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by Rick Pender 01.16.2015 15 days ago
Posted In: Theater at 09:36 AM | Permalink | Comments (0)
 
 
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Stage Door: A Weekend of Classic Musicals and Plays, Plus a Party and Some Lies

Things are off to a good start for 2015: The touring production of Cinderella at the Aronoff is a very entertaining retooling of music by Rodgers and Hammerstein into a more contemporary version of the classic fairy tale. It's the same story, but the attitudes are of the 21st century, with a "power to the people" thread running through it and Cinderella conveying a populist message, convincing her prince that democracy is the way to go. The music is charming and there's some magical things done with quick changes in and out of ball gowns that will keep audiences guessing as to how it's done. I gave this one a Critic's Pick with my CityBeat review. Tickets: 513-621-2787.

Another classic musical is onstage at Covington's Carnegie: West Side Story. The show requires a lot of dancing and strong orchestral support, and this production offers both.The leads have excellent voices, although I felt (CityBeat review here) they were a tad too operatic for "kids" affected by gang warfare. Nevertheless, this show has some of the finest music ever written for the stage — the score is by Leonard Bernstein and the lyrics by Stephen Sondheim — so it's definitely worth seeing. Tickets: 859-957-1940.

Cincinnati Shakespeare Company opens its production of one of the 20th century's great stage works, Samuel Beckett's Waiting for Godot this weekend. I haven't seen it yet, but with a cast feature stage veteran Bruce Cromer and longtime Cincy Shakes actor Nick Rose, it's sure to be watchable. Here's a fun fact: Cromer has played Scrooge in A Christmas Carol at the Cincinnati Playhouse for eight years; this year Rose understudied the role and actually had to cover several performances when Cromer was out of commission with a twisted ankle. I expect their onstage chemistry to fuel a production that audiences will enjoy. 513-381-2273.

CCM voice professor Pat Linhart presents her annual faculty recital on Sunday afternoon at 4 p.m. It's a free event at Patricia Corbett Theater on the UC Campus. Every year Linhart assembles a program of zany humor and heartfelt singing, accompanied by the inestimable Julie Spangler. There are always a few surprises, and this year should be no exception. The theme is "It's My Party" celebrating Pat's 65th birthday, and I'm envisioning party hats and noisemakers for everyone in the audience.

Rick Pender's STAGE DOOR blog appears here every Friday. Find more theater reviews and feature stories here.
 
 
by Rick Pender 12.18.2009
Posted In: Theater at 03:55 PM | Permalink | Comments (0)
 
 
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Stage Door: Sideways Stories a Hot Ticket

Audience response can be a good indicator of which holiday shows are hitting the mark. While I found the humor in Know Theatre's Sideways Stories from Wayside School to be a tad forced (you can read my full review here), the theater’s box office phone (513-300-5669) has been ringing steadily, so they've added a performance this weekend on Saturday at 3 p.m., and also on Dec. 27, the final day end of the run.

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by Rick Pender 01.05.2011
Posted In: Theater at 11:27 AM | Permalink | Comments (0)
 
 

Human Race Theatre Co. Director Dies

Marsha Hanna, artistic director of Dayton's Human Race Theatre Company, died on Monday. I was saddened to learn of her passing — especially at age 59 — because she was a passionate advocate for theater, not just in Dayton but throughout the region.

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by Rick Pender 11.09.2012
Posted In: Theater at 09:01 AM | Permalink | Comments (0)
 
 
to do_onstage_grim and fischer_ kate braidwood and andrew phoenix_photo james douglas

Stage Door: The Little Guys

There's plenty of good theater available around town in the next few days, including the just-opened production of Hank Williams: Lost Highway at the Cincinnati Playhouse, as well as Romeo and Juliet and Titus Andronicus, which finish their runs at Cincinnati Shakespeare this weekend. But for this week's edition of Stage Door, I'm recommending three productions that might not be on your radar.

One of the big hits of the 2012 Cincinnati Fringe Festival, Grim and Fischer, is back for performances on Friday and Saturday. It was only offered three times back in June, and a lot of people missed the unusual "full-face mask" show about death (aka Grim, as in "Grim Reaper") matching wits with elderly Mrs. Fischer, who's not ready to take her leave of this world. Everyone who saw the wordless piece raved about it, so Know Theatre (they guys who present the Fringe) have brought back the two performers from Wonderheads Theatre in Portland, Ore., to give us three more chances, Friday and Saturday evening at 8 p.m. plus a 3 p.m. Saturday matinee. I'm not missing their 50-minute performance this time around. Tickets ($12): 513-300-5669.

Community theater often brings back classics that audiences love, and Footlighters (you can find them at Newport's Stained Glass Theatre, right across the street from the York Street Cafe) is doing just that with Thornton Wilder's 1938 Pulitzer Prize winner, Our Town. But don't think you've been there and done that, since this production takes several familiar conventions and freshens them. The "Stage Manager," usually a folksy older guy, is played by a woman, and many of the references to New England life in the early 1900s are minimized, which makes the show feel a lot more universal and relevant to life today. Through Nov. 18. Tickets ($20): 859-652-3849.

And my third recommendation is from another community theater, one that really knows its way around musicals: Cincinnati Music Theatre is staging Stephen Sondheim and George Furth's Company, a Tony winner from 1970 — and again in 2007 when the Cincinnati Playhouse's revival of the story of Bobby and his married friends moved to Broadway and was named the year's best musical revival. It has a brilliant and energetic score, great comic scenes and songs you're likely to know, including "Another Hundred People," "The Ladies Who Lunch" and "Being Alive." CMT presents its shows at the Aronoff Center's Jarson-Kaplan Theater. Through Nov. 17. Tickets ($22): 513-621-2787.

 
 
by Rick Pender 07.27.2012
Posted In: Theater at 09:16 AM | Permalink | Comments (0)
 
 
todo_onstage_weddingsinger_hollyyurchison

Stage Door: 'Wedding Singer' and 'Hound of the Baskervilles'

I can't say that a musical based on the Adam Sandler film The Wedding Singer is going to be either edifying or educational for a bunch of teens. But I can assure you that the kids from all over the region involved in Cincinnati Young People's Theatre, which opens its production of the show tonight, will be having a blast at the Covedale Center for the Performing Arts. I bet their good times with this goofy show will mean contagious entertainment for everyone who shows up to see it. Whether they're related to the kids or not! It's onstage through Aug. 5. Box office: 513-241-6550.

It appears that Cincinnati Shakespeare Company has a summertime hit on its hands with its very tongue-in-cheek staging of
The Hound of the Baskervilles using three of its best actors. The show opened a week ago and there is so much demand for tickets that CSC has added matinee performances through the production's three-week run. Several performances have completely sold out. It's directed by Michael Evan Haney, associate artistic director at the Cincinnati Playhouse and one of our area's best at staging witty and complicated pieces — his Cincinnati Playhouse production of Around the World in Eighty Days was a big hit several seasons back (it used four actors) and it moved on to a well-received run in New York City. While Hound retells the well known Sherlock Holmes tale, it does it with actors in multiple roles (Jeremy Dubin, who portrays Holmes, for instance, also plays all the villains) and a lot of visual humor and slapstick physicality. Through Aug. 12. Box office: 513-381-2273. 

Each week in Stage Door, Rick Pender offers theater tips for the weekend, often with a few pieces of theater news.

 
 
by Rick Pender 04.20.2012
Posted In: Theater at 09:54 AM | Permalink | Comments (0)
 
 
onstage 4-18 - carnegie - cast of pump boys & dinettes - photo matt steffen.widea

Stage Door: More Musicals

I was at UC’s College-Conservatory of Music last evening to see this weekend’s production of Tom Stoppard’s Arcadia. I love this densely intellectual script that’s awash in math and physics theory as well as conflicting perspectives deriving from the Romantic movement and the Age of Enlightenment. The play alternates between 1809 and 1993, with characters in the more recent era speculating about actions and motives of people, including the poet Lord Byron, from nearly two centuries earlier. It’s a fascinating conceit, but it’s also three hours of dialogue that require close attention — and a lot of the CCM audience took off at intermission. The challenge is exacerbated by a lot of fast-talking using British accents and amplification (the actors wear body mics) that sounds blurry. That’s too bad, because the production looks great, is nicely costumed and has some fine performances, and Stoppard’s script is one of the great plays of the past 30 years. But unless you’ve seen it or read it, you might find this production a challenge. Box office: 513-556-4183

Pump Boys & Dinettes at the Covington’s Carnegie Center is something like an off-Broadway classic (it had a brief Broadway run) from the early 1980s. Set in a filling station that’s also a diner — where you can “Eat and Get Gas” — it’s a jaunty framework for downhome Country tunes and cornpone humor. It opens a three-weekend run a week ago, and I found it to be a delightfully entertaining production. Read my review here. Box office: 859-957-1940

More musical froth is available this weekend, including My Favorite Year, through Sunday at Northern Kentucky University (859-572-5464), and Joseph and the Amazing Technicolor Dreamcoat through May 13 at the Covedale Center (513-241-6550). The former is a story about backstage shenanigans in the early days of television; the latter is an early show by Andrew Lloyd Webber based on a familiar biblical story. Neither is profound, but both should fun to watch.

For a musical with some sharper edge, you might check out Know Theatre’s production of the recent off-Broadway and Broadway Rock musical hit, Bloody Bloody Andrew Jackson. The show is a youthful mix of political commentary, driving Rock performances, history, humor and sober observations on the will of the people — just what we’ve come expect from Know Theatre. (The “orchestra” for the production is the local band The Dukes Are Dead.) The show has a cast of strong musical theater performers, and they make this sassy political satire a Critic’s Pick. This is Bloody Bloody’s first professional regional production, and it will surely be the big hit of Know’s season. (Through May 12.) Box office: 513-300-5669.

Cincinnati Shakespeare Company’s production of The Grapes of Wrath (running through April 29) is a powerful theatrical interpretation of John Steinbeck’s grim tale about a Depression-era family of Oklahoma sharecroppers driven to homelessness by ecological and economic disasters. It’s a portrait of the desperate life wrought by the Depression in the 1930s and a powerful reminder that life hasn’t improved for many Americans 80 years later. CSC’s production is made all the more relevant by folksy musical interludes performed live by some of the actors. A downer of a story, but definitely worth seeing. Box office: 513-381-2273, x1.

Each week in Stage Door, Rick Pender offers theater tips for the weekend, often with a few pieces of theater news.


 
 
by Rick Pender 11.29.2011
Posted In: Theater at 12:31 PM | Permalink | Comments (0)
 
 
laurey & curly

CCM's Oklahoma! Gets Props

LCT hands out awards to three performers and the director

Well, the erratic LCT awards got this one right — even if the announcement arrives almost two weeks after the brief run of Oklahoma! at UC’s College-Conservatory of Music. (Nov. 17-20). Three performers and the show’s director and choreographer have been cited by a judging panel from the League of Cincinnati Theatres. The recreation of Rodgers and Hammerstein’s trend-setting musical from 1943 is certainly one of the best productions I’ve seen all season. It marshaled the forces of 35 and an orchestra of more than 40 musicians. It’s not likely that you’ll see such a production anywhere but at a school like CCM

Professor of Musical Theatre Diana Lala, the show’s director and choreographer, was recognized with an LCT award for the show’s outstanding choreography. LCT panelists praised the quality and quantity of dancing, based on Agnes DeMille’s legendary work for the original 1943 Broadway production, as well as its “flawless” execution.


Three student performers were cited for their contributions to the show. Senior John Riddle from Vermillion, Ohio, was awarded for his performance as a leading actor, playing the cowboy Curly McLain. Senior Julia Johanos from Louisville, Colorado, was similarly recognized as a leading actress in a musical for playing Laurey Williams, the object of Curly’s romantic attention. One LCT judge said the leads “knocked this one out of the park with depth, musical talent and romantic chemistry.” Senior Eric Huffman from Lenexa, Kansas, played cowboy Will Parker, a featured role for which LCT recognized him as a “confident dancer, good singer and truly gifted actor.”


More information about the League can be found at www.leagueofcincytheatres.info.

 
 
by Rick Pender 02.04.2009
Posted In: Theater at 04:37 PM | Permalink | Comments (0)
 
 
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Snow City

You might think that Dead City is a play about Cincinnati, especially after our second snowstorm in a week. But it's actually the next production coming to New Stage Collective, one of the "Gems of the Neighborhood," those hardy theaters that are, in fact, bringing new life to Over-the-Rhine, as described in CityBeat's cover story this week. 

Dead City was supposed to open on Thursday this week, but with all the bad weather in the past seven days rehearsal time has been held to a minimum. So NSC's Alan Patrick Kenny has decided to push his opening night to Friday.

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by Rick Pender 12.07.2012
Posted In: Theater at 10:38 AM | Permalink | Comments (0)
 
 
naughty list

Stage Door: More Holiday Cheer

As I wrote in my column in the current issue of CityBeat, there's a lot of good holiday theater available on Cincinnati stages right now. The Playhouse's production of A Christmas Carol, now in its 22nd year, is best in class — a well-told traditional tale with some of the best professional actors in town onstage, from Bruce Cromer as Scrooge and Dale Hodges as the Ghost of Christmas past. There are a few new faces, too, playing the Cratchits. And speaking of new faces, I feel comfortable recommending New Edgecliff Theatre's one-woman show, The 12 Dates of Christmas, which is being engagingly performed by Annie Kalahurka. It's paired with David Sedaris's The Santaland Diaries, which feels a little shopworn to me, but you can catch the double-bill downtown at the Arnonff's Fifth Third Bank Theater — and maybe go for drinks at Arnold's before or after the show.

If you're looking for something kind of different, try The Naughty List (review here), a holiday-themed improv show (presented in Arnold's courtyard on Sunday, Monday and Tuesday evenings) by Know Theatre. Five quick-witted comics who constitute OTR Improv are doing routines that use audience suggestions (and occasional audience participants) for nearly two hours of entertainment. It's a different show every night.

Have kids you want to take to the theater and give them a taste of what fun it can be? Two good bets are Ensemble Theatre Cincinnati for one of its musical fairytales with a moral (this year the show is a colorful, cartoonish rendition of Alice in Wonderland) and Covedale Center, where Rodgers and Hammerstein's Cinderella is singing and dancing its way through another familiar story the kids will know. The prince is handsome, Cinderella is sweet and the nasty Stepmother is played by a guy.

As far as familiar stories go, you've probably seen Frank Capra's classic holiday film It's a Wonderful Life a few times during the holidays. But I bet you haven't experienced in the unique way that Falcon Theater offers it up at Newport's Monmouth Theatre: The script frames the story as an old-time radio drama, and you get to watch behind-the-scenes as a handful of actors play all the roles and a few others create  the necessary sound effects. It opens this weekend and runs for a week. I haven't seen this year's edition, but I've enjoyed past incarnations, and I suspect this one will be entertaining as well.

Happy holidays!

 
 
by Rick Pender 07.22.2011
Posted In: Theater at 08:56 AM | Permalink | Comments (0)
 
 
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Stage Door: Lyle Benjamin Is Back

Lyle Benjamin has been on and off a lot of local stages with his company Queen City Off-Broadway. He's been dormant for a few seasons, but he's back with a slightly new name — it's now called Queen City Theater — and a couple of mid-summer productions using the black box theater at the new School for Creative and Performing Arts (108 West Central Pkwy., Over-the-Rhine) as his venue. Tonight is the opening performance of The Amish Project by Jessica Dickey.

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