of mind locally, what with the warm-hearted Outside Mullingar continuing at Ensemble Theatre and this week an international festival of Irish acting. Catch daily performances of full-length Irish plays produced by companies from the U.S., Canada and Ireland — including our own Irish American Theater Company of Cincinnati, which is hosting the 22nd annual festival at its 200-seat theater. George Heslin, founder and artistic director of New York City’s Origin Theatre Company, critiques each day’s production and presents awards for directing, acting and production during a brunch on Sunday morning at downtown’s Millennium Hotel. Through May 23. $17-$22. Irish Heritage Center of Greater Cincinnati, 3905 Eastern Ave., East End, 513-533-0100, irishcenterofcincinnati.com.

Circle Mirror Transformation
Photo: Sandy Underwood
Learn and laugh with CIRCLE MIRROR TRANSFORMATION 
Annie Baker’s Circle Mirror Transformation is a deceptively simple play — on the surface, it’s a comedy about five people enrolled in a community center class about learning how to act. They work their way through six weeks of exercises intended to reduce their inhibitions and open them to being more expressive and comfortable onstage. None seem bound for onstage careers, although one says she’s worked as an actress and another, a high school student, aspires to be one. But they do learn a lot — about themselves and each other. In fact, they learn how to act on the broader stage of life in this award-winning play that’s closing the Cincinnati Playhouse in the Park’s current season. Circle Mirror Transformation, presented by the Cincinnati Playhouse in the Park, is onstage through June 7. cincyplay.com

Steve Katz
Rock with Blood, Sweat & Tears' STEVE KATZ at the Southgate House Revival
According to Publishers Weekly, Steve Katz’s new memoir Blood, Sweat, and My Rock ’n’ Roll Years: Is Steve Katz a Rock Star? has maybe the most spectacular revelation yet of any Rock memoir. Katz was a guitarist with two successful Rock bands in the 1960s, The Blues Project and Blood, Sweat & Tears, and he went on in the 1970s to produce Lou Reed’s classic live album, Rock n Roll Animal. Katz says one of the stereo feeds of the audience track for Reed’s Animal concert at New York’s Academy of Music was lost, so there was only mono sound. That wouldn’t work, so the engineer went through his archives and found an audience track from a concert by the ultra-square John Denver. (Both were RCA recording artists at the time.) Steve Katz plays Newport's Southgate House Revival on Friday. Tickets/more info here.

SATURDAY
Taste of Cincinnati
Photo: Provided
Gorge yourself at TASTE OF CINCINNATI
It’s no secret the food scene in the Queen City rivals that of major U.S. metropolises — a few OpenTable award winners, some James Beard Award semifinalists and even a AAA Five-Diamond restaurant call Cincinnati home. And from Saturday to Monday, your favorite Cincy foodstuffs will be in one location at the Taste of Cincinnati, the nation’s longest running culinary arts fest in the heart of downtown. Want to chase LaRosa’s with a donut grilled cheese from Tom+Chee? And then follow that up with a Thai basil/lime ice pop from streetpops? At Taste, you can, and you should. This year there will even be a Food Truck Alley on North Broadway off of Sixth. I recommend fasting until then. 11 a.m.-midnight Saturday and Sunday; 11 a.m.-9 p.m. Monday. Free. Fifth Street, between Vine and Sentinel streets, Downtown, tasteofcincinnati.com.

Outside Mullingar at Playhouse in the Park
Photo: Mikki Schaffner
Catch the extended OUTSIDE MULLINGAR at the Ensemble Theatre 
Count on John Patrick Shanley for compelling storytelling: His Pulitzer Prize-winning drama Doubt explored the power of innuendo; his Academy Award-winning movie Moonstruck was a romantic comedy. His play Outside Mullingar lands squarely between those extremes, connecting with his family’s roots in rural Ireland for a tale of identity, heritage and love. It’s sure to be a winning production with a cast featuring Dale Hodges, Joneal and Jen Joplin (yes, they’re father and daughter) and Brian Isaac Phillips, directed by former Playhouse artistic director Ed Stern. This show is likely to be a hot ticket: It’s already been extended by a week. Through May 30. $40-$44 adult; $25 student; $18 senior/children. Ensemble Theatre Cincinnati, 1127 Vine St., Over-the-Rhine, 513-421-3555, ensemblecincinnati.org.

Ian Bagg
Photo: Provided
Laugh with IAN BAGG
Ian Bagg had dreams of playing pro hockey, but switched to comedy because he grew tired of getting knocked around the ice by players he describes as decidedly more talented than him. Fortunately, he had a knack for humor. “It’s so much fun being on a [hockey] team and hanging out,” he says. “I think that’s where I got my comedy chops: chirping at everyone from the bench and in the locker room and having a great time.” Fellow hockey fan Dave Coulier told CityBeat a very similar story a few months back. Oddly, Bagg and Coulier have never met. “You’d think if there’s anyone I would know, it’s a guy that does comedy and plays hockey,” he says. Thursday-Sunday. $10-$20. Funny Bone on the Levee, Newport, Ky., funnyboneonthelevee.com.

The Cincinnati Boxing Story
Watch the premiere THE CINCINNATI BOXING STORY
The world premiere of The Cincinnati Boxing Story screens at Taft Information Technology High School on Ezzard Charles Drive in the West End on Saturday. Mark Sweeney’s film explores how Cincinnati is a boxing town that has long produced great fighters — most notably Ezzard Charles himself — and examines our boxing history with past and present champions and their supporters. 6 p.m. Saturday. $15. 420 Ezzard Charles Drive, West End, facebook.com/sweeneynowvideo.

Celebrate art all day with the ART SPACE IS YOUR SPACE artist in residence at Wave Pool gallery
Wave Pool gallery’s first artist in residence, Georgia-based artist and filmmaker Erin Colleen Johnson, organized several events Saturday that seek to investigate the intersection of race, class, migration, agriculture and environmental justice, all through the lens of soil. A groundbreaking ceremony for Camp Washington’s Urban Farm (3220 Colerain Ave.) involves setting personal intentions with a ceremonial shovel. Later at the gallery, David Singleton, executive director of the Ohio Justice and Policy Center, will talk about his work to eliminate racism within the criminal justice system, and Johnson herself will give a live performative video lecture called Providence Canyon. Groundbreaking 11 a.m.; Gallery events start at 6 p.m. Saturday. Free. 2940 Colerain Ave., Camp Washington, wavepoolgallery.org.

SUNDAY
Unlocking the Gates of Auschwitz 70 Years Later
Photo: CHHE Collection
Remember history with UNLOCKING THE GATES OF AUSCHWITZ
The Freedom Center’s current Unlocking the Gates of Auschwitz 70 Years Later exhibit weaves together rare artifacts, photographs and the personal stories of Holocaust survivors Werner Coppel and Bella Ouziel to explore their journey and how life and the power of the human spirit continued in the face of the horrors of Auschwitz. Also on view are artifacts on loan from the United States Holocaust Memorial Museum, Hebrew Union College and more. A closing reception May 27 features a conversation with Coppel and Ouziel, as well as special recognition of area liberators and veterans to commemorate the end of World War II. Through May 27. $14 adults; $12 seniors; $10 children. The National Underground Railroad Freedom Center, 50 E. Freedom Way, The Banks, Downtown, freedomcenter.org.

Ohhh and ahhh over ZOO BABIES
Celebrate the newest arrivals at the Cincinnati Zoo & Botanical Garden during the entire month of May, where you'll find the cutest baby faces from all over the globe. Follow the six-foot-tall pink and blue stork statues displayed throughout the zoo to lead you to baby African lions, penguin chicks, bonobo monkeys, a whole litter of African painted dogs and more, as their big eyes, miniature sizes and playful personalities melt your heart. Through May. Park admission $18 adults; $12 children and seniors. 3400 Vine St., Avondale, 513-281-4700, cincinnatizoo.org.

MONDAY
Memorial Day Weekend at Spring Grove
Photo: Provided
Celebrate MEMORIAL DAY AT SPRING GROVE
Between kicking off Memorial Day weekend with the Ohio Military band performing in the Rose Garden Gazebo, a veterans tribute and a historical Patriots and Pioneers walking tour of the cemetery, Spring Grove has the entire weekend jam-packed with activities. On Monday, the Sons of Union Veterans of the Civil War and the 6th Ohio Volunteer Infantry will perform an 1860s Grand Army of the Republic ritual and shower flower petals on the graves of union soldiers interred in Spring Grove, followed by a living history presentation by President Abraham Lincoln (or a man dressed like him) and a Civil War walking tour. Thursday-Monday. Free. 4521 Spring Grove Ave., Spring Grove Village, 513-681-7526, springgrove.org.

Over the Rhine
Photo: Provided
Raise a barn with OVER THE RHINE
Barns and farms have played an important role in the history of Over the Rhine, married couple Linford Detweiler and Karin Bergquist’s internationally acclaimed, 25-year-old Cincinnati band. The couple met in a restored barn while in college in Canton, Ohio. For the past decade, the twosome has lived in and worked out of a brick farmhouse in Highland County on land they’ve dubbed “Nowhere Farm.” And now Detweiler and Bergquist are restoring a 140-year-old barn in Clinton County (in the village of Martinsville) and transforming it into a performing arts center with a recording studio called Nowhere Else.  As with Over the Rhine’s past two albums, Detweiler and Bergquist are turning to their loyal fanbase to help fund the new facility. The band is offering a variety of perks for donations. Among the perks (starting at the $100 level) are tickets to special preview concerts at Nowhere Else this weekend (the couple is hoping to have the facility fully ready to open by early October). The full six-piece band is performing special “Barn Raising Concerts” on Saturday (which is sold out), Sunday (7 p.m.) and Monday (3 p.m.). Over the Rhine will be debuting new songs at the concerts, which will be filmed and recorded for a forthcoming live album and DVD project. The release can be pre-ordered as part of the fundraising campaign. Visit at overtherhine.com/barnraising for full details.

Veterans and military get in free at BUTTERFLIES OF THE PHILIPPINES
As Cincinnati welcomes spring, the Krohn Conservatory welcomes the colorful and exotic butterflies of the Philippines. For 12 weeks, Krohn will transform into a majestic tribute to the Southeast Asian island country, capturing its stunning natural beauty and Filipino culture. The showroom will be a tropical paradise of free-flying butterflies soaring among waterfalls and bold volcanic murals. A rainforest under glass, the conservatory will be filled with more than 3,500 beautiful plant species, such as ornate orchids, brilliant bromeliads, delicate anthuriums and dramatic dracaenas, providing a backdrop close to home for the native butterflies to flutter. Free for active military and veterans on Memorial Day. Through June 21. $7 adult; $4 children; free ages 4 and younger. 1501 Eden Park Drive, Mount Adams, cincinnatiparks.com.



 
 
by Rick Pender 05.22.2015 59 hours ago
Posted In: Theater at 08:55 AM | Permalink | Comments (0)
 
 
cappies recipients

Stage Door: Theater Critics of the Future?

There’s lots happening on Cincinnati stages this weekend — including excellent productions of Circle Mirror Transformation at the Cincinnati Playhouse and Outside Mullingar at Ensemble Theatre. The Cincinnati Fringe Festival is right around the corner. But I want to use this week’s Stage Door to highlight a glimpse of the future. Tonight the CAPPIE AWARDS will celebrate productions and performers from area high schools with a festive event at the Aronoff Center’s Procter & Gamble Hall.

Among the students being recognized are critics. That’s right: As part of the Cappies, teens from high schools visit other schools to critique performances. I have the privilege of handing out awards to the outstanding team of students from one particular high school. Starting last year, another recognition was added, sponsored by CityBeat, identifying the outstanding single critique written over the course of the year.

I received a half-dozen essays deemed by Cappies organizers to be the best pieces written during the 2014-2015 school year. (I did not know the names of the critics or their high schools when I was picking the winner.) At tonight’s ceremony, I’ll announce one I believe to be the best. You can read all of the reviews I considered in today’s blog, below. In addition to taking home a dandy trophy, the winner is invited to review a FringeNext show, one of three high school productions presented at the Cincy Fringe next week.

I urge you to read what these insightful young people have written about productions at other schools. It’s possible that someday one of these promising writers will be writing about shows and helping theater fans decide what to see onstage in Greater Cincinnati.


Rick Pender’s STAGE DOOR blog appears here every Friday. Find more theater reviews and feature stories here.



West Side Story at Cincinnati Hills Christian Academy

REVIEWED BY COLE HANKINS, Loveland High School

Amidst a fearsome gang war, two lovers are forever torn apart by the pull of a pistol’s trigger. And as a girl mourns her horrible loss, she extends two hands, one to each side. In the left hand, a Jet; in the right, a Shark, two groups sworn enemies, now holding hands united under common loss. It is with this heart-wrenching image of solidarity that Cincinnati Hills Christian Academy’s production of West Side Story leaves its audience, and with this image that its excellence finally hits home.

An American theatrical classic, West Side Story takes place in New York City, where two local teenage gangs — the Caucasian “Jets” and Puerto Rican “Sharks” — are amidst a territorial dispute. Jets leader Riff plans to challenge the Sharks and leader Bernardo to a rumble in order to settle the issue. However, the plot thickens when fellow Jet Tony meets Bernardo’s sister Maria, and the two quickly fall in love. The result is ultimately a situation spun far out of control, a vengeful gunshot separating the lovers forever, and grave consequences to a merciless feud.

Fittingly, CHCA’s production started with a bang in “Prologue,” where the Jets’ and Sharks’ choreographic and combat execution splendidly set the tone for the action to come. The Jets were particularly sharp in songs such as “Jet Song” and the lighthearted character number “Gee, Officer Krupke.” Other show highlights included the upbeat, toe-tapping song “America,” and “Tonight,” where both Jets and Sharks alike came together for a powerful prelude to the action-packed “The Rumble.”

As headliner Tony, actor Will Ellis’s performance was defined by pristine tenor vocals and a captivating vibrato, mastering his character’s higher range. In solo songs like “Maria,” Ellis never shied away from the spotlight, boldly owning critical character moments. Opposite of Ellis, Allie Kuroff’s operatic soprano was equally impressive as the lovely Maria, clearly acting her finest in the show’s riveting finale. Both Ellis and Kuroff played their roles with a unique tenderness, providing an interesting presentation of two classic characters.

Likewise, actress Merrie Drees brought a thrilling flair to the flashy, spunky Anita. Drees’s powerfully sassy vocals proved phenomenal, and her ability to balance great comedic timing in earlier scenes with compelling emotion later on was marvelous, a dynamic lacking in other characters. As the charismatic Riff, Gabe Hoyer also crafted an extraordinary performance. Hoyer featured a mesmerizing gravity to his presence that added an unmistakable charm to Riff, making his Act I death one of the musical’s most tragic moments.

Tasked with a very challenging musical score, the CHCA Orchestra played fabulously. Despite drowning out certain vocalists at times, the pit kept accompaniment clean, crisp, and well polished throughout. Equally crisp and well polished was manager Kaitlyn Nickol’s stage crew, making scene changes promptly and effortlessly and contributing to the show’s timely pacing.

Doing justice to one of the most beloved musicals of all time is undoubtedly a daunting task. Yet as the lights faded on that aforementioned scene of unity, the cast of Cincinnati Hills Christian Academy’s recent production of West Side Story had accomplished exactly this. In a wildly successful effort, these talented performers honored not only the endearing charm of this theatrical legend, but also its strikingly poignant message.

 

A Midsummer Night’s Dream at Larry A. Ryle High School

REVIEWED BY ELEANOR CONNIFF, Highlands High School

Although written nearly 400 years ago, the works of William Shakespeare are still revered today as some of the most influential in all of Western literature. The Bard's plays are usually an essential component of any English course. The classic tales are still performed often by actors and theatre companies alike. It is difficult to imagine something as old as the publication of Shakespeare's First Folio in 1623 continuing to remain relevant and entertaining to audiences. In A Midsummer Night's Dream, performed by Larry A. Ryle High School, students brought life to the timeless classic and gave a performance that stayed true to the tradition of Shakespeare with unique and original twists.

The story of A Midsummer Night's Dream centers around a love triangle, or rather, rectangle, between Hermia and Lysander, two star-crossed lovers; Demetrius, who loves Hermia, although unrequited; and Helena, who loves Demetrius. When Puck, a mischievous fairy from the woods, accidentally casts a spell on the two young men, he reverses their affections, causing both to fall in love with Helena. Chaos ensues as Puck attempts to reverse the mistaken spell and keep peace within both the fairy and the lovers' world.

In Larry A. Ryle's production of this classic story, the students met the challenge of Shakespeare with eagerness and understanding of the style, far beyond the years of most high school students. The production also paired the original Shakespearean text with 1950s style costumes, props, and characters in order to portray a commentary on the time period's stratified nature and to modernize the theme of unrequited love.

Under the pressures of a four-way love triangle, Willow Davis's portrayal of Helena stood out among the leading roles of the show as her characterization and poise set her apart. Helena’s nagging but endearing nature allowed the audience to laugh at her melodramatic soliloquies while also sympathizing with her broken heart. Samuel Greenhill stood out in his portrayal of Demetrius as well, creating a character that was both likable and antagonistic and keeping him true to the attitudes of the time period.

Of course, it is impossible to forget Macy Bates’s performance as the mischievous Puck. The youthful energy that she brought to the role was extremely refreshing and played well into her comedic timing, keeping the audience laughing again and again.

From a technical aspect, the show was extremely fine-tuned. Albert Harris's lighting was absolutely stunning, with a purposeful contrast in the lighting of the fairy world versus that of the real world. This choice, while subtle, was extremely impactful, as the set's minimalist style made the setting of the story extremely ambiguous and versatile, with the shift in lighting as the main indicator of shifting worlds.

Love and mischief are the same now as they were in the 1950s, and the same in the 1950s as they were in Shakespeare's time. Larry A. Ryle High School's production of A Midsummer Night's Dream portrayed these themes in a fresh and unique way, while also paying homage to the tradition of William Shakespeare.

 

Beauty and the Beast at McAuley High School

REVIEWED BY SAMANTHA TIMMERS, Scott High School

It’s not every day you see a humanoid clock charging at foes with a silver fork. Nor is it every day that an audience finds themselves yet again floored by a performance they've seen on the screen a hundred times before. Yet in this heartwarming rendition of Beauty and the Beast, McAuley High School charmed both adult and child once again through their humor and talent.

This stage rendition, written by Alan Menken, Howard Ashman, Tim Rice, and Linda Wolverton, is actually an adaptation of an adaptation. The Oscar-winning movie version with which the world is familiar came out in 1991, the inspiration stemming from the 1756 fairy tale by Jeanne-Marie Leprince de Beaumont. In this third version, a beautiful and bookish Belle becomes the only hope for a long-forgotten castle staff and Prince, who are slowly becoming inanimate objects as a result of a spell caused by the Prince’s vanity. But can Belle learn to love a Beast who can barely learn to love anyone else?

Overall, McAuley created a magnificent performance that was filled with magic and surprises. The cast was bouncing with energy from start to finish, and their vocal quality was solid amongst all actors. The technical crew skillfully created a lively atmosphere that resonated with audience members, phenomenally recreating classic scenes. With glittering costumes and whimsical choreography, Beauty and the Beast did not disappoint.

Danielle Mouch was extraordinary in her performance as Belle. Her vocal quality was pristine and clear, effortlessly reaching every note as well as maintaining her character’s spunky yet thoughtful personality. Gregory Miller, a well-established actor in Cincinnati high school theater, outdid expectations in his performance as the Beast. Though he might have had hair and tusks masking his face, his powerful yet perfectly controlled voice said more than facial expressions ever could.

Audience favorites included the actors playing Lumière and Cogsworth. AJ Keith’s (Cogsworth) dry humor was expertly delivered and well received, his deadpans flawless and his mannerisms appropriate for the endearing yet bossy character. Benjamin Burton seemed to be made for the role of Lumière: his French accent was spot-on (and maintained throughout the length of the show), and his eye for comedy was terrific—all it took was a few suggestive hip movements to send the audience into uncontrollable laughter.

The crew provided dazzling effects for the show. The lighting was of almost professional quality, with a highlight being the mystical, Northern Lights-sequel brilliance that occurred during the Beast’s transformation. While the costumes seemed to closely follow the movie adaptation, they were of high quality and were well constructed and designed. The choreography flowed seamlessly, from the Mob’s parade around the auditorium to the Wolves’ deathly yet entrancing dance. Overall, McAuley’s crew was a force to be reckoned with, achieving seemingly magical transitions and mirages.

In this tale as old as time, McAuley High School enchanted youth and elderly alike with its whimsy personality and spellbinding characters, reminding everyone not to be deceived by appearances; there “may be something there that wasn't there before.”


The Mourner’s Bench at the School for Creative and Performing Arts

REVIEWED BY SARAH MORGAN, Mariemont High School

A single gunshot can end a life, create irreversible emotional damage, and shatter even the closest of relationships in an instant. The School for Creative and Performing Arts’ dark, poignant, and haunting performance of The Mourners’ Bench explored the crippling emotional aftermath of a deplorable tragedy.

The first act opened up to an intense argument between siblings Bobby (Bradley Mingo) and Melissa (Nina Walker). Twenty years after they witnessed their father shoot their mother, Evelyn, in a murder-suicide, Bobby and Melissa have still not healed. While Melissa has attempted to move on with her life, marrying a nice man and bearing two children, Bobby is trapped in a state of perpetual dependency, turning to alcohol and eventually buying the childhood house in which the tragedy occurred. Mingo and Walker perfectly captured the essence of a tumultuous sibling relationship, from emotionally depleting shouting matches to interrupting one another mid-sentence. The two were able to adroitly deal with dark themes, including murder, rape, and suicide, by presenting an air of deep gravity and maturity to their lines.

Act Two, set immediately after Evelyn’s funeral, featured her sisters Caroline (Mallory Kraus) and Wilma (Danielle Brockmann) bickering about the future of their niece and nephew. Kraus and Brockmann both give performances rife with emotion, utilizing familiar body language to heighten the intimacy of their conversation. The timing of their dialogue was natural and seemed completely organic, inviting the viewer into their quarrel. Brockmann approached her role as Wilma with a gentle softness, providing a foil for Kraus’s seemingly callous, unemotional Caroline. The scene ended touchingly, with Kraus playing the piano while Brockmann watched, a testament to the boundless power of redemption.

Act Three centered around elderly, married couple Joe (Cameron Baker) and Sarah (Maggie Hoffecker). They moved into Bobby and Melissa’s childhood home immediately after the tragedy and become inextricably tangled in the history of the house they have purchased. The tenderness between Hoffecker and Baker truly reflected that of a couple on the brink of death; while just sitting next to each other on a couch, they seem comfortable and at ease, with no trace of awkwardness. By the end of the scene, sniffling could be heard throughout the theater as the pair gazed out of a window, contemplating life’s transience.

SCPA’s theater was a room with seating on all four sides, providing an intimate view of the stage and connecting the audience to the characters. The set was sparse: a living room furnished with an unadorned couch and a dilapidated piano. The simpleness of the set allowed the raw emotion of the actors to shine through, creating a memorable performance.

All in all, SCPA’s production of The Mourners’ Bench was an evocative and haunting testament to the power of loss, recovery, and redemption.

 

Sweeney Todd at Taylor High School

REVIEWED BY MADISON LUKEN, St. Ursula Academy 

A trip to the barber never seemed so dangerous than in Taylor High School’s production of Sweeney Todd, where deceit leads to a menagerie of questionable pies, ineffective Italian barbers and a tempest of revenge, violence and tragedy.

An ordinary barber, husband and young father, Benjamin Barker has his world turned upside down when he is thrown in jail on a trumped-up charge that costs him his wife and daughter. Escaping prison, Barker renames himself Sweeney Todd and moves back into his shop on Fleet Street when he discovers the suicide of his wife Lucy. Out for blood, he teams up with the pie baker below his flat, Mrs. Lovett, to take revenge on the ones responsible — Judge Turpin and Beadle Bamford. Leaving a trail of deception, misery and gore in his wake, Sweeney Todd becomes the demon barber of Fleet Street in this haunting musical thriller.

From the smoke that billowed from Mrs. Lovett’s pie shop to the synchronization of the company in “Pirelli’s Miracle Elixir,” the unwavering commitment of both the cast and crew of this show did not go unnoticed in both details and central events. Every aspect of the show came together to create a product of suspense, drama, and overall beauty as an elaborate set, apt lighting and emotional vocals blended with the energy of everyone on and off stage.

Despite the incredible amount of music and its difficulty, the leads of the show, Sweeney Todd and Mrs. Lovett, performed by Antonio Ortiz and Annie Gerth respectively, conquered the tumultuous trials of Steven Sondheim almost flawlessly. In addition to this vocal aptitude, Gerth was able to portray the comedic elements of Lovett through her accent and equally strong acting propensity. Reciprocated by Ortiz, the two radiated a brilliant, psychotic chemistry that was always present, especially in songs such as “A Little Priest.”

A buttress to the leading couple, the ensemble floated eerily onto the stage relentlessly, booming out “The Ballad of Sweeney Todd” and “City on Fire” without wavering. Additionally appearing repeatedly, the Beggar Woman, played by Eliana Batsakis, brought further skill to light both vocally and in her physical acting as she drifted across the stage, crawling in the shadows of London, cackling manically and uttering desperate warnings until she met her demise.

Behind the scenes, this show demanded both sets and costumes reflective of the dark, dirty setting of 19th-century London. In both areas, demands were met, as buildings faded into darkness under a smoky pall and windows appeared cracked in places like Fogg’s Asylum while their inhabitants skulked about in ripped clothes with faces scorched with the grime of the streets. The crew was also able to create credible deaths with their use of stage blood.

Altogether, Taylor’s production was consistent and energetic in every scene of the show, creating a thrilling and gripping story through its performers and behind-the-scenes crew. It was ultimately well deserving of the standing ovation it received.


Once Upon a Mattress at Ursuline Academy

REVIEWED BY CARISSA SAFFIRO, Cincinnati Christian Schools

From childhood one is taught that princesses are the immaculately beautiful creatures that epitomize all that is grace and beauty. Who could imagine that the next princess of a medieval land would be an uncouth and unruly woman from the swamps? Ursuline Academy’s recent production of Once Upon a Mattress explores what happens when an ill-mannered yet charming woman steps — or rather swims — into court looking for a prince.

Written in the 1950s, Once Upon a Mattress is a musical comedy adapted from Hans Christian Anderson’s fairy tale “The Princess and the Pea.” The musical was written by Jay Thompson, Marshall Barer, and Dean Fuller with lyrics and music by Marshall Barer and Mary Rodgers, respectively. The show features Princess Winnifred of the swamplands who comes to marry Dauntless the Drab, despite all the women before her who have been turned down by his tyrannical mother. Following the classic tale, the queen puts a pea under twenty mattresses to determine whether Winnifred is a true princess.

With intricate music and challenging characters, the leads of Once Upon a Mattress certainly had their work cut out for them. The ludicrously uncouth yet lovable Princess Winnifred was played by Kennedy Carstens. From the moment she stepped on the stage the audience was in the palm of her hand and her vocal performance was unequalled by any cast member in the show. CJ Allen had the challenge of playing the role of Dauntless the Drab and chose to play this arguably flat character with a charming and comedic twist. The audience’s narrator and another lead actor in the show was the Minstrel, played by Arjun Sheth. Sheth not only brought the audience through the show with a confidence and charisma, but also had the vocal range required for the role.

King Sextimus the Silent, played by Michael Viox, was another leading force in the show, although because of an old curse he was unable to speak for most of the musical. However, his inability to communicate with words in no way inhibited his connection with the audience or his stage presence. His counterpart and friend, the Jester, played by Claire Westover, played alongside Viox with excellent chemistry but also showed a deeper side of her character as well as impressive tapping ability in her song “Very Soft Shoes.” Carmen Carigan must also be commended for her performance as the Wizard. Although in a smaller part, Carigan has the ability to leave the audience clapping and laughing hysterically every time she stepped off stage.

The most unique thing about Ursuline, however, is the wealth of talent in their dancers. The dancing chorus was always together whether they were doing ballet or tap. With dancers such as Keely Wissel on point and other incredible soloists such as Caroline Nymberg, the dancers stood out as one of the highlights of the show.

The technical aspects of the show seemed to move effortlessly. There were few to no microphone errors, although the cast was working with fifteen wireless mikes, and the lighting was flawless. Arguably the most unique and ingenious part of the show was the costuming. Almost completely student-made, the costumes were imaginative and well put together. In the chorus, each lady’s costume had a corresponding knight’s costume, just one example of the color and brightness of the show.

The costumes, actors, and dancers certainly mirrored the fun, bright, and slightly unconventional style of this production and brought the audience for an enjoyable ride.

 
 
by Josh Elstro 05.21.2015 3 days ago
Posted In: Live Music, Festivals at 10:20 AM | Permalink | Comments (0)
 
 
shakyknees

Shaky Knees Festival: No Puns Necessary

Despite some limitations, Atlanta's Shaky Knees offered an enjoyable music fest experience

I'm swirling a 24 oz. PBR tall-boy around 2 a.m. at a bar fashioned from an old church in a neighborhood I can't quite figure out. Is it up-and-coming like our own Over-the-Rhine? Or are we "on the wrong side of the tracks"? I don't really care at this point. I've already gotten drunk once today and spent 12 hours in the burning southern sun. I just want a bed.

There are 20-somethings in rompers, board shorts and woven sandals hunting for a festival after-party lined up around the block waiting for over an hour to sit on picnic benches and drink crummy beers together at a 300% markup over buying them at a gas station. We are only inside because someone among some newly found friends has sweet-talked the back door guy. Point is, I'm bored and ready for bed. I engage a fellow Cincinnatian at this bar after awkwardly sitting in silence for the past 30 minutes. Someone points to an open garage door leading to an abandoned courtyard where a bonfire is burning and shadowy figures have been shuffling in and out of all night. Oh man … I've been to these parties back home. They often end in way more cocaine than I'm comfortable being around or racially tense fights. But it’s the path I have to take to find out where I can sleep, so I throw my hood up to go as unnoticed as possible and dive in.

"If you high as fuck and you having a good time say yeah!"


"YEAH!!"


"If you drunk as fuck and you having a good time say yeah!”

"YEAH!!"

A track starts playing a familiar synth line. Everyone in the rundown rock yard throws their hands up in unison and screams, "I DONT FUCK WIT' YOU!!" Big Sean's breakup anthem blares over the PA. Yes! I'm so down with this. The fact that I'm in dirty soccer shorts and an Against Me! hoodie doesn't matter. The fact that I'm not from here doesn't matter. My age doesn't matter. My race doesn't matter. We all dance and sing along together until the cops show up. Forget the kids waiting in line to drink bad beer on park benches hoping to get laid; this is the most live party I've been to in a long while and nothing like it has ever happened back home.

But this isn't home, it's Atlanta. And it's the best part of Shaky Knees festival. I had headed to the unofficial
capital of the South two days
earlier with wildly different expectations. I was nervous, expecting an endlessly
expansive metropolis like
Chicago or New York where you
could get lost for days just
searching for a legal parking spot
and shouldn’t expect to find a place to rest your head for less than $100 per night.

Instead I was greeted by a uniquely diverse, affordable and welcoming city that didn’t feel much more overbearing than Nashville or our own city. A welcoming attitude of southern charm and hospitality was the cherry on top of every restaurant and bar we’d visit.

Before I go on I feel it should be pointed out that while fully qualified to review a music festival, I fall into a not so primary target demo for festival promoters. Yes I’m white and middle class, but, more importantly, I’m 29. Not young enough to save up my graduation money and go on a road trip with my gal pals for the “party of the summer.” Not late enough in my 30s, with kids of my own old enough to either stay home alone or come with as I check out whatever ’80s Alt band has dusted themselves off to play in the twilight hours of each day in the name of collecting a paycheck. Most of my demographic is too busy being spit up on at all hours of the night by their newborns to afford spending three days drinking in the sun and being blasted by unhealthy decibel levels. But, alas, here I am.

That all being said, my only real complaint with Shaky Knees was its lack of diversity. It is in the Hip Hop capital of the south (several jokes were made asking locals if Outkast are the “presidents of Atlanta”), but it failed to feature a single Hip Hop or R&B act. There was a small representation of Delta music with Preservation Hall Jazz Band and Trombone Shorty dotting the schedule early Sunday afternoon (which I unfortunately missed as my attendance was unplanned and last minute, so I had to spend Sunday driving home for work). Every band I saw was just white guys with guitars. Not that there’s anything wrong with some of that, but I didn’t see a single other act that had more than one token female or person of color (the exception being Tennis, which had one extra woman on keys tucked in the back of the stage).

Atlanta’s location provides for an amazing opportunity to unite a wide array of music lovers from all over the country. I met travelers from places as far as New York, Miami, Fla., and Nashville, Tenn. It has a stronger African-American middle class than most of the Midwest, as I experienced amongst its nightlife and food scene, and yet the culture of the festival was still focused primarily on a white, suburban, Indie Rock or Folk crowd, which is a shame. Some minor lineup tweaks could make all the difference for an otherwise amazing festival.

Enough of that. We’re here to talk about performances, so let’s party …

DAY 1
Jukebox the Ghost While assessing the lay of the land we settled into our first full set with the Piano Rock trio. My friend, who knows my taste well enough to know I’d instantly
want to judge
them, insisted I
give it a chance. It took a minute,
but with interlude
banter like, "This
is a party song
about breaking
up," or "This is the
dumbest song
ever written,"
these guys are
just having too
much fun to not
want to join in. I
mean, come on
— they closed with
a cover of
Queen’s "Don’t Stop Me Now" (yeah, they really had the balls to do that!) knowing full well their younger fan base would be totally lost and they didn’t give a single fuck. Kudos guys. You will do just fine in this world so long as your hairlines stay in tact.

Tennis I was merely nodding appreciatively through most of their set. Then lead singer Alaina Moore, whose neckline plunged all the way to the top of her high-waisted jeans with nothing but some hard working gravity protecting her from indecent exposure charges, introduced the song “Marathon.” One of the band’s older songs, it’s a solid straight up Doo Wop tune. (Now we’re talkin’!) I was pulled in for just a moment. But then all I could do is re-Imagine them as the opening band in the dance in Back to the Future with this same look and style. Marty never even gets the chance to rip through “Johnny B Goode.” The scene would already be too wild for Hill Valley circa 1955 to handle. There are riots in the streets! Marty disappears from the family photo and his existence fades into obscurity. Fin.

Wavves “Finally ‘the youths’ are partying!” I spent a good chunk of this set under the bright sun on searing black top thinking, “There’s gonna be some seriously dehydrated kids in sweaty ironic tees later.” Wavves’ first record was the only thing that swayed me to let my guard down and learn to accept the lo-fi revolution. Plus, “King of the Beach” is a total jam. But something just isn’t right about the energy of this young crowd. It’s like the Warped Tour of my youth for a new generation that doesn't have a George Bush to rally against and vent their angst toward. There’s a wave of aggressive indulgence in the pile of sweaty bodies that’s directed at nothing in particular and I’m too old or out of touch to understand it. Mostly I was thinking Hedonismbot from Futurama would fit right in crowd surfing over this pit. “Oh my!” Wavves new song was on point, though, perhaps suggesting a move away from the low-fi fuzz that covered up the simplicity of their previous work to something a little more richly melodic.

Manchester Orchestra I had to give this band a chance as my roommate texted me from back home insisting I check it out. I trust her. So I go. And, yeah, it’s heavy and I like that, but I’m not sure I get it yet. There are these glimmers of sing-along anthem glory, but in my 30-45 minute blind taste test of them I didn’t get enough of that flavor to crave seconds. Maybe some more research before they visit us for Bunbury next month will bring me around.

The Mountain Goats “AND HARD TIMES ARE WHEN A MAN HAS WORKED AT A JOB 30 YEARS AND THEY KICK HIM IN THE BUTT AND SAY: HEY, A COMPUTER HAS TOOK YOUR PLACE, DADDY. THAT’S HARD TIMES!” This is part of the epic, booming three-minute intro that sets the stage for The Mountain Goats’ show, a voiceover shouting a challenge to the Macho Man Randy Savage daring him to a fight in the ring across an empty stage. It gets you properly amped for what’s to follow. You can feel John Darnielle and his gang carry that energy right onto the stage with them as it ends and the crowd erupts. Don’t make the mistake of lumping these guys in with the dusters “just out for a paycheck” I mentioned earlier based on their age. You will rarely see someone look so happy to sing songs he wrote 20 years ago with as much conviction as Darnielle. His stage presence oozes “I’m a professional, but I’m having a blast!” And the crowd responds, “Alright John. Then I am too!” That presence is so strong he still wins over crowds with brand new songs despite already having a discography over 15 full-lengths deep. What's that streaming down my face as they close out with “No Children,” the hauntingly triumphant ode to the end of the ugliest relationship you’ve ever heard? It’s … it’s just a really heavy bead of sweat! It's hot out here damn it! Leave me alone!

Mastodon At this point in the day I just can’t take standing up anymore. Another minor issue with Shaky Knees overall was the food options. The ratio of local food trucks to festivalgoers yielded unbearably long lines for anyone hoping to catch some of the later acts of the day. Beer however was in ample supply, so I grabbed one to sip on while catching the most Metal moment of the weekend from a hill a hundred or so yards out from the main stage. Metalheads I trust recommend Mastodon and, yeah, they were fine with me too. Only problem is they fell just short of what I’m looking
for in their songwriting, a craft often overlooked
by Metal bands in my opinion. And so I spent
most of their set wishing I was watching Ghost
instead and checking my phone for any news of
their next release. We should expect that in
August.

Pixies Kim Deal purists be damned. Her current replacement did just fine and sounded spot-on like the records to me. While expecting those aging rockers coming out to collect a paycheck I’ve been talking about, there was still a dash of magic left. Or maybe it’s just that little flutter I get when a song starts up that I’ve been listening to for 15 or so years, like “Here Comes Your Man,” with no expectation of ever hearing live because, to be honest, it was a little loose at times. Okay. Really loose. Like, Frank Black stopped in the middle of a song and said, “That was my fault. I went to the chorus too soon,” and went on to the next one loose. Makes you feel a little bummed for folks who shelled out full price for a pass just because they’re so stoked to see their favorite band. So yeah, maybe my nostalgia high is wearing off now that I’m reflecting back and realizing Kim’s replacement was honestly the most engaging part of the set.

The Strokes Lead singer Julian Casablancas isn’t exactly the king of charisma. Hell, he’s not even the dunce in the corner of Charisma 101, which makes it really hard to accept this band as a headliner. His attempts at on-stage banter made for some of the most uncomfortable moments of the weekend. Tie that in with his cracking voice straining to push out the words “How long must I wait” before it just gave out during the first song of their encore, “Vision of Division.” Their set became downright unbearable at times. Unfortunately, on top of this, “Reptilia” is the only song I really care for and they opened with it. So I was over it quick. The crowd didn’t seem to care though. They all still went nuts when the song that sounds exactly like “Last Night” but isn’t it came on halfway through their set.

And so, in my constant battle of jaded cynicism vs. the fact that I do genuinely love live music, I’d say day one ended in a draw. On to round two!

Day 2
Kevin Devine We raced back to the festival grounds to catch this set, but I wasn’t quite awake enough yet and needed to finish my coconut water to get things going. But Kevin didn’t care. His high energy set was better than anticipated and got me back in the game. He’s got the Indie/Emo “slow burn, build and release” pattern down and I’m totally ready to go up and down for the ride. Definitely keep an ear out for him.

Mariachi El Bronx Exactly what it sounds like. It’s Los Angeles hardcore band The Bronx … playing mariachi. I honestly resisted them for years as my friends raved and I assumed it was just another silly novelty crossover band. But they’re such great players that they managed to transcend the novelty and throw one hell of a party. Unfortunately, The Bronx gang seemed to draw the short end of the stick for the entire festival as this set was early on the main stage where the bass in the mix was for a much larger headlining crowd and it ruined the whole balance of the band. I had to leave halfway through as my body couldn’t handle the blasting waves of low end. But their bass player sure sounded great!

Speedy Ortiz “I think Squidbillies is here right?” lead singer Sadie Dupuis says between songs with minimal irony or facetiousness in her voice. And it’s this feeling of off beat intimacy the band tries to interject into the mid-afternoon, sun-drenched crowd that draws me in. It helps me understand why others are drawn to them, while my aging ears struggle to get hip to it. Dupuis voice and melodies, along with everyone else’s performances, are great, their style of off-the-beaten-path harmonic and chord structure however have never really set in for me. It kind of killed off my mariachi buzz and I stepped out halfway through to plan the rest of my day in some shade.

Viet Cong I went into this thinking the tough as nails name meant I was about to see a bratty and loud Punk band, which I was kind of stoked about. But the droning bass and synth is all good too! Makes me want to get in the world’s angriest space shuttle and fly to the moon. As they droned the last two chords of their final song back and forth for nearly three minutes I found myself wanting to shout, “Just take off damn it!” These guys would be equally good for when you're drunk alone at 4 a.m. again and your Joy Division records are just too far out of reach, plus you need a little extra edge to encourage you to break a few things!

Metz If you wish The Hives were still a hard touring band, these guys will get you half way there. Plus they’re a lil’ heavier to boot. That being said, the riffs could be a little catchier for my taste, but they still deliver enough to keep me hanging on and start snooping around for their records next time I’m out. Plus, you’ve got to love a band that you know is making somebody in Canada say, "You know that quiet guy in accounting? Yeah he TOTALLY shreds on the weekends!" Probably also worth mentioning here that these guys will be tearing up the Woodward Theater with Viet Cong on July 21st and it’s definitely going to be worth being there.

FIDLAR Plain and simple: This is why I love Punk. Just look at the dumb, unbridled joy on the faces of this sea of kids bouncing up and down in unison. There’s a certain “it” factor that the best live acts have regardless of technical difficulty or skill required to accurately perform their songs which I’ve never been able to put my finger. (FIDLAR said it best during their own set: “That’s right guys, all you need is three chords!”) This band definitely has it. The fact that I’m getting too old and responsible to honestly relate to their lyrics doesn’t matter. I think cocaine is childish and immature and I think drinking cheap beer is a waste of calories … but goddamn. I just can’t help but scream along in unison with these kids and share their same dumb, shit-eating grin. They are rescheduling their recently cancelled show at Thompson House. Keep an eye out for the new date and be prepared to lose your goddamn mind.

The Bronx And this is why I love hardcore! This is one of the tightest performances I saw up to this point despite unfortunately having the smallest crowd. No frills, just solid playing and tight execution. I had tried getting into them on record a few years back and something didn't click. Now it does. Time to go back and start working on picking up some change on the dance floor again.

Neutral Milk Hotel Yep. There's still too much ex-girlfriend attachment to this band for me to really enjoy it. Plus, they played at the time of day where no matter how close you want to get, you bottleneck at a point in the crowd that’s too far away to really feel a part of the set. “Maybe I should see if the Bronx is still playing? Why did I leave!? If one more person near me gushes over how cool using a saw as instrument is heads might roll …” Also the flock of blond college-age girls flocking out of the crowd after “In the Aeroplane Over the Sea” was played early in the set was amazing. Am I being too cynical? Whatever. Jeff Mangum’s voice is still on point after all these years. Still worth it.

Wilco At this point that bottleneck was just too far away to really get into what was happening on stage, which bummed me out because I had to miss Wilco’s show in Cincy a few days earlier. The drunk people next to me were almost as loud as the reverberations distantly ringing on the stage. But hey — they’re still cranking out the hits and they're still Wilco, so you gotta love it. But I was a little too buzzed and nervous about not getting a good spot and running into this same situation for the Avetts, so I dipped out a little early.

The Avett Brothers “Effortless.” People challenge me all the time to explain why I believe these guys are objectively one of the best live musical acts in music right now and this is the only word I can ever seem to muster. The level of focus, mastery and attention to
detail that goes into the
performance this crew puts on
night after night should be
obvious to anyone who’s so
much as taken a single guitar or
voice lesson. The love, passion, joy, and energy they
infuse into every song, whether
it’s a sing-along anthem like
“Kick Drum Heart” or a soft
ballad like “The Ballad of Love
and Hate,” makes the whole act
seem more effortless every time
I see them. Whether it’s Seth’s
improvisational riffing on their
already perfect vocal lines or
Scott’s conviction and sincerity
when telling the crowd he needs their help singing along with something, I truly believe they would win over any true music fan who is willing to let go and be taken by the power of one of their sets. No other band refracts as much love for what they’re doing on stage back to an audience quite like the Avetts. Their headlining set at Bunbury will be their first performance in Cincinnati since 2008. Do not miss it.

Whoa. What a ride. The fact that I’m having trouble wrapping this up despite the fact that I missed a whole day of the festival is a testament to just how much Shaky Knees has to offer music lovers. I’m having trouble keeping the two-day experience I had from unraveling into a full novella and am now forcing myself to shut up. Despite its limitations, there is still enough diversity to keep most fans of semi-independent Rock or Alternative on their toes. (No. It was not hard to resist a “shaky knees” pun here.) But when you attend next year, don’t let your time adjusting to the southern sun tap all of your energy for experiencing the city’s culture and nightlife. As much as I love Cincinnati, I think we have much to learn from this gem down South and I look forward to returning soon.

— Josh Elstro

 
 
by Danny Cross 05.20.2015 4 days ago
at 09:46 AM | Permalink | Comments (0)
 
 
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Morning News & Stuff

U.S. AG visits Cincy, city budget still light on human services funding, Reds stadium probably won't catch fire again

U.S. Attorney General Loretta Lynch visited Cincinnati yesterday on a tour of cities implementing innovative police practices. During a roundtable event at the National Underground Railroad Freedom Center, Lynch said Cincinnati’s approach is a model for other cities to follow.

Via The Enquirer:

"This is a place that has been through difficult times," Lynch said, referring to the city's riots 14 years ago, which led to a lawsuit and accusations of racial profiling by police. "Cincinnati exemplifies the fact that a city is a living thing — and it is comprised of all residents of a community."

 Cincinnati has long underfunded human services, at least according to its own goal of using 1.5 percent of the city budget for things like programs to end homelessness, provide job training and offer support for victims of crime. It doesn’t look like the city will get back to that rate any time soon, and City Councilman Chris Seelbach yesterday questioned why City Manager Harry Black’s budget doesn’t include $3 million council unanimously agreed in November to use to reduce homelessness and help boost gainful employment.

Here’s some context via the Business Courier:

It has been longstanding city council practice to direct the city manager what to put in the budget by a motion backed by a majority of council members, so Black's statement appears to permanently alter a standing way of doing business at City Hall. It also increases the tension between Black, Cranley and City Council, particularly majority Democrats, over their governing relationship.

With funding allocated for a mayoral priority but not one supported by all council members, Seelbach said it raised concerns over Black’s independence and whether he reports to Cranley or Cranley and all nine council members.

“It strikes me as very strange,” Seelbach said. “It seems like a symptom of that.”

“So noted,” Black said. 

 City pools are set to open this week, but six out of the city’s 25 might not open on time because they’re facing a shortage of 65 lifeguards. The Enquirer today noted why the pools are important to low-income children, many of whom receive free lunch and take advantage of having something to do other than the bad stuff kids get into when they’re bored (my words). 

 Social justice activists planned to call on Major League Baseball this morning to speak out on racial injustice, specifically police brutality and what the group calls “blatant disrespect of African Americans in Ohio’s justice system.” The press conference scheduled for 11 a.m. today will include Bishop Bobby Hilton of Word of Deliverance, Pastor Damon Lynch III of New Prospect Baptist Church, Pastor Chris Beard of Peoples Church and Rev. Alan Dicken of Carthage Christian Church.

 WCPO Digital’s series on marijuana continued today looks at what Ohio can expect business-wise if and when the state legalizes pot. WCPO sent two reporters who probably can’t pass a drug test anymore to Colorado to report on the industry and a family who moved there from the Cincinnati area so their daughter who suffers from seizures would have access to medical marijuana.

 The Reds say the stadium smoke stack that caught on fire last weekend will be fully operable by the time the team returns from its current road trip. Firefighters climbed two ladders to put out the fire in one of the “PNC Power Stacks” during a game against the San Francisco Giants last weekend. A few sections of fans were evacuated but the game was never delayed. The Reds got whooped all weekend so the fire was actually a pleasant distraction and ended up on Sportscenter and stuff.

 Apparently there are lines out the door at a new chicken finger restaurant in West Chester called Raising Cane’s and its owners are going to open more stores, potentially one downtown.

 The Federal Trade Commission filed a lawsuit yesterday against a collection of cancer charities it says misused millions of dollars in donations. Sounds like someone’s going to be in serious trouble for it. Worth a read from the Los Angeles Times to hear about the various members of the James Reynolds Sr. allegedly involved.  

In reality, officials say, millions of dollars raised by four “sham charities” lined the pockets of the groups’ founders and their family members, paying for cars, luxury cruises, and all-expense paid trips to Disney World for charity board members.

The 148-page fraud lawsuit accuses the charities of ripping off donors nationwide to the tune of $187 million from 2008 to 2012 in a scheme one federal official called “egregious” and “appalling.”

 Twenty-one-thousand gallons of oil is now sitting in the ocean instead of being burned into the air by automobiles. The U.S. Coast Guard says it has formed a four-mile slick along the central California coastline.  

 In good California news, Los Angeles City Council approved raising the city’s minimum wage to a nation-high $15 an hour by 2020.

 Documents recovered during the raid that killed Osama bin Laden? Sure.

 Five global banks to pay $5 billion fine and plead guilty to criminal charges after an investigation into whether traders at the banks “colluded to move foreign currency rates in directions to benefit their own positions.” OK.

 Scientists say a snake ancestor had little toes even though it slithered.

 
 
by Staff 05.18.2015 6 days ago
Posted In: Leftovers, Cocktails, Brunch, Beer, local restaurant at 12:11 PM | Permalink | Comments (0)
 
 
bistro grace ceviche

Leftovers: What We Ate This Weekend

ReUse-apalooza! Brunch at The Palace. Waffles with gelato. Cheese coneys by a flaming smokestack at GABP.

Each week CityBeat staffers, dining writers and the occasional intern tell you what they ate this weekend. We're not always proud — or trendy — but we definitely spend at least some money on food. 

Ilene Ross: Friday night’s ReUse-apalooza! at Building Value in Northside gave me the opportunity to do one of my favorite things for dinner: graze. Northside’s proliferation of tasty restaurants is the perfect place for progressive noshing, and an event like this is the perfect way to sample most of them in a compact setting. Some of my favorites were the ceviche from Bistro Grace, the chiles rellenos from Django Western Taco, the kale and white bean dip from Park + Vine and pierogies from Babushka Pierogies (neither from Northside, but I’m not that picky), and then dessert goodies from Happy Chicks Bakery and Grateful Grahams.

Colleen McCroskey: You either wholeheartedly agree with me or think I’m insane, but I am 110 percent convinced that cheese coneys from Great American Ball Park taste LIGHT YEARS better than coneys from a regular Skyline, so I treated myself to two of them this past Friday night when we played (read: lost to) the Giants. The cheese is lighter and fluffier and the flavors of the chili seem more complex and nuanced somehow. I washed down all that deliciousness with a vodka-spiked slushie. I also happened to be sitting right next to the smoke stack that caught fire so the black billowing smoke added some nice ambience to my own personal coney-fest.

Jesse Fox: I've been on a mission to eat better and minimize my portion size the past couple weeks, but this weekend I took a break from that. This started on Saturday when I went out with my friend Erica to use up a gift card I had from Moerlein Lager House. Knowing that we had a whopping $50 of free money we decided to go wild (for two broke girls) and order a couple margaritas, an appetizer (calamari) and an entree that was more than $7. Erica went with the herb-crusted salmon and I chose their crispy balsamic tofu. After that we went up to Clifton where my band was having a house-show and finished the night out with some Bud Light Razberitas and a few PBRs.  

Katie Holocher: I, no joke, literally ate Dewey's all weekend. A calzone Friday night, those leftovers on Saturday and then another pie on Sunday. Same order every time — banana peppers and pepperoni (or BPPep as we call it in our house), with extra sides of their ranch. Furthermore, I had a delicious lemon cake, that was as equally adorably decorated, at a baby shower, made by a local gal named Sara Kenny. She calls herself the Baking Actor but I was talking to my friend who knows her and it sounds like she's getting more away from the acting side so that she can get more into the baking side. 

Sarah Urmston: This past Saturday, OTR was buzzing with action — a 5k, the City Flea, store grand openings and more; every restaurant seemed to be flooded to their very brim. I gratefully remembered The Taste of Belgium (one of my favorite breakfast places in Cincinnati) had another location off of Short Vine, not too far from the one in OTR. Our scheduled 2-hour wait turned into no wait at all as my buddies and I gathered around a high-top for some their famous waffles. Switching it up from the usual chicken and waffles I get, I ordered the Waffogato: a Belgian waffle topped with vanilla bean gelato alongside a shot of rich espresso to dip, pour or do with whatever your heart desires. It was the perfect blend of cold and hot together, with a sweet-meets-bitter taste. It was the best way to wake up and begin a Saturday.  

Casey Arnold: My boyfriend Brian and I were traveling around the suburbs checking out yard sales on Saturday when we both were hit with some painful hunger. We remembered that there was a Mexican restaurant pretty close to where we were in Maderia called Chuy's. Neither of us had ever been there or heard of it. It seemed a little gimmicky at first: hubcaps hanging from the ceiling, T-shirts for sale and general flair on the walls. When the fresh salsa came (where was our red slime?) we were pleasantly surprised. I had the bean and cheese burrito with creamy jalapeno sauce. It was delicious, but we both swore that the sauce was just ranch dressing. Brian had the stacked enchiladas which were blue corn tortillas sandwiching shredded chicken. Everything was fresh, different and so much better than an average Mexican restaurant. I posted about it on my Facebook and my Austin, Texas-transplant friends started commenting about how surprised they were that the chain made it all the way up to Cincinnati and raving about their favorite dishes. I realize I've been spending too much time downtown. 

Garin Pirnia: On Sunday, my friend and I brunched at The Palace restaurant inside The Cincinnatian Hotel. In March, they introduced Saturday and Sunday brunch (11 a.m.-2 p.m.). The restaurant wasn’t crowded or loud, so you could actually carry on a conversation. Besides their brunch menu, you can also order off their breakfast and lunch menus, so there were a lot of options such as challah bread pudding, and chicken and cornbread waffles. I had their eggs Benedict (arugula, grilled tomato, poached egg on English muffin, avocado mousse, hollandaise sauce). The eggs were a little overcooked but otherwise were good. My friend ordered the steak and eggs flatbread, which came with coffee-cured bacon. We also indulged in home fries, which were the right amount of crispy and pillow-y. The best part of their brunch menu is the inventive collection of bloody marys: a spicy lobster and shrimp gazpacho bloody that came with fresh-shaved horseradish mixed in, and chunks of lobster and shrimp on a skewer. I mean, lobster in a bloody! They also offer a Southwestern bloody (avocado, cumin, cilantro), and a Korean (kimchee, soy, ginger). You can order the bloodys singularly ($8-$11) or by the pitcher, but we refrained from doing that (maybe next time). They also make blueberry mimosas and housemade strawberry sodas. If you like a fancy (and boozy) brunch with affordable prices and food served atop white table cloths, then you need to go.
 
 
by Steven Rosen 05.18.2015 6 days ago
Posted In: Film at 09:34 AM | Permalink | Comments (0)
 
 
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Cincinnati-Filmed 'Carol' Receives Outstanding Reviews

Considered an Oscar contender, film is in competition at Cannes

The Cincinnati-filmed Carol premiered over the weekend at the Cannes Film Festival and received sterling, outstanding reviews that called it an instant Oscar contender and the most important high-profile gay drama to come out of American cinema since 2005's Brokeback Mountain. The film is in competition at Cannes.

Based on Patricia Highsmith's 1952 novel The Price of Salt and directed by Todd Haynes (Far From Heaven, I'm Not There), it features Cate Blanchett as an socialite who falls in love with a younger department-store clerk (Rooney Mara) in Manhattan. The film was shot here last year, using sites in Over-the-Rhine, Cheviot and other locales as stand-ins for a New York of old.


At Variety, the most important publication chronicling the entertainment business, critic Justin Chang said the film "should have little trouble translating critical plaudits, especially for Cate Blanchett's incandescent lead performance, into significant year-end attention.​" Variety also revealed that the distributor, Weinstein Co., has set a Dec. 18 release date for Carol, a prime opening weekend for any film with Academy Award intentions.

Here is a link to the full Variety review.

Meanwhile, at indieWire — the most influential website for the independent-film industry (Carol was produced independent of the big Hollywood studios), Eric Kohn also gave a strong rave to the film.


"Carol funnels (themes) into a nuanced tale of mutual attraction that reflects a filmmaker and cast operating at the height of their powers, rendering complex circumstances in strikingly personal terms," he said.


Besides Haynes, the only other U.S. director with a new film in competition at Cannes is Gus Van Sant, whose The Sea of Trees stars Matthew McConaughey and Ken Watanabe as two men who meet in Japan's "Suicide Forest."​ Its premiere was no so well-received — it was booed by the audience.
 
 
by Staff 05.15.2015 9 days ago
Posted In: Drinking, Fun, Concerts, Culture, Arts, Music, Movies, Life, Performances at 10:55 AM | Permalink | Comments (0)
 
 
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Your Weekend To Do List (5/15-5/17)

Maifest, an Italian festival, The Breakfast Club turns 30, Carol Ann's Carousel opens, The City Flea and more

Lots of things to do this weekend, from festivals and craft beer drinking to arts and film screenings. Plus, The City Flea, Carol Ann's Carousel and new OTR shop Idlewild open.

FRIDAY
Head to Bogart's for INTERPOL
Interpol’s 2002 debut Turn on the Bright Lights seemed to arrive out of nowhere, a visceral, uncommonly mature effort that channeled not only a host of Post Punk staples but also a distinct post-9/11 desolation. It was, in fact, the product of the band’s founder, guitarist and driving force Daniel Kessler’s long-simmering vision, one he formed through years of writing and playing live around New York City with frontman Paul Banks, bassist Carlos Dengler and drummer Sam Fogarino, who was the last (essential ingredient) to join the band in 2000. Thirteen years after that stirring debut, Interpol is still kicking — minus Dengler, who left after recording the band’s self-titled fourth album in 2010; Banks now serves as the group’s bassist — and still delivering its melancholic, angular brand of Indie Rock. Interpol performs at Bogart's Friday. Tickets/more info here

Maifest
Photo: Matthew Andrews Photography
Get your drink on at MAIFEST in MainStrasse
Based on the German tradition of welcoming the first spring wines, the 36th annual Maifest fills six city blocks of historic MainStrasse with food, beer and wine, and works by more than 75 artisans and craftsmen. There will also be entertainment by top local bands — 500 Miles to Memphis, Young Heirlooms, Ricky Nye and more — in the craft beer garden, with a special Kinderplatz area with rides for children and a Braxton Brewery light display at the Clock Tower Friday and Saturday night. Don’t miss the popular street chalk-drawing contest Saturday. 5-11:30 p.m. Friday; Noon-11:30 p.m. Saturday; Noon-9 p.m. Sunday. Free. MainStrasse, Sixth Street, Covington, Ky., mainstrasse.org.

The Breakfast Club
Photo: Universal Pictures
Break out the acid wash and pleated pants for a screening of THE BREAKFAST CLUB
Revisit your favorite brain, athlete, basket case, princess and criminal Friday when The Breakfast Club’s Brat Pack returns to the silver screen at the Esquire Theatre in honor of its 30th birthday. John Hughes’ high school bildungsroman might not be completely timeless, but it’s the movie’s cliché moments that make it so enduring. Forgo popcorn for Pixy Stix and don’t forget to bring your acid wash jeans and “Members Only” jackets — prizes will be given for the best ’80s costume. 10:30 p.m. Friday. $9.75. Esquire Theatre, 320 Ludlow Ave., Clifton, esquiretheatre.com.

CincItalia Festival
Binge on lasagna in a mini piazza the CINCITALIA FESTIVAL
The CincItalia festival celebrates all things Italy. You’ll find main dishes with lots of authentic Italian flavor like stromboli, lasagna, grilled spiedini and more, complete with a wide selection of wine and beer and cooking demonstrations. Visit the ladies of La Societa Fuscaldese Femminile to try their famous cannoli or enjoy lively music and a glass of vino in the mini piazza, with fountain and Tivoli lights. 6 p.m.-midnight Friday; 3 p.m.-midnight Saturday; 1-9 p.m. Sunday. Free. Harvest Home Park Fairgrounds, 3961 North Bend Road, Cheviot, cincitalia.org.

MadTree Brewing Company
Photo: Jillian Tellep
Have some beer on a paint palette at ARTS & CRAFTS
Organized by a handful of sophomore graphic design students at the University of Cincinnati’s DAAP (and with sponsorship from Modern Makers, a multidisciplinary arts collaborative), Arts & Crafts involves the consumption of local craft beer and the exhibition of up-and-coming artists — with accompanying food trucks and live music. With the expressed intent of supporting local breweries and artists in an effort to nurture the arts in the Clifton community, organizers enlisted UC students to participate as well as breweries MadTree, Rhinegeist and more. 7-9 p.m. Friday. Free. Niehoff Urban Studio, 2728 Vine St., Corryville, artsandcrafts.beer.

Put in your pin curls for CINCY SWING FEST
Put in your pin curls and break out the saddle shoes for the second annual Cincy Swing Fest. Can’t Lindy Hop? No problem. Cincy LX/Swingallery will be on hand to provide complementary dance instruction to live music from Swing Band The Makeshifts. Classic cocktails available, plus pin-up makeovers from Retrocentric. 6-10 p.m. Friday. Free. Fountain Square, Fifth and Vine streets, Downtown, myfountainsquare.com.

SATURDAY
Run the OTR 5K and then head to THE CITY FLEA for an after party
The ninth annual OTR 5k run/walk kicks off summer in the city a little early. The race begins and ends in Washington Park, with a course that takes you through historic Over-the-Rhine. Dogs and strollers welcome. Register online or in person. 10 a.m.; afterparty celebration until 4 p.m. Saturday. $30. Washington Park, 1230 Elm St., Over-the-Rhine, otrchamber.com

Curated monthly urban flea market The City Flea launches a new season Saturday at Washington Park. Keep your dollars local and support small business by shopping from hundreds of area vendors, selling everything from handmade goods and vintage finds to artisan eats and organic beauty products. Food trucks flank the park and drinks will be available from the concession stand. This month’s flea is also home to the OTR 5k afterparty. 10 a.m.-4 p.m. Saturday. Free. 1230 Elm St., Over-the-Rhine, thecityflea.com.

Ride for free at the CAROL ANN CAROUSEL opening celebration
The public is invited to a ribbon-cutting ceremony for Carol Ann's Carousel at Smale Park on the Riverfront. Following the ceremony, the carousel will open with free rides from 1-7 p.m. Tickets will be handed out on a first come, first serve basis. Other festivities include face painters, jugglers, magicians, food carts, music and more. Ride one of 44 adorable characters — horses, frogs, elephants and more. $2 a ride after Saturday. 11 a.m. Free. North of Mehring Way at the Pichler Fountains, Downtown, cincinnatiparks.com.

Pixies
Photo: Jay Blakesberg
PIXIES play the Horseshoe Casino
History will always chiefly remember Kurt Cobain as a creator of music, not a consumer. But the Nirvana leader was also an avid advocate for his favorite groups and most cherished influences. In the posthumously released Journals, he documented his 50 favorite records. Most telling of all was his inclusion of Pixies’ Surfer Rosa in spot No. 2. That’s significant because Nirvana’s biggest hit owes a great debt to the group. Since reuniting in 2004 to tour and occasionally record (last year’s Indie Cindy was Pixies’ first album since 1991’s Trompe le Monde), the band has evolved into more of an elder statesman outfit (minus original bassist/singer Kim Deal, replaced on the group’s current tour by Paz Lenchantin, who’s worked with acts like A Perfect Circle and Zwan), showing only rare glimpses of the brilliant provocateurs of their youth. But it’s not as if the band has much more to prove; its unimpeachable impact was cemented long ago. Pixies play The Shoe at Horseshoe Casino Saturday. Tickets/more info here.

Dress as a stormtrooper at the LIBRARY COMIC CON
Move over, San Diego. The Public Library of Cincinnati and Hamilton County’s third annual Comic Con proves you can immerse yourself in countless comic book universes locally. The five-hour festival has expanded to offer a host of events, including trivia, guest panels from local cartoonists, drawing contests and a superhero training camp for kids. Have a Wonder Woman ensemble, an Iron Man outfit or suit of armor for which you haven’t yet found a socially acceptable occasion? All ages can dress up as their favorite characters to win prizes. Noon-5 p.m. Saturday. Free. Main Library, 800 Vine St., Downtown, cincinnatilibrary.org/news/2015/comiccon.

Shop at IDLEWILD, Article's new women's boutique in OTR
Over-the-Rhine men's shop Article's sister store, Idlewild, opens Saturday. Brands sold at the store include Imogene and Willie, a Nashville, Tenn.-based denim company, and Free People. The shop will also feature garments from New York designers Steven Alan and Emerson Fry, as well as accessories from a pair of Portland, Ore.-based designers Another Feather and Mazama. 11 a.m. Free. 1232 Vine St., Over-the-Rhine, facebook.com/articlemenswear.

Three Days of Rain
Photo: Untethered Theater Company
Get immersed in THREE DAYS OF RAIN at the Clifton Performance Theatre
Richard Greenberg’s Three Days of Rain is a mystery that unfolds in reverse. In Act I it’s 1995 as three adult children of two iconic New York City architects ponder the current state of their lives and what motivated their parents three decades earlier. Their conclusions, based on memory and a recently found laconic journal, make sense, but when Act II pushes back to 1960, almost everything they have hypothesized proves to be wrong. As is often the case, life was much more complicated. Continues through May 23. $25. Clifton Performance Theatre, 404 Ludlow Ave., Clifton, cliftonperformancetheatre.com.

Waite’s painting “Old School Boys Pool” is based on a swimming pool at the old School for Creative and Performing Arts. 
Check out paintings of abandoned sites in THE CINCINNATI SERIES
In his The Cincinnati Series of 29 paintings depicting depopulated city sites, Peter Waite — a Connecticut-based artist — neither celebrates nor dismisses what he sees. Rather, he just tells it like it is. His artwork is at Carl Solway Gallery in the West End through Aug. 1. If he finds something architecturally interesting to him that is also conventionally beautiful, like the suspension bridge or Union Terminal or downtown’s Isaac M. Wise Temple, he acknowledges and presents it. But if it’s something that interests him because it’s abandoned and decrepit, or it no longer serves its original use, he presents that, too. The Cincinnati Series continues at Carl Solway Gallery through Aug. 1. More info: solwaygallery.com.

SUNDAY
Price Hill Thrill
Photo: Steven Rosen
Tour the arts in Price Hill with PRICE HILL THRILL
Sunday there will be a tour of art studios and galleries in Price Hill, sponsored by the Weston Gallery. The event begins and ends at the Dunham Arts Center in the Dunham Recreation Complex and includes food, drink and entertainment by Comet Bluegrass All-Stars at a 5-7 p.m. closing reception. 2-7 p.m. Sunday. $35. 1945 Dunham Way, West Price Hill, westonartgallery.com.

Tommy Davidson
Photo: Provided
Laugh at SHAQ'S ALL STAR COMEDY JAM
Shaquille O’Neal’s All Star Comedy Jam is coming to town — get excited. Now lower the bar two notches because Shaq will not actually be there. … But raise the bar up again because comedian and actor DeRay Davis is hosting and he was on an episode of Empire. Other featured comedians include Tommy Davidson (pictured), Tony Roberts, Michael Blackson and Red Grant. Research some of their stuff on YouTube and check out the gig. The comedy franchise has featured some of the top urban comedians in the country and has been televised annually since 2009. 7:30 p.m. Sunday. $45.25-$92.25. Aronoff Center, 650 Walnut St., Downtown, cincinnatiarts.org.

Henry V
Photo: J. Sheldon Photo
Catch a matinee of a different Game of Thrones with HENRY V at Cincy Shakes
If you’re a fan of Game of Thrones, you might want to tune in to Cincinnati Shakespeare Company, which is working its way through the real thing presenting Shakespeare’s eight history plays in chronological order over the span of five years. Up next is Henry V, in which the profligate Prince Hal has succeeded his bellicose father and sobered up to the bad state of affairs in England. He rallies the troops and his loyal partisans by declaring war on France. Against great resistance, using powerful speeches he pulls the kingdom together. Justin McCombs continues in this fascinating role. Through May 30. $14-$36. 719 Race St., Downtown, 513-381-2273, cincyshakes.com.

Quiet Company
Photo: Leah Muse
Austin, Texas' QUIET COMPANY play the Southgate House
With an instantly, insistently catchy Indie Pop/Rock sound that has drawn comparisons to the likes of Weezer and Death Cab for Cutie, Austin, Texas’ Quiet Company has seen its national profile rise considerably with the release of each new album, including this year’s excellent Transgressor. The group (which features former Cincinnatian and CityBeat employee Matt Parmenter on bass) is already a dominant force in its hometown scene. In its nearly decade-long history, Quiet Company has scored 12 Austin Music Awards, including Best Rock Band at the 2015 ceremony. But the acclaim isn’t limited to Austin — Time, Paste, The New York Times and numerous other national outlets have heaped praise on Quiet Company, and the group’s fanbase continues to grow thanks to regular touring and an explosive live show. 8 p.m. Sunday. $10; $12 day of. Southgate House Revival, 111 E. Sixth St., Newport, Ky., southgatehouse.com.


 
 
by Rick Pender 05.15.2015 9 days ago
Posted In: Theater at 08:17 AM | Permalink | Comments (0)
 
 
tage

Stage Door: Take a Trip to Ireland?

If you debating which show you might go see this weekend, my strong recommendation is Ensemble Theatre's Outside Mullingar (ETC, 5/6-24). It's a great script by John Patrick Shanley (who wrote the award-winning play Doubt and the award-winning screenplay Moonstruck). It's set in Ireland, so the characters are overflowing with dry wit. And the actors playing them are a quartet of the performers who Cincinnati audiences love: Joneal Joplin (Scrooge for many years at the Playhouse) is a crusty old man who might not pass the family farm on to his more sensitive son, played by Cincinnati Shakespeare's artistic director Brian Phillips. Dale Hodges, a respected local stage veteran, plays Aiofe, the owner of an adjacent farm; Jenn Joplin (Joneal's daughter) is Aoife's grumpy, opinionated daughter. This is a tale of parents and children, but there's a lovely, stumbling love story at the heart of the play, and it's that's emotionally satisfying. The production was staged by Ed Stern, now retired as the Cincinnati Playhouse's artistic director. It's onstage through May 24. Tickets: 513-421-3555.


Brian Phillips did double-duty recently rehearsing to perform inOutside Mullingar while staging  Henry V at Cincy Shakes. As the title suggests, this is one of the Bard's history plays, and it's a chest-thumping one about warfare and England's claim to power. The company is midway through a multi-year project to stage all of Shakespeare's tales of the kings of England in chronological order. That might sound a tad stodgy, but this one is full of fighting and bluster, and there's a thread of comic relief, too. Let's call it the Shakespearean equivalent of an action movie. It's onstage throughMay 30. Tickets: 513-381-2273.


You'll find two plays worth seeing at the Cincinnati Playhouse this weekend. One just opened last night (I haven't seen it yet): It's Annie Baker's award-winner, Circle Mirror Transformation, about some folks taking an acting class at a community center. Their lessons about performing expand to be come life lessons. It's a warm, thoughtful play in the Shelterhouse. On the Marx mainstage, you'll find the very funny Vanya and Sonia and Masha and Spike, inspired by Chekhov but from the zany perspective of Christopher Durang, you don't need any theater history to be laughing out loud as three adult siblings from a dysfunctional family try to keep their balance. Tickets: 513-421-3888.


If you're eagerly awaiting the start of the Cincinnati Fringe (it kicks off on May 26), you should stop by Know Theatre for the American premiere of the Bane Trilogy with performances this weekend and next. It's three monologues about a guy who shoots first and doesn't ask questions in a one-musician film noir comic trilogy. You can experience them sequentially or out of order. Performer Joe Bone is the Guinness world record holder for the most characters portrayed by one actor in a performance; he's accompanied musically by Ben Roe. This show has a heavy-duty buzz: People were telling me about it weeks ago, so I'm sharing the news with you — although I haven't fit it into my schedule yet. It's running for two more weeks. Tickets: 513-300-5669.


Rick Pender’s STAGE DOOR blog appears here every Friday. Find more theater reviews and feature stories here.



 
 
 
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