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by Rick Pender 05.02.2013
Posted In: Theater at 10:55 AM | Permalink | Comments (0)
 
 
photo joan marcus

Well, Bless My Soul: 'Sister Act' is Fun!

You probably remember Whoopi Goldberg's popular film Sister Act from 1992, an unlikely story about an aspiring singer who witnesses a murder and needs to be hidden until the trial — in a convent. Of course, the contrast between Goldberg and the staid nuns, especially the Mother Superior (played by Maggie Smith). It became a musical in 2009 in London, in 2011 on Broadway and now a touring production. Sister Act: The Musical opened Tuesday at the Aronoff Center.

Of course, Goldberg isn't in it, 20 years later. But she is the producer, and her attitude prevails. Her statement about the show pretty well sums it up: "Sister Act is not rocket science — it's hell-bent on being fun and silly, with a little heart thrown in." That's pretty much what I expected.

What surprised me was the talent of the touring cast, performers who are fully committed to deliver an evening of entertainment. Ta'rea Campbell has star power in the Delores/Sister Mary Clarence role, and she's surely a better singer than Whoopi Goldberg ever was. She conveys the shift from attitude to gratidude with sincerity. Hollis Resnik, a veteran musical theater performer from Chicago, captures the starchy disdain needed for the Mother Superior.

The entire ensemble is solid, especially Lael Van Keuren as the innocent postulant who breaks out of her shell, Florrie Bagel as an enthusiastic, starstruck nun and Diane J. Findlay as an elderly nun who finds her mojo. E. Clayton Cornelious is the socially inept cop looking out for Delores, in part because he had a crush on her in high school; he has dreams of being a smooth operator ("I Could Be That Guy," which features some astonishing costume changes as he fantasizes). And there are cartoonish villains: Delores's violent one-time boyfriend Curtis played by Kingsley Leggs. His three thugs, played hilariously by Ernie Pruneda, Charles Barksdale and Jason Simon bring the house down when they explain how they can have their way with the ladies, even if they're nuns ("Lady in the Long Black Dress").

Of course, Sister Act is full of stereotypes and predictable humor, but its all done with energy and polish, which makes it worth seeing. Production values are excellent, from a lot of quick costume changes (you can't imagine how many acres of glittering material went into this show) to a psychedelic Philadelphia cathedral interior that gets wilder and brighter as the story builds, culminating in a performance for the Pope.

There's nothing profound about Sister Act, which is part of the fun.

 
 
by Rick Pender 04.28.2013
Posted In: Theater at 10:49 AM | Permalink | Comments (0)
 
 
lynn meyers

ETC Shares News About Four Shows for Next Season

Two additional shows will round out 2013-14 season

Ensemble Theatre Cincinnati today announced four of its six shows for the 2013-2014 season, which opens on Sept. 4. Producing Artistic Director D. Lynn Meyers says, "We are planning a truly original, fresh and exhilarating season of dynamic regional premieres, and I am absolutely thrilled to showcase some of the hottest titles and newest voices this coming year." 

I'll add my vote of confidence: Meyers' play selection has been unerring for several seasons: Even if the titles aren't immediately familiar, ETC's productions have been engaging and among the best work onstage locally. It's a bit of annual amusement for ETC subscribers that Meyers takes longer than most to pull together what she will present — but that's because she's bargaining, wheedling and pleading with agents, rights organizations and sometimes playwrights themselves right up until the last minute to land very recently produced works. In fact, for the coming season, rather than wait until everything is in place, Meyers has is announcing four shows for the company's 28th season, with slots still open for productions in February and May 2014.

Here's what we know, for now:

Other Desert Cities by Jon Robin Baitz (Sept. 4-22, 2013). The searing comedy by the creator of TV's hit drama Brothers & Sisters, was a Pulitzer Prize finalist, and The New York Times called it "the best new play on Broadway" a year ago. When a once-promising novelist returns home to Palm Springs to visit her parents, conflict ensues when she reveals she's been writing a juicy, tell-all memoir focusing on the tragic death of her antiwar-activist brother. 

Rapture, Blister, Burn by Gina Gionfriddo (Oct. 9-27, 2013). It's another Pulitzer Prize finalist, this one is by a writer whose credits include Law & Order and the recent Netflix series starting Kevin Spacey, House of Cards. It's a social comedy about a rising young academic who's not at all certain that she's leading the life she wants. An evening with a friend who's a stay-at-home mom leads to an interesting game of musical chairs.

Around the World in 80 Days by Joseph McDonough and David Kisor (Dec. 4, 2013-Jan. 4, 2014). ETC will revive one of the first of its holiday shows created back in 1999. Based on Jules Verne's classic novel, it's the story of a crazed circumnavigation of the globe in 1899 by the brilliant Englishman Phileas Fogg, who wages a fortune that he can do it in record time. Bandits, buffalo and winter storms are just a few of the obstacles he must overcome, but the story promises great fun for families.

The Mountaintop by Katori Hall (March 19-April 6, 2014). This show won London's Olivier Award for the season's best new play, and its Broadway production featured Samuel L. Jackson and Angela Bassett as Dr. Martin Luther King Jr. and a feisty young hotel maid. The civil rights leader is cooling down in a lonely Memphis hotel room after delivering one of his greatest speeches. The next day, tragedy would strike. It's a powerful piece of theater by a rising young playwright, according to all who have seen it.

Subscriptions are already on sale for ETC's season. More information is available by calling 513-421-3555. Single tickets will go on sale to the general public on August 5, 2013.
 
 
by Rick Pender 04.26.2013
Posted In: Theater at 08:46 AM | Permalink | Comments (0)
 
 
ac_onstage_cock_photo_deograciaslerma

Stage Door: Weekend Choices

You still have several weeks to see Cock (aka "The Cockfight Play" for journalism wimps) at Know Theatre. (It's onstage through May 11.) It's an oh-so-contemporary piece of theater about a gay man — or rather a man — who thought himself to be gay until he breaks up with his boyfriend and takes up with a woman. (CityBeat review here.) The play involves the tense dance of indecision he becomes part of as his lovers fight over him. It's about 90-minutes of fiercely acted theatrics, staged in a setting that looks like the arena where cockfighting happens. Definitely for mature audiences who appreciate shows that don't pull punches. Tickets: 513-3

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by Rick Pender 04.19.2013
Posted In: Theater at 10:17 AM | Permalink | Comments (0)
 
 
cock photo- deogracias lerma

Stage Door: Bounty of Choices

There's a bounty of theater choices to keep you entertained this weekend, with productions on venues all over town — including on several university campuses. Here are a few you might want to check out.

New Edgecliff Theatre, which has presented shows at the Columbia Performance Center on Cincinnati's East Side for quite a few years, has been itinerant this year while they seek a new home. They're completing their fifteenth season with a production of David Auburn's Proof at the Aronoff Center's Fifth Third Bank Theater, which looks like it's where they'll land for their next season. (I'll be writing more about NET in my next CityBeat "Curtain Call" column on April 24.) I attended the show's opening on Wednesday, and it's a solid production of a very engaging play, the winner of the 2001 Pulitzer Prize. Greg Procaccino, NET's former artistic director, has returned to stage a simple but effective production that features Rebecca Whatley as Catherine, the anxious, self-doubting young woman who has been a caregiver for years for her father, a renowned math professor whose mental instability has been a factor and a threat in his daughter's life. The show has several gripping twists and turns, as well as a satisfying resolution. Through April 27. Tickets: 513-621-2787.

Last week I was at the opening of Cock, a regional premiere and Know Theatre's second production of the season. (CityBeat review here.) It's the story of a man falling out of a gay relationship and into one with a woman; he's torn by indecision and doubt about which way to go. The show is staged (by director Brian Robertson) like a cockfight, with the characters "pecking" at one another emotionally. It's also presented in an unusual setting, bertween two rows of bleachers (like a cockfight arena), so you're close to the action and able to see how others are responding. It's a fight to the finish, and you can never be certain of the outcome. Strong acting and a very contemporary, well-written script by British playwright Mike Bartlett. Through May May 11. Tickets: 513-300-5669.

This is the final weekend at the Carnegie in Covington for the hard-hitting musical Parade by composer and lyricist Jason Robert Brown and playwright Alfred Uhry. (CityBeat review here.) It's based on the true story of Leo Frank, unjustly accused of murdering a young teenaged girl working in the factory he managed in Atlanta in 1913. A Jew from New York, Frank was the target of profound anti-Semitism and never had a realistic chance to defend himself, although his wife tried mightily to expose the prejudice. It's a powerful production, featuring a cast of musical theater talent from UC's College-Conservatory of Music, directed by Dee Anne Bryll and Ed Cohen. The show is not easy to watch, but it's deeply moving. Through Sunday. Tickets: 859-957-1940.

Every two years since 1981, Northern Kentucky University has presented the Year End Series Festival — shortened to the "YES," ten days of presentations of three world premieres. This year's shows are a murder-mystery farce, Heart Attack with a Knife by Oded Gross; David L. Williams Spake, a drama set in Siberia; and a comic fable about fame and friendship, Furbelow by J. Stephen Brantley. YES is a gargantuan undertaking, and it represents how NKU prepares its drama students for careers in the theater. Shows are presented in rotating repertory, so you should check the Web site for specific performance dates. Tickets: 859-572-5464.

At other area universities this weekend: At the Cohen Family Studio Theater at UC's College-Conservatory of Music, you can see a production of Emily Mann's Execution of Justice (UC's College-Conservatory of Music, through Sunday, 513-556-4183), a new docu-drama about the trial of Dan White for the murder of Harvey Milk, San Francisco's first openly gay Supervisor and Mayor George Moscone. It's staged by retiring UC drama professor Michael Burnham. And for musical theater fans, you can see Stephen Sondheim and James Lapine's popular fairytale musical Into the Woods at Miami University (through April 27, 513-529-3200).
 
 
by Rick Pender 04.18.2013
Posted In: Theater at 08:27 AM | Permalink | Comments (0)
 
 
know at night - photo eric vosmeier

Fringe Has Sprung

Tenth annual event begins May 28

Sure signs of springtime in Cincinnati: The Reds are playing (and winning), trees in Over-the-Rhine are covered with white blossoms — and Know Theatre has announced the lineup for the upcoming Cincinnati Fringe Festival. 2013 is a significant year for the Fringe: It's marking the 10th  anniversary of the annual celebration of weird creativity. Last evening a big crowd gathered at Know Theatre's Jackson Street facility to hear what's in store for the May 28-June 8 festival.

Eric Vosmeier, Know's producing artistic director, shared the news that, building on a decade of success, the Fringe received a record number of applicants for 2013, with 70 percent of the applications coming from brand-new producers. That's one of the best parts of the Fringe, the fact that a new jolt of energy arrives annually from performers that haven't been seen locally. Sixty-three percent of the 2013 applications were from out of town, including several from international producers. There will be 35 productions in all, by 17 local groups and 18 from out of town. There will be 19 plays, seven solo shows, two dance pieces, two musicals, and five multimedia/variety pieces.

Vosmeier said that it was no easy task for the Fringe selection committee to assemble this lineup. The group was made up of theater professionals from Greater Cincinnati: Heather Britt, Michael Haney, Dave Levy, Miranda McGee, D. Lynn Meyers and Torie Wiggins. “The quality of applications continues to get stronger and larger each year," he said. "I'm so happy to have these amazing leaders of the local theatre community as a part of our jury, and we're grateful for their time in deciding the 2013 lineup.”

The official CityBeat Fringe Kick-Off Party takes place Tuesday, May 28, at Know Theatre. This year's event will also be a 10th birthday celebration, with many of the festival's founders in attendance. The evening, which kicks off at 6 p.m., will feature Indie rock group Bethesda and food from a half-dozen local eateries. The evening (suggested donation: $5) is an opportunity to meet Fringe artists, staff, volunteers and other audience members.

The full Fringe schedule will be published in CityBeat's May 15 edition, but you can get some information at the refreshed website: www.cincyfringe.com. I'm looking forward to return visits by Wonderheads (from Portland, Ore., who did some amazing work with masks in last year's Grim and Fischer; their new piece is titled LOON), Four Humors Theatre (from Minneapolis, whose always creative troupe will be staging Lolita: A Three Man Show) and Tanya O'Debra (from New York City; whose Radio Star was a much admired work in 2012; this time she's in a two-person piece, Shut UP, Emily Dickinson). Performance Gallery, based here in Cincinnati and a regular annual presence every year is staging Mater Facit, "an absurd look at motherhood, nationalism, war, sex and sacrifice." Tangled Leaves Theatrical Collective, another Cincinnati-based group popular with local audiences, will produce Vortex of the Great Unknown.

Of course, the real fun of Fringe is being surprised by new material and performers, and this year's lineup offers plenty of that: Poe and Mathews: A Misadventure in the Middle of Nowhere (Los Angeles); Questions of the Heart: Gay Mormons and the Search for Identity (Bloomington, Ind.); The Bubble and Other Displays of Moral Turpitude (from Cincinnati-based North American New Opera Workshop); The Elephant in My Closet (New York City); and a production of Cincinnati playwright Catie O'Keefe's The Space Between my Head and my Body (by Shark Eat Muffin Theatre Company). I could go on and on — Know's announcement news release is 20 pages! Based on a decade of Fringing, I like to say that the festival is "theater roulette": You never know what's going to happen when you show up for a performance, and serendipity is the only predictable element. That's what makes it fun. I don't want to wish away springtime, but is it May 28 yet?

 
 
by Rick Pender 04.12.2013
Posted In: Theater, Visual Art at 09:26 AM | Permalink | Comments (0)
 
 
legallyblonde2

Stage Door: Controversy, Conversation and Comedy

Tonight (Friday) Know Theatre opens a new production of a work that's bound to launch a lot of conversations. And let's not beat around the bush: The real title of Mike Bartlett's play is Cock (The Cockfight Play is the substitute title for media that are afraid to offend). It's a tense comedy about sexual identity: John takes a break from his longtime boyfriend and unexpectedly falls in love with a woman. The story is about how he's caught in a tug-of-war between these two lovers, and the play's conflict is John's navigation of his sexuality and his selfhood. It's also told without scenery or props, focusing squarely on the relationships. According to Know's Eric Vosmeier, "It's a kind of pansexual love story that's told very simply without all the trappings of a traditional production." Vosmeier describes this production as "one of the first victories of Know's new scheduling model." The rights for Cock just became available; this is only the second American production of the play that premiered at London's Royal Court Theatre in 2009. The show runs through May 11. Box office: 513-300-5669

This weekend is the opener for Covedale Center's production of Legally Blonde, the show that kicked up controversy in a Loveland High School staging last fall that led to the firing of a dedicated director. I still shake my head over what could offend anyone about this PG rated piece of musical theater, but you can check it out and decide for yourself at the Covedale. It's about a young woman who won't take "no" for an answer and becomes her own woman in the process — outshining everyone at Harvard Law School. It's kind of crazy, but a lot of fun. No one will get fired over this one, I suspect. Box office: 513-241-6550

The Otto M. Budig Theatre at the Carnegie in Covington is in the midst of a run of Jason Robert Brown's Parade. My schedule and the theater's haven't matched up yet, but I'm eager to see it — I'm headed there for the Sunday matinee this weekend. Set in the sweltering intolerance of 1913 Atlanta, Parade is the story of Leo Frank, a northerner and Jewish factory manager, wrongfully accused of murdering a 13-year-old girl in his employment. Despite media frenzy and public outrage, his courageous wife struggles in vain to clear his name. The show won 1999 Tony Awards for best book and best score. This is an off-campus production by the musical theater program at UC's College-Conservatory of Music, and it's been given high marks by the judging panel from the League of Cincinnati Theatres: for the ensemble, for musical direction by Steve Goers, for featured actor Noah Ricketts and for lighting design by Alan Hanson and Wes Richter. It's onstage through April 21. Box office: 859-957-1940

Untethered Theater is midway through it's run of Jeff Daniels' Apartment 3A, presented at the Clifton Performance Theatre on Ludlow, a few blocks east of the Esquire. It's about a once idealistic young woman who has been disillusioned in just about every aspect of her life. The show is an exploration of faith and hope in today's world, described as "an uncynical play about cynics in cynical times." Through April 27. Tickets: 513-939-0599


 
 
by Rick Pender 04.05.2013
Posted In: Theater at 08:06 AM | Permalink | Comments (0)
 
 
onstage 4-3 - midsummer @ cincy shakes - maggie lou rader & justin mccomb - photo rich sofranko

Stage Door: Tickets Available for 'War Horse'

I'm off to the Humana Festival of New American Plays at Actors Theatre of Louisville this weekend, where I'll be checking out plays that could well be on their way to theaters across America in future seasons. For those of you staying here in Greater Cincinnati, there's lots of good stuff to get out and see onstage:

War Horse completes its Cincinnati stop on Sunday. I heard a rumor that it's not selling well, which strikes me as mystifying. It's one of the best pieces of theater I've seen on tour in ages. (Review here.) Of course, it's not a musical (which is what people who go to the Broadway Series at the Aronoff have come to expect) and it was made into a moderately successful movie by Steven Spielberg. But the stage production is a miraculous piece of theater artistry, especially the onstage creation of living breathing horses, life-sized puppets that are manipulated (by three performers) that you'll be convinced you're watching the real thing. The silver lining to poor attendance, I suppose, is that tickets are readily available. You should get yours right away for the chance to see this Tony Award-winning production: Final performance is on Sunday. Box office: 800-987-2787

Last evening I made time to see Cincinnati Shakespeare's production of A Midsummer Night's Dream. It's going to be around for several more weeks, and it's definitely an entertaining — and unusual — rendition of the tale of mixed-up lovers. (Review here.) Director Jeremy Dubin has transported it from the mythical Athens that Shakespeare envisioned and landed it in a swampy Southeastern U.S. in the 1940s, complete with a few guys with drawls in uniform and a clown in a loud plaid sports coat. The latter is CSC Nick Rose, and watching him overact as Nick Bottom, the weaver who imagines himself to be a brilliant performer, is hilarious. MND's mix of magic and humor is always fun, even if it doesn't make much sense, especially in this setting.  Box office: 513-381-2273, x1.

Also worth checking out is the Cincinnati Playhouse's entertaining production of The Book Club Play. It's good in the same way as a well-done TV sitcom: Familiar characters pushed to comic extremes, funny situations that you can identify with, story twists that surprise and amuse. (Review here.) Because book clubs are a big deal these days, lots of people are flocking to see this show (it's been extended to May 5), so you should call now to get your tickets. I can assure you that you'll leave the theater with a smile on your face. Box office: 513-421-3888.

Smiles cannot be predicted with the staging of Jason Robert Brown's very serious musical, Parade, at the Carnegie. But a piece of great drama and fine music is certainly in store if you head to Covington for this one, staged by Ed Cohen and Dee Ann Bryll. It's actually a studio production from UC's College-Conservatory of Music, featuring some outstanding talent from one of America's best training programs for Broadway talent. The story of a falsely accused factor manager, railroaded into a murder conviction mainly because of anti-Semitic attitudes, is heart-rending. But it makes for powerful theater. It opens tonight and runs through April 21. Box office: 859-957-1940.
 
 
by Rick Pender 03.27.2013
Posted In: Arts community, Theater at 12:29 PM | Permalink | Comments (0)
 
 
american idiot photo john daughtry

Look for 'American Idiot: The Musical' in Cincinnati Next Year

Aronoff to host Green Day-inspired Punk Rock opera in spring 2014

Two weeks ago I caught a touring performance of American Idiot: The Musical when it made a three-evening stop at Dayton's Victoria Theatre (see review here). The performance of Green Day's album transformed into a musical theater piece was a noisy blast of defiance, full of energy – although a downer of a story about three guys being overwhelmed by everyday life. But that's what you's probably expect of a "Punk Rock Opera." We'll have it for two nights in Cincinnati, Friday, April 11, and Saturday, April 12, 2014 (that's right, a year from now) as part of the Broadway Across America series at the Aronoff (about twice the size of the Victoria). If you're a fan of Green Day, you'll want to see this one. And if you like shows such as next to normal, a recent big hit for Ensemble Theatre, it's worth noting that Green Day's songs were orchestrated for the stage show by Tom Kitt, who composed N2N's story of a bipolar mom struggling to keep her family together.

 
 
by Rick Pender 03.25.2013
Posted In: Theater at 11:00 AM | Permalink | Comments (0)
 
 
onstage_blake robison - photo sarah bradley

Playhouse Announces 2013-14 Season

Blake Robison to stage "Cabaret," "Pride and Prejudice" among compelling new work

People look to the Cincinnati Playhouse for classic entertainment and the best contemporary theatre,” says Blake Robison, producing artistic director, as he announces his second season, coming in September. For 2013-2014 he’s assembled an array of big titles — including the classic Kander and Ebb musical Cabaret and a stage adaptation of Jane Austen’s Pride and Prejudice — and a collection compelling new work (including two world premieres), mostly on the Shelterhouse Theatre stage.

The Cincinnati Playhouse in the Park has two stages: The Robert S. Marx Theatre is the mainstage with 626 seats; the Thompson Shelterhouse (which is in fact a one-time park shelter) can accommodate an audience of 225. Both have thrust-style stages surrounded by audience seating on three sides, making the action is close and intimate in both theaters.

On the Marx Stage:

·      Fly by Trey Ellis and Ricardo Khan (Sept. 7-Oct. 5, 2013). The story of World War II’s Tuskegee Airmen is told using live action, video projections and tap dancing. This new work will be directed by Khan, its co-creator.

·      Cabaret by John Kander and Fred Ebb (Oct. 19-Nov. 16, 2013). Set in Berlin in the 1930s, and especially in the decadent Kit Kat Club, it’s a musical love story with lots of choreography. Marcia Milgrom Dodge, a Broadway veteran, will direct.

·      A Christmas Carol, adapted by Howard Dallin (Nov. 27-Dec. 29, 2013). Michael Evan Haney will direct the holiday show with a cast of 30 for the 21st time.

·      Clybourne Park by Bruce Norris (Jan.18-Feb. 16, 2014). This one won the 2011 Pulitzer Prize and Tony Award for best play. Inspired by Lorraine Hansberry’s classic play, A Raisin in the Sun, the play is explores racial attitudes in a Chicago neighborhood in 1959 and 2009. Artistic Associate Timothy Douglas (who staged the current production of A Trip to Bountiful) is the director.

·      Pride and Prejudice, adapted by Joseph Hanreddy and J. R. Sullivan (March 8-April 5, 2014). Robison will direct this lavish, full-scale production of Jane Austen’s classic romance.

·      Venus in Fur by David Ives (April 19-May 17, 2014). Maybe you know Ives’ very funny collection of skits, All in the Timing. This is a full-length comedy about a director seeking the right actress who gets more than he bargained for. Artistic Associate KJ Sanchez is staging this one. 

On the Shelterhouse Stage:

·      Seven Spots on the Sun by Martín Zimmerman (Sept. 28-Oct. 27, 2013). The first of several world premieres for the season, this one is a fable of revenge and redemption set in a Latin American village just after a brutal civil war. Sanchez is directing this one.

·      The Complete History of Comedy (Abridged) by the Reduced Shakespeare Company (Nov. 9-Dec. 29, 2013). The same guys who abbreviated Shakespeare, the Bible and American history are at it again, premiering their latest abridgment right here in River City.

·      4000 Miles by Amy Herzog (Feb. 8-March 9, 2014). Robison will stage this tale of a pair of unlikely roommates, a 91-year-old grandmother and her 21-year-old grandson.

·      A Delicate Ship by Anna Ziegler (March 22-April 20, 2014). Another world premiere production, this one by an impressive young playwright who offers a humorous and heartbreaking look at love, memory and decisions that change lives. Michael Haney will direct. (Haney, perhaps Cincinnati’s best local director, was the Playhouse’s Associate Artistic Director from 2001 to 2013; starting in the fall, he joins Douglas and Sanchez in a trio of “artistic associates” who each will direct two shows.)

·      The North Pool by Rajiv Joseph (May 3-June 1, 2014). Rajiv Joseph’s riveting psychological drama is the story of a transfer student from the Middle East whose life quickly becomes complicated. Douglas is the director.

 
 
by Rick Pender 03.22.2013
Posted In: Theater at 07:47 AM | Permalink | Comments (1)
 
 
dont cross the streams

Stage Door: Comedy, Conflict and Classics

My schedule hasn't afforded me the time to see the production of Don't Cross the Streams: The Cease and Desist Musical, a show that began its life in the Cincinnati Fringe Festival back in June. (It also was a festival highlight at the IndyFringe in Indianapolis in August.) But the very tongue-in-cheek piece inspired by the film Ghostbusters (but not allowed to say that) has now been expanded into a full-fledged musical that's onstage at Newport's Monmouth Theatre, presented by Falcon Theatre and Hugo West Theatricals. The League of Cincinnati Theatres has termed the show a "recommended production," so it's evident that their judging panel enjoyed it. One panelist called it "a lively, enthusiastic spoof," and another said that the show is "an evening of theater that doesn't take itself too seriously. The show just had a two-weekend run, so it's final performance is Saturday at 8 p.m. Tickets: 513-479-6783.

Ensemble Theatre's production of Black Pearl Sings! features one of the finest performances by a local actor that I've seen this season. Torie Wiggins plays a woman in the 1930s who translates her memory of songs from her African ancestors into a ticket out of prison and to some notoriety in New York City. Wiggins nuanced performance is complemented by veteran Annie Fitzpatrick as the folk music researcher who sees Pearl as her own ticket to success. Their tentative relationship becomes a delicately balanced friendship, while both explore issues of racism, sexism and getting ahead. Definitely worth seeing. Through March 31. Box office: 513-421-3555. 

Lizan Mitchell is at the other end of the career spectrum from Wiggins, but she too plays Carrie Watts, a sprightly, elderly African-Amerian woman whose powerful sense of home takes her on an impromptu journey back to her roots in A Trip to Bountiful at the Cincinnati Playhouse. It's laced with sadness, since what she remembers no longer exists, but her memories and her joyful take on life make it all worthwhile, not only for her but for others in her life, including her browbeaten son and his selfish wife as well as a sweet young woman who is Carrie's companion on a long bus ride. Through April 7. Box office: 513-421-3888.

This weekend Cincinnati Shakespeare is opening a production of the much-loved Shakespearean romantic comedy, A Midsummer Night's Dream. It's been transported to 1940s America and set in a Jazz-inspired magical forest, with original musica composed by resident sound designer Doug Borntrager; there's also original choreography by Brittany Kugler. The production is staged by Jeremy Dubin, and features veteran actor Nick Rose in the role of Nick Bottom the Weaver, the guy who makes an ass of himself — literally. It's a tangled, funny story that all works out perfectly in the end. A great show to kick off springtime. Through April 21. Box office: 513-381-2273 x1. 

 
 

 

 

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by Rick Pender 04.17.2015 52 hours ago
Posted In: Theater at 11:57 AM | Permalink | Comments (0)
 
 
yes festival  nku - grand night for murder - robert macke as ginger baer - photo mikki schaffner

Stage Door: The Kids Are All Right

This is a busy time of year on local stages, and that's especially true at colleges and universities where the academic year is winding down.

At Northern Kentucky University, the 17th biennial Year End Series (Y.E.S.) Festival is underway, presenting three world premiere productions in rotating repertory. It's a Grand Night for Murder opened on Thursday; The Divine Visitor, a Restoration Comedy through a sci-fi filter (figure that one out) starts tonight; and Encore, Encore, about witty and caustic New York writer Dorothy Parker, gets underway on Saturday. There will be multiple performances through April 26. Tickets: 859-572-5464

At Xavier University this weekend you can find a production of the Rock musical Spring Awakening, the winner of eight Tony Awards in 2007. It's about a group of students struggling through adolescence to adulthood — with a lot of rebellion along the way. It's being presented in XU's Gallagher Student Center Theater. Tickets: 513-745-3939

A lot of high school students have been recruited by Cincinnati Shakespeare Company for more than 38 free art events based on the works of Shakespeare. You might recall that CSC "completed the canon" (produced all 38 of Shakespeare's plays) a year ago. The celebrate that accomplishment, the company devised Project 38 to work with numerous area schools. Each one was assigned and worked with some of the company's artists to be inspired in productions, art, writing — whatever moved them. The initiative is culminating in an eight-day festival of free performances and exhibitions in Over-the-Rhine's Washington Park. School performances are all free. Since performances of The Taming of the Shrew are sold out on CSC's mainstage, Project 38 gives you the chance to see Shakespeare you might have missed otherwise. Schedule here.

There's another take on a student coming to terms with the Bard at Dayton's Human Race Theatre Company: Taking Shakespeare is the story of a disillusioned college professor asked to tutor her dean's son through his freshman Shakespeare class. It's got its humorous moments, but the show delivers a serious message about living up to expectations. Playing the student is Cincinnati actor Jon Kovach, who's performed on numerous local stages. Through May 3. Tickets: 937-228-3630

The farcical show by Steve Martin, The Underpants, is evoking laughs at the Otto M. Budig Theatre in the Carnegie in Covington. It's a bit risqué, but the humor is very gentle. Tickets: 859-957-1940 … Not so gentle is the production of Death and the Maiden by Diogenes Theatre Company at the Aronoff Center's Jarson-Kaplan Theatre. This three-character thriller is set in an unnamed Latin American country where a woman gets control of a man she believes once tortured her under a brutal dictatorship. It's a powerful piece, magnificently acted by three top-notch professionals familiar to Cincinnati theatergoers — Annie Fitzpatrick, Michael G. Bath and Giles Davies. Not for the faint-hearted or those who are squeamish about violence, but this is production that deserves to be seen. Through May 2. Tickets: 513-621-2787

One last note, for anyone interested in playing a supernumerary for Cincinnati Opera (that's like being an extra in a movie): Open casting for the upcoming summer season happens on Monday at 6 p.m. at Music Hall. You don't have to be a singer. In fact, no experience is necessary; positions are filled on a voluntary basis. Details here.


Rick Pender’s STAGE DOOR blog appears here every Friday. Find more theater reviews and feature stories here.

 
 
by Rick Pender 04.10.2015 9 days ago
Posted In: Theater at 08:10 AM | Permalink | Comments (0)
 
 
stage door 4-10 - 110 in the shade @ ccm - (l-r) ben biggers, john battagliese & brianna barnes - photo adam zeek copy

Stage Door: The Heat Is on at CCM ... And All Over Town

There's a ton of theater opening up this weekend, something for just about every taste. But if you're looking for something free, I have a special recommendation: It's 110 in the Shade at UC's College-Conservatory of Music. This is a production in the Cohen Family Studio Theater (an intimate black box venue that seats about 150). The production is in the "Musical Redux" series, bringing back a show that's not often produced. 110 dates back to 1963. It's the story of Lizzie Curry, on her way to being an "old maid," who lives with her dad and her brothers. A charming con man shows up posing as a rainmaker and promises relief to drought-stricken farmers. Is he for real? Lizzie has her doubts, but he works hard to win her over. CCM Studio productions are free, but reservations are required (513-556-4183), and performances are often filled up. This one is likely to be a lot of fun; it's this weekend only, final performance at 8 p.m. Saturday.

I gave Cincinnati Shakespeare's The Taming of the Shrew a Critic's Pick in my CityBeat review here. It's lusty and lewd, and the battle of the sexes has never been fought in a more entertaining way. Two of the company's veteran actors, Nick Rose and Kelly Mengelkoch, play Petruchio and Katherine, and they mix it up with with and humor. Definitely an entertaining evening. Tickets: 513-381-2273.

A week ago I had a chance to see one of the Cincinnati Playhouse's current touring productions (this one is aimed at kids in grades K-3), Bird Brain. It's funny fable that teaches a lesson that strange behavior isn't always foolish. More info here. This weekend it will be presented at Springfield Townships Grove Banquet Hall (Friday at 7 p.m.), The Drama Workshop at Glenmore Playhouse in Cheviot (Saturday at 2 p.m.), the Blue Ash Recreation Center (Saturday at 7 p.m.) and The Lebanon Theatre Company (Sunday at 1 and 3 p.m.). Admission is usually free (or very inexpensive). Grab a kid and go.

Other productions opening this weekend: Steve Martin's very funny farce,The Underpants, kicks off a three weekend run at the Carnegie in Covington. New Edgecliff Theatre, still not in its new permanent home in Northside, is staging David Mamet's piercing drama, Race, at the Hoffner Lodge (4120 Hamilton Ave., Northside). At Falcon Theatre (636 Monmouth St., Newport) you can catch the first weekend of The Cover of Life, a drama about three young women married to brothers from the same small town who have gone off to fight in World War II. Meanwhile, in Bellevue, Ky., at St. John United Church of Christ, you can see a production of Joanna Murray-Smith's Honour by WIT-Women in Theatre. The story of three women propelled to ask the question "What is love?" when they've been struggling with tough relationships, is onstage for two weekends. Children's Theatre kicks off two weekends of public performances of Disney's Aladdin JR. at the Taft Theatre. It's a stage version of the popular animated musical feature; the production includes jugglers, acrobats and stilt walkers. And Lion King continues its month-long run at the Aronoff. (CityBeat review here.)

Don't forget that Monday evening at 7:30 p.m. is another quarterly offering from the True Theatre guys at Know Theatre. The theme this time is "true beauty," with real monologues by people who talk about things they've really experienced.

Something for everyone, as they say!

Rick Pender’s STAGE DOOR blog appears here every Friday. Find more theater reviews and feature stories here

 
 
by Rick Pender 03.27.2015 23 days ago
Posted In: Theater at 08:22 AM | Permalink | Comments (0)
 
 
buzzer

Stage Door: Race and Urban Living on Local Stages

Two shows on local stages are dealing with top-of-mind issues of race and urban living, one at the Cincinnati Playhouse, the other at Ensemble Theatre.

Last evening the Playhouse opened its production of Tracey Scott Wilson's Buzzer. Wilson is a playwright who's not afraid to get at prickly issues of contemporary life (read more here), and that's what she does in this piece that could be set in Cincinnati's Over-the-Rhine. (It's actually in New York City, but that doesn't make it less relevant.) Jackson returns to his onetime childhood neighborhood, once neglected and now trendy; he's black, girlfriend Suzy is white, and so is Jackson's troubled friend Don, out of rehab yet again and needing a place to stay. Their triangle is a toxic mix with a troubled past that's exacerbated by life in a neighborhood where black and white relations are strained. The Playhouse is offering talkbacks after each performance to discuss issues raised, and there will be a panel discussion focused on OTR's housing challenges here in Cincinnati on Saturday evening at 6 p.m. My take: This show is more about personal relationships that aren't entirely honest, even though there is constant conversation about "no secrets." The actors in this tense drama are vividly real, unpredictable and vulnerable; you'll feel like they're people you know. (Through April 19.) Tickets: 513-421-3888

The second show that's heating up conversations about race is ETC's staging of Dominic Morisseau's award-winning play, Detroit ’67 (reviewed here). While the story has a historical setting — the story of family aspirations and disappointments unfolds against the backdrop of the Motor City's race riots almost 50 years ago — it almost feels ripped from current news stories about unrest stemming from police brutality in Ferguson, Mo. Five actors portray some colorful and occasionally humorous characters from the era involving the family dynamic between a brother and sister who differ about making ends meet in a challenging environment. Motown tunes from the ’60s are the soundtrack for a story that's often painful but ultimately hopeful. (Through April 5.) Tickets: 513-421-3555

Know Theatre opens Hearts Like Fists tonight at its Jackson Street stage in Over-the-Rhine. Adam Szymkowicz's comic-book-inspired action adventure has some fine local actors as the Crimefighters, female superheroes who are out to stop Dr. X, on a mission to murder happy couples in their sleep using a deadly serum that goes straight to the heart. When the show was staged in New York in 2012, the New York Times called the show's comic hybrid of parody and punches "madcap" and "hysterical." That's what Know will be striving for, through April 25. Tickets: 513-300-5669

If you are interested in seeing actors, singers and dancers who are on their way to professional careers, you might want to catch Senior Showcases from the drama and musical theater programs at UC's College-Conservatory of Music. The drama majors, readying their piece for trips to Los Angeles (for potential TV work) and New York City, will perform today at 2 and 7 p.m. at Patricia Corbett Theatre. (Admission is free.) The triple threats graduating from the musical theater program offer their showcase twice on Saturday at 4 and 8 p.m. as they prepare to shine for Broadway producers and casting agents in New York next week. Admission is free but reservations are required: 513-556-4183.  

Planning ahead? The popular touring production of The Lion King returns to Cincinnati where it's been a big hit twice, in 2003 and 2007. The magnificent musical about good overcoming evil and youth finding maturity opens on Tuesday for a four-week run at the Aronoff Center. (Through April 26.) Tickets: 513-621-2787


Rick Pender’s STAGE DOOR blog appears here every Friday. Find more theater reviews and feature stories here.

 
 
by Rick Pender 03.20.2015 30 days ago
Posted In: Theater at 08:02 AM | Permalink | Comments (0)
 
 
stage door 3-20 - etc detroit67 - photo mikki schaffner

Stage Door: Memory Lane and Beyond

I took a trip to my senior year in high school when I attended the opening of Detroit '67 by Dominique Morisseau at Ensemble Theatre Cincinnati on Wednesday. It's set in Detroit during that city's 1967 "race riots," but they are the backdrop for a family drama: Sister and brother Chelle and Lank are trying to make ends meet by running an after-hours club in the basement of their family home, now theirs since the death of their parents. Chelle is satisfied with the status quo; Lank dreams of owning his own legit bar. But they'd need to sell the house to make that possible, so they're at an impasse. He's impetuous and makes moves to buy a local joint without her knowledge, only to have the destructive riots threaten his deal. More personal complications make the story interesting, if a bit too pat. Motown tunes — Lank buys an eight-track player to replace his sister's turntable — make this production a walk down memory lane for Baby Boomers. But Detroit '67 will grab everyone because the events of five decades ago are eerily and sadly similar to recent disturbances in Ferguson, Mo., and elsewhere. (Through April 5; tickets: 513-421-3555)

Peter and the Starcatcher at the Cincinnati Playhouse is a playful and over-the-top imagining of the origins of Peter Pan. It's not a very adult cup of tea; it's more a swig of giggle-inducing rum. But if you yearn to head back to childhood for a few hours — playing with words, making fart jokes and having an adventure "against impossible odds" — this production is a joyous must-see. (Through April 4; tickets: 513-421-3888)

The Marvelous Wonderettes was a big hit for Ensemble Theatre a few years back. They staged the original story of girls singing Doo-Wop hits in 1958 and coming together again in 1968 for more old tunes, and did well with several sequels that kept audiences eagerly coming back for more. The show is now being presented at the Covedale Center in West Price Hill, and it has a nostalgic draw for people who grew up with those tunes. But the production's characterizations of Cindy Lou, Betty Jean, Missy and Suzy feel a little shallow, reducing the potential charm of the show. Nevertheless, it's a lot of fun if you love the music of the era and remember your own angst about boyfriends and girlfriends. (Through April 4; tickets: 513-241-6550)

Cincinnati Shakespeare's very pleasant production of an adaptation of Little Women continues through Saturday evening; tickets: 513-381-2273. The musical based on Louisa May Alcott's 1868 novel about the March sisters is onstage through Saturday, too, at Newport's Stained Glass Theatre, produced by Footlighters, Inc., a community theater; tickets: 859-652-3849.

The moving play based on The Diary of Anne Frank is being presented this weekend by the School for Creative and Performing Arts with performances remaining on Friday and Saturday evening at 7 p.m. and Sunday at 2 p.m. It's the powerful story of a Jewish family who went into hiding from the Nazis in Amsterdam during World War II; Anne, the diarist who recorded their tribulations, died at age 15 in a concentration camp. Tickets: here.


Rick Pender’s STAGE DOOR blog appears here every Friday. Find more theater reviews and feature stories here.
 
 
by Rick Pender 03.16.2015 34 days ago
Posted In: Theater, Visual Art at 03:10 PM | Permalink | Comments (0)
 
 
resized_if-then-nationaltour-photo-joan-marcus

Call Board: Theater Seasons

Broadway in Cincinnati, Local Universities, LaComedia and Actors Theatre of Louisville

Every year, BROADWAY IN CINCINNATI brings to downtown Cincinnati’s Aronoff Center a series of touring shows that got started in New York City. This year marks the 20th year shows have been presented at the Aronoff. Today the presenters released details about what’s in store starting September and running through May 2016. There will be several recent Tony Award-winning productions coming our way: Kinky Boots (winner of six awards in 2013), Pippin (winner of four awards in 2013), Newsies (its score and choreography won awards in 2012) and one of the longest running Broadway revivals of all time, Cabaret (which won eight awards back in 1966 and more for much-lauded revivals in 1998 and 2014). Here’s the lineup:

Motown The Musical (Sept. 8-20) is the story of how Berry Gordy journeyed from being a featherweight boxer to the heavyweight music entrepreneur who founded Motown. His label launched the careers of Diana Ross, Michael Jackson, Smokey Robinson and many more. The show premiered on Broadway two years ago and had a run of more than 700 performances.

Pippin (Oct. 13-18) was an early work by Stephen Schwartz, who made his name with shows as varied as Godspell and Wicked. Pippin began a five-year run in 1972 with a production that won five Tony Awards. It’s had several well-received Broadway revivals: The most recent in 2014 (now touring) was recognized as the season’s best revival with its extraordinary acrobatics, magical feats and great songs. It’s the story of a young prince in the Middle Ages on a death-defying journey to find meaning in his existence. His choices include a happy but simple life or a big flash of glory. With a clever circus filter, the show uses spectacular choreography — and features great songs such as “Magic To Do,” “Glory,” and “Morning Glow.”

Cast of the national touring production of Pippin
Photo: Terry Shapiro

Irving Berlin’s White Christmas
(Nov. 24-Dec. 6) arrives right before Thanksgiving to kick off the holidays. It’s about two showbiz buddies who put on a production in a picturesque New England inn and find romance in the process. The tunes from this show are icons in the American Songbook (“Count Your Blessings Instead of Sheep,” “Sisters” and “Blue Skies”) as well as seasonal numbers like “Happy Holiday” and, of course, the title song.

Kinky Boots (Jan. 5-17, 2016) was named the best musical of 2013 by the Tonys, and it landed six more trophies (it had 13 nominations), so it’s a certified hit. (In fact, it’s still running on Broadway and a London production is in the works.) Maybe you remember the 2005 movie it’s based on about a struggling shoe factory that “reboots” itself to manufacture footwear for drag queens. For the stage version, it’s been tricked out with an upbeat score by Pop star Cyndi Lauper

Kinky Boots
Photo: Matthew Murphy

If/Then (Feb. 2-7, 2016) is a 2014 Broadway musical about living in New York today — and contemplating the possibilities of tomorrow. The show’s creative team made its mark with Next to Normal (winner of the Pulitzer Prize and the Tony Award); that show was a big hit (and revival) for Ensemble Theatre Cincinnati. If/Then follows two possible life paths for Elizabeth (played on Broadway by Idina Menzel), and it paints a moving portrait of the lives people lead, as well as the lives they might have led.

Newsies The Musical (March 1-13, 2016) was a 2012 crowd-pleasing musical based on a 1992 Disney film. It recounts real events from 1899 when a bunch of orphaned and homeless boys who hawked newspapers on street corners stood up to the power elite, personified by Joseph Pulitzer, publisher of the New York World. Their spunk and tenacity — aided by Gov. Theodore Roosevelt — resulted in a compromise that made a difference for the hardworking kids. The show has a great score and eye-popping choreography, both of which won Tony Awards.

Cabaret (May 10-22, 2016). It’s hard to believe but this show has been around for just about a half-century, winning awards every time it’s been staged on Broadway. The production coming to town is from the 2014 New York staging by Sam Mendes, director of Skyfall and American Beauty, and Rob Marshall (whose film of another Kander & Ebb musical, Chicago, was the 2002 Oscar-winning best picture, and who recently dazzled musical theater lovers with a fine rendition of Stephen Sondheim’s Into the Woods.)

While the Broadway in Cincinnati season (sponsored by Fifth Third Bank and presented by TriHealth) is great news — the presentation of so many recent Broadway hits is a step up from several seasons with shows that hadn’t even made it to Broadway — but there’s lots more theater that’s been announced recently. Here are some quick rundowns:

The musical theater and drama programs at UC’S COLLEGE-CONSERVATORY OF MUSIC have announced mainstage productions for 2015-2016. David Edgar’s epic drama Pentecost will be at Patricia Corbett Theater on Oct. 1-4; the same venue will be the site for a coming-of-age comedy by Eugene O’Neill, Ah! Wilderness (Feb. 11-14, 2016). Rodgers and Hammerstein’s 1945 musical Carousel will get a big-stage production at Corbett Auditorium (Oct. 20-Nov.1). The most exciting CCM news for 2016 is that the program has obtained the rights for one of the first university productions of American Idiot, based on Green Day’s Grammy-winning album of the same name. The show, nominated for a Tony as 2010’s best musical, will be presented at Patricia Corbett Theater (March 3-13, 2016), staged by Aubrey Berg, the musical theater program’s chair.

The 2015-2016 academic theater season at NORTHERN KENTUCKY UNIVERSITY has also been announced. It will start with Ken Ludwig’s theater-based comedy Moon Over Buffalo (Sept. 24-Oct. 4, Corbett Theatre), and continue with Shakespeare’s The Winter’s Tale (Oct. 20-25) in the Stauss black box theatre. Back at the Corbett Theatre, Ahrens and Flaherty’s whimsical musical, Seussical will be staged (Nov. 12-22). For 2016, productions will include the George S. Kaufman and Moss Hart 1930 comedy, Once in a Lifetime (Feb. 18-28, Corbett Theatre); George Bernard Shaw’s Pygmalion from 1913 (March 29-April 3, Stauss Theatre), later adapted into My Fair Lady; and Stephen Sondheim and James Lapine’s fairytale mash-up, Into the Woods (April 21-May 1, Corbett Theatre).

North of Cincinnati at Springboro’s LACOMEDIA DINNER THEATRE, 2015 marks the 40th anniversary season at Ohio’s only combination theater and restaurant. It’s already under way with a staging of Rodgers and Hammerstein’s South Pacific (through May 3), followed by The Addams Family (May 7-June 28), The Little Mermaid (July 8-Aug. 30), The Church Basement Ladies Last Potluck Supper (Sept. 3-Oct. 31) and A Christmas Story (Nov. 4-Dec. 31) for the holidays. The venue also presents a lunch-and-learn series for kids (featuring The True Story of the Three Little Pigs) and a concert series featuring an Elvis impersonator, music in the style of the Van Dells and a family of Gospel singers. Info: http://www.lacomedia.com.

A bit farther away and in the more or less the opposite direction, ACTORS THEATRE OF LOUISVILLE will begin its 2015-2016 season with August Wilson’s Seven Guitars (Sept. 1-20), then Rebecca Gilman’s Luna Gale (Oct. 6-25). Having seen The Hypocrites perform a daffy version of Gilbert and Sullivan’s Pirates of Penzance early in 2014, I’m glad to hear that the inventive group will return to re-imagine H.M.S. Pinafore (Nov. 17-Dec. 13). Early in 2016, Actors Theatre will stage two shows already familiar to Cincinnati Playhouse audiences: Amy Herzog’s comedic drama 4000 Miles (Jan. 5-31, 2016) and Rick Elice’s Peter and the Starcatcher (Jan. 26-Feb. 17, 2016), a show that’s currently onstage locally at our own regional theater. The 40th anniversary of the venerable Humana Festival of New American Plays runs March 2 to April 10, 2016, typically featuring a half-dozen world premieres. Actors Theatre also presents two holiday-related shows for 2015: Dracula for Halloween (Sept. 9-Nov. 1, 2015) and A Christmas Carol (Nov. 24-Dec. 23, 2015). Info: http://www.actorstheatre.org.

Rick Pender’s STAGE DOOR blog appears here every Friday. Find more theater reviews and feature stories here.
 
 
by Rick Pender 03.06.2015 44 days ago
Posted In: Theater at 09:41 AM | Permalink | Comments (0)
 
 
peter pan at ccm -  photo mark lyona

Stage Door: Pirates, Indians, Lost Boys and Little Women

I wanted to start today's note about theater opportunities for this weekend by bringing your attention to my CityBeat column here, a tribute to my late friend Tom McElfresh, who passed away in February. Tom was a Cincinnati theater critic in the 1970s and ’80s who I brought on board as my back-up at CityBeat in 1998. For a dozen years, his enthusiasm for theater — as well as his sometimes blunt observations — kept CityBeat readers informed about shows on local stages. If he were still writing, he'd be encouraging you to go see a show.

I was at UC's College-Conservatory of Music last event for the opening of a short but spectacular run of the Peter Pan, the legendary Golden Age musical from 1954. This is an eye-popping production of the show with familiar tunes such as "I've Gotta Crow," "I'm Flying" and "I Won't Grow Up," backed up by an orchestra of nearly 30 players. That's about double the number that you'll find in the pit at touring Broadway shows; and these players are decked out as pirates! Even more spectacular are Dean Mogle and Rebecca Senske's funny, over-the-top costumes for Captain Hook (played with delicious deviltry by Nathaniel Irvin) and his crew, Tiger Lily (Samantha Pollino, an athletic dancer) and her storybook Indians and Peter (alternating between Clara Cox and Hannah Zazzaro) and his Lost Boys. Mark Halpin's big circus-inspired set is fun to watch, and guest director and choreographer Joe Locarro's staging is inventive and wonderfully danced by the big cast, especially "Ugg-a-Wugg," with nearly 20 closely synchronized performers. Oh, there's flying, too. It's a shame this one doesn't have a longer run, but that's what happens at CCM, where productions come and go quickly. The final performance is a 2 p.m. matinee on Sunday. Get there to see this one — and take a kid with you. Tickets: 513-556-4183.

The March sisters whose story is told in Louisa May Alcott's Little Women remain popular after more than 150 years. You can find a spirited adaptation (CityBeat review here) of the novel onstage at Cincinnati Shakespeare through March 21, featuring the company's excellent actresses, especially Maggie Lou Rader as fiercely independent Jo, who aspires to be a writer. Tickets: 513-381-6673, x1.  A musical adaptation of the story about the sensitive, imaginative girls who grow into strong, diverse women during and after the Civil War is happening at Footlighters, the community theater that performs at the Stained Glass Theater in Newport. It too is running through March 21. Tickets: 859-652-3849.

Still worth seeing are Chapatti (CityBeat review here), the heartwarming story of two lonely senior citizens who love their pets but need more human companionship, at the Cincinnati Playhouse through Sunday (tickets: 513-421-3888) and Clifton Players portrait of the contentious and dysfunctional Weston family in the Pulitzer Prize-winning sprawling three-act drama August: Osage County (CityBeat review here), surprisingly well staged in the intimate Clifton Performance Theatre, which has just 40 or so seats for each performance (tickets: 513-861-7469) through March 13.

If you missed Theory of Mind, the Cincinnati Playhouse's February touring production for young audiences about a kid on the autism spectrum, you can catch it for free at Music Hall on Sunday at 2 p.m. The charming show is about a socially awkward kid trying to find his way in the world of dating; it's not only endearing, it's quite funny. The performance is part of the Artswave Sampler Weekend, sponsored by Macy's to draw attention to the annual fundraising campaign on behalf of the arts.

Once upon a time dinner theaters were a big thing.That's not so much the case in 2015, but La Comedia continues to thrive in Springboro, 40 miles north of Cincinnati. Celebrating its 40th anniversary this year, it's one of the largest theaters in America where you can enjoy a buffet meal before a show — and it's the only one still operating in Ohio. It just opened a two-month run of Rodgers and Hammerstein's legendary musical South Pacific. This organization knows the formula for combining dining and theatergoing — and you can't beat the sweet potato soufflé! Tickets: 800-677-9505.

I want to close with a shout-out to Gina Cerimele-Mechley, winner of the 2015 recognition for outstanding arts educators from the annual Overture Awards. She's been part of the local theater scene for years, and if you watch this video nomination from her students at Cincinnati Music Academy, you'll see why she's made a difference. Here's a remark she made: “My strength as a teacher is constantly being a student. I learn the strengths of each individual student and try to hone those skills into something marketable. When a student has completed working with me I want them to be able to stand on their own two feet and make their own choices.”

Rick Pender's STAGE DOOR blog appears here every Friday. Find more theater reviews and feature stories here.
 
 
by Rick Pender 02.27.2015 51 days ago
Posted In: Theater at 09:45 AM | Permalink | Comments (0)
 
 
little-women_-cincinnati-shakes-photo-mikki-schaffner

Stage Door: Cincinnati Theaters Generating Heat, Despite Cold Weather

Last weekend's snowstorm canceled performances at several local theaters (including the Cincinnati Playhouse), so you might have had several days without theater. Is it time to make up? I finally caught up with Cincinnati Shakespeare Company's adaptation of Little Women​ last night, and I'm glad of it. While the weather is still cold and sidewalks still treacherously icy, the warmth generated by Jo March and her saucy sisters is a welcome tonic. Of course Louisa May Alcott's story of a temporarily fatherless family during the American Civil War is sentimental and, at times, rather maudlin, but the actresses at Cincy Shakes bring such vivacity to their roles that there's plenty to enjoy. Maggie Lou Rader is especially vivacious as Jo, the fiercely independent aspiring writer who insists on finding her own way in a world controlled by men; Kelly Mengelkoch is emotional, conscientious elder sister Meg; Caitlin McWethy is shy and loving Beth; and Courtney Lucien is Amy, the impetuous baby who matures in the second act. Annie Fitzpatrick is Marmee, their steadfast mother, and Justin McCombs is the spirited boy next door who captures the hearts of several of the sisters. The production is simply but effectively staged, enhanced by some subtle video projections and lovely choral singing of period hymns by the ensemble. It's a gentle story that beautifully conveys the virtues of family, sisterhood and feminine intellect in a period when such matters were not always top of mind. It's onstage through March 21. Box office: 513-381-2273, x1.

Last Sunday, while many of you might have been watching the Academy Awards, I was one of 15 or so people in the audience watching Clifton Players' staging of August: Osage County. That's not quite as pitiful as it might sound, since the tiny Clifton Performance Theatre has only about 40 seats for this production. You're right in the midst of the bitter wars being conducted by the combative Weston family, brought together by the disappearance of their father and their mother's relapse into drug dependence and impossibly difficult behavior. But each of Beverly and Vi's three daughters have problems, issues and complicated family situations of their own, so Tracy Letts' three-act, three-plus hour show offers plenty of juicy roles for some of Cincinnati's best actors. The show has typically been played on a big set, but the closeness of CPT makes August: Osage County a powerful evening of dysfunction that's right in your face. Need some heat despite the cold snap? This is your show. It's a Critic's Pick (CityBeat review here). Onstage through March 13. Tickets: 513-861-7469.

Performances tonight and Saturday evening will wrap up the run of In the Heat of the Night at Falcon Players in Newport (tickets: 513-479-6783), and Northern Kentucky University's Les Misérables continues through a Sunday matinee. The latter has been sold our for most performances, but if you show up an hour before curtain time, you can get your name on a wait-list for a seat.

For a glimpse of the future, check out my blog postings here and here from earlier this week with 2015-2016 season announcements for the Cincinnati Playhouse in the Park, Cincinnati Landmark Productions (at the Covedale Center and the new Incline Theatre) and Cincinnati Shakespeare.

Rick Pender's STAGE DOOR blog appears here every Friday. Find more theater reviews and feature stories here.
 
 
by Rick Pender 02.20.2015 58 days ago
Posted In: Theater at 09:46 AM | Permalink | Comments (0)
 
 
little women_cincy shakes-photo cal harris

Stage Door: Fatherless Families on Cincinnati Stages

Just how can Tracy Letts' sprawling play August: Osage County be wedged into the tiny Clifton Performance Theatre on Ludlow? Director Buz Davis knows that this show is more about characters and great dialogue than the set; he told me so. (Read more in my Curtain Call column here.) He's made it possible for you to sit in the midst of the home of the cantankerous Westons as they fuss and fight when their father goes missing and their mother's addiction to pain killers spills over into everyone else's lives. The show won both the Pulitzer Prize and the Tony Award in 2008, so it's one you should have on your list to see if you're a serious theatergoer. (Through March 13). Tickets: 513-861-7469.

Although it's about another family struggling to get along while husband and father is absent, there's a whole different dynamic in Louisa May Alcott's Little Women, presented by Cincinnati Shakespeare Company. This adaptation by Emma Reeves should offer an excellent opportunity to see some of Cincy Shakes' best actresses onstage; it's being directed by Sara Clark (who would likely be in the show, but she's pregnant right now, wich doesn't quite fit this story). It opens tonight and runs through March 21. Tickets: 513-381-2273, x1.

The short run of a touring production of Cole Porter's jaunty Anything Goes is over on Sunday. Need a mid-winter getaway? Take a madcap cruise on the S.S. American and watch as love affairs go overboard and confusion reigns. This show from 1934 has been reinvented numerous times, most recently in a 2011 Broadway revival that won a boatload of Tony Awards. Tickets: 513-621-2787.

It's always worth paying attention to productions on our local university stages, where fine renditions of classic theatrical works are the norm. Northern Kentucky University just opened a production of the great musical Les Misérables, onstage through March 1. I'm told most performances are sold out, but if you show up in person (no calls) you can be put on a wait list and fill seats available just before curtain time. At Xavier University this weekend (through a 2 p.m. Sunday matinee) you'll find a production of Shakespeare's most beloved comedy, A Midsummer Night's Dream, staged by Jeremy Dubin, veteran member of Cincinnati Shakespeare Company. Tickets: 513-745-3939.

Continuing productions this weekend include the Cincinnati Playhouse's staging of the charming romance between dog and cat lovers, Chapatti (through March 8; CityBeat review here) and Falcon Theater's production of the tense drama about race relations in 1960s Alabama, In the Heat of the Night (through Feb. 28). Falcon performs in a small theater space on Monmouth Street in Newport. … It's also the final weekend for Know Theatre's production of the one-woman version of The Handmaid's Tale, Margaret Atwood's dystopian novel adapted for the stage. Cincy Shakes veteran Corinne Mohlenhoff is doing a bravura job with this thoughtful and frightening piece. Tickets: 513-300-5669

Rick Pender's STAGE DOOR blog appears here every Friday. Find more theater reviews and feature stories here.
 
 
by Rick Pender 02.13.2015 65 days ago
Posted In: Theater at 09:37 AM | Permalink | Comments (0)
 
 
heidi chronicles_ ccm- photo mark lyons

Stage Door: One Weekend Run for Heidi Chronicles at CCM

I hope my Curtain Call column (found here) in a recent issue moves you to head to UC's College Conservatory of Music for Richard Hess's staging of Wendy Wasserstein's Pulitzer Prize winner, The Heidi Chronicles, onstage through Sunday. If you remember the 1970s and ’80s, this production will transport you back in time as you watch young feminist Heidi Holland grow up, grow weary and grow wise. Tickets: 513-556-4183.

A dog might be man's best friend, but sometimes that's not quite enough. That's one of the lessons of Christian O'Reilly's
Chapatti, which opened last night at the Cincinnati Playhouse. Set in contemporary Ireland, it's about two lonely hearts, both in their 60s, who love animals — he's a dog guy ("Chapatti" is his dog's name) and she's a cat lady (she has 19 of them). That brings them together, but what they need is human companionship. That might sound predictable, but there's more to it than that. (Through March 8.) Tickets: 513-421-3888.

Falcon Theatre in Newport is opening its stage adaptation of In the Heat of the Night this evening for a two-weekend run. It's the story of a black homicide detective from L.A. who gets caught up in an Alabama homicide investigation in the early 1960s. It's a powerful drama that reminds us of how messy race relations were a half-century ago. With Ed Cohen as director and Derek Snow as Virgil Tibbs, this is likely to be a solid production. Tickets: 513-479-6783.

Get a kid started on going to theater: Take her or him to see School House Rock Live! JR., presented by the Children's Theatre of Cincinnati this weekend at the Taft. It's an adaptation of the educational cartoon from the '70s and '80s. And grown-ups are likely to have fun, too, since the local rock band The Rusty Griswolds is performing tunes like "Conjunction Junction" and "Three Is a Magic Number." Public performances tonight (7:30 p.m.), Saturday (2 and 5 p.m.) and Sunday (2 p.m.) Tickets: 800-745-3000.

Three well-received productions have their final performances this weekend on Sunday: Ensemble Theatre's riveting mystery/psychological drama, The Other Place (CityBeat review here), with a fine cast led by Regina Pugh; the Cincinnati Playhouse's assemblage of Johnny Cash numbers, Ring of Fire (CityBeat interview here), featuring four singers and six excellent supporting musicians; and the funny two-man, 20+ character show Greater Tuna at the Covedale Center (CityBeat review here). And The Handmaid's Tale at Know Theatre, a one-woman adaptation of Margaret Atwood's dystopian novel, has just one more week in its run.

The energizer bunnies at Know keep things going with Serials 2: Thunderdome on Monday evening, 15-minute episodes of five new scripts. The concept had a big following over the summer, and one of those works has its parts reassembled as a "full-length" piece: Saturday the 14th, a dark romantic comedy. Playing two lonely losers who meet as they mutually contemplate suicide are Miranda McGee from Cincinnati Shakespeare and Nic Pajic. Tickets: 513-300-5669.

The Broadway Series offers a quick stop (they call it a "season extra") of the musical Anything Goes next week, openingTuesday and running through Sunday. If you can't get away for a mid-February cruise, this Cole Porter classic on an ocean liner might be just the ticket for an evening's escape. Tickets: 513-621-2786.
 
 
by Rick Pender 02.06.2015 72 days ago
Posted In: Theater at 09:44 AM | Permalink | Comments (0)
 
 
twilight lo 1992 - photo daniel l winters photography

Stage Door: Two One-Woman Shows Worth Seeing This Weekend

A special treat onstage at the Aronoff Center's Fifth Third Bank Theater through a Sunday 2 p.m. matinee: Twilight: Los Angeles, 1992, featuring Torie Wiggins giving voice to people making pronouncements about race, justice and violence in America. The script by Anna Deavere Smith, drawn verbatim from numerous interviews, was created in the mid-1990s in the following the Los Angeles riots after the Rodney King verdict more than two decades ago. But it feels incredibly timely in light of recent tragic events in Ferguson, Mo., New York City and elsewhere — leading to questions about whether America has made any progress since then. Wiggins brings to life dozens of people — black, white, Hispanic and Asian — offering a myriad of opinions about events and outcomes. "No Justice/No Peace," words heard recently, echo through this script, punctuated with videos and quick audio introductions as Wiggins flips from role to role. It's an impressive performance and a reminder how theater can be more than entertainment — Twilight is a provocative presentation about American culture. Staged by Cincinnati Shakespeare's artistic director Brian Isaac Phillips. Tickets: 513-621-2787.

A second one-woman show worth seeing is The Year of Magical Thinking, an effective, bare-bones production at the College Hill Town Hall (1805 Larch Ave., Cincinnati 45205) by the Cincy One Act Festival. It's based on Joan Didion's painful confrontation with grief following her husband's unexpected death and their daughter's serious and ultimately mortal illness. Cate White performs as Didion, the narrator of this deeply personal story; Lyle Benjamin is the director. The show is being presented on Fridays and Saturdays through Feb. 28 (no performances on Feb. 20-21). Tickets: 888-428-7311.

It's a great month for women onstage month on local stages, what with Corinne Mohlenhoff in another solo show The Handmaid's Tale at Know Theatre (CityBeat review here; box office: 513-300-5669), which also happens to be directed by Brian Phillips; and Regina Pugh as a beleaguered scientist whose world is coming unraveled in The Other Place at Ensemble Theatre (CityBeat review here; box office: 513-421-3555).

Rick Pender's STAGE DOOR blog appears here every Friday. Find more theater reviews and feature stories here.
 
 
 
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