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by Brian Baker 01.24.2012
Posted In: Music Video, New Releases, Reviews at 03:02 PM | Permalink | Comments (0)
 
 
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I Shall Be Released: New Music Reviews

A look at the most recent releases from Guided By Voices, Kathleen Edwards, Biohazard, Hotel Lights and more

The air seems sweeter here in the front of the website, the sun a little brighter and the deadlines a little more immediate, but as Uncle Ben once reminded Peter Parker, with great power comes great responsibility. So here we are in relatively short order with a batch of new reviews and a few more older titles in my continuing quest to revisit the deserving releases from the not-so-waning months of 2011. We’re getting there, slowly but surely. Read them while they’re hot; there’s more where they came from.

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by Deirdre Kaye 01.17.2012
Posted In: Live Music, Reviews at 11:32 AM | Permalink | Comments (0)
 
 
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Review: The Civil Wars and The Staves in Covington

On any given evening there is a crowd somewhere being forced to sit anxiously through an awful opening act. Then there are nights where concert-goers become wrapped up in the opening act. They become so enthralled that they call out for one more song, not minding that they are delaying the band they paid good money to see and hear.

The Civil Wars' sold-out concert at Madison Theater in Covington on Jan. 14 was one of those rare performances. And The Staves were that kind of opening act.

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by Brian Baker 01.13.2012
Posted In: New Releases, Reviews at 01:22 PM | Permalink | Comments (0)
 
 
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I Shall Be Released: Timing Is (Not Always) Everything

New and recent reviews of releases by The Little Willies, Snow Patrol, Trent Reznor, Red Wanting Blue and others

 I’m still getting used to my new digs here at The Daily Beat as everyone rushes about, delivering their stories with right-this-minute immediacy and what not. Of course, with my continuing effort to bring you up to date on the reviews from last summer and fall that were missed for a variety of reasons, my breaking news has all the timeliness of “Bin Laden is dead!” and “I’m so happy for Kim Kardashian and Kris Humphries — it’s nice to see a celebrity couple in it for the long haul.”

Luckily, the early weeks of this new year, with a couple of well-stocked exceptions, are pretty light on titles, allowing me the time and space to revisit some deserving highlights from bygone months while checking out the latest and greatest from the new calendar. Wait, there’s something coming across the teletype in the Bunker — apparently, the war is over! The Falkland Islands are free at last!

Celebrate with new reviews, then some old reviews. Then a drink and possibly a nap.

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by Brian Baker 01.06.2012
Posted In: Reviews, Music Video at 01:22 PM | Permalink | Comments (0)
 
 
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I Shall Be Released: A New Beginning

Reviews of new and recent recordings by Kevin Hearn, Jaimoe’s Jasssz Band, the Dex Romweber Duo, Shonen Knife and others

Well, we’ve taken down the free SPCA fluffy kitty/puppy day planner from the kitchen door and put up the free World Wildlife Fund animal kingdom mother/cub book of days and that can only mean one thing: We didn’t wait until late February to switch to the new year’s calendar, which is typically par for our course. And with the new year comes a change for I Shall Be Released; my weekly review column (or semi-weekly, depending on schedule and level of brainlock), normally found as a web-exclusive feature, has been moved to the spiffy Daily Beat music blog, where you will find it from this day forward. I’m not sure why I was upgraded to first class, but I’m sure everyone now expects me to be punctual and timely to line up with the whole “Daily” theme of the thing. Fly me, Mandy, keep the gin and tonics coming, and I’ll see what I can do to live up to my new seat designation in the better section.

As for today’s post, much like the tail end of last year, the newer stuff is up here, the older catch-up reviews are down there and it’s all good under the hood. January looks light enough to accommodate my outstanding 2011 reviewage while I sample what the new year is bringing. And based on the release sheets and the stuff showing up in my mailbox already, 2012 is shaping up to be another great year for music. And in case no one’s pointed it out yet, we’ve got exactly 100 years before we can make Rush jokes similar to the crop of George Orwell zingers that went around in 1984. Well, someone can make Rush jokes; those of us in the here and now will all be dust in the wind (let the Kansas jokes commence). Read on, literate music fans, and happy new year!

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by Deirdre Kaye 11.20.2011
Posted In: Live Music, Reviews at 04:12 PM | Permalink | Comments (0)
 
 
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Review: City & Colour at Bogart's

Bogart’s was filled with love Saturday night. It ran up the wood paneled walls and across the ceiling before raining back down onto the crowd, again. It was a mutual adoration, too. Seeing City and Colour live is far better than listening to them in the privacy of your own home. They put on an awesome show. Cincinnati was just as thankful to stand witness to their energy, as the band was to play to a sold-out house of loving fans. Two events during the night made the band’s love for their fans shine through the speakers most.

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by Mike Breen 11.12.2011
Posted In: Live Music, Reviews at 11:57 AM | Permalink | Comments (0)
 
 
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Review: Beirut at Bogart's

A great concert can transform a venue and transport an audience to its own little world. Last night at Bogart's, Zach Condon and his very successful Indie-meets-World-music ensemble Beirut did both in front of a wildly appreciative, sold-out crowd.

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by Deirdre Kaye 11.12.2011
Posted In: Live Music, Reviews at 10:59 AM | Permalink | Comments (1)
 
 
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Review: David Bazan at the Southgate House

The crowd at Southgate House surely went home with sore throats last night. With every song David Bazan sang, his fans sang along. From a guy near the back who did an animated and fairly accurate imitation of Alex Westcoat’s happy-go-lucky drumming to the hundred or so feet that tapped along, all signs pointed to a happy house. Then again, what wasn’t to enjoy (other than SGH’s less-than-stellar sound system)?

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by Mike Breen 11.10.2011
Posted In: Local Music, Reviews at 02:34 PM | Permalink | Comments (0)
 
 
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Review: Eclipse’s “Around the World”

Cincy Hip Hop/Jazz/Rock/Funk ensemble releases dazzling new full-length

Gifted Hip Hop/Funk/Rock/Jazz ensemble Eclipse is set to release its second studio effort, the long-player Around the World, this Sunday at the Southgate House in Newport. Also performing at the 8 p.m. release party are two groups with members who guested on the new album — turntable crew Animal Crackers and funky horns-driven group The Cincy Brass. Click here for tickets and more details.

Around the World is a fantastic representation of Eclipse’s wonderfully eclectic sound. A live Hip Hop band needs to be ultra-tight and Eclipse certainly lives up to that requirement and then some. While your everyday Hip Hop album might contain carefully layered horn or string samples, Eclipse does it live, so the performances have to be flawless. And they are.

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by Mike Breen 10.25.2011
Posted In: Local Music, Music News, Reviews at 04:35 PM | Permalink | Comments (0)
 
 
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Review: Mack West's "The Goodnight Trail"

 When veteran Cincinnati musician Zach Mechlem launched his latest project, Mack West, a few years ago, he didn’t just form a new band — he created a new genre. Calling the band’s sound “AltWestern” to describe the dusty, often cinematic quality of its modern American Roots music, Mack West released its self-titled debut two years ago to much acclaim and, given the evocative, visceral nature of the songs, attention from the world of music licensing. Tracks from the album were used on various promo spots and TV shows, including History Channel’s American Pickers

Going into recording the follow-up, Mechlem and original members Will Campbell (bass) and Greg Slone (drums) bolstered their membership, adding guitarist (and album co-producer) Steve Wethington on guitar and violinist Annette Christianson. While the mood and spirit of the debut is still intact on the resulting album, The Goodnight Trail, Mack West’s sophomore effort doesn’t exactly expand on the trademark elements

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by Mike Breen 10.25.2011
Posted In: Live Music, Local Music, Reviews at 04:22 PM | Permalink | Comments (0)
 
 
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Review: Wussy's "Strawberry"

Now in it tenth year, one of Cincinnati’s most celebrated bands, Wussy (led by former Ass Pony Chuck Cleaver and his equally skilled songwriting partner/co-frontperson Lisa Walker), has amassed an amazing discography so far. Beginning with 2005’s Funeral Dress, the group quickly developed a reputation for the “ragged glory” of its performances, both live and on record. That sense of recklessness worked impossibly well with the band’s fractured, soul-burrowing love songs and the unbridled tense, passionate energy between its co-leaders. Early on, Wussy often sounded on the verge of falling apart, but there was always something magical about the group that assured you that, even if by Scotch tape and rubber bands, the band would hold it together. 

But with each successive release, Wussy’s edge-of-cliff nature gradually dissipated. By the time of the rockers’ third album, an eponymous affair in 2009, Wussy had become a more confident, cohesive unit. But not in the way, say, Paul Westerberg went from alcoholic Punk poet to “mature” singer/songwriter. As the band’s fourth full-length, Strawberry, shows, Wussy isn’t getting boring. They’re just getting better. Which, considering how powerful albums like 2007’s Left for Dead were, is almost scary.

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