Today, the Enquirer posted a story about the Cincinnati Museum Center considering the addition of a 11,200-square-foot green roof system, which is an awesome prospect. The roof would be covered with plants, could last longer than a normal roof, and would better deal with storm run-off. Not only that, but it would double the amount of green roof space in the city.
But buried at the bottom of this article is mention of another part of the issue. "The other components of the center's project - funded by a $2.4 million local tax levy, the city of Cincinnati, the state and a National Parks Service program called Save America's Treasures - include restoring long-unused dining rooms and exterior repairs," the article states.
It's the National Parks Service program that I think deserves a little more attention. Frankly, it seems amazing, not only for what it has done for the country, but for what it has done for Cincinnati.
Save America's Treasures (SAT) was started in 1998 and has the directive of "protected America's threatened cultural treasures," like a governmental, art-saving Boondock Saint. Actually a daughter organization of both the National Parks Service and the National Trust for Historic Preservation, it has completed more than 850 projects since its creation with what seems like a focus on architecture.
In Cincinnati alone, the SAT in 2003 granted $199,000 in 2003 to the Majestic Theater, $250,000 to the Cincinnati Union Terminal, $150,000 to The Showboat Majestic. And in 2005, they granted $135,250 to restore Joan Miro and Saul Steinberg Murals from Terrace Plaza Hotel and get them on display at the Cincinnati Art Museum.
This 11 x 75 ft mural by New Yorker artist Saul Steinberg is one of the only murals he made.
What other badass art has the SAT helped saved, you might ask. Well, how about the Palace Theatre in Columbus. Not a theater buff, what about the The New York Philharmonic Leonard Bernstein Collection. Still not impressed, what about the Moundville Archaeological Park in Tuscaloosa, Alabama. Oh, you're more into recent history, they gave$295,586 to the USS Joseph P. Kennedy in Massachusetts. Maybe you just like to party, in 2006 Gadsby's Tavern in Alexandria, Virginia got about $50,000 . And my personal favorite, in 1999 they granted $331,000 to save the Anti-Slavery Pamphlet Collection in Ithaca, New York.
The collections of dances, photographs and other documents that have been touched by Saving America's Treasures is astounding, not to mention the dozen of courthouse they've helped to restore across the country.
Just check them out. Our government isn't complete screwed up all the time.
Some people yearn for sunshine this time of year and find their way to a beach to recharge their batteries. Theater fans who are impatient for the annual Cincinnati Fringe Festival, which doesn’t roll around until June, were reminded this past weekend of the kind of creativity that makes those two weeks in early summer so stimulating. Thanks to the drama program at UC’s College-Conservatory of Music (CCM), theater fans were offered a jolt of onstage vitality that just might be enough to sustain us for a few months. It was a festival called Transmigration.
In the Association of Art Museum Curators' recent Annual Awards for Excellence (for the calendar year 2010), Benedict Leca — curator of European Painting and Sculpture at Cincinnati Art Museum — won first place in the Outstanding Article, Essay or Extended Catalogue Entry category for his "A Favorite Among the Demireps" article for the museum's Thomas Gainsborough and the Modern Woman exhibition. He also organized the show.
8 is the real-life story about two loving same-sex couples
living in California who want to get married but can't because in 2008 Proposition 8
took away the right for LGBT couples to marry in California.
Just like these couples, gay-rights
activists have been fighting for same-sex marriages across America for more than a
decade. Some progress has been made as gay marriage is now legal in nine states
and the District of Columbia, but many California residents feel left
out and are eager to resume same-sex marriage in their state.
After being engrossed with all the drama of the courtroom and seeing
how the case affects the plaintiffs in 8, tune back into
reality as the U.S. Supreme Court is likely to announce a decision about
Proposition 8 today.
On Thursday evening I slogged through the humid, 100 degree soup
of downtown Cincinnati to hear a World Choir Games concert at the
Masonic Center on Fourth Street (next door to the Taft Theatre). I've
lived in Cincinnati for 32 years and covered lots of arts events, but
I've never set foot inside this honeycomb of stages, halls and meeting
rooms. The sold-out event I attended, "Global Harmony," was in a steeply
sloped, floridly decorated auditorium that seats approximately 1,000
people. A four-step set of risers was set up in front of a proscenium
with a curtain; the scenery was provided by three choirs, two
international groups — the Diocesan Schools Choral Society from Hong
Kong and the Stellenbosch University Choir from South Africa — both
highly recognized ensembles at the 2010 World Choir Games in Shaoxing,
China. The third choir had a shorter trek to Cincinnati; the Capital
University Chapel Choir, about 80 singers strong, came from Columbus and
held its own with the two groups from other continents.
The Hong Kong group, roughly 120 high school boys and girls, offered a beautiful, restrained program of earnestly conceived works performed with polish, some religious and some literary (the latter included a piece based on Robert Burns' poem, "My Love is Like a Red, Red Rose"). The singers from Capital University had the men attired in black suits, shirts and ties, the women in long dresses with identical bias-cut necklines but in varying colors, bright blue, maroon and navy. Their program was an interesting mixture of pieces, with several uptempo numbers — a lovely song by Dolly Parton, "Light of a Clear Blue Morning," that featured a crystalline solo by Annie Huckaba, and several rhythmic works, "Hehehlooyuh" and "Tshotsholoza," both of which evoked strong responses from the audience. The latter, a South African number, featured two forceful soloists, Chris Bozeka and Nicholas Klein, as well as percussive accompaniment on African drums by Emily Riggin and another chorus member (not named in the program).
The Stellenbosch choir, constituted of approximately 120 white and black college students and which earned three gold medals in the 2010 World Choir Games in China, presented a half-dozen songs plus an encore. "Kiasa-isa Niyan," described by conductor André van der Merwe as a counting song from the Philippines, used catchy choreography and motion, including chest thumping, vocal clicking, head snapping and a sharply executed bow at the end. The most moving number of the program, a traditional Zulu song, "African Prayer." It pulled six strong-voiced soloists (again, not named in the program) to the front of the stage and placed two more among the audience for an emotional call-and-response counterpoint that evoked a standing ovation.
In fact, each group was greeted with sustained applause as its singers filed on stage and cheered with a standing ovation after their performance. The audience was appreciative and wildly enthusiastic; some were parents of the Capital University performers, but many others were clearly people who simply love choral performances that are delivered with finesse, creativity and enthusiasm. Fifth Street was choked with buses bringing people from various hotels beyond downtown, here as tourists to listen to these performances.
Oh, yes: The auditorium was comfortably air-conditioned, a fact appreciated by those in attendance as well as the singers. It was a fine way to be introduced to the possibilities of the World Choir Games, here in the United States — not to mention in Cincinnati — for the first time ever. I was proud to be in attendance.
Stephen Schwartz is well known in the world of musical theater as the composer of Wicked, the mega-hit Broadway musical that’s been running since 2003 (more than 3,200 performances to date). But he started his career a long time ago, composing the music for Godspell way back in 1971. At the age of 24, he followed Godspell with another hit, the 1972 musical Pippin (which ran for five years, nearly 2,000 performances). It’s the season opener in a three-weekend run at Covington’s Carnegie Center beginning Friday.
Quite a few local theaters are opening new productions this week, but if I were to point you to just one for this weekend, it would be Next Fall, a new play by Geoffrey Nauffts, at Ensemble Theatre.
The best theater is honest and real, and that's what True Theatre is setting out to offer via four evenings of "true stories told by real people" beginning tonight at 7:30 p.m. at Know Theatre and continuing into next summer.
Earlier this week, Bicycles: Love Poems by Cincinnati-native and Virginia Tech professor Nikki Giovanni went on sale. The poems in this collection are meant to serve as a companion to her 1997 work, Love Poems. This is her 27th work. In the book, she addresses, among many things, the tragedy at Virginia Tech. Hear an interview with Giovanni and read an excerpt on NPR here.