Anthrax has shaped the heavy metal movement in America. The band recently released its 10th studio album, Worship Music, which brings back the band’s early sound with the re-emergence of lead vocalist Joey Belladonna. I love heavy metal guitars, so it was a privilege to speak to one of the all time metal guitar greats, Scott Ian, to preview their performance at Mayhem Fest Tuesday at Riverbend Music Center.
CityBeat caught up with Ian to discuss the highlights of Mayhem so far and how being a father has changed his perspective on life and music.
CityBeat: What has been the highlight of Mayhem Fest so far for you?
Scott Ian: For me personally it is just the overall vibe. This is the first time we have done a U.S. festival traveling tour in the summer. We kind of knew what to expect since we are friends with Slayer, Slipknot and Motorhead, but it has been so much fun to hang with our friends. The crew and everyone who works with Mayhem have been great and it really is a big family vibe out here. It is a really great place to show up for work.
CB: What has it been like having Joey back the past few tours with the band?
SI: It’s been like two and a half years already. Hopefully that answers the question. It is obviously been going great. We couldn’t be happier with the record we made. We couldn’t be happier with the way shows have been going. I think this is by far the best version of Anthrax that we have ever had.
CB: You became a father last year for the first time. Has this changed your perspective on writing music or life in general?
SI: I haven’t really written yet since he was born because we have been in touring mode. One way that my perspective overall has changed is now having this person in my life that I love beyond anything I can comprehend. It makes me hate the human race even more because of all the pressure that comes with raising a child and wanting to protect him. People ask what do you have to be angry about and there is plenty to be pissed off about now. Look at what happened in Colorado last night with the guy shooting people in a movie theater. It sickens me to the pit of my stomach for a million reasons. What if that was my child in the movie theater?
CB: It is terrible and it is beyond my comprehension how that can happen.
SI: Up until he was born, I had my wife and close family but they are adults and are responsible for themselves. Now we have this person that is 100 percent helpless and relies on us to take care of him, so there is this protective instinct that showed up as soon as he was born. I think that will have a big impact on my writing in the future when the time comes.
CB: Do they come visit you on the road?
SI: Yes they are here right now and have been with me for 10 days.
CB: What is the longest you have gone without playing guitar?
SI: Probably way back in 1977 when I broke my wrist at a skateboard park and I couldn’t play guitar for two months because I had a cast on. I was so bummed that I couldn’t play guitar that I pretty much gave up any type of fancy skateboarding on ramps or pools. The guitar was definitely more of a priority.
CB: What is the biggest difference for you touring versus in the 1980s?
SI: Sometimes we sit around and talk about how did we ever get anything done before we had cell phones and laptops? In the ’80s no one even knew what a cell phone was. I remember the first time a tour manager had that big briefcase thing with a phone in it and it was something like $18 a minute to use it. The idea that we were able to do stuff back then and everything got done is amazing. I try to think about how it got done and I have no idea how we made it through one day let alone a whole tour without the technology.
CB: What habit would you like to break?
SI: I don’t know. I don’t smoke. I don’t drink excessively. My wife is saying talking with my mouth full so I guess I will go with that as a born and bred New Yorker.
CB: What adjectives do you hope describe you at 75?
SI: I hope when I am 75 no one has anything to say about me. I hope the only thing they say is “What ever happened to that guy?” because I am so far off the grid by that point.
CB: I doubt that will happen.
SI: No, we will probably still be playing music and people will say “I can’t believe he is still banging his head.”
CB: What has been your craziest fan story over the past few years?
SI: The craziest audiences in the world are in South America in Chile with the craziest fans overall. We do a signing every day at the Rockstar Energy Drink tent and we get to meet a lot of fans every day on this tour. Anyone who would get anything Anthrax related tattooed on their body is amazing to me. I can’t really call it too crazy because I have Gene Simmons and Angus from AC/DC tattooed on me. I understand that point of view of being such a fan that you would be willing to make that commitment but being the guy in Anthrax and seeing an Anthrax-related tattoo makes you feel great because I know the commitment and I know how much Anthrax must mean to them.
CB: What is the best guitar solo of all time?
SI: Eddie Van Halen “Eruption.”
Anthrax performs July 24 at Mayhem Fest at Riverbend Music Center. More information: rockstarmayhemfest.com.
Unless you’ve been living under a rock, you’ve heard the buzz about the World Choir Games, which will feature 20,000 participants from across the globe representing cultural singing traditions and some serious musical expertise competing right here in Cincinnati.
So, this July, it’s going to be the summer of song in Cincinnati, thanks to the massive influx of singing professionals for the 2012 World Choir Games. But even those who can’t afford tickets for the games will be able to engage in 11-day musical celebration, thanks to the “Friendship Concerts.”
The fruitcakes have been throw away, the eggnog is spoiled, the big ball dropped, the champagne is gone and we’ve all had time to reflect on 2008. Now, chin up, sport — it’s time to start looking ahead to 2009 and what lies ahead for Cincinnati’s local music scene.
If the first release of 2009 (well, the first to cross my desk anyway) is any indication, we’re in for another great year for locally crafted CDs. The “New Year’s Eve baby” of the local CD world comes from newcomers Hazle Weatherfield, a promising trio that celebrates its debut release with a show this Saturday at The Mad Hatter in Covington.
In discussions on Hard Rock and Heavy Metal, the phrase “veteran rockers” basically means “old dudes with electric guitars” (or “badasses turned corporate vacuoles turned money-hungry corpses in makeup writhing around on a stage” if we’re talking about Aerosmith), but as long as they’re playin’ it loud and proud, age ain’t nothin’ but a number, right?
Kinda like Thruster, The Mighty Swine never fully grew out of those leather-clad and poodle-headed ‘80s Metal days of yore, a time when the guitars ran wild and so did the groupies and the V.D.
As Thursday began, we heard the tragic news of two people from the Tristate who were killed in an automobile accident on their way to the festival. (Five others were injured in the same crash.)
All told, Bonnaroo attendees and staff number close to 90,000 souls during peak hours. For this long weekend in June Manchester becomes the seventh largest city in Tennessee, with births and deaths on-site like one would expect in a small city over the course of any 96-hour span.
On a brighter note, this year's festival kicked off with a young couple tying the knot under the multi colored arch at Bonnaroo entrance.
In the late afternoon I wandered through Centeroo, perusing the various vendors' booths. Corporate sponsors abound, but non-profits and independent artisans dominate the Bonnaroo bazaar.
In the shadow of a Ferris wheel and psychedelic light tower a giant throng gathered in and around the area surrounding the Other Tent to greet Cincinnati's pure Pop pride and joy Walk The Moon.
Technical glitches delayed the start of their set but they had the crowd bouncing, clapping, singing along and eating out of their hands from the minute they took the stage.
WTM singer Nicholas Petricca shouted, "We're called Walk The Moon! We're from Ohio!" and the crowd roared as the band launched into their single "Tightrope." This writer has never seen a larger crowd assembled for a performance in the Other Tent and Petricca's buoyant charm and boundless energy kept the crowd pumped and jumping throughout the bands' entire performance.
Later in That Tent, Father John Misty brought the weird and the beard via his sardonic Folk Rock parables. I half-expected the depth and humor of FJM's material to sail over the heads of most Bonnaroovians but I was pleasantly surprised to hear many people singing along. A huge fan of his new Fear Fun album, I think I would have driven all the way to Tennessee just to hear Misty sing "Only Son Of The Ladiesman". He didn't make me wait long, playing it in the No. 2 slot.
(Walk the Moon hotos by Chuck Madden)
It was the keen eye of photographer and close friend Chuck Madden who first caught the clues on Walk The Moon's Facebook page that seemed to indicate the band would be doing something special for their fans at Bonnaroo this weekend.
On little more than a hunch Chuck insisted that we check out "Kaleidoscope Space Tribe" at 3 p.m. on the Sonic Stage. Sure enough, at five past the hour WTM bounded out on stage and proceeded to artfully bash through a 30 minute set of Talking Heads songs including "Girlfriend Is Better," "Burning Down The House," "Psycho Killer" and more. Considering the huge crowd they played to just two nights ago in the Other Tent, this performance was an ultra rare treat for the clever and faithful two or three hundred fans who figured it out.
Dwight Yoakam seemed mildly irritated at Saturday's 4 p.m. press conference. Perhaps sensing that the Bonnaroo press corps might be too young to know his story, Yoakam quickly sketched a casual crash course on his career dating back to the ’80s. Rather unexpectedly, Dwight struck up a rapport with fellow panelist, comedian Reggie Watts, as the two of them discussed their mutual love of Hee Haw.
Dwight's 7 p.m. performance in That Tent began with an eight-song medley during which the band never paused for a breath, rocking through one continuous segue that included the songs "Please Please Baby," "Little Sister," "Streets Of Bakersfield" and Buck Owens' classic, "Act Naturally."