Under Steve Kemple, music reference librarian in the Popular Library, downtown's Main Library has begun doing some fascinating free programming to highlight the depth of its music collection — and just music in general. It already has an Experimental Music at the Library series, featuring live events such as a band from Oakland (Horaflora) that plays grapefruit, electric toothbrushes and balloons. At 7 p.m. on March 20, Hadron Collider will pair psychedelic light projections with feedback and drone noises.
But coming up first, the spotlight is on another of Kemple's ongoing music programs at the Main Library — Listen to This! — for which an audience is invited to listen to and discuss albums from the Library's collection. Past sessions have been devoted to Iranian music and Marvin Gaye. Next Wednesday from 7-8:30 p.m., Listen to This! features the traditional music of North Korea. So far, Kemple has only found one relevant album in the collection — North Korean Folk Songs — but it's a good one. And the hunt is on for more.
No word if Dennis Rodman will attend with or without his new best friend, but you're sure to have a good time — and become well-versed on North Korean music — if you do. The program will be held in the first-floor Popular Music Lounge.
Kemple's creative programming was just written up in the Library Journal.
Go here for more information.
Music lovers complaining about the out-of-touchness of the Grammy awards is like stand-up comedians complaining about airline food. Both are overdone and clichéd, but the frustration is a shared experience that people instantly identify with. With the Grammys, sometimes an unlikely win or loss is so infuriating and baffling, people can’t help but go ballistic. This year’s event was a rollercoaster that reflected both the Grammys’ perpetual practice of giving trophies to irrelevant and/or the “safest” artists and the program’s well-intentioned efforts of late to get with the times. I can’t remember ever describing a Grammys ceremony as “shocking,” but this year’s was full of surprises both pleasant and mind-numbingly inexplicable.
Those retro/modern/futuristic urban-gothic sonics are perfectly reflected in the brand new video clip for "Oxygen." The ominous video — written by Thomas Stemrich (Director) and Josh Chiara (Director of Photography) of local band Holy Beast — was shot over three days in Northside and Over-the-Rhine.
The nutshell synopsis of the video:
"In New Berlin, in the basements of post-industrial mansions, lost youths pray to shrines for nothing and participate in rituals that don’t matter. But tonight, one of New Berlin’s daughters is through with the minutia, ready to dive beneath the insincerity of cult posturing, and finally awaken the beacon of change that swells beneath the city streets. Will this be another lost night in Neverland or will she finally meet the beast of her dreams?"
Stemrich and Chiara have made other music videos, including "Night Drive" for the local act Polar Sky (Polar Sky and Skeleton Hands both record for locally based Racecar Productions). Sharfe says "Night Drive," and now "Oxygen," are unofficially akin to part of a "series," with the Polar Sky clip setting the "New Berlin" tone initially, and the Skeleton Hands' video taking it further.
"In the New Berlin videos, we see Cincinnati through a dystopic lens," Sharfe says. "Prostitutes, cults, deities, people with holes in their torsos. Strange stuff."
Skeleton Hands are currently taking pre-orders for copies of Gone on vinyl. Click here to get in on the action. "Oxygen" will be available as a single this fall through Racecar. The single release will feature remixes, including ones by Kontravoid and the aforementioned Polar Sky.
The duo also returns to the MidPoint Music Festival this year, coming up towards the end of September in various venues around Over-the-Rhine and Downtown. Skeleton Hands is slated to perform at 10 p.m. on Friday, Sept. 27, at MPMF venue Below Zero Lounge (on Walnut Street, next to Emery Theatre). Click here for MPMF tickets (or visit Fountain Square Friday night between 8-11 p.m., where you can buy tickets in person — one night only — for $10-$20 off).
Veteran ace Jazz pianist/organist Steve Schmidt returns to The Comet in Northside to launch his Christmas-themed two-night stand at the venue.
Schmidt's annual Christmas Jazz "Spectacular" has become a local holiday tradition. Schmidt whips out his organ (a Hammond B3; get your mind out of the gutter!) for the occasion and, as always, brings along some top-shelf special guests for the shows. Schmidt is joined by Brad Myers on guitar and Mark Wolfley on drums, plus two amazing singers — Eugene Goss (known for his work with Billy Larkin as Triage) and the great Mandy Gaines.
The Steve Schmidt Organ Trio Christmas Spectacular runs 8:30 p.m.-12:30 a.m. tonight and tomorrow at The Comet. There is no cover charge.
Indie/Psych Pop crew Elf Power will be screening Major Organ and the Adding Machine, an artsy, long-awaited film featuring numerous members of the influential Elephant 6 collective (a sort of less pretentious/glam version of Andy Warhol’s Factory, but with more of a music focus), before the band’s 12:30 a.m. performance on Sept. 25 at the Blue Wisp, part of the MidPoint Music Festival.
If you happened to have checked out this past Saturday's Beats Summer Concert Series event (the popular Hip Hop/Dance/DJ night presented by Self Diploma every Saturday this summer) on Fountain Square, you probably got a taste of the skills of Cincinnati native Santino Corleon, who performed right before headliner DJ Clockwork.
This week, you have another chance to sample Corleon's goods as the head-turning MC has released his latest track and accompanying music video, "Tats."
Corleon has already become a "name to watch" around the region. Upon returning to Cincinnati after a stint studying (both at college and in the Hip Hop community) in Brooklyn, Corleon stepped up his game and has been invited to perform with artists like Big Sean, Method Man and Redman, J. Cole and Gucci Mane (among other big-timers) and performing at various music festivals around the region. He's also built his buzz up by releasing several widely distributed mixtapes, including his most recent, The Hangover, hosted by DJ E-V (who works with Machine Gun Kelly and Mike Posner) and featured on Hip Hop/mixtape sites like TheOneMic.com, Live Mixtapes and LeakJones.
You can listen and download The Hangover and its predecessor — the more freestyle-oriented Where's the Love? — right here for free through Corleon's site.
Corleon is also giving away free downloads of "Tats," which will be a part of his next full release, Keep the Change. Check the video (directed by Dan Gotti) below, then click here if you'd like your very own download. The track has a cool sparse/ambient quality, with some great, tricky beats and a bass-rumble that could wake the dead. (Note: The track is also pretty non-PC and probably NSFW for most of you reading this at your job, due to language. But if your boss is cool with it, so are we.)
There is a pretty good chance you haven’t seen the members of Cincinnati’s powder-keg Freak Punk Soul Pop maniacs Foxy Shazam around town lately. That’s because the piano-driven band appears to tour more than stay home these days, ever since the release of its cult-favorite classic, Introducing Foxy, on the indie label Ferret Records back in early 2008.
Things are going to get any easier for the band anytime soon — besides its massive upcoming tour with Swedish new wavers The Sounds (which will take them to every inch of the country for the next seven weeks straight, including a local stop at Covington's Madison Theater on Nov. 3), it was recently announced that the group’s next album will be its first for major label Sire Records
Despite Frank Ocean's deft leg-syncing and Taylor Swift's torture-porn-disguised-as-wholesome-circus, Akron, Ohio's Dan Auerbach and The Black Keys were The Grammys' big story last night, winning five trophies, the most of any artist.
While the Keys won the Grammys for Best Rock Album, Best Rock Song and Best Rock Performance, Auerbach scored two solo Grammys for his production work, winning the trophy for Producer of the Year (Non-Classical) and also winning one for producing Dr. John's Locked Down, the Blues Album winner.
While Grammys for album winners are usually given to the producers, engineers, mastering engineers and artists, hopefully Cincinnati's Brian Olive will also score one for his work on the LP. Auerbach — who has produced albums by both Olive and Cincinnati's Buffalo Killers — enlisted Olive (an original member of Cincinnati's Greenhornes) to work on the Dr. John album. Olive has songwriting credits on every track on Locked Down, and he's also credited with playing guitar, percussion and woodwinds, as well as providing background vocals. (Check out CityBeat's profile of Olive from 2011, about his Auerbach-produced Two of Everything album, here.)
Kudos to Mr. Olive! That's him — the handsome feller with big side-burns playing sax (and a little guitar) in this video for the album's "Revolution."
Check out all the winners from last night's Grammys here, and click here or here for some extra musings about the show.
• Ironfest, the multi-act concert event started by friends of late local music booster “Iron” Mike Davidson to benefit his daughter, is set for its third annual event tonight and Saturday at the new Southgate House Revival in Newport. Each night features a staggering amount of solid local bands from a variety of genres.
Tonight, catch Mad Anthony, State Song, Switchblade Syndicate, The Shanks, Goddamn Gravity, The New Void, Billy Wallace and the Virginia Blues, Vito Emmanuel, Jeremy Pinnell and the 55’s, Arlo McKinley and the Lonesome Sound, Chiva Knievel, Total Dudes, A Juliet Bender, Smoke Signals, Rising Shotgun, DC Project and Dead August.
Performing for Night 2 tomorrow are The Dopamines, Moonbow, Honeyspiders, Red Soul Rising, Unsinkable Molly Brown, Another Tragedy, The Tammy Whynots, 500 Miles to Memphis, The Sound Museum, SHIVS, Kelly Steward and the Restless Kind, The Mudpies, Martin Luther and the Kings, The Perfect Children, Buenos Crotches, Sticky Honey, The Andyman Hopkins Band and Queen City Radio, a very promising new group featuring Dan Mecher, former frontman for Turnbull ACs and Denial, former 500 Miles to Memphis bassist Jeff Snyder, longtime 500 Miles frontman Ryan Malott and Kevin Finkelmeier of Pete Dressman and the Soul Unified Nation and Denial fame.
Tickets are just $5 each night and music starts at 7 p.m. Click here and here for more info.
• One of Cincinnati’s most popular bands, Rumpke Mountain Boys, celebrate the release of their new album with a series of release parties in the region, kicking off tonight at Inner Circle (the former Annie’s location). Following the Cincinnati date, the Boys will perform for their growing fan bases in Lexington, Ky., Bloomington, Ind., Columbus, Ohio, and Cleveland, Ohio. The group’s new official full-length is titled Trashgrass, the name the members have given their eclectic, jammy, sometime trippy brand of Bluegrass. The band has all the markings of a standard Bluegrass troupe — mandolin, banjo, upright bass, acoustic guitar and vocal harmonies — but the members’ varied influences (they cite Grateful Dead, Ralph Stanley, Tom Waits and Jimmy Cliff among their key inspirations) make the end result its own organic, spontaneous beast. The seven-time Cincinnati Entertainment Award winners for Best Bluegrass act have performed at numerous festivals, shared the stage with artists like Ralph Stanley, Keller Williams, Yonder Mountain String Band and Del McCoury, and Vince Herman — a pioneer of the Rumpkes’ jammy take on Bluegrass with Leftover Salmon — called them “a party waiting to happen.”
Rumpke Mountain Boys perform tonight with the excellent local Reggae crew The Cliftones. The show starts at 9 p.m. and admission is $10 (or $12 for those ages 18-20). Visit rumpke.ning.com for more on the band.
The Rumpkes are probably one of the more documented bands in the area thanks to their allowance/encouragement of fans to record their live shows. Here's a video from this past March of the group performing the Folk/Jazz/Blues standard "Make Me A Pallet on Your Floor" at ekoostik hookah's springtime music fest in central Ohio.
• Strong local Rock/Pop act Majestic Man celebrates the release of its debut full-length, Manatee, this Friday at Mayday in Northside. Local bands The FrontRunners and Plastic Inevitables open the free show at 10 p.m. Manatee is loaded with melodic, well-written songs, but the varied groove the band manipulates throughout the album is just as distinct and magnetic. Be it the Jazz slink of “Someday,” the dubby sway of “Bodysnatcher” or the angled Funk of “Age of No Reason,” the music is rhythmically fascinating. The dazzling guitar playing and superb vocals add cohesion to Manatee, an album that shows Majestic Man to be one of the more gifted newer groups in the Cincinnati area. To preview and/or purchase Manatee, visit majesticman.bandcamp.com. Here's the new album track "Spanish":
• This past spring, prolific artist Jon Langford came to Cincinnati to open an exhibit of his visual artwork and perform a free concert with his group Skull Orchard at Over-the-Rhine club MOTR Pub. At the time, Langford spoke to CityBeat contributor Steve Rosen about his range of artistic endeavors.
Just prior to the springtime Cincy visit, Langford had come off a Midwest tour with perhaps his best known band outside of his first one — British Punk legends, The Mekons — Waco Brothers, the AltCountry outfit he records with for Bloodshot Records. Langford must’ve enjoyed his time in Cincinnati because tonight he's bringing the Wacos to MOTR Pub for a 10 p.m. show, one of only a trio of appearances currently scheduled for the group. The Brothers are bringing with them Paul Burch, the Nashville singer/songwriter with whom the band collaborated on this year’s Great Chicago Fire LP. The Chicago band Cannonball is also on the bill.
Here's a fan-shot video of Burch and the Wacos from earlier this year.
Some sad news on the MidPoint front. Chicago "Chamber Pop" band The Scotland Yard Gospel Choir were involved in a serious highway accident on the way to their MPMF show last night at the Contemporary Arts Center. The Seedy Seeds, playing to a packed room in the slot right before SYGC's, said a few words about the accident during their set (and played a little longer, to the disappointment of no one) and the news has hit the media in the Bloodshot recording artist's hometown.