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by Kenneth McNulty 07.01.2013
Posted In: Theater, COMMUNITY at 02:53 PM | Permalink | Comments (0)
 
 
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Free Shakespeare in the Park Tour Returns

Cincinnati Shakespeare Company presents seventh annual summer series

Cincinnati Shakespeare Company continues its summer tradition of Shakespeare in the Park as the free series returns for the seventh year this August. Romeo and Juliet and A Midsummer Night’s Dream will be showcased in parks around the Greater Cincinnati area and Northern Kentucky Aug. 3-30.

CSC Ensemble Member Nicholas Rose is directing the classic lovers tale, Romeo and Juliet. While the fantastic story of betrayal and magic in A Midsummer Night’s Dream is being directed by CSC Education Associate Miranda McGee. Six actors from the CSC Resident Ensemble will be acting in these performances. After the free park tour, they will continue to tour community centers, schools, venues and other performance centers into May of 2014.

Cincinnati Shakespeare Company is continuing its partnership with Cincinnati Parks and Recreation, offering free shows at Seasongood Pavilion in Eden Park, Burnet Woods, Mt. Echo Park and the new Smale Riverfront Park. Washington Park will see the group on their tour, alongside parks in Madeira, Colerain and Monroe in Ohio, and Burlington, Edgewood and Maysville in Kentucky. The acting troupe will have two performances at the Vinoklet Winery as well. Certain park locations will be accepting canned food and non-perishable items — CSC has a partnership with the Freestore Foodbank.

If a free, al fresco viewing of Shakespeare’s best sounds fun, then make sure to get to each performance early to ensure good seating. All shows are general admission with first-come, first-serve seating. For more information go to cincyshakes.com.

For show times and locations, refer to the list below:

Saturday, Aug. 3, Romeo and Juliet at 7 p.m. in Boone Woods Park, Burlington

Wednesday, Aug. 7, Romeo and Juliet at 7 p.m. in Eden Park – Seasongood Pavilion, Mount Adams

Thursday, Aug. 8 Romeo and Juliet at 7 p.m. in Burnet Woods, Clifton

Friday, Aug. 9 Romeo and Juliet at 7 p.m. in the Monroe Community Park, Monroe, Ohio

Saturday, Aug. 10 A Midsummer Night’s Dream at 6:30 p.m. in the Harry Whiting Brown Lawn, Glendale

Sunday, Aug. 11 Romeo and Juliet at 7 p.m. in the McDonald Commons Park, Madeira

Wednesday, Aug. 14 A Midsummer Night’s Dream at 7 p.m. in Browning Shelter, Maysville, Ky.

Thursday, Aug. 15 A Midsummer Night’s Dream at 7 p.m. in Mt. Echo Park, Price Hill

Friday, Aug. 16 A Midsummer Night’s Dream at 7 p.m. at the Vinoklet Winery, Colerain

Saturday, Aug. 17 A Midsummer Night’s Dream at 7 p.m. at the Miami Whitewater Forest – Harbor Point, Harrison

Sunday, Aug. 18 A Midsummer Night’s Dream at 7 p.m. in Washington Park, Over-the-Rhine

Wednesday, Aug. 21 A Midsummer Night’s Dream at 7 p.m. in Burnet Woods, Clifton

Thursday, Aug. 22 A Midsummer Night’s Dream at 7 p.m. in Colerain Park

Friday, Aug. 23 Romeo and Juliet at 7 p.m. at the Vinoklet Winery, Colerain

Saturday, Aug. 24 A Midsummer Night’s Dream in Keehner Park, West Chester

Sunday, Aug. 25 Romeo and Juliet at 6 p.m. in Presidents Park, Edgewood, Ky.

Tuesday, Aug. 27 A Midsummer Night’s Dream at 7 p.m. in Uptown Park, Oxford

Wednesday, Aug. 28 A Midsummer Night’s Dream at 7 p.m. at the Clifton Cultural Arts Center Lawn

Thursday, Aug. 29 A Midsummer Night’s Dream at 7 p.m. at the Smale Riverfront Park, Downtown

Friday, Aug. 30 A Midsummer Night’s Dream at 7 p.m. at the Eden Park – Seasongood Pavilion, Mount Adams

 
 
by 12.06.2010
Posted In: Theater at 03:29 PM | Permalink | Comments (0)
 
 
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Pop-Up Theater

Cincinnati finally got its first "pop-up shop," a holiday effort by local merchants to band together to take over unused retail space in Over-the-Rhine for a short period and then vacate when done. See photos from its opening weekend here.

'Tis also the season for pop-up theater, smaller productions that are squeezed in between performances of mainstage shows. One opens tonight at Know Theatre of Cincinnati.

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by Rick Pender 12.04.2009
Posted In: Theater at 04:03 PM | Permalink | Comments (3)
 
 
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Stage Door: Holiday-Free Theater

I think there are few more satisfying segments of musical theater than the opening 10 minutes of the musical Chicago, which is in town for a brief run at the Aronoff Center. The first number, “All That Jazz,” gives you an encyclopedia of the stylistic dance moves of iconic choreographer Bob Fosse, followed by “Funny Honey,” an introduction of Roxie Hart, who murders her low-life lover. A few minutes later, “Cell Block Tango” provides the set-up for the colorful women who are in prison for their acts of violence. The touring production stars Terra MacLeod as Velma Kelly and Bianca Marroquin as Roxie Hart (the roles played by Catherine Zeta-Jones and Renee Zellweger in the Academy Award-winning film) and they dance and sing with the requisite zest. Chicago opens with a quick speech defining it as containing “violence, exploitation, adultery and treachery — all the things we hold near and dear to our hearts.” If you’re looking for a stylish musical with nary a whiff of the holidays, this is the show to see this weekend. It runs through Sunday. Tickets: 800-982-2787.

 
 
by Rick Pender 08.20.2010
Posted In: Theater at 05:32 PM | Permalink | Comments (0)
 
 

25: The Season (at Ensemble Theatre)

OK, I’m a little behind the curve in sharing the word about Ensemble Theatre of Cincinnati’s 25th season, which was actually announced about a week ago. It was a tad anticlimactic, since Producing Artistic Director D. Lynn Meyers had announced some of this information back in early June. Nevertheless, with the opening of the 2010-2011 season just a few weeks away, the complete picture is now in place. ETC will offer four regional premieres, a premiere musical revue and several special limited performance events.

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by Rick Pender 10.06.2009
Posted In: Theater at 09:19 AM | Permalink | Comments (0)
 
 

Covedale Center Unveils Expansion Tonight

Since the Covedale Center for the Performing Arts opened back in 2002, it’s become the go-to place for onstage entertainment on the West Side, including the summertime Cincinnati Young People’s Theatre, which provides theater opportunities for high school kids from across the city. The facility is owned and operated by Cincinnati Landmark Productions (CLP), recently inducted into the Cincinnati Entertainment Awards Hall of Fame on Aug. 30. CLP also operates the Showboat Majestic

The Covedale Center has been a busy place, but the converted 1940s movie house had minimal backstage space — until now. After several years of tight quarters, no running water or bathrooms, the facility has been renovated and expanded: There is now a rehearsal studio, a green room, two dressing rooms, shop space and two handicapped-accessible bathrooms. This evening marks the grand opening of the addition with a reception for VIPs and local media.

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by Rick Pender 02.17.2012
Posted In: Theater at 11:09 AM | Permalink | Comments (1)
 
 
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Stage Door: Transmigration and Several Critic's Picks

Andrew Bovell’s Speaking in Tongues is a complicated noir-ish tale of marital deceit and cryptic crime that unfolds more clearly because of its accomplished four-actor cast, including local professionals Bruce Cromer (who’s played roles as varied as Ebenezer Scrooge for the Playhouse to King Lear for Cincinnati Shakespeare) and Amy Warner (a regular at Ensemble Theatre and Cincinnati Shakespeare). The show is a fascinating piece of theater that takes work to watch, follow and absorb. I suppose that some casual theatergoers will be put off by it, but if you like challenging drama and multi-layered acting, you’ll leave the theater with your gears spinning. I gave Speaking in Tongues a Critic’s Pick in this week's "Curtain Call" column. Onstage through March 4. Box office: 513-421-3888.

If you’re a fan of the Cincinnati Fringe, you should check out the Transmigration Festival at CCM on the University of Cincinnati campus. I was there last evening and saw three of the six performances, especially enjoying Booth, an interactive piece by nine actors based on John Wilkes Booth’s final days. I also was entertained by The Eddie Shanahan Show, closely inspired by Dickens’ A Christmas Carol, but with some very modern twists. Attendees choose between six brief productions (30 minutes or less) that are completely created, promoted, enacted and staged by drama students. It’s a February boost of creativity, staged throughout the CCM facility, Friday and Saturday evenings at 7:30, as well as a 2:30 matinee on Saturday. Admission is free, but you need to call the CCM box office to reserve your ticket: 513-556-4183.

Another university option can be found at NKU. It’s Aaron Sorkin’s The Farnsworth Invention, telling the story of Phil Farnsworth who invented television but spent much of his life in legal wrangles with David Sarnoff, RCA executive and the first “media mogul.” Sorkin's credits — from The West Wing to The Social Network — are a guarantee of a heady, exciting tale based on real events. Tickets ($14 is the maximum price): 859-572-5464.

Know Theater’s “comedy of anxiety” by Allison Moore, Collapse, opens with the collapse of a highway bridge over the Mississippi River in Minneapolis. But it’s about all kinds of things falling down — the economy, relationships. This is the kind of edgy script Know Theatre is known for, funny but meaningful. I gave the production a Critic’s Pick because it combines heart and humor. Collapse is presented with comic finesse and fine acting, especially by local professional actress Annie Fitzpatrick. Know’s best work of the season. Through March 3. Tickets: 513-300-5669.

This weekend is your last chance to see the regional premiere of Matthew Lopez’s The Whipping Man at Ensemble Theatre (through Saturday evening). The historical play, set in Richmond, Va., in April 1865, just days after the end of the Civil War, is a gripping drama that’s beautifully staged and convincingly acted. I gave it a Critic’s Pick. The production has been extended a week because of demand for tickets; you won’t be contending with subscribers this weekend, so if you haven’t seen it yet — call for a ticket: 513-421-3555.

Each week in Stage Door, Rick Pender offers theater tips for the weekend, often with a few pieces of theater news.

 
 
by Steven Rosen 06.03.2011
Posted In: Visual Art at 11:26 AM | Permalink | Comments (0)
 
 
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Cincy Art Museum Curator Wins AAMC Award

In the Association of Art Museum Curators' recent Annual Awards for Excellence (for the calendar year 2010), Benedict Leca — curator of European Painting and Sculpture at Cincinnati Art Museum — won first place in the Outstanding Article, Essay or Extended Catalogue Entry category for his "A Favorite Among the Demireps" article for the museum's Thomas Gainsborough and the Modern Woman exhibition. He also organized the show.

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by Rick Pender 03.13.2009
Posted In: Theater at 10:11 AM | Permalink | Comments (0)
 
 

Stage Door: Don't Be Afraid of Friday the 13th

There's nothing unlucky about Friday the 13th in the theater world. (Theater folks have enough other superstitions anyway.) So you have lots of excellent choices this weekend, from the very funny The Foreigner at the Playhouse (just opened) to the satiric Timon of Athens at Cincinnati Shakespeare (see review here).

If you want a heavy-duty drama, try Bent at New Stage Collective (it's about the mistreatment of gays in Nazi concentration camps; see my review here). And if you want to see some of the talent that keeps spilling out of UC's College-Conservatory of Music, I recommend that you stop by the Over-the-Rhine nightclub Below Zero tonight after 10 p.m.

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by Rick Pender 03.01.2013
Posted In: Theater at 08:38 AM | Permalink | Comments (0)
 
 
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Stage Door: Old and New

If you're looking for an unusual but gripping theatrical production this weekend, you should head straight to UC's College-Conservatory of Music for The Threepenny Opera. Don't think that this is some stuffy old piece from 1928, although that's when the show with a script by Bertoldt Brecht and music by Kurt Weill was first performed. It was radical and challenging, mocking the establishment and paying no heed to social structures. This musical theater production, staged by CCM Opera Chair Robin Guarino, feels lethal and threatening. You'll recognize a tune or two ("Mack the Knife" is the show's familiar tune), and if you've seen Cabaret or Urinetown, you'll recognize how this piece influenced those works. Guarino's production, with a big cast and an imaginative set (designed by Tony Award winner John Arnone), captures the vitality and spirit of the original work. I doubt we'll see another production of this one very soon, so here's your chance to catch a bit of theater history — and be both entertained and provoked. Definitely worth seeing. Through March 10. Box office: 513-556-4183.

If you haven't yet seen Know Theatre's production of When the Rain Stops Falling, that's another one you should have in your sights. Andrew Bovell's dense, imaginative script is a compelling story of multiple, intersecting generations of two families. (Review here.) The taut, engaging 100-minute production, staged by Cincinnati Shakespeare's Brian Phillips, features several of that company's best actors, as well as several other local standouts. One of the best productions from Know Theatre in several seasons. It's onstage through March 16. Tickets: 513-300-5669.

I haven't seen it (alas, my schedule just doesn't have room for everything), but Legally Blonde: The Musical at NKU has received props from the League of Cincinnati Theatres as an entertaining production.
It's the story of Elle Woods, spurned by her fiancé, off to Harvard Law School in pursuit of him, only to discover that she's got the smarts to be more than just a girlfriend. Not profound, but surefire entertainment. Through Sunday. Tickets: 859-572-5464

This is the second and final weekend for Catie O'Keefe's world premiere, Slow Descent from Heaven, presented by New Edgecliff Theatre. (O'Keefe is NET's playwright-in-residence). It's being performed in a converted classroom at the Clifton Cultural Arts Center, directed by Ed Cohen. The central character, Molly (Elizabeth A. Harris), is a NASA scientist whose story is bookended by space shuttle disasters in 1986 and 2003. An angry, tense character, her involvement with men has affected her career and her attitude. The story has a reverse chronology, so we peal backwards in time to learn more about why she's the way she is. This is a good chance to see an original script by a local writer. Tickets: 513-399-6638.
 
 
by Rick Pender 02.24.2012
Posted In: Theater at 11:23 AM | Permalink | Comments (0)
 
 
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Stage Door: Sondheim at CCM; Broadway 2012-13

A lot of Stephen Sondheim’s shows are kind of heady, but Into the Woods — an intersection of a bunch of fairytale characters — is perhaps the most approachable and especially when it’s given the kind of colorful, overflowing with talent treatment that you’ll find for the next two weekends at UC’s College-Conservatory of Music (that’s longer than usual, but tickets will still be in short supply, I suspect). Act I is about “happily every after,” while Act II explores what comes next. Twenty years ago, when an endowed chair in musical theater (the first in the nation) was established at CCM, professor and director Aubrey Berg staged the show; to honor the gift of Patricia Corbett, he’s mounting a new production at the theater named in her honor. I thought last fall’s Oklahoma at CCM was a wonderful production, but this one, which I saw open on Thursday evening, is even better, with an incredible array of talent and wildly inventive staging. Tickets: 513-556-4183.

A year ago Cincinnati Shakespeare had a big hit with a stage adaptation of Jane Austen’s Pride & Prejudice. Looks like they’ve done it again with another adaptation of the 19th-century novelists Sense & Sensibility. This time it’s the sisters Dashwood, one rational and one emotional. The roles are wonderfully played by Kelly Mengelkoch (as the reserved, reasonable Elinor) and Sara Clark (as the willful and romantic Marianne), and they’re surrounded by delightfully drawn supporting characters — and a story of romance and domestic intrigue. I gave the production a Critic’s Pick. I’m told that several performances are already sold out (it’s onstage through March 18), so if you hope to see this one, you should line your tickets up right away. Tickets: 513-381-2273.

In case you wanted a short course in shows by Sondheim, the next few weeks is your big opportunity. In addition to Into the Woods at CCM, you can catch the touring production of West Side Story at the Aronoff (it opens a two-week run on Tuesday), a show that Sondheim wrote the lyrics for when he was 26 (he’s about to turn 82). And a week from now, the Cincinnati Playhouse will start previews of Merrily We Roll Along, a show from 1981 that was a flop at first, but now is praised as one of his greatest musical accomplishments. It’s about the joys and frustrations of success from the perspective of people involved in creating musical theater. It will be on the Marx Stage through March 31.

Andrew Bovell’s Speaking in Tongues is a complicated noir-ish tale of marital deceit and cryptic crime that unfolds more clearly because of its accomplished four-actor cast, including local professionals Bruce Cromer (who’s played roles as varied as Ebenezer Scrooge for the Playhouse to King Lear for Cincinnati Shakespeare) and Amy Warner (a regular at Ensemble Theatre and Cincinnati Shakespeare). The show is a fascinating piece of theater that takes work to watch, follow and absorb. I suppose that some casual theatergoers will be put off by it, but if you like challenging drama and multi-layered acting, you’ll leave the theater with their gears spinning. I gave Speaking in Tongues a Critic’s Pick. Through March 4. Box office: 513-421-3888.

Know Theater’s “comedy of anxiety” by Allison Moore, Collapse, opens with the collapse of a highway bridge over the Mississippi River in Minneapolis. But it’s about all kinds of things falling down — the economy, relationships. This is the kind of edgy script Know Theatre is known for, funny but meaningful. I gave the production a Critic’s Pick because it combines heart and humor. Collapse is presented with comic finesse and fine acting, especially by local professional actress Annie Fitzpatrick. Know’s best work of the season. Through March 3. Tickets: 513-300-5669.

Planning for next season? Check out my blog from last Sunday about what Broadway in Cincinnati will be presenting, including the zany Blue Man Group.

Each week in Stage Door, Rick Pender offers theater tips for the weekend, often with a few pieces of theater news.

 
 

 

 

 
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