WHAT SHOULD I BE DOING INSTEAD OF THIS?
 
Home - Blogs - Users Blogs - Latest Blogs
Latest Blogs
 
by Rick Pender 11.30.2012
Posted In: Theater at 09:42 AM | Permalink | Comments (0)
 
 
onstage - brent vimtrup as algernon moncrieff in the importance of being earnest @ cincy shakes - photo rich sofranko

Stage Door: Non-Holiday Edition

So Thanksgiving was early this year, and that means that not only retailers but all of our local theaters have fired their starting guns earlier than usual with family-friendly holiday shows. That began with Ensemble Theatre's opening of Alice in Wonderland on Nov. 28, and continues with Cinderella at the Covedale, A Christmas Carol at the Playhouse and New Edgecliff's Santaland Diaries (newly paired with The 12 Dates of Christmas) using a new venue, the Aronoff's Fifth Third Bank Theater.

But before you start wearing your Christmas sweaters and holiday socks, I have a few non-seasonal but highly entertaining productions you should consider:


Let's start with Cincinnati Shakespeare's staging of
The Importance of Being Earnest. This is a classic comedy from 1895 by Oscar Wilde, but don't think there's anything old and musty about it. The production of this witty, romantic tale of harmless manipulation bubbles with laughter and sprightly performances. I gave it a Critic's Pick here and I suspect it will be another sold-out run for Cincy Shakes, which has assembled a gangbuster season. You should note that it's only onstage through Dec. 16, so if you want to see it, don't wait too long. (As of the 16th it will be supplanted by Every Christmas Story Ever Told (and then some), Cincy Shakes' holiday offering.) Box office: 513-381-2273 x.1.

And if smiles without holiday trimming are something you seek, I highly recommend the touring production of
Jersey Boys. This is the true story of Frankie Valli and the Four Seasons, Pop stars from the 1960s, and the show is stuffed full of their memorable, tuneful hits. The four leading actors faithfully recreate the group's close harmonies and Valli's soaring falsetto tenor — he's one of the great Pop vocalists of all time, and Nick Cosgrove nails the role. Although the history of these four singers has its ups and downs, the story is told with a sense of wry humor (and numerous F-bombs) that keeps things light and entertaining. Audiences have been clamoring for Broadway in Cincinnati to bring this show back since it appeared at the Aronoff back in 2008, and tickets are selling fast. Box office: 800-982-2787.

Don't forget
Hank Williams: Lost Highway at the Playhouse's Shelterhouse stage. (Review here.) It's another genuine reincarnation of a singer who made an indelible mark on the world of Pop music. Box office: 513-421-3888.

 
 
by Rick Pender 11.16.2012
Posted In: Arts community, Theater at 10:18 AM | Permalink | Comments (0)
 
 
onstage to do 11-21 - leah strasser and mindy heitkamp  in savage in limbo by untethered theatre company - photo kirk sheppard

Stage Door: Thanksgiving Edition

The weekends around Thanksgiving tend to offer fewer theater opportunities than most since lots of companies are readying holiday productions that open near the end of the month. (In fact, from Nov. 28 to 30, eight shows will open!) But that doesn't mean you should look elsewhere for entertainment.

First and foremost is Street Scene at UC's College-Conservatory of Music, the kick-off of a year-long celebration of works by Kurt Weill. It's a dramatic American opera in two acts, a story set in a mid-century Manhattan neighborhood. It's a massive undertaking involving hundreds of students from several CCM departments; Steven Goldstein is directing, and the performances will be musically conducted by Mark Gibson. The opera is based on Elmer Rice's Pulitzer Prize-winning drama; it's sometimes compared to Porgy & Bess, presenting a wide range of multi-ethnic characters and two intertwined love stories. Performances are Friday and Saturday at 8 p.m. and Sunday at 2 p.m. Tickets ($17-$30): 513-556-4183.

A feisty young theater company, Untethered Theatre, is producing a dark comedy, John Patrick Shanley's Savage in Limbo in a storefront theater on Ludlow Avenue, Clifton Performance Theater. The performers are young and the characters they portray are young adults who haven't yet taken hold of life. The venue is intimate, recreating a bar where the characters gather, and the audience sits amidst the action. Tickets ($15): 513-938-0599. If you show up at 7:55 p.m. you might get lucky and score a rush seat for $5.

Two community theaters are wrapping up productions of classics that ought to be worth seeing: Cincinnati Music Theatre is presenting Stephen Sondheim and George Furth's Tony Award-winning musical from 1970, Company, at the Aronoff Center's Jarson-Kaplan Theatre. Tickets: ($20-$22): 513-621-2787 … And Footlighters' is finishing up a run of Thornton Wilder's 1938 Pulitzer Prize winning play, Our Town, at the Stained Glass Theatre in Newport. Tickets ($20): 859-652-3849.

Finally, if you want an evening of great music with a bit of true life biography, check out Hank Williams: Lost Highway, at the Cincinnati Playhouse. This one runs through the holidays, but tickets will be hard to come by in December, so this would be a perfect weekend to take in a performance of two dozen songs by the guy who blended the Blues with "Hillbilly" tunes and more or less created Country Western music in the early 1950s. You'll know lots of the tunes. Tickets: 513-421-3888.

 
 
by Rick Pender 11.12.2012
Posted In: Theater at 10:05 AM | Permalink | Comments (0)
 
 
Photo: Eric Vosmeier

At Last, We Can Know ...

Looking ahead at Know Theatre's holiday schedule and beyond

In my recent Curtain Call column, I talked about collaboration and made some mention of past ventures by Know Theatre. After a period of self-examination covered in an earlier column ("Big-Picture Thinking at Know Theatre," issue of Oct. 24), the Over-the-Rhine company has now shared some of its programming plans for the holidays and the months ahead.

For the holidays, they'll produce The Naughty List, hosted by Ronda Androski and her great staff at Arnold's Bar & Grill downtown and featuring the talent of OTR Improv, one of the groups Know has nurtured with its Jackson Street Market. They'll take holiday memories from those in attendance as they recreate holiday movies and tell you how your life would have been different if you had received that special gift you yearned for. The fun will be happeing in Arnold's courtyard on Sunday, Monday and Tuesday evenings from Dec. 2 to 30. Tickets will be $15 in advance and $18 at the door.

Know will also offer The Apocalypse Show! for two nights on its home stage at 1120 Jackson St.. Since the world is scheduled to come to an end on Dec. 21, 2012 (according to the Mayan calendar), Know will produce a variety show to end all variety shows on Dec. 20 and 21. There will be sketch comedy, predictions, guest appearances, "gratuitous drinking and answers to all of your apocalypse FAQs." Dec. 20 will be a fundraiser (tickets: $50), despite the funny come-on that you should bring all your money, since it will be worth nothing the next day! (If you come to the performance on Dec. 21, you only need to scrape together $15 in advance or $18 at the door.)

Assuming that the world really isn't ending on Dec. 21, Know will co-host its annual New Year's Eve event with CityBeat, the Speakeasy Party from 8 p.m. on Dec. 31 (to 1 a.m.). Know typically attracts 300 well-dressed guests for this event, and everyone has fun with casino games, food, dancing to a DJ and a live band, martinis and a champagne toast at midnight.

After all this fun stuff, Know will get down to some serious theater — presenting Andrew Bovell's "best new play of 2010," When the Rain Stops Falling (Feb. 8-March 16, 2013). It's another partnership, with the production being staged by Brian Isaac Phillips, artistic director at Cincinnati Shakespeare Company. (Bovell's Speaking in Tongues had a great production at the Cincinnati Playhouse last season.) The show uses an intricate fabric of overlapping connections, moving between several generations between 1959 and 2039 and between London and Australia. Acts and sins of the past are connected to three generations that follow. 

More will be following, including an unnamed production running from April 5 to May 12. Sometime in late April (date TBA), just in advance of the tenth annual Cincinnati Fringe Festival (May 28-June 8, 2013), Know will host the 2013 United States Association of Fringe Festivals Conference. "We're honored to have been selected to host this year's conference," says Know's Producing Artistic Director Eric Vosmeier. "It's an amazing opportunity to work on ideas and issues at the core of all Fringe Festivals. Every time I have been to a conference, the Cincinnati Fringe is better for it. We can't wait to show off our city to festival producers from all over the United States."

One more note: Know is selling its version of a subscription, Flex Passes. But these have evolved: You can purchase six flex passes for $90. Valid for most Know productions, they do not expire. (If a show ticket has a higher price than the pass, you can use your pass and just pay the difference.) Know's website will designate: "Flex passes are valid for this event." When you run out of tickets (and you surely will), you simply need to buy another pass.

Know's Fringe Festival has promoted itself with the slogan "Weird, like us." And they're living up to that mantra in a way that should appeal to its supporters and more.

 
 
by Rick Pender 11.09.2012
Posted In: Theater at 09:01 AM | Permalink | Comments (0)
 
 
to do_onstage_grim and fischer_ kate braidwood and andrew phoenix_photo james douglas

Stage Door: The Little Guys

There's plenty of good theater available around town in the next few days, including the just-opened production of Hank Williams: Lost Highway at the Cincinnati Playhouse, as well as Romeo and Juliet and Titus Andronicus, which finish their runs at Cincinnati Shakespeare this weekend. But for this week's edition of Stage Door, I'm recommending three productions that might not be on your radar.

One of the big hits of the 2012 Cincinnati Fringe Festival, Grim and Fischer, is back for performances on Friday and Saturday. It was only offered three times back in June, and a lot of people missed the unusual "full-face mask" show about death (aka Grim, as in "Grim Reaper") matching wits with elderly Mrs. Fischer, who's not ready to take her leave of this world. Everyone who saw the wordless piece raved about it, so Know Theatre (they guys who present the Fringe) have brought back the two performers from Wonderheads Theatre in Portland, Ore., to give us three more chances, Friday and Saturday evening at 8 p.m. plus a 3 p.m. Saturday matinee. I'm not missing their 50-minute performance this time around. Tickets ($12): 513-300-5669.

Community theater often brings back classics that audiences love, and Footlighters (you can find them at Newport's Stained Glass Theatre, right across the street from the York Street Cafe) is doing just that with Thornton Wilder's 1938 Pulitzer Prize winner, Our Town. But don't think you've been there and done that, since this production takes several familiar conventions and freshens them. The "Stage Manager," usually a folksy older guy, is played by a woman, and many of the references to New England life in the early 1900s are minimized, which makes the show feel a lot more universal and relevant to life today. Through Nov. 18. Tickets ($20): 859-652-3849.

And my third recommendation is from another community theater, one that really knows its way around musicals: Cincinnati Music Theatre is staging Stephen Sondheim and George Furth's Company, a Tony winner from 1970 — and again in 2007 when the Cincinnati Playhouse's revival of the story of Bobby and his married friends moved to Broadway and was named the year's best musical revival. It has a brilliant and energetic score, great comic scenes and songs you're likely to know, including "Another Hundred People," "The Ladies Who Lunch" and "Being Alive." CMT presents its shows at the Aronoff Center's Jarson-Kaplan Theater. Through Nov. 17. Tickets ($22): 513-621-2787.

 
 
by Rick Pender 11.02.2012
Posted In: Theater at 10:05 AM | Permalink | Comments (0)
 
 
scarybeat_eventlistings_artsystuff_titusandronicus_jeannavella

Stage Door: Non-Political Ad Edition

If you can tear yourself way from TV ads for the presidential election this weekend, you'll find plenty of good theater to distract you, starting with a production at Covington's Carnegie Center opening Friday night. It's Under a Red Moon, a world premiere co-production with Dayton’s Human Race Theatre Company. Michael Slade's taut psychological thriller just spent nearly a month onstage at the Loft Theatre in Dayton, so it's already a seasoned production. A dramatized psychological interview in the same vein as Silence of the Lambs, it’s based on the chilling true story of England’s notorious “Acid Bath Murderer” from a half-century ago. The play features Broadway actors Bradford Cover as the criminal and Dee Pelletier as the psychologist trying to get inside his head. Box office: 859-957-1940.

A different set of thrills are available from Cincinnati Shakespeare Company, which is staging Shakespeare's bloody revenge tragedy,
Titus Andronicus. This show requires a lot of hand-to-hand combat, blood and gore — presented by CSC with ghastly zeal. Just as creepy tales like Nightmare on Elm Street and Halloween have chilled film audiences in recent years, this kind of play was all the rage in the early 1590s. (CSC director Jeremy Dubin calls it “a snuff film in blank verse.”) It's especially fun to watch veteran Nick Rose as a Roman general who gets into a grotesque battle of wills with the amoral Queen of the Goths, played by Miranda McGee. The awful things they they do to one another's families make for some delicious, hair-raising storytelling. Also onstage at Cincy Shakes is Romeo & Juliet, with the central characters played as hormonal, irrational teens. Sara Clark is especially good as Juliet. Both productions tell their tale through more contemporary visual filters — R&J's characters wear contemporary clothing and are surrounded with music of the here and now, while Titus gets a "Steampunk" treatment that  presumes that the Victorian ingenuity of Jules Verne and H. G. Wells extended its steam-driven, mechanical technology to the present. Both approaches give new vitality to the shows. (Review here.) Box office: 513-381-2273.

Also worth seeing is a funny, touching tale of growing up in Depression-era Brooklyn, Neil Simon's
Brighton Beach Memoirs at the Cincinnati Playhouse (513-381-3888)). (Review here.) It's the first time that the Playhouse has staged a work by Simon, one of America's most prolific playwrights of the 20th century. Box office: 513-421-3888

 
 
by Rick Pender 10.29.2012
Posted In: Theater at 09:18 AM | Permalink | Comments (0)
 
 
rj production 2_ sara clark and ian bond as juliet and rome_ photo rich sofranko

Stage Door: Some Bloody Good Theater at Cincy Shakes

My schedule prevented me from making it to Cincinnati Shakespeare Company’s opening of Romeo & Juliet back on Oct. 11, and I hadn’t caught up yet with CSC’s annual Halloween-season tarting up of a Shakespearean tragedy to be offered within the run of the mainstage show. This year it’s the rarely produced revenge piece, Titus Andronicus, presented on Tuesday and Wednesday evenings as well as Saturday matinees through Nov. 11, the same day that Romeo & Juliet wraps up. Neither production could be termed “traditional,” although they are sharing the same set, designed by Andrew Hungerford, and both shows are effectively lit by Gregory Bredestege.

Although the two plays are located at the opposite poles of familiarity in the canon of Shakespeare — R&J has a plot that everyone knows, while Titus is almost never staged — they have some elements in common. Both tales are driven by thoughtless acts that fuel an unquenchable desire for revenge. The young lovers’ meet their ends in a tragedy of miscommunication and bad timing; the fictional Roman general, Titus, and those around him find themselves caught up in a horrifying series of events brought on by greed for power and a desire for one-upmanship.

In fact, both plays are the product of a young Shakespeare, not yet 30 years old. They were probably first performed just a year or so apart: Titus was his first tragedy, initially presented in January 1594; R&J made its debut sometime in 1595. Titus is a revenge tragedy, wildly popular plays that were all the rage in the early 1590s. (CSC’s director for Titus, Jeremy Dubin, aptly calls it “a snuff film in blank verse.”). R&J is a paean to impetuous adolescent love, and until things start to go wrong it’s as much a sweet comedy as it is a story barreling toward a tragic ending. The humor in Titus is dark and twisted; that in R&J intensifies the tragedy. In both cases, we see the work of a writer who knew how to manipulate the emotions of his audience.

Romeo & Juliet. Staged by Brian Isaac Phillips, CSC’s artistic director, this production has been modernized. The inhabitants of “fair Verona” wear contemporary clothes, and their entertainment and behavior has a 21st-century overlay. But rather than trying to twist it too far out of its original context in a Renaissance town in Italy, I’d say this feels more like an alternate reality. Billy Chace plays the brash Mercutio, Romeo’s kinsman, as a madcap clubber, always ready for a good time with his cronies Benvolio (Jessie Wray Goodman) and Balthasar (Maggie Lou Rader). The masked ball at the Capulets’ estate where Romeo (Ian Bond) first spies Juliet (Sara Clark) begins with delicate chamber music but quickly devolves to thumping club tunes.

But this filter does not diminish the nature of the central characters. Both Bond and Clark play their roles like the hormonal teens they are meant to be. Juliet is not quite 14, and Romeo is perhaps 16. When we first meet him, he is pining for Rosaline, a love we never meet — we only hear Romeo’s idealized whining that she’s spurned him. He wants to be in love, and she’s his most likely prospect. He quickly transfers his affections to the sweetly innocent Juliet, and the petite Clark gives her the kind of breathless silliness that is endearing if not enduring. Neither of the lovers is meant to experience love in any profound way: They are swept up in the passion of youth — they go from meeting to marriage in a blur of four or five scenes.

Bond’s Romeo spends a lot of time agonizing over his frustrations, and he doesn’t seem to mature much, despite the seriousness of the situation. Clark’s Juliet has more opportunity to show growth and personal recognition at the conundrum life has presented her. Her loving but thoughtless nurse (Sherman Fracher), her domineering, unthinking father (Jim Hopkins) and her vain, superficial mother (Jennifer Joplin) make matters worse by forcing her toward an arranged marriage. The well-intentioned Friar Lawrence (Jeff Groh, more like a hippie raising strange herbs than a devout priest) aids the young lovers, but like the nurse, exacerbates a tough situation with his meddling. Clark is stunningly honest in her role, and the heat between her and Bond is palpable, if uncomplicated — as it should be for a couple of teenagers in heat.

The production as a lot of stage combat, and seeing it two weeks into its run let me see how capable Cincy Shakes can be. I had heard things were a little rough on the opening weekend, but there was no evidence of that at the performance I saw, which was thoroughly enjoyed by the full house.

Titus Andronicus. This show requires a lot of hand-to-hand combat and considerably more blood than Romeo & Juliet. It was all done with ghastly if over-the-top realism. The plot is both simple and ridiculous by contemporary standards: Titus (Nick Rose) is a successful general who turns down the chance to become emperor. Things go bad for him and his family when his prisoner Tamora, Queen of the Goths (Miranda McGee in a showy, sexy role), gets hitched to the emperor Saturninus (played as a foppish, preening fool by Justin McComb). She wreaks some vengeance on Titus’s offspring, masterminded by her scheming lover Aaron (Darnell Benjamin) who steers her fawning, selfish sons Chiron (Travis Emery) and Demetrius (Zach Schute) to some vile acts. After gruesome violence on Titus’s daughter Lavinia (Maggie Lou Rader), a grief-crazed Titus figures out some even more grotesque ways to fight back.

This is all spelled out in the script and played out on CSC’s stage with a lot of gore and stage blood — decapitated heads and severed hands — for instance, and extended to the brink of insanity lengths in the second half with Titus’s missing left hand replaced by a metal forearm that accommodates various implements from a fork to a corkscrew to a set of mechanical knife blades (like the electric knife I use to carve the Thanksgiving turkey). You can be assured these are used for violent purposes, and Nick Rose, a CSC veteran (in fact, one of its founders), revels in Titus’s madness — with some manic behavior, including bemoaning the “murder” of a fly in a blackly humorous moment. Rose is having a ball with this juicy role.

Director Jeremy Dubin has provided a different sort of filter for this interpretation of Titus Andronicus, that of the sci-fi genre of “Steampunk,” which presumes that the Victorian ingenuity of Jules Verne and H. G. Wells in the 19th century extended its steam-driven, mechanical technology prevailed in the 20th and 21st centuries. Accordingly, costumes are a curious, colorful mishmash of Victorian styles — cutaway coats, vests, goggles, belts and bustiers — and six video monitors around the theater display show cards offering the gist of scenes with quaint, tongue-in-cheek summaries. Each act began with n actor attaching a hand crank to a gear at stage right to wind up the mechanism of the show. Similarly, when certain offstage action needed to be represented, a servant bearing a kind of magic lantern projector came on to reveal a scene, which the audience saw on the monitors. (The device was clever; I wish it had been more fully and frequently integrated into the action.)

Titus Andronicus is not a great play, but Cincy Shakes — and especially actors Nick Rose, Miranda McGee, Darnell Benjamin and Maggie Lou Rader — make this production great fun to watch, providing you’re not too squeamish. It is, after all, a bloody mess, intentionally so and perfect for the thrill-seekers of late October.

 
 
by Rick Pender 10.26.2012
Posted In: Theater at 09:35 AM | Permalink | Comments (0)
 
 
onstage 10-31 - brighton beach memoirs (cincinnati playhouse) - eugene (ryan deluca) observes his family - photo sandy underwood

Stage Door: Options Abound

You'll have to pick and choose this weekend because there's so much theater onstage. In addition to our professional theaters, it's worth checking out production at universities: Tonight through Sunday, CCM's esteemed musical theater program is offering the cult favorite Chess, with music by ABBA's Björn Ulvaeus and Benny Andersson. The story is set in Bangkok and Budapest during a mid-1970s world chess championship — and it's driven by gamesmanship between nations, between lovers and, of course, between chess players. I saw the opening on Thursday, and it's a BIG show with a gigantic cast. Several leading roles are double cast (with more juniors than seniors, in fact, which bodes well for CCM productions for this season and next). In particular, Matthew Paul Hill, playing the Russian grand master Anatoly, lifted the roof of Corbett Auditorium with his powerful baritone voice singing the stirring "Anthem," the Act 1 finale. Tickets ($30) Box office: 513-556-4183. At Northern Kentucky University you'll a production of Royal Gambit by German playwright Hermann Gressieker (translated into English in the late 1950s). The subject is King Henry VIII and his six wives, and this looks to be a beautifully costumed show, featuring senior Seth Wallen in the leading role. Tickets ($14). Box office: 859-572-5464.

Neil Simon's funny and endearing Brighton Beach Memoirs is onstage at the Cincinnati Playhouse. I gave it a Critic's Pick (review here), and I'm sure audiences will love this sweet portrait of growing up in Brooklyn in the 1930s, where a loving but fractious family copes with hard times. It's told from the perspective of  Eugene, a precocious adolescent (he's really Simon as a 15-year-old), who takes notes on his family's behavior. Well acted and beautifully staged. Box office: 513-421-3888l.

My schedule hasn't permitted me to see several shows that are getting good notices, including recognition from the folks evaluating productions for the League of Cincinnati Theatres. I'm catching up this evening with Cincinnati Shakespeare Company, which is offering two shows this month.
Romeo & Juliet is its mainstage show, and Sara Clark is getting high marks for her portrait of romantic but tragic young love. Brian Phillips' staging picked up an LCT nod, and the show received an overall recommendation from LCT. On the evenings when R&J is not onstage, there's another Shakespeare work for thrill seekers, specially selected and staged for the Halloween season: the bloody, gory tale of revenge, Titus Andronicus. Veteran actor Nick Rose plays a crazed Roman general, and just about everyone I've heard from says his performance is memorable. (It earned him an LCT nomination, too.) Box office: 513-381-2273.

This weekend is the final one for
Mrs. Mannerly at Ensemble Theatre. When Harper Lee reviewed this one for CityBeat (review here), she gave it a Critic's Pick, and I agree wholeheartedly. (LCT named it a recommended production, too.) CEA Hall of Fame actress Dale Hodges is great fun to watch as a strict etiquette teacher in 1967, and Raymond McAnally plays all the other characters — a bunch of kids who are learning how to behave in a "mannerly" way. It's funny from start to finish, but there's a heart-warming message within the story. Definitely worth seeing. Box office: 513-421-3555.

At Clifton Performance Theatre, Clifton Players are staging
A Bright New Boise, which also picked up an LCT recommendation. I haven't seen it, but the show won an Obie Award (that's for outstanding off-Broadway plays) in 2011, and it has a strong cast. This is a newish venue that's specializing in "storefront theater." Should be worth supporting. Tickets ($20): 513-861-7469. 

 
 
by Rick Pender 10.19.2012
Posted In: Theater at 09:20 AM | Permalink | Comments (0)
 
 
onstage - blue man group - balls - photo paul kolnik

Stage Door: Blue Man Group

My first and foremost recommendation for the weekend is  Blue Man Group. (Review here.)  It's a performance experience unlike much of anything else you've probably ever experienced in a theater — raucous music, zany humor, eye-popping technology and infectiously fun engagement with the audience. Amazingly, it's done without spoken words — the guys mime (well, kind of, it's actually more like they're mute in the style of Harpo Marx, with a lot of staring and double-takes), although they're backed up by awesome video that does offer some instruction (and laughs) for the literate. As I've said before, it's hard to describe but easy to enjoy. This is Blue Man Group's first time in Cincinnati, presented by Broadway Across America; the Aronoff Center might never be the same. (Through Oct. 28) Box office: 800-982-2787.

Last night I enjoyed opening night for the thoroughly authentic and charming production of Neil Simon's
Brighton Beach Memoirs at the Cincinnati Playhouse in the Park. It's the story of a Jewish family in Brooklyn in the 1930s, but thanks to Simon's witty, heartfelt recollections of his own youth, it has a feeling of universality. The narrator is Eugene Morris Jerome (who's a stand-in for Simon himself), and actor Ryan DeLuca conveys the joys and pangs of adolescence and puberty with feeling and hilarity. He frequently addresses the audience about his interactions with his grouchy parents and his woebegon aunt, his worldly brother, his pampered cousins — he's documenting them for something he'll write when he's older, a novel or perhaps a play! And that play is the one onstage at the Playhouse, the first Neil Simon script ever presented there in more than 50 seasons. (Through Nov. 10.) Box office: 513-421-3888.

Continuing productions of the comedy
Mrs. Mannerly at Ensemble Theatre Cincinnati (513-421-3555) and Shakespeare's romantic tragedy Romeo & Juliet at Cincinnati Shakespeare Company (513-381-2273, x1) have been positively reviewed and appreciated by audiences. This weekend also marks the opening of Cincy Shakes' staging of Shakespeare's bloody history of the Roman emperor Titus Andronicus, staged with tongue in cheek (and in a pie) for the Halloween season. It happens on the nights when the R&J cast takes a breather.

You might also consider two special events: New Edgecliff Theatre's annual one-night fundraiser,
Sweet Suspense Theatre, a presentation in the style of a radio play, happens on Saturday evening. This year the production, a new adaptation of Oscar Wilde's story of The Canterville Ghost, is being presented at the Cincinnati Art Museum — and includes an extended intermission with lots of goodies from local bakeries and restaurants. (Tickets: 888-588-0177). You might also want to check in with the Playhouse about ticket availability for Post Secret on Monday evening; the one-night presentation of  a piece based on an anonymous "true confessions" website is rumored to be sold out, but there might be a waiting list if you call the box office. (513-421-3888)



 
 
by Rick Pender 10.12.2012
Posted In: Theater at 09:44 AM | Permalink | Comments (0)
 
 
poster_mrs_mannerly

Stage Door: Too Many Options

You have no excuse for complaining that there's not enough theater in the days ahead. In fact, you'll have a hard time fitting it all in.

Ensemble Theatre Cincinnati's regional premiere of
Mrs. Mannerly opened a few days ago: It's a comedy about growing up in small-town Ohio under the watchful (perhaps oppressive) eye of a strict etiquette teacher. Jeffrey Hatcher's play (largely based on his own experience in 1967) features one of Cincinnati's best actresses, Dale Hodges, in the title role. And the production has been staged by Ed Stern, recently retired after 20 years as producing artistic director at the Cincinnati Playhouse. Box Office: 513-421-3555.

Cincinnati Shakespeare is producing Shakespeare's romantic tragedy
Romeo & Juliet, featuring a pair of actors — Sara Clark and Ian Bond — who had great chemistry in recent productions of Pride & Prejudice and Sense & Sensibility. They will bring new life a familiar work, I'm sure. The production opens Friday; bear in mind that Cincy Shakes has been selling out its productions this season, so catching this one before it catches on with the larger audience might be a good idea. Box Office: 513-381-2273 x1.

For entertainment of an entirely different stripe, I suggest you check out
The Beggar's Carnivale on Friday and Saturday evenings (9 p.m.) at Know Theatre. This variety show has been described as "Cirque du Soleil on a whiskey bender." It includes elements of traiditonal circus arts, gypsy folk and Rock & Roll. You'll witness a fast-paced spectacle with several acts linked by interludes in the style of silent film. There's live music, too, by their house band The Royal We and the Carnivale's personal DJ. Sounds like an evening of unusual entertainment. Box Office: 513-300-5669.

For the stay-at-homes, you might sample
Lost in Yonkers on WVXU's broadcast of L.A. Theatre Works, Saturday evening at 8 p.m. on FM 91.7. This great nostalgic play by Neil Simon is part of an autobiographical trilogy; the Cincinnati Playhouse is producing Brighton Beach Memoirs, another from this set, a few weeks from now. On Sunday evening at 8 p.m. WVXU will air The Moth, a collection of monologues by everyday people, sharing anecdotes of things that actually happened to them. It's the inspiration for our local company True Theatre, which opens its third season on Monday evening (7:30 p.m.) with trueLearning at Know Theatre.

Finally, to keep you occupied next week, CCM Drama is offering a week of free, unticketed readings of gay-themed plays. On Monday it's Larry Kramer's
The Normal Heart (1985); Tuesday and Wednesday offer Tony Kushner's 1993 award-winning Angels in America, Part 1: Millennium Approaches and Part 2: Perestroika. Thursday evening it's Stephen Karam's Sons of the Prophet (2011). All readings are at 7 p.m. in the Corbett Center's Room 4755 at the University of Cincinnati. On Friday evening, Dr. Richard Coons will moderate a conversation about "Storytellers, History Makers and Revolutionaries: The LGBT Story." A clinical psychologist, Coons is a CCM Drama grad; in 1998 and 1999 he played the central role of Prior Walter in CCM's local premiere of Kushner's Angels in America. (Also free, this event will be in Patricia Corbett Theatre on the UC campus.) 

 
 
by Rick Pender 10.05.2012
Posted In: Theater at 11:21 AM | Permalink | Comments (0)
 
 
stage door - daniel beaty in through the night at the cincinnati playhouse - photo sandy underwood

Stage Door: 'Through the Night,' CCM, NKU and the Carnegie

Your best bet for theater this weekend, based on several enthusiastic recommendations, seems to be Daniel Beaty's one-man performance at the Cincinnati Playhouse in Through the Night. Harper Lee gave it a Critic's Pick in her CityBeat review this week, and the League of Cincinnati Theatres panel described Beaty as a "brilliant showman and interpreter” whose “beautifully and powerfully acted” performance “weaved in, out and through real people — multifaceted people.” The show was praised as “moving and full of hope — an evening of pure joy, celebration and a mournful reminder as well.” Through the Night “shatters the stereotypes of the ‘African American’ plight and shows beautifully that these predicaments and life choices are ‘human’ ones." I caught a performance this week and found Beaty's ability to shift from character to character quite astonishing — he plays six men and boys, as well as numerous other figures in their lives, each well defined and believable. It's a tour de force performance in the Shelterhouse, presented simply with some projected images and nothing more, not even costume changes. Box office: 513-421-3888.

College theater has good choices for you at both UC's College-Conservatory of Music and Northern Kentucky University. Each is presenting a classic, although from very different eras. NKU continues its run of
You Can't Take It With You (through Sunday), a classic comedy by George S. Kaufman and Moss Hart that won a Pulitzer Prize back in 1937. It's about a wacky family that marches to the beat of several different drummers and how their "normal" daughter and her boyfriend (the product of truly straitlaced parents) try to figure out how to make a relationship work in the midst of a lot of craziness. At CCM there's another form of craziness in Michael Burnham's staging of Shakespeare's A Midsummer Night's Dream, a tale of mistaken lovers and magical transformations. In both cases, there's a happy ending and most of the right people end up with suitable partners. Both shows are sure to offer offer a lot of laughs, as well as plenty of opportunities for young actors to take on entertaining roles. Either show should make for a fun outing that doesn't require much serious thought. CCM Box Office: 513-556-4183; NKU Box Office: 859-572-5464.

Finally, on Sunday night at 7:30 p.m. you have a very special opportunity to see a brand-new musical as a work-in-progress at the Carnegie Center in Covington. It's a one-night-only presentation of The Sandman, a creepy musical created by Cincinnati native and Cirque du Soleil maestro Richard Oberacker and his creative partner Robert Taylor. Using a wildly imaginative story by E.T.A. Hoffmann (the guy who wrote the wildly imaginative story of battling mice and toys coming to life that became The Nutcracker), Oberacker and Taylor have crafted a show that's getting a workshop locally with some serious star power. Narrated by Van Ackerman (who turned in a great performance as the Man in the Chair in CMT's recent production of The Drowsy Chaperone), the performance will feature Tony nominee (and early CCM grad) Pamela Myers, always watchable Bruce Cromer (fresh off his powerful turn as Atticus Finch in To Kill a Mockingbird at Cincy Shakes), Charlie Clark and Sara Mackie. While it's a "reading," it will have sound effects and some slide projections to set the eerie scene. You can call 859-957-1940 for tickets, or order them online at www.thecarnegie.com. General admission is $25 (theater professionals and students can get in for $15). Sounds like a don't miss event.

 
 

 

 

Latest Blogs
 
by Rick Pender 10.17.2014 3 days ago
Posted In: Theater at 08:30 AM | Permalink | Comments (0)
 
 
bruce cromer_an iliad_etc _photo ryan kurtz

Stage Door: An Iliad, Varekai, and Other Items of Note

On Wednesday evening I attended one of the most remarkable solo performances I've ever seen: Bruce Cromer starring in An Iliad at Ensemble Theatre Cincinnati.  Based on Homer's epic poem about the Trojan War, the poetic but dynamic script calls on one actor to play a dozen or so characters. Cromer does everyone of them (sometimes interacting with one another) with both imagination and detail. But mostly he's "The Poet," trapped by his role to tell this story — and the story of war in general — for nearly three millennia. He lets us see the attraction of glory and the devastation of senseless combat often for trivial reasons (the stealing of one man's wife by another lit the fuse on the Siege of Troy). The play is a condemnation of war and an acknowledgement of its inevitability. But it's also a celebration of theater, and Cromer is an absolute marvel to watch: After 100 minutes (no intermission) he's dripping with sweat from the effort and bowing to a genuine standing ovation. This is a production that no theater fan should miss. Tickets ($28-$44): 513-421-3555

There's a Cirque du Soleil show, Varekai, at the Bank of Kentucky Center at Northern Kentucky University. Like most, it's light on content and high on entertainment: A winged man falls from the rafters into a magical world where he recovers, witnessing the delights of strange creatures — who also happen to be marvelous performers: tumblers, aerial artists, jugglers and acrobats. As always, there's a pair of clowns who have fun with a few audience members. I didn't find Varekai (it's a Gypsy word that means "wherever") quite as breathtaking as some of the Cirque shows I've witnessed, but that's a relative remark, not a judgment on this production. The "Russian Swings" just before the finale feature acrobats hurled high into the air by massive swings, landing in the arms of others or on canvas sails. (Don't try this at home.) Varekai is a great escape and totally family friendly. Final performance is Sunday at 5 p.m. Tickets ($28-$145): 800-745-3000

For a quick taste of Know Theatre's Moby Dick, check out this trailer: http://youtu.be/QMbqos66s0s. There's singing of sea shanties, hoisting of sails and a tremendous battle with the Great White Whale. I'm hoping that this ambitious production gets its sea legs soon: It felt a bit wobbly during the opening week. But Herman Melville's classic American novel has life breathed into it by a cast of eight hardworking actors. Onstage through Nov. 8. Tickets ($18, but performances on Wednesdays are free): 513-300-3669

Other items of note: On Monday evening, Know Theatre hosts the quarterly presentation of TRUEtheatre, real stories told by everyday people; this time around it's True Hair. … The following night at KNow, Cincinnati Fringe favorite Kevin Thornton is back in town to present another of his one-man shows of music and comedy, this one is called Talky Concert Thingy. He's a load of unpredictable talent, always watchable. … Falcon Theatre (they perform at the Monmouth Theatre in Newport) this weekend opens a production of the classic thriller, The Woman in Black. It's a good scare for the Halloween season. Tickets: 513-479-6783 … Children's Theatre of Cincinnati is offering public performances of Disney's Beauty and the Beast JR. at the Taft this weekend (and Saturday, Oct. 25). Tickets ($7-$25): 800-745-3000
 
 
by Rick Pender 10.10.2014 10 days ago
Posted In: Theater at 08:20 AM | Permalink | Comments (0)
 
 
moby dick_left to right montez o jenkins as queequeg _rico reid as ahab _photo_deogracias lerma

Stage Door: A Whale, Two Brothers and a Beast

Know Theatre sets sail this weekend with tonight's opening of Moby Dick. It's Herman Melville's great American novel stripped down to its bare essentials of men at sea doing battle with a creature that maimed their obsessive captain. It's Know's first main stage show staged by new artistic director Andrew Hungerford, who's teamed with co-director Michael Burnham, retired from CCM but no doubt as inventive as ever in bringing unusual material to audiences. Featuring the haunting music of sea shanties and a stage full of theatricality, it being performed through Nov. 8. Tickets ($20 in advance): 513-300-5669. And here's a tip: Wednesday evening performances are free as part of Know's "Welcome Experiment," intended to bring new audiences to its Over-the-Rhine facility.

UC's College-Conservatory of Music is presenting Willy Russell's powerful British musical Blood Brothers today and tomorrow in the Cohen Family StudioTheater. Set in 1950s Liverpool, it's about a woman with too many children who is talked into giving up one of a pair of newborn fraternal twins. Despite her efforts and those of the unstable woman who wanted a baby, the boys meet and become not just friends but "blood brothers." They don't know their history, they simply feel drawn to one another. That leads to a tragic, perhaps inevitable, confrontation. But there is humor and an energetic Pop Rock score along the way. Hannah Kornfeld is heartbreaking as the conflicted mother; Thomas Knapp and Karl Amundson turn in heart-breaking performances as the ill-fated boys, from age 7 to 22. This weekend only; the final performance is Saturday evening at 8 p.m. Tickets are free but need to be reserved (513-556-4183); call in advance — performances are often sold out.

Perhaps you'd like to take a kid or two to see a show. The Cincinnati Playhouse's "Off the Hill" production, Roses & Thorns, based on "Beauty and the Beast," would be a fine choice. It's a touring production for kids ages 7 and up, and it's making its way to various neighborhoods over the next month or so (through Nov. 2). I attended a preview recently and found it thoroughly enjoyable. It's a sweet retelling of the familiar story whose love and devotion saves her family and breaks a curse on a monstrous beast who's really a handsome prince. The show uses clever props and costumes, slapstick, satire and high camp styles; its four actors are professionals in training, and their work, playing multiple characters and making quick changes, is great fun to watch. This weekend it's onstage at the Lebanon Theatre Company (10 S. Mechanic St., Lebanon) on Sunday at 2 p.m. Check the Playhouse's website for future performances around the Tristate. Tickets in Lebanon are $5: 513-228-0932

If you missed Kevin Crowley's one-woman show Sarge during the Cincinnati Fringe Festival last June, it's getting a reprise this weekend and next (it's onstage tonight through Oct. 20). Christine Dye's performance as the devoted but deluded wife of Penn State football coach Jerry Sandusky, found guilty of molesting young boys, won the Critics Pick of the Fringe. Dye is remarkable in three monologues that reveal the mind of a woman who cannot accept her husband's true nature. It's being presented in a double bill with another short script by local actor and playwright Crowley, The Monkey's Paw, a dark comedy about a couple struggling with the anxieties of early parenthood. Performances at Clifton Performance Theater, 404 Ludlow Avenue. Tickets ($25): 513-861-7469

I gave Critic's Picks in CityBeat recently to two excellent productions recently, and they remain onstage this weekend. I Loved, I Lost, I Made Spaghetti at the Cincinnati Playhouse is a one-woman piece about cooking and relationships (charming actress Antoinette LaVecchia prepares an Italian dinner while describing her bad luck with men). Tickets ($30-$75): 513-421-3888 … The Little Dog Laughed finishes its run this weekend at New Edgecliff Theater at Hoffner Hall (4120 Hamilton, Ave., Northside. It's the story of a gay actor whose agent is trying to keep him from ruining his career by being public about his persuasion. It's surprising how a play from 2007 could present anxieties about something that today is much more accepted, but this production is great fun to watch thanks to four fine actors, especially Kemper Florin as the motor-mouthed, scheming agent. Tickets: ($20-$27): 888-428-7311
 
 
by Rick Pender 10.03.2014 17 days ago
Posted In: Theater at 08:17 AM | Permalink | Comments (0)
 
 
antoinette lavecchia in i loved, i lost, i made spaghett_ photo sandy underwood

Stage Door: Spaghetti, Macbeth and More

Last night I was at the Cincinnati Playhouse for the opening of I Loved, I Lost, I Made Spaghetti, a charming one-woman play based on Giulia Melucci's foodie memoir from 2009. The frame of the show is that it's set in a stylish kitchen where actress Antoinette LaVecchia prepares a meal while sketching out her numerous disconnects in search of love, feeding boyfriends but finding herself starving. Four couples pay a bit more ($35 apiece beyond the ticket price) to sit at tables directly in front of her kitchen where she serves antipasti, salad and spaghetti Bolognese that she prepares as she talks about a series of amusing but unpromising relationships, convincingly painting portraits of her ill-fated choice in men. La Vecchia is so natural in the role (which she originated in 2012 and has played at several regional theaters since then) that you'll feel like you're one of her best friends. Running through Oct. 26, this Shelterhouse production gets a Critic's Pick. Tickets ($30-$75): 513-421-3888

I also thoroughly enjoyed New Edgecliff Theatre's production of The Little Dog Laughed (at Hoffner Hall, 4120 Hamilton Ave., Northside). The four-actor comedy by Douglas Carter Beane is about Diane, an acerbic agent, and Mitch, the actor whose career she's advancing. He's found a boyfriend he really likes (even though boyfriend is a male prostitute with a girlfriend), but she's convinced that this news could ruin his chances … and hers. Kemper Florin is a hoot as the motor-mouthed agent, spouting all sorts of crazy theories about how things should be in monologues that directly address the audience. The entire cast does a fine job, and I gave this one a Critic's Pick. Tickets ($20-$27): 888-428-7311


Area universities have two classics to offer. At UC's College-Conservatory of Music in a brief weekend run (through Sunday) it's Shakespeare's classic tragedy, Macbeth. In an unusual twist, the production features third-year female drama student Laura McCarthy as the power-mad military man who seizes the throne of Scotland. Tickets ($27-$31): 513-556-4183 … South of the Ohio River, Northern Kentucky University presents Euripides' The Bacchae, a play first performed in 405 B.C. The tale of power, revenge, decadence and debauchery takes place in Thebes, where citizens are torn between worship of the god Dionysus and the centrality of reason and humanism. Sunday will be the conclusion of a two-week run of the production. Tickets ($14): 859-572-5464

The musical Dirty Dancing, based on a hit movie from 1987 about young love at a family resort in the Catskills, wraps up two weeks of performance at the Aronoff Center. The touring production, presented by Broadway in Cincinnati through Sunday, features some dazzling video and lots of dancing. The story is pretty predictable, but it's one that people love. "Don't put Baby in the corner." Tickets ($39-$89): 513-621-2787
 
 
by Rick Pender 09.26.2014 24 days ago
Posted In: Theater at 07:56 AM | Permalink | Comments (0)
 
 
stage door 9-26 little dog laughed by new edgecliff theatre - nic pajic, jared earland, erin ward -  photo mikki schaffner

Stage Door: Dirty Dancing, Laughing Dogs and More

To see some of Cincinnati's finest actors working together in close quarters, check out Clifton Players' production of Kevin Crowley's new play The Riverside, onstage through Saturday at Clifton Performance Theatre (located just west of the Clifton/Ludlow business district at 404 Ludlow). It's 1989 and the denizens of a fictional bar in a very real Mt. Adams are riled up over Pete Rose's battle with the baseball commissioner gambling problems as well as the imminent closing of the family-owner bar where they all hang out. Although a few of the characters are rather caricatured, it's evident that Crowley is a close observer of everyday people. They drink and fight, love and cheat. And they have their passions, feelings that bubble up and over. The theater is a small space with seating for just a few dozen, but that's part of the fun — you feel like you're one of the regulars at the Riverside. Tickets ($25): https://cpt.tixato/com/buy

I caught a performance of Dirty Dancing, a musical based on the iconic 1987 movie about sensual dancing and the intermingling of guests and staff at a posh resort in the Catskills in 1963. This touring show is presented by Broadway in Cincinnati at the Aronoff Center, even though it has yet to land on Broadway. It uses a lot of creative video and projections, a constant reminder that its roots are cinematic. But it has an ensemble of vigorous dancers, especially Jillian Mueller as idealistic Frances "Baby" Houseman, who's eager to grow up, and Samuel Pergande as bad-boy dance instructor Johnny Castle. There's also Jenny Winton, whose dancing is especially watchable as the very sexy Penny Johnson. This is a dance show from start to finish, using familiar Pop tunes from the '60s plus a lot of sambas and rumbas. I realized as the performance  was winding up that the central characters never sang — not once. Mueller and Pergande look great as they recreate the iconic movie roles created by Jennifer Gray and Patrick Swayze, but virtually all the singing is handled by ensemble members Doug Carpenter and Jennlee Shallow — powerful vocalists who handle a number of singing styles, but who especially elevate the temperature with the show's best-known numbers, including "The Time of My Life." Don't go expecting great acting beyond the leads: Most of the rest of the roles range from shallow to silly. But trust me, you'll be surrounded by people who know and love this story, and they're having a good time, waiting until the moment when Johnny shouts, "Don't put Baby in the corner!" Through Oct. 5. Tickets: $39-$89: 513-621-2787

New Edgecliff Theatre has finally found a new home, Hoffner Lodge (4120 Hamilton Ave., Northside), after a season at the Aronoff. NET's first production at the former St. Patrick's church will be Douglas Carter Beane's The Little Dog Laughed, a very funny four-character comedy from 2006 about a Hollywood star, his controlling agent, his boyfriend and the boyfriend's girlfriend. Yes, it's that complicated, and that's the source of much of the humor as the agent tries to keep the lid on the gossip about her star client. Through Oct. 11. Tickets ($20-$27): 888-428-7311

A couple of well-received shows are still running, including Tennessee Williams' classic drama A Streetcar Named Desire at the Covedale Center (through Oct. 5; tickets: 513-241-6550), a stage version of The Great Gatsby at Cincinnati Shakespeare (through Oct. 4; tickets 513-381-2273), and a fast-paced mystery, Sherlock Holmes and the Adventure of the Suicide Club, at the Cincinnati Playhouse (through Oct. 4; tickets: 513-421-3888). Finally, this weekend is your last chance to see Showbiz Players' staging of the tongue-in-cheek musical Reefer Madness, about the "dangers" of marijuana, at the Carnegie in Covington. Tickets ($19.50-$22.50): 859-957-1940.
 
 
by Rick Pender 09.19.2014 31 days ago
Posted In: Theater at 08:05 AM | Permalink | Comments (0)
 
 
the riverside _daniel c britt _l_ and gary mcgurk_r_ photo provided

Stage Door: Riverside, Reefer and Sondheim

There are several good productions onstage around town — check out CityBeat coverage of Hands on a Hardbody (a musical at ETC), The Great Gatsby (a classic American novel adapted for the stage at Cincy Shakes), Sherlock Holmes and the Adventure of the Suicide Club (a new adventure for the great detective at the Cincinnati Playhouse) and Tennessee Williams' prize-winning A Streetcar Named Desire (at the Covedale) — but if you've seen those, you have other choices for onstage entertainment. Here are three suggestions for shows a little more off the beaten path:

Local actor/director/writer Kevin Crowley has written a play called The Riverside, rooted in Cincinnati (Crowley is a member of a family that's lived locally for generations) and getting a production — he's directing it, too — at Clifton Performance Theatre, just west of the Clifton/Ludlow business district (404 Ludlow). It's set in an imaginary (or rather an imagined) bar called the Riverside, where a bunch of folks in 1989 are following the Pete Rose case about gambling that eventually got him banned from baseball. But there's a lot more happening — like protests in Tiananmen Square and the fall of the Berlin Wall. In CPT's tiny space is filled up with a lot of talent — Michael Shooner, Daniel Britt, Buz Davis, Mike Dennis, Mindy Heithaus, Reggie Willis, Mark Bowen, MaryKate Moran, Gary McGurk, Pete Wood, Cathy Springfield and Paul Morris — playing folks who hang out and argue about what's going on. I haven't caught this one yet, but everyone who has says it's worth seeing. Through Sept. 27. Tickets ($25): https://cpt.tixato/com/buy

Community theater company Showbiz Players is staging the musical Reefer Madness at the Carnegie in Covington. It opens tonight (and runs through Sept. 28). This tongue-in-cheek show was inspired by a very serious film from 1936 designed to inspire fear and loathing when clean-cut kids fall prey to marijuana. The producers "warn" that it contains adult humor, religious parody and drug use — and note that it will go "straight to your head." Should be a lot of fun for those mature enough to get the jokes ... Tickets ($19.50-$22.50): 859-957-1940

Side by Side by Sondheim was the first musical revue created using songs by the guy who wrote the music and lyrics for shows including Company, A Funny Thing Happened on the Way to the Forum, Gypsy and A Little Night Music. That was in 1976 in London, but the tunes are just as fresh and vibrant today as they were nearly four decades ago. Middletown Lyric Theatre is presenting this collection of 25 numbers for two weekends (tonight and tomorrow, as well as Sept. 26-27) — using seven singers and two pianists. Tickets ($15): 513-425-7140
 
 
by Rick Pender 09.12.2014 38 days ago
Posted In: Theater at 10:09 AM | Permalink | Comments (0)
 
 
stage door 9-12 - sherlock holmes and the adventure of the suicide club - cincinnati playhouse - photo sandy underwood

Stage Door: Sherlock Holmes & More

Sherlock Holmes and the Adventure of the Suicide Club opened last night at the Cincinnati Playhouse in the Park. It's a new adventure for the Victorian sleuth. How can that be, you might ask, if you're a Sherlock fan — this isn't a familiar title. That's because playwright Jeffrey Hatcher picked up Sir Arthur Conan Doyle's memorable detective, a master of deductive observation, and plugged him into a tale of mystery and intrigue conceived by Robert Louis Stevenson back in 1878. No spoilers here, but I will tell you that the plot of this show requires closely following a complex tale of both personal and political intrigue. Hatcher has set the story in 1914, on the brink of the first World War, and the state of international relations in Europe is woven into the tale. But there's nothing dry about this story, and Steven Hauck's performance as Sherlock is very satisfying: He brings a quirky physicality as well as a sharp wit to the character that makes him very engaging. Fans of Sherlock will not be disappointed by this show. Through Oct. 4. Tickets ($30-$85): 513-421-3888.

 

I attended the opening of The Great Gatsby at Cincinnati Shakespeare Company last week. In my review, I said, "the production gets the story and the era right," and I added that CSC's Justin McCombs "perfectly embodies" Nick Carraway, the honest narrator of this Jazz Age tale of nouveau riche Jay Gatsby and Daisy Buchanan, the one-time debutante who obsesses him. There's lots to like about this production, which captures the essence of lavish parties and the fast life of the Roaring Twenties. Cincy Shakes is committed to bringing classic literary works to the stage, and this production is a good example of how they get it done. Simon Levy's script hews close to F. Scott Fitzgerald's 1924 novel, and the company's actors bring life to the characters. Through Oct. 4. Tickets ($22-$36): 513-381-2273.

 

Everyone I've talked to about Hands on a Hardbody at Ensemble Theatre has been enthusiastic about the show that brings to life a contest to win a Nissan pickup truck by keeping one hand on it the longest. It's a true story (it was a 1997 documentary) and these feel like real people, down on their luck but dreaming what a difference that winning could make. The music is by Trey Anastasio (of Phish) and Amanda Green, and the script was written by Pulitzer Prize winner Doug Wright. ETC has staged memorable productions of his play I Am My Own Wife and his musical, Grey Gardens. But the real attraction is an excellent cast who make you believe in these people, struggling to stay away and outlast one another under the brutal sun beating down on the Texas parking lot of a Nissan dealership. It's a fine entertainment. Through Sept. 21. Tickets ($28-$44): 513-421-3555.

 

Just opened at the Covedale Center for the Performing Arts is a production of Tennessee Williams's great American play, A Streetcar Named Desire. It's about a woman who's down on her luck but unwilling to admit it. When genteel Blanche DuBois moves with her pragmatic sister and her brutal, blue-collar husband, Stanley Kowalski, is a rude awakening that goes downhill fast. Through Oct. 5. Tickets ($-$): 513-241-6550.

 

If you've become a fan of shows in the intimate Clifton Performance Theatre, you might want to check out The Riverside, a play written and directed by local theater artist Kevin Crowley. It's a story set in a Cincinnati bar in 1989 as locals follow the saga of Pete Rose's demise in baseball, the fall of the Berlin Wall and Tiananmen Square. But the bar itself is changing, too, impacting the lives of the family that owns it as well as its patrons.

Through Sept. 27. Tickets ($25): https://cpt.tixato.com/buy/.

 
 
by Rick Pender 09.05.2014 45 days ago
Posted In: Theater at 01:10 PM | Permalink | Comments (0)
 
 
stage door 9-5 - etc hands on a hardbody - dallas padoven as chris alvaro - photo ryan kurtz

Stage Door: 'Tis the Season for Theater

If you'd like to go to the theater every evening for the next four days, there are plenty of options for you to consider as the 2014-2015 season is getting underway on stages all over town. Here are some good choices to consider:

Hands on a Hardbody opened on Wednesday at Ensemble Theatre Cincinnati, and CityBeat reviewer Stacy Sims called it "effervescent" and "offbeat" in her review, giving it a Critic's Pick. I was there, too, and couldn't agree more about the infectious, heartfelt joy coming from the big cast of 15. The show is based on a true story (the subject of a 1997 documentary) about people in a downtrodden Texas town who enter a contest to win a Nissan pickup truck by outlasting others who vow to keep one hand on the vehicle. The cherry-red truck is as much a character as any of the contestants, the physical embodiment of their hopes and dreams — which take the form of songs by Trey Anastasio (of Phish) and Amanda Green. The script by Pulitzer Prize winner Doug Wright treats these diverse, down-on-their-luck folks with dignity, and the performers (who often perform with the truck as their dance partner) bring every one of them to life in vivid ways. This one is a must-see, a great way to kick-off ETC's theater season. Through Sept. 21. Tickets ($28-$44): 513-421-3555

The Great Gatsby kicks off Cincinnati Shakespeare Company's season tonight. You didn't know Shakespeare wrote it? Well, he didn't. This theater company focuses on the Bard, to be sure, but it frequently branches out to present stage versions of other classics, in this case an adaptation of F. Scott Fitzgerald's 1925 classic about a mysterious nouveau-riche millionaire who's obsessed with a one-time debutante. Set in the Jazz Age and inspired by lavish parties the high-flying Fitzgerald attended on the prosperous North Shore of Long Island, Gatsby is a story about the ups and downs of the American Dream. Simon Levy's script is the only one authorized by Fitzgerald's estate, and Cincy Shakes is presenting its regional premiere. (And here's a tip: on opening nights at 6 p.m., the theater offers ticket holders a complimentary catered meal, beer and wine.) Through Oct. 4. Tickets ($22-$36): 513-381-2273

Sherlock Holmes and the Adventure of the Suicide Club opens next Thursday at the Cincinnati Playhouse, but previews begin for the season opener this Saturday (through Wednesday). Tickets for these performances are discounted, and you'll be seeing a show that's pretty much ready to go. Jeffrey Hatcher's script should be lots of fun for fans of the Victorian sleuth. He's taken the character created by Sir Arthur Conan Doyle and dropped him into a tale conceived by another inventive writer, Robert Louis Stevenson, for a mash-up that will keep even Baker Street regulars guessing. Tickets: 513-421-3888

Serials! at Know Theatre, which has presented episodes of six Fringe-like shows at two-week intervals all summer long, culminates on Monday evening at 8 p.m. with finales of each tale. Who will win the ultimate fist fight with the Devil in Flesh Descending? How long can Luke really stay in his bedroom during The Funeral? Will we ever find out what's really happening in Mars vs. The Atom? These questions and more will be answered on Monday. Even if you've missed a few episodes, don't worry: Each 15-minute performance begins with a brief recap of the story so far. Zany and fun for anyone who's enjoyed the annual Cincinnati Fringe Festival. Tickets ($15): 513-300-5669

Finally, a tip for an eye-opening theater experience next weekend: On Sunday, Sept. 14, the Cincinnati area's first-ever South Asian Theater Festival happens in an all-day event at the Anderson Theater (7850 Five Mile Rd.). Five plays are scheduled to be presented, as well as panel discussions, seven hours of programming in all. The day begins at 12:30 p.m. and is set to conclude around 8 p.m. A limited number of tickets remain ($19-$29): SATFCincy.org

 
 
by Rick Pender 08.15.2014 66 days ago
Posted In: Theater at 09:21 AM | Permalink | Comments (0)
 
 
for stage door 8-15 - know theatre presents harry & the thief by sigrid gilmer id left to right sola thompson as vivian - darnell pierre benjamin as knox - photo by deogracias lerma

Stage Door: Busy August

Not too many years ago August was a very quiet month on local stages. No longer. You have plenty of good choices this weekend.

Stacy Sims reviewed Know Theatre's production of Harry & the Thief, which opened last week. She called it "a wonderfully ridiculous, history-twisting, large cast mash-up of a play," and that's just the beginning." Sigrid Gilmer's play is a riot of modern perspectives and Civil War values, a mingling of contemporary attitudes with opinions and behaviors long since set aside — but not so far off that we can't recognize them as prejudice, misogyny and racism. But Gilmer's weaves a lot of humor and satire around Harriet Tubman (a real woman who led many people out of slavery into freedom in the 1850s and 1860s). The play has been staged by guest director Holly Derr to spotlight a zany streak of humor that the playwright has generously salted across her script from start to finish. This feels a lot like a Fringe festival show, and that makes sense, since Know is the annual producer of the Cincy Fringe, and Harry & the Thief kicks off its 2014-2015 season.

As Stacy noted, "this bodes well" for the theater now being managed artistically by Andrew Hungerford. I watched a performance earlier this week with a full house resulting from Know's "Welcome Project," throwing its doors open to anyone who wants to come on several Wednesday evenings (hoping that a few of them will pay something, but requiring nothing more than showing up). I suspect many of those in attendance will be recommending this production to friends. Through Aug. 30. Tickets ($20 most of the time, although you can get rush tickets for remaining seats 10 minutes before curtain time, and free next Wednesday, Aug. 20): 513-300-5669.

Speaking of the Fringe, Know presents occasional encores from past festivals. On Sunday evening at 8 p.m. (one night only) you can catch one of the best acts I've ever enjoyed in the Cincy Fringe: David Gaines returns with 7(x1) Samurai, retelling Kurasawa's classic 1954 film in a one-man show that was a hit of the 2009 festival. It's true to the source about victimized peasants, marauding bandits and samurai warriors, astonishing to watch and one hell of a performance. Tickets ($15): 513-300-5669.

There's another astonishing, virtuoso work of theater onstage, this one south of the Ohio River at Covington's Carnegie Theatre. It's Stephen Sondheim's Sweeney Todd: The Demon Barber of Fleet Street. I plan to see it on Friday evening (it opened last week), but people are already saying that Justin Glaser brings a great voice to the maniacal killer and Helen Raymond-Goers sings the role of the meat-pie-baking Mrs. Lovett with both wit and polish. This is one of the greatest musicals of the late 20th century, and all indicators are that this is a production worth seeing. Through Aug. 23. Tickets ($21-$28): 859-857-1940.

Cincinnati Shakespeare Company will double your choices this weekend. At its Race Street theater you'll find the final performances of The Complete Works of William Shakespeare (Abridged), a comic rendering — or at least passing references to — all 38 of the Bard's plays, his sonnets and some amusingly presented "facts" about his life. It's a romp from start to finish, featuring three of Cincy Shakes' best actors having a hell of a good time onstage, Jeremy Dubin, Justin McCombs and Nicholas Rose. Tickets ($22-$31): 513-381-2273.

If you want something a tad closer to the original, find one of CSC's free touring productions at an area park: Macbeth on Friday night (7 p.m.) at Keehner Park in West Chester and Saturday evening (7 p.m.) at Cottell Park in Mason or A Midsummer Night's Dream on Sunday evening (6 p.m.) at Washington Park. These are somewhat reduced productions (done in two hours) using just six actors: That makes them all the more exciting to watch — and to be dazzled by actors who can convincingly play multiple roles.
 
 
by Rick Pender 08.01.2014 80 days ago
Posted In: Theater at 09:35 AM | Permalink | Comments (0)
 
 
shakes

Stage Door: Free Shakespeare!

The big show this weekend will be Lumenocity in Washington Park. If you were lucky enough to get a ticket, you'll be seeing some great images on Music Hall's facade with accompaniment by the Cincinnati Symphony. If you weren't so lucky, you can still enjoy the show via radio (WGUC), television, big screens (at Fountain Square and Riverbend, for free) or via live streaming at lumenocity2014.com.

If you want to check out a free show at another park, how about free performances of A Midsummer Night's Dream? Cincinnati Shakespeare kicks off its Shakespeare in the Park tour this weekend. They'll be at Seasongood Pavilion at Eden Park on Friday evening, at Harry Whiting Brown Lawn in Glendale on Saturday and the Community Park Pavilion at the Milford Historical Society in Milford on Sunday. Performances generally begin around 7 p.m. Show up earlier to get a good seat and enjoy six of Cincy Shakes actors playing a bunch of characters in a very funny comedy.

On the West Side, it's the final weekend for Footloose The Musical, presented as the 33rd annual summer show by Cincinnati Young People's Theatre at the Covedale Center for the Performing Arts. This is a program that gives teens from across Greater Cincinnati a chance to work onstage and backstage. During the past three decades more than 2,300 kids have participated. The show, based on a popular movie from 1984, is about a teenager and his mother who move from Chicago to a small farming town where dancing is frowned upon by the local preacher. But his rebellious daughter shakes things up and love wins out. It's a fine show for teens. Tickets ($12-$16): 513-241-6550.

If you're willing to make the drive to Dayton, you have the opportunity to check out workshops of new musical theater material at the Human Race Theatre Company. Molly Sweeney is about a young woman whose blindness becomes an obstacle for her new husband to overcome, even though she has a different perspective. (It's happening Friday night at 8 p.m. and Saturday at 2 p.m.) The second work is a songwriter showcase (Saturday at 8 p.m.) by a dozen creators who are working on new shows. It's being hosted by Dayton native Susan Blackwell, creator of the clever [title of show]. Advance tickets ($15): 888-228-3630 – or $20 at the door at the Loft Theatre (126 N. Main St., Dayton).
 
 
by Rick Pender 07.25.2014 87 days ago
Posted In: Theater at 11:07 AM | Permalink | Comments (0)
 
 
urfasm4p1fbdkvv1mqfjaahatrb_plzpttuyhuehz-8,lspwnkixwxnnpyncjms8fdagss9go3ywfwdmqmitm3a

Stage Door: Shakin' It

If you paid attention to the local theater season just concluded, you will recall that Cincinnati Shakespeare Company completed a herculean task: During its 20-year existence, the classic theater has produced all 38 of Shakespeare's plays. This summer three of Cincy Shakes' best actors are repeating the feat — sort of — with a production of The Complete Works of William Shakespeare (Abridged), opening tonight. Jeremy Dubin, Justin McCombs and Nicholas Rose will be careening through the comedies, histories and tragedies digging props, wigs and ridiculous costumes out of a trunk. This is a perfect summer laugh-fest, and it's been a predictable hit in past seasons for Cincy Shakes, so tickets are sure to sell fast. Through Aug. 11. Tickets ($22-$35): 513-381-2273.

Summertime musicals are another great tradition, and Cincinnati Young People's Theatre has been presenting them with big casts of high school students for three decades. In fact, the just-opened production of Footloose at the Covedale Center for the Performing Arts is the 33rd summer show. It's the stage version of the popular 1984 movie musical, and it's a perfect vehicle for youthful energy focused on a group of high school kids — despite a repressive conservative atmosphere, kids in a small farming town just want to dance and have fun. With Tim Perrino at the helm, CYPT has steered more than 2,300 teens through entertaining shows, and this one will be another notch in his director's belt, providing experience for performers and techies alike. Through Aug. 3, you'll be able to come out and "Hear It for the Boy"! Tickets ($12-$16): 513-241-6559.

I wrote a CityBeat column a week ago about John Leo Muething, an ambitious young theater artistic who's staging a couple of shows this summer at the Art Academy's auditorium on Jackson Street in Over-the-Rhine. His second of three shows, repertory theatre, will be produced this weekend (Friday and Saturday at 7:30 p.m.). It's about a timid young playwright who approaches a veteran director about his new play. With Shakespeare's Hamlet echoing throughout, things get wilder and wilder. This show was a hit at the Edinburgh Fringe for two years, and its original production is still touring in England; this is its U.S. premiere. Tickets ($10) at the door.

The Commonwealth Theatre Company's Route 66 winds up its run at Northern Kentucky University this weekend on Sunday. It's the tale of a band headed for the West Coast in the 1960s stopping at juke joints, diners, cheap motels and curio shops along one of America's legendary highways. Wes Carman, Roderick Justice, Dain Alan Paige and Joshua Steele play The Chicago Avenue Band. Dinner and the show ($30): 859-572-5464.

If Monday evening arrives and you're still yearning for something entertaining onstage, you can't go wrong with the next quarterly installment of TrueTheatre. This time around it's trueBLOOD, with the warning that if you cringe easily, this might not be the show for you. Whether it's stories that make your blood run cold — or just run — you can be sure that there will be first-person tales of memorable experiences. Great fun with a lively audience. One night only, Monday evening at 7:30 p.m. at Know Theatre. Tickets ($15, only a few left): 513-300-5669.

 
 
 
Close
Close
Close