Ohio ranked No. 8 among states for solar jobs in 2013, with solar employment growing to 3,800 from 2,900 over the year, according to the Feb. 11 census report from the Solar Foundation.
Still, the state actually dropped five spots to No. 23 in per-capita rankings, which measure the amount of solar jobs relative to a state’s overall population.
The U.S. solar industry employed more than 142,000 Americans in November, representing an increase of nearly 24,000 over the year, according to the Solar Foundation. At nearly 20 percent growth, the solar sector grew more than 10 times faster than the overall economy, which on average increased employment by 1.9 percent.
Advocacy group Environment Ohio applauded the latest numbers.
“The sun is an unlimited energy source that could provide all of our energy without the air and water pollution associated with coal, oil and gas,” said Christian Adams, state associate at Environment Ohio, in a statement. “This report shows that the solar industry is putting people to work to meet a growing percentage of our energy needs with a pollution-free energy source that has no fuel costs.”
Environment Ohio praised Cincinnati in particular. In 2012, Cincinnati became the first major city in the nation to support 100 percent renewable energy through electric aggregation. Last year, City Council adopted a motion to put solar panels on one in five city rooftops by 2028 and develop new financing programs to support the goal.
In a 2012 report, Environment Ohio found Cincinnati could become the solar capital of the region and lead a boom of solar jobs.
Under a 2008 state law, utility companies must meet benchmarks that require them to get 12.5 percent of their electricity from renewable sources, such as wind, hydro, biomass and solar, and save 22 percent of electricity through new efficiency efforts by 2025.
A 2013 report from the Ohio State University and the Ohio Advanced Energy Economy found the law will save Ohioans $3.65 billion on their electricity bills between 2014 and 2025.
Pressured by Akron-based FirstEnergy and the ultra-conservative American Legislative Exchange Council, the Republican-controlled Ohio Senate is currently looking for ways to weaken the renewable energy and efficiency standards. The renewed effort comes after attempts to dismantle the law by State Sen. Bill Seitz, a Cincinnati Republican who often compare Ohio’s energy law to Stalinism, failed to gain support.
Meanwhile, Environment Ohio says the state should actually increase its standards to help combat global warming and boost renewable energy jobs.
The federal government reported slightly better numbers in January for Obamacare’s once-troubled online marketplaces, but Ohio and the nation still fall far short of key demographic goals.
For the first time since HealthCare.gov’s glitch-ridden rollout, the U.S. Department of Health and Human Services’ (HHS) numbers show the amount of new enrollees actually beat projections. About 1,146,100 signed up for Obamacare in January, slightly higher than the 1,059,900 previously projected by the Centers for Medicare and Medicaid Services.
More importantly, a small boost in young adults means 25 percent of 3.3 million enrollees across the nation and 21 percent of 60,000 Ohio enrollees were aged 18 to 34. That’s up 1 percentage point for the nation and 2 percentage points for Ohio.
The White House previously said 39 percent of enrollees need to be young adults, who tend to be healthier, to avoid driving up health care costs by filling the insurance pool with older, sicker people who typically use more resources.
HHS’ numbers only reflect people who signed up for a health plan, not people who paid for their first premium, which is widely considered the final crucial step to getting covered.
Nearly nine in 10 single, uninsured young adults could qualify for financial assistance through the health care law or free Medicaid, which expanded eligibility in Ohio through Obamacare, according to HHS.
Nick Dellaposta is a graphic designer, web developer, guitarist, vocalist and songwriter for Cincinnati/Dayton band To No End. If he did brain surgery on the side, he'd be Buckaroo Banzai.
And for a guy with little discernible local profile, Dellaposta has a metric ton of history that begins with learning guitar and writing songs at age 14. His father Bob fronted the Broken String Band and the pair gigged together when Dellaposta the younger was a college student, which led to eventual studio experiences.
Dellaposta formed To No End in 2012, leaning more toward an emphasis on the Dayton market; shortly after the band's first gig, Dellaposta took them into the studio to record their debut album, last year's Curio, a rootsy, Blues-drenched work that tapped into the Kenny Wayne Shepherd/Black Crowes/Gov't Mule end of the spectrum.
To No End's sophomore album, Peril & Paracosm, comes almost exactly a year after the band's debut, trumpeting a slight change in line-up and a new and darker sonic vision. Along with original drummer Patrick Lanham, new bassist Eli Booth and contributing guitarist/now full-fledged member Grant Evans, Dellaposta has invested TNE with an expansive and moody vibe that mines '70s Hard Rock like Budgie and UFO ("The Afterlife," "Bad Apple") while sharpening everything to a contemporary razor's edge.
Peril & Paracosm finds Dellaposta exploring darker lyrical themes which naturally results in a brooding and muscular soundtrack that is both an extension of and departure from Curio's brighter sonic perspective. There's also a slightly more psychedelic feel to some of the tracks on Peril & Paracosm, and when TNE drifts into a rootsier Gov't Mule direction this time out ("Good Intentions," "When the Time Comes"), there seems to be a greater conviction, a more desperate passion and a deeper understanding of both the influence and its translation.
We can only hope that the release of Peril & Paracosm signals To No End's expanded local presence because this kind of loud is always welcome.
Below is Peril & Paracosm track "Good Intentions." For more on To No End, click here.
Besides being rid of this depressing winter weather, there's another great reason for local music fans to be excited about the coming spring. One of the more celebrated and acclaimed bands in and outside of Cincinnati, Wussy, will release its new album, Attica, on May 6. The recording will be the band’s fifth full-length of all new material and is once again being issued on the local label Shake It Records.
Below is a “rough mix” of the Attica track “To the Lightning.”
Shake It has also announced that Wussy — which scored both Artist of the Year and Album of the Year (for Strawberry) honors at the 2013 Cincinnati Entertainment Awards — will have its excellent 2007 album Left for Dead re-issued on “baby blue” vinyl in honor of 2014’s international Record Store Day (April 19).
Click here for Wussy’s comprehensive website for more info and to sample music from throughout the band’s entire career.
Know Theatre formally introduced its incoming artistic director, Andrew Hungerford, before a full house on Wednesday evening. He might not approach the boundless energy of his predecessor Eric Vosmeier (more on his half-dozen years at the helm here), but Hungerford has a kind of boyish enthusiasm for the job he's taking on that feels fresh and infectious. The crowd of supporters seemed enthusiastic about his engagement and were especially pleased as he filled in details about coming productions for the months ahead in 2014.
With Cincinnati’s child poverty and economic mobility rates among the worst in the country, it’s clear the city’s poor can get stuck in a vicious cycle of poverty. Although the impoverished trend afflicts more than half of the city’s children, every level of government has in some way cut services to the poor. The end result: Many Cincinnati neighborhoods show little signs of progress as poor health and economic indicators pile up. Read CityBeat’s in-depth story here.
Following the adoption of community learning centers, Cincinnati Public Schools (CPS) continue receiving praise for establishing a workable model for educating low-income populations. Locally, independent data shows the model has pushed CPS further than the traditional approach to education, even though the school district continues struggling with impoverished demographics. A few hundred miles away, newly elected New York City Mayor Bill de Blasio says he will implement the Cincinnati model in the biggest city in the nation.
Hamilton County and Cincinnati are heading to court to decide who can set policy for Metropolitan Sewer District (MSD) projects. The conflict came to a head after Hamilton County commissioners deliberately halted federally mandated MSD projects to protest the city’s job training rules for contractors. The Republican-controlled county argues the rules favor unions, burden businesses and breach state law, but the city says the rules are perfectly legal and provide work opportunities for city workers.
Commentary: “Legalizing Marijuana Is Serious Business.”
With HealthCare.gov mostly fixed, CityBeat interviewed Trey Daly, who is leading the Ohio branch of an organization reaching out to the uninsured to get them enrolled in Obamacare.
University of Kentucky researchers found tolls would, at worst, reduce traffic on a new Brent Spence Bridge by 2 percent.
After raising concerns over teacher pay and missed classroom time, Republicans in the Ohio House delayed a vote on a bill that would add school calamity days. Gov. John Kasich called for the bill to help schools that have already exhausted their snow days during this winter’s harsh weather.
Ohio regulators fined Cincinnati’s Horseshoe Casino $75,000 for providing credit to early patrons without running the proper background checks.
Cincinnati-based Kroger faces a lawsuit claiming stores deceived customers by labeling chickens as humanely raised when the animals were brought up under standard commercial environments.
Cincinnati-based crowdfunding startup SoMoLend settled with Ohio over allegations that it sold unregistered securities and its founder misled investors. Candace Klein, the founder, resigned as CEO of the company in August.
Comcast intends to acquire Time Warner Cable, one of two major Internet providers in Cincinnati, through a $45 billion deal.
U.S. physicists pushed fusion energy closer to reality with a breakthrough formally announced yesterday.
Mayor John Cranley on Feb. 12 officially unveiled his plan for Cincinnati’s parking meters, lots and garages, providing the first clear option for the city’s parking system since the Greater Cincinnati Port Authority agreed to halt the previous plan.
The proposal seeks to effectively replace the previous administration’s parking privatization plan, which outsourced the city’s parking assets to the Port Authority and several private companies, and maintain local control of the city’s parking assets.
Here’s a breakdown of the plan and all its finer details.
What is Cranley’s parking plan?
It’s a plan for Cincinnati’s parking meters, lots and garages. More specifically, Cranley calls his proposal a “framework” that focuses on upgrading the city’s parking meters and keeps City Council’s control of parking rates and hours.
Cranley’s plan, based on a Feb. 7 memo from Walker Parking Consultants, achieves his goals in a few ways:
• The city would issue bonds, backed by future parking revenues, to upgrade all parking meters to accept credit card payments.
• The amount of enforcement officers under the city’s payroll would increase to 15, up from five, to provide greater coverage of the city’s parking meters. (Currently, a few areas, including major hubs like the University of Cincinnati and Over-the-Rhine, are effectively unenforced for two to five hours a day, according to Walker.)
• Neighborhood meter rates would go up by 25 cents to 75 cents an hour. Downtown rates would remain at $2 an hour.
• Sundays and holidays remain free.
Cranley says the underlying idea is to maintain a few key principles, particularly local control over rates and hours. He cautions Walker’s proposal, including expanded enforcement hours, could change with public input and as City Council puts together the final plan.
Does the plan let people use smartphones to pay for parking meters?
No. Cranley says the upgraded meters will support the technology, but it will be up to council to decide whether it’s enabled in the future.
Smartphone capability is a double-edged sword: It introduces its own set of costs, including shorter battery life for meters. It also allows customers to avoid under- and overpaying at parking meters, which decreases citation and meter revenues. But smartphone access also increases ease of use, which could lead to higher revenues by making it easier to pay.
The parking privatization plan promised to provide smartphone access at all parking meters. The previous administration and Port Authority championed the feature as key to increasing convenience and revenue.
OK, that explains the parking meters. What about the parking garages?
Cranley’s plan makes two changes to garages:
• The Port Authority would take over Fountain Square South Garage. The Port would be required to cover expenses for the garage, but any net revenue could be used on projects within the city.
• The city would issue bonds, backed by future parking revenues, to build a garage at 7th and Broadway streets.
Otherwise, things remain the same as today.
In other words, the city would be on the hook for parking garage repairs and upgrades, which Walker estimates would cost roughly $8 million in capital expenses over the next five years.
But the city would also continue directly receiving around $2 million per year in net revenue from parking garages, according to Walker.
Still, the city isn’t allowed under state law to use the revenue from parking garages for anything outside the parking system.
The parking privatization plan tried to do away with the restriction by putting the Port Authority in charge of garages. State law allows agencies like the Port to tap into garage revenues for other uses, such as development projects.
But without the previous administration’s plan, Cranley claims the Port Authority declined to take over more facilities beyond Fountain Square South
Garage. Given the rejection, Cranley says it’s up to council to figure out another way to leverage garage
revenues beyond putting them back in the parking system.
What does Cranley’s plan do about the thousands of parking tickets already owed to the city?
Nothing. By Cranley’s own admission, the city needs to do a better job collecting what it’s owed. But he says that’s something City Council will have to deal with in the future.
So why did Cranley oppose the parking privatization plan?
Cranley vehemently opposed giving up local control of the city’s parking assets. He warned that outsourcing meters to the Port Authority and private companies would create a for-profit incentive to ratchet up parking rates and enforcement.
The previous administration disputed Cranley’s warnings. They pointed out an advisory board, chaired by four Port Authority appointees and one city appointee, would need to unanimously agree on rate and hour changes, and the changes could be vetoed by the city manager.
Without any changes from the advisory board, the 30-year privatization plan hiked downtown parking meter rates by 25 cents every three years and neighborhood rates by 25 cents every six years. The plan also expanded enforcement hours to 8 a.m.-9 p.m. in Over-the-Rhine and parts of downtown.
Still, City Council would lose its control of rates and hours under the privatization plan. Cranley and other opponents argued the outsourcing scheme could insulate the parking system from public — and voter — input.
Cranley also opposed the privatization plan’s financial
Under the old deal, the city would receive a lump sum of $85 million and annual installments of $3 million, as long as required expenses, such as costly garage upgrades or repairs, were met.
In comparison, the city currently gets roughly $3 million in net revenue from parking meters and another $2 million in net revenue from parking garages. (As noted earlier, the parking garage revenue can only be used for parking expenses.)
Cranley characterizes the lump sum as “borrowing from the future” because it uses upfront money that could instead be taken in by the city as annual revenue.
Why does Cranley think his proposal is necessary?
It solidifies the death of the parking privatization plan. That’s important to begin the process of legally dismantling the previous plan.
The plan also increases net parking meter revenues from roughly $3 million to $6 million in the next budget year and more than $7 million per year within five years, according to Walker’s original estimates. (The estimates are likely too high because they assumed evening hours would expand around the University of Cincinnati, Short Vine in Corryville, Over-the-Rhine and downtown. But Cranley shelved the expansion of hours, with no estimates for how the changes will affect revenues.)
Since parking meter revenue, unlike garage revenue, can be used for non-parking expenses, the extra revenue could help plug the $20 million gap in the $370 million operating budget.
Why do some people oppose Cranley’s plan?
Some people supported the parking privatization plan. They saw the lump sum as a great opportunity to invest in development projects around the city. Without the lump sum, critics claim Cranley’s plan accepts all the pain of the previous plan — increased enforcement, rates and hours — for very little gain, even though the city would get more annual revenue and upgraded parking meters and garages.
Politics are also involved. After the contentious streetcar debate, there’s not much Cranley can do without some critics speaking out.
When will Cranley’s plan go into effect?
City Council first has to approve Cranley’s plan for it to
become law. Council will likely take up and debate the plan at the
Neighborhood Committee on Feb. 24 and set a more concrete timeline
This blog post will be regularly updated as more information becomes available. Latest update: Feb. 19.
They say you move to Cincinnati and put on a pair of goggles — the longer you stay, the harder it is to take them off. And why would you want to? I’ve lived here for five years and still manage to fall deeper in love with this city every day. For all you newcomers, here are some necessary guidelines for your initiation into the greatest city in the Midwest.
1. Pick a chili, not a side. The East side/West side rivalry is deeply rooted in competitive turf wars and stubborn rationalizations. When brought up in conversation, it’s usually best to remain indifferent and let your eyes glaze over until the fighting stops.
2. Become a regular at (at least) one bar in Over-the-Rhine. Find your favorite bartender at Neon’s and dance to the ‘8os music at Japp’s on a Saturday night. Discover new music at MOTR or wind down with some jazz at 1215 Wine Bar.
3. Understand that high schools — and the culture surrounding them — are really important here. “Are you from around here?” is almost always followed by, “So what high school did you go to?” Cincinnatians stick to their alma maters like glitter on glue, and everyone has a reputation.
4. See The Cincy Brass play at Mr. Pitiful’s before you die (or move). Request the song “Let Me Clear My Throat” by DJ Kool. Gyrate on everyone.
5. Get to know Kentucky. Bounce around the Levee and Mainstrasse. End your night with a cheesy goetta omelet at the Anchor Grill. Trust me on this one.
6. Cincinnati has the second largest Oktoberfest in the world (The WORLD!) second only to Munich. Dress like a German, drink like a German, eat like a German.
7. Develop a severe case of road rage while driving on I-75. Perfect the ability to stare someone down after cutting you off.
8. Vote. Get involved with this city’s politics. Picket City Hall or write a letter to an editor. Cincinnati had a record-breaking low voter turnout in the 2013 mayoral election — make your voice heard.
9. Give back to your neighborhood. Volunteer at the Freestore Foodbank or tutor kids at Wordplay Cincy. Teach an art class or buy someone an umbrella on a rainy day. Start a collaborative effort to make this city the best it can be.
10. Master the Metro and make friends with the drivers. Sit up front and strike up a conversation with a stranger. Try not to fall when the metro slides down one of Cincinnati’s many 90-degree angles.
11. Appreciate Cincinnati sports. Tailgate at a Bengal’s game, cheer on the Cyclones and pledge your allegiance to Brandon Phillips’ smile.
12. EAT ALL THE GOETTA. And LaRosa’s. And Graeter’s. Now start training for the Flying Pig.
13. Find your favorite city park with your favorite view of the skyline against Kentucky. Feel safe tucked away in the hills. Ponder about the meaning of life.
14. Roll your windows down and go 10 miles over the speed limit on the Roebling Bridge. Listen to the whirring sound. Just do it.
15. Develop a deep love for all things Cincinnati and defend your city when people talk shit. Recognize that you are a part of something larger than yourself — that Cincinnati isn’t just the Queen City — it’s a community and a network and a lineage of diverse Midwesterners who all contribute to making this place a force to be reckoned with.
Oh, and read CityBeat.
Bistro Grace — Offers a three-course surf and turf dinner for $29.95. Includes hangar steak and scallops with brown butter hollandaise. 4034 Hamilton Ave., Northside, 513-541-9600, bistrograce.com.
The Blue Wisp Restaurant & Jazz Club — A Valentine’s dinner with music by Samantha Carlson. Entrées include prime rib, Cornish hen or salmon; dessert; and half-off bottles of wine. $99. 700 Race St., Downtown, 513-241-9477, thebluewisp.com.
Brown Dog Café — Offering a four-course dinner with appetizer, soup, salad and entrée for $56.95. If you’re seated by 5:30 p.m., it’s only $48.95. 5893 Pfieffer Road, Blue Ash, 513-794-1610, browndogcafe.com.
Buca di Beppo — A family feast for four, with salad, entrée, pasta and desert, for $59.80. Through Feb. 16. 2635 Edmondson Road, Rookwood Commons, 513-396-7673, bucadibeppo.com.
Cincinnati Dinner Train — Take a romantic four-course train ride while relaxing to the music of the 1940s. Every woman receives a commemorative rose.7 p.m. Feb. 14 and 6 p.m. Feb. 15. Tickets begin at $79.95 per person. Private car upgrades available. 11013 Kenwood Road, Madisonville, 513-791-7245, cincinnatidinnertrain.com.
CRAVE Restaurant — A special Valentine’s Day prix fixe four-course menu for two. 11:30 a.m.-10 p.m. Thursday and Friday. $89 per couple. 175 Joe Nuxhall Way, The Banks, Downtown, 513-241-8600, cravcincinnati.com.
Grandview Tavern & Grille — A Valentine's Day menu with twin lobster tails, surf & turf, seabass and complimentary chocolate-dipped strawberries. Live music by Triage. 2220 Grandview Drive, Fort Mitchell, Ky., 859-341-8439, grandviewtaverngrille.com.
Mecklenburg Gardens — Valentine’s Day specials in the main dining room, including entrees choices between sword fish and surf and turf. Pig roast in the garden. 302 E. University Ave., Clifton, mecklenburgs.net.
Morton's The Steakhouse — “Dine your heart out” at Morton’s with steak and lobster tail for $55. Feb. 13-16. 441 Vine St., Carew Tower, Downtown, 513-621-3111, mortons.com/cincinnati.
Nectar — Offering a three-course dinner with wine and champagne. Reservations available between 5:30 and 10 p.m. $65 per person. 1000 Delta Ave., Mount Lookout, dineatnectar.com.
Nicholson's Tavern & Pub — Regular menu available plus a prix fixe Valentine’s three-course meal for $24.95. Mike & Jeff playing in the bar, 9 p.m.-12:30 a.m. 625 Walnut St., Downtown, 513-564-9111, nicholsonspub.com.
The Phoenix — “Eat, Drink and Be Mine.” Give Back Cincinnati hosts this Valentine’s Day event to benefit their cause. Guests will enjoy a glass of champagne, two additional drink tickets for the fully stocked bar, heavy hors d'oeuvres, sweet treats and a chance to win some great prizes. 6-10 p.m. $50 per couple. 812 Race St., Downtown, givebackcincinnati.org.
Rail House — Valentine’s Day four-course prix fixe dinner for two (fillets and lobster tails with two sides) for $79.95. 40 Village Square, Glendale, 513-772-3333, railhouse1854.com.
Red Roost Tavern — Three-course prix fixe V-Day dinner including grilled beef tenderloin, asparagus, lobster soup, decadent chocolate cake and more. $70 per person. 151 W. Fifth St., Hyatt Regency Hotel, Downtown, 513-579-1234, cincinnati.hyatt.com.
Relish Modern Tapas — A four-course dinner from chef Robert with optional wine pairing. $40 per person; $20 wine. Feb. 14-16. 5947 Deerfield Blvd., Mason, 513-204-6925, relishmoderntapas.com.
The Summit — Three-course menu with choices for each course, a full bar, wine pairings and an award-winning Manhattan. $45. 3520 Central Parkway, the Midwest Culinary Institute, Cincinnati State campus, Clifton, midwestculinary.com.
Washington Platform Saloon & Restaurant — One dozen fresh-shucked oysters, two entrée choiecs, soup or salad, chocolate-covered strawberries for dessert and a bottle of wine to share. Plus a half-hour carriage ride. Feb. 13-16. $115 per couple. 1000 Elm St., Downtown, 513-421-0110, washingtonplatform.com.
There are several good theater choices south of the Ohio River this weekend.
The theater (and dance) program at Northern Kentucky University presents a truly varied array of programming — this season has included a play by Orson Welles, the legendary musical South Pacific, Shakespeare's As You Like It and more. The academic year's final production Monty Python's Spamalot, opened last evening, and it seems to be a perfect vehicle for a lot of onstage clowning. (In case you haven't been tuned in, the show is subtitled "A musical lovingly ripped off from the motion picture Monty Python and the Holy Grail," and many of the show's most hilarious moments are reproduced wholesale onstage.) But clowning can be serious work, and if you catch NKU's production, pay attention to the choreography (the work of NKU grad Roderick Justice) which is complex, amusing and very well executed by the cast of 25. Director Ken Jones keeps things moving; the actors get into the tomfoolery from start to finish, especially Kat Moser as the diva who's the Lady of the Lake and Bradley Goren as long-suffering Patsy (he's the one who clicks the coconut shells to simulate King Arthur riding on horseback, among other amusing moments). The show is a fine entertainment, if you're a fan of the low but articulate humor of the Python troupe. Through April 27. Tickets ($8-$14): 859-572-5464.
Comedy of an entirely different sort is available at another Kentucky venue, the Carnegie in Covington, where Mary Chase's 1945 Pulitzer Prize winner Harvey is available through April 27. This is a piece of gentle humor from the past, about a slightly off-kilter guy who sees a six-foot-plus rabbit — he calls it a "pooka" — named Harvey, much to the dismay of several family members who are embarrassed by his behavior. Their efforts to get him committed to a local asylum go awry to much merriment and a message about being, well, gentle and sweet. This is good, old-fashioned fun. Tickets: 859-957-1940.
If you prefer a well-written contemporary drama, this weekend is your last chance to see A Delicate Ship at the Cincinnati Playhouse. Anna Ziegler's new show (this is its world premiere) is a memory play that explores an unexpected chain of events triggered by a love triangle. It's beautifully staged by Michael Evan Haney with a cast of three actors who are just right for each of their roles. I gave this one a Critic's Pick when it opened; it's as good as anything I saw recently at the much-respected Humana Festival of New American Plays at Actors Theatre of Louisville. Tickets ($30-$80): 513-421-3888.
Comedian Rajiv Satyal was born and bred in Cincinnati — Fairfield to be exact. He’s gone from being an intern on Capitol Hill to brand manager at Procter & Gamble to full-time comedian living in Los Angeles. Satyal has worked with Dave Chappelle, Kevin James, Tim (the tool man) Allen, Kevin Nealon and Russell Peters. Heard of the University of Cincinnati’s Bearcast? He named the school’s radio station-turned-media group. He runs a consulting business called StandPoint Agency and is a regular at all the L.A. comedy clubs, but he got his start at Montgomery’s Go Bananas. Satyal’s unique way of viewing the world continually draws in more fans. He refers to himself as the funny Indian, but he’s really just a funny — and nice — dude from Ohio. Satyal performs his first one-man show No Man’s Land Saturday to a sold-out audience at the Aronoff Center, and he squeezed CityBeat into his schedule for a quick rundown of all things Rajiv.
CityBeat: Since you’re from Cincinnati I have to ask, what high school did you go to?
Rajiv Satyal: Totally fine, a very Cincinnati question, but I went to Fairfield High School and I got an undergrad at the University of Cincinnati in materials engineering.
CB: I read that you worked on Capitol Hill, what did you do there?
RS: I was at the University of Cincinnati at the time and I went out to Capitol Hill to be an intern for a representative, Steve Chabot. So I just worked in the office and it was for fun, I got to live in DC and explore that town and did whatever tasks around the office, but it was mostly getting the feel of Washington.
CB: Do you have a funny family or what sparked your interest in comedy?
RS: Actually I have two brothers and, well, two parents, and everybody has a sense of humor. It was a super fun household to grow up in. We were all pretty positively reinforced, we weren’t really a tough crowd, like, we definitely encouraged each other to say funny things and we laughed a lot. I know a lot of comedians’ families would be like, you know, “boo” or whatever when they told a joke and were a tough crowd, but we were a really good crowd for each other and just kind of encouraged each other to be funny. My brothers and I never really fought a lot growing up, which is so strange, but we all got a long and we had a good time.
(Check out Rajiv’s dad going Bollywood last Monday on The Bob & Tom Show here.)
CB: Does Cincinnati or growing up here inspire any of your stand-ups?
RS: Oh, definitely. I feel like growing up in Ohio, it made me kind of more of an everyman being able to relate to people in the heartland of the country and people who grew up on the coast. I think people on the coast have their own sensibility, but it’s hard to know what works inland. A lot of comedians are like virgins; they knock it out on the coast, but when they come inland they die. I feel like being from the Midwest gives me an advantage.
CB: What inspired you to pursue comedy seriously?
RS: When I turned 30 I really flipped out, I was like, ‘Man, I’ve lived in Ohio my whole life and I need to do something different.’ So I left Procter & Gamble and moved to Los Angeles, I was a brand manager at P&G Water for only about 3 months and then I jumped shipped and went into it [comedy] full-time. I guess I felt like I really enjoyed speaking in front of people and I love being funny and those two things lend themselves well to being a famous comic, ya know.
CB: So basically just turning 30 did it for you?
RS: Yeah, I felt like life’s too short and, you know, why do something you don’t want to do? Why not go for it. I guess I thought when I turned 30 I felt like, “Man, I don’t want to turn 40 and watch TV and go, ‘Man I could have done that.’” I think given all the privileges, if I don’t try it…I’m born in the United States, I’m American, I have all these opportunities, it’s the land of opportunity, you got to self-actualize, man, go for it.
CB: How has your comedy evolved from where you first started to now?
RS: I would say that just getting deeper. As comedians do it longer and longer you start to go from jokes to more of a point of view. You start to realize what makes you funny. You have these weird beliefs and you stand out a little bit. You don’t really have to do jokes anymore, you just tell people what you think and they think it’s funny because they are like, ‘Wow, that’s a weird way to look at it.’ Being able to make people laugh at the way you look at the world, I think that’s kind of cool.
CB: Do you have any stories about opening up for or working with various comedians?
RS: I actually opened up Dave Chappelle’s very first show when he came back from Africa in 2005, so that was really cool. I had opened up for him at the University of Cincinnati in 2000 before I even started doing stand-up — I started doing stand-up in 2002. So people in the student senate and student government and programming board at UC were like, ‘Hey, you’re a funny guy, you’ve done a little bit of stand-up, would you want to do?’ So I opened for Dave Chappelle at UC and got booed off the stage in front of all these people. Then five years later I opened Dave Chappelle’s first show when he comes back from Africa and I did really well, I killed and it was really redeeming.
CB: Did he remember you from 2000?
RS: Yeah, he did actually, that’s what’s crazy about it — that he remembered that. It’s funny. He was really encouraging and complimentary. I talked to him for two hours by myself that night in 2005, after we were done, just he and I were in the room and for two hours we were just talking about politics and religion and the world…I know that he was happy that I stuck with it and everything.
CB: Who would you like to work with in the future that you haven’t worked with?
RS: I would like to work with Bill Burr. He is not an extremely well-known person, but he is a genius and he is from Boston. I think it would be awesome to work with Louis C. K., of course, he is like the biggest guy in comedy right now. I mean, I don’t know, I think Jerry Seinfeld would be pretty awesome. I love Ricky Gervais, I’m a big fan of Ricky Gervais, a guy from England. Chris Rock, I love Chris Rock. I actually met Chris Rock when he performed at Ohio State and I told him someday I am going to open for him and he goes, ‘That would be something man, you never know.’ So I have to make good of my promise. I told him one day I was going to open for him, so I better do.
CB: What kind of topics or themes can audiences expect from No Man’s Land?
RS: It’s mostly about dating and relationships. The central questions of the show are: Why am I single and how would you define manhood in modern society? So I’m a single, 38-year-old man out there trying to figure out the evolution of manhood and what does it mean now, how does the definition of manhood change and I try to define it. It’s not a show about men versus women, it’s a show about men versus guys.
CB: What do you miss most about living in Cincinnati?
RS: Well my family, obviously, my family and my friends. I have a really good friend who lives in Seattle, but he is thinking about moving back here and the only reason is his family; it’s not for the weather, it’s not for a better job and it’s not for anything else other than the fact that his family is here. I think family is a big thing.
CB: I feel like if I moved away I would miss three-ways too much.
RS: I do miss Cincinnati food. I love LaRosa’s, I love Graeters’, I love Skyline and I do love Cincinnati food. You know, there is something about the Midwest. The people are super nice and, you know, just walking down the street you can say hi and the person will say hi back or the person will initiate or whatever — that doesn’t really happen in L.A. as much, at all, and people are not as nearly as friendly as they are here.
CB: What advice do you have for people who are trying to break into the business?
RS: I think they should just start. They need to start…The Internet is such an opportunity to reach the people you want to reach. I think it’s possible more than ever to go down to the local comedy club and enter the open mic night and start. Get to know the people and get up and do it. Write material, start a group up that supports each other. It is difficult, but you know there is a way in. Comedy is more accessible than ever.
Get a glimpse of some of Satyal’s funny stuff here.
This evening at its Jackson Street headquarters in Over-the-Rhine, Know Theatre of Cincinnati revealed the lineup for the 11th annual Cincinnati Fringe Festival to a crowd of nearly 100 enthusiastic supporters and performers. The two-week festival begins Tuesday, May 27, with the CityBeat Fringe Kick-Off Party; it winds up 12 days later on Saturday, June 7, having presented 32 productions — 17 plays, two musicals, seven solo performers, and six dance presentations. In addition, there will be four FringeNext productions (selected from 11 applicants — a record number), featuring original material produced and performed by local students from the School for Creative and Performing Arts, Newport Central Catholic High School, St. Xavier High School and Highlands High School.
Performance Gallery is kind of the alpha and omega of the Cincinnati Fringe: They’ve been in all 11 festivals, including the 2008 hit show fricative. Producer Eric Vosmeier calls them the inspiration for much of what the Fringe is about: They were doing “fringe-like” work before the festival began, and they’ve returned annually with work that pushes the envelope. This time they’ll offer Heist, about three crooks of questionable ability. Vosmeier also cited Pones Inc., the dance-based company that returns for the seventh time with Traffick, a piece of audience engagement that explores issues of human trafficking. Vosmeier says, “This is the kind of work the Fringe was built to exhibit.”
“We had a great mix of new producers and returning favorites in the applicant pool,” Vosmeier says. “The word continues to spread about our Cincinnati Fringe Festival, which has a national reputation for being the most artist-friendly festival. We’ve worked very hard on this over the years, and I believe that we’ve created something special for our artists and for our region.”
The Cincinnati Fringe differs from festivals elsewhere in that productions are screened and handpicked by a committee of local theater artists. Drawing from a large pool of applicants, comparable to last year’s record-breaking number, this yielded a balanced mix of local vs. out-of-town producers: 15 from Greater Cincinnati and 18 from beyond. The latter number includes three international shows, the most ever for the festival: Around Dark Matter, a Holocaust memory piece by Mica Dvir, is from Tel Aviv, Israel; A Brief History of Beer by Wish Experience from London, a company that has performed at festivals from Edinburgh to Adelaide; and Prefer Not to Say, an interactive piece by blueDragonfly Productions, another U.K. group, the presenter of And All the Rest is Junk Mail a year ago.
For Wednesday evening’s announcement event, members of the Fringe staff mentioned the shows they were most looking forward to. They named:
· An Unauthorized Autobiography of Benny Hill by Four Humors Theater (Minneapolis), the creative minds behind such past Festival favorites as Lolita: A Three Man Show, Bombus and Berylline and Harold. This will be their sixth consecutive Cincinnati Fringe appearance.
· Blogging Behind Bars by Unity Productions, creators of two past Fringe hits, The Wave and Nothing. This time it’s a true story about a young, nonviolent criminal who wrote a blog while incarcerated in a maximum-security prison.
· Papa Squat’s Store of Sorts by solo artist Paul Strickland from Indianapolis, whose Ain’t True and Uncle False was a “Pick of the Fringe” last year. His new show is a music-filled memorial for a guy who “once filled the emptiness in Big-Fib Cul-de-sac with his insightful songs.”
· Something Something New Vagina by Rebecca Kling, a transgender artist and educator from Chicago with a follow-up show to her 2012 production, Beneath Her Skin.
· The Ultimate Stimulus by Felipe Ossa, a Brooklyn-based playwright and a new artist to the Cincy Fringe, is presented in the form of a TED Talk that argues for concubinage as a way to address the problem of income inequality.
The festival is also a chance for Cincinnati’s local theater companies to show off. Clifton Performance Theatre will present Sarge, a piece by Kevin Crowley about the wife of discredited Penn State assistant football coach Jerry Sandusky. Untethered Theatre has prepared Where Edward Went, a new play by Ben Dudley and Adam Sievering about a screenwriter’s effort to make a documentary about Edward, the late fiancé of Elyse, a painter. They don’t quite agree about the portrait. New Edgecliff Theatre will offer TRAGEDY: a tragedy, described as “one of the funniest apocalypses of our time.” And Ensemble Theatre Cincinnati’s intern company always offers a fine showcase of young talent. This year it’s two one-act plays: Sheila Callaghan’s Crumble (Lay Me Down, Justin Timberlake) and Itamar Moses’s Authorial Intent.
In addition to the productions offered nightly, artists, audience members, staff and volunteers flock nightly at Know Theatre’s Underground and headquarters for the Fringe Bar Series, with a reasonably priced bar, some free food inside and offerings for purchase from food wagons on Jackson Street. Each evening after the Channel Fringe Hard Hitting Action News Update, everyone has a chance to be a performer with activities such as the Fringe Olympics, Fringe-A-Oke, Fringe Prom, Segway Night and the Night Without Technology. This year the Bar Series night adds Fringetoberfest, an evening of German-inspired food and brews from local craft beer creators.
Vosmeier expects the festival to attract more than 8,000 visitors this year. If you’re someone who tries to see as much as possible, your best bet is a “Full Frontal” Fringe pass ($200) providing access to every event in the festival. Know also offers “Voyeur” passes ($60) good for six shows of your choice. If you can only make it once, a “One Night Stand” pass ($25) is available — admission to any two performances in an evening plus one drink at Know’s Underground bar. Single tickets to Fringe shows continue to be priced at $12; they’ll go on sale in mid-May.
There will be lots more — and the lineup can change. Hey, it’s the Fringe, so be ready for anything. You’ll find details on all these shows and more at cincyfringe.com.
The Contemporary Arts Center marks its 75th anniversary with the launch of its newly redesigned website, contemporaryartscenter.org.
By adding a timeline and a list of exhibits dating back to 1939, the updated site highlights some of the museum’s most notable attractions through videos and interactive learning. The historical timeline depicts an honest look at what Cincinnati was like in 1939 and displays the iconic artists that put the CAC on the map. In 1940, Picasso’s Guernica toured the Midwest for its first and only time and made a pit stop in Cincinnati. In 1963, the Pop art show An American Viewpoint was one of the first exhibitions of its kind. And in 1990, nearly 81,000 people visited the Robert Mapplethorpe exhibition.
Along with the illustrated timeline and videos, the CAC site also offers lesson plans, exhibit brochures, audio files and slideshows about past exhibits. New features like online ticket admission and family visitor information have been added. After 75 years and hundreds of amazing artists, the Contemporary Arts Center has proven it’s still the coolest place in Cincinnati to spark your creativity and become inspired.
FORM, a Cleveland-based creative services firm, designed the visual layout of the site.
Dining Out For Life is an annual event to raise funds for licensed AIDS service agencies in 60 cities across the nation. Started in 1991 by ActionAIDS in Philadelphia, today more than 3,000 restaurants donate a portion of their proceeds from one day to the aforementioned service agencies; more than $4 million is raised each year which goes directly to the agencies (except for a $1,150 licensing fee).
Cincinnati's Dining Out For Life event benefits Caracole, a nonprofit that provides housing and supportive services to individuals and families living with HIV/AIDS in eight counties across Southwest Ohio. Caracole currently serves more than 1,400 clients and their families.
Area restaurants participating include Arnold's Bar & Grill (donating 25 percent); Below Zero Lounge (donating 100 percent); Blue Jay Restaurant (donating 25 percent); Green Dog Cafe (donating 25 percent); Kitchen 452 (donating 25 percent); Tom+Chee (donating 25 percent); and more. Find a full list of participating restaurants and how much they're donating here.
Dining Out For Life is easy. Just follow three steps:
If you would like to participate or would like more information, please contact Megan Green, Caracole Community Investment Coordinator, at 513-619-1483 or at firstname.lastname@example.org.
Senior prom is a special
milestone for many American teens, but even traditions as old as school dances
change over time. Intimate one-on-one dates have given way to group dates and attending as friends. Flip-flops and cutout cocktail dresses replaced the overdone evening
look for many girls. And now a southern-fried specialty is getting in the prom
game. Kentucky Fried Chicken — What? Yes. — partnered with Louisville florists to create the chicken corsage. For $20, Louisville residents can purchase a corsage from Nanz and Kraft Florists that includes a $5 gift card to KFC, where folks can then go buy the perfect piece of chicken. It can only be assumed that after prom, girls will press the greasy chicken bone between their yearbook pages, just like their moms did with their corsages when they were young.
It’s confirmed: Stephen Colbert will take over the Late Show desk once David Letterman retires sometime in 2015. That’ll mean no more Colbert Report and, likely, the end of the host’s faux-servative character. Start the countdown to the announcement of a new reality show following Letterman, Leno (and, let’s just be honest — Craig Ferguson and Conan O’Brien) around Ex-Host Island. Move over, old people! Slightly younger people are takin' yer jerbs!
In the contemporary classic Mean Girls, Lindsay Lohan’s Cady describes Halloween as, “the one night a year when a girl can dress like a total slut and no other girls can say anything about it.” Well, Coachella must be kind of like Halloween for celebrities, except instead of wearing lingerie and some form of animal ears, they throw on the most jumbled assortment of terrible fashion fads. Not sure about the new cream-colored designer jumpsuit you purchased? Try it out in the middle of the desert! Want to channel Woodstock without ever having been to, read about or seen a photo of Woodstock? Grab a Native American headdress and wear that shit to Coachella. The fest is HQ for floral head wreaths, jorts and combat boots (often all worn at once), and for some reason I cannot pull myself away from the celeb photos of this mess. It’s like someone made a slot machine with various teenagers’ style blogs on Tumblr and everyone going to Coachella must take a spin to determine their outfit.
“Ooh, I got a bindi, a latex bra, a crocheted duster and gladiator sandals!” Just look at these famous attendees, capped off with Koachella Kweenz Kylie and Kendall Jenner.
But seriously, you need to see this video that’s (probably) of Leonardo DiCaprio Coachin’ it up (people say that, right?) at an MGMT performance, which makes me feel weird and old.
And since I brought up Lindsay, the supposedly sober starlet was supposedly washing down all that Coachella dust and glitter with vodka this weekend. The reports come days after the latest episode of her Oprah docu-series, in which she admits to drinking alcohol after her latest stint in rehab. Also, there were a lot of emo scenes of Lindsay filming herself crying. Get it together, girl. OPRAH WILL CUSS AT YOU AGAIN. And everyone knows if Oprah has to cuss at you twice, you will spontaneously burst into flames.
Celebrispawn in the media is quite the hot topic as of late, particularly thanks to Dax Sheppard and Kristen Bell vs. Papz (this will definitely be a court case our children will study in history class). But what about fake famous babies — fair game? OK! Leslie Knope is pregnant! Pawnee's upcoming addition will be the Prince George of fictional TV comedy births. Which is to say, a very big deal. Parks and Rec's Leslie and Ben will be the best parents ever. I think I speak for fans everywhere by saying we can't wait for his or her first playdate with the world’s most attractive child, Ann and Chris’ little Oliver.
Sunday was an epic night for television with the final Mad Men premiere (sort of) and a crazy-ass episode of Game of Thrones. These two are great popular, critically-acclaimed dramas, but they’re on complete opposite ends of the style spectrum. Mad Men’s seventh season debut was gradual and calculated (as always), giving viewers a chance to fill in the blanks between Season Six and now, speculate on what’s to come and read into every little detail. And by detail, I mean Pete’s California Ken Doll look, which was #flawless. Ratings were way down Sunday — the lowest-rated premiere since the second season's in 2008. Some attribute the drop to a lackluster episode, but the truth is probably that everyone was too busy losing their shit over this week’s Game of Thrones to get into the cool Mad Men mood.
Without giving too much away (and because I spoiled “the incident” for myself since I can’t stay off the damn Internet — so I know it sucks), Thrones fans who hadn’t already read the books were treated to a truly righteous, bubbly, bloody scene this week that totally flips the script for many of our favorite characters. Can’t these people get through one wedding without having to immediately plan a funeral?
New movie trailers to hit
the Interwebz: bestseller-turned-likely blockbuster Gone Girl;
two red band previews for 22 Jump Street (The
starring Cameron Diaz and a manorexic Jason Segel, a comedy that’s exactly what
you think it’s about; and Jon Favreau’s take on the foodie world, Chef.
The first good sign that consistent warmth is on its way is the announcement of the lineup for this year’s MidPoint Indie Summer series at downtown’s Fountain Square. The concerts are part of the Square’s free PNC Summer Music Series, which showcases different types of music (played mostly by local acts) five days a week. (The lineups for the every-Thursday Salsa on the Square shows have also been announced; visit myfountainsquare.com for details.)
The eclectic, free Indie Summer shows take place every Friday throughout the summer. This year’s lineup is perhaps the series’ strongest yet, with some higher profile national touring acts and the usual array of top-notch local talent.
Here’s the full rundown of Indie Summer shows so far (a few slots are still to be announced):
• August 15: The Nightbeast (a co-headliner will be announced in July)
The Indie Summer series is sponsored by the MidPoint Music Festival, CityBeat’s popular annual music extravaganza, which returns to the clubs and venues of Downtown and Over-the-Rhine Sept. 25-27. (Though all MPMF-worthy, the acts are booked through Fountain Square, not by MidPoint.) There will be a MidPoint booth on Fountain Square every Friday where music fans can find the latest MPMF info and purchase tickets to the three-day festival.
A limited amount of discounted early-bird passes for this year’s MPMF are available now at mpmf.cincyticket.com. Nail down your three-day tickets (or VIP Experience tickets) before the prices increase. And be sure to stay tuned to mpmf.com and the fest's various social media accounts for the latest updates.