Cincinnati composer and founding member of MUSE Cincinnati’s Women’s Choir Therese Edell passed away last month after an extended battle with MS. She was 61. Considered a pioneer of “Women’s Music,” Edell was born in Pennsylvania and moved to Cincinnati in 1969 to attend CCM. Edell and longtime collaborator Betsy Lippitt toured the country and were favorites at Women’s Music festivals. Her releases include 1970’s Prophecy’s Child and 1978’s milestone From Women’s Faces, as well as the 1990 For Therese, a compilation of her songs performed by various fans/supporters as a 40th birthday present.
One of the most notable music venues in the region, Newport's historic Southgate House, has announced it will close its doors for good after a Dec. 31 show headlined by locally-based/internationally-acclaimed Punk band The Dopamines. A press release sent out Monday night (and a posting on the club's web site) announced that "after more than thirty years in continuous operation as a music and arts venue," the Southgate House will be shut down, though no reason was given.
Details on future plans were also vague; the release says owner Ross Raleigh is hoping to "relocate" the venue in 2012 and that more information would be available soon. The full press release — and an update — are below.
Walk the Moon was one of my personal highlights from the recent MidPoint Music Festival, where the band played a high-energy set wonderfully showcasing its dance-friendly beats, New Wave jubilance and Art Pop creativity. As solid as the foursome is live, I was still a bit stunned by how advanced, imaginative and proficient Walk the Moon comes across on its enchanting debut album, i want! i want!, which is to be released Saturday in conjunction with a multimedia event at The Mockbee.
Music Tonight: Just four short years ago, Marbin — performing tonight at The Greenwich in Walnut Hills — came together in Israel when two musicians met just when both were in coming-of-age “crossroads” periods in their lives. Israeli saxophonist Danny Markovitz had just completed his military service (he was an infantry sergeant) when he met Israeli-American guitarist Dani Rabin, who had also just been through a rigorous experience, graduating with a degree from The Berklee College of Music. In 2008, the Marbin duo re-situated themselves in the U.S., landing in Chicago. Since then, the work hasn’t stopped, as Marbin spends around 250 days a year performing (in the Windy City region and across the States).
We told you a few weeks back about the lineup for the MidPoint Indie Summer concert series on Fountain Square, featuring numerous (primarily local) Indie and Rock acts every Friday this summer from 7-11 p.m. Click here for the full rundown.
But there are many other popular themed nights returning this summer to both Fountain Square and Washington Park, which re-opened after a major makeover in time to introduce live music nights last summer for the first time. (Both spots are managed by the Cincinnati Center City Development Corporation (3CDC).
Fountain Square's PNC Summer Music Series will have live music five days a week, while Washington Park will host three themed music nights this summer. All events are free and a great way to enjoy our city's central districts. The concerts begin at the end of May/start of June and run through the end of August/start of September. Be sure to check the official websites of both venues for any updates, additions or cancellations.
• Every Tuesday from 7-9 p.m., the Square presents "American Roots" night. This year, the lineup is the strongest its been, showcasing the best of Greater Cincinnati's rich Roots/Americana scene (as well as a few regional faves).
• Reggae Wednesdays return to the Square this summer, with wider-net bookings that include numerous regional and touring Reggae acts. Music runs every night from 6-10 p.m. and acts are teamed up with a DJ or DJ squad for each event.
Summer Splash Happy Hour with I Vibez
Summer Splash Happy Hour with I Vibez
Summer Splash Happy Hour with I Vibez
• Salsa dancers and music lovers will be happy to know that Salsa on the Square is returning this summer on Thursdays, running 7-10 p.m. As always, dance instructors will be on hand to give you pointers (if you need 'em). Music is provided primarily by some of Greater Cincinnati's finest Salsa/Latin music groups.
May 30: Son Del Caribe
June 6: Kandela
June 13: Zumba
June 20: Tropicoso
June 27: Grupo Tumbao
July 4: Clave’ Son
July 11: Kandela
July 18: Tropiscoso
uly 25: Grupo Tumbao
August 1: Zumba
August 8: Azucar Tumbao
August 15: Clave’ Son
August 22: Brian Andres & the Afro-Cuban Jazz Cartel
August 29: Son Del Caribe
• Before MidPoint Indie Summer on Fridays, local club/bar conglomerate 4EG (which operates several nightclubs in the area) will present 4EG Happy Hour from 5-7 p.m. Local DJs will spin every Friday (except for Aug. 2, when local cover band Snidely Whiplash performs).
DJ Ice Cold Tony
DJ Jake the Ripper
DJ Jesse the Ripper
DJ Tina T
DJ Will Kill
• One of the most popular nights on the Square during the summer is Saturdays' "Beats" night, booked by local promoter Self Diploma. The concerts run 7-10 p.m. and again feature an impressive mix of local and touring Hip Hop, Electronic and DJ acts. Among the national act highlights this year are Mod Sun, Hoodie Allen, Watch the Duck and DJ Jazzy Jeff.
After a successful inaugural summer of events last year, Washington Park brings back three music nights, Wednesday, Thursday and Friday, plus several other entertainment offerings, including "Dancing Under the Stars," an every-Tuesday dance night, with lessons that focus on different types of dancing each week. (Click below for the concert lineups.)
Lucinda Williams is a premier female act in Country and American Folk music. She has been blazing the roads since the late ’70s and has not slowed down. She still appears at music festivals all across the country, even gaining international acclaim. Her most recent album, Blessed, is her eleventh studio album. Williams has been nominated for 14 Grammys, taking home three awards. In 2002, Time magazine called her “America's best songwriter.”
Bootsy Collins spoke with music writer Brian Baker for this week’s CityBeat, revealing the conceptual, philosophical and educational elements behind his new album, Tha Funk Capital of the World (out this Tuesday). The album’s label home, Mascot Records, is giving a sneak peak in the form of tribute track “JB-Still the Man,” Bootsy’s James Brown requiem featuring a spoken-word tribute to Brown’s rare influence on the world by Rev. Al Sharpton. The groovy track (available as a free download at the link below) is just one of the tributes to Collins’ heroes on the album. Collins talked to Baker about how Jimi Hendrix’s own voice ended up on Funk Capital’s Hendrix tribute, “Mirrors Tell Lies.”
Five Finger Death Punch is one of the most popular Metal bands in the world. The band has a catchy, melodic sound that resonates with its crowds and the band's songs have become arena anthems across the country. Five Finger continues to tour on its third studio album American Capitalist. Currently, the group is out headlining the Trespass America Festival with the bands Trivium, Pop Evil and Killswitch Engage.
CityBeat was able to spend some time with the band’s lead guitarist Jason Hook to discuss, among other things, the band’s feverish tour schedule and the effect it has on the band members' relationships, as well as what makes the music so addictive. The Trespass America Festival comes to the PNC Pavilion at Riverbend tomorrow (Wednesday) night.
CityBeat: What has been the highlight of Trespass Festival so far?
Jason Hook: Well, the first show was awesome. We opened the show on Friday the 13th just outside of Denver. The place was almost sold out, packed. We had all of our friends, family, record label, managers and agents with us. It was a massive party (and) it was day one. It was awesome, really awesome.
CB: Who leaves the biggest mess backstage at Trespass?
JH: The biggest mess? As far as what, a hot mess or just messy?
CB: It could be either.
JH: I’ll give both to Ivan (Moody, Five Finger's frontman).
CB: OK, I wouldn’t picture that.
JH: Well you don’t know him as well as I do.
CB: Is it true that he still throws up before he performs?
JH: I haven’t seen that lately but it might be because I tend to steer clear of him a little bit more than usual because of that. But he does do that. That is not an urban legend.
CB: You consistently are having these hits with huge sports and military following. What is really the formula for creating a modern day Rock anthem?
JH: I think that you have to keep things simple. People like a really consistent beat, something that has a good thump to it. Obviously, an easy to follow storyline or a relatable storyline and as many hooks as you can get into each section of the song for example the intro, the verse, the pre-chorus, the chorus, the bridge, the solo — all those are sections — and if they get too long or drawn out or too complicated or the resolution set too high for the listener, they just miss out and it will go over their head. A big part of having an anthem is having something that is simple enough that many people can grab it easily like “Rock & Roll all night and party every day.”
CB: Does the band ever write songs for a specific audience?
JH: Not really. Most of us in the band have a background where we grew up listening to heavy bands but bands that were also on the radio. That reflects in the music we make. None of it is really contrived. We just do what we like. Fortunate for us, it catches with a lot more people. Once you try to do something that is not honest, it is really hard to repeat it. You are always chasing or guessing what to do. It is better to know what you like to do and just do it.
You always have the crazy crowd surfing at the shows, the biggest Rock on the Range crowd surfing in history. Do you ever worry about fan safety?
JH: All the time. All the time. It freaks us out. I see people getting beat up pretty good out there, especially the people in the very front row because people crowd surf up from behind them, they can’t see that these 220 pound guys are being launched forward and the people in the front row are the last people that these heavy people land on their heads on the way into the pit. You get a lot of people getting smashed, and they have no idea it is happening until it happens.
I keep saying, “Is there something we should do to discourage this? Should we say that we want people to be careful and keep your eyes open?” I do see a lot of people getting hammered, and it freaks me out. We are always thinking about it.
CB: How do you stay friends living in such close quarters and being on the road almost all year?
JH: How do we stay friends? We stay away from each other. The only way to control how we all get along is to make sure there is a good amount of separation. You need a little bit of on and a little off.
For example, we get hotel rooms. The band gets hotel rooms. We get them every other day. The hotel rooms are essential and it doesn’t matter what it costs to have everybody be able go and have their own private space to go make phone calls, answer e-mails, relax, watch the TV program they want to watch, whatever. The off is just as important as the on because if you get too much together time all the time, then you are likely to have the engine run a little hot, you know what I am saying?
CB: Who in the band is more likely to get into a fight backstage and who is more likely to get laid?
JH: I don’t really want to focus on the fighting, but as far as the sex part of it, I would say, all the girls like Ivan. The rest of us are just sort of swinging the bat. They all seem to want to get to Ivan. So I would say answer "A"—my final answer — Ivan.
The thing is, to chase girls around, which is also to chase the party or stay up, all these people show up and they want to hang out with the band. This is their big night out. The problem is, if we participated in everybody’s big night out, then we end up having 42 or 55 nights in a row, and it is physically too hard. Imagine having 45 New Years Eves in a row. What kind of shape would you be in after that?
CB: Yeah, bands now are a lot more, I don’t want to say mellow, but you can’t sustain (that type of partying) for long periods of time if this is what you are going to do.
JH: God knows we have tried it. We don’t want to hurt the band. We don’t want to hurt the tour. We have a responsibility to not only talk to people during the day but to play in front of these large audiences, and I don’t want to go up there hung over and feel like crap and be fuzzy and making mistakes. It’s very hard. It’s OK when you are a club band — nobody cares; “Get me another beer.” Everyone is drunk anyway, but now we are talking about playing in front of 15,000 people at 9 o’clock at night and it is a business now. It is for real.
Younger local musicians and the music fans who love them might find it hard to fathom, but once upon a time, Cincinnati’s corporate Rock radio juggernaut WEBN was one of local music’s biggest allies, a wild, wooly and eclectic FM outlet as open-ended and freeform as any internet radio station or podcast. In the ’70s and ’80s, before inflexible, homogenized playlists made it impossible for even major label Cincy bands like The Afghan Whigs to get spins, the annual WEBN Album Project compilations gave major exposure to local and regional artists. Saturday at the Madison Theater, the WEBN Album Project Reunion Show flashes back to that era. In this week’s CityBeat, Brian Baker caught up with one of Cincinnati’s most popular bands ever (and an early Album Project participant), The Raisins, whose seminal lineup is reuniting for Saturday’s event, joining several other AP alumni. Brian also caught up with some of the other participating musicians to discuss the Album Project’s legacy. Below are their thoughts, as well as some vintage video clips from the era.
The album artwork and tracklisting for Bad Veins debut — coming out on Dangerbird Records nationally on July 21 — has been posted on the band's label's Web site. The self-titled record will get a local release party on July 24 on Fountain Square.