One of the Queen City’s greatest musical exports, The Afghan Whigs, have just unveiled the music video for their new single, “Algiers.” The track is taken from the band’s forthcoming Do to the Beast album, the Whigs' first all-new full-length release in 16 years. The album is due for release April 15 on Sub Pop Records, the label that first exposed the band to a worldwide audience in the early ’90s.
During the Whigs’ global reunion tour a couple of years ago, the band released a pair of singles (covers of songs by Frank Ocean and Marie Queenie Lyons), but this is the first new original tune to surface since "Magazine" and "I'm A Soldier,” both recorded for the 2007 Rhino Records retrospective, Unbreakable.
Here is the intense, spaghetti western-inspired video for the new track:
The band previously announced appearances at the Coachella Valley Music & Arts Festival on April 11 and April 18. Several other tour dates on the west and east coasts have been announced; click here for the rundown (no Ohio/Midwestern dates yet).
Pre-orders for the 10-track Do to the Beast are open at iTunes and here directly through Sub Pop. Pre-order the album on iTunes and receive an instant download of “Algiers.” Pre-order the LP on Sub Pop to receive the “Loser Edition” on colored vinyl.
Whigs frontman Greg Dulli chatted with Entertainment Weekly about the new Whigs' happenings for an article posted online today. Meanwhile, Rolling Stone has the details on some of the musicians on Beast and why original guitarist Rick McCollum is not on the new album.
Gov. John Kasich’s administration in 2012 privately discussed a public relations campaign to help bring fracking to three state parks. The plan was apparently abandoned. But ProgressOhio, which released documents showing the discussions, says the plan highlights a trend in the Kasich administration of looking out for business interests first. Fracking is a drilling technique in which millions of gallons of water, sand and chemicals are pumped underground to unlock oil and gas reserves. In the past couple years, the technique has been credited with bringing about a natural gas production boom in much of the United States, including Ohio. But environmentalists worry the poorly regulated practice contaminates air and water. CityBeat covered fracking in greater detail here.
Mayor John Cranley and Enroll America today plan to announce a partnership to get people enrolled in Obamacare. The goal is to fill the insurance pool with healthier, younger enrollees, many of whom qualify for financial assistance through HealthCare.gov, to help keep costs down. CityBeat previously interviewed Trey Daly, Ohio director of Enroll America, about the outreach efforts here.
The two Republicans in charge of City Council’s Budget and Finance Committee want to know why the city decertified a flood levee surrounding Lunken Airport, instead of bringing it up to federal standards, without consulting City Council. The decertification forced property owners around the airport to buy costly flood insurance. City officials say they made the decision because the city did not have the $20-$100 million it would cost to bring the levee up to standards.
The W. Va. chemical spill cost Greater Cincinnati Water Works about $26,000 in treatment chemicals, or about 11 cents per customer.
Getting ex-prisoners enrolled in Medicaid as they are released could save Ohio nearly $18 million this year, according to state officials.
Duke Energy plans to sell 13 power plants, including 11 in Ohio. The company says the move is necessary because of the state’s increasingly unpredictable regulatory environment for electricity generators. Last week, the Public Utilities Commission of Ohio rejected Duke’s request for a $729 million rate increase.
With algorithms now capable of breaking CAPTCHA 90 percent of the time, companies might need to find other anti-spam email@example.com.
Upstairs is busy with rigidity and drama this week, and it’s about what it’s always about: bribery and corruption.
The big pig debacle is teaching all of the upstairs cast about life and hard work. Mr. Blake and Mr. Gillingham are in the same room with Mary, and things get heated. Mr. Blake finally exits, but not without leaving a trail of sexual tension behind him.
Nobody knows how Robert is “getting on” in America because he is slowly becoming an insignificant character on the show and in the family.
Mr. Blake handles Mary’s child (what’s his name/he’s never around) and Mary is obviously super turned on by that, as told by the widening of her eyes.
Edith and Mary have been rather nice to each other lately, but oh how I miss the rotten cattiness.
Isobel Crawley is encouraging Branson to find socialism again, but he finds Sarah Bunting instead. Bunting, the political teacher with a pretty smile, seems to be a fitting replacement for Sybil. Maybe. As always, I am still grieving over Sybil and Matthew, and it might still be too soon for me. Too. Soon.
Aunt Rosamund, who is usually an ice cold bitch, is keeping Edith’s secret baby a secret. Which is really, really hard for her. Still no word from Michael Gregson, and the Dowager Countess finds out about the secret baby because that woman doesn’t miss a beat. Rosamund reassures Edith with, “You are not happy, but at least free”.
Cousin Rose is caught with Jack Ross in public again, and Branson’s feathers seem ruffled. Remember when Matthew used to swoop in and rescue Rose (and the entire family) from insufferable embarrassment? This time, however, Rose is not just partying and making a fool of herself. She seems to truly enjoy Ross’s company (or at least the thrill of it). When Ross seems weary of the situation, she comforts him by saying, “Isn’t it time people knew there are bigger and better values than the mean spirited ones they live by?” Later, when she finally reveals she is ENGAGED, it seems she only wants to get married to a black guy to piss her mother off.
Is anyone else getting sick of how bitter Daisy has been over Alfred? Now Alfred wants to marry Ivy, and Mrs. Patmore is tweakin’ about handling this much drama. Ivy is in the exact same situation as Daisy was with William in seasons one & two. Minus World War I and awkward family guilt trips. Mrs. Patmore has become somewhat of a guidance counselor and authority figure for the younger staff, and it’s an enjoyable dynamic. She may pretend to hate it, but on the inside she loves being that maternal figure in Daisy and Ivy’s life. After Daisy says goodbye to Alfred, Mrs. Patmore expresses her pride: “If you were my own daughter, I couldn’t be prouder than I am now.”
Anna finally confesses to Mary that Lord Gillingham’s valet Mr. Green, was her rapist. Lord Mary’s realization gave me chills, mainly because I’m not used to seeing that much of a reaction from her. After some sleuthing, Mr. Bates totally knows Mr. Green was the one who raped his wife, and he plans to do something about it. Mary Convinced Mr. Gillingham to relieve Mr. Green from his duties, but HE’S DEAD AND BATES PROBABLY KILLED HIM.
Molesley and Miss Baxter share a tender moment about feeling “fragile” and
their loyalties to Thomas, the mischievous under butler.
Until next week,
“Life kicks the stuffing outta ya sometimes, doesn’t it?" – Molesley
A coalition between Equality Ohio and other major LGBT groups on Friday officially declared it will not support a 2014 ballot initiative that would legalize same-sex marriage in the state. Instead, the coalition plans to continue education efforts and place the issue on the ballot in 2016. But FreedomOhio, the LGBT group currently leading the 2014 ballot initiative, plans to put the issue on the ballot this year with or without support from other groups. CityBeat covered the issue and conflict in further detail here.
The group heading Commons at Alaska, a permanent supportive housing project in Avondale, plans to hold monthly “good neighbor” meetings to address local concerns about the facility. The first meeting is scheduled at the Church of the Living God, located at 434 Forest Avenue, on Feb. 25 at 6 p.m. Some Avondale residents have lobbied against the facility out of fears it would weaken public safety, but a study of similar facilities in Columbus found areas with permanent supportive housing facilities saw the same or lower crime increases as demographically comparable areas. In January, a supermajority of City Council rejected Councilman Christopher Smitherman’s proposal to rescind the city’s support for the Avondale project.
Gov. John Kasich’s income tax proposal would disproportionately benefit Ohio’s wealthiest, an analysis from Policy Matters Ohio and the Institute on Taxation and Economic Policy found. Specifically, the proposal would on average cut taxes by $2 for the bottom 20 percent of Ohioans, $48 for the middle 20 percent and $2,515 for the top 1 percent. The proposal is typical for Ohio Republicans: They regularly push to lower taxes for the wealthy, even though research, including from the nonpartisan Congressional Research Service, finds tax cuts for the wealthy aren’t correlated with higher economic growth.
Mayor John Cranley says he wants Catholic Health Partners to locate its planned headquarters in Bond Hill.
A new Ohio law uncovered more than 250 high-volume dog breeders that previously went unregulated in the state. The new regulations aim to weed out bad, unsafe environments for high-volume dog breeding, but some animal advocates argue the rules don’t go far enough. CityBeat covered the new law in further detail here.
Democratic gubernatorial candidate Ed FitzGerald could face a longshot primary challenger in May. But the challenger, Larry Ealy of the Dayton area, still needs his signatures confirmed by the secretary of state to officially get on the ballot.Former Gov. Ted Strickland could run against U.S. Sen. Rob Portman in 2016, according to The Plain Dealer. Strickland cautioned it’s not an official announcement, but it’s not something he’s ruled out, either.
A bill that would make the Ohio Board of Education an
all-elected body appears to have died in the Ohio legislature.
Currently, the governor appoints nearly half of the board’s members. Some legislators argue the governor’s appointments make the body too political.
Science says white noise can help some people firstname.lastname@example.org.
The group heading a supportive housing project in Avondale on Friday announced it will initiate monthly "good neighbor" meetings to address local concerns, with the first meeting scheduled at the Church of the Living God, located at 434 Forest Ave., on Feb. 25 at 6 p.m.
National Church Residences (NCR) says the meetings will help "set the highest property, safety, and conduct standards" for the 90-unit Commons at Alaska facility, which will aid chronically homeless, disabled and low-income individuals.
"National Church Residences is excited to become part of the revitalization of the Avondale neighborhood," said Amy Rosenthal, senior project leader for NCR, in a statement. "Through this series of meetings, we look forward to sitting down with our neighbors and answering their questions about our organization and in particular the planned apartment community."
The meetings should help address some Avondale residents' concerns about the project. Although several opponents of the facility say their opposition is not rooted in a not-in-my-backyard attitude that follows so many supportive housing projects, critics consistently argue the housing facility will attract a dangerous crowd that would worsen public safety in the neighborhood.
Critics' claims actually contradict some of the research done on supportive housing. A study conducted for similar facilities in Columbus found areas with permanent supportive housing facilities saw the same or lower crime increases as demographically comparable areas.
Still, the controversy eventually reached City Council after Councilman Christopher Smitherman proposed pulling the city's support for state tax credits funding the project. In January, council rejected Smitherman's proposal and voted to continue supporting the project. (It's questionable whether a different council decision would have made any difference, since the group already received state tax credits last June.)
By several economic indicators, Cincinnati's worst-off certainly need more support. About 34 percent of the overall population and more than half of the city's children live in poverty, according to U.S. Census Bureau data.
Correction: This story originally claimed the facility would house 99 apartments, based on a previous estimate. The amount of apartments was actually reduced to 90 through negotiations. We apologize for the error.
Gov. John Kasich's income tax proposal would disproportionately favor Ohio's wealthiest, an analysis from Policy Matters Ohio and the Institute on Taxation and Economic Policy found.
Specifically, the proposal would on average cut taxes by $2 for the bottom 20 percent of Ohioans, $48 for the middle 20 percent and $2,515 for the top 1 percent.
The proposal "may allow low-income Ohioans to buy a slice of pizza a year, on average," Policy Matters claims. "Middle-income Ohioans could purchase a cheap pizza maker. For the state's most affluent taxpayers, on average it would cover round-trip airfare for two to Italy, with some money left over to pay the hotel bill and buy some real Italian pizza."
Under the model, Kasich's proposal would cut Ohio's income tax rates across the board by 7 percent. The goal is to bring Ohio's top tax rate, which kicks in only for income above $208,500, under 5 percent, as the governor previously proposed.
Although a plurality of Americans oppose tax cuts for the wealthy, Kasich and other Republicans consistently push the tax cuts to help what they call "job creators." In the most recent state budget, Kasich and Republican legislators approved another series of across-the-board tax cuts that disproportionately benefited the state's wealthiest.
In the aftermath, economic indicators from conservative, liberal and nonpartisan analysts show Ohio's economy is consistently among the worst performers in the country.
The story is typical for Ohio: In 2005, the state cut income taxes across the board by 21 percent. Since then, Policy Matters found Ohio to be one of just a dozen states that actually lost jobs.
Other research backs up Policy Matters' findings. In a report analyzing tax cuts for the nation's wealthiest, the Congressional Research Service (CRS) found tax cuts for the wealthy aren't correlated with increased economic growth.
"There is not conclusive evidence, however, to substantiate a clear relationship between the 65-year steady reduction in the top tax rates and economic growth. Analysis of such data suggests the reduction in the top tax rates have had little association with saving, investment, or productivity growth," CRS concluded. "However, the top tax rate reductions appear to be associated with the increasing concentration of income at the top of the income distribution."
Meanwhile, Cincinnati's poorest continue to struggle in a vicious cycle of poverty that consumes about 34 percent of the city's population and more than half of the city's children. CityBeat covered poverty and its effects on Cincinnati in greater detail here.
The ten-year anniversary of Kanye West’s College Dropout album was Monday, Feb. 10. Other than just making me feel old, this album does bring back memories. Many people tweeted that it was one of the best rap albums produced and, with songs like “Through the Wire,” “All Falls Down” and “Slow Jamz,” it very well could be. Even if you don’t like rap or Kanye West, the dude rapped “Through the Wire” with a broken jaw and his mouth wired shut. There’s just something you have to respect about that.
No, not the drink... She was a 1930s child star that worked her way up from acting and singing to a place in politics. Temple was a young star that never went on to be plagued with the many misfortunes of child performers today. Is it the media, the relentless spotlight, the ruthless critics or the constant negativity on social media that drive so many to overindulge in drugs and drinking today? Even in the tweets about Temple, some were saying she died of AIDS, that she was a racist and a communist. Really? She died at age 85 and so many of the stars we all grew up with probably won’t even live to be half that old.
Tons of people were thankful for their hot cocoa and caramel macchiato this week due to the below-freezing temps again. Throw in the whole “Dumb Starbucks” stunt and you have thisa trending topic in Cincy. I predict Graeter’s will be trending at some point this summer and there will be pictures of banana splits and chocolate milkshakes everywhere. Someone should make a “Dumb Graeters” and see how much money their old cup sells for.
Ahh, ‘tis the season for another funny trend thanks to Valentine’s Day. What is it about Tuesday afternoons that makes it so difficult for people to work? Now, imagine these sayings on a little candy heart from your sweetie:
It’s not me, it’s you.
If only someone loved you.
You were almost my first choice.
Front: ILY, Back: I’m Leaving You.
This hashtag was supposedly started about Shaun White, the snowboarder. Of course, if you’re not following the Olympics this trend could be seriously misconstrued. Whoever started this had to have seen the blatant double meaning. If you want to start a trend on Twitter, by all means go for it, but use your damn brain. Regardless of what this hashtag means, it should say #IfIWereWhite. You’re welcome, grammar Nazis.
Apparently MTV has a show that is not about the young and pregnant or the young and drunk. Congratulations, Teen Wolf, apparently you are worthy of watching.
So, Big Lots will be the official discount seller of Hostess products. Each week an assortment of Twinkies, Ding Dongs and Ho-Hos will be shipped to Big Lots everywhere and sold for cheap. Big Lots is based in Columbus, so it makes sense that this would be trending in Cincinnati. In light of this trend, many people were offering some of their best thrifty advice. Here were a few tips I found interesting:
Don’t use the heated dry cycle on your dishwasher; it saves money on
your energy bill.
Make a grocery list and only buy what is on it. This helps to curb impulse buying at the store. This one is definitely harder than it sounds.
Go to the thrift store first. Many places have a rack with all brand new clothes sent from the store because they weren’t selling, were returned, have a crooked seam or something minor.
Bring your coffee from home. Figure out how much you spend a week on coffee compared to investing in a coffee pot and making your own. The savings are more than you’d expect.
Follow @Thriftinnati or go to www.cincinnatithrift.com for more info on thrifting and thrift stores in Cincinnati and Northern Kentucky.
Also trending: Marcus Smart, Michael Sam, #Curling, #SoChi, #HoneyBooBoo, Valentine’s Day, #SingleLife and #ForeverAlone.
Creative Cincinnati MC Buggs Tha Rocka has just released a video for his “State of Hip-Hop Freestyle” track, featuring sounds from the late, great J. Dilla and taken from 2012’s The Wrath of Zeus mixtape, which was hosted by DJ Clockwork and is available for free download here.
The “State of Hip Hop” clip was shot in Amsterdam by Snow Rowe, who also performs/records with the great local Hip Hop crew Valley High. Rowe’s video for Valley High’s “8 Ball” won the inaugural “Best Music Video” prize at the recent Cincinnati Entertainment Awards.
Buggs Tha Rocka took home the 2014 “Hip Hop” Cincinnati Entertainment Award (his second win in a row) and he has video evidence to prove it:
This weekend, Alcott and Phodographer hosts My Furry Valentine, one of the largest pet adoption events in Ohio. The event features more than 500 adoptable pets that include (but are not limited to) dogs, cats, rabbits, rats, mice, ferrets and amphibians from more than 40 different rescue and shelter groups from the Greater Cincinnati area. It’s sort of like speed dating except with animals, but way better. Every pet adopted from the main event will go home with a free goody bag, a collar and leash and the chance to win a pet-themed raffle basket.
My Furry Valentine is housed in a 50,000-square-foot West Chester warehouse — so wear comfortable shoes for lots of walking. More than 5,000 people are expected to show, so be prepared to park far and walk or take a shuttle to the event. (Shuttles will be continuously driving from the parking lots to the main event.)
The event features family-friendly games, face painting, balloon and caricature artists and live entertainment. Food and beverages will also be available for purchase. Parking and admission are free.
Who knows, maybe you could become Internet-famous by teaching your new pet how to use a toilet. The next Lil Bub could be out there, just waiting to be adopted by a loving family.
The event will take place this Saturday from 11 a.m. to 7 p.m. and Sunday from 10 a.m. to 4 p.m. at Flexi USA, 8494 Firebird Drive, West Chester.
Last night I caught the opening of 4000 Miles at the Cincinnati Playhouse. What with today being Valentine's Day, this tale of a feisty grandmother and her hippie grandson — separated by a 70-year gap in age — might not seem like a very typical love story. But it's about understanding and finding common ground, and what else is that but true love? Actor Robbie Tann plays 21-year-old Leo and Rosemary Prinz is Vera, his 91-year-old grandmother. You'd think that seven decades might be an uncrossable chasm, but each is a lonely soul — she as the result of old age, he by virtue of the tragic accidental death of his best friend — and they find consolation and support from one another as the become better acquainted. Both actors are delightful in their roles, he kind of spacey but caring, she feisty and loving. If you're looking for a good date night for Valentine's weekend, you should give Amy Herzog's play a chance. It happens to be a very credible script, by the way, having been a finalist for the 2013 Pulitzer Prize. Through March 9. Tickets: 513-421-3888.
Tonight is the opening for Cincinnati Shakespeare's Rosencrantz and Guildenstern Are Dead, Tom Stoppard's now-classic through-the-looking-glass take on Hamlet. Since Cincy Shakes just finished a production of the latter, it's the same cast, but with the royals in the background and two lowly minor characters moved to center stage. Their plight? They don't quite understand the intrigues swirling around them, and they wonder about the meaning of their own existence. There's a lot of dark humor, and actors Billy Chace and Justin McComb are just the guys to carry it off. Through: March 9. Tickets: 513-381-2273.
If it's darkness you crave, you might also consider Pluto at Know Theatre. No, it's not about the Disney dog, but rather about unexpected changes in life — like the demotion of the solar system's one-time farthest planet into something less — as well as the Roman god of the underworld. How does all that fit together in a modest contemporary kitchen? Steve Yockey's play is an absurdist study in contemporary angst, an instant of tragedy dissected and set in amber. It's not easy to watch (there's some extreme gun violence), but the show's strong cast, especially Annie Fitzpatrick and Tori Wiggins plus NKU student actor Wesley Carman, make it extremely watchable. You just have one more week to catch this one. Tickets: 513-300-5669.
If you thought you'd missed out on Tribes at Ensemble Theatre Cincinnati, you actually have a grace period, since the show about deafness and family strife has been extended to Feb. 22. It was originally set to close on Feb. 16; the additional dates should make it possible for anyone who's interested to get tickets. Watching the fine acting performances of guest actor Dale Dymkoski as a young man who has been isolated by deafness and Cincy Shakes regular Kelly Mengelkoch as a young woman, adept with sign language, who is losing her hearing, will make you glad you made the effort to see this one. Tickets: 513-421-3555.
After launching last year locally at the MidPoint Music Festival and nationally at New York’s CMJ conference, the intuitive and comprehensive music industry e-book Musicians’ Desk Reference has relaunched with a new format. Created in Cincinnati by longtime local musician and promoter Brian Penick (also the founder of The Counter Rhythm Group, which has helped numerous local acts garner national attention and work), MDR is moving from its original, one-time-purchase approach to a monthly (or annual) subscription plan.
For those who may have been cautious about its upfront cost, Musicians’ Desk Reference, which is customizable to the user’s needs (no matter where they are in their career) and features information, templates and advice relating to everything from touring, promoting and recording to radio and press campaigns and well beyond, is now available to test-drive for free. The no-cost 30-day trial doesn’t even require a credit card; click here to get started.
Artists serious about pursuing a career in music will likely become more interested in MDR as they dive in and look at all it has to offer. After the 30-day trial, MDR can be accessed for $10 a month or $100 for the year.
Visit musiciansdeskreference.com for complete info.
I’m a huge fan of locally-produced commercials-gone-viral. Cincinnati’s Fick Chiropractic Centers current ad might not be up there with Jamie Casino, but it does feature a killer beat that deserves some attention.
Is anyone else just tickled by the concept of a local doctor employing a beatmaker for a commercial? It totally caught me off guard while watching Fox 19 Morning News (aka the Jacki Jing Variety Hour — bitch has more devoted fans than Lady Gaga, just peep their posts on her Facebook page. Locals — including my boyfriend — are totally enamored by her beautiful glamour shots, bubbly attitude and penchant for cosplay. How are the rest of us supposed to compete, Jacki?!).
Are you sick of Beyoncé yet? Trick question: If you answered “Yes,” please get out of here immediately. NO ONE is sick of Beyoncé ever, in fact, parody videos and choreographed routines to her songs are still pouring out of the woodwork four months after the release of her self-titled album. The latest tribute of note comes from self-proclaimed “star on the rise” Chanel Carroll, who’s serving up student loan realness in her take on “Partition” called “Tuition.” ‘Cause we all just want live that debt-free life.
Everything about this is flawless, from her JLo-circa-2000 vibe to the clip art to the cameo by Ashley from Sallie Mae. I would crown her as winner of the Internet for the week, but she shares the title with this dude who’s been reviewing fast food and other grub from his car since 2012. Check out one of Daym Drops’ most popular videos, featuring Five Guys Burgers and Fries.
I want this guy to narrate my life or at least read my eulogy because dude describes a plain drive-thru burger with the eloquence of a poetic preacher. And of course there’s a musical remix. OH MY DAYUM!
Avril Lavigne continues her assault on our earholes with the confusing, excruciating “Hello Kitty.” The Canadian singer responsible for 80 percent of ties bought by young women in 2002 apparently has a massive Asian following, but the Japanime-style video is more of a cringe-worthy misstep than cultural tribute. Hey white pop stars, stop using Asian women (or any women for that matter) as props!
Lily Allen, another 2000s pop relic, is also coming out with new music and a record that automatically gets my support by taking a dig at Kanye West. Sheezus drops next month; the album’s titular new single is a total lady anthem with praise for the Lorde and rhymes about…periods. Whatever, I’m digging it.
This week in movie remake fuckery: A Mrs. Doubtfire sequel is in the works, because nothing from your childhood is sacred! Mara Wilson, who starred as the youngest child in the film (as well as Matilda in the ‘90s Roald Dahl film adaptation) revealed on social media that she wouldn’t be a part of it, as she’s been out of the acting game for several years — which, according to over-each headlines, translated into Wilson “slamming” the sequel, making the private former child actor a trending topic. While we may never see a grown-up Natalie Hillard or Matilda 2 (thank sheezus), you can enjoy Wilson’s musings on her blog. And just because: Mrs. Doubtfire as a horror film.
Also, Goonies 2 is also officially a go. Thanks, Spielberg.
Hey, that’s not Pit Bull, it’s Amy Poehler!
Orange Is The New Black is back on Netflix for a second season June 6 and the new trailer is here. The whole gang’s back, with a few additions, but the lingering question remains: Where is Pennsatucky?!
It was recently reported that Laura Prepon signed on for Season Three as rumors circulate about her being the future ex-wife of Tom Cruise. This is what I like to call Scientology Sads: When you think you like someone — a famous person, obviously, because the group might as well be called Celebentology — but it turns out they’re a Scientologist. Such a shame.
The city’s cost of a long-planned piece of cycling infrastructure could more than double if City Council approves a motion Vice Mayor David Mann planned to introduce on April 23.
Mayor John Cranley successfully paused the Central Parkway Bikeway Project for public discourse in response to a handful of business owners and residents taking exception to it, and a spokesman for Mann shared his suggested compromise with CityBeat today.
In response to an April 21 special Neighborhoods Committee meeting, Mann seeks to alter the bike route to appease people who don’t want to see parking spaces removed, but the updated plan will cost an additional $110,00 on top of the $82,600 the city would pay under the original plan, which would create the beginning of a cycling corridor running from Elm Street downtown to Ludlow Avenue in Clifton. The project was supposed to break ground next month and could lose $330,400 in federal money if the contract isn’t awarded by May 1.
“We routinely spend hundreds of thousands of dollars as a city to create new jobs in our community,” Mann said in a statement. “We should not approve a new project that places 60 newly created jobs in jeopardy when such a sensible accommodation is available.”
The planned bikeway is an innovative piece of cycling infrastructure meant to better protect cyclists along a critical thoroughfare that would connect a number of inner-city neighborhoods and business districts. The lane will be protected, meaning cyclists will have their own lane with a buffer separating them from traffic; in some areas plastic bollards will separate the bike and automobile lanes. The street will not be widened, so traffic lanes will be impacted through restriping, and parking will be restricted during peak traffic hours in the morning and evening.
Opponents of the project are concerned about losing public, on-street parking for parts of the day as well as potentially encountering traffic issues from shaving lanes from Brighton Place to Liberty Street. They also worry the bollards will become a blight issue and emergency vehicles will be impeded during one-lane hours.
Mann’s motion supports an alternative plan for a section running from Ravine Street to Brighton Place that would preserve 23 parking spaces full-time, alter 4,300 square feet of greenspace and remove 15 trees at an estimated cost of $110,000. The parking spaces would benefit a building owner and his tenants at 2145 Central Parkway.
City Councilman Chris Seelbach and others demonstrated frustration with the administration’s interest in stepping in at the 11th hour.
“I think we have reached a new era in Cincinnati: two steps forward, pause, lots of long meetings, two steps forward, and I’m convinced after the pause and lots of long meetings, we will continue to go two steps forward today,” Seelbach said at the April 21 meeting.
Mayor Cranley requested City Manager Scott Stiles delay awarding a contract after meeting with local business owner Tim Haines, who purchased a vacant building located at 2145 Central Parkway in 2012 for $230,000. His building now houses 65 employees from 12 different businesses including his own, Relocation Strategies. Haines has become a mouthpiece for the opposition to the bikeway — though he adamantly states he is not against the lane; he is just against the project’s current incarnation as it affects Central Parkway near his business, which utilizes 500 feet of on-street, unmetered parking, which translates to 30 parking spaces.
“If parking wasn’t an issue, I would open up my arms and welcome the bike path,” Haines says. “Parking for my 65 tenants is in jeopardy. As a business owner I have to fight for my tenants. … Could they park and walk a quarter of a mile? They could, but that’s not what they signed up for when they moved in.”
Haines has a 16-space parking lot adjacent to his building that some of his tenants use and also owns a parking lot across the street that is in disrepair. Haines says he already cleared it of underbrush to cut down criminal activity and disposed of dozens of tires and beer bottles. He says it would cost up to $300,000 to upgrade the lot.
During the April 21 presentation, Department of Transportation and Engineering (DOTE) Director Michael Moore presented the committee with an alternative recently developed with Cranley’s office that he said would appease Haines and his tenants but would cost more money. Moore pushed the notion that the alternative creates a more balanced bikeway plan.
The original plan, passed by council last year, restricts parking in front of Haines’ building from 7 a.m. to 9 a.m. Moore’s alternative, which Mann is on board with, is to ramp the bike lane over the curb adjacent to a sidewalk where there is currently a tree-lined area in front of Haines’ building and another business in order to preserve public parking full-time.
At the meeting, council member Young took exception to the suggestion of changing the project at this point.
“For the life of me, I don’t see where the reasonableness and the balance is with people who come so far after the fact that want us to make these changes and the dollar amount it’s going to cost the taxpayers to get it done,” Young said. “I am appalled that people can come after the fact and tie up all these people down here to simply want accommodations for them.”
Mann shared another perspective.
“There’s a gentleman who has brought 60 jobs to the city, including some folks who have Parkinson’s and use the building, and the proposal that’s being made seems to me to represent balance,” Mann said. “We spend millions of dollars, typically, to support development, to support jobs, and you’re saying that the proposal that was originally approved by this council without a hearing like this is so pristine that it cant be adjusted in any way, and if it’s adjusted that is a statement of imbalance? I just don’t follow that.”
For the past year and a half, DOTE conducted surveys, sought public input and developed plans for the bikeway. After a strong consensus, the department chose the protected bikeway plan. The bikeway is estimated to add just three seconds of motorist commute time by 2030, though some naysayers suggest that delivery trucks will clog the lanes and the turn left from Ravine Street will create an even longer lag.
Community outreach for the design began in March of last year with eight community council meetings. Letters were mailed to residents, businesses and property owners, but Haines and several other business owners stated they didn’t receive any and weren’t aware of the project until late last year.
A website designed for public feedback also garnered about 600 messages mainly supporting the bikeway project. DOTE held an open house last September and the Over-The-Rhine and Northside community councils, Findlay Market and Northside Business Association endorsed the project.
Simpson expressed frustration with halting progress for a last-minute meeting.
“I don’t think that’s an appropriate process,” she said. “Really, technically you can go over everything over the past two years. The reality is we need to look forward. If we want to be less auto-focused and more focused on other types of transit, we’re going to have to ruffle a couple of feathers.”
Supporters — some who biked to the April
21 meeting and utilized a bike valet setup in front of City Hall —
represented various groups of the community from health and community
councils to business owners and cyclists. Their number doubled opponents
— mainly business owners along Central Parkway in the West End and the
West End Community Council, though some West End residents and business
owners supported the original bikeway plan.
There are several good theater choices south of the Ohio River this weekend.
The theater (and dance) program at Northern Kentucky University presents a truly varied array of programming — this season has included a play by Orson Welles, the legendary musical South Pacific, Shakespeare's As You Like It and more. The academic year's final production Monty Python's Spamalot, opened last evening, and it seems to be a perfect vehicle for a lot of onstage clowning. (In case you haven't been tuned in, the show is subtitled "A musical lovingly ripped off from the motion picture Monty Python and the Holy Grail," and many of the show's most hilarious moments are reproduced wholesale onstage.) But clowning can be serious work, and if you catch NKU's production, pay attention to the choreography (the work of NKU grad Roderick Justice) which is complex, amusing and very well executed by the cast of 25. Director Ken Jones keeps things moving; the actors get into the tomfoolery from start to finish, especially Kat Moser as the diva who's the Lady of the Lake and Bradley Goren as long-suffering Patsy (he's the one who clicks the coconut shells to simulate King Arthur riding on horseback, among other amusing moments). The show is a fine entertainment, if you're a fan of the low but articulate humor of the Python troupe. Through April 27. Tickets ($8-$14): 859-572-5464.
Comedy of an entirely different sort is available at another Kentucky venue, the Carnegie in Covington, where Mary Chase's 1945 Pulitzer Prize winner Harvey is available through April 27. This is a piece of gentle humor from the past, about a slightly off-kilter guy who sees a six-foot-plus rabbit — he calls it a "pooka" — named Harvey, much to the dismay of several family members who are embarrassed by his behavior. Their efforts to get him committed to a local asylum go awry to much merriment and a message about being, well, gentle and sweet. This is good, old-fashioned fun. Tickets: 859-957-1940.
If you prefer a well-written contemporary drama, this weekend is your last chance to see A Delicate Ship at the Cincinnati Playhouse. Anna Ziegler's new show (this is its world premiere) is a memory play that explores an unexpected chain of events triggered by a love triangle. It's beautifully staged by Michael Evan Haney with a cast of three actors who are just right for each of their roles. I gave this one a Critic's Pick when it opened; it's as good as anything I saw recently at the much-respected Humana Festival of New American Plays at Actors Theatre of Louisville. Tickets ($30-$80): 513-421-3888.
Comedian Rajiv Satyal was born and bred in Cincinnati — Fairfield to be exact. He’s gone from being an intern on Capitol Hill to brand manager at Procter & Gamble to full-time comedian living in Los Angeles. Satyal has worked with Dave Chappelle, Kevin James, Tim (the tool man) Allen, Kevin Nealon and Russell Peters. Heard of the University of Cincinnati’s Bearcast? He named the school’s radio station-turned-media group. He runs a consulting business called StandPoint Agency and is a regular at all the L.A. comedy clubs, but he got his start at Montgomery’s Go Bananas. Satyal’s unique way of viewing the world continually draws in more fans. He refers to himself as the funny Indian, but he’s really just a funny — and nice — dude from Ohio. Satyal performs his first one-man show No Man’s Land Saturday to a sold-out audience at the Aronoff Center, and he squeezed CityBeat into his schedule for a quick rundown of all things Rajiv.
CityBeat: Since you’re from Cincinnati I have to ask, what high school did you go to?
Rajiv Satyal: Totally fine, a very Cincinnati question, but I went to Fairfield High School and I got an undergrad at the University of Cincinnati in materials engineering.
CB: I read that you worked on Capitol Hill, what did you do there?
RS: I was at the University of Cincinnati at the time and I went out to Capitol Hill to be an intern for a representative, Steve Chabot. So I just worked in the office and it was for fun, I got to live in DC and explore that town and did whatever tasks around the office, but it was mostly getting the feel of Washington.
CB: Do you have a funny family or what sparked your interest in comedy?
RS: Actually I have two brothers and, well, two parents, and everybody has a sense of humor. It was a super fun household to grow up in. We were all pretty positively reinforced, we weren’t really a tough crowd, like, we definitely encouraged each other to say funny things and we laughed a lot. I know a lot of comedians’ families would be like, you know, “boo” or whatever when they told a joke and were a tough crowd, but we were a really good crowd for each other and just kind of encouraged each other to be funny. My brothers and I never really fought a lot growing up, which is so strange, but we all got a long and we had a good time.
(Check out Rajiv’s dad going Bollywood last Monday on The Bob & Tom Show here.)
CB: Does Cincinnati or growing up here inspire any of your stand-ups?
RS: Oh, definitely. I feel like growing up in Ohio, it made me kind of more of an everyman being able to relate to people in the heartland of the country and people who grew up on the coast. I think people on the coast have their own sensibility, but it’s hard to know what works inland. A lot of comedians are like hurricanes; they knock it out on the coast, but when they come inland they die. I feel like being from the Midwest gives me an advantage.
CB: What inspired you to pursue comedy seriously?
RS: When I turned 30 I really flipped out, I was like, ‘Man, I’ve lived in Ohio my whole life and I need to do something different.’ So I left Procter & Gamble and moved to Los Angeles, I was a brand manager at P&G Water for only about 3 months and then I jumped shipped and went into it [comedy] full-time. I guess I felt like I really enjoyed speaking in front of people and I love being funny and those two things lend themselves well to being a famous comic, ya know.
CB: So basically just turning 30 did it for you?
RS: Yeah, I felt like life’s too short and, you know, why do something you don’t want to do? Why not go for it. I guess I thought when I turned 30 I felt like, “Man, I don’t want to turn 40 and watch TV and go, ‘Man I could have done that.’” I think given all the privileges, if I don’t try it…I’m born in the United States, I’m American, I have all these opportunities, it’s the land of opportunity, you got to self-actualize, man, go for it.
CB: How has your comedy evolved from where you first started to now?
RS: I would say that just getting deeper. As comedians do it longer and longer you start to go from jokes to more of a point of view. You start to realize what makes you funny. You have these weird beliefs and you stand out a little bit. You don’t really have to do jokes anymore, you just tell people what you think and they think it’s funny because they are like, ‘Wow, that’s a weird way to look at it.’ Being able to make people laugh at the way you look at the world, I think that’s kind of cool.
CB: Do you have any stories about opening up for or working with various comedians?
RS: I actually opened up Dave Chappelle’s very first show when he came back from Africa in 2005, so that was really cool. I had opened up for him at the University of Cincinnati in 2000 before I even started doing stand-up — I started doing stand-up in 2002. So people in the student senate and student government and programming board at UC were like, ‘Hey, you’re a funny guy, you’ve done a little bit of stand-up, would you want to do?’ So I opened for Dave Chappelle at UC and got booed off the stage in front of all these people. Then five years later I opened Dave Chappelle’s first show when he comes back from Africa and I did really well, I killed and it was really redeeming.
CB: Did he remember you from 2000?
RS: Yeah, he did actually, that’s what’s crazy about it — that he remembered that. It’s funny. He was really encouraging and complimentary. I talked to him for two hours by myself that night in 2005, after we were done, just he and I were in the room and for two hours we were just talking about politics and religion and the world…I know that he was happy that I stuck with it and everything.
CB: Who would you like to work with in the future that you haven’t worked with?
RS: I would like to work with Bill Burr. He is not an extremely well-known person, but he is a genius and he is from Boston. I think it would be awesome to work with Louis C. K., of course, he is like the biggest guy in comedy right now. I mean, I don’t know, I think Jerry Seinfeld would be pretty awesome. I love Ricky Gervais, I’m a big fan of Ricky Gervais, a guy from England. Chris Rock, I love Chris Rock. I actually met Chris Rock when he performed at Ohio State and I told him someday I am going to open for him and he goes, ‘That would be something man, you never know.’ So I have to make good of my promise. I told him one day I was going to open for him, so I better do.
CB: What kind of topics or themes can audiences expect from No Man’s Land?
RS: It’s mostly about dating and relationships. The central questions of the show are: Why am I single and how would you define manhood in modern society? So I’m a single, 38-year-old man out there trying to figure out the evolution of manhood and what does it mean now, how does the definition of manhood change and I try to define it. It’s not a show about men versus women, it’s a show about men versus guys.
CB: What do you miss most about living in Cincinnati?
RS: Well my family, obviously, my family and my friends. I have a really good friend who lives in Seattle, but he is thinking about moving back here and the only reason is his family; it’s not for the weather, it’s not for a better job and it’s not for anything else other than the fact that his family is here. I think family is a big thing.
CB: I feel like if I moved away I would miss three-ways too much.
RS: I do miss Cincinnati food. I love LaRosa’s, I love Graeters’, I love Skyline and I do love Cincinnati food. You know, there is something about the Midwest. The people are super nice and, you know, just walking down the street you can say hi and the person will say hi back or the person will initiate or whatever — that doesn’t really happen in L.A. as much, at all, and people are not as nearly as friendly as they are here.
CB: What advice do you have for people who are trying to break into the business?
RS: I think they should just start. They need to start…The Internet is such an opportunity to reach the people you want to reach. I think it’s possible more than ever to go down to the local comedy club and enter the open mic night and start. Get to know the people and get up and do it. Write material, start a group up that supports each other. It is difficult, but you know there is a way in. Comedy is more accessible than ever.
Get a glimpse of some of Satyal’s funny stuff here.
This evening at its Jackson Street headquarters in Over-the-Rhine, Know Theatre of Cincinnati revealed the lineup for the 11th annual Cincinnati Fringe Festival to a crowd of nearly 100 enthusiastic supporters and performers. The two-week festival begins Tuesday, May 27, with the CityBeat Fringe Kick-Off Party; it winds up 12 days later on Saturday, June 7, having presented 32 productions — 17 plays, two musicals, seven solo performers, and six dance presentations. In addition, there will be four FringeNext productions (selected from 11 applicants — a record number), featuring original material produced and performed by local students from the School for Creative and Performing Arts, Newport Central Catholic High School, St. Xavier High School and Highlands High School.
Performance Gallery is kind of the alpha and omega of the Cincinnati Fringe: They’ve been in all 11 festivals, including the 2008 hit show fricative. Producer Eric Vosmeier calls them the inspiration for much of what the Fringe is about: They were doing “fringe-like” work before the festival began, and they’ve returned annually with work that pushes the envelope. This time they’ll offer Heist, about three crooks of questionable ability. Vosmeier also cited Pones Inc., the dance-based company that returns for the seventh time with Traffick, a piece of audience engagement that explores issues of human trafficking. Vosmeier says, “This is the kind of work the Fringe was built to exhibit.”
“We had a great mix of new producers and returning favorites in the applicant pool,” Vosmeier says. “The word continues to spread about our Cincinnati Fringe Festival, which has a national reputation for being the most artist-friendly festival. We’ve worked very hard on this over the years, and I believe that we’ve created something special for our artists and for our region.”
The Cincinnati Fringe differs from festivals elsewhere in that productions are screened and handpicked by a committee of local theater artists. Drawing from a large pool of applicants, comparable to last year’s record-breaking number, this yielded a balanced mix of local vs. out-of-town producers: 15 from Greater Cincinnati and 18 from beyond. The latter number includes three international shows, the most ever for the festival: Around Dark Matter, a Holocaust memory piece by Mica Dvir, is from Tel Aviv, Israel; A Brief History of Beer by Wish Experience from London, a company that has performed at festivals from Edinburgh to Adelaide; and Prefer Not to Say, an interactive piece by blueDragonfly Productions, another U.K. group, the presenter of And All the Rest is Junk Mail a year ago.
For Wednesday evening’s announcement event, members of the Fringe staff mentioned the shows they were most looking forward to. They named:
· An Unauthorized Autobiography of Benny Hill by Four Humors Theater (Minneapolis), the creative minds behind such past Festival favorites as Lolita: A Three Man Show, Bombus and Berylline and Harold. This will be their sixth consecutive Cincinnati Fringe appearance.
· Blogging Behind Bars by Unity Productions, creators of two past Fringe hits, The Wave and Nothing. This time it’s a true story about a young, nonviolent criminal who wrote a blog while incarcerated in a maximum-security prison.
· Papa Squat’s Store of Sorts by solo artist Paul Strickland from Indianapolis, whose Ain’t True and Uncle False was a “Pick of the Fringe” last year. His new show is a music-filled memorial for a guy who “once filled the emptiness in Big-Fib Cul-de-sac with his insightful songs.”
· Something Something New Vagina by Rebecca Kling, a transgender artist and educator from Chicago with a follow-up show to her 2012 production, Beneath Her Skin.
· The Ultimate Stimulus by Felipe Ossa, a Brooklyn-based playwright and a new artist to the Cincy Fringe, is presented in the form of a TED Talk that argues for concubinage as a way to address the problem of income inequality.
The festival is also a chance for Cincinnati’s local theater companies to show off. Clifton Performance Theatre will present Sarge, a piece by Kevin Crowley about the wife of discredited Penn State assistant football coach Jerry Sandusky. Untethered Theatre has prepared Where Edward Went, a new play by Ben Dudley and Adam Sievering about a screenwriter’s effort to make a documentary about Edward, the late fiancé of Elyse, a painter. They don’t quite agree about the portrait. New Edgecliff Theatre will offer TRAGEDY: a tragedy, described as “one of the funniest apocalypses of our time.” And Ensemble Theatre Cincinnati’s intern company always offers a fine showcase of young talent. This year it’s two one-act plays: Sheila Callaghan’s Crumble (Lay Me Down, Justin Timberlake) and Itamar Moses’s Authorial Intent.
In addition to the productions offered nightly, artists, audience members, staff and volunteers flock nightly at Know Theatre’s Underground and headquarters for the Fringe Bar Series, with a reasonably priced bar, some free food inside and offerings for purchase from food wagons on Jackson Street. Each evening after the Channel Fringe Hard Hitting Action News Update, everyone has a chance to be a performer with activities such as the Fringe Olympics, Fringe-A-Oke, Fringe Prom, Segway Night and the Night Without Technology. This year the Bar Series night adds Fringetoberfest, an evening of German-inspired food and brews from local craft beer creators.
Vosmeier expects the festival to attract more than 8,000 visitors this year. If you’re someone who tries to see as much as possible, your best bet is a “Full Frontal” Fringe pass ($200) providing access to every event in the festival. Know also offers “Voyeur” passes ($60) good for six shows of your choice. If you can only make it once, a “One Night Stand” pass ($25) is available — admission to any two performances in an evening plus one drink at Know’s Underground bar. Single tickets to Fringe shows continue to be priced at $12; they’ll go on sale in mid-May.
There will be lots more — and the lineup can change. Hey, it’s the Fringe, so be ready for anything. You’ll find details on all these shows and more at cincyfringe.com.
The Contemporary Arts Center marks its 75th anniversary with the launch of its newly redesigned website, contemporaryartscenter.org.
By adding a timeline and a list of exhibits dating back to 1939, the updated site highlights some of the museum’s most notable attractions through videos and interactive learning. The historical timeline depicts an honest look at what Cincinnati was like in 1939 and displays the iconic artists that put the CAC on the map. In 1940, Picasso’s Guernica toured the Midwest for its first and only time and made a pit stop in Cincinnati. In 1963, the Pop art show An American Viewpoint was one of the first exhibitions of its kind. And in 1990, nearly 81,000 people visited the Robert Mapplethorpe exhibition.
Along with the illustrated timeline and videos, the CAC site also offers lesson plans, exhibit brochures, audio files and slideshows about past exhibits. New features like online ticket admission and family visitor information have been added. After 75 years and hundreds of amazing artists, the Contemporary Arts Center has proven it’s still the coolest place in Cincinnati to spark your creativity and become inspired.
FORM, a Cleveland-based creative services firm, designed the visual layout of the site.
Dining Out For Life is an annual event to raise funds for licensed AIDS service agencies in 60 cities across the nation. Started in 1991 by ActionAIDS in Philadelphia, today more than 3,000 restaurants donate a portion of their proceeds from one day to the aforementioned service agencies; more than $4 million is raised each year which goes directly to the agencies (except for a $1,150 licensing fee).
Cincinnati's Dining Out For Life event benefits Caracole, a nonprofit that provides housing and supportive services to individuals and families living with HIV/AIDS in eight counties across Southwest Ohio. Caracole currently serves more than 1,400 clients and their families.
Area restaurants participating include Arnold's Bar & Grill (donating 25 percent); Below Zero Lounge (donating 100 percent); Blue Jay Restaurant (donating 25 percent); Green Dog Cafe (donating 25 percent); Kitchen 452 (donating 25 percent); Tom+Chee (donating 25 percent); and more. Find a full list of participating restaurants and how much they're donating here.
Dining Out For Life is easy. Just follow three steps:
If you would like to participate or would like more information, please contact Megan Green, Caracole Community Investment Coordinator, at 513-619-1483 or at email@example.com.