One of the coolest, more unique musical experiences to be had in Cincinnati is at the concerts presented by The Loft Society, an on-the-down-low, speakeasy-like venue housed in the top-floor loft of an apartment building on Calhoun Street in University Heights (next to Mayra’s restaurant). Programmed and hosted by Al Williams, the Loft has been featuring artists on the more exploratory side of Jazz (with occasional guests from other genres) for the past two decades. The atmosphere is relaxed and communal and set up as a great listening experience first and foremost (obnoxious chatter during performances is strongly frowned upon). If you’ve yet to visit, Saturday’s “A Tribute to MLK” concert is a great place to start.
An impressive and eclectic roster of local bands will transform an otherwise stark Loveland VFW hall into an artsy, flashy, sorta hippy-ish Rock ‘n’ Roll venue for this year’s third annual Adjust Your Eyes Music and Arts Festival, June 26 and 27. The two-day, two-stage, multimedia extravaganza, which is the brainchild of Grasshopper Juice labelmeister and Wonky Tonk/Chick Pimp band member Nick Mitchell, will feature not only upwards of 28 bands but also art by Jacklyn Howard and CincyStar Glass and stage lights and visualizations by Bunk News.
It was an eerie evening leading into the MidPoint Music Festival 2010’s kick-off night Thursday. A gigantic, gorgeous sunset was soon followed by a huge, neon-lit moonrise, which guided my path down the highway to the festival. Once downtown, the streets resembled their usual non-weekend selves — nearly empty, save a couple of neighborhood locals scrambling about. And, while the threat of rain is usually the weather event MidPointers fear most, tonight’s air was dry, humid and record-breaking hot. Who would have thought a music festival on the first weekend of the fall would be met with 95-degree temps (in the daytime, at least)?
OK, so which Babylonian weather deity did we collectively blow like a $5 crack whore to assure us of an entire weekend without getting firehosed by the kind of precipitation generally associated with tropical monsoons? Because I want to get his number in our rolodex for next year. Another absolutely gorgeous night for another spectacular evening of musical diversion and awesomeness. That’s right, awesomeness.
Theory of a Deadman is a Hard Rock band that has made a dent in popular music with catchy hooks and sounds that appeal to the heartbroken everywhere. Together for over 10 years, they became hitmakers with their third album, Scars and Souvenirs, and the No. 1 hit “Bad Girlfriend,” along with other popular tracks like “Hate My Life” and “Not Meant to Be.” The band's fourth album, The Truth Is, was released last month and contains the hit single “Lowlife," currently lighting up airwaves on Rock and Pop stations across the country.
CityBeat recently spoke with guitarist Dave Brenner prior to Theory of a Deadman's set at the Kentucky State Fair, part of the Carnival of Madness tour. Brenner talked about the new record and hobbies on the road. Catch Theory of a Deadman and the Carnival of Madness at Dayton's X-Fest this Sunday. (Check the commercial below or visit here for details.)
So this is how the music industry works in the 21st Century: Without a hint of radio support, Angels and Airwaves (AVA) with opening act Say Anything got 1,500 faithful fans to show up for a Rock & Roll show here in Cincinnati.
Thank you, Mr. Internet.
Bret Michaels is a one of a kind crossover superstar who has transformed himself from hard rocker to big partier to reality television star. Best known for his nearly 30 years with rockers Poison (giving us such Rock & Roll staples as “Every Rose Has It’s Thorn”, “Talk Dirty to Me” and other arena mega hits), in 2010, Michaels’ life took a dramatic turn when he was faced with multiple emergency surgeries. The first was to remove his appendix and then a sudden life threatening brain aneurysm led to brain surgery. He bounced back by winning Donald Trump’s Celebrity Apprentice, continuing solo music tours across the country, completing a summer tour with Poison and Motley Crue and plotting more television projects.
CityBeat spoke with Michaels this week in advance of his pre-Super Bowl party concert tomorrow in Indianapolis. He performs Friday at 9:30 p.m. in Indianapolis, helping open the Super Bowl Village and get fans in the right spirit for the big game next Sunday. (Friday’s concert is free; click here for more info.)
Contemporary Arts Center has officially announced that Patti Smith will perform The Coral Sea with daughter/pianist Jesse Smith on May 17, in connection with her CAC exhibit, also called The Coral Sea, that opens the next day and features work not previously seen in the U.S.
At the concert, Smith will also play selected material from throughout her career.
The CAC website says that "The Coral Sea performance work found its beginnings from Smith’s 1997 book of the same name, her requiem to her dear friend Robert Mapplethorpe (who took the cover photo of Smith’s debut album, Horses, among his many other accomplishments). With music arranged and performed live by Kevin Shields — of heralded British shoegaze band My Bloody Valentine — two separate performances were held at London’s Queen Elizabeth Hall in June 2005 and September 2006. In 2008 those performances were released as a live album."
Mapplethorpe's own posthumous photography retrospective at CAC, 1990's The Perfect Moment, became a major controversy when cultural conservatives led by now-retired Sheriff Simon Leis tried to shut it down for obscenity. In a famous trial, a jury sided with the CAC. The concert venue and ticket information will be announced soon at www.contemporaryartscenter.org.
I first wrote about Smith's art show coming to the CAC in CityBeat last year here.
Formed in 1978, Classic Punk band Social Distortion reached the height of its fame in the late ’80s and early ’90s. The band has seven studio albums beginning with its iconic Mommy’s Little Monster. Although there has been over a dozen ex-Social D members, the group — known as a touring juggernaut (sometimes at the expense of making new music) — has maintained a lineup that has been fairly consistent for the past decade.
CityBeat caught up with rhythm guitarist Jonny “2 Bags” Wickersham in anticipation of Social D's current tour. The group performs at Bogart’s on Saturday (Oct. 13) night and will surely wow fans new and old.
CityBeat: I know Mike (Ness) has said in the past we won’t have to wait seven or eight years for a new Social D record. Are you guys working on new music right now? How is that coming along?
Jonny Wickersham: In a perfect situation we would love to get a record out sooner than we have been putting them out. I don’t know that it looks like it will happen real soon. We have been really busy touring the last couple of years. As far as new material there are always new songs in the works. We will work on them at sound checks and rehearsals. When it comes time to get serious to put a record together, the songs that stick in our minds are the ones that are the best stuff and they typically make the record. We will finish it up. We will see. Conceivably we can get together and start really getting serious in the beginning of next year and have a record to follow shortly after that. It has to feel right. I have always felt it is a good thing not to rush records. I know that people like to see a record come out on a certain schedule with bands, but it is also good to evolve a little bit as people and as a band in between albums.
CB: You spend most of the time as a touring band on the road. Do you ever write down the tour stories or keep mementos from the tour to remember them all?
JW: I have never been a big journal keeper or anything like that. I don’t. Certain stories definitely do stick in your mind but not really.
CB: What current music or music you are listening to right now is currently inspiring you?
JW: You know what a really great record is, the new Hot Water Music Record, have you heard that?
JW: I have been listening to a lot of that in my car.
CB: Good driving music?
JW: Oh yeah. It is such a great album. It really is good. I also like the Drive By Truckers a lot. I don’t listen to a lot of new music to be honest. I listen to a lot of old Blues and stuff and old Rock N Roll.
CB: From your standpoint, what are the characteristics that make a good Social D song?
JW: I would have to say a good riff and a good lyric that is poppin'. You can’t go wrong with a good lyric. You can try to stretch that a bit, not just stay with our formula as a band. We have a different division of sounds with the band. We are not trying to re-invent sound in an extreme manner or anything but it is good to try to mix it up. I am hoping in the future, in the stuff coming up, we can do that and re-visit some of the earlier stuff.
CB: We are heading into a critical election year. Ohio is a crazy place to be during this whole thing. Do you guys have any political views or support for any of the candidates?
JW: Well, I am going to vote for Obama and hope for the best.
CB: What is the worst job you have ever had?
JW: I don’t know. I had a job at the Orange County jail once a long time ago. We had to cut the bunks down from three bunks to two and carry them all out to the loading dock and get them out of the jail. Any job where you are locked up is not a great job. I had so many jobs growing up. I started working in construction fields at a really young age because where I come from that is just what you did when you got to the age of going out to get a job, try to get a construction trade. I have also worked at Carl’s Jr. and Burger King as a teenager and neither one of those jobs lasted more than a couple weeks. I have worked as a stagehand. I have worked in an Art Department building sets for film production. Those are cool jobs. I really liked the Art Department work. Any job that anybody could have at this point is a good job is kind of how I feel. I definitely never want to think I am beyond any kind of work. You never know what is going to happen in life. There are times where being able to get any job is critical for you.
CB: Do you have any scars?
JW: I have a scar on my upper leg. When I was a little kid, me and a couple friends built this bicycle Motocross track on a dirt lot by our house in our neighborhood. We went out and worked really hard with shovels and built this really cool track and the enemy kids down the street, who were our nemesis, came over one day when we weren’t there and totally ruined our track, kicked in all our berms and jumps and trashed it. So we went down the street where they had built this really shitty tree fort that was like three stories tall off the ground into the tree. We went up there and we started hammering at it, we brought sledgehammers over and we started bashing in their tree fort. The stupid thing on our part was that we started on the bottom and climbed up to the next level and up to the next level. We were breaking this tree fort apart and we were way up at the top and the thing collapsed. I fell and my leg got clipped up on a nail. It ripped my leg open so I have a scar. I have a bunch of other scars too.
CB: What is the last thing you do before you go to sleep?
JW: Well it depends. Turn out the television if I have been watching the television. I don’t always watch TV at night. Sometimes I do. If I am on the bus on the tour, I listen to music on my iPod. The last thing I do is turn that on and I usually fall asleep listening to a record. Then I have to wake up and pull the headphones off and fall back asleep. If I’m reading a book, close the book and turn out the light. It can be one of many different things.