The 2012-2013 season of touring productions presented by Broadway in Cincinnati marks a quarter-century of bringing high-quality shows to the Aronoff Center, which the series has called home since it opened in 1995. The shows that will keep the Walnut Street facility humming – not to mention nearby restaurants – were announced today. They include the funky Blue Man Group making its first appearance in Cincinnati, plus a selection of shows that have been Broadway hits and award winners. Here’s the rundown:
Blue Man Group (Oct. 16-28, 2012) is a wild and crazy theatrical experience, a performance act that has been combining comedy, music and technology for more than 10 years. With no spoken language, the trio of guys with blue plastic skin presents a show that’s big, loud, funny, silly, visually arresting – and not easy to describe. The show won a special citation in the 1991 Obie Awards, and recognition in 1992 from the Lucille Lortel Awards (for excellence in off-Broadway theatre) and from the Village Voice’s Obie Awards.
Jersey Boys (Nov. 28-Dec. 9, 2012), the story of Frankie Valli and the Four Seasons, was a big hit for the series in 2008 when it sold approximately 64,000 tickets during a two-week run. It’s one of the best of the jukebox musicals, and it should be a popular choice again. (Since it’s a repeat Broadway in Cincinnati invites subscribers to choose between this one and Peter Pan to fill out a six-show subscription.)
Memphis (Jan. 22-Feb. 3, 2013) is a fine musical derived from a true story about the challenge race relations in that Tennessee city in the 1960s when a white DJ and a talented black singer find themselves attracted to one another. The show, which won four Tony Awards in 2010, has a rhythm-and-blues score and a lot of great dancing as it tells a powerful story about love, show biz and how the races interacted. One critic called this show “the very essence of what a Broadway musical should be,” and I agree wholeheartedly.
Million Dollar Quartet (Feb. 19-March 3, 2013) was also nominated for the best musical Tony in 2010, losing out to Memphis. It too is based on a real event that happened in Memphis, this one at the studios of Sun Records on Dec. 4, 1956, when four young Rock-and-Roll musicians intersected: Elvis Presley, Jerry Lee Lewis, Carl Perkins and Johnny Cash. It was the only time they were together in a recording session, and the legendary results are the subject matter of this lively show.
Peter Pan (March 12-17, 2013) brings back one-time Olympic gymnast Cathy Rigby who has made a career of performing in this show. She turns 60 in December, which brings some kindof weird irony to playing the boy who “won’t grow up,” but Rigby’s athletic skills for flying and fighting mean she’s popular with audiences. She performed the role at the Aronoff in 2000 and 2006. This show is the “choose-one” that subscribers get for their sixth choice.
War Horse (March 26-April 7, 2013) won the 2011 Tony Award for best drama. Set in England in 1914, it’s about an adolescent named Albert and his horse Joey, the latter recruited to go with the troops to World War I in France. It’s an epic tale of the powerful connection between Albert and Joey, and it’s told using remarkably realistic “puppets,” a term hardly seems to suit the manner in which life-sized horses are created and become key characters in this production.
Sister Act (April 30-May 12, 2013) is a musical comedy based on the popular Whoopi Goldberg film from 1992 about a woman whose life takes an unexpected turn when she witnesses a crime and is “hidden” at a convent. This show promises a lot of fun, and it’s been running on Broadway for almost a year. However, I’m afraid that it strikes me as all too typical of the tendency to create shows from mildly popular movies. That film was a vehicle for Whoopi, and without her, I suspect the show is a meager reflection.
Prices for six-season ticket packages range from $149 to $543, depending on seat location. Subscriptions go on sale on Monday at the Fifth Third Bank Broadway in Cincinnati box office in the Mercantile Center downtown at 120 East Fourth Street. You can also order subscriptions online at BroadwayinCincinnati.com or by calling 800-294-1816.
The lineups for 2013's PNC Summer Music Series on Fountain Square — featuring live music from different genres for free throughout the summer — have been coming out gradually. We're happy to announce the lineup so far for the Friday night "Indie Summer" shows (presented by CityBeat and the MidPoint Music Festival).
Look for the rest of the finalized lineups — for American Roots Tuesdays, Reggae Wednesdays, Salsa Thursdays, Saturday's popular Beats night (with Hip Hop, Dance and Electronica) and the acoustic-music-meets-wine-tastings "Sunday in the Grove" — later this week. Washington Park in Over-the-Rhine is also again presenting regular music programming this year, with Jazz on Wednesday, Bluegrass and Roots music on Thursday and R&B/Soul/Hip Hop on Fridays, plus a new Tuesday night feature, Dance Under the Stars, featuring dance lessons in a variety of styles.
The bad news? The Indie Summer shows kick-off on May 31 with the final show by fantastic Cincinnati Indie Pop band Pomegranates. The good news? It will also be the first show by Healing Power, Pomegranates' new name. The opener will also serve as a "release party" for great local Indie crew The Yugos. Christian altrockers Seabird will also use their Indie Summer show to celebrate the release of a new album, the band's first independent release after a couple of albums on Credential Recordings/Universal Music Group. Northern Kentucky rockers Dept. Store Alligators will also put out their new release in conjunction with their Aug. 16 appearance with Belle Histoire.
Local restaurant/club chain 4EG will host "Happy Hour" parties on Fridays as well, featuring various local DJs and drink specials from 5-8 p.m. Indie Summer concerts are open to fans of all ages and run from 8-11 p.m. all summer on the Square. Click here for details.
July 12: Plumb; more TBA
Aug. 9: Archers Paradox; (headliner to be announced on June 2)
After previously teasing its inaugural lineup by announcing performers like Jane’s Addiction, Weezer, Death Cab for Cutie, Airborne Toxic Event, Manchester Orchestra and Gym Class Heroes, the Bunbury Music Festival today announced most of the remaining acts for the July 13-15 festival along the riverfront at Yeatman's Cove/Sawyer Point. There will reportedly be over 100 acts on six stages over the three days, so more acts will be announced.
Here's who's playing:
Friday, July 13
: Jane’s Addiction,
Airborne Toxic Event, Minus the Bear, O.A.R., Foxy Shazam, Ra Ra Riot
, LP, Matt Pryor, Reverend Peyton’s Big Damn Band, Ponderosa,
All Get Out
, The Minor Leagues, Lauren Mann, She Does Is Magic, Bo & the Locomotive, Tristen and Pet Clinic.
Saturday, July 14: Weezer, Gym Class Heroes, Manchester Orchestra, Grouplove, RJD2, Dan Deacon, Jukebox the Ghost, The Bright Light Social Hour, Kevin Devine, The Silent Comedy, Graffiti 6, 1,2,3, Secret Music , Messerly & Ewing, 500 Miles To Memphis, The Lions Rampant, Jeremy Pinnell & the 55’s, Wheels on Fire and Hotfox.
Sunday, July 15 : Death Cab for Cutie, City and Colour, Motion City Soundtrack, Guided By Voices , Margot & The Nuclear So & So’s, Good Old War, Lights, Will Hoge, Maps & Atlases, YAWN, Now, Now , Wussy, The Seedy Seeds and The Tillers.
Tickets are $46 for one day or $93 for a three-day pass. Click here for more details.
“Black Wednesday” has become “Black Thursday.”
Layoffs continued for a second day at The Gannett Co.’s newspaper holdings, including The Cincinnati Enquirer. Because The Enquirer is so notoriously tight-lipped about the names or job titles of staffers who are let go, CityBeat is slowly confirming names from various sources and cobbling together a more complete list.
The Cincinnati Enquirer earlier today posted fake data on its website showing Mitt Romney with a 92,000-vote lead in a supposed early vote count in Ohio. Editors later posted an apology, explaining that the election-results chart was created as a template and was inadvertently posted early.
The Enquirer explained the error: “A Cincinnati.com front-page link to a chart with dummy data, created as a design template for election results, was inadvertently posted early Tuesday morning. It purported to show early voting totals in Ohio counties. However, no votes have been counted yet — by law counting doesn't start until the polls close. Cincinnati.com regrets the error.”
The correction came a bit
too late, however. Conservative-leaning Drudge Report had already
tweeted the false results before the apology was published, and journalism blogger Jim Romenesko called The Enquirer out on it.
Providing voting results before polls close is typically frowned upon in media circles to avoid discouraging voters with potentially disappointing numbers.
The effect My Morning Jacket has had on live Rock music in America over the past several years is hard to deny. Spawned from the fertile Louisville music scene, the band’s legendary live show is an electrifying experience for all who attend. At the end of May, MMJ put out its sixth studio album, Circuital, which earned a career-high first-week entry into the Billboard Top 200 album chart, bowing at No. 5. Bo Koster, MMJ keyboardist since 2004, joining the band during the gap between its major label debut, It Still Moves, and the wildly diverse Z. CityBeat spoke with Koster about the band’s Cincinnati stop Wednesday at PNC Pavilion with Neko Case, as well as My Morning Jacket’s memorable live performances and passion for local record shops.
Let’s forget, for a second, about all of the talk surrounding Gregg Gillis, a.k.a. Girl Talk (a.k.a. this week's CityBeat cover star). Certainly in an era of Internet piracy and intensely important discussions of fair use doctrine, Gillis is at the forefront of pushing boundaries, both musically and legally. And Gillis also sticks out like a wonderfully sore thumb to those at the Federal Communications Commission and the like, that would have artists censored or denied their right to perform in the way they say fit.
However, at a live Girl Talk show, none of this matters.
After the more leisurely pace of the first day, which afforded me the opportunity to settle in for whole matches at a time, the second-day schedule presented quite a change right off the bat. As always, I find myself drawn to a few select players, in the early rounds, who don’t get the same level of attention as the top seeds but who might be sleepers.
Center Court launched with Venus Williams as a wild card facing the 12 seeded Maria Kirilenko (RUS). Williams, working her way back into form while recovering from illness, still seemed more than capable of handling Kirilenko and the first set, which she won 6-3, sent me off in search of other signs of life.
Court 9 played host to another American wild card, Sloane Stephens, who has attracted interest as a possible upstart in the Williams sisters mold. She’s a solid African-American player who has risen up through the U.S. system and has become one of the marketable role models for kids in the summer recreation center programs around the country.
Her match, against Tsvetana Pironkova (BUL), offered an up-close glimpse and she did not disappoint. Pironkova is a game competitor with second-week experience in the majors, but she lacks the power of the top players. She craftily uses finesse and movement to keep herself in points, but Stephens seized the opportunity and dispatched her handily (6-4, 6-1).
What was impressive about Stephens was the fact that she went in with a game plan and executed it flawlessly. She knew Pironkova’s weaknesses and attacked with power and pinpoint accuracy. Stephens looks strong and fit, although the comparisons to the Williams sisters seem forced. She’s not as tall as Venus or as strong as Serena. Physically, she’s a step removed from each of them, yet a good blend of their strengths. It remains to be seen if she will be able to harness her talents and catapult forward, but the potential is certainly there.
Back on Center Court, Venus was prepared to serve out the second set against Kirilenko, but a funny thing happened on the way to that forum. A few slips at net and erratic serving led to a tiebreak, which Kirilenko won (7-5) to force a third set.
The third was little more than a wake-up call for a snoozing Venus who definitely looked a bit more like an awakened giant. She took the match [6-3, 6-7 (7-5), 6-2] and enjoyed the full support and admiration of the fans on Center Court.
The fans would be on-hand to bolster the spirits of several others over the course of the day.
The second match on Center Court, between Andy Roddick and lucky loser Jeremy Chardy (FRA), appeared to be more red meat for the crowds. In the early going, Roddick used his booming serves to feed the frenzy, routinely registering aces in the 130-range before dropping the pace for a sneaky 110 mph kicker that completely froze his opponent.
After Lollapalooza created the "package tour" craze in the ’90s, most of the tours collapsed, faded away or adjusted, including Lolla itself. But the folks behind The Warped Tour figured out how to make it work (mostly by not overpaying bands or treating anyone like prima donnas) and Warped is by far the most consistent and longest running big package tour around. It returns to Riverbend this summer.
The fest brings its usual eclectic lineup of Punk, Metal, Hip Hop and Indie acts back to Cincinnati on July 31. Tickets go on sale April 6 at 10 a.m. (a week from today) and are just $35 (plus ticketing fees). Click here for more on tickets.
The lineups change throughout the Warped jaunt as acts come on and off the tour. Here's who's on board for the Riverbend stop. (Lineup is subject to change.):
Main Stage: Taking Back Sunday, All Time Low, New Found Glory, Streetlight Manifesto, Yellowcard, Piece The Veil, Four Year Strong, Of Mice and Men, We The Kings, Breathe Carolina, Miss May I, Falling In Reverse, Blood On The Dance
TBD Stage: Every Time I Die, Mayday Parade, blessthefall, Chelsea Grin, For Today, Memphis May Fire, Motionless In White, Rise To Remain, Sleeping With Sirens, The Ghost Inside, Vampires Everywhere!, Title Fight
Tilly's Stage: Senses Fail, Vanna, Polar Bear Club, We Are The Crowd, Man Overboard, A Loss For Words, Funeral Party, I Fight Dragons, Machine Gun Kelly, Oh No Fiasco
TBD Stage: Echo Movement, G-Eazy, Stepdad, The Constellations, Ballyhoo!, Champagne, T. Mills, Tomorrows Bad Seeds, Mod Sun, The Green, Amyst
Ernie Ball Stage: iwrestledabearonce, Born Of Osiris, Chunk! No Captain, Fireworks, Transit, Cold Forty Three, The Scissors
Kevin Says Stage: Make Do And Mend, Matt Toka, Tonight Alive, Skip The Foreplay, Sick of Sarah, Mighty Mongo, Captain Capa, I Call Fives, Hostage Calm, The Silver Comet, Twin Atlantic, The Darlings, Dead Sara
Acoustic Basement: A Loss For Words, Koji, Brian Marquis, Rocky Votolato, Transit, Owen Plant, Anthony Raneri
Ourstage.com is also sponsoring a stage this year and local bands are encouraged to sign up for a chance to play their hometown Warped (and possibly even join Ourstage.com's stage for 22 dates). Click here for details.
Tristate hipsters' shopping selection has significantly decreased with the closing of Newport's Village Discount Outlet this week.