It was recently announced that the historical marker proposed for the former site of Herzog Studios (811 Race St., current downtown home to CityBeat’s offices) has been approved. Thanks to the hard work of the Cincinnati USA Music Heritage Foundation, Brian Powers and others, the marker will be installed at the site — where Hank Williams recorded trademark tunes like “I’m So Lonesome I Could Cry,” and artists like Flatt & Scruggs and The Delmore Brothers also worked — on Nov. 22, the day of the Cincinnati Entertainment Awards.
Paul McCartney — "The Cute One" — will perform at Great American Ballpark on Aug. 4 as a part of a string of summer dates that'll see the former Beatle playing Yankee Stadium and Wrigley Field (among many other giant venues). Tickets for the Cincinnati date go on sale this Friday through tickets.com.
MPMF news and musings: The official MPMF.12 "Kick Off Celebration" is set for Wednesday, Sept. 26, in the Hanke Building just off Main St. (215 Michael Bany Way, between 12th and Reading). The free, open-to-all (21-and-up) party starts at 6 p.m. and will feature music from DJ Ice Cold Tony (who will be laying down some mash-ups featuring MPMF artists) and great Cincy rockers 500 Miles to Memphis will blow the rest of the roof off with a set starting at 9 p.m. There will be giveaways, free Vitaminwater, free Eli's BBQ (while it lasts) and a chance to win a pair of VIP tickets to the CityBeat-sponsored New Year's Eve blow-out at Bogart's featuring music by The Afghan Whigs.
And now, with the countdown down to just 8 days, here are our daily MidPoint Music Festival 2012 picks …
Tennis (Denver, CO)
It’s been a breakthrough year for Colorado Indie trio Tennis, starting with the winter release of its stellar (and highly anticipated) sophomore full-length, Young and Old, on Fat Possum Records. After touring its comparatively lo-fi, critically-lauded debut Cape Dory (crafted by core duo Alaina Moore and Patrick Riley), the duo took its vintage Pop songs into the studio with The Black Keys’ Patrick Carney, who helped give the songs a more direct punch (resulting in the addition of a drummer to the fold). Where acts like Best Coast and Jesus and Mary Chain rewire the classic Pop of the ’60s, Tennis write songs that often recall the ballads of ’50s Pop, something more evident and effective on Young and Old, which charted well and performed exceptionally at college radio. The band’s songs have been used on TV shows like Grey’s Anatomy and are becoming favorites in the fashion world, and they’ve also made a fan out of the Republican (one of "the good ones") daughter of an almost-President, Meghan McCain, who tweeted her joy that Tennis had become the soundtrack to her summer this earlier this year.
You'll Dig It If You Dig: Lesley Gore, Dusty Springfield, the house band for Mad Men (if they had one). (Mike Breen)
Tennis performs at the Know Theatre on the Bioré Strip's Main Stage Saturday, Sept. 29, at 11:45 p.m. Here's Tennis' clip for their swoony tune "Pigeon."
The Bonesetters (Muncie, IN)
Bonesetters don’t necessarily sound like a lot of bands but they fit well in the Midwestern construct of talented groups crafting a complex sound out of relatively simple ingredients. Sparse guitar melodies, both plugged and unplugged, are appointed with spartan rhythmatism, unexpected instrumental counterpoints (mariachi trumpet, keening violin, gentle vibes, wheezing harmonium) and a quiet sense of Indie Rock urgency on Savages, Bonesetters’ full-length debut from late last year. It’s easy to understand why Muncie loves Bonesetters, it’s harder to understand why they don’t play here all the bloody time.
Dig: Clem Snide, My Morning Jacket and Gomez making high lonesome carnival Surf Rock for emo hodads. (Brian Baker)
The Bonesetters perform Thursday in Washington Park at 5 p.m. Here's the band's debut album, which you can sample below, then download the whole shebang for free.
LOCAL LOCK PICK
The Dukes Are Dead (Cincinnati, OH)
Rock & Roll
If you’re a local Rock fan who has yet to catch a live show from exciting Cincinnati foursome The Dukes Are Dead, you’ve missed out on some great shows … and you only have this one more before The Dukes Are Dead are dead. In just a couple of years — first as “The Dukes,” before adding “Are Dead” to avoid confusion with the 17,000 other bands with the same name — the foursome amassed a loyal following and even got into theater, becoming the house band for the local staging of “Rock musical” Bloody Bloody Andrew Jackson. Though the band’s last show (sure to be a debauched blow-out) is this one at MPMF, there is hope for fans — in their farewell note on Facebook, it was announced that the members will each continue to pursue making music in the future.
Dig: No-nonsense Rock & Roll, bands with names that turn out to be prophetic. (MB)
The Dukes Are Dead's final show is Saturday, Sept. 28, at 8:30 p.m. at The Drinkery. The kind gentlemen of The Dukes are also giving fans some final recorded music as a parting gift — sample below then click on the player to download your free copy of the five-track EP, Before We Died.
Click here for full MPMF details via the official MidPoint site.
As we prepare for the musical tsunami that is the MidPoint Music Festival, we thought we'd take a breather and let you watch some video (kind of like that teacher you had who would show "topic-appropriate" movies to the class when he was suffering from a hangover/mental breakdown). Two MidPoint bands have brand-spankin' new music videos out: The Lions Rampant and The Sundresses.
There’s been a lot of new announcements from the MidPoint Music Festival in the past couple of days. Below is an update of the latest info. Wanna discuss further? Come on out to tonight’s MidPoint Indie Summer Series kick-off concert on Fountain Square. The free, all-ages show kicks off at 7 p.m. with Lydia Burrell, followed by Javelin and Cincy’s own You, You’re Awesome (which is using the occasion to celebrates its brand new full-length, Good Point, Whoever Said That).
The CincyPunk Fest has emerged as one of the most popular benefit concerts in the region, raising money for various charities since its inception in 2005. For CincyPunk Fest 10, the event returns to Newport’s Southgate House April 8 and 9 under new management and with a lineup full of some of the top music-makers in Cincinnati. And, despite its name, the fest is again a showcase for much more than just Punk Rock.
One of Cincinnati's finest Indie acts, the brilliant Bad Veins, has split in two. Last night, BV's singer/songwriter/guitarist/keyboardist Benjamin Davis took to the group's website to announce that founding member, drummer Sebastien Schultz, has decided to "move on from his time with Bad Veins."
Schultz — previously the drummer for local Indie rockers Cathedrals — had been a member of Bad Veins since almost the very beginning; Davis' first Bad Veins show was a solo affair opening for late Cincy duo wil-o-ee. As the pair told me for a 2008 CityBeat cover story, Schutlz was at the show (though he left early) and joined shortly after. He's played on all of BV's releases, including the most recent LP, The Mess We've Made, and toured extensively with Davis for the past five-plus years.
Thankfully for BV fans, this is not the end of the group. "The show must go on!" Davis said in his website post, expressing excitement for Bad Veins' future:
"I’m going to use this opportunity to do something I’ve been thinking about for a while, and take Bad Veins in a bigger direction, adding others members, bass, keyboard etc. I’ve already received a number of offers from musicians to join but haven’t made any decisions yet. If anyone has any recommendations, hit me up! The plan is to get back on the road this spring!"
We had heard rumblings about the split prior to this past Sunday's Cincinnati Entertainment Awards. Davis ended up opening the show solo (with taped backing), closing his set with a great, orchestral version of The Muppets' "Rainbow Connection." (The CEA show was filmed and will be airing locally on cable; a special, limited-edition DVD will also be available — stay tuned.)
Bad Veins is booked to play an all-ages show presented by the Counter Rhythm Group on Feb. 16 at Rohs Street Cafe in Clifton Heights along with PUBLIC and The Ridges. More info is available here.
We've written a bit in the past about the new film-meets-music "One Shot Music Video" series, beautifully shot, black-and-white short films of various local musical acts shot at the historic Emery Theatre (which is back in action as a functional venue this weekend). Shot by world renowned photographer Michael Wilson with audio help from the musical duo Pop Empire, the clips are filmed in one continuous take (thus the name).
The project has started to take shape and is on a roll now. Pop Empire's Cameron Cochran reports that the series is now named for the venue — "The Emery Sessions" — and will be comprised of footage from 10 artists, all shot at the theater. It's a great way to not only spotlight local music, but also show off the theater in a great light.
Wilson and Pop Empire have completed a couple of videos for Daniel Martin Moore for the first of the series. The second in the series is Over the Rhine (longtime compadres of Wilson's, who has shot OTR album covers and promo shots — including the one above — since the band's very beginning). OTR is familiar with the surroundings; the band played the "preview party" hosted by The Requiem Project which re-introduced the 100-year-old theater to locals late last year.
Here's a clip of Over the Rhine's Linford Detweiler and Karin Bergquist performing "The Laugh of Recognition" from the twosome's latest album, The Long Surrender. (Click over to local blog Each Note Secure to check out another clip from the project.)
Cochran also runs the all-free, all-digital "record label" The Recording Label, which has issued stellar recordings by The Kickaways, Vacation, Sacred Spirits and Pop Empire. He says working on "The Emery Sessions" inspired him to give the label a more local-specific name. The Recording Label is now called Cincinnati Recording Service. Click here for the new site.
And here are a few words from Cochran on the Sessions and the label:
If we are consuming light then sound is accompanied by sight. Many musical performers understand this concept and will incorporate a visual component to their audio performance. The idea behind the "One Shot Music Video" is to approach music from the opposite direction. The audience approaches the music from a visual perspective first because whether they know it or not the first performance they see is the photographer's. It is the photographer's eye that navigates them through the musical performance. The hidden live performance is the one done with the camera.
The Emery Theatre was the perfect place to begin our exploration of this relationship between listening and watching live musical performances. Each musician we have recorded and that we are going to record have a love for this amazing space and understands what the Emery Theatre means to our great city of Cincinnati. It is perhaps our own experiences working in this theatre and the pride that has developed for our hometown of Cincinnati that inspired us to change the name of The Recording Label to Cincinnati Recording Service. This name change is also a tip of the hat to another person who loved his city as well as the power that American music has to bring people together, Memphis' very own Sam Philips.
The ongoing saga of locally-spawned music and broadcasting legacy WOXY continues and, once again, the station has been forced off the "air" (or Internet, as the case is) due to financial problems.
Garage/Psych Pop trio Buffalo Killers will have its third long-player, titled 3, released on Aug. 2 through Alive Records (also home to Brian Olive’s recent sophomore solo album). The band is set to host release parties in Dayton (at Canal Street Tavern July 15) and Cincinnati (at MOTR Pub July 16), then head out west for the start of what will likely be an ongoing, extensive tour for 3. Check out the new album track “Circle Day” above.