"ATTN: Biggest bummer post-summer? Our grand opening weekend has been postponed. This weekend’s shows have to be delayed due to a few last minute construction challenges.
We are completely committed to opening the right way to make your experience the best it can be. We just can't in good conscious present anything below the very best.
Says Morrella: “We are sorry to have to delay sharing this magical venue with the music fans of the area, but our first concern will always be to make sure that it is safe and ready for public occupation. The City of Newport, our wonderful construction crews and crew of volunteers have all been working very hard to make this happen. We thank them so much. We look forward to seeing everyone next weekend for CincyPunk Fest. We will announce rescheduled dates for these shows very soon.”
Anyone who had pre-purchased tickets for this weekend’s dates may be issued a refund through ticketfly.com or may hold on to their original tickets for the soon to be announced rescheduled dates"
The grand opening of the Southgate House Revival at 111 East Sixth Street in Newport, Kentucky scheduled tonight at 9 p.m. and The Newbees CD Release show scheduled for tomorrow night, Saturday, October 6 have been postponed. This weekend’s shows had to be delayed due to a few last minute construction challenges.
The 1866 property, the former Grace Methodist Episcopal Church, has been under a massive renovation since May that includes all new electrical, plumbing and HVAC systems, as well as roof repairs and new flooring.
“We set a very ambitious goal,” said Morrella Raleigh “and we were very, very close.” “We are sorry to have to delay sharing this magical venue with the music fans of the area, but our first concern will always be to make sure that it is safe and ready for public occupation.
The City of Newport, our wonderful construction crews and crew of volunteers have all been working very hard to make this happen. We thank them so much. We look forward to seeing everyone next weekend for CincyPunk Fest. We will announce rescheduled dates for these shows very soon.”
The National’s set was evidently well thought-out, opening with the powerful "Mistaken for Strangers," with the vocals and drums seemingly soaring through the theater. If you haven’t had a chance to catch a show at Emery Theatre (my first experience was last week), you should certainly make that a priority. The theater, coupled with a band like the National, truly makes for an unforgettable experience. The venue alone creates a sense of intimacy between audience and act, something that is usually sacrificed to see your favorite bands.
From the very start of
the set, the audience was completely engaged with the boys on stage, bursting
into cheers and applause at the every songs beginning and end (and even during
songs at times). The only drawback for me was the fact that Matt Berninger would
simply not let me forget that the show was political. It seemed as if in
between every song some sort of Democratic rhetoric (not that the other side’s
rhetorical strategies are any better) was interjected. Something about the importance of voting, or how
privileged we are, which is somewhat obnoxious at that point. It’s highly
doubtful that anybody was suddenly converted by The National, and even more so
that anyone in attendance last night was slightest bit unsure about their vote.
I suppose that’s mostly my fault, though — I should expect such from a campaign concert.
All that aside, the audience was left in a state of bliss by
the concert's end, as The National closed out their set with an unplugged
version "Vanderlyle Crybaby Geeks." Earlier in the night, I had spoken to a
friend who had said the venue was acoustically pure, meaning that even without
any sort of amplification, the sound would still resonate throughout the entire
theater — and he couldn’t be more right.
The sound was not hindered in any way (I was a few rows back) and it
carried through the historic site as if I was the only one there. The closer truly unified the entire show into
a ecstatic experience that I will certainly not forget.
Before I get into to the nitty-gritty of the A$AP Mob, Schoolboy Q and Danny Brown show at Bogart's last night (Oct. 4), I’ve got a couple of bones to pick first.
Bogart’s, what the hell is up with searching your patrons 90 times before they're let in? I mean, I know it’s probably scary having blacks, whites, Asians, and Latinos all in the same place, consuming copious amounts of drugs and alcohol, but I thought the presidential campaign event with The National was at The Emery Theatre downtown and not in Corryville. I appreciate your high standards for keeping the venue safe, but next time I go out to smoke a cigarette, trust me when I tell you I’m not going out to get my 9mm.
Secondly, Cincinnati Hip Hop heads, what’s up with your lack of punctuality? We finally had an awesome lineup of up-and-coming Hip Hop artists come to one of our bigger venues and you guys can’t show up and support them? I get it, alcohol is expensive at the venues, you can’t do your drugs there and you may have just bought the ticket to see A$AP Rocky. But next time, show up for the openers. Maybe you’ll find a new artist to know and love.
Anyways, that’s enough bitching; let’s get down to it.
When I first arrived at Bogart’s, it only took until 7:38 p.m. before I got that first aroma of Mary Jane, which not only got more prominent as the night went on but was the perfect precursor to opening act, Danny Brown.
Danny Brown started in a timely fashion (right at 8 p.m.; kudos for actually starting on time, dude) but, unfortunately, it was to a sparse crowd. Though the place wasn’t filled, Brown played to the audience like it was a sold-out stadium.
In his unfairly short 30-minute performance, Brown blew through 12 songs, including fan favorites like “I Will,” “Piss Test” and “Monopoly,” ignoring the fact a lot of people didn’t know what to make of his abstract approach to hip-hop. With his bottle of Hennessy in hand, Brown closed his tight set with the smoke session banger “Blunt After Blunt," which had most everybody in the crowd, fan or not, sparking up and chanting the chorus.
After Brown, member of the Black Hippy Hip Hop group and T.D.E. star Schoolboy Q took the stage. I have been a fan of Schoolboy since I first heard his mixtape, “Habits and Contradictions,” but seeing him live totally change my perspective on him as an artist. He’s got this calm cool on stage and this subtle charm really won me over throughout the set.
Surprisingly, his show was a bit of an emotional rollercoaster. His heartfelt song “Blessed” made me want to cry, his need for an inhaler halfway through his performance because he is “sicker than a motherfucker” made me laugh, and cuts like “There He Go” and “Nightmare on Figg St.” made me want to do the crip-walk (don’t worry, I didn’t do it, mostly because I don’t know what it is.)
Although Q ended on a new, bass heavy club-banger, he promised us it wouldn’t be the last we’ll see of him, quieting the hushed moans and groans from audience members waiting to hear his hits “Hands on the Wheel” and “Brand New Guy,” both of which feature headline act, A$AP Rocky.
It became abundantly clear to me that everyone was there to see A$AP after the crowd nearly doubled in size before his performance, especially when I went outside and saw people were still buying tickets (who spends $30 for an hour of music?)
Anyhow, I feel a bit torn as I write this because I truly do enjoy A$AP’s music and found his show to be really fun and energetic. But I ended up being really disappointed by a lot of it. Tracks like “Purple Swag” and “Wassup” got the crowd bouncing and were choice show-starting songs, but there was just too many weird fillers awkwardly inserted in his show. Between his obscure pre-recorded spoken word interludes, his “cockiness dance” inspired by D-Generation X wrestler X-Pac, the excruciatingly long time that A$AP Mob was on stage and handing the microphone out to random fans, it just seemed like he was trying to waste time or something.
Don’t get me wrong, it was really cool that he referenced my early childhood hero X-Pac, gave the fans a chance to speak (one kid even spit a pretty sick verse when he got the mic) and let his crew get some air-time (A$AP Twelvy killed it, by the way) — it’s just not what I paid to see.
But the performance wasn’t all bad. The high energy of his set and appearances by openers Danny Brown and Schoolboy Q gave the show a whole new element. Especially when Q and Rocky were trading verses on “Brand New Guy” and “Hands on the Wheel,” which easily became the highlights of the night.
When A$AP Rocky finally took the microphone back from his exponentially less captivating crew (again, minus A$AP Twelvy; think Odd Future but slightly less talented), he brought some “phonk” to the end of his show by playing drug-induced southern style tracks like “Trilla” and “Peso,” steering the entertaining but peculiar night to a close.
I thought the concert had a terrific atmosphere and you could tell there was a lot of love between the fans and the showmen, making it a wonderfully intoxicating time for everyone.
Now if A$AP Rocky just cut out the filler by playing more of his solo tunes and security at Bogart’s took a couple hits off the chronic (the crowd was smoking and chilled the fuck out), everyone would have had a better time.
At one point during the show Rocky said, “It’s OK to dislike things, it doesn’t make you a hater, you’re just human.”
This really sums up how I feel about the night; I’m not trying to be a hater, Rock, there’s just room for improvement.
Cincinnati homeboys Walk the Moon have been tearing up the road since the release of their self-titled debut for RCA Records earlier this year, not to mention making the promo rounds all over the television dial (from the late-night chat shows to various appearances on VH1 and an MTV Unplugged set). The band is currently touring Europe with the band fun. ("We Are Young") and this morning they debuted the music video for their latest single, "Tightrope."
The video is Walk the Moon's first since the stellar DIY clip for "Anna Sun," which was made even before the RCA deal was in place and continues to draw massive hits online. If you watch even a few minutes of TV a week, chances are you've already heard part of "Tightrope." The track is used in commercials for the HP Envy 4 Ultrabook.
When Walk the Moon wraps up its current European jaunt, they'll perform a homecoming show Nov. 1 at the Madison Theater in Covington. The show is also the second anniversary of The Counter Rhythm Group, the locally-based music promo group that has worked with WTM, as well as local bands like Wussy, R. Ring and Alone at 3AM. Tickets for the Nov. 1 show are $16 and apparently moving very fast (i.e. it will sell out). Fellow local-gone-national Indie act Bad Veins opens the show. WTM hits the road for a North American headlining tour soon after the Madison show.
Here's Walk the Moon's new clip.
And here's the HP commercial featuring a bit of the tune.
Area Pscyh/Pop/Rock trio Buffalo Killers and vintage Rock/Soul/Pop master Brian Olive will be featured heavily on a new live album that includes tracks culled from performances at the 2012 Deep Blues Festival in Minnesota. The three-day, sold-out fest featured 26 bands, seven of which (including Olive and Buffalo Killers) record for the Alive NaturalSound imprint, which is releasing the live set.
Alive at the Deep Blues Fest is due Nov. 27 on CD, digitally and on "BBQ-sauce red colored vinyl" (the fest was presented by the owner of a BBQ joint near the Twin Cities). Brian Olive has the songs "Traveling" and "Bonelle" on the release; Buffalo Killers open the album with "River Water" and an epic version of "It's a Shame," which is available for free download. Give it a listen below and hit the download button for your very own copy.
Buffalo Killers headline the Ballroom at the Taft Theatre on Nov. 16 with Hollis Brown opening. Tickets are just $8 in advance. Click here for tickets and more details.
In the Rap game today, Danny Brown — performing at Bogart's tonight with A$AP Rocky and A$AP Mob, plus Schoolboy Q — is a man among boys. Not only is his musical style unmatched in the underground Hip Hop scene but, at 31 years young, Brown was spitting rhymes long before Drake took his first spin in that wheelchair on Degrassi.
His road to the Hip Hop elite, however, wasn’t an easy one and his 2011 mixtape, XXX, is the perfect narrative of his hardships. Brown has dealt with the likes of depression (“XXX”), a devotion to drugs (“Die Like a Rockstar”), growing up in a rough neighborhood (“Fields”), a stint in jail (where he read MF Doom lyrics every day) and even an overwhelming obsession with cunnilingus (“I Will”). All of which have come together to shape this microphone maestro’s unique and uber-talented persona.
Although Brown’s missing front tooth lends him the resemblance of a homeless guy who spent his last dollars on a pair of skinny jeans, a fresh set of Adidas and haircut from 2002, he is quite possibly the best MC in the game today. His lyrical wordplay, rare vocal tone, wittiness and general Rock & Roll demeanor give Brown a leg-up on any rapper in the field, much akin to the likes of a less convoluted MF Doom or Lil Wayne at his most artistic.
Danny Brown is like Hip Hop’s Obi-Wan Kenobi. Save the Craft, Danny Brown — you’re our only hope!
Tickets for the "Long Live A$AP Tour" stop at Bogart's tonight are $27 at the door. The show is open to all ages. Here's the official video for XXX cut "Monopoly."
A stellar triple bill featuring an Indie fave and a pair of hot up-and-comers takes over Oakley's 20th Century Theater tonight. Tickets still remain, which is kind of ridiculous considering how ridiculously strong the lineup is. Showtime is 8 p.m. and tickets are $20 in advance (here) or $23 at the door.
Chicago-based, new-wavey buzz band California Wives released its full-length debut, Art History, on Vagrant in early September to tons of glowing reviews from the likes of Paste, Rolling Stone, Billboard and even Seventeen. The band's video for "Purple" (a promo deal with Sharpie, apparently) debuted during the recent MTV Video Music Awards. Fans of We Are Scientists should approve.
Also performing is Diamond Rings, the solo guise of Toronto's John O'Regan. With a look that's part Miley Cyrus with her new ’do and part Ziggy Stardust, Diamond Rings makes catchy Snyth Pop and AltRock. The new Diamond Rings album Free Dimensional will be released through EMI on Oct. 23. Here's the first single from the album, "I'm Just Me." (Read more from CityBeat here.)
Canada's Stars headline the night; the group is currently touring behind its new album, The North, which came out Sept. 4 on Dave Matthews' ATO Records. The band came up as buddies of Broken Social Scene; the groups even shared members early on. But with Stars' stunning Set Yourself on Fire, the band really came into its own with an eclectic, rich, buzzing Indie Pop sound that's hard to resist.
The new album adds a bit more of an Electro vibe, something gradually built upon over Stars' six album releases. Give a listen to the new album's "The Theory of Relativity" below.
You'll also be able to get a ticket (according to the email you'll be sent) at the OFA-OH Woodburn Office, 2718 Woodburn Ave.
Get a ticket to see The National in Cincinnati
To get a ticket, beginning Wednesday, October 3rd at 10:00 A.M. stop by an OFA-OH office listed below and volunteer.
Tickets will be required for entry to the event. One ticket per person.
1112 Walnut Street
Cincinnati, OH 45202
Doors open: 7:00 P.M.
OFA-OH Over the Rhine Office
1130 Main Street
Cincinnati, OH 45202