Hey all! Here’s the news today.
A well-known former attorney has filed a federal lawsuit against the Kentucky Bar Association to get his license back after it was suspended. Eric Deters has served three suspensions over his career for making false statements in court, failing to return a fee to a client and other infractions. The latest suspension was handed down by the Kentucky Supreme Court in April. The court has an agreement with the high court in Ohio, keeping Deters from practicing here as well. Now Deters says he’s served his suspensions and wants to go back to practicing law, and says the Kentucky Supreme Court should reinstate him. Deters retired rather than seek reinstatement in Kentucky and Ohio, and indicated at the time he had no interest in practicing law again in either state. He’s acting as his own attorney, which has led to this pretty amazing complaint:
"Deters is no saint," he writes of himself in his complaint. "He is a sinner. But Deters is fit to practice law. Lawyers are not a choral of angels." Choir? Corral? Whatever. Deters is too tough for the haters. “What Deters incurred, lesser men would have have crumbled long ago," he says of the emotional and physical toll his suspension has caused. He blames an infection that nearly took his arm on the stress and strife his suspension has inflicted on him.
• You can never ban the devil’s weed too early or too often. At least, that’s the prevailing wisdom on Hamilton’s City Council, which banned sale of the drug in the city limits yesterday in a 5-1 vote. Though marijuana is already illegal in Ohio, council members wanted to have a municipal ordinance in place just in case a potential ballot initiative legalizing the measure passes in November and all hell breaks loose. ResponsibleOhio, the group filing the initiative, still needs to collect 300,000 signatures by July to even get the measure on the ballot, but better safe than sorry, Hamilton officials say.
“It's just being prepared for what happens if anything happens whether it be legislature or amendment, it's just being prepared for the next step," Hamilton Mayor Pat Moeller said.
• The Kentucky House passed a bill yesterday allowing the state to participate in public-private partnerships, clearing another hurdle for a toll-based Brent Spence Bridge replacement. However, several key changes were made to the bill to make it more friendly to Kentucky residents and lawmakers who may oppose tolls. These include requiring any tolls levied as part of a public-private partnership to expire once debt on the project is paid off, requiring analysis of any public-private partnership to make sure it’s the best way to do a project and requiring a majority of lawmakers on project oversight commissions be from the county where the project is happening. Next, the bill goes to the Kentucky Senate, where it will face opposition from GOP senators who are staunchly opposed to tolls on the Brent Spence project.
• Here’s another tidbit from Gov. John Kasich’s State of the State address earlier this week. Kasich devoted part of his speech to education in Ohio, defending his public school funding scheme and also his support of the state’s embattled charter school system. Kasich defended putting more money into that system despite low performance by many charter schools and questions about some schools’ integrity. He agreed that the system should have more oversight in the wake of allegations of wrongdoing at some schools across the state, but also defended schools that have simply been low-performing. Here, he made a pretty stunning statement:
“Let’s not judge someone as not doing their job because they’ve inherited a group of students who are just struggling,” he said.
Here’s the thing: This is the same (I’d say very fair and correct) logic many have used to defend struggling public schools the charter system was meant to compete with and do better than. That is more or less the whole reason charter schools exist, according to their creators and supporters. Sooo… blame public schools for their inability to educate students who struggle under the weight of very real massive systemic problems that make it difficult for them to learn, but don’t blame charter schools that take money from those schools and make their jobs even more difficult for the same thing. Got it.
• Speaking of Kasich, he’s finally getting some national attention as he steps up his efforts to run for the GOP presidential nomination in 2016. Maybe it’s not always the attention he wants — this story calls him out on his efforts to create a Rondald Reagan-inspired balanced budget amendment to the U.S. constitution — but on the other hand, if you’re a Republican governor looking to run for president, perhaps a piece in liberal Mother Jones magazine about how lame your policy ideas are means you’ve finally arrived. So, uh, congrats on the milestone, governor!
• Let’s talk about a former governor for a minute, specifically Democrat Ted Strickland, who just jumped into the 2016 U.S. Senate race. As we’ve already discussed, Strickland’s announcement earlier this week caused a big stir, and now he’s already getting hit by GOPers and concerned editorial writers across the state. Ohio GOP Chairman Matt Borges mocked Strickland’s entrance into the race on Twitter today, saying, “same old @ohdems. Can’t get their act together” in response to an article about Strickland possibly having to face Cincinnati City Councilman P.G. Sittenfeld in a primary. There are worries that a very contentious primary could sabotage Democrat’s chances at picking up incumbent Sen. Rob Portman’s seat, which is dearly needed if Democrats want to take back control of the Senate in 2016. On the other hand, having two strong candidates could be seen as an encouraging sign for the party, and the early level of mockery from Republicans shows they’re taking the threat from Strickland seriously. It’s already clear this isn’t last year’s governor’s race, where Kasich straight-up didn’t acknowledge Dem opponent Ed Fitzgerald during a debate because he didn’t have to.
• Finally, the Federal Communications Commission is voting on net neutrality today. This is a huge day for the Internet. If you don't know what's up, uh, start reading.
Update: the FCC voted 3-2 to require internet providers to operate as neutral gateways through which internet service flows. That ruling prohibits providers from making so-called "fastlanes" that would provide higher-speed connections for some companies and content. Also today, the FCC struck down state laws prohibiting cities from establishing their own internet services, allowing municipalities to create their own internet services in places that may only have one (or no) reliable internet service provider.
That’s it for me. You know the drill. Tweet at me. Email me (email@example.com). Messenger pigeon me. Whatever you gotta do to get those news tips and whatever else you want to talk about.
The Bunbury Music Festival will present its fourth annual three-day event on Cincinnati’s riverfront (Sawyer Point and Yeatman’s Cove) June 5-7 this year (moved up from the usual July dates due to Reds/All Star Game activities). This morning, organizers of the festival — which was purchased by Columbus-based PromoWest Productions late last year — officially announced the lineup this morning.
Bunbury 2015 will feature headliners The Black Keys, Snoop Dogg and The Avett Brothers. The rest of the lineup includes Brand New, Tame Impala, The Decemberists, Old Crow Medicine Show, twenty one pilots, Walk the Moon, Matt and Kim, Bleachers, Royal Blood, Manchester Orchestra, Father John Misty, Atmosphere, Temples, Shakey Graves, Kacey Musgraves, The Devil Makes Three, Reverend Horton Heat, Lindsey Stirling, Catfish & The Bottlemen, Jamestown Revival, Mikky Ekko, The Reverend Peyton’s Big Damn Band, Mini Mansion, The Front Bottoms, Jessica Hernandez, Secret Sisters, Lil Dicky, machineheart, Go Analog, Bummers and Indigo Wild.
So far, Cincinnati acts on the bill include Multimagic, Buggs Tha Rocka and RCA recording artists Walk the Moon, who have been touring relentlessly behind their sophomore major label release, Talking Is Hard (the band recently appeared on The Tonight Show; see video below). More artists are expected to be announced leading up to the festival.
One-day and three-day tickets for the 2015 Bunbury fest are available now. Click here for pricing and links.
Good morning readers. I hope you're all surviving the bleak, cold, dark days of February better than I am. I can't stop myself from browsing the "Getaways" section of Groupon — five night, all-inclusive stay in Punta Cana? Sign me up! I'll go anywhere the sun is shining and the heat is brimming.
As I wrote on Monday, season announcements from Cincinnati theaters are a sure sign that warmer days are ahead. The temperature cranked up a few more notches tonight when Cincinnati Shakespeare Company announced its 2015-2016 season. It’s no secret that CSC’s history and stock-in-trade are plays by William Shakespeare, of which they’ll offer four in the coming months. But their broadened scope includes definitive works of drama and stage adaptations of literary classics by great writers. Here’s what will be onstage at 719 Race St. from August 2015 through June 2016:
THE COMPLETE HISTORY OF AMERICA (ABRIDGED) by Adam Long, Reed Martin and Austin Tichenor. Cincy Shakes has had tons of fun with The Complete Works of William Shakespeare (Abridged). But Long, Martin and Tichenor have been generating laughs with numerous other subjects, and this is one of their best works. (It was staged at the Cincinnati Playhouse 10 years ago.) This one is a wild ride through our nation’s past featuring three actors, who probably did not pass high school history, who set off on a whirlwind historical tour that’s finds laughs in many of our nation’s greatest hits and misses. This production is a “season extra,” not included in subscription packages. July 24-Aug. 15, 2015.
CYRANO DE BERGERAC (based on Anthony Burgess’s translation of Edmond Rostand’s 1897 French play). Cincy Shakes will kick off the fall theater season with this classic romantic tale of the valiant and clever Cyrano de Bergerac, with long-time ensemble member Jeremy Dubin in the title role. Cyrano epitomized panache: In fact, that French word a feather or a plume was the hallmark of this dazzling swordsman and brilliant 16th-century poet. But he has a flaw, a gargantuan nose. He loves the beautiful and brilliant Roxane but is convinced his clownish appearance means he has no chance with her. Unaware of his feelings, Roxane tells him she loves Christian, a handsome but dull solider; Cyrano intercedes by writing letters and verses to her as if they were from Christian. The play has wit, swashbuckling adventure and profound romance. Sept. 1-Oct. 3, 2015.
Jeremy Dubin as Cyrano in Cyrano de
Bergerac. Photo: Mikki Schaffner.
DEATH OF A SALESMAN by Arthur Miller, written in 1949, won multiple Tony Awards as well as the Pulitzer Prize for drama. The story of the waning days of an aging salesman who still yearns to make it big is one of the great plays of the 20th century. Cincinnati stage veteran Bruce Cromer will play Willy Loman, the show’s memorable loser. This poignant tale of an average man trying to achieve the American Dream, surrounded by his strident sons and his loving wife is an exploration of failure and success that still resonates today. Oct. 16-Nov. 7, 2015.
AS YOU LIKE IT by William Shakespeare is the first of Shakespeare’s plays for the season and one of the Bard’s most popular, a predictable bestseller for Cincy Shakes. This time it will be the company’s offering around the holidays, featuring ensemble member Sara Clark playing the spirited Rosalind, banished to the Forest of Arden with only her cousin and a fool for company. She dresses as a man for protection and comedy ensues in the woods where love poems to her are posted on the trees. The lovelorn poet is handsome Orlando, whom she tests while hiding behind her boyish disguise. This show is great fun because it features numerous comic characters, delightful music and warm-hearted romance. Nov. 20-Dec. 12, 2015.
Sara Clark as Rosalind in As You Like It. Photo: Mikki Schaffner.
EVERY CHRISTMAS STORY EVER TOLD (AND THEN SOME!) by Michael Carlton, James Fitzgerald and John K Alvarez. Cincy Shakes finishes up As You Like It just in time to celebrate the 10th anniversary of its annual holiday hit, an irreverent look at umpteen BHCs — the show’s acronym for “Beloved Holiday Classics.” The evening starts out innocently enough as one character endeavors to perform a solemn reading of A Christmas Carol. But before long audiences are entangled in the stories of Frosty, Rudolph, Charlie Brown and George Bailey. Four of Cincy Shakes’ veteran actors (one as a highly inebriated Santa) send up everything from Dickens to Dr. Seuss. It’s another “season extra” (outside regular subscriptions) and definitely not for anyone who still believes in Santa. Dec. 16-27, 2015.
HENRY VI , PART I by William Shakespeare. The company has committed parts of several seasons to work its way through Shakespeare’s cycle of history plays. This year it’s the first of three parts that tell the story of Henry VI. Actors continue to reprise roles they’ve played for several seasons in two parts of Henry IV and Henry V. In this installment, the untimely death of Henry V puts his infant son on the throne, and the War of the Roses, pitting the houses of York and Lancaster against one another, is off and running. Jan. 22-Feb. 13, 2016.
JANE AUSTEN’S EMMA (adapted by Jon Jory). Cincy Shakes has struck gold with stage productions of Pride and Prejudice and Sense and Sensibility, Jane Austen’s novels of early 19th-century manners as adapted by Jon Jory, the longtime artistic director of Actors Theatre of Louisville. These shows appealed to audiences in part because the company has a corps of talented female actors (presently showcased in Little Women) who will find great opportunities in Austen’s tale about amateur matchmaker Emma Wodehouse who lives to meddle in others’ love lives. When she tries to set up her less than promising friend Harriet, the plan goes awry, and Emma must try to undo the damage. It’s another classic story of wit, whimsy and anxious romance. Feb. 26-March 26, 2016.
JULIUS CAESAR by William Shakespeare. Part one of a season-ending epic pairing of two of the Bard’s great plays begins with this tragedy about the brilliant general, a cunning politician and beloved leader of ancient Rome. Jealous Roman patriots decide his ambition is a threat to the Republic and assassinate him on the senate floor. The result is a civil war that tests friendships and loyalties; it also determines the fate of the Roman Empire. April 8-May 7, 2016.
ANTONY AND CLEOPATRA by William Shakespeare. The second part of the company’s special event offers this rarely staged epic sequel to Julius Caesar. The civil war has ended and the empire has been divided. Marc Antony heads to Egypt to rule his corner of the globe, but his plans are sidetracked by Egypt’s Cleopatra. Their love affair pits Rome and Egypt against each other and changes the ancient world forever. May 13- June 4, 2016.
Subscriptions ($143-$233) are sold in flexible sets of seven that can be used one per production or in other combinations. Subscriptions and single tickets are now for sale via cincyshakes.com or by calling 513-381-2273, x1.
Shinji Turner-Yamamoto's 2012 Global Tree Project: Hanging Garden — two trees suspended by wire inside Mt. Adams' deconsecrated (and crumbling) Holy Cross Church — is now generally recognized as one of the high points of public art in Cincinnati in recent years.
In addition to proving inspirational for us in terms of what large-scale, site-specific art can be and what local artists can accomplish, it also has attracted ongoing international attention for him.
The latest development is his inclusion in an exhibition, About Trees, opening this fall at the Zentrum Paul Klee museum in Bern, Switzerland. For his site-specific work in the museum's main hall, he will work with a dying linden tree on the museum grounds.
The exhibit — part of a trilogy of related shows that continues into 2017 — is dedicated to the tree as a motif in international contemporary art. Turner-Yamamoto finds himself in some very impressive company. Others with work in the show include Paul Klee, Carlos Amorales, Louise Bourgeois, Paul McCarthy, Ana Mendieta and Shirin Neshat.
Meanwhile, a large-scale photograph of the Hanging Garden installation was commissioned by Caroline Kennedy, U.S. Ambassador to Japan, for the ambassadorial residence in Tokyo as part of the Art in Embassies Program.
Also, he will have a show at the Weston Gallery here next year.
Morning y’all. Let’s talk about the news real quick. I think winter is getting to me, because this update got pretty opinionated pretty quickly.
Can you think of anything useful, even vital, on which the county could spend $7.5 million? Maybe chipping in a bit more toward the Union Terminal renovation, or giving a bit to the effort to shape up Music Hall? Maybe addiction treatment or some other human services funding? More sheriff’s deputies on the streets? Or, you know, maybe they could put that cash toward a new crime lab and morgue, both of which are critically crowded and out of date. Or etc. I ask because $7.5 million is the recently-announced amount county taxpayers will pay for new Bengals scoreboards as part of some $12 million overall the county will cough up from its sales tax fund for stadium improvements. Is there any estimate on return on investment for the county on this? Will the new high-definition scoreboards create at least $7.5 million in sales taxes for the county somehow? In return for this outpouring of county largess tied to the 15-year-old albatross of a stadium deal, the Bengals made an exception for projects at The Banks to a provision in their lease that stipulates the height of buildings around the stadium. That’s nice of them. These are all things I will receive exactly zero benefit from in my lifetime.
• Anyway. Speaking of the county, it has settled with the families of three women whose corpses were abused by a former morgue employee from the 1970s to the 1990s. The county will pay $800,000 to the families to end a lawsuit centered around the behavior of Kenneth Douglass, who is believed to have abused more than 100 bodies in the years he worked for the morgue.
• This is pretty cool, I think. The University of Cincinnati will redevelop the old Sears building on Reading Road and Lincoln Avenue in Corryville into an innovation hub for UC-related startups. The university will spend about $16 million to turn the 130,000-square-foot structure, which has a distinct Art Deco vibe, into a business and tech incubator. The building was the first Sears store in the city when it was built in 1929. I’ve always really liked this building, and recently, with the fencing that has surrounded it, I’ve been afraid they would tear it down. UC bought the building in 1981 and it housed the university’s campus services until last year. When I was an Americorps member a few years ago, the UC-affiliated nonprofit I worked for had storage space in the building. I know its creepy, dimly-lit hallways well and I’m excited to see it restored.
• It’s official. Former Ohio Governor Ted Strickland has entered the 2016 Senate race. Strickland, who will be 75 by that time, could face off against Republican incumbent Sen. Rob Portman, creating a high-profile battle between two of the biggest names in state politics. Portman is popular, with millions in the bank for his next campaign, but Strickland is a formidable opponent and perhaps Democrats’ best shot. However, at the moment, Strickland’s got some competition for the Democratic nomination in the form of Cincinnati City Councilman P.G. Sittenfeld. Sittenfeld, 30, announced his intentions to run last month and has raised $500,000 for his campaign thus far. He’s a dynamic young candidate who has done a great deal in a short time and looks to still be on the rise. Some within the party believe he’ll bow out to the higher-profile and more experienced Strickland, but some of Sittenfeld’s own funders have indicated they’re backing him no matter who else is in the game. Will P.G. keep running, or will the state party convince him to sit this one out?
• Speaking of state politics, Gov. John Kasich gave his State of the State address last night. During the hour-and-a-quarter long speech, Kasich tacked rightward, mostly emphasizing his plan to cut income taxes as a way to encourage economic growth. The speech is an important moment for Kasich as he seeks a larger spotlight. Kasich’s been traveling and fundraising in connection with his bid for the Republican Party nomination for the 2016 presidential election. Kasich’s recent budget proposals, which he again touted in his speech, suggest he’s trying to balance the demands of the Republican party’s right wing — cut taxes to the bone, ease regulations on businesses — with a need to stay viable in a general election by appearing to be a compassionate conservative who cares about the plight of the poor, education funding and so forth. It makes sense that Kasich would emphasize the more conservative elements of his plan in his address last night — the yearly oratory is traditionally aimed at the state legislature, which is dominated by rightward-leaning Republicans. Those lawmakers don’t seem super-enthused by Kasich’s plans, however, balking at tax increases on cigarettes and oil drilling, for instance. One last note on Kasich’s big speech — he awarded the Governor’s Courage Award to Cincinnatian Lauren Hill, the Mt. Saint Joseph student and basketball player who is fighting an inoperable brain tumor.
• Finally, I generally like the New York Times. They often do fantastic work. But this piece today about downtown Cincinnati’s resurgence following the 2001 civil unrest is mystifying to me. First, there are about a million things that made Cincinnati sluggish and grim before and after the unrest, including many systemic issues that haunted and continue to haunt the city specifically and others endemic to a lot of other urban areas. There are about a million other things that have happened since the unrest that have made the city’s center, and many other downtowns, take off. Tying the two things together while saying that memories of the unrest are “fading” (probably not true) seems to miss a number of things. The article doesn’t mention the city’s pervasive poverty problem, the fact we’re at the bottom of the list in America for infant mortality, the fact that its police force (30 percent black) still doesn’t match the demographics of the city (which is 45 percent black). It barely glances at the issue of gentrification, a problem many say is accelerating in the urban core and a subject that has been hugely divisive over the past decade. Anyway. That’s my media criticism for the day.
Tweet at me (@nswartsell) or give me an e-mail (firstname.lastname@example.org) if I bummed you out hating on the Bengals, or if you feel the way I do about the team's blinging new big screens.
While Jess Lamb’s American Idol journey may be over, the show is still very much a part of her everyday life. Fans of the show know that the performers often leverage their appearances into work on other projects, such as backup singing or working with national acts in collaborations. It is a process that takes a great deal of time and effort but there is another aspect of being an Idol contestant (current and former) that many fans may not consider — namely, keeping up with the social media explosion that coincides with debuting on the show. It’s a deluge of activity that, initially, can’t be adequately prepared for and it’s one that Lamb experienced firsthand.
“At first, after my audition aired, my sites couldn’t keep up. My stuff was literally shut down,” Lamb explains.
As a local artist, Lamb was used to receiving a friend request on sites like Facebook, Twitter, Tumblr or Instagram fairly often. She relied (and still does rely) on social media for the majority of her publicity regarding upcoming shows and releases. But after her premiere, the number and frequency ballooned in a very short period of time. Furthermore, friend requests from friends of friends or local fans morphed into a nationwide fan base that searched Lamb out on her social media outlets.
“It’s crazy that I can make a post about a song and get 90 likes and in two days see hundreds of streams,” Lamb says. “It’s actually reaching people who are friends of mine because they want to hear the music, not because they’re interested in the scene. They’re literally curious about what I’m doing — they want to hear more.”
But this influx of attention has heightened Lamb’s time on said social media, simply so she can keep up with all of the activity across her accounts, while still trying to maintain a public presence and keeping her fans up to date with her myriad projects. In fact, Lamb has had to cut back on the time she spends at her 9-5 job so she can answer fan requests and emails in between interviews, studio work and live performances.
It’s been a dramatic transition for Lamb who, before Idol, rarely used her social media for any personal or professional purpose. In fact, it was her fiancé who initially showed her the value of using social media to self-promote. Social media activity actually lines up with Lamb’s well established indie sensibilities. She takes pride in having a control over her public output, whether that be an Instagram photo or uploading a new song onto iTunes.
“I still own all the songs, I’m not going to get slapped on the wrist for releasing songs because I’m not releasing for a label —it’s still mine, it’s on me. If I fail, I’m the one filing bankruptcy. If I succeed, I get to hire more people,” Lamb says.
She also leverages her public output to help other artists that she works with as well. For example, many of her fans have seen clips of Lamb’s work with local Electronica act Black Signal or marveled at her unique jewelry and clothing, much of which comes from local boutique Lulu White. Lamb has been repeatedly asked about her collaborations and takes great pains to make sure that her partners get the recognition they deserve. In doing so, she is able to shine a light on not just projects that she is personally a part of, but also projects that she is a personal fan of, showing her fans another aspect of her personality and artistic output.
In many ways, keeping up with her social media has become another job for Lamb, requiring large amounts of time and thought to be put into its upkeep. But it’s a job she enjoys doing and one that she has no intention of passing off to anyone else.
“I would prefer to spend my time doing the social media stuff, I really do enjoy it. It helps me to come out of my shell when I’m sitting behind the computer,” Lamb says.
For her fans this is great news, because they can be assured that anything they see coming from Lamb online is actually coming from her and not a hired gun. It’s a genuine correspondence, which in today’s pop music world is a rarity.
Last year, Cincinnati Hip Hop artist MC Till (aka Adam Hayden) did the unexpected and released The Neighborhood, an amazing album that brilliantly fused Jazz with Hip Hop rhymes. This year, Hayden is working on another delightful musical curveball — a Hip Hop-centric album (available on vinyl) and book project for children titled The Corner.
The seeds of the project were planted several years ago when his friend, graphic designer/videographer/rapper Vernard Fields, who has worked over a decade with special needs children in the Cincinnati Public Schools system, mentioned to Hayden that he wanted to make a Hip Hop album for kids. In 2012, while Hayden was working as an assistant CPS teacher, he discovered that by rapping some children’s poetry, he quickly and easily captured the attention of the first grade class in which he was in charge. Recalling Fields orginal suggestion, Hayden got back in touch with him and the pair worked out some material and presented it to an even younger audience (pre-schoolers), where they were again a big hit. Hayden and Fields then teamed up with illustrator Charlie Padgett to create the visuals for The Corner.
The high-quality book and album will be made available as hard copies and digitally (an app and website are also in the works) and the trio hopes that schools will be interested in using their project in the classroom. The Kickstarter perks offered for the campaign for The Corner include having bundles sent to specific teachers and schools (there’s even an accompanying study guide for teachers).
The ambitious project won’t be cheap to produce; the three artists are currently aiming for more than $48,000 in their Kickstarter campaign. If you’d like to contribute and/or check out the project, click here or on the video below.
Hey all, here’s the news this morning.
Have you ever thought there should be more bars downtown? I hadn’t really thought about it before, but then I’m not a huge bar person. 3CDC, on the other hand, has and would like the city to take steps to increase the number of liquor licenses in two specific areas downtown. One, which would be called the Downtown West Community Entertainment District, would be near the convention center and Fountain Square, and another, called Downtown East, would encompass the rest of downtown. Designating an area a community entertainment district makes it eligible for more liquor licenses from the state.
Currently, Cincinnati is maxed out, but the proposed scheme would add up to 21 new licenses in the two districts. Ten other neighborhoods in the city have this designation, including Over-the-Rhine, Price Hill and CUF. 3CDC would control all liquor licenses granted to the western district under the plan, which has the support of a majority of council and Mayor John Cranley. Supporters of the plan say it will attract more residents to the districts as well as increase tax revenue. Council looks to vote on the measure soon.
• A local man has filed a lawsuit against LA Fitness after he claims he was prohibited from praying in the locker room of the chain’s Oakley location. Mohamed Fall, a Muslim, worked out at the gym on a regular basis for more than a year. After his workouts, he would stand with his eyes closed in an empty corner of the locker room and pray without speaking. Recently, three LA Fitness employees approached him while he was praying and told him he had to stop and that he should not pray in the locker room again. Fall says he was afraid he would be kicked out if he did not comply.
• Hamilton County Commissioners have officially signaled they will not be pursuing a plan to move the Hamilton County morgue and crime lab to a currently vacant hospital in Mount Airy that Mercy Health offered to donate to the county. While the building would be cost-free, the build out necessary to move the morgue, crime lab and other offices there is cost-prohibitive, commissioners have said. They’ve estimated it could cost as much as $100 million to retrofit the building. The decision comes as the county’s morgue and crime lab continue to sound alarms about their current cramped and outdated workspace.
• Legislation that would move the embattled Brent Spence Bridge replacement project another step toward reality is expected to pass in the Kentucky State House today. The bill would allow the state to use a public-private partnership to fund the project, specifically through tolling on the bridge. Officials in both states have struggled to find the necessary $2.6 billion to fund the bridge replacement project. Opponents of the current plan proposed by Ohio Gov. John Kasich and Kentucky Gov. Steve Beshear say the project doesn’t need to cost that much, and that tolling will represent a huge burden on businesses and workers in both states. Northern Kentucky politicians and activists have been especially adamant about preventing tolling on the bridge.
• A petition drive to get legal weed on the November ballot in Ohio suffered a blow yesterday when Attorney General Mike DeWine rejected summary language for the petition. DeWine had several quibbles with the details, and lack thereof, in a summary of the proposed ballot language filed with his office by ResponsibleOhio. That group wants to put a state constitutional amendment on the ballot that would create 10 marijuana grow sites in the state controlled by the group’s investors. The proposal would make marijuana legal to sell with a license, and anyone over the age of 21 could purchase it. Ohioans would also be allowed to grow a small amount of the drug at home, a change in position from the group’s original proposal. The group has until July to collect 300,000 signatures and file the petition with the secretary of state. DeWine and other statewide Republican officials have been vocal opponents of the idea, saying that it will increase drug use and that it constitutes a state-run monopoly. Ohio voters passed a similar constitutional amendment allowing four casinos in the state in 2009.
• On a somewhat related note, recreational weed became legal in Alaska today. I used to think I would never move to Alaska because IT GETS BELOW ZERO there, but, well... It’s also legal in Colorado and Washington state and will become legal in Oregon in July and in Washington D.C. later this week.
• Veterans Affairs head and former P&G president Bob McDonald is drawing some criticism after he made a claim that he once served in special forces. McDonald is a veteran who attained the rank of captain in the U.S. Army and attended Ranger training school. But he did not actually serve with the elite force. He told a homeless veteran in L.A. during a point-in-time count of that city's homeless population last month that he did serve in the special forces, however, a claim that has caused controversy. McDonald has apologized for the statement, saying it was a mistake.
That does it for your news wrap-up today. Tweet at your boy (@nswartsell) or send me a good old fashioned email at email@example.com. Things I'm keen to get your thoughts on this week: news tips (of course), interesting parts of the city for an urban photography buff (me) and recommendations on cool sneakers (I'm due for a new pair).
This is a busy time of year on local stages, and that's especially true at colleges and universities where the academic year is winding down.
At Northern Kentucky University, the 17th biennial Year End Series (Y.E.S.) Festival is underway, presenting three world premiere productions in rotating repertory. It's a Grand Night for Murder opened on Thursday; The Divine Visitor, a Restoration Comedy through a sci-fi filter (figure that one out) starts tonight; and Encore, Encore, about witty and caustic New York writer Dorothy Parker, gets underway on Saturday. There will be multiple performances through April 26. Tickets: 859-572-5464
At Xavier University this weekend you can find a production of the Rock musical Spring Awakening, the winner of eight Tony Awards in 2007. It's about a group of students struggling through adolescence to adulthood — with a lot of rebellion along the way. It's being presented in XU's Gallagher Student Center Theater. Tickets: 513-745-3939
A lot of high school students have been recruited by Cincinnati Shakespeare Company for more than 38 free art events based on the works of Shakespeare. You might recall that CSC "completed the canon" (produced all 38 of Shakespeare's plays) a year ago. The celebrate that accomplishment, the company devised Project 38 to work with numerous area schools. Each one was assigned and worked with some of the company's artists to be inspired in productions, art, writing — whatever moved them. The initiative is culminating in an eight-day festival of free performances and exhibitions in Over-the-Rhine's Washington Park. School performances are all free. Since performances of The Taming of the Shrew are sold out on CSC's mainstage, Project 38 gives you the chance to see Shakespeare you might have missed otherwise. Schedule here.
There's another take on a student coming to terms with the Bard at Dayton's Human Race Theatre Company: Taking Shakespeare is the story of a disillusioned college professor asked to tutor her dean's son through his freshman Shakespeare class. It's got its humorous moments, but the show delivers a serious message about living up to expectations. Playing the student is Cincinnati actor Jon Kovach, who's performed on numerous local stages. Through May 3. Tickets: 937-228-3630
The farcical show by Steve Martin, The Underpants, is evoking laughs at the Otto M. Budig Theatre in the Carnegie in Covington. It's a bit risqué, but the humor is very gentle. Tickets: 859-957-1940 … Not so gentle is the production of Death and the Maiden by Diogenes Theatre Company at the Aronoff Center's Jarson-Kaplan Theatre. This three-character thriller is set in an unnamed Latin American country where a woman gets control of a man she believes once tortured her under a brutal dictatorship. It's a powerful piece, magnificently acted by three top-notch professionals familiar to Cincinnati theatergoers — Annie Fitzpatrick, Michael G. Bath and Giles Davies. Not for the faint-hearted or those who are squeamish about violence, but this is production that deserves to be seen. Through May 2. Tickets: 513-621-2787
One last note, for anyone interested in playing a supernumerary for Cincinnati Opera (that's like being an extra in a movie): Open casting for the upcoming summer season happens on Monday at 6 p.m. at Music Hall. You don't have to be a singer. In fact, no experience is necessary; positions are filled on a voluntary basis. Details here.
Good morning, y’all. Before we get to the news this morning, I want to plug a cover story we have coming up in a couple weeks. I've been working on it since February, and I really hope you all will take a look when it goes up April 29. It deals with one of the city's forgotten neighborhoods, a group of people fleeing incredibly difficult circumstances and a place where cultures from around the world mix in an incredible way. The folks in the story deserve your attention for their courage and patience. That's all I'm going to say for now. I hope you'll check it out.
There is a lot to talk about today, so I'll stop promoting and get to the news.
Let’s start with the positive stuff first. Cincinnati City Council yesterday declared April 28 John Arthur day in honor of the late Over-the-Rhine resident and gay rights activist who passed away in 2013 from ALS. Arthur’s husband Jim Obergefell has since fought the state of Ohio to get his name listed on Arthur’s death certificate, a battle that will find its way to the U.S. Supreme Court April 28. The case will almost assuredly be a history-making event. Look out next week for our feature story on the battle that could determine the future of same sex marriage.
• Council also locked horns, once again, on the streetcar yesterday. Councilman Chris Seelbach proposed a motion that would direct the city administration to prepare a report on possible funding for Phase 1B of the transit project. Sound like a small step? It is. But oh, what a fuss it raised. The next hour was dominated by arguments over the project, including recent revelations that revenue won’t be as high as anticipated, Mayor John Cranley again touting a residential parking permit plan as a way to make up some of the difference and calls from at least one council member to can the project entirely. After all the fireworks, the motion passed 5-4. You can read all about it in our coverage here.
• What else is new around town? Well, our own Nick Lachey, of 98 Degrees fame, wants to turn over a new leaf (heh see what I did there?) as a marijuana farmer. Lachey has invested in a ballot initiative by marijuana legalization group ResponsibleOhio. In return for putting up money for the effort, which needs to collect more than 300,000 signatures by this summer to get its proposal on the November ballot, Lachey will become part owner of a marijuana farm in the city of Hudson, which is in northeastern Ohio. That farm will be one of 10 under ResponsibleOhio’s plan, which would restrict commercial cultivation to a select number of sites. The group also tweaked its proposal after some criticism, and the current plan would also allow home growers to grow a small amount for personal use. Critics, however, including other legalization efforts, still say the plan amounts to a monopoly.
• Representatives from some area school districts, including Princeton City Schools, are lobbying in Columbus today in protest over state budgetary moves that would cut millions from their budgets. Princeton serves Lincoln Heights, Glendale, Woodlawn and much of Springdale and Sharonville in addition to other areas. Some school employees have taken personal days off from work to protest the proposed elimination of a state offset for the so-called Tangible Personal Property Tax. TPP was a big part of funding for many schools like Princeton. It was eliminated by lawmakers in 2007, but the state continued to funnel funds to schools to make up for the loss. Now, with Ohio’s new proposed budget, that offset will gradually be eliminated. Princeton receives nearly a quarter of its budget from the payments. It’s one of a number of schools on the chopping block from the new budget, which is a milder form of Gov. Kasich’s proposed financial blueprint for the state’s next two years. Kasich’s plan would have cut half of the districts in Ohio while increasing funding for the other half, mostly low-income rural and urban districts. State lawmakers have eased some of those cuts, but the prospect of losing money has caused ire among schools like Princeton, Lakota and others.
• There are a lot of other things happening in the state house today. Lawmakers are mulling whether to eliminate funding for the Partnership for Assessment of Readiness for College and Careers, or PARCC, tests. The state’s GOP legislators would like to eliminate the $33 million used to administer the tests, effectively killing them off. Part of the reason lawmakers want to eliminate them is that they’re tied to so-called federal Common Core standards. State Republicans are generally opposed to the standards, though Gov. John Kasich supports them. The tests’ roll-out this year has also been rocky, marked by complaints about glitches and difficulty. But there could be a big price tag for the political statement being made by eliminating the tests: the loss of more than $750 million in federal money for education in Ohio, according to the Columbus Dispatch.
• Elsewhere in the state house, the GOP is raising ire among its own with other measures in the state budget. Republican State Auditor David Yost has cried foul at an attempt to remove oversight of disputes about public records requests from his bailiwick. State lawmakers say that the auditor’s office is responsible for financial accountability of state offices, not their public records. They want to remove the auditor’s power to receive complaints about public records requests and issue information and citations about such requests. Yost says removing his office’s power to oversee public records request issues weakens his ability to hold other public offices accountable and is unconstitutional. The Ohio Newspaper Association has also come out against the move. Reporters file a lot of public records requests, after all, and I for one don't want to have to sue someone every time I want some information that YOU should be able to know.
• What’s going on in national news, you ask? Stories about Democratic presidential hopeful Hillary Clinton’s Chipotle trip continue, revealing little other than the utter intellectual bankruptcy of some of the national political press. The initial story about the stop in the Maumee, Ohio, Chipotle earlier this week was a bit of a campaign stunt in and of itself (Hillary’s campaign staff tipped off the New York Times about the stop, leading to this incredibly important breaking news) and now we’ve just spun down into the dregs of mindless chatter about a burrito bowl. Not even a real burrito! Burritos are for eating, not for think-piecing. Why do you folks get paid to do this, again?
Meanwhile, Kasich is getting some interesting press that could boost his chances in the Republican 2016 primary contest for the presidential nomination. National publications are calling him everything from the "GOP's Strongest Candidate" to the "GOP's Moderate Backstop." Ah, national media. Gotta love it.
Carol, the 1950s-set drama about an affair between two women that was filmed last year in Cincinnati, will compete for the Palme d'Or at this year's Cannes Film Festival. That will be its long-awaited premiere.
It is one of only two films by U.S. directors in the much-vaunted competition, according to Variety. The announcement was made at a press conference in Cannes today.
Directed by Todd Haynes (I'm Not There, Far From Heaven) with Christine Vachon as one of its producers, the film stars Cate Blanchett, Rooney Mara and Sarah Paulson and is based on the novel The Price of Salt by Patricia Highsmith. Variety succinctly describes Carol's story as "about a lonely young department-store clerk who falls for an elegant older woman in 1950s New York."
Besides Haynes, the only other U.S. director with a new film in competition at Cannes is Gus Van Sant, whose The Sea of Trees stars Matthew McConaughey and Ken Watanabe as two men who meet in Japan's "Suicide Forest."
However, because financing of movies is often international, Carol is actually listed as a U.S.-U.K. co-production. And another film in competition by a non-U.S. director, the French-Canadian Denis Villeneuve's Sicario, is listed as solely a U.S. production.
Because the 14 films announced for competition are lower than in past years, Variety suggests several more may be added. This will be the 68th annual Cannes Film Festival, the world's most prestigious, and occurs May 13-24.
To read the full Variety story, go here.
Cincinnati City Council today passed a motion asking the city administration to draw up a report on possible funding sources for the planning and construction of phase 1B of the streetcar.
But the relatively small step caused a firestorm of controversy, illustrating how politically divisive the transit project remains. The motion, authored by City Councilman Chris Seelbach, launched a contentious hour of debate among council members about whether it was appropriate to look ahead to the next phase of the controversial transit project when the current phase, a 3.6 mile loop around downtown and Over-the-Rhine, has yet to be nailed down.
The motion passed on a narrow 5-4 vote, with council members Seelbach, Yvette Simpson, P.G. Sittenfeld, David Mann, and Wendell Young voting for the measure. Council members Charlie Winburn, Kevin Flynn, Amy Murray and Christopher Smitherman voted against having the city produce the study.
Seelbach said the idea was to gather information to make an informed decision about next steps.
“This motion doesn’t say we’re ready to study Phase 1B of the streetcar,” Seelbach said. “All it says is we want some facts on paper about opportunities we may even want to pass up. I think that’s a very fair conversation we want to have. But let’s at least get the facts on paper.”
Seelbach cited the availability of federal TIGER grants, $500 million of which have been made available for fiscal year 2015 to cities proposing transit projects that spur economic development. Supporters of extending the streetcar say the city should start planning now so it can apply for future federal money that would help pay for a route extension.
But streetcar opponents, including Mayor John Cranley and Councilman Christopher Smitherman, said the focus now should be on the project’s beleaguered current phase. They pointed to a recent revelation that the Southern Ohio Regional Transit Authority projects revenues for the streetcar will be well under earlier expectations.
“I guess my question is, 'Why aren’t the supporters of the streetcar leading the $500,000 new deficit that we discovered yesterday,' ” said Cranley. “Where is the plan to solve the revenue gap we discovered yesterday? Let’s make Phase 1 a success. Instead people want to write more checks and spend more money on Phase 2.”
Early estimates placed revenue from ridership and advertising sold on the streetcar at $1.35 million in the first year. But adjustments in the way passengers will pay fares (by time spent on the cars, not on a per-ride basis), factoring in subsidized rides for low-income riders and revised advertising revenue estimates mean the streetcar is likely to pull in just $781,000 in its first year, SORTA told council yesterday. That means the transit project may have to tap into a $9 million fund provided by the Haile Foundation to help fund the streetcar’s first decade in operation. Opponents like Cranley and Smitherman say the project's first phase is a financial mess that will leave tax payers holding the bag.
Cranley used the opportunity to again propose a residential parking pass for residents of Over-the-Rhine. In the past, he's floated proposals to charge as much as $300 a year to residents who want to park in the street in the neighborhood. Citing the number of new high-price condos springing up in OTR, Cranley said the owners of those high-price abodes should have to foot some of the bill for the amenity running past their doors.
But supporters of the project fired back, saying the project is meant to spur economic development and must be looked at through that lens. Councilwoman Yvette Simpson said investment spurred by the streetcar,
including new development in Over-the-Rhine, would far outweigh the expenditures the city will make. She chalked up continued opposition to
the streetcar, and the motion to produce a report, to politics.
“I think it really comes down to leadership,” said Simpson. “We made a commitment to a project, and there are times when there are challenges. The campaign is over. Our ability to put our best foot forward on this project will really determine the success of the project.”
Originally, the streetcar was intended to run from The Banks to a location uptown. However, after Gov. John Kasich eliminated millions in state funds from the project, it was scaled back. The route now ends near Findlay Market. Supporters, however, including many who pushed the streetcar through a contentious three-week pause in 2013, haven’t given up hope that the second leg can be completed into the area around the University of Cincinnati and the area’s major hospitals.
The debate over the motion once again opened up old arguments.
Councilman Charlie Winburn called once again for the streetcar to be halted entirely, saying it should be “scrapped altogether.” Winburn told City Manager Harry Black that he didn’t have to follow the motion, which doesn’t have the force of law, and asked the city administration to disregard it. The city solicitor confirmed that the motion was non-binding, and it is unclear whether the city manager will direct city administration to produce the report.
The first time I saw the Warsaw Falcons, my Cincinnati experience was only slightly longer than the band's existence. I'd moved here in January 1982 on the heels of a failed and miserable marriage. I was working for (and living out of) a record store in North College Hill run by my friends/saviors Rick and Karen (aka Cookie, long before Empire, bitches) Kandelson, who gave me work and a safe haven.
I found full time work and a girlfriend in fairly short order, and for the most part felt I'd made the right decision in relocating to Cincinnati. But I desperately missed my 2-year-old son and my family and friends back in Michigan, so I entertained the notion of asking my new love to consider moving back to the Mitt with me.
And then a cosmic intervention took place. Within the span of a couple of weeks, I saw the raisins, who had been around for a while, and the Warsaw Falcons, who had only just formed. After those two musical epiphanies I said to myself, with unbridled joy and complete certainty, "I don't have to go home, I am home."
Beyond all doubt, I was where I was supposed to be.
The raisins were everything I loved about Pop Rock — smart and smartassed, loud, melodic, lyrically brilliant and gloriously dumb, intricate in the pursuit of simplicity. The Falcons exhibited a lot of the same characteristics, but in a totally different context. I couldn't tell you much about the original band at that point, as I was fairly riveted to the sight of David Rhodes Brown, a 6' 4" beanpole with an additional foot of roostered pompadour, snake-charming the nastiest, slinkiest, rawest, most compelling riffs from his hollow bodied Gibson that I'd ever heard in my 25 years. Brown and the earliest incarnation of the Falcons roared through a couple of sets of jumped-up Rockabilly/Boogie Woogie/Blues at an intensity level that could have microwaved a 15-pound roast to perfection in under a minute, and I stood watching in absolute wonder, as if I was attending the swaggering, staggering, yowling birth of Rock & Roll its own damn self.
There was no fundamental difference in any subsequent Falcons show I witnessed over the next seven years, give or take, and they were legion. At Dollar Bill's, Shipley's, Bogart's, Cory's, all the way out at the Townshipn Tavern and any number of places in between, the Warsaw Falcons never gave any less than their absolute all, tearing shit up with gleeful intent, putting it back together with ramshackle abandon and ultimately reducing it to smoke and ash with the zeal of blissed-out revolutionaries, confident in their cause and the destruction it inspired.
Through any number of lineup shifts, the Falcons delivered the goods night after night, set upon set upon set. There were gaps in the band's history when Brown lit out for Austin, Tex., and Nashville, Tenn., but he returned with more riffs to play, more stories to tell, more challenges to conquer. Brown shuttered the Falcons just after taking them into John Curley's Ultrasuede Studio to record their only full-length album, the righteous and red hot Right It on the Rock Wall. That incarnation of the band included legendary session saxophonist Bobby Keys. Brown dusted off the Falcons in 2001, turned out a couple of EPs and played out a bit but shelved them again when a proposed record contract fell victim to the post-9/11 downturn.
In the new millennium, things have been different. Music is ones and zeros instead of a spiraled groove or a spun tape reel, and David Rhodes Brown has reinvented himself a half dozen ways to Sunday. He had Ricky Nye teach him the rudiments of Boogie Woogie piano, he learned the Hank Williams songbook and joined Ryan Malott's 500 Miles to Memphis as a lap steel shredder and vocalist, helping transform it from cool local entity to national semi-sensation. Then he taught himself clawhammer banjo, grew a Rip Van Winkle-meets-ZZ Top beard and started playing old time music with the same dedication and intensity that marked his time in the Falcons, with less actual electricity and an improbable rise in passion and workload. He spread his attention over numerous full and part time projects, leading inevitably to his debut solo album, 2010's exquisite Browngrass & Wildflowers.
And then, as so often happens, fate intervened in the form of last November's celebration/roast of the David Rhodes Brown on the occasion of his 50th year in the entertainment racket (if you count his being paid to sing requiems at Catholic mass, which he does). The event was organized by one of the scene's greatest boosters and its unceasing heartbeat, the amazing Kelly Thomas, ably assisted by Brown's biggest supporter, fan and sugar mama, the incomparable Bobbi Kayser, who together assembled a veritable murderer's row of artists and friends in order to pay deserved tribute to DRB, if for no other reason than to thank him for his role in helping to build the solid foundation upon which the greater Cincinnati music scene has built its magnificent house over the past four decades.
And in a moment of divine inspiration, the once and future David Rhodes Brown called up the two other most recognizable components of the Warsaw Falcons — bassist John Schmidt, whose stoic demeanor on stage was always at odds with the blistering pulse he provided, and drummer Doug Waggoner, whose maniacal approach to rhythm was to beat it into submission, hammering it into new and exotic shapes with Thor's thunder and Odin's lightning. The Falcons' frenetic six-song set at the end of the evening — with Brown in the teeth of a mutant flu strain that would have coldcocked the sturdiest lumberjack or dockworker — was the stuff of local legend. And as the last chords were still ringing through the Southgate House's Sanctuary, Brown (clean-shaven for the express purpose of revisiting his youthful past) informed us that he, Schmidt and Waggoner had worked too hard and had too much fun to lock the Falcons back in their respective trophy cases and that they would be returning, badder and better than ever.
That promise was teased with the Falcons' opening slot for 500 Miles to Memphis at the Southgate House last New Year's Eve, but it was fulfilled with a righteous vengeance last Friday night when the trio headlined their first club date in nearly a decade and a half, transforming the swank surroundings of the newly refurbished Woodward Theater into an edge-of-town roadhouse, with all the danger and chicken-wire that implies.
The evening began with a spirited set from JetLab, the compelling Synth Rock trio that made a serious local splash with their eponymous 2014 debut album and earned a well-deserved Best New Artist CEA nomination earlier this year. In the studio, the trio — Elle Crash (a huge fan of DRB's since way back), Nick Barrows and Dave Welsh — churn out an arty Flying Lizards/Gary Numan/Breeders/Tom Tom Club-tinged soundtrack, but in the live setting, JetLab channels their performance adrenaline into a manic Soul Coughing/Mike Doughty ethic, with brush strokes from the pallets of early Talking Heads, B-52s and our own Perfect Jewish Couple from back in the day. Barrows and Crash take their turns on the Korg, accompanying each other on electric and acoustic guitars with Crash occasionally strapping on the bass to beef up the bottom. Through it all, Welsh provides the slippery beat to hold it all together, shifting seamlessly from tough-edged shuffle to hard-hitting machinegun attack. JetLab has already amassed a sizable and suitably loyal local following, but its rapidly maturing live presence shows the trio is stocked with brains and muscle and its best days lay just ahead.
Next up on was yet another standard stellar appearance by The Tigerlilies, whose greatness has been trumpeted in our pages and on this site for a good long time. Friday's show was solid evidence to support that stance. The band's fourth and undeniably best album, last year's In the Dark, was handed out with each ticket sold and anyone who didn't already have it was the proud recipient of one of the best albums of 2014, period. In my review of In the Dark, I name-checked Cheap Trick, Husker Du, The Clash and The Beatles and I confidently stand behind those reference points. In the live context, however, The Tigerlilies' energy level rises exponentially and they shift into a sixth gear that is almost impossible to quantify. With an audience to spur them on, The Tigerlilies blenderize all of the above and throw in heaping handfuls of the Dictators and Voidoids to create a sound that is Power Pop at a blistering yet amazingly nuanced Hard Rock level. Bassist Brian Driscoll and drummer Steve Hennessy have the kind of telepathic beat mentality that is the hallmark of every great rhythm section, and Pat Hennessy and Brendan Bogosian are proving to be one of the most adaptable and multidimensional guitar tandems in the city, able to pummel with Punk passion and pacify with Pop persuasion. Pat once took guitar lessons from DRB, distinguishing himself to his instructor by bringing him a Johnny Burnette single with the intent of learning the song. That breadth of interest and experience still informs everything he does with The Tigerlilies.
Inevitably, it was time for the Warsaw Falcons to take the stage. Suited up in dapper black like Sopranos extras ready for their close-ups, Msrs. Brown, Schmidt and Waggoner opened the evening with the one-two punch of their slinky and seductive "Skinny Anklebone," the Falcons' first 7-inch from back in 1984, followed by the propulsively thunderous "Mix Your Mess," and it was a slightly mannered free-for-all from there. As always, the Falcons proved themselves to be masters of pacing, knowing exactly the right time to draft and when to accelerate, slowing things down with the swaying Rockabilly/Doo Wop intensity of "I Fall Apart," heating things up with the insistent thump and throb of "Two Cigarettes in the Dark" and "You Can't Talk to Me." And the evening's special status was cemented with a backing vocal cameo from Mark Utley, taking a break from Bulletville and Magnolia Mountain (the latter of which once claimed DRB as a member) to sing harmonies on "You Can't Talk to Me" and "Melody" and provide appropriate shouts on "Cat Daddy."
When the Falcons finally closed with a rafter-rattling spin on "Never My Lover," the understandably frenzied crowd erupted with some fireworks of their own, stomping on the Woodward's dance floor with seismic fury until the trio retook the stage to finish the night with the hypnotic rumpshake of "Bertha Lou" and the incendiary barnstorm of "Swingin' on the Way Down."
As the lights came up on the dazed but exultant attendees (which included everyone's favorite politico/city booster Jim Tarbell; as Brown noted earlier in the night, "Well, when Jim Tarbell shows up, you know you've got a thing"), it was clear that the audience was comprised of two distinct factions — old fans who were basking in the glow of memories of ancient Falcons triumphs and the unexpected prospect of new frontiers ahead and new fans who had just witnessed a scorching force of nature whose earliest gigs may have preceded their births or at least coincided with their formative elementary school years. These younger fans had never seen the trio in their heyday, and I assured them that what they had just experienced was played out in that same fashion, at least five nights a week, three sets a night, back in the ’80s. Their jaw-dropped reaction was proof positive that the Warsaw Falcons belong back together, belong on the current scene with their (much) younger contemporaries and have more than enough fuel to go wherever they bloody well want to go.
Clearly the Falcons themselves and those of us who followed them with unfailing fervor from the start bear all the marks of the passing decades. There is considerably more salt in our once peppery hair, but you know what they say about snow-covered roofs and the fire stoked furnaces beneath them. The Warsaw Falcons may well be looked at as the grandfathers of the Cincinnati scene, but they built this city on Rock and soul and the music they made is as timeless as the seasons, as immutable as the laws that govern the universe and as relevant as tomorrow's headlines.
Friday night's show at the Woodward was the first in a series of gigs where the headlining Falcons will be supported by bands whose members can claim some connection to DRB and his intrepid band of riffmongers, joined by special guests both past and present. Think the Warsaw Falcons are just the new geezer Rock? Get your mind right, kids, and talk to the virgins who got popped at the Woodward last week. They drank the Kool-Aid and they believe. You will, too … right down to your skinny anklebones.
Morning all! Let’s get started on this news thing right away. I’ll be brief today.
Good news for transit drama junkies: The next episode of the streetcar soap opera just dropped, and it’s a double feature. Turns out the 2013 pause in streetcar construction while Mayor John Cranley railed against the project and Cincinnati City Council mulled pulling the plug could end up costing the city $2 million. The city has already spent about $1 million on costs associated with the pause, and now the team responsible for the streetcar is negotiating with a consultant involved in the construction of the streetcars over how much it owes for other costs related to the work stoppage. The cars themselves will be delayed six months because of the three-week pause, the streetcar team says, since the company making the cars thought the project was dead at the time. That cash will have to come out of the streetcar’s contingency fund, which will have about $1 million left after payments related to the pause are made.
Meanwhile, estimates for how much money the streetcar will rake in every year are down, according to the Southwest Ohio Regional Transit Authority. Adjustments in the way passengers will pay fares (by time spent on the cars, not on a per-ride basis), factoring in subsidized rides for low-income riders and revised advertising revenue estimates mean the streetcar is likely to pull in just $781,000 in its first year, much less than the originally-estimated $1.35 million. That means the transit project may have to tap into a $9 million fund provided by the Haile Foundation to help fund the streetcar’s first decade in operation.
• We’ve known for a while that the current site of the Anna Louise Inn, an historic women’s shelter downtown near Lytle Park, is slated to become a luxury hotel. Now we know which luxury hotel. Marriott announced yesterday it is bringing its Autograph Collection hotel concept to the site. Autograph Collection hotels are high-end, boutique accommodations. Others include European palaces and swanky hunting lodges. Plans have been in the works to relocate the century-old women’s shelter after a protracted and contentious legal battle between the city, Anna Louise Inn operators Cincinnati Union Bethel and insurance giant Western & Southern ended in 2013. A new CUB facility is being constructed in Mount Auburn.
• Here’s a quick one: Two Cincinnati lawyers have filed a lawsuit hoping to legalize prostitution in San Francisco. Lou Sirkin and Brian O’Connor of Cincinnati-based firm Santen and Hughes have filed in a California U.S. District Court on behalf of an organization called the Erotic Service Provider Legal, Education and Research Project. Three sex workers and a prospective client of sex workers are named as plaintiffs in the suit, which Sirkin and O’Connor say is a constitutional issue. Sirkin has worked on a number of constitutional and individual rights cases across the country.
• Lebanon City School District is facing a civil rights complaint from the mother of one of its students. Heather Allen has filed the complaint with the U.S. Department of Education alleging that issues of racial discrimination and bullying haven’t been taken seriously by the district. Allen says her biracial children, as well as other black children in the district, have been subject to racist jokes, taunting, repeated use of racial slurs including the n-word and an alleged threat from another student who Allen says had a knife. Nine incidents total are listed in the complaint, which comes a few weeks after an Instagram photo surfaced from a district student bearing racial slurs and a threat toward a black Lebanon student. The district thus far has not responded to media inquiries about the complaints, though it did address the Instagram photo, saying it didn’t have jurisdiction over that issue since it happened off school property.
• Former death row exonerees took to the capitol yesterday to advocate for changes to Ohio’s death penalty. Six men who had been wrongfully convicted of murder and who spent time in prison for their wrongful convictions gathered to urge lawmakers to adopt 57 recommendations for changes to the way the state administers justice made by the Ohio Supreme Court Task Force on Capital Punishment. Among them was Ricky Jackson, who was finally freed last November after spending 39 years in prison for a murder in Cleveland he didn’t commit. Jackson was exonerated thanks to the work of UC’s Ohio Innocence Project, an initiative co-founded by Mayor John Cranley in 2003. The Innocence Project is the subject of this week’s CityBeat news feature — it just won a new trial for three other Cleveland men who may have been wrongfully convicted in another murder. Check it out.
• Finally, your 2016 update: U.S. Senator Marco Rubio of Florida entered the presidential fold Monday, declaring he’ll seek the Republican nomination. Meanwhile, there is noise about who former secretary of state and current Democratic frontrunner Hillary Clinton will tap for vice president. Will it be former San Antonio mayor and current Department of Housing and Urban Development Secretary Julian Castro? Some think-piece writers think so. It seems clear that Castro, along with his brother, U.S. Rep Juan Castro, are both being groomed by the Democratic Party for bigger things. The Castro brothers are promising stars in the party, to be sure, but there’s also a pretty calculated element to the speculation: Rubio is strong with Hispanics thanks to his own Hispanic background, and Castro as VP could be a way to counteract that, political pundits say. Ew. Politics is gross.
That’s it for me. Tweet at me. Email me. You know the drill.
The surefire signs of spring seem as if they’re finally here to stay. Annuals are sprouting everywhere, joggers are jogging and that most significant local spring holiday — Opening Day — is in our rear-view mirror. It’s finally time to trade boots for sandals and spend every single one of our sunshiny days eating and drinking outside. Here’s a cultivated list of perfect patios that should keep you busy for at least a week.
With Anchor, you get dinner and a show. Where else can you sit next to Washington Park and enjoy any of the programming for free while dining on chef Derek dos Anjos’ super fresh fare from the sea? Our favorite nights are Tuesday, when lobster rolls are only $20, and Thursday, when oysters are a buck. 1401 Race St., Over-the-Rhine, 513-421-8111, theanchor-otr.com.
Avril-Bleh & Sons Marketplace and Deli
Fast food doesn’t need to be crap food. Head down to Court Street, where every lunch Tuesday-Friday (weather permitting), the good folks at Averil-Bleh will be grilling their tasty, housemade sausages as well as burgers. Wanna be super fancy? Stroll inside, pick up some fresh homemade salads, like German potato and coleslaw, head to a park and have yourself a picnic. 37 E. Court St., Downtown, avril-blehmeats.com.
Bouquet Restaurant and Wine Bar and Otto’s
We’re super stoked when we don’t have to travel too far for a street-side gourmet progressive dining experience. Pick cocktails and apps at MainStrasse’s Bouquet Restaurant and Wine Bar — chef Stephen William’s housemade charcuterie and pickles are to die for — then literally walk a couple feet for your main dish at Otto’s. If you prefer a slightly less pedestrian feel to your meal, take a seat on the back patio of either establishment. Bouquet, 519 Main St., Covington, Ky., 859-491-7777, bouquetrestaurant.com; Otto’s, 521 Main St., Covington, Ky., 859-491-6678, ottosonmain.com.
Django Western Taco
Tasty tacos and other Southwestern favorites, tequila-based drinks, live music on Thursday nights and a secret stash of Nerf guns for the occasional Nerf war are the super-sweet lures chef Andrew Mersmann has tucked away on his back patio in Northside. Kids are welcome, but why would you want them in the way of all of that grown-up fun? 4046 Hamilton Ave., Northside, djangonorthside.com.
The 50-seat patio at Dutch’s makes it the perfect place in East Hyde Park to stop after work. Fire pits keep you warm while bocce ball keeps you entertained as you nibble on everything from the housemade truffle popcorn to a selection of charcuterie plates that go perfectly with Dutch’s outstanding beer and wine selection. Feeling a bit more ravenous? No problem. Try one of Dutch’s mouthwatering sandwiches, including an extremely decadent short rib grilled cheese. 3378 Erie Ave., Hyde Park, 513-871-1446, facebook.com/dutchslarder.
Not only has the inside of the former Lavomatic received a complete indoor facelift, but the rooftop deck has received a total overhaul as well and is ready for its debut season as one of the loveliest outdoor dining spots in Over-the-Rhine. The elevated location offers the perfect opportunity to enjoy your meal, removed from the hullabaloo of Vine Street below. 1211 Vine St., Over-the-Rhine, 513-834-8670, facebook.com/kruegerstavern.
Whether you choose to hang on the patio in the Madeira location or under the tent at the Newtown restaurant, chef Suzanne DeYoung’s soup serves two purposes: to fill your belly and also the many other hungry bellies in our community. For every quart sold, a bowl is donated from this for-profit soup kitchen with the heart of gold. 7701 Railroad Ave., Madeira; 4150 Round Bottom Road, Newtown, lasoupecincinnati.com.
Mac’s Pizza Pub
Pizza isn’t just something that gets delivered to your door. Venture out for your pie, literally. All three Mac’s locations have something different to offer — the vibe at Clifton is all crazy mural and ferns, Landen has a new volleyball court and a pool table, and Wooster Pike offers a gazebo. But there are plenty of TVs to be had at each, so you can follow your favorite team while you eat and drink. 205 W. McMillan, Clifton Heights; 2920 W. US 22 and 3, Mainville; 6309 Wooster Pike, Mariemont, macspizzapub.com.
Although Catch-a-Fire Pizza is setting up permanent shop at MadTree Brewing, the super popular Hop-Up Dinners at the brewery will continue. Each week a different local chef sets up a pop-up shop for one night only — last week it was The Meatball Kitchen’s chef Jason Louda. There’s a large patio with picnic tables, a fire pit, corn hole and a TV. As for the ambience, Kenny McNutt, MadTree’s self-proclaimed “Beer-ded Baron” says, “The tall fence helps to hide the Motel 6.” 5164 Kennedy Ave., Oakley, 513-836-8733, madtreebrewing.com.
There’s no need for a pricey trip to Italy when the absolutely gorgeous wisteria-covered, fern-laden patio at Nicola’s is waiting for you. Just grab one of the 10 tables out back, order some of chef Joel Molloy’s authentic contemporary Italian cuisine and you’ll be instantly transported. 1420 Sycamore St., Over-the-Rhine, 513-721-6200, nicolasotr.com.
Chef Jackson Rouse is especially proud of his “pimp of the pimps double deck,” as he calls it, with a fire pit, adult swings, fresh new cedar tables and a full rocking bar. It’s the best place to be on Sunday for a seriously funky brunch hosted by Ria Matlib, aka DJ Mowgli. 1077 Celestial St., Mount Adams, 513-929-0525, therookwood.com.
Post Hyde Park Farmers Market, head to chef Julie Francis’ very secluded, super European-looking back patio for a relaxing Sunday brunch. All of that shopping will have burned so many calories you’ll be ready for her almost immoral Blue Oven French Toast (honey orange mascarpone, candied almonds, champagne and pear compote, and hickory smoked bacon). 1000 Delta Ave., Mount Lookout, dineatnectar.com.
Taste of Belgium
While Taste of Belgium’s original OTR location has only a few outdoor tables — and honestly they’re often tough to get — the Clifton patio is huge and a spot is often easier to snag. Also, there’s the Findlay Market counter, where you can grab your waffle or crepe and people-watch outside. And at the end of May the new Rookwood location will be open with 50 outdoor seats. authenticwaffle.com.
The lineup for this year's MidPoint Indie Summer was announced this morning. Along with a slew of solid local acts, this year's free Friday night concerts on Fountain Square will feature more well known national acts than ever before.
Shows run 7-11 p.m. from May 29-Sept. 4.
May 29: Surfer Blood; The Yugos; Automagik; Harbour
Jun 5: The Mowgli's; One Day Steady; Nevele; Beloved Youth
Jun 12: Kopecky; Broncho; Coconut Milk; Near Earth Objects
Jun 19: Buffalo Killers; Ohio Knife; Mad Anthony; Go Go Buffalo
Jun 26: Sloan; Mother Mother; Old City
Jul 3: Red Wanting Blue; Young Heirlooms; Motherfolk; Chris Salyer
Jul 10: Saint Motel
Jul 17: The Ting Tings; Brick + Mortar; Black Signal
Jul 24: Givers; Prim; Even Titles
Jul 31: The Whigs; Multimagic; Pop Goes the Evil; Never Setting Suns
Aug 7: Tweens; Leggy; Smut; Shark Week
Aug 14: Judah & The Lion; Seabird; Matt Hires; Along the Shore
Aug 21: San Fermin; Lemon Sky
Aug 28: Wussy; Pike 27; The Perfect Children; JetLab
Sep 4:The World is a Beautiful Place and I am No Longer Afraid to Die; Injecting Strangers; Moonbeau: Edison
The shows are sponsored by CityBeat's MidPoint Music Festival (MPMF does not book artists for the Fountain Square events). MidPoint returns this year Sept. 24-26. The festival is currently accepting applications from artists interested in playing MPMF 2015. Click here for details.
As I said in my in Silverado review, western films fell out of popularity during the ‘80s and ‘90s with some obvious exceptions. One of these was the TV miniseries Lonesome Dove, based on the novel of the same name by Larry McMurtry. On a side note: Lonesome Dove is probably my favorite novel of all time and you should all read it.
What connection does that miniseries have to today’s film Quigley Down Under? Both feature the same director, Simon Wincer, and the same music composer, Basil Poledouris, but unfortunately the film was sort of passed over when it should have been watched and at least given the compliment of, “that was pretty good.”
Quigley Down Under is the story of an American cowboy and skilled sharpshooter named Matthew Quigley (Tom Selleck) who receives a job on an Australian ranch run by Elliott Marston (Alan Rickman). But upon his arrival, Quigley runs into a woman named Cora (Laura San Giacomo) who confuses Quigley for her abandoning husband Roy and he finds out that his job will be shooting the native Aborigines. Quigley disapproves of what Marston wants to do and goes against him, only to be left for dead in the Australian desert with Cora. He must survive the harsh environment and then stop Marston from continuing his cruel treatment of natives.
It does kind of surprise me how well Australia’s Outback works as a setting for a western. It really shouldn’t, though — the scale of the desert almost matches the grand scale of Monument Valley on the Arizona-Utah state line. Add in the intense heat and it adds another element of suspense for the story.
One of the best elements in the movie is the script itself. It has a very good story and some great dialogue, which is delivered with charm courtesy of Magnum, P.I.’s Selleck. It makes me wonder why this film was passed up by Warner Bros. The role of Quigley was originally offered to Steve McQueen and Clint Eastwood, and while I could see Eastwood doing this kind of role I think Selleck fits perfectly.
The other performances are also very good. Rickman is also great as the villain who wishes to be a Wild West gunslinger. So, yes Harry Potter fans, you get to see Prof. Snape in a gun duel.
The real highlight performance comes from Laura San Giacomo. She just steals every scene she’s in as the half-crazed woman who has demons of her own. During her first few scenes she could be seen as a just another forced comedic character but as time goes on we hear about her back story and see what led her to her crazy attitude.
As I mentioned before, the movie’s film score was compose by the last Basil Poledouris. To me, Poledouris is a film composer that deserves to be held in the same regard as people like Elmer Bernstein and John Williams. The music he composed for this movie, along with Robocop, Starship Trooper and every other film he’s worked on is amazing. It can capture a sense of excitement and it can be touching as well.
haven’t checked this film out then do yourself a favor and track down a couple
in the near future.