A week after The Afghan Whigs played a thrilling homecoming show with fellow local greats Wussy at Bogart's, another pair of local bands making waves are set to play their hometown (or across the river from it).
Every time Cincinnati AltPop rockers Walk the Moon come home to play a show, it seems like their star has risen higher. The band is back in town tonight for a sold-out show at Covington's Madison Theater (which is also serving as the two-year anniversary party for the hard-hustling local music promo outlet, The Counter Rhythm Group).
Since last here, Walk the Moon's breakthrough single "Anna Sun" continues to get airplay across the globe, while the latest single, "Tightrope" (as heard in those much-played HP commercials) is picking up steam, as well. The group has also been on tour pretty much non-stop, performing all over North America and in Europe (after tonight's show, the group is off for a few days before resuming its headlining tour in Nashville). The band's Unplugged set for MTV also made it to the airwaves (not MTV, of course, but its HD sister, Palladia).
Check out the "Tightrope" clip below and a behind the scenes look at the making of it here.
Great local Indie Pop duo Bad Veins (fresh off their own cross-country tour dates, with even more coming up starting next week) open, along with L.A.'s Family of the Year. Bad Veins are currently prepping a new music video, as well; a clip for "Kindness" off of the duo's amazing The Mess We've Made Album. Here's a really strong video of the duo performing one of the new album's best tracks, "Don't Run," on the "Off the Avenue" series.
If you don't have tickets, you're going to have to do some hunting. As of this afternoon, there wasn't a single ticket available on StubHub for the concert.
Kishi Bashi is the name for the solo work of Brooklyn, N.Y.’s K Ishibashi, who’s become one of the go-to violin players in the world of Indie music, touring and/or recording with of Montreal, Regina Spektor and Alexi Murdoch, among many others.
Also a founding member of the Indie/Synth Pop group Jupiter One, Ishibashi’s own material is an expansive brand of Art Pop, featuring looped, symphonic strings and voices mixed with magnetic, layered Electronic/Dance sounds and slanted Pop melodies, harmonies and structuring. The end result is laid out gorgeously on Kishi Bashi’s compelling debut full-length on Joyful Noise Recordings from earlier this year, 151a, coming off like a strange but compelling mix of Andrew Bird, Smile-era Brian Wilson and of Montreal.
Whether you call him Beelzebub, Satan, the Prince of Darkness, Mephistopheles, or just the plain ole devil (it’s all about your preferred nomenclature, man) there is no denying the big guy downstairs has been a huge influence on Rock & Roll.
There have been a plethora of songs written about the dark lord (no I’m not talking about Voldemort, you posers) but the real question is — what are Satan’s favorite songs about himself?
So, like the top-notch investigative journalism team we are at the CityBeat music department, my editor Mike Breen and I bought some pig’s blood, drew a pentagram on the floor, lit some candles, recited some Latin and summoned the fallen angel himself.
After a long discussion on various human subjects — how Mitt Romney is in fact not the antichrist, but just an idiot; the state of Gene Simmons' soul and why he is going to hell (apparently, it’s not for his satanic look or the thousand acts of pre-marital sex, but for turning KISS into the biggest whore in the music industry) — Mephistopheles disappeared back into the hell mouth as quick as he came. (Who said real journalism was dead?)
Yet, left in his place was an evil list compiled by the demon of his Top 10 favorite songs about himself, with the instruction to print them without changes. (Satan’s actually a very polite guy but super narcissistic.) So, in honor of his wishes (and extra conscious of our agreement that riches will be bestowed on CityBeat if we completed the task), here are the Top 10 songs about Satan.
10. “Baptized in Flames” – Skeletonwitch
You ever wanted to know what Antichrist’s birth would be like? If so, you’re in luck because Athens, Ohio, natives Skeletonwitch give us a pretty vivid description of the scene.
Minus the death of the mother, inverted crosses burning, men dying and the overall end-times vibe, this birth isn’t all that different from a normal one. But let’s be honest, no matter who’s being popped out, the birthing process is pretty disgusting.
9. “Super-Charger Heaven” – White Zombie
If I had never seen an interview with Rob Zombie (he seems like a really nice guy), I would truly believe this guy had some serious demonic connections. From his grade-A horror films to his music riddle with witches, blood rituals and general spine-chilling terror, he is the poster child for all things evil.
Although his later solo work is a little campy at times, White Zombie always brought the hellish vibe to their brand of Groove Meta and they showcased it no better than on their 1995 single, “Super-Charger Heaven.”
8. “Beezleboss” – Tenacious D
Did you know it’s in the demon by-laws to never turn down a rock-off challenge? I didn’t either. Not until the cataclysmic disappointment, “Pick of Destiny,” came out in 2006 at least.
Even though this movie was shittier than the end of The
Human Centipede, Satan’s gut-busting drum solo (although impressive) wasn’t
enough to outmatch Tenacious D’s power of Rock and friendship, not only saving Kage’s
eternal soul (and anal virginity) but sending the devil back to hell and
finally finding a way to pay their damn rent. (Satan says he found it "cute" that the band would write a fictional song about defeating him and picked this song because he's angling for a part in Kung Fu Panda 4 with Jack Black.)
7. “Con Clavi Con Dio” – Ghost
Sweden probably isn’t the first nation you think of as a hotbed for satanic music (I know, ABBA was scary but definitely not satanic), but when Ghost’s Opus Eponymous came out in 2010, the band took another step towards making that a reality.
This whole album is just one big love letter to the prince of darkness and the first four lines of “Con Clavi Con Dio” says it all: “Lucifer/ We are here/ For your praise/Evil one.”
Overall, I don’t know what’s creepier — this band’s all-inclusive scare factor or their borderline stalker obsession with Satan. (Lucifer, if you’re reading this, you may want to consider a restraining order against these guys. I know they’re from Sweden, but I don’t think they are messing around.)
6. “Mean as Hell” – Johnny Cash
Besides making a star out of Honey Boo Boo and working as an investment banker on Wall Street, Satan says all he really ever wanted was a land to call his own. So God, like the sly dog he is, tried pull a fast one on his old nemesis, giving him the poorest land he had, the Rio Grande.
The Devil, being the mean son of bitch that he is, took God’s offering and riddled the area with scorpions, thorn trees, tarantulas, rattlesnakes and 110-degree weather, making the best hell on earth he could (take that God!).
In the end, Satan proved God wrong, but what’s more interesting is — who is meaner, Johnny Cash or Satan? Sure, Satan made the Rio Grande hell on earth, but Cash lived in it. My money’s on the “Man in Black.”
5. “Sympathy for the Devil” – The Rolling Stones
The devil has been a busy man over the years. He was “’Round when Jesus Christ/Had his moment of doubt and pain” and “Held a general's rank/When the Bliztkrieg raged/And the bodies stank.”
Even though I’m not that particularly puzzled by the nature of his game (am I the only one seeing the trend of death here?), it’s definitely one of the most iconic and politically-driven songs Satan ever inspired.
4. “The Oath” – Mercyful Fate
Kind Diamond is like the satanic equivalent of Pat Robertson. Sure, this guy isn’t actually a Satanist but over his illustrious career, his distaste for organized religion, overtly satanic lyrical content and general creepy demeanor has surely put him in good standing with the minions of hell’s army and their general.
I really could have picked almost any song from the King Diamond catalog, but this one — from the band he fronts, Mercyful Fate — really showcases his unconditional love for Lucifer. Really though, Diamond’s undying love for Satan is only comparable to the love Ryan Seacrest has for hair gel and being a douche. If the song weren’t so damn evil, it would almost bring me to tears.
3. “Hell Awaits” – Slayer
As if this song wasn’t scary enough running normally, apparently if you play “Hell Awaits” backwards, about two minutes in there is a hidden message that repeats "join us" over and over again. Joining what exactly, I’m not sure. Slayer fans? An indoor soccer league? The wait staff at the Olive Garden? Who knows?
What’s really funny, though, is that people freak out when they hear Slayer has a “satanic message” when you play it backwards. Really? If you listen to the song forward, the “satanic messages” are even more explicit. Jeez people, the whole thing is about Satan! It’s Slayer, what do you expect?
2. “N.I.B.” – Black Sabbath
Aside from “Sympathy for the Devil” this is the only other song on this list written from the perspective of Lucifer. Besides the monster riff and Black Sabbath general early awesomeness, what makes this track phenomenal is that it's about Satan falling in love and trying to become a good person.
Though knowing that information makes this song seem a little less evil and is slightly reminiscent of a Joss Whedon plotline (no dig there, it’s just true), it exemplifies why Black Sabbath will always be the best Metal band of all time — its creativity.
Personally, I wish Ben Gibbard would do one of his so cute (it makes me want to puke) acoustic covers of this song so I can play it at my wedding (like that’ll ever happen).
1. “Number of the Beast” – Iron Maiden
I’ve always been a bit confused when it comes to the actual logistics of this song. I mean, did he see this satanic ritual happening or not? My personal belief is that Steve Harris (lead guitar/writer) took one too many hits of LSD, watched The Omen II and had the most terrifying trip known to modern man.
Either way, “Number of the Beast" solidified Bruce Dickinson as Maiden's new lead singer (even though I’m more a Paul Di’anno fan myself) and made Maiden titans in the Metal genre.
Remember — I’m just the middleman here. If you have a problem with this list, I’m sure Satan would be willing to hear you out. (Here’s his contact email: firstname.lastname@example.org.)
EDITOR'S NOTE: This morning I sent Blake's write-up to Satan for approval (we usually don't do that, but, hey, it's Satan), he responded with a curt, all caps message: "WHERE IS MY FAVORITE BAND HOGSCRAPER!!! I WILL BRING YOU DOWN HERE EARLY IF YOU DON'T ADD MY THEME SONG!!! THANKS!!! HAIL ME!!!" He's referring to the mysterious, undead Cincinnati "Satanic Bluegrass" band Hogscraper and I can only assume his "theme song" is the one below. When I texted him just before posting I informed him that Hogscraper was back from the dead and headlining this Saturday's "Grand Opening Redux" concert at the new Southgate House Revival. "NO SHIT. I'LL BE THERE WITH SCARY BELLS ON. PRE-GAMING @ HOOTERS BEFOREHAND IF YOU WANNA HANG OUT!"
American Ska legends The Toasters perform a free show tonight at MOTR Pub in Over-the-Rhine. Showtime is 10 p.m. and — sorry, kids — you must be 21 or older to get in.
The band was one of the leading inspirations behind the "third-wave" Ska explosion of the ’90s, but the band actually began 30 years ago, influenced by the 2-Tone Ska movement in the U.K. The Toasters blend of NYC Rock and 2-Tone made them cult heroes in the Ska underground, as did the band's D.I.Y. approach; founding member (the sole one in the current lineup) Robert "Bucket" Hingley formed the influential Moon Ska Records in 1983 to release his own albums, as well as those by acts like Mustard Plug, The Slackers and Hepcat. The label's various compilations also gave a boost to up-and-coming, non-Moon acts like Less Than Jake and No Doubt.
Here's The Toasters' first music video, for the tune "Radiation Skank" off of the band's debut release, 1985's Recriminations EP (which was produced by British singer/songwriter Joe Jackson; he is to The Toasters what Elvis Costello was to The Specials).
And here is "Modern World America" off The Toasters' 2002 release, Enemy of the System.
Indie rockers The Kickback come to MOTR Pub in Over-the-Rhine tonight for a free show. The band formed just a few years ago in Chicago, where brothers Danny (drums) and Billy (vocals/guitar) had relocated from South Dakota. So far, the band has put out just one release — the Kill Fee EP, a mix of live and studio cuts — but its shimmering, winding brand of Indie Pop is said to really come alive on stage; The Kickback's live show has been lauded by The Chicago Sun-Times and other outlets for its explosiveness, while Rolling Stone, You Ain't No Picasso and other pro listeners have heaped praise on Kill Fee. Fans of The Walkmen, The Strokes, French Kicks and Pomegranates will delight in The Kickback's slanted but rocking style. The Yugos (MOTR's Artist in Residency for October) also perform.
Here's Kill Fee's great track, "Sting's Teacher Years."
Saturday night at Northside's Mayday is the debut of the Cincy Psych Fest, a multi-band event inspired by the popular Austin Psych Fest, a six-year-old event that showcases the current state of Psychedelic/Garage Rock and Pop, led by artists like The Black Angels, The Warlocks and Dead Meadow.
The Cincy Psych Fest is the brain child of Laura Dolan, Laura Skaggs and creative local commercial arts enterprise We Have Become Vikings. The team has assembled a great first-year lineup of national, regional and local acts inspired by the sounds of ’60s Psychedelia and Garage. The fest will present bands on Mayday’s indoor stage as well as on an outdoor, second-floor stage. Tickets are $10 (advanced ones are available through ticketfly.com here) and the fest begins at 6 p.m.
Here are some samples from the various artists. Click the band name for more info on each.
The People’s Temple (Lansing, Mich.)
Mondo Drag (Davenport, Iowa)
Outer Minds (Chicago)
Heaven’s Gateway Drugs (Ft. Wayne, Ind.)
Sisters of Your Sunshine Vapor (Detroit)
Here are the Cincinnati bands on the bill:
Cincy newcomers Children of The Emerald Fire (featuring fest organizer Laura Dolan and an all-star local music crew featuring former members of Pernicious Knifs, The High & Low and many other local groups) are also performing, as is The Tongue & Lips:
Adding to the trip will be DJ Blythe Shadburn and Doctor Robert’s Ocular Odyssey‘s Psychedelic Light Show.
Find info on all of the performers and more at cincypsychfest.com.
Experimental Indie/Art Pop/Hip Hop band Why? performs its first local show since the release of the group's stellar fourth studio album, Mumps, etc., earlier this month. The band — which helped build the awesome Anticon label — plays downtown tonight at the Contemporary Arts Center for an 8 p.m., all-ages show. Tickets are $14. After tonight’s show, Why? gets back on the road for a tour that’ll take them all over the U.S., then overseas for dates in Prague, Croatia, Italy, Germany and Israel, among other countries.
Here's a great music video for the Mumps track "Strawberries," filmed in Northside during the most recent 4th of July parade. The vid was directed by Scott Fredette (an accomplished video artist and also a founder of Indie Pop foursome Culture Queer) and Alex Parks.
The band members also participated in a series of videos about the making of a Why? documentary by "DIY filmmaker Gerrek Reid," aka hilarious Cincinnati native and on-the-rise L.A. comedian Andre Hyland. Check the very entertaining and often hysterically funny "Documenting WHY?" web series below.
UPDATE: Tonight's CAC concert is SOLD OUT.
On Sept. 19, Scruby released Boy Genius, which is his second Hip Hop mixtape in less than a year. In two weeks, Boy Genius is less than a thousand downloads from surpassing Best Foot Forward, which Scruby released last November.
Over the 10 months since officially entering the music scene, Scruby has taken off. While making Boy Genius, Scruby studied at Ohio State University and played a few shows. His biggest shows included opening for J. Cole at May’s BuckeyeThon Benefit Concert at OSU. Recently, he opened for Machine Gun Kelley and performed at Ohio University’s 10Fest.
Along with live performances, Scruby and his team at LandSea Media produced enough videos to keep fans entertained while they worked on Boy Genius.
The wait for the new music was worthwhile. I was instantly blown away at the quality of the music. It didn’t sound as if it was produced in a dorm room, but rather a professional studio. The audio was balanced and the vocals weren’t hidden under a blanket of bass.
As for the lyrics, Scruby uses a mix of wordplay and comedy in his songs, and it works. His tracks follow a life of love (or rather, lovemaking), success and partying. Although I find these themes to be a stereotype of rap, Scruby pulls off the stereotypical rap lifestyle with ease.
Mixtape opener “Double Time” features Cincinnati’s own DJ ETrayn. He welcomes fans to the musical journey before the song begins. The start of this track is reminiscent of Dumbfoundead’s “Green.” This song makes me want to lean my driver’s seat back and drive with one hand on the steering wheel while doing 50 in a 25.
What seems to be a fan favorite is “Fux With Me.” Crowds at 10Fest wore shirts donned with "I Fux With Cal Scruby." The song isn’t my personal favorite, but I enjoy the tour of people who "fux" with Scruby and how he doesn’t let it slow him down.
My personal favorite is the bonus track “Midwest City,” which is a tribute to his hometown, that city where they sin two times. This closes the album and leaves me wanting to hear more from Scruby.
Even though high school is long gone, I can’t go somewhere
without hearing about the guy who was super cereal about ManBearPig and now,
he’s super cereal about his music.