Rumors have been circulating for most of this year, but the official press release came out today. Here's is what it said:
Kaldi’s Coffeehouse & Bookstore, “the living room of Over-the-Rhine,” has announced that it will permanently close the doors at its current location at the end of December 2008. Although owner Jeremy Thompson has been searching for a new location for some time, it has not yet been decided where the concept might reopen.
The coffeehouse, bookstore, restaurant and live music nightclub has been a consistent part of the Over-the-Rhine community since its opening in the early 1990s. As CityBeat reported last summer, “OTR without Kaldi’s is unthinkable.”
Building renovations have led to a discontinuation of the bar/restaurant’s lease. Earlier this year, those same changes claimed Kaldi’s kitchen and half of its available seating.
Kaldi’s catering services will continue to be offered, and its operations at the Art Academy of Cincinnati will not cease. Although much of Kaldi’s appeal was its atmosphere, setting and physical space, Thompson still hopes to set up shop elsewhere.
For the time being, Kaldi’s is generally open at noon daily. It closes at midnight on weeknights, and 2 a.m. on weekends.
The 2012-2013 season of touring productions presented by Broadway in Cincinnati marks a quarter-century of bringing high-quality shows to the Aronoff Center, which the series has called home since it opened in 1995. The shows that will keep the Walnut Street facility humming – not to mention nearby restaurants – were announced today. They include the funky Blue Man Group making its first appearance in Cincinnati, plus a selection of shows that have been Broadway hits and award winners. Here’s the rundown:
Blue Man Group (Oct. 16-28, 2012) is a wild and crazy theatrical experience, a performance act that has been combining comedy, music and technology for more than 10 years. With no spoken language, the trio of guys with blue plastic skin presents a show that’s big, loud, funny, silly, visually arresting – and not easy to describe. The show won a special citation in the 1991 Obie Awards, and recognition in 1992 from the Lucille Lortel Awards (for excellence in off-Broadway theatre) and from the Village Voice’s Obie Awards.
Jersey Boys (Nov. 28-Dec. 9, 2012), the story of Frankie Valli and the Four Seasons, was a big hit for the series in 2008 when it sold approximately 64,000 tickets during a two-week run. It’s one of the best of the jukebox musicals, and it should be a popular choice again. (Since it’s a repeat Broadway in Cincinnati invites subscribers to choose between this one and Peter Pan to fill out a six-show subscription.)
Memphis (Jan. 22-Feb. 3, 2013) is a fine musical derived from a true story about the challenge race relations in that Tennessee city in the 1960s when a white DJ and a talented black singer find themselves attracted to one another. The show, which won four Tony Awards in 2010, has a rhythm-and-blues score and a lot of great dancing as it tells a powerful story about love, show biz and how the races interacted. One critic called this show “the very essence of what a Broadway musical should be,” and I agree wholeheartedly.
Million Dollar Quartet (Feb. 19-March 3, 2013) was also nominated for the best musical Tony in 2010, losing out to Memphis. It too is based on a real event that happened in Memphis, this one at the studios of Sun Records on Dec. 4, 1956, when four young Rock-and-Roll musicians intersected: Elvis Presley, Jerry Lee Lewis, Carl Perkins and Johnny Cash. It was the only time they were together in a recording session, and the legendary results are the subject matter of this lively show.
Peter Pan (March 12-17, 2013) brings back one-time Olympic gymnast Cathy Rigby who has made a career of performing in this show. She turns 60 in December, which brings some kindof weird irony to playing the boy who “won’t grow up,” but Rigby’s athletic skills for flying and fighting mean she’s popular with audiences. She performed the role at the Aronoff in 2000 and 2006. This show is the “choose-one” that subscribers get for their sixth choice.
War Horse (March 26-April 7, 2013) won the 2011 Tony Award for best drama. Set in England in 1914, it’s about an adolescent named Albert and his horse Joey, the latter recruited to go with the troops to World War I in France. It’s an epic tale of the powerful connection between Albert and Joey, and it’s told using remarkably realistic “puppets,” a term hardly seems to suit the manner in which life-sized horses are created and become key characters in this production.
Sister Act (April 30-May 12, 2013) is a musical comedy based on the popular Whoopi Goldberg film from 1992 about a woman whose life takes an unexpected turn when she witnesses a crime and is “hidden” at a convent. This show promises a lot of fun, and it’s been running on Broadway for almost a year. However, I’m afraid that it strikes me as all too typical of the tendency to create shows from mildly popular movies. That film was a vehicle for Whoopi, and without her, I suspect the show is a meager reflection.
Prices for six-season ticket packages range from $149 to $543, depending on seat location. Subscriptions go on sale on Monday at the Fifth Third Bank Broadway in Cincinnati box office in the Mercantile Center downtown at 120 East Fourth Street. You can also order subscriptions online at BroadwayinCincinnati.com or by calling 800-294-1816.
Some critics of Republican presidential hopeful Rick Santorum said video footage of a speech at a campaign event shows him starting to utter a racial slur while referring to President Obama, then cutting himself off mid-word.
While speaking to a group of supporters in Wisconsin on Tuesday, Santorum said, “We know what the candidate, Barack Obama, was like. The anti-war, government nig--, uh…” before stopping abruptly, then adding, “America was, uh, a source for division around the world. And that what we were doing was wrong. We needed to pull out and we needed to pull back.”
Although the uncompleted word sure sounds like it began with “nig” and what Santorum said next in the sentence didn’t flow naturally with the other words, a campaign spokesman today denied that the uncompleted word was “nigger.”
In January Santorum told a crowd of supporters in Iowa that he didn’t “want to make black people’s lives better by giving them other people’s money.”
Here is the clip of Tuesday’s speech. The remark causing controversy is spoken around the 34:30 mark. You can decide for yourself.
The Cincinnati Enquirer earlier today posted fake data on its website showing Mitt Romney with a 92,000-vote lead in a supposed early vote count in Ohio. Editors later posted an apology, explaining that the election-results chart was created as a template and was inadvertently posted early.
The Enquirer explained the error: “A Cincinnati.com front-page link to a chart with dummy data, created as a design template for election results, was inadvertently posted early Tuesday morning. It purported to show early voting totals in Ohio counties. However, no votes have been counted yet — by law counting doesn't start until the polls close. Cincinnati.com regrets the error.”
The correction came a bit
too late, however. Conservative-leaning Drudge Report had already
tweeted the false results before the apology was published, and journalism blogger Jim Romenesko called The Enquirer out on it.
Providing voting results before polls close is typically frowned upon in media circles to avoid discouraging voters with potentially disappointing numbers.
After previously teasing its inaugural lineup by announcing performers like Jane’s Addiction, Weezer, Death Cab for Cutie, Airborne Toxic Event, Manchester Orchestra and Gym Class Heroes, the Bunbury Music Festival today announced most of the remaining acts for the July 13-15 festival along the riverfront at Yeatman's Cove/Sawyer Point. There will reportedly be over 100 acts on six stages over the three days, so more acts will be announced.
Here's who's playing:
Friday, July 13
: Jane’s Addiction,
Airborne Toxic Event, Minus the Bear, O.A.R., Foxy Shazam, Ra Ra Riot
, LP, Matt Pryor, Reverend Peyton’s Big Damn Band, Ponderosa,
All Get Out
, The Minor Leagues, Lauren Mann, She Does Is Magic, Bo & the Locomotive, Tristen and Pet Clinic.
Saturday, July 14: Weezer, Gym Class Heroes, Manchester Orchestra, Grouplove, RJD2, Dan Deacon, Jukebox the Ghost, The Bright Light Social Hour, Kevin Devine, The Silent Comedy, Graffiti 6, 1,2,3, Secret Music , Messerly & Ewing, 500 Miles To Memphis, The Lions Rampant, Jeremy Pinnell & the 55’s, Wheels on Fire and Hotfox.
Sunday, July 15 : Death Cab for Cutie, City and Colour, Motion City Soundtrack, Guided By Voices , Margot & The Nuclear So & So’s, Good Old War, Lights, Will Hoge, Maps & Atlases, YAWN, Now, Now , Wussy, The Seedy Seeds and The Tillers.
Tickets are $46 for one day or $93 for a three-day pass. Click here for more details.
“Black Wednesday” has become “Black Thursday.”
Layoffs continued for a second day at The Gannett Co.’s newspaper holdings, including The Cincinnati Enquirer. Because The Enquirer is so notoriously tight-lipped about the names or job titles of staffers who are let go, CityBeat is slowly confirming names from various sources and cobbling together a more complete list.
The effect My Morning Jacket has had on live Rock music in America over the past several years is hard to deny. Spawned from the fertile Louisville music scene, the band’s legendary live show is an electrifying experience for all who attend. At the end of May, MMJ put out its sixth studio album, Circuital, which earned a career-high first-week entry into the Billboard Top 200 album chart, bowing at No. 5. Bo Koster, MMJ keyboardist since 2004, joining the band during the gap between its major label debut, It Still Moves, and the wildly diverse Z. CityBeat spoke with Koster about the band’s Cincinnati stop Wednesday at PNC Pavilion with Neko Case, as well as My Morning Jacket’s memorable live performances and passion for local record shops.
Heart introduced a fresh, rebellious sound in the early 1970s when a particular voice was truly needed. That timeless voice belonged to singer Ann Wilson. In a time when the female frontwoman was just gaining steam, Heart found their identity in theirs. To this day Wilson embodies the band’s sound and message. She helped make it possible for generations of others to find their voice in Rock & Roll.
The band's legacy was celebrated on a grand scale this year when Ann, her sister, guitarist Nancy Wilson, and the rest of the Heart family were inducted into the 2013 class of the Rock and Roll Hall of Fame with the likes of fellow legendary groups Rush and Public Enemy.
CityBeat had the privilege of speaking with the legendary vocalist in advance of Heart's performance Saturday at Riverbend Music Center. Audiences can anticipate hearing classics like “Barracuda” and "Crazy on You," as well as fresh music off of the 2012 album Fanatic, which nicely continues the Heart legacy. Don’t miss the finale with Jason Bonham (opening the show with his Led Zeppelin tribute) joining them on stage.
CityBeat: What was the highlight of your Rock and Roll Hall of Fame Induction this year?
Ann Wilson: The highlight of my (RRHOF) induction this year was standing beside Nancy at the podium. That was a feeling of great pride I will never forget.
CB: What is the most number of days you have gone without playing music?
AW: I have gone months sometimes without playing a guitar, but never a day goes by where I don't sing.
CB: What does your ideal day look like these days?
AW: Sleep in late, have a great pilates/yoga workout, hang out with my kids and their kids, cook dinner, meditate, sleep with my dog nearby.
CB: If you could trade places with someone for a month who would it be and why?
AW: I guess I couldn't do that. I don't envy anyone else that much!
CB: You have seen music recording formats change from vinyl and 8-track to cassette, CD and MP3 through the years. Do you feel like music sounds better or worse with the use of technology?
AW: Music definitely sounds worse to my ears because of digital technology. There is a hard, brittle sound to it. Analog music sounded warmer and deeper, though maybe not as " perfect." Auto-Tune makes me crazy because it removes all individuality from a person's voice. Everyone ends up sounding anonymous. The imperfections are where the soul is, I say leave them in. Leave in the humanity.
CB: How did the latest tour come about with Jason Bonham? Any favorite tour stories from the current tour?
AW: Many people saw the Kennedy Center Honors show on TV or YouTube and loved the tribute to Led Zeppelin. The management was listening and everyone agreed it would be a beautiful idea. We've only done two weeks so far, and it's been amazing. No train wrecks yet!
CB: Do you journal or take photos over the years with special tour memories. How do you document your stories and memories?
AW: We record every night and have photographers on sight. Occasionally I will blog, but I am usually pretty wound up after a show. Maybe this will be the year I take up a journal. A person can't count on their memory forever!!
CB: Does it ever get tough being on the road with family? How have you handled it for so many years?
AW: Yes, the road is rough. Traveling and performing together takes a lot out of you and sometimes things do get emotional. We are lucky to have each other for support. I don't know how I would have made it all these years without Nancy's love, strength and sense of humor!
CB: Are you working on new music while on the road?
AW: My head is full of new songs at the moment.
CB: What can fans looks forward to when the tour hits Cincinnati?
AW: The show in Cincinnati will open with Jason Bonham's Led Zeppelin Experience, Next will be the heart show, after which there will be a finale consisting of about 30 minutes of Zeppelin songs with Jason Bonham and (Bonham's guitarist) Tony Catania joining in.
Cage The Elephant is a young five-piece from Bowling Green, KY, Matt Shultz (vocals), Brad Shultz (guitar), Daniel Tichenor (bass), Lincoln Parish (guitar) and Jared Champion (drums). They accumulated 80 songs worth of ideas during a 2-year period touring around the globe and living abroad in England supporting their eponymous debut album. As they began sorting through their arsenal of songs, they returned to Kentucky to record album two.
We had the good fortune of catching up with members Lincoln Parish and Daniel Tichenor prior to a performance at the 2010 Voodoo Festival in New Orleans. They are currently promoting the upcoming album, Thank You Happy Birthday, to be released January 11, 2011, and their new single Shake Me Down.
CityBeat: I appreciate you guys taking the time to talk to me. I was interested in you guys because I’m from Clarksville, Tennessee which is very close to your hometown of Bowling Green.
Lincoln Parish: Yeah an hour away.
CB: The local connection. I know you guys have the new album coming out soon, Thank You Happy Birthday. What’s the story behind the title?
Parish: There’s not one I don’t think.
Daniel Tichenor: Not one. We just couldn’t… I just think titles at times are… I don’t think they’re really necessary.
Parish: I hate titles.
CB: But your last one was self-titled.
Parish: It’s one thing if you’re doing a concept album.
Tichenor: But we were asked to come up with a title. So…
CB: Was it somebody’s birthday?
Parish: There’s gonna be a picture of a cupcake on the front of the album cover.
CB: Like Cake?
Parish: We don’t know yet but it will be my proposed idea.
CB: You guys have been touring with STP right?
Parish: Yeah we did for about a month.
CB: Were you guys there when Scott fell off the stage in Cincinnati?
Parish: Yeah we were. I didn’t see it.
CB: That was a crazy night. That stage is really
high. It’s like six feet tall. I think that usually the speakers are
right up on the stage and he’ll jump on them and go out and sing.
Parish: Yeah, they usually build a platform but I think they didn’t think he was going to go over that far. And he did. He expected it to be there and it wasn’t. He kept singing though.
CB: He did. I talked to the security people the
next week and they talked about pulling him out of the wires and they
said he was pretty beat up. They said he sang the whole time. The band
didn’t even miss a beat. I think if you’re lead singer fell off you
guys might look for him right?
Tichenor: The thing is when you’re playing you’re really not paying attention. If somebody… If something happened to someone in the band you really don’t know.
CB: You really wouldn’t notice for a while?
Parish: I’ve fallen off a couple times.
Tichenor: Yeah, Lincoln has fallen off and I didn’t even know he fell off.
CB: You just keep going. I guess the only person who can’t fall off is really the drummer.
Parish: If he falls off, we’ve got big problems.
CB: Have you guys been here just today? Were you here yesterday?
Parish: We got in yesterday afternoon.
CB: Did you catch any of the shows?
Tichenor: We had rehearsal.
Parish: We had rehearsal. We haven’t played in a couple weeks.
CB: What’s your favorite track on the new album and why?
Parish: Mine’s probably Indie Kids.
Tichenor: And why?
Parish: I don’t know. I just like it. There are a lot of different elements I like about it. But it’s got a cool vibe.
CB: Do you guys write most of the music?
Both: Yeah we write all of it. We write together.
CB: And you do it together in the same room? I know a lot of bands write separately then they come together to put it all together.
Parish: I mean sometimes there might be an idea that starts off where there’s one person who has a guitar rift or a melody idea or something but usually…
CB: You’re all together.
Parish: It’s all collective.
The band actually locked themselves away in a remote Kentucky cabin and, after just two weeks, emerged with Thank You, Happy Birthday, a set of songs that blasts through your speakers with ferocity.
CB: So you’re still friends.
Parish: Yeah for the most part.
Tichenor: I think my favorite song would be our first single that we’re going to release. It’s called Shake Me Down. The reason I like it is because I’m kind of glad it’s going to be our first single because when it comes out people are going to be really surprised.
Parish: It’s a lot of growth.
CB: So how is it different? I loved the first album In One Ear…
Parish: Maturity and growth.
Tichenor: It sounds a lot different. I mean you can still tell it’s us.
CB: Do you guys have any ballads?
Tichenor: There’s quite a few. It’s all singing harmonies and…
Parish: It’s singing, harmonies and reverb. I love reverb.
Tichenor: The first album was more talky. This one’s singier.
Parish: Well there are some songs on this new record that are a lot heavier than the first record. Then there are some songs that are a lot softer.
Tichenor: It’s a big mix.
Although Cage The Elephant has sold more records than most recent bands on their debuts, they have engaged in indulgences that took them off track and battled their share of demons and creative doubts. Their adversities forced them to take a fresh approach with their new album, and their lives.
CB: So when you guys are touring, what do you miss about home? You guys live in Kentucky when you’re not touring, right?
Tichenor: I miss my bed.
Parish: It’s like the simple things.
Tichenor: Bed and some isolation. Sometimes you just want to do your own thing.
Parish: It’s kind of cool to have a little bit of stability for a little bit. Day to day kind of stuff.
CB: I hear that a lot from people. They just like
doing their laundry and doing normal things they can do at home versus
on the road where everything is hard. You have to find logistically
where we are going to eat. Are we washing our clothes in the sink today?
Tichenor: You have to get in your car and drive with stuff like that.
CB: So how long have you guys lived in Nashville?
Parish: I’ve been there for about a year and half.
Tichenor: Two years.
CB: Which part of town do you live in?
Parish: I live in West End.
Tichenor: I’m in Germantown. It’s cool. It’s nice. It has that small town vibe.
CB: People are nice but there’s tons of music.
Doesn’t it blow you away with all the talented musicians that are there
that are never going to make it? It’s kind of depressing. They are
Parish: I have a friend who works at Trader Joe’s now on the side. He was in a band called Warrior Soul. After he quit Warrior Soul, he went on to write an album with the guy from Ministry and went on to do a lot of other stuff. But he’s working at Trader Joe’s now.
CB: Do you guys play locally there a lot?
Parish: We haven’t played Nashville in over a year.
Tichenor: Our booking agent is very selective of when we play. You don’t want to overdo it.
Parish: There was one point and time where we played Nashville like every weekend for a while.
CB: I think it depends on where you’re at and what
you’re doing and promoting. If you weren’t playing music, what would
you be doing?
Tichenor: I worked at Lowe’s. So I’d still probably be working at Lowe’s and hating life.
Parish: I don’t really know what I would be doing.
Tichenor: I think it’s cause we started so young. There’s no telling what we would do.
Parish: I don’t know. I really don’t
CB: This is all you ever wanted to do?
Parish: It’s hard to even like imagine not doing music. Even if the band was to break up now I still feel like I would do something in music.
Tichenor: At least try. There’s somebody you can always play with.
Parish: I think if you really love it, you’ll always do it no matter what.
CB: So how do you define success?
Tichenor: If you’re content with the happenings of your life then you could be considered a success. There’s stuff from the outside that could be considered success, but if you’re not happy at the end of the day then what’s the point of doing it. That’s the way I see it.
CB: Most people don’t say money, fame, or fortune. It’s usually about family or just being happy or love playing music.
Parish: If you’re happy and content with what you’re doing, that’s success to me.
CB: Obviously the record’s coming out…
Parish: January 11th
CB: Are you going to support it with a tour? Do you have anything line up yet?
Tichenor: We don’t really know what we’re doing after it comes out. It’s kind of up in the air right now.
Parish: We’re definitely going to be promoting it.
CB: I’m hoping you guys come through Cincinnati and are at Rock on the Range next year?
Parish: Hopefully, we’ll get back over to Europe right when it comes out.
CB: You guys lived there for a while right?
CB: Did you like it?
Tichenor: London… I liked it. It’s a different pace. It was all new to us.
Parish: At the time it was kind of weird. We didn’t really know what to think about it. But now looking back, I miss it a lot.
CB: It’s uncomfortable a little bit. You’re out of the country. But when you get back and you reflect on it…
Tichenor: It’s good life experience.
Parish: But then you miss the little stuff. The kebab shops.
CB: Exactly, I miss the accent from London. I think they have the best accent.
Parish: I have an English wife.
CB: So that was your souvenir from the trip?
Tichenor: It’s so weird. I had a girlfriend from England and you get so used to that accent.
CB: I don’t have a huge southern accent but a lot
of people who aren’t from the U.S. think the southern accent is similar
to the English accent.
Parish: Every time we go to Chicago, for some reason in Chicago everybody thinks we sound so southern but I guess we do have the accent maybe.
CB: A teeny bit. Any guilty pleasures?
Tichenor: Peanut butter and jelly sandwiches
CB: That’s not too guilty
Parish: I think he likes that Bulletproof song by LaRoux. I don’t mind that song either.
Tichenor: There you go. That’s our guilty pleasure, LaRoux.
CB: Is there anything else you guys want to say or promote? You talked about the first single. When’s it going to hit the radio?
Tichenor: Shake Me Down in a couple weeks around Thanksgiving time.
CB: I’ve been listening to your other stuff for so long. I’m ready. I’m sure you guys are ready to play something new right?
Parish: The first album was like four years ago.
CB: Are we going to hear new stuff today?
Parish: Yeah, we are actually going to play the new single tonight.
CB: I look forward to it. Thank you so much.
When the band played Voodoo Fest later that day after my interview on the main stage they proved to be one of the highlights of the day. Lead singer Matt Schultz was electric and did more stage diving than I had seen in a long time into their devoted legions of fans. At one point he even climbed up the scaffolding surrounding the sound booth and dove directly into the crowd. His Superman stunts and the band’s rebellious sing along lyrics got everyone excited for the second day of Voodoo Fest.
Don’t forget to checkout their new album, Thank You Happy Birthday, in stores January 11.
The FTC says it wants $37.5 million from Trudeau to compensate consumers of another diet book he authored. It was a best seller called Natural Cures “They” Don’t Want You Know About. Trudeau says he doesn’t have the money to pay the fine and court documents describe him as being hounded by the government. In Cincinnati federal court, Global Information Network, which goes by the acronym GIN, contends its assets should not be targeted by the subpoena because Trudeau “is not, and never has been, an owner, manager, officer or director of GIN.” But the judge said the bank records were “relevant to determining whether Trudeau has used GIN to conceal his assets.”
The FTC said there is evidence showing that the offshore company has significant financial ties with Trudeau and his wife. It cited emails and money transfers, including $261,000 in checks from GIN that went into accounts controlled by Trudeau. The government said they were Fifth Third bank accounts.
Trudeau was banned from doing infomercials that made false claims in 2004. He settled charges he misrepresented a product called “Coral Calcium Supreme,” which was based on Japanese coral and could cure cancer, heart disease, high blood pressure, lupus and other illnesses. The FTC called him a “prolific marketer” who specialized in health benefit infomercials. When he settled the case, Trudeau did not admit guilt. “This ban is meant to shut down an infomercial empire that has misled America n consumers for years. Other habitual false advertisers should take a lesson, mend your ways or face serious consequences.”
In her decision, Dlott said the Fifth Third accounts were needed in the government’s quest for the $37.5 million Trudeau owes for the consumer fraud fine: “The FTC has provided sufficient evidence establishing GIN’s bank account records are relevant to its investigation into Trudeau’s undisclosed assets and are sought for good cause.”