Holidays are especially exciting times for children and, given the recent tragedy in Newtown, Conn., kids all over will likely be going to be getting a little extra love this season.
Zak Morgan knows kids. The Cincinnati-based singer/songwriter has already had an amazing career in children’s music, with his second self-financed album, When Bullfrogs Croak, earning numerous awards and acclaim, including a 2004 Grammy nomination for Best Musical Album for Children, a remarkable feat for an independent artist.
Morgan’s accomplishments and hard work (he notches over 200 shows a year for kids across the country) paid off with a contract with Universal Music’s kids’ music imprint, myKaZoo Music. His debut for the label, The Barber of the Beasts, came out in late October and would make a fantastic stocking-stuffer for the little ones this Christmas.
Like his previous releases, The Barber of the Beasts features artwork by famed local illustrator C.F. Payne and contains an extensive booklet of lyrics and drawings. The album also features some notable guests, from local musicians like Dan Dorff, Paul Patterson and Josh Seurkamp to nationally acclaimed artists like Robbie Fulks and locals Karin Bergquist (Over the Rhine) and the iconic Bootsy Collins.
But it’s Morgan’s magical stories and songs that are the focal point. There is a perfect formula for children’s music; like with kids’ films these days, many artists try to hard to make their albums “parent friendly” and tend to go overboard, while those who “dumb things down” tend to be the most annoying. Morgan’s gift is finding the perfect balance.
The Barber of the Beasts is for smart and imaginative kids and parents, seeming designed to be enjoyed together. Morgan is great with clever word play and he isn't afraid to drop a few “big words” (or at least unfamiliar words). That’s where the booklet’s excellent vocabulary guide comes in handy. Parents can go over words with their children, who will have not only been entertained by Zak’s fantastical storytelling, but will also learn something in the process.
Many of the tracks on Barber feature gorgeous chamber string arrangements, but there are also tunes like “Snow Day,” on which Morgan channels his inner Tom Waits (vocally), the shuffling, jazzy Pop cut “Swinging On A Star,” the Country-esque “Nancy Jane” and the great Bootsy collaboration, “The Case of the Dry Markers,” a swingin’, “spooky” Jazz struttin’ mystery with a Halloween vibe.
Here is the debut music video from the album for "The Case of the Dry Markers":
The songs and music are elegant and often downright majestic (particularly the ones with the spine-tingling string arrangements), while Morgan’s clever stories are loaded with a silliness that the young listeners will gleefully embrace.
I believe The Barber of the Beasts (which will specifically appeal to kids between around the ages of 1-8, but certainly fits the "fun for kids of all ages" bill) was released in time to make next year’s Grammy nominations. It will be a crime if it doesn’t make the cut. When it comes to children’s music, Zak is like the Bob Dylan of the genre — minus the curmudgeonly grumpiness, of course.
This Saturday at 1 p.m., Morgan and a host
of special guests will present the local release party for the album at
The Monastery recording studio (2601 Stanton Ave., Walnut Hills), the
performance/recording space owned and operated by producer/guitarist Ric
Hordinski (who also performed on, produced and co-wrote material on the album).
Tickets are available through brownpapertickets.com for $10 (or $20 for families of two-five people). Remaining tickets will be available at the door the day of the show for $15 (or $25 per family). Your ticket also includes food and admission to the post-show pizza party.
OK, so which Babylonian weather deity did we collectively blow like a $5 crack whore to assure us of an entire weekend without getting firehosed by the kind of precipitation generally associated with tropical monsoons? Because I want to get his number in our rolodex for next year. Another absolutely gorgeous night for another spectacular evening of musical diversion and awesomeness. That’s right, awesomeness.
It was an eerie evening leading into the MidPoint Music Festival 2010’s kick-off night Thursday. A gigantic, gorgeous sunset was soon followed by a huge, neon-lit moonrise, which guided my path down the highway to the festival. Once downtown, the streets resembled their usual non-weekend selves — nearly empty, save a couple of neighborhood locals scrambling about. And, while the threat of rain is usually the weather event MidPointers fear most, tonight’s air was dry, humid and record-breaking hot. Who would have thought a music festival on the first weekend of the fall would be met with 95-degree temps (in the daytime, at least)?
Bret Michaels is a one of a kind crossover superstar who has transformed himself from hard rocker to big partier to reality television star. Best known for his nearly 30 years with rockers Poison (giving us such Rock & Roll staples as “Every Rose Has It’s Thorn”, “Talk Dirty to Me” and other arena mega hits), in 2010, Michaels’ life took a dramatic turn when he was faced with multiple emergency surgeries. The first was to remove his appendix and then a sudden life threatening brain aneurysm led to brain surgery. He bounced back by winning Donald Trump’s Celebrity Apprentice, continuing solo music tours across the country, completing a summer tour with Poison and Motley Crue and plotting more television projects.
CityBeat spoke with Michaels this week in advance of his pre-Super Bowl party concert tomorrow in Indianapolis. He performs Friday at 9:30 p.m. in Indianapolis, helping open the Super Bowl Village and get fans in the right spirit for the big game next Sunday. (Friday’s concert is free; click here for more info.)
So this is how the music industry works in the 21st Century: Without a hint of radio support, Angels and Airwaves (AVA) with opening act Say Anything got 1,500 faithful fans to show up for a Rock & Roll show here in Cincinnati.
Thank you, Mr. Internet.
Contemporary Arts Center has officially announced that Patti Smith will perform The Coral Sea with daughter/pianist Jesse Smith on May 17, in connection with her CAC exhibit, also called The Coral Sea, that opens the next day and features work not previously seen in the U.S.
At the concert, Smith will also play selected material from throughout her career.
The CAC website says that "The Coral Sea performance work found its beginnings from Smith’s 1997 book of the same name, her requiem to her dear friend Robert Mapplethorpe (who took the cover photo of Smith’s debut album, Horses, among his many other accomplishments). With music arranged and performed live by Kevin Shields — of heralded British shoegaze band My Bloody Valentine — two separate performances were held at London’s Queen Elizabeth Hall in June 2005 and September 2006. In 2008 those performances were released as a live album."
Mapplethorpe's own posthumous photography retrospective at CAC, 1990's The Perfect Moment, became a major controversy when cultural conservatives led by now-retired Sheriff Simon Leis tried to shut it down for obscenity. In a famous trial, a jury sided with the CAC. The concert venue and ticket information will be announced soon at www.contemporaryartscenter.org.
I first wrote about Smith's art show coming to the CAC in CityBeat last year here.
Eastern Conference Champions are a Philadelphia-based Indie band that has been gaining steam through soundtrack appearances, gaining most fame from The Twilight Saga: Eclipse album with the song “A Million Miles an Hour.” They have also gained attention through songs appearing on the small screen in Friday Night Lights and Gossip Girl. The band is touring its second album, Speak-AHH, and playing Bogart’s tonight (Thursday, May 26) with Neon Trees.
CityBeat spoke with founding member Josh Ostrander about their new album and life on the road.
Music Tonight: Tonight’s the last time you’ll be able to catch Cincinnati-based trio The Rubber Knife Gang in town for a while. But it’s not for any kind of hiatus — no rehab or plastic surgery or whatever it is bands do on such breaks. Quite the opposite. It’s because the band is jumping on a plane in a few weeks and heading overseas to spread RKG’s soulful Americana/Roots/Bluegrass sound. Tonight, the Gang joins Nashville’s Grace Adele and the Grand Band for a free, 10 p.m. show at MOTR Pub. The two acts reteam for a Columbus show this weekend, then RKG hops on a plane for Belgium, where the threesome will play two weeks’ worth of dates through mid-September (with a few shows in Germany and the Netherlands sprinkled in).