Cincinnati Shakespeare Company continues its summer tradition of Shakespeare in the Park as the free series returns for the seventh year this August. Romeo and Juliet and A Midsummer Night’s Dream will be showcased in parks around the Greater Cincinnati area and Northern Kentucky Aug. 3-30.
CSC Ensemble Member Nicholas Rose is directing the classic lovers tale, Romeo and Juliet. While the fantastic story of betrayal and magic in A Midsummer Night’s Dream is being directed by CSC Education Associate Miranda McGee. Six actors from the CSC Resident Ensemble will be acting in these performances. After the free park tour, they will continue to tour community centers, schools, venues and other performance centers into May of 2014.
Cincinnati Shakespeare Company is continuing its partnership with Cincinnati Parks and Recreation, offering free shows at Seasongood Pavilion in Eden Park, Burnet Woods, Mt. Echo Park and the new Smale Riverfront Park. Washington Park will see the group on their tour, alongside parks in Madeira, Colerain and Monroe in Ohio, and Burlington, Edgewood and Maysville in Kentucky. The acting troupe will have two performances at the Vinoklet Winery as well. Certain park locations will be accepting canned food and non-perishable items — CSC has a partnership with the Freestore Foodbank.
If a free, al fresco viewing of Shakespeare’s best sounds fun, then make sure to get to each performance early to ensure good seating. All shows are general admission with first-come, first-serve seating. For more information go to cincyshakes.com.
For show times and locations, refer to the list below:
Saturday, Aug. 3, Romeo and Juliet at 7 p.m. in Boone Woods Park, Burlington
Wednesday, Aug. 7, Romeo and Juliet at 7 p.m. in Eden Park – Seasongood Pavilion, Mount Adams
Thursday, Aug. 8 Romeo and Juliet at 7 p.m. in Burnet Woods, Clifton
Friday, Aug. 9 Romeo and Juliet at 7 p.m. in the Monroe Community Park, Monroe, Ohio
Saturday, Aug. 10 A Midsummer Night’s Dream at 6:30 p.m. in the Harry Whiting Brown Lawn, Glendale
Sunday, Aug. 11 Romeo and Juliet at 7 p.m. in the McDonald Commons Park, Madeira
Wednesday, Aug. 14 A Midsummer Night’s Dream at 7 p.m. in Browning Shelter, Maysville, Ky.
Thursday, Aug. 15 A Midsummer Night’s Dream at 7 p.m. in Mt. Echo Park, Price Hill
Friday, Aug. 16 A Midsummer Night’s Dream at 7 p.m. at the Vinoklet Winery, Colerain
Saturday, Aug. 17 A Midsummer Night’s Dream at 7 p.m. at the Miami Whitewater Forest – Harbor Point, Harrison
Sunday, Aug. 18 A Midsummer Night’s Dream at 7 p.m. in Washington Park, Over-the-Rhine
Wednesday, Aug. 21 A Midsummer Night’s Dream at 7 p.m. in Burnet Woods, Clifton
Thursday, Aug. 22 A Midsummer Night’s Dream at 7 p.m. in Colerain Park
Friday, Aug. 23 Romeo and Juliet at 7 p.m. at the Vinoklet Winery, Colerain
Saturday, Aug. 24 A Midsummer Night’s Dream in Keehner Park, West Chester
Sunday, Aug. 25 Romeo and Juliet at 6 p.m. in Presidents Park, Edgewood, Ky.
Tuesday, Aug. 27 A Midsummer Night’s Dream at 7 p.m. in Uptown Park, Oxford
Wednesday, Aug. 28 A Midsummer Night’s Dream at 7 p.m. at the Clifton Cultural Arts Center Lawn
Thursday, Aug. 29 A Midsummer Night’s Dream at 7 p.m. at the Smale Riverfront Park, Downtown
Friday, Aug. 30 A Midsummer Night’s Dream at 7 p.m. at the Eden Park – Seasongood Pavilion, Mount Adams
In this week's Big Picture column, there is an item that Matt Distel — long active on the local contemporary art scene and current executive director of Northside's Visionaries + Voices center for artists with disabilities — had been named adjunct curator of contemporary art at Cincinnati Art Museum. Today comes the announcement he will leave V+V to be exhibitions director at The Carnegie in Covington, effective in June. He replaces Bill Seitz, who announced his retirement last month. His adjunct position at the art museum will continue.
“Matt is the perfect person to build upon the successes we’ve had in the galleries and we are honored to have him join our team,” said Katie Brass, Carnegie executive director, in a press release. “His personality, his connection to local artists, and background all make him the ideal candidate to run the Carnegie Galleries and to grow programming.”
In that same release, Distel said, “To be part of the legacy the Carnegie has for supporting local and regional artists, it’s very exciting. The Carnegie is one of the premier arts organizations in the region and Bill [Seitz] has established a great framework for me to continue to build an exhibition program that plays a compelling role in the arts community.”
If you're still working on your checklist of holiday shows, there have been several added performances for shows at Know Theatre, Ensemble Theatre and other venues you should keep in mind.
Andrew Bovell’s Speaking in Tongues is a complicated noir-ish tale of marital deceit and cryptic crime that unfolds more clearly because of its accomplished four-actor cast, including local professionals Bruce Cromer (who’s played roles as varied as Ebenezer Scrooge for the Playhouse to King Lear for Cincinnati Shakespeare) and Amy Warner (a regular at Ensemble Theatre and Cincinnati Shakespeare). The show is a fascinating piece of theater that takes work to watch, follow and absorb. I suppose that some casual theatergoers will be put off by it, but if you like challenging drama and multi-layered acting, you’ll leave the theater with your gears spinning. I gave Speaking in Tongues a Critic’s Pick in this week's "Curtain Call" column. Onstage through March 4. Box office: 513-421-3888.
If you’re a fan of the Cincinnati Fringe, you should check out the Transmigration Festival at CCM on the University of Cincinnati campus. I was there last evening and saw three of the six performances, especially enjoying Booth, an interactive piece by nine actors based on John Wilkes Booth’s final days. I also was entertained by The Eddie Shanahan Show, closely inspired by Dickens’ A Christmas Carol, but with some very modern twists. Attendees choose between six brief productions (30 minutes or less) that are completely created, promoted, enacted and staged by drama students. It’s a February boost of creativity, staged throughout the CCM facility, Friday and Saturday evenings at 7:30, as well as a 2:30 matinee on Saturday. Admission is free, but you need to call the CCM box office to reserve your ticket: 513-556-4183.
Another university option can be found at NKU. It’s Aaron Sorkin’s The Farnsworth Invention, telling the story of Phil Farnsworth who invented television but spent much of his life in legal wrangles with David Sarnoff, RCA executive and the first “media mogul.” Sorkin's credits — from The West Wing to The Social Network — are a guarantee of a heady, exciting tale based on real events. Tickets ($14 is the maximum price): 859-572-5464.
Know Theater’s “comedy of anxiety” by Allison Moore, Collapse, opens with the collapse of a highway bridge over the Mississippi River in Minneapolis. But it’s about all kinds of things falling down — the economy, relationships. This is the kind of edgy script Know Theatre is known for, funny but meaningful. I gave the production a Critic’s Pick because it combines heart and humor. Collapse is presented with comic finesse and fine acting, especially by local professional actress Annie Fitzpatrick. Know’s best work of the season. Through March 3. Tickets: 513-300-5669.
This weekend is your last chance to see the regional premiere of Matthew Lopez’s The Whipping Man at Ensemble Theatre (through Saturday evening). The historical play, set in Richmond, Va., in April 1865, just days after the end of the Civil War, is a gripping drama that’s beautifully staged and convincingly acted. I gave it a Critic’s Pick. The production has been extended a week because of demand for tickets; you won’t be contending with subscribers this weekend, so if you haven’t seen it yet — call for a ticket: 513-421-3555.
Each week in Stage Door, Rick Pender offers theater tips for the weekend, often with a few pieces of theater news.
If you're looking for an unusual but gripping theatrical production this weekend, you should head straight to UC's College-Conservatory of Music for The Threepenny Opera. Don't think that this is some stuffy old piece from 1928, although that's when the
show with a script by Bertoldt Brecht and music by Kurt Weill was first
performed. It was radical and challenging, mocking the establishment
and paying no heed to social structures. This musical theater production, staged by CCM Opera Chair Robin Guarino, feels lethal and threatening. You'll recognize a tune or two ("Mack the Knife" is the show's familiar tune), and if you've seen Cabaret or Urinetown, you'll recognize how this piece influenced those works. Guarino's production, with a big cast and an
imaginative set (designed by Tony Award winner John Arnone), captures
the vitality and spirit of the original work. I doubt we'll see another
production of this one very soon, so here's your chance to catch a bit
of theater history — and be both entertained and provoked. Definitely worth seeing. Through March 10. Box office: 513-556-4183.
If you haven't yet seen Know Theatre's production of When the Rain Stops Falling, that's another one you should have in your sights. Andrew Bovell's dense, imaginative script is a compelling story of multiple, intersecting generations of two families. (Review here.) The taut, engaging 100-minute production, staged by Cincinnati Shakespeare's Brian Phillips, features several of that company's best actors, as well as several other local standouts. One of the best productions from Know Theatre in several seasons. It's onstage through March 16. Tickets: 513-300-5669.
I haven't seen it (alas, my schedule just doesn't have room for everything), but Legally Blonde: The Musical at NKU has received props from the League of Cincinnati Theatres as an entertaining production. It's the story of Elle Woods, spurned by her fiancé, off to Harvard Law School in pursuit of him, only to discover that she's got the smarts to be more than just a girlfriend. Not profound, but surefire entertainment. Through Sunday. Tickets: 859-572-5464
The best theater is honest and real, and that's what True Theatre is setting out to offer via four evenings of "true stories told by real people" beginning tonight at 7:30 p.m. at Know Theatre and continuing into next summer.
Cincinnati finally got its first "pop-up shop," a holiday effort by local merchants to band together to take over unused retail space in Over-the-Rhine for a short period and then vacate when done. See photos from its opening weekend here.
'Tis also the season for pop-up theater, smaller productions that are squeezed in between performances of mainstage shows. One opens tonight at Know Theatre of Cincinnati.
The Covedale Center has been a busy place, but the converted 1940s movie house had minimal backstage space — until now. After several years of tight quarters, no running water or bathrooms, the facility has been renovated and expanded: There is now a rehearsal studio, a green room, two dressing rooms, shop space and two handicapped-accessible bathrooms. This evening marks the grand opening of the addition with a reception for VIPs and local media.
OK, I’m a little behind the curve in sharing the word about Ensemble Theatre of Cincinnati’s 25th season, which was actually announced about a week ago. It was a tad anticlimactic, since Producing Artistic Director D. Lynn Meyers had announced some of this information back in early June. Nevertheless, with the opening of the 2010-2011 season just a few weeks away, the complete picture is now in place. ETC will offer four regional premieres, a premiere musical revue and several special limited performance events.
I think there are few more satisfying segments of musical theater than the opening 10 minutes of the musical Chicago, which is in town for a brief run at the Aronoff Center. The first number, “All That Jazz,” gives you an encyclopedia of the stylistic dance moves of iconic choreographer Bob Fosse, followed by “Funny Honey,” an introduction of Roxie Hart, who murders her low-life lover. A few minutes later, “Cell Block Tango” provides the set-up for the colorful women who are in prison for their acts of violence. The touring production stars Terra MacLeod as Velma Kelly and Bianca Marroquin as Roxie Hart (the roles played by Catherine Zeta-Jones and Renee Zellweger in the Academy Award-winning film) and they dance and sing with the requisite zest. Chicago opens with a quick speech defining it as containing “violence, exploitation, adultery and treachery — all the things we hold near and dear to our hearts.” If you’re looking for a stylish musical with nary a whiff of the holidays, this is the show to see this weekend. It runs through Sunday. Tickets: 800-982-2787.