On this date last year, somebody paid $10,000 for a T-shirt. An Australian man purchased a 1979 Led Zeppelin concert T-shirt on eBay for that amount, making it the most expensive concert T-shirt ever sold. (Though I bet The Eagles got close on their various, outrageously-priced reunion tours in recent years.) The shirt appears to be a "back stage pass" from the concert.
After the sale, Denver weekly Westword posted a story on its blog counting down the next 10 most costly shirts purchased. From their research, they deemed a James Brown shirt with a bad caricature of the Godfather of Soul and the words "I'm Black and I'm Proud," an early Nirvana shirt featuring a parody of John Lennon's Two Virgin's album cover and a "Metal Up Your Ass" Metallica shirt as the next most rare, each going for $1,000.
Currently, the most costly concert shirts available on eBay are a 1976 Stones shirt (yours for $7,900), a 1973 Who concert "staff" shirt ($4,691.82), a different Zep shirt (from, I believe, the same concert as the one that cost 10 grand; $3,949.21) and a Johnny Thunders shirt from 1984 ($3,909.72).
Here are a couple of Ohio tunes written in honor of those crucial concert souvenirs. Early Hamilton, Ohio, Punk band ChemDyne and Columbus' Watershed both had songs called "Black Concert T-Shirt."
Born This Day: Musical movers and shakers sharing a May 11 birthday include legendary songwriter ("God Bless America," "White Christmas") Irving Berlin (1888); one of the greatest white Soul vocalists ever with The Animals, Eric Burdon (1941); drummer and founding member of The Allman Brothers Band, Butch Trucks (1947); producer and founding member of avant-garde Pop group the Art of Noise, Gary Langan (1956); original MTV VJ Martha Quinn (1959); and frontman for one of Cincinnati's all-time greatest Rock bands, The Afghan Whigs, Greg Dulli (1965).
Dulli — born and raised in Hamilton, Ohio — is currently gearing up to begin performing once again with his Whigsmates John Curley (still living, working and playing music in Cincinnati) and Rick McCollum (now living in Minneapolis). Tickets for the group's first show in 13 years — May 23 at the Bowery Ballroom in New York City — go on sale today at noon. According to the band's website, the fan pre-sale sold out and there are "a very limited number of tickets" left. The band will warm up for the show on May 22 with a performance on Late Night with Jimmy Fallon.
Will the Whigs merely do a reunion victory lap then go their separate ways again? It's unclear so far, but in interviews with Dulli, he seems very inspired playing with his old pals again. In terms of a possible new Whigs album, he told the website www.thisisfakediy.co.uk, "I am going to keep the book open and keep the possibility, all possibilities available. We're going to see what happens, and react to what happens, but right now it's wide open. Yes, maybe, maybe not, we'll see. I hate to be ambiguous, but in this particular case, I think it's best." (He also said re-issues of the band's back catalog are "definitely going to happen.")
Raise a glass and wish Mr. Dulli a happy 47th birthday. Here are a few clips of Dulli's extracurricular activities during his days with the Whigs to help you celebrate:
• In 1994, Dulli sang John Lennon's parts on the soundtrack to Backbeat, a film about early Beatles bassist Stuart Sutcliffe. On the soundtrack he was part of a band that included Thurston Moore (Sonic Youth), Mike Mills (R.E.M.), Dave Pirner (Soul Asylum) and Foo Fighter/ex-Nirvana drummer Dave Grohl. Here they are doing a song originally made a hit by Cincinnati-born music icons The Isley Brothers.
• Dulli teamed with Grohl again in 1995, playing guitar on his debut album, Foo Fighters. Grohl played all of the instruments on the album except for a guitar part on "X-Static," which Dulli provided.
In 1999, Dulli recorded a cover of "Dixie Peach Promenade (Yin for Yang)," a tribute to late Moby Grape member Skip Spence and his cult classic album, Oar.
The boys of Cincinnati's Foxy Shazam have done it again. The group's stunning new video for "I Like It" from its new album, The Church of Rock and Roll, debuted today and it's another mind-blower. The band — which recently played a packed album release show at Covington's Madison Theater — plays Irving Plaza in New York City tonight and then begins tour dates with Brit rockers The Darkness (who were just featured in one of the better Super Bowl commercials of 2012). Check the video below.
Music Tonight: Cleveland Art Punk band HotChaCha bring its dancey Post Punk rhythms and soulful melodies to Newport’s Southgate House tonight, playing the club’s Parlour room. The show is the fourth date on the Northern Ohio foursome’s extensive nationwide run with eclectic upstate New York Indie septet Summer People (which has been compared to The Cramps and Nick Cave), promoting the two bands’ split 12-inch EP release, Do It. The vinyl release is a limited edition, but in cyberspace, there are no limits, so give the EP a listen here.
Music Tonight: Say goodbye to August tonight with some classic Hip Hop at Bogart's, one of many recent and upcoming Hip Hop shows from the longstanding Corryville concert venue. Rock the Bells began seven years ago as a stand-alone Hip Hop festival in California, but today the brand has been expanded to included RTB package tours and smaller club tours, like the one in town tonight.
Since our Morning News and Stuff writer hates football and refused to comment on the Super Bowl (not even the Puppy Bowl!), I thought I'd take a minute to discuss yesterday's huge game. Well, the music heard during the TV broadcast, anyway.
While I'm not a huge Madonna fan (I love the idea of her more than her music), I thought her halftime show was excellent. Then I looked on the internets and it told me that I was stupid and it was actually horrible and, even worse, offensive! Things I learned: Madonna is, like, really old; she may have lip-synced during portions of the performance; and MIA said "Fuck you, America" with her middle finger. (Like Janet Jackson's boob, I wouldn't have even noticed had it not been overblown in cyberspace.)
Oh, and MIA, according to the AP report, also "appeared" to say a cuss word. (She didn't, clearly stopping her line, "I don't give a shit," at "Shhhh" — nice reporting AP!)
Chuck Prophet has more Rock cred than any one man should have a right to claim. His eight-year run in Green on Red in the ’80s resulted in some of the most influential sounds to emanate from Southern California’s Paisley Underground scene and his subsequent solo catalog has notched an impressive level of critical acclaim over the past 22 years. In that time, the names he’s worked with — as collaborator, producer, hired gun, pal — reads like a who’s who of contemporary musical accomplishment: Warren Zevon, Aimee Mann, Jim Dickinson, Lucinda Williams, Jonathan Richman, Kelly Willis, Jules Shear, Alejandro Escovedo and a good many more lesser but no less important lights.
Prophet’s recent work has been some of his most viscerally satisfying, beginning with 2007’s wide-ranging Soap and Water, his 2008 collaboration with Escovedo on his Real Animal album, and Prophet’s 2009 political Rock statement, ¡Let Freedom Ring! For his latest solo jaunt, Temple Beautiful, Prophet maintained a healthy power level while injecting a concept into the proceedings, namely making every song on Temple Beautiful about his longtime San Francisco home.
The album springs to life with “Play That Song Again,” a bouncy slice of ’70s Pop/Rock, followed by “Castro Halloween,” an insistent Pop anthem with the ring of the casual greatness of George Harrison’s best solo work and the bluster it would have had if he’d ever installed Tom Petty behind the glass to produce it. The title track, a tribute to the Punk club that occupied the space once held by Jim Jones’ People’s Temple before they decamped to their infamous digs in Guyana, is a blaring blast of Rock and Soul that pounds like The Ramones on a couple of bottles of cough syrup and swings like T. Rex with more garage and less glam, “Willie Mays is Up at Bat” sounds like Warren Zevon channeling Bob Dylan circa “Watching the River Flow,” and “I Felt Like Jesus” swaggers and nods with Surf Rock reverb and Roots Rock twang.
Five years ago, Chuck Prophet was trying to decide if he had anything left to say in a musical context, but Temple Beautiful finds him eleven albums deep in his solo career and sounding as energized and inspired as he was when he dropped his debut back in 1990; long may he do this, or any other damn thing his infinitely talented mind can conceive in a studio.
On this day in 1987, the Beastie Boys' debut LP Licensed to Ill became the first Rap/Hip Hop album to reach No. 1 on the Billboard album charts. Though the band members today seem embarrassed by some of the ridiculousness evident all over the album (including, no doubt, the Wiffle Ball Bat-assisted sexual assault references), it could have been worse for the now-enlightened MCs, who originally wanted to title the record, Don't Be a Faggot. Columbia refused to release anything by that name so the group was eventually convinced to go with something a little less … dumb.
In 1999, Beastie Adam Horovitz wrote a letter to Time Out New York apologizing for their youthful indiscretions on that first album, saying he wanted to "formally apologize to the entire gay and lesbian community for the shitty and ignorant things we said on our first record. There are no excuses. But time has healed our stupidity. … We hope that you’ll accept this long overdue apology."
The Boys' still perform bits of Ill, but with some careful self-editing. Here they are doing "Brass Monkey" at Madison Square Garden a few years back.
But what we really wanna know is … when does Tom Carvel get his even-longer overdue apology?
Born This Day: Musical movers and shakers sharing a March 7 birthday include celebrated French composer Maurice Ravel (1875); legendary Jazz sideman and producer, late drummer Lee Young (1917); one of the greatest frontmen in Rock & Roll history, J. Geils Band's Peter Wolf (1946); the man who played one of the most recognizable organ solos in Rock on "Whiter Shade of Pale," Procol Harum's Matthew Fischer (1946); Pop/Dance music performer Taylor Dane (1962); singer/songwriter for Louisville based Hard Rock crew Tantric, Hugo Ferreira (1974); and multi-instrumentalist with Funk/R&B/Rock & Roll legends The Isley Brothers, Ernie Eisley (1952).
Ernie Eisley was born in Cincinnati 60 years ago and he joined his brothers' group when he was old enough, playing bass on the band's "comeback" hit, the funky "It's Your Thing," in 1969. His bros — led by Ronald Isley — were already hugely successful, selling a million copies of their 1959 single "Shout," not to mention "This Old Heart of Mine" and "Twist and Shout," which, of course, became one of the group's biggest songs thanks to a cover version by a little British band called The Beatles.
When Ernie teamed up with his brothers, they became more of a "band" than a "vocal group," and enjoyed a long string of hits for which Ernie was crucial (either as songwriter or player), including "Fight the Power," "Between the Sheets" and a reworked version of their older tune "That Lady," this time featuring an amazing Rock guitar lead from Ernie.
The group split in the ’80s — Ernie found success with Isley-Jasper-Isley, the group formed with brother Marvin and his brother-in-law — and joined forces again in 1991; littlest bro Marvin retired in 1997 (and passed away two years ago), leaving only Ernie and Ronald. In 2001, the Isleys hit the charts with "Contagious," which made them the only group to have a Top 100 hit in six decades in a row (from the ’50s-’00s). The Isleys were inducted in the Rock and Roll Hall of Fame — a no-brainer, really — in 1992. While Ronald embraced being embraced by contemporary R&B and Hip Hop artists from R. Kelly to Tupac Shakur (and spent some time in the jail for tax evasion in more recent years), Ernie retreated from the spotlight somewhat, working with community groups and schools in St. Louis, where he now lives. But he still hits the road from time to time with Ronald and has continued to work as a solo artist.
Ernie has also participated in the "Experience Hendrix" tribute tours of the past few years. It's fitting — Hendrix played guitar with the Isleys when Ernie was 11 years old, even living with the Isley family in New Jersey for a couple of years before becoming hugely successful on his own.
Here's a fantastic archival video from Soul Train featuring The Isleys performing "That Lady."
After a successful screening of an acclaimed Sigur Ros concert film recently, the Contemporary Arts Center is showing another concert flick soon, this time on the same night as dozens of theaters nationwide. On July 18, the CAC is listed as one of the venues screening Shut Up and Play the Hits, the much anticipated concert film/documentary that follows LCD Soundsystem's James Murphy as he preps for his band's final ever concerts, which took place at Madison Square Garden last spring.
The film will be in theaters (or art museums, in our case) for one night only, then presumably be issued on DVD. (No release date on that yet.)
Tickets for most screenings go on sale June 8. Click here for updates. The film will be shown at the CAC at 9 p.m. and accompanied by a DJ set.
Here's the superb trailer for Shut Up and Play the Hits.
Lollapalooza Day 2 dawned bright and early — I woke up a tad late, having burned the midnight oil too long the night before.
Rule No. 2 of Lollapalooza: Get enough sleep. Always. Especially if you’ll be walking every-the-heck-where.
I had been invited to an after-party Friday night, sponsored by Belvedere Vodka, at the W Chicago City Center downtown. I went in my sweaty Lolla regalia, and was rewarded with performances by Two Door Cinema Club and Fitz and the Tantrums.