After two days of driving in the Vanarama — a 1996 GMC Rally 3500 in school-bus yellow — we're only about 3.5 hours outside of Austin.
This is the second time I've made the trek to SXSW, but every time I make the four-state drive, a few things remain constant: Arkansas highways suck and everything truly is bigger in Texas.
On the last stretch of 11 South, as you approach Crockett, Texas, road signs alternate between "Cemetery" and "Forest." This wouldn't have been so intimidating if we hadn't exchanged ghost stories about dead relatives and scary camping trips (Google "Appalachian Trail" and "scary photos"). We then stayed in a hotel that we seriously scoured for bed bugs before bringing in our gear. But cheap is worth it, right?
We are by no means alone in this endeavor. Thousands of bands travel across the country and the world, whether or not they're "officially" a part of the festival. This is the biggest weekend of the year for bands — whether they're on the rise or struggling to get a fresh start — and they'll do whatever it takes to be heard.
Tuesday (today) marks the beginning of the SXSW (as far as the music portion). The All Night Party's Midwest by Southwest showcase kicks off tonight and will feature some of our hometown favorites, including The Sundresses, The Lions Rampant, Wussy and The Seedy Seeds.
This official showcase is an anticipated event, not only for us Cincinnatians, but also the locals. The Austin Chronicle has named Wussy as one of the top 10 shows to see Tuesday. (Scroll to the bottom of the link for the Wussy write-up,.)
We're not even in Austin yet and Cincinnati's already making headlines at SXSW.
The Bunbury Music Festival in Cincinnati falls on the same weekend as two other big regional music fests, one 100 miles to our south and the other about 300 miles northwest of the Queen City. Like Bunbury, the Pitchfork Music Festival in Chicago and the 10th annual Forecastle fest are happening July 13-15.
In theory, the proximity (geographically and time-wise) should lead to some crossover, as artists from one event might run their tour route to the other cities to score some of those big festival performance fees. (MidPoint's 2011 fest in Cincy, for example, shared some acts with the somewhat nearby Pygmalion Music Festival in Urbana-Champaign, Ill.) But so far that hasn't happened with Bunbury, which seems to be focusing on more mainstream "Alternative" artists, as opposed to Pitchfork's more esoteric lineup and Forecastle's endearing mishmash of styles.
Louisville's Forecastle previously announced that hometown heroes My Morning Jacket would be curating the event and performing. This morning organizers announced that joining them will be Dubstep superstar Bassnectar and Dad Rock champs Wilco, plus Andrew Bird, Girl Talk, Atmosphere, Neko Case, Sleigh Bells, A-Trak, Dean Wareham (playing Galaxie 500 songs), Galactic, Clutch, Flying Lotus, Preservation Hall Jazz Band, Mike Doughty, Real Estate, Deer Tick, Charles Bradley, JEFF the Brotherhood and Cincinnati's Walk the Moon, among others. Click here for ticket info and the the full lineup so far.
Meanwhile, here is who Pitchfork announced yesterday for this year's event in Chicago's Union Park: Vampire Weekend, Feist, Godspeed You! Black Emperor, Hot Chip, AraabMUZIK, A$AP Rocky, The Field, Liturgy, Kendrick Lamar, Grimes, Cloud Nothings, Tim Hecker and Willis Earl Beal. Thirty more artists will be announced later.
Pitchfork tickets go on sale next Friday, March 9, at noon via the Pitchfork fest's site here.
So if you could go to any of the three festivals, based on the info available so far (and not counting travel costs and lodging arrangements) which one would you attend — Cincinnati's, Louisville's or Chicago's?
The Big Pig Music & Arts Festival kicks off today in Ripley, Ohio (about an hour southeast of Cincinnati) at the Pisgah Hill Farm. The event runs from this afternoon until about sunrise Sunday morning (great local Electronica group Skeetones play a fest-closing set from 2-4 a.m. Saturday night/Sunday morn). Billed as "3 days and 2 nights of music, camping, fire pits and barbecue spits," Big Pig features a mix of national, regional and top-notch local acts, as well as a late-night DJ tent, food from Habanero, Buzz Thru Coffee and other area establishments and "fire performances" by the folks from Nocturnal Arts. Pre-sale ticketing is over; admission is $40 at the gate. The fest website emphasizes that there is a $10 fee per car for camping (car pool if you can) and there is no on-site ATM machines, so be sure to bring cash. Click below for the full lineup and videos from several of the acts. And click here for complete details.
The members of Kentucky's Black Stone Cherry take pride in their closeness. They are still just four guys rocking out and living their dream. BSC's just-released third studio album, Between the Devil and the Deep Blue Sea, reached the Top 30 in the Billboard 200 and the group is currently on the Carnival of Madness tour with Alter Bridge, Theory of a Deadman, and Emphatic. The tour hits Dayton's X-Fest, at the Montgomery County Fairgrounds, this Sunday (click here for concert details). CityBeat recently spoke with Black Stone Cherry lead singer Chris Robertson in depth about the band and the personal issues he has dealt with over the past few years.
MidPoint Music Festival headliners Cut Copy yesterday dropped a new video, "Blink and You'll Miss a Revolution," from the band's recently released full-length Zonoscope. The clip uses Planet of the Apes-esque dudes in a way that's both amusing and crafty — way better than most of the videos MTV used to play back when it was a music channel. And it's a nice primer for the Aussies stop here next week.
Oh, and here's what I wrote when Zonoscope was released back in March — notice the bit about them not touring here:
"Not as dancey as the the first two CC records, Zonoscope is a spacier, more laid-back grower that reveals frontguy Dan Whitford's lyrical acumen (the big beats and thick synths used to push his words to the background). I'm curious to hear how this sounds live. Unfortunately, CC's current tour does not feature a Cincy stop — though the band is slated to play the Pitchfork Music Festival July 17 in Chicago. Road trip!"
Everybody has their own parameters for summer these days. Schools are gradually starting earlier every year, so many students’ “last day of summer” was in early August, while the calendar says it’s not until Sept. 22. But if you declare summer as “everything before Labor Day,” this is the last weekend of the season. And it seems like many “summer” music festivals are coming in just under the wire — this weekend sees the return of several fests (Ohmstead, Whispering Beard Folk Festival, Swinefest, Taste of Blue Ash), as well as the debut of a brand new one — the Feywill Music Festival, which shines a spotlight on some of Greater Cincinnati’s finest original artists Friday-Saturday at various venues in Covington’s MainStrasse Village.
How did 48 hours of exciting live music draw to a close so fast? I woke up Sunday morning with the slightly wistful feel that my whirlwind weekend would soon be over, but I quickly shook that and rushed to the “L” to get downtown for the final day of Lollapalooza 2011.
Due to my persistent caffeine addiction, I was late to Grant Park. I missed The Joy Formidable (though luckily we can all see them at the MidPoint Music Festival on Sept. 22), as well as Titus Andronicus and Fences, all bands I wanted to give a good go. I guess that’s what YouTube, Soundcloud, Facebook, MySpace, etc. are for.
The full lineup for this year’s MidPoint Music Festival is expected to be announced before Friday’s MidPoint Indie Summer concert on Fountain Square, but the schedule for one specially-themed hub of venues is now known. The stages along Jackson Street, the small cut-through road on which Know Theatre (which has two MPMF stages) and ArtWorks (one stage) are being collectively rebranded as “MidPoint’s Bioré Strip,” named for a product from sponsor Bioré Skincare, and will celebrate pioneering women in music and the female artist’s important role in local music and MPMF’s10-year history. The stages on the “Strip” will highlight women solo performers and acts with a female presence, a collection of performers from across the globe that includes the biggest acts at the festival (Deerhoof, Xiu Xiu, The Watson Twins), buzzing up-and-comers (Jessica Lea Mayfield, The Worsties, Lydia Loveless) and local favorites.(Carole Walker, Kelly Fine, The Fairmount Girls). See the full three-day lineup below.
Lollapalooza Day 2 dawned bright and early — I woke up a tad late, having burned the midnight oil too long the night before.
Rule No. 2 of Lollapalooza: Get enough sleep. Always. Especially if you’ll be walking every-the-heck-where.
I had been invited to an after-party Friday night, sponsored by Belvedere Vodka, at the W Chicago City Center downtown. I went in my sweaty Lolla regalia, and was rewarded with performances by Two Door Cinema Club and Fitz and the Tantrums.
EDITOR'S NOTE: This year's 20th anniversary edition of Lollapalooza in Chicago's Grant Park was once again a live, breathing, three-day mixtape featuring star artists (Coldplay, Eminem, Foo Fighters), established performers, cult heroes and up-and-comers. Local writer Leyla Shokoohe attended her very first Lollapalooza this past weekend and agreed to write about the experience for CityBeat. Below is her report on Day 1 as well as video from some of the performances mentioned, mostly from Lollapalooza's YouTube page. Keep an eye on this space for Day 2 and 3 dispatches soon.