On Wednesday night in Columbus, radio station 99.7 The Blitz had a one year anniversary party and invited hundreds of fans to an appreciation party at the LC Pavillion to give feedback on the station and meet the members of the Blitz on-air team. Die hard Blitz fans were surprised with a live performance from one of the most popular bands on the station, Bobaflex. Bobaflex did an hour high energy set for the intimate crowd performing their hits like “Bury Me with Your Guns On.”
Bobaflex is an independent metal band from West Virginia that has been grinding through the music business since 1998. Over that time, they have released four albums and been on tour with National acts like Disturbed, Filter, Sevendust, among many others. In their thirteen years, they have gained a cult following centered in Ohio and West Virginia.
CityBeat caught up with Shaun McCoy, a vocalist, guitar player, and charter member of the band before the show to discuss the single that is gaining steam across Ohio in radio play and their unconventional view of the music business. Shaun’s anti-establishment view pairs with his innovative ideas to show where he envisions the music business is heading. This is seen in the upcoming release of their fourth album, Hell in My Heart.
CityBeat: I know you guys have the new album, “Hell in My Heart,” The 15 track album that came out in February.
Shaun: Well, it’s technically not out. There was some confusion about it. And now we’re re-releasing it this summer with some extra tracks. But we still have a few copies on us. We pulled it offline and stopped ordering it until this summer. We are looking at distribution deals with some investors. So we’re almost going to do our own label which is the safest thing to do these days. And using other people’s money because we don’t have that much. So we are almost doing the label thing but having more control in the band. And working with an investor or partner but not with an evil corporate label that’s going down the tube anyway.
CB: You guys have been pretty vocal about being independent and doing this on your own because you have been in the business a while. You’ve also talked about your management team and how they’ve helped out. What’s the process to go through to get the album out on your own?
Shaun: Well people are still holding onto the old, it has to be in the stores which is going to be over in the next five years. You still have to play that game and have an official release. So, we had a couple label deals on the table. They were a no-win situation for the band. So we kind of balked at them. And now, we’re doing a distribution deal. Which you’re not locked in legally with them. They just put it out in the stores and you just kind of pay for shelf space. You do all the marketing and promotions yourself. It’s up to you to promote the album. They just put it in the store. You get a way higher split on the album. You get a majority of the money and you keep the bailments. So basically they’re just a service. We took a long time picking a good distribution company because many are in trouble right now. I think we’re in talks right now with Mega Force and they may distribute us. The band ran into marketing and promotions trouble when we paid for it ourselves and it nearly killed us. So we are looking at the option of using an investor to make it easier on the band and split things down in different percentages and have someone else’s money and do like a label does and have someone else do all the promotions and marketing. And they get a piece for putting that much in and investing in the band. But still it will be a band-friendly contract. It’s not going to be a big corporate Atlantic Records thing where they get 12% of your record and you don’t see royalties for three years.
CB: Is that what the April 20th show is partly about? Are you looking for investors at the showcase?
Shaun: Yeah. I think CDs are like 8-Tracks in a few years. I mean kids don’t want to buy them unless they want something physical to be signed. That’s really it. Adults buy CDs. And it kind of kills me we still have to put it in stores because times are changing and we like to be ahead of the curve. But we’ll play that game for this album and put it in stores. It also opens up radio and touring options. People are still using that as a form of legitimacy. So we have to put it in stores. That’s the way it’s going to be. I’d prefer to have it online and at shows and you’d have to come to the shows to actually purchase it. And that would make the shows better. We’ll have it at shows but right now we have to play the CD game so we’re going to distribute it. There’s nothing finalized, now we’re in talks but nothings done but you can say we’re in talks with Mega Force for distribution.
CB: How long have you been doing this? I know you and your brother started this together.
Shaun: Legitimately, we started in ’98 but full force and making it a profession and barely working a job or not working a job and putting a 100% into from about 2003 until now.
CB: So now it’s full time for all of you.
Shaun: Yeah. Absolutely. It’s been full time for about six or seven years since we signed with TBT, our old label who went bankrupt. Once we got with them it was a full time job.
CB: If you weren’t in a rock band, what would you be doing?
Shaun: Wow, if I weren’t in a rock band, I’d probably turn to a life of crime to make a living. I’m 40 hours short of an advertising degree. I owe the government out the ying-yang. Either I’d be a criminal or I’d just work at Lowe’s.
CB: So you guys have this interesting thing where you let everybody sing. Do you get pushed to try to pick a lead singer or do people give you pressure around that or do people accept that this is how you are going to do it?
Shaun: Early on, when we had a record deal on the table, they actually liked that idea. Years ago, people asked, “Well who’s the lead singer?” Well nobody, we switch off and on. Even our bass player is singing lead on some songs. Well now, if they’re talking to me they say “Well you’re the lead singer.” Or if they’re talking to my brother “Oh you’re the lead singer.” It’s one of those deals. We kind of squash it. It’s whoever song it is. I’m a big KISS fan and I always like Ace songs best and he only sang a handful of them. That’s where we got the idea from. I’m a big Eagles fan and I like any band that has versatile lead singers. It makes the album more eclectic and it makes for better ideas. You don’t get bored or get stuck in a rut when you have three different guys and all three have a little different vibe. That helps for sure.
CB: Have you met KISS?
Shaun: I would like to meet KISS. I have not met KISS. Well, who have I met? We met Dave Mustaine of Megadeath. And that was a big deal. I met all of Anthrax, all of original Anthrax. That was cool. We have toured with Mudvayne and Sevendust but I would love to meet KISS. Absolutely one of my favorite bands.
CB: Have you ever been star struck when you met somebody?
Shaun: Yes, Jonathan Davis and Korn walked into our dressing when we were opening for Mudvayne and Sevendust and we were the openers in the Nokia Center in Dallas. Jonathan Davis had his dressing room across from us and we decided to leave him alone since he was a huge star. I was getting my tattoo worked on drinking and he walked into our room out of nowhere. I was like “What!” He said “Hey this where the party’s at. I smelled weed, I hear drinking and partying. I see you’re getting a tattoo. Does that hurt?” I was like “Noo!” I said “Thanks for having us on the show.” And I shook his hand. He said “Great having you on the show. I’ll see y’all around.” Then he walked out. Then everybody couldn’t even talk and were like “Oh my God! Jonathan Davis just walked into our room.”
CB: Yeah, I’ve interviewed Fieldy and Ray from Korn. They’re great guys.
Shaun: Absolutely. He was really cool to us. That’s the thing with the bigger tours, I’ve never really met an asshole rock star that wouldn’t talk to me or made a rule to “Don’t look at me, especially when I’m eating.” I’ve never seen that yet. That hasn’t happened on the bigger shows like Papa Roach or Megadeath.
CB: One of the things I always say when I’m doing interviews is the bigger the rockstar I talk to the more down to Earth they seem. It’s kind of been the exact opposite of how I envisioned it. Everyone is usually very nice and very down to Earth. One of the theories is that everybody has been at the bottom of this industry and worked their way up and people appreciate it a lot when you do make it and do well. Have you ever had any boyfriend or husband issues on the road?
Shaun: Well yeah, it’s happened. We’re really cool guys, we’re cool with the fans. But there have been weird situations where somebody’s girlfriend has liked someone in the band and then they come up and we don’t know them personally and the guy never comes to a gig again and sends us an e-mail, “I can’t believe you did this to me.” I don’t even know who they are or don’t even know their name. Our ex-guitar player used to have issues with that. He always had people showing up to gigs looking for him. Many times it was due to Facebook and Myspacing and meeting girls. But I personally try to be cool to the fans and I, personally have not or very minimally had that. It’s always been light and nobody’s said anything bad. I’ve had a couple guys try to steer me away from girls via Facebook or Myspace, mainly Facebook. And say, “That chick is trouble man.” And I say, “I don’t even know you man. Why are you contacting me.” I had a guy recently tell me a girl was dangerous. And I was like, “Dangerous? What is she, Al Qaeda? She’s 120 pounds. What are you talking about? Does she have a gun on her? Does she carry a knife and stab people?” I just ignored it. It’s really not too bad. Just our ex-guitar player. And all the guys at this point in the game have girlfriends. I’m the only one who doesn’t. So, on that front, I can’t say it happens too often.
CB: Well I think dating is scary these days anyway. Just meeting on Facebook or Myspace. You talk about music changing. Dating is definitely changing.
Shaun: Oh my God! In the band, you always have some nutball or weirdo a little bit. Or I’ll get stalked multiple times where I can’t get on Facebook without a thing popping up “What are you doing? Why haven’t you called me?” I’ve had that happen several times. I had an older lady, like forty years old, who showed up to gigs crying. She was a nice lady at first and really cool and ran merch for us. I thought she was a forty year old redneck mom who’s not gonna rob us. So we let her sell merch for us. Her and her daughter followed us all over the country spending so much money to follow us to gigs. I’m like “I guess they really like the band.” And they bought us beer. She was married and she started sending me weird lovey messages like “Oh Shaun I love you as deep as the ocean is blue.” So I sent her a message saying she was making us uncomfortable and chill out a little bit. A year later she started it again. She sent me these weird messages, “Oh you don’t know how much I think about you.” I finally told her that “You’re creeping me out.” Then I got this huge message of evil after I told her she was creeping me out. “Who are you to judge?” Then her son called me. And her family was “Why are you being mean to my family?” And I’m like “You’re mom is creeping me out.” It went on forever. Finally I had to quit speaking to her or looking at her. She still showed up to gigs in the front row and call out “You don’t know what you meant to me?” I’m afraid the people would think something is going on and she’s crying at the gig. She would text me for a while and I would never text her back. She got my phone number somehow. Her texts were like I was answering her calling me baby and honey and I wouldn’t answer her and she would send me, “Baby are you sleeping?” and I haven’t answered her but she would answer back like I was talking to her but never was. That was scary. That was weird. Then I found out she pulled a gun on her ex-husband. So that’s when I told the band she had a weird past and was creeping me out. There were a couple gigs that I said they had to keep that lady out of the building. That’s one of several stories.
CB: Wow. So, did somebody inspire the song, “Vampire”?
Shaun: The song, “Vampire,” my brother wrote about a needy girlfriend who wouldn’t leave him alone and needed so much attention and was draining his life and sucking his life force out of him. He’s had a few that were very needy. Read my mind all the time draining like a vampire sucking his soul away. That’s what that song is about.
CB: I’m sure she was really pleased that’s what inspired the song. Does she know?
Shaun: The girlfriend? No she doesn’t. There’s several songs about her. “Playing Dead” is about her too. He doesn’t really tell anyone about her. He’s writing about the same stuff I think in that song.
CB: Some of the best songs come out of bad relationships. Some people I talk to that say they should never get married or never get in a good relationship because they think the band will fall apart.
Shaun: Yeah, we’ve all been divorced. I’m currently separated and getting a divorce. We’ve been separated for two years. She’s had like two boyfriends. We’re good friends and everything but it was definitely hard to keep the marriage together being on the road so much. We had a child together and it was tough. There’s a song called, “On That Night”, and that’s about being betrayed by someone you loved which we’ve never really delved into too much in the past. And this album, it’s like all the things that went on during TBT’s bankruptcy and then we were owned by a bank for a year. It was hell getting a record together. We didn’t have the rights to do it. We thought of everything that happened the last few years. Jared’s song was about his and his ex-wife divorcing. There’s definitely some reality in this record.
CB: Sometimes those are the best songs.
CB: Do you guys write everything yourself?
Shaun: Yes. we worked with songwriters on a couple that weren’t singles. On this album, we definitely collaborated on everything with each other. On a couple songs, I might write the scale or my brother or Jared might but then everybody comes in and puts their ten cents into it.
CB: Where do you guys usually write together?
Shaun: Well we usually get a rehearsal spot or sometimes we’ll put it together at home. We have a nice rehearsal spot with a studio in it. We’ll just sit down from noon to five and go over the set list and some rifts. Everybody will critique everybody’s other songs. And go over them and hammer them out. We’re at the point that we’re mature enough no one will have their feelings hurt when someone doesn’t like someone else’s idea. You either like it or you don’t. We write songs a lot faster now. We know each other so well. There are still some bastards that you have to hammer out that just aren’t right but a lot of the songs come together pretty quick.
CB: Do you guys still live in West Virginia?
Shaun: Yes. I lived in Ohio for a while. Then now I live in West Virginia. Jared, I think lives in Ohio with his girlfriend. The others live half the time with their girlfriend in Ohio and the other half in West Virginia.
CB: I heard about you guys in Columbus. There’s a huge buzz about Bobaflex in Columbus. I thought you were from Columbus.
Shaun: That’s our biggest spot. That’s one of our favorite spots to play. We owe everything to Columbus and West Virginia.
CB: I was hoping you’d be at “Rock on the Range.” That’s one of my favorite festivals to shoot and go to.
Shaun: We were supposed to. We still have the number one requested song in the city. I don’t know what his prejudice was, the guy running it. He said “Oh you won’t draw 2000.” And neither does Egypt Central. We’ll draw about a 1000. Anywhere from 700 to 1000. I know all the promoters in Columbus and we outdraw all the bands when they’re out by themselves. To say all the lower bands outdraw us on “Rock on the Range” is a lie. That’s not true. I don’t know why they won’t have us on.
CB: Well sometimes they try to mix it up and want some new people.
Shaun: Yeah. And it also goes back to that release date. We don’t have a new CD in stores, not gonna be on there. We’re on the old model forever until there are no CDs left.
CB: I love the song “Bury Me With My Guns On.” I thought it was amazing that the song is all over the radio. Then I heard that you had no label and doing everything yourselves. I found the story to be so interesting from the music industry perspective. I hear the song in Cincinnati, I hear it in Columbus, I hear it in Cleveland. So you guys are doing a good job getting it out there on the radio.
Shaun: We’re number 50 on the rock charts right now and we’re paying a radio promoter like a label would. We are paying them to keep pushing it. That’s where we’re at right now. We’re on a teeter-totter at this point. We’re getting a game plan together quickly this week and next week to get this record out.
So this is how the music industry works in the 21st Century: Without a hint of radio support, Angels and Airwaves (AVA) with opening act Say Anything got 1,500 faithful fans to show up for a Rock & Roll show here in Cincinnati.
Thank you, Mr. Internet.
Eastern Conference Champions are a Philadelphia-based Indie band that has been gaining steam through soundtrack appearances, gaining most fame from The Twilight Saga: Eclipse album with the song “A Million Miles an Hour.” They have also gained attention through songs appearing on the small screen in Friday Night Lights and Gossip Girl. The band is touring its second album, Speak-AHH, and playing Bogart’s tonight (Thursday, May 26) with Neon Trees.
CityBeat spoke with founding member Josh Ostrander about their new album and life on the road.
These artists will join previously announced MPMF.13 performers like The Breeders, The Head and The Heart, Warpaint, Shuggie Otis, Youth Lagoon, Cody ChesnuTT and many others. Visit MPMF.com and follow MPMF’s social media accounts for the latest artist additions and other MPMF news.
Tickets for 2013’s MidPoint Music
Festival are available now at mpmf.cincyticket.com, where you can
purchase three-day passes for only $69, the music fest bargain of the
The avant chamber music festival, MusicNow, returns to Memorial Hall on March 11 and March 12. The "big get" this year is the Kronos Quartet, a brilliant, legendary string troupe that hasn't played in Cincinnati in 20 years. Kronos plays both nights of the event, performing music by Jim Thirwell and Glenn Branca, as well as a new piece by Richard Reed Parry of Bell Orchestre and Arcade Fire.
Easton Corbin — on tour with Rascal Flatts and coming to Cincinnati for a show at Riverbend Music Center on Friday — is one of the hottest new acts in all of Country music. Since debuting in 2009 with his self-titled album (which reached as high as No. 4 on the Country album charts) he has been gaining great recognition. His first two singles, “A Little More Country Than That” and “Roll With It,” skyrocketed to the top of the Country charts and he has been nominated for 11 awards in his short career, taking home three of them at the 2010 Academy of Country Music Awards.
An avalanche of information about this year’s MidPoint Music Festival reveals the event’s growth and focus entering its 10th year. The full schedule of performances — from an eclectic assemblage of artists that includes Rock and Roll Hall of Famer Booker T. Jones, rising Australian Indie Dance champs Cut Copy and clever Pop duo Mates of State — is available now at mpmf.com. Many of the popular features from recent MPMFs are returning Sept. 22-24, but there are plenty of brand new ones being introduced, all designed to make the MidPoint experience even better.
Where do you begin with a band like Lynyrd Skynyrd? Everyone has been out at a bar or a concert and heard some crazy and/or drunk lunatic shouting to the band on stage, “FREE BIRD!!!” They are the epitome of and gold standard for Southern Rock music. Even now, through the tragedy of the plane crash in 1977 to the re-formed band, Skynyrd still provides electric performances every night. They still happily rock the hits of the early days. like “Simple Man” and “Sweet Home Alabama,” while mixing in the music they are still releasing, most recently Last of a Dying Breed, which came out late last year.
CityBeat had time to catch up with lead vocalist Johnny Van Zant, the younger brother of the band’s original front man Ronnie Van Zant. The two discussed how Skynyrd fits into Rock music today, as well as the wonderful feelings the band still gets performing every night on stage.
Skynyrd performs at Riverbend Music Center tonight with Bad Company, providing the same energy as the cast from the ’70s and showing audiences what real Southern Rock sounds like.
CityBeat: Do you have any crazy Cincinnati memories from the past?
JVZ: We have had so many good shows there. Years back, when a flood hit, there was water in the first four or five rows. People were kind of standing in the water. I was like, “Wow these are really diehards.” I don’t even know how many times we have played at that particular amphitheater (Riverbend), but it has always been a good, hot, sweaty, summer Rock & Roll show, which is how it is supposed to be.
CB: The band has had multiple lineup changes over the years since you joined the band. How do you integrate someone new into the band?
JVZ: For us, they have to be a friend, someone we have known, someone we admire as a musician, someone we think would fit into our family. When we are out on the road, running up and down the road playing shows, you have to be not only a member of a band but, especially with Lynyrd Skynyrd, you have to be a part of the Skynyrd nation. You have to be a part of the family. Our newest member is Johnny Colt, who was bass player with The Black Crowes. Colt fits right in with us. He’s loony as heck and so are we. We have a great time and love doing what we do. I hope Johnny is with us for a long, long time. He is quite the guy. It has been awesome.
CB: I know you guys have worked many times with one of my favorite guitarists, John 5. What was that experience like for you and have you done any collaborations recently?
JVZ: Well, yeah, he was on our last record, Last of a Dying Breed.
John is a good friend of us. We knew we were going to be good friends
with John because we were in Nashville writing and our manager mentioned
John and said, “You know, he is a little different than you guys.” And
we said, “ That’s OK, that’s no problem.”
John walked in, he was just coming from a photo shoot. He had on the fingernails with his hair all up. When he walked in and I went, “Damn, you are different. Damn, are you a freak or something?” And he said, “I was thinking the same crap about you guys.” We just hit it off. He is a wonderful guitar player. Not only can he play Heavy Metal and Rock & Roll, but he can play the hell out of some Country music, which we love. I just admire his work and he is one of the most phenomenal guitar players I have had the pleasure to work with.
CB: A lot of people are saying Rock is dead and Country music is the new Rock. Do you believe that Rock is dead?
JVZ: No. I think Country music is Lynyrd Skynyrd. I
think a lot of the Country music is what we do, but I don’t think Rock &
Roll is dead at all. People have been saying that shit for years and
years and years: "Rock & Roll is dead." Then it comes back. It’s like
For us we just played Houston, Texas, in front of 10,000
people. We played Bristol, Va., I think there were 14,000 people on
a Sunday night. The night before last we were in Camden, N.J.,
14,000 people on a Wednesday night. I’m sure Cincinnati is doing quite
well. We are in Pittsburgh tonight. It is going to be phenomenal here.
If Rock & Roll is dead and gone, man, I am missing out on it.
CB: Tell me a little bit about Last of a Dying Breed and which songs we are going to hear from that album when you come to Cincinnati?
JVZ: Well, it is debatable. What we do, each night we try to think about what new song we want to put in. Right now we are really concentrating on 40 years. It’s been 40 years since (Pronounced 'lĕh-'nérd 'skin-'nérd) came out. It’s been our major focus to play as many songs off that record and celebrate that era.
CB: Where do you see yourself in 15 more years?
JVZ: Hopefully alive. Hopefully playing some shows
and still doing this. Doing a lot of fishing and drinking a good
Budweiser and something like that, I don’t know. If you want to make God
laugh, tell him your plans. I never really plan too much. I just like to
go along with the flow and the good Lord throws me in the direction he
wants me to go.
CB: Do you ever get tired of playing “Free Bird”?
JVZ: Not at all. I am quick to say, "Not at all." How
many bands would love to have songs like that? Most bands say we would
give anything to have one of those. “Free Bird” and ("Sweet Home Alabama"), that’s
the cool thing about Skynyrd. We have three generations of fans who love
those songs. It is amazing to me.
We are out with Bad Company right now and we are real big Bad Company fans. We are at the top of the game with these guys. From my era and a lot of other people’s era, Bad Company was the rule of the roost when it came to Rock & Roll. Paul Rogers is one of the best singers. Simon Kirke and Mick Ralphs have been around for years. It is just great to be out on the road and playing shows with good friends too. We are having a blast. We hope to do it again sometime after this tour and look forward to coming your way.
CB: Are you flattered when someone like Kid Rock uses "Sweet Home Alabama" in his songs? Excited? Upset? How do you feel when someone integrates that song?
JVZ: We were actually doing a tour with Bobby when
he had “All Summer Long” (the song that incorporates "Sweet Home") out. For us, hell, it keeps us in the spotlight.
He did a good job on it. It was a hit song for him and everybody got
paid. So surely, we are like, “Can someone else use it again and again?”
It is kind of funny when you think of stuff like that. Who would have thought when that song was written a long, long time ago, people would still be loving it and a band from Jacksonville, Fla., and what success my brother and Alan and Gary, my hat is off to them. I love keeping the music alive. It is a great thing. It’s a great thing because the song has been used in Forrest Gump and various movies. Any time anything like that pops up as long, as it is not in bad taste, is great. It has been a good ride.
Holidays are especially exciting times for children and, given the recent tragedy in Newtown, Conn., kids all over will likely be going to be getting a little extra love this season.
Zak Morgan knows kids. The Cincinnati-based singer/songwriter has already had an amazing career in children’s music, with his second self-financed album, When Bullfrogs Croak, earning numerous awards and acclaim, including a 2004 Grammy nomination for Best Musical Album for Children, a remarkable feat for an independent artist.
Morgan’s accomplishments and hard work (he notches over 200 shows a year for kids across the country) paid off with a contract with Universal Music’s kids’ music imprint, myKaZoo Music. His debut for the label, The Barber of the Beasts, came out in late October and would make a fantastic stocking-stuffer for the little ones this Christmas.
Like his previous releases, The Barber of the Beasts features artwork by famed local illustrator C.F. Payne and contains an extensive booklet of lyrics and drawings. The album also features some notable guests, from local musicians like Dan Dorff, Paul Patterson and Josh Seurkamp to nationally acclaimed artists like Robbie Fulks and locals Karin Bergquist (Over the Rhine) and the iconic Bootsy Collins.
But it’s Morgan’s magical stories and songs that are the focal point. There is a perfect formula for children’s music; like with kids’ films these days, many artists try to hard to make their albums “parent friendly” and tend to go overboard, while those who “dumb things down” tend to be the most annoying. Morgan’s gift is finding the perfect balance.
The Barber of the Beasts is for smart and imaginative kids and parents, seeming designed to be enjoyed together. Morgan is great with clever word play and he isn't afraid to drop a few “big words” (or at least unfamiliar words). That’s where the booklet’s excellent vocabulary guide comes in handy. Parents can go over words with their children, who will have not only been entertained by Zak’s fantastical storytelling, but will also learn something in the process.
Many of the tracks on Barber feature gorgeous chamber string arrangements, but there are also tunes like “Snow Day,” on which Morgan channels his inner Tom Waits (vocally), the shuffling, jazzy Pop cut “Swinging On A Star,” the Country-esque “Nancy Jane” and the great Bootsy collaboration, “The Case of the Dry Markers,” a swingin’, “spooky” Jazz struttin’ mystery with a Halloween vibe.
Here is the debut music video from the album for "The Case of the Dry Markers":
The songs and music are elegant and often downright majestic (particularly the ones with the spine-tingling string arrangements), while Morgan’s clever stories are loaded with a silliness that the young listeners will gleefully embrace.
I believe The Barber of the Beasts (which will specifically appeal to kids between around the ages of 1-8, but certainly fits the "fun for kids of all ages" bill) was released in time to make next year’s Grammy nominations. It will be a crime if it doesn’t make the cut. When it comes to children’s music, Zak is like the Bob Dylan of the genre — minus the curmudgeonly grumpiness, of course.
This Saturday at 1 p.m., Morgan and a host
of special guests will present the local release party for the album at
The Monastery recording studio (2601 Stanton Ave., Walnut Hills), the
performance/recording space owned and operated by producer/guitarist Ric
Hordinski (who also performed on, produced and co-wrote material on the album).
Tickets are available through brownpapertickets.com for $10 (or $20 for families of two-five people). Remaining tickets will be available at the door the day of the show for $15 (or $25 per family). Your ticket also includes food and admission to the post-show pizza party.
Area label Sol Records is taking pre-orders now for the Dallas Moore Band’s next release, Hank To Thank, culled from the locally-based Country crew’s sessions one year ago with longtime Willie Nelson guitarist Jody Payne at the site of Cincinnati’s Herzog studios where Hank Williams laid down some of his early, big hits.