• Macy’s Music Festival — still often referred to locally as “Jazz Fest” as a nod to the fest’s roots (despite a complete lack of Jazz nowadays) — returns to downtown’s Paul Brown Stadium tonight and tomorrow.
The festival is a Cincinnati tradition, a true “event,” regardless of what music is featured (which may explain the lackluster booking rut the fest was in for a while). But this year’s Macy’s Music Fest has one of the best lineups in recent memory.
Tonight's performers include headliner Jill Scott, plus Charlie Wilson, TGT (Tyreese, Ginuwine, Tank), locals The Faize Band and a rare performance by Cincinnati legend, Funk superhero and Rock and Roll Hall of Famer, Bootsy Collins.
Charlie Wilson is fresh off of receiving the BET Awards' Lifetime Achievement honors.
And here's the crowd rockin' to Charlie at last year's Macy's Music Festival.
Saturday’s lineup features newcomer Leela James, KEM, Prince’s ol’ pals Morris Day and The Time, Fantasia and blockbuster headliner R. Kelly, an arena-worthy star fresh off of his odd but successful (despite the many "Pee on Me!" signs in the hipster audience) 38-song, headlining appearance at the Pitchfork music festival in Chicago. But … MORRIS DAY AND THE TIME!
Morris Day and The Time - Jungle Love by DemonPreyer
Find more about the fest at macysmusicfestival.com. Tickets are available through Ticketmaster. Prices range from $40-$85 (only single-day tickets are available). Showtime is 7:30 p.m. each night.
• If your tastes trend more towards old-timey music and Bluegrass (and your wallet trends more towards empty), downtown's Arnold's is presenting the two-night Tito's Old Time Music Festival, running tonight and tomorrow. "Tito's" refers to sponsor Tito's Homemade Vodka, an Austin, Texas-produced spirits producer; Tito's reps will be on hand and Tito's drink specials will be plentiful. There will be also a chance to win an Epiphone acoustic guitar and purchase signed fest poster created by local poster-art great Keith Neltner.
You don't have to be a vodka enthusiast to attend — there is some great local Roots/Americana music each night. Tonight, Western Swing crew The Sidecars kick things off at 7:30 p.m., followed by My Brother the Bear, The Goodle Boys and AltCountry greats Terminal Union, which just released an amazing debut album, Making Arrangements (look for a review on this here blog soon).
If you are a musician who has an act they'd like to showcase at this year's MidPoint Music Festival and you haven't submitted for consideration, you better get on it. Tomorrow is the final day submissions will be accepted.
In related news, the MidPoint Indie Summer concert series (which has it's own Wikipedia page!) returns every Friday on Fountain Square starting June 1. Expect lineup announcements soon. A certain amazing local Power Pop/Rock band has "hinted" they will be a part of the series this year. But you didn't hear it from me.
MidPoint has also posted some fresh artwork that you are encouraged to use to create your own "posters, clothes, or otherwise interesting and useful things." Get your base materials here and check out the design below.
The MidPoint Music Festival countdown is down to just 3 days, kicking off this Thursday. Here are our daily MidPoint Music Festival 2012 picks …
Freelance Whales (Queens, NY)
Baroque Indie Electro Pop
Frontman Judah Dadone founded Freelance Whales in 2008 and recorded much of the band's lauded, self-released debut album from late 2009, Weathervanes (reissued by Frenchkiss and Mom + Pop in 2010). The band not only scored a lot of fans based on the album, but also a ton of licensing (for a variety of films and TV shows). The band's consistent international touring, external exposure and word-of-mouth PR has built anticipation for its new album, Diluvia, to a fever pitch. The LP is set for an Oct. 9 release (MPMF serves as the opening date on the band's tour behind the record). Freelance Whales' mix of electronic sounds and Chamber Folk ideals has led them to be compared to everyone from The Postal Service to Sufjan Stevens.
You'll Dig It If You Dig: Sufjan Stevens making a Postal Service album; Postal Service making a Sufjan album. (Mike Breen)
Freelance Whales (their name, if you're wondering, was inspired by the huge amount of "freelancers" working in NYC) performs Saturday in Washington Park at 7 p.m. (taking the slot vacated by Sleigh Bells). Here's a new track from Diluvia, "Spitting Image."
Leogun (London, UK)
Rock & Roll
With “big breaks” today mostly coming in the form of internet exposure, London trio Leogun’s big-time entry into the music biz was decidedly old-fashioned. Singer/guitarist Tommy Smith snuck into an Eagles of Heavy Metal show in London and met an industry heavyweight who introduced him to Elton John’s Rocket Music Management. From there, the band became the first band signed to instrument-maker Yamaha’s new record label. Leogun went to Nashville to lay down some of their timeless, passionate Rock & Roll, the first results of which are set for an EP due Oct. 16 (a full-length is planned for 2013). Leogun’s transcendent take on vintage Blues-inspired Rock & Roll is strong enough to earn them one the “bands most likely to return soon for an arena show” awards from this year’s MPMF.
Dig: Wolfmother, Pearl Jam, Queens of the Stone Age. (MB)
Leogun performs at The Drinkery Saturday at 12:30 a.m. Here's the band's new single and video, "Let's Be Friends," which just premiered on MTV.com.
Details for the first two big local music festivals of 2011 have been announced. The One More Girl on a Stage fest returns Jan. 21 and 22 to Newport’s York Street Café for the Rivertown Music Club’s last ever event, while the Cincy Blues Society’s annual Winter Blues Fest takes over the Southgate House Jan. 28 and 29.
The official MidPoint Music Festival guide, featuring preview blurbs on all 186 artists performing at this year's fest, is on the streets now to help make your MPMF.12 itinerary-planning a little easier. Yesterday, when the issue had just come out, I already had a handful of people asking me who my top picks were for the fest. Writing and/or reading and editing 186 paragraphs about 186 bands does things to your mind that I can't even explain, so I had to beg off. But I'm ready now.
Starting today, exactly two weeks before MPMF.12 kicks off in the venues of Over-the-Rhine and Downtown, we're beginning the "Daily MPMFer," a daily dose of recommendations for who to see at the festival, should you have a hole in your personal schedule. We'll post three blurbs a day — one about a bigger, more known act, one about a slightly more under-the-radar "sleeper" and one about a local band. I'll also add a song sample or music video to each to give MPMF-goers an even better sense of the artists' talents. (The blurbs were written by myself, the legendary Brian Baker and scrappy up-and-comer Deirdre Kaye, both of whom were hugely helpful compiling our beast of a guide this year.)
There are so many great performers at this year's fest, we probably won't get to all the worthy contenders, but we'll get you started (you have to do some exploring on your own). And, when in doubt, always go with the artist with "(Cincinnati, OH)" next to their name; all of our hometown MPMFers are worthy of your attention. Be sure to grab a guide (there should be plenty floating around come fest time) and start mapping out your long weekend of music.
We'll also add any MPMF updates — crucial or otherwise — in these "Daily MPMFers," to keep you abreast of the latest developments. You can also click here for our MPMF hub on citybeat.com, with feature stories, MPMF-related tweets and more.
Today's big news — three-day wristbands are selling quick and may well sell out. Be sure to grab yours immediately for the best pricing deal (limited one-day tickets will be $50 or you can pay individual cover charges which will add up quickly). Click here for more ticket info.
Hospitality (Brooklyn, NY)
Driven by the singular Pop song stylings of Amber Papini, Hospitality first caught attention with a lo-fi, untitled EP, which garnered a rare glowing review from Pitchfork. The band signed with legendary Indie Rock label Merge and released its self-titled full-length debut for the label earlier this year. At its core, Hospitality’s music has some of the primal vibe of early ’90s K Records releases, but the sophisticated arrangements wrapped around Papini’s compellingly unique voice give the album a depth those artists were rarely capable of.
You'll Dig It If You Dig: Ivy, Tennis, Barbara Manning, Tiger Trap. (Mike Breen)
Hospitality performs at 8 p.m. Thursday, Sept. 27, on the Grammer's/Dewey's Pizza stage. Check out the band's emotionally-heavy new video for the track "Eighth Avenue."
Cincinnati crew The Ohms have built an impressive career over the past decade-plus, starting out in the ’00s as a popular draw on the “Jam band” circuit as Four Ohms, before shifting gears and developing a surprisingly unique twist on the Rock-meets-Reggae hybridization, a pairing that everyone from Eric Clapton, The Clash and The Police to modern players like No Doubt, The Aggrolites and Matisyahu has flirted with and/or embraced since the ’70s.
Changing the band name to simply The Ohms a few years back (and garnering some national industry attention), the now stripped-down three-piece is in top fighting shape, sounding better than ever, as their recently released second album, Press On, proves beyond a shadow of a spliff. They’re a lean, mean skankin’ machine with a fresh coat of Modern Rock paint glazed atop.
Press On succeeds through careful and crafty, yet very natural-feeling, mixology — the Rock and Reggae elements never get in each other’s way, feel forced or fight for space in The Ohms’ groove-driven mix, a testament to the musicians’ abilities as arrangers and writers. The title track, for example, sounds like a perfectly natural jam session between Green Day and Rancid. A minute into the track, the Punk/Pop-like drive drops to a head-bobbing flow of buoyant, vintage Reggae rhythms, ’70s-styled songcraft and Ska horns.
The album continues with that basic blueprint throughout, but few tracks are predictable and there are variations galore. “Vampire” is a voodoo strut that explodes into a huge, engulfing chorus, while elsewhere the band tinkers with the full range of Reggae sounds, styles and approaches (from Roots to Ska to Dub, grunting toasting to full-voiced, highly melodic melodies) and welds them together with the musicians’ excellent grasp of Classic Rock and top-notch musicianship.
Reggae and Ska remain two of the more maligned genres in music (usually unfairly … and it always comes back around), but The Ohms have such an addictive energy, even the most hardened “Pfft — Reggae sucks” protestor won’t be able to resist bobbing along to the contagious beats and rhythm.
Fresh on the heels of the release of Press On, The Ohms have been focused on this weekend's big Ohmstead music festival at Hannon’s Camp America (hannonscampamerica.com) near Oxford.
Ohmstead is now entering its 11th year, which certainly puts the event amongst some of the longest running artist-built festivals of its kind in the region. For this weekend’s (Friday and Saturday, plus a little Sunday morning/afternoon action) Ohmstead blowout, The Ohms have joined forces with Wham Bam Thank You Jam fest to help manage and operate a big “Ohmstead Wham Bam Thank You Jam” conglomo-fest, which once again features an impressively diverse lineup of inventive music makers, mostly from across Ohio.
The multi-act festival — with The Ohms performing both nights, as has become tradition — presents everything from progressive Psychedelic Jam Rock (Cincy’s Mr. Brown’s Mysterious Sounds), Kent, Ohio-based Ambient/Electronic/Industrial musician Pyrosonic, smooth acoustic guitarist Brian Henke (from Bay Village, Ohio) and fellow Reggae squad Soul Rebels (from straight outta Yellow Springs), promising Cincy Alt/Psych/Garage/Rock foursome Lemon Sky, retro-tinged local rockers Tattered Roots, popular touring “Hippie-Hop Jam Rock” outfit Boogie Matrix (Toledo) and Northern Ohio Jam band Aliver Hall, which showcases former Four Ohms member Alex Hall on guitar and vocals. Other artists slated to appear include Dayton-based Phish tribute band Oh Kee Pa, Dayton Funk rockers Magic Jackson, Oxford area Blues band Bad Men on a Mission and Nigerian-born/Cincy-based AfroBeat champ Baoku Moses.
Here is the most recent 2012 Wham Bam Thank U Jam and Ohmstead lineup (with "city of origin"), posted by the WhamBam folks (who add that attendees should check the info booth because times will "likely change"):
3pm - Trench Foot - Dayton, Ohio
4pm - Tony Herdman and Tracy Sax - Kettering, Ohio
5pm - Gild the Lily - Dayton, Ohio
6pm - Mr. Brown’s Mysterious Sounds - Cincinnati, Ohio
7pm - Brown Street Breakdown - Dayton, Ohio
8pm - Tattered Roots - Cincinnati, Ohio
9pm - Subterranean House Band - Dayton, Ohio
10pm - Prophets Mire - Dayton, Ohio
11pm - Magic Jackson - Dayton, Ohio
12:30am - The Ohms - Cincinnati, Ohio
2:30am - Pyrosonic - Kent, Ohio
Saturday (in the Barn)
10am - Brian Henke - Bay Village, Ohio
Noon - Andyman Hopkins Band - Cincinnati, Ohio
1pm - Bad Men on a Mission - College Corner, Ohio
2pm - Soul Rebels - Yellow Springs, Ohio
3pm - Elementree Presents - Cincinnati, Ohio
4pm - Nine False Suns - Dayton, Ohio
5pm - M 8 7 - Dayton, Ohio
Saturday (Wham & Bam Stages)
6pm - S O L - Piqua, Ohio
7pm - Happy Lemmy - Birmingham, Alabama
8pm - Lemon Sky - Cincinnati, Ohio
Fire Celebration Ceremony - at Dusk / Sunset - in Middle Earth
9pm - Aliver Hall - Akron, Ohio
10pm - Oh Kee Pa (Phish trib) - Dayton, Ohio
11:30pm - Boogie Matrix - Toledo, Ohio
1am - The Ohms - Cincinnati, Ohio
2:30am - Baoku & the Image Afro Beat Band - Cincinnati, Ohio
2:30am - Pyrosonic - Kent, Ohio - In the Barn!
Sunday (in the Barn)
10am - Tracy Sax Therapy - Kettering, Ohio
Noon - Steev Inglish - London, England
1pm - The Finders - Cincinnati, Ohio
2pm - Troll - Cincinnati, Ohio
Three-day passes are only $35. Visit whambamthankujam.com for info on how/where to buy tickets, the full rundown of performer links and a list of the various on-site vendors, plus perks like “Ohio’s Largest Fire Sculpture” and camping opportunities.
For even more details, as well as info on The Ohms’ new Press On release, visit www.ohmsmusic.com. Here's a sample of the new material.
I started out the second day of the Forecastle festival in Louisville by getting caught in the rain and being picked up like a hitchhiker by the Everest band van on the way to setup for their set on the main Mast Stage of the festival. The band agreed to let me hang for “A Day in the Life” photo series as they prepped to play the 10th Anniversary of Forecastle. They were laid back as the rain moved in and gear was unplugged and wrapped in saran wrap.
Everest has been on the road promoting their third album Ownerless. On Ownerless, you can hear a refined sound in which the band speaks about powerful issues as they took their time to record and find their true voice, writing from the heart and soul. The band consists of members Russell Pollard (vocals/guitar/drums), Joel Graves (guitar/keys/vocals), Jason Soda (guitar/keys/vocals), Eli Thomson (bass/vocals) and new addition Kyle Crane (drums).
Everest are rising stars in the alternative music scene and have toured with My Morning Jacket and they will be heading back on the road with Neil Young this fall.
It turned out to not be such a typical “day in the life” as the show was held back because of lightning in the area but the band unloaded and prepared to play even as heavy rain descended on the festival. The festival opened an hour late due to rain delays but they did make time for all the planned acts to perform (albeit with shorter set lists).
Everest played loud and rocked the crowd as it gathered to hear this band singing my favorite track on the new album as the opening song “Rapture.” Founding member Pollard’s raspy vocals were captivating and I instantly became a fan of this band as they sang older tunes and new record songs like “Into the Grey.” The Watson Twins joined the band for a few songs on backing vocals to round out their set.
Overall it was a great day to play music in Louisville as fans gathered to celebrate 10 years of the fest, which self-defines itself as being all about "music, art and activism." The Preservation Hall Jazz Band took the main stage by storm and had fans dancing in the grass; special guests onstage including Jim James and Andrew Bird playing classic tunes with the legendary jazz musicians from New Orleans. James' band (and hometown heroes) My Morning Jacket played over two hours to close out the night while Girl Talk played on the second stage and had a festival rave in full action on the banks of the Ohio river.
MPMF news and musings: ArtWorks/Springboard Cincinnati is once again handling one of the cooler aspects of the "MidPoint Midway" (the fairgrounds-like area connecting Main to Vine streets, with food vendors, a music stage, poster expo and lots more). Last year's MidPoint Music Festival saw the introduction of the "Box Truck Carnival," where numerous local artists and organizations turned nondescript moving trucks into their own little worlds (last year, there was a theater, a skate park and a Putt Putt course).
This year, Springboard is profiling the trucks on its website leading up to the big event next week. So far, they've introduced the Art for All People truck, "Art and Music Box," where you'll be able to add your own creative paint job, and the truck by OTRimprov, which will feature improv games and "on-the-spot workshops" for aspiring UCB comedians (or just the curious). Click here to check out these and other "fun in a box" experiments.
• The other big news of the day is that one of the bigger headlining acts, Sleigh Bells, has been forced to cancel its appearance at Washington Park during the festival. The band was slated to headline the park stage at 7 p.m. on Saturday, Sept. 29. The full lineup for Saturday is up in the air, but will be retooled with additional acts. Expect an announcement soon.
If Sleigh Bells was the only act you wanted to see at the festival and you'd like a refund, here's the official details: "Customers who have purchased the Washington Park Saturday Ticket may choose to either keep their tickets, or may receive a refund by contacting email@example.com by the end of the day Sept. 21st. If you elect the refund, only the cost of the ticket is refunded, not the shipping or service fees. No refunds will be issued for All Music Access Passes."
Sleigh Bells guitarist Derek Edward Miller tweeted that he fractured his arm while skateboarding in Florida recently, causing the cancellation of MPMF and a few other dates.
And now, with the countdown down to just 9 days (single digits!), here are our daily MidPoint Music Festival 2012 picks …
The Walkmen (New York, NY)
A dozen years since members of Jonathan Fire*Eater and the Recoys coalsced into the formidable Walkmen? It hardly seems possible. But then, neither does the band's almost supernatural string of confusingly brilliant albums, all crafted by the same line-up that began at the dawn of the new millennium; the sparse, atmospheric jangle of Everyone Who Pretended to Like Me Is Gone, the intense and visceral Bows + Arrows (featuring their signature "The Rat"), the quiet beauty of A Hundred Miles Off, their weirdly wonderful cover of Harry Nilsson's Pussy Cats, the powerful You & Me, the fabulous Lisbon, and their latest, Heaven, widely acknowledged as their best album to date, a phenomenal accomplishment for a band in their 13th year. Long may they walk.
You'll Dig It If You Dig: The Strokes if they'd been guided by Bob Dylan, Bob Dylan if he'd been backed by The Strokes. (Brian Baker)
The Walkmen perform Saturday, Sept. 29, on the Grammer's/Dewey's Pizza Stage at 9:15 p.m. Here is the band's music video for "The Love You Love."
Holy Ghost Tent Revival (Greensboro, NC)
When a band lists the Rolling Stones and Glenn Miller as primary influences, there’s a good chance their musical pegs don’t fit the standard genre holes. So it is with Holy Ghost Tent Revival, a North Carolina sextet that redefines eclectic, veering from Ragtime and Hot Jazz to an electric brand of Swing and the kind of funky, rootsy Country Rock that would have made Levon Helm grin and stomp. You don’t often see the Charleston breaking out in the middle of the mosh pit, but anything is possible at a Holy Ghost Tent Revival gig. Be prepared.
Dig: Squirrel Nut Zippers explore their secret love of the Band, Blood Sweat & Tears and Burt Bacharach. (BB)
Holy Ghost Tent Revival performs Saturday, Sept. 29, at Japp's at 11:30 p.m. Here's a preview of the band's just-released album Sweat Like the Old Days.
LOCAL LOCK PICK
You, You're Awesome (Cincinnati, OH)
The duo You, You’re Awesome has been the Cincinnati Indie music scene’s go-to Dance music favorites for the past few years, blending live drums with quirky, playful soundscapes that call back to earlier electronic music pioneers. As EDM and other forms of Electronica have grown in popularity, a lot of artists seem to have a hard time figuring out how to distinguish themselves. But You, You’re Awesome doesn’t have that problem, emerging with a versatile sound that isn’t based on any one trend. The group released several EPs before last year’s debut full-length, but YYA is most fun to experience in a live setting. You can dance if you want to — everyone else will be.
Dig: Daft Punk reborn as Saturday morning cartoon characters. (Mike Breen)
You, You're Awesome are slated to play at 5 p.m. on the Washington Park stage on Friday, Sept. 28.
Here's the track and visuals for YYA's "Yippee Ki Yay Mister Falcon." Click below for a playlist featuring numerous YYA clips.
Click here for full MPMF details via the official MidPoint site.
CityBeat spoke with bassist Elijah Thomson about the group's unique vision and feel and also where he feels the band is going in their evolution. Everest will be playing the Bunbury Music Festival at Cincinnati's Sawyer Point/Yeatman's Cove on Friday alongside fun., Walk the Moon, Devotchka, Tegan and Sara and many others. Everest plays the Bud Light Stage at 5 p.m. Friday.
CityBeat: What have you guys been up to since I saw you last summer at Forecastle in Louisville?
Elijah Thomson: We took a little break. We were touring with Neil Young at the end of the year, which was really fun. We were a little beat down from a year of touring. We took probably about six months off. We did a little tour in April with Minus the Bear, so we sort of violated our own hiatus to go out with those guys, but that was better. We just did a couple weeks' run from L.A. to Chicago, so we went out there to do a couple dates.
CB: I know Neil Young personally picked you guys to go on tour with him and open his shows. What was the highlight of playing with him?
ET: It has been pretty sweet over the years getting to tour with Neil and obviously a total honor to be able to play with an artist of that caliber and a living legend, as far as I am concerned.
On a certain level, it is still a gig — you know, driving and loading in and out and all that kind of stuff. I think for me personally, watching a guy like Neil night in and night out, it sort of proves that sort of mystical thing in music, what is compelling about somebody that can sustain them for so long.
People are coming out in droves to see Neil and for me it is a personal study on art and what it is that enamors people with art. With Neil, I think it is primarily an honesty with his art. He will put it out there. The first song on his new record is like 27 minutes long. That’s the kind of bravery that comes from having nothing to prove and I think for them, like us, we have to understand why that is important and to find a formula that works, but also (be) true to ourselves and true to our own desires musically. That is a process. It has not been instantaneous, but I think we are sort of on the verge of realizing that ourselves.
CB: Did Neil give you any advice?
ET: I think if there ever was, it was just (to) absolutely do whatever you want and don’t make any apologies and don’t play it safe. It was the kind of real world wisdom that is important. It is not about playing some game. We should not be concerned where we will be classified in a musical genre. It is more about making what you feel and letting other people classify it.
CB: You guys toured pretty consistently the past few years. Do you have any crazy tour stories on the road?
ET: One of the main things we talked about from last year, we seemed to be pretty slippery when it came to crossing paths with law enforcement. We were slippery, we had no issues. I don’t know how we did it. We had a couple close calls, but were able to talk our way out of it every time.
CB: Are you working on any new music right now?
ET: Yeah, the biggest change in Everest is a slight personnel change. Jason Soda, a founding member of the band, decided to resign. I don’t know if I should say why, but ultimately he needed more normalcies in his life.
His replacement — I hate to put it that way — his name is Aaron Tasjan, an amazing guitar player who we met while we were on the road with Alberta Cross. He was kind of filling in for guitar and when it came up that J was going to resign, Joel and I were talking about it.
I think it was a sensitive thing — who were we going to collaborate with and how were we going to take this opportunity to improve the internal chemistry? We had a really great rapport with Aaron and when we were on the road he watched our set every night. He would open the shows doing solo stuff and we would jump on stage with him and jam with him. His spirit has been really amazing since he has been playing with us, bringing a freshness and newness that we have really desired and I think interpersonally it has been good and natural.
Also, the drummer chair has been in rotation the last year and a half or so since Davey, our original drummer, stopped playing with us. Our drummer now is a guy named Dan Bailey, a guy I have known for years. I really respected his drumming. He is an absolutely astounding drummer. It was very easy to ask him to join. Bass players and drummers generally want to choose who they are going to play with. He has known this band for a while, since I have been in it, and he has been chomping at the bit to jam with us, so we are on this new plane that we have never really experienced. It is really sort of a beautiful and fun creative discovery.
I am excited to bring this to Cincinnati. There is a great spirit going on. The plan right now is to finish out this summer touring, a couple weeks in July and a couple weeks in August on the West Coast. Then we are going to go back in the studio. The sound checks for our shows have gone into much more depth with the music; I don’t like the word "jamming," so we will say "spontaneous musical landscapes." It is something we have been wanting to do for a long time and it is really amazing to go on stage and just not have it all pre-programmed, even calling out set lists on the stage, stretching songs out, kind of taking our time with things, letting things be different night after night and really encourage our creative flow together. We are really excited about getting in the studio and experimenting with this.
CB: What is your favorite bass to play?
ET: I play a Gibson Les Paul Recording bass (from) 1973. I have been playing it exclusively for about 12 years. I do own several basses. The first bass I ever had was a Gibson Les Paul Recording bass. My Dad was a bass player and he gave it to me. It was kind of his junker bass and I didn’t even like it but it was something.
It sounds really stupid and mystical, because it was the bass I learned on and I kind of wore it out and it was an awkward bass, but I was always coming back to it because it was familiar.
I was playing with a guy named Richard Swift (producer, singer/songwriter and current member of The Shins), still do, a really dear friend. Right around when we first started playing together, he said, “That is the raddest bass I have ever heard. You should only use that bass when you are playing with me.” I was like, “OK no problem.” I basically decided that was my thing and I was going to stick with it.
I haven’t played any other bass for years and years except in a studio, and even then it is only one song, maybe.
CB: Did you always want to be a musician?
ET: Like I said, my dad was a musician and so I grew up on the road and around music. My uncle owned a studio, still does, and we still work out of there a lot. I have been recording bands since I was 17 years old and have been playing music since I was 12 years old, always had guitars around. When I was a little kid I thought I was the talentless one in the family because I didn’t pick it up before the age of 10. I eventually found my way. This was always what I was meant to do, in a way.
CB: Somebody the other day said that the best way to become a successful musician is to not have a backup plan.
ET: I’d say so, and I’d say most true artists would rather downgrade and live in a shack and still be doing what they are passionate about. It really plays into the artist mentality. I am no spring chicken, so I certainly decided I was in for life. I don’t have a retirement plan. I don’t ever want to stop. This is what I do. I get into other things outside of music so it is not a total obsession. I found a way to make it this far. I don’t know why that would change in the future. If it does, it does, and I will figure it out. This is what works for me; there is no backup plan.
CB: Where did the band name come from?
ET: The story … I wasn’t in the band when they named it and maybe I wouldn’t have picked that name, but that is for another conversation.
From what I gather, Russ and Jason had named their studio Everest Recordings because of a pack of cigarettes that Geoff Emerick had. He was an engineer on a lot of the Beatles stuff and supposedly Abbey Road was originally going to be named Everest and they were going to do a photo shoot in Nepal. It became a logistical nightmare and, as the legend goes, Paul or somebody said, "Let’s shoot a picture out front and be done with it." So the name Everest has significance to them, however it is sort of a common thing for something to be named.
It is hard to Google something like that. That is something you have to think about nowadays and maybe it gets lost in the shuffle a little bit.
CB: What can the fans look forward to at Bunbury seeing you guys for the first time?
ET: As a band we are really relaxed and comfortable. Every new show is an adventure. Every show we have had with this lineup has been over the top amazing.
I guess what fans can expect is the unexpected. They can expect to see some sort of fine but not some self-congratulatory musicianship, people making themselves vulnerable in front of people and making up stuff on the spot and really trying to live in that spirit of Jimi Hendrix and Zeppelin and the kind of feelings those shows had when it was a beautiful thing of stream of consciousness. I think that is something rarer these days in music. I am happy and proud to be in a band that values that part of live performance.
Everest performed at Lousiville's Forecastle fest last
summer. Check out the "A Day in the Life" Forecastle photo series with
the group here.