The Ohio Supreme Court ruled June 5 that a Butler County judge acted improperly when he sealed records relating to a 2012 rape flier posted at Miami University.
Judge Robert Lyons ordered the records sealed after a student at Miami University was charged with and pleaded guilty to disorderly conduct for posting a flier listing the "Top Ten Ways to Get Away with Rape" in a coed residence hall bathroom at the school.
When sealing the record, however, Lyons cited a law pertaining to sealing cases that don't reach a conviction, an error that he acknowledged later.
The case drew national attention, in part due to the graphic nature of the list, which included pointers like "If your [sic] afraid the girl will identify you slit her throat." It also drew scrutiny for Lyons' unusual move making the records in the case, and thus the student's name, unavailable to the public.
The Cincinnati Enquirer sued to have the records released. After the suit was filed, Lyons allowed the student to withdraw his guilty plea. The state of Ohio then dropped its case against the student, and Lyons sealed the case again under the same law he had cited previously.
Misdemeanors require a one-year waiting period before cases can be sealed. Judge Lyons argued that this isn't the case for minor misdemeanors like disorderly conduct and that no waiting period applied. In a 5-2 ruling, the Ohio Supreme Court disagreed, holding that there is no such distinction.
The student left Miami shortly after the incident.
You can find the full text of the court's decision here.
Good morning all. Let’s start out this Monday news rundown by going uptown.
•On Friday, Cincinnati’s Planning Commission passed a sweeping new plan for the area in the coming years. The plan anticipates the upcoming reworking of Interstate 71 and Martin Luther King Jr. Drive and envisions big changes to the area in Avondale, Corryville, and Mount Auburn.
Planners hope after the new interchange at MLK and I-71 is completed, Reading Road will become a kind of innovation corridor, with new biomedical and other scientific research facilities lining a redesigned, more pedestrian-friendly roadway.
The plan also calls for increased development in neighboring business districts, new construction on the numerous vacant plots in the area and increased housing stock close to the central cores of Clifton, Avondale, Corryville, CUF and Walnut Hills.
•Other changes are coming to Avondale. Four large apartment buildings housing Section 8 tenants and another vacant building in the neighborhood will be renovated, and the owners of the buildings are looking to have them placed on the National Register of Historic Places.
The Alameda, Ambassador, Crescent, Poinciana, and Somerset buildings, built between 1896 and the 1920s, will be overhauled starting this fall. The Ambassador, currently empty, will be revamped first, and then the other buildings will follow suit. The Community Builders Cincinnati, the buildings’ owners, will help 120 families who will have to vacate during renovations move to other buildings temporarily.
The renovations are expected to cost about $25 million and will finish up sometime in 2016.
• Hey, do you wanna go to LumenoCity? Too late. Tickets sold out in 13 minutes this morning. Yeah, I didn’t get any either, because 8 a.m. is way too early for me to operate a computer. But if you’ve got a hundred bucks to drop, you can still scoop some tickets up on eBay.
• Nationally, the 2016 presidential race is shaping up to be a wild ride. While Democrats so far seem pretty content with Hillary, the GOP is still courting their man (and yes, their nominee will almost assuredly be a man). Lately, Sen. Ted Cruz from Texas has been getting a lot of attention. Cruz handily won a straw poll at the Texas Republican Convention this weekend. Kentucky Senator Rand Paul, who is often cited as a front-runner, came in third. Chalk it up to home-state advantage. It’s hard to know who to root for in a contest like that, so I’m just going to hope that somehow the GOP jumps on the whole throw-back trend and nominates Abraham Lincoln again.
• Finally, a woman in Kentucky was found selling $3 million in ill-gotten Nikes from her front lawn. That’s a lot of stolen shoes. She said she didn’t know they were stolen and was selling them for $5 a piece. Not a bad deal, really.
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Since being released nationally in early May, Cincinnati rockers Wussy’s amazing latest album Attica! has been scoring an insane amount of neon-glowing reviews from many high profile outlets. Pitchfork, Pop Matters and Spin, among many others, have all given the album high praise (Spin also recently named it one of the Top 50 album releases of the year so far, alongside long-players by Beck, Pharrell and The Afghan Whigs). The band’s new record was also the inspiration for a remarkable essay by Charles Taylor for The Los Angeles Review of Books.
Give a listen to the new album below, then hit “buy” to grab your own copy:
Wussy is playing its only local show until at least this fall tonight, as the group keeps busy on the road throughout the summer, crisscrossing the country in support of Attica! The band’s upward trajectory that has been kickstarted by the new album shows no signs of slowing down anytime soon.
Check out CityBeat's recent interview with Wussy here.
Wussy joins The Tigerlilies, Honey & Houston and students from the School of Rock Mason (check the clips below for samples of each) for a free show tonight on Fountain Square as part of the MidPoint Indie Summer series (grab your MidPoint Music Festival passes in person at the MPMF booth or sign up for a chance to win some). The show starts at 7 p.m.
The Cincinnati Rollergirls close their season with the third annual Crosstown Knockdown Saturday. The double-header opens with a mixed game featuring CRG’s Black Sheep team and the Battering Rams, Cincy’s men’s team. During the main event, CRG’s Violent Lambs face-off with the Black-n-Bluegrass Rollergirls’ Blackouts. CRG’s home rink is at the Cincinnati Gardens; with the arena for sale, it might be the crew’s last game there. Gates open at 5 p.m. and the first bout begins at 6 p.m. The game is also Fan Appreciation Night — the first 500 fans through the door will receive CGR cowbells and the girls will be handing out gifts to fans throughout the games. Tailgating is encouraged, parking is free and dollar beers are available from 5-6 p.m. Tickets are $12 at the door.
Enjoy a taste of the Middle East this weekend with St. James’ Mediterranean Food Fest. Guests can binge on traditional fare including hummus and falafel, stuffed cabbage and grape leaves, varieties of kebabs, gyros, baklava and more. There will also be live entertainment and plenty of traditional carnival fare for the kids. The fest runs daily Friday through Sunday. Go here for directions and more info.
Concours d’Elegance returns to Ault Park for another summer day of classic cars displayed in one of Cincinnati’s most beautiful parks. More than 200 collector rides will be showcased, with a spotlight on Mustangs and microcars and the 100th anniversary of Maserati. Tickets are $20 in advance, $25 day-of. The show runs from 10 a.m.-4 p.m. Sunday.
Here’s a twist on the typical summer yard sale: Cincinnati Playhouse in the Park opens its scenery shop to the public for a big sale Saturday morning. Furniture, glassware, china, costumes, and other items seen onstage in popular Playhouse productions will all be priced to sell from 8 a.m.-noon. Bring cash or a check; all proceeds benefit the not-for-profit Playhouse.
The MidPoint Indie Summer Series continues Friday with a great lineup of local acts. The Mason School of Rock opens the night at 7 p.m., followed by Honey & Houston, The Tigerlilies and Wussy at 10 p.m. Advance tickets to MidPoint Music Festival ($69 all music access and $179 VIP) will be on sale at Fountain Square. Check out the full Indie Summer Series schedule here.
Second Sunday on Main kicks off this weekend, bringing more than 80 local vendors, food trucks, street performers, live music and specials at Main Street business to the street, between 13th and Liberty streets. This “Main Street Block Party” runs noon- 5 p.m., featuring music by The Hot Magnolias, a celebrity chef demo, a dog parade and contest, a clothing swap and community yard sale, entertainment at the Rock Paper Scissors performance tent and much more.
Cincinnati’s King Records and its various subsidiary labels have been widely celebrated for its vital contribution to the development of popular music in the 20th Century. The legendary label’s groundbreaking, integrated roster of Roots, Bluegrass, R&B and Funk artists gave the world recordings that were integral to the development of Rock & Roll, Pop, Country and, though perhaps less obvious to some, Hip Hop.
Musical icon James Brown was King’s most well-known artist and without Brown’s Funk genius, it’s likely that Hip Hop wouldn’t sound the same today. Brown’s work is some of the most widely sampled in Hip Hop and one song in particular provided the backbeats for innumerable Rap songs over the years. That song, “Funky Drummer,” was recorded at King’s studios 45 years ago in Cincinnati’s Evanston neighborhood.
Samples of Clyde Stubblefield’s drum break on “Funky Drummer” have powered classic Hip Hop tracks by the likes of N.W.A. (“Fuck the Police”), Boogie Down Productions (“South Bronx”), Public Enemy (“Bring the Noise,” “Fight the Power”), LL Cool J (“Mama Said Knock You Out”), De La Soul (“The Magic Number”), Ice-T (“O.G. Original Gangster”), Dr. Dre (“Let Me Ride”) and countless others. That break’s influence has never waned, as Nicki Minaj, Lupe Fiasco, Mos Def and many more producers and artists continue to find inspiration from the funkiest of funky beats. (And its influence extends beyond Hip Hop, having been featured on The Stone Roses’ classic “Fool’s Gold,” and tracks by everyone from Sinead O’Connor and George Michael to Aphex Twin and Korn.)
Tomorrow (June 7), some ’80s/’90s Hip Hop greats will honor the 45th anniversary of Stubblefield’s recording of that beat with an outdoor concert/block party near the site where it was recorded (in the 1500 block of Brewster Ave. in Evanston). The Cincinnati USA Music Heritage Foundation, along with Eastwood Entertainment, Lando Chapman, City of Cincinnati and the Bootsy Collins Foundation, have joined forces to bring “The Alumni Tour,” featuring a variety of old-school Hip Hop greats, to town for the special event, dubbed “Lando’s Old School Block Party.”
The concert will feature performances by Kwame, Dana Dane, Special Ed and Chubb Rock, each of whom understand the power and influence of “Funky Drummer.”
Saturday’s celebration will also feature appearances by the JB-approved “Young James Brown,” King artists Phillip Paul and Otis Williams and the Funkmaster General himself, Bootsy Collins.
Showtime is 7 p.m. (gates open at 5 p.m.). Tickets are $25 and can purchased in advance here. (Only those 21-and-up are permited.)
Proceeds from the event will benefit the Cincinnati USA Music Heritage Foundation’s ongoing efforts to draw attention to and preserve the legacies of Cincinnati’s rich musical past. The organization continues to do great things to honor downtown’s former Herzog Studios (where Hank Williams and many others recorded iconic tracks) and the group is currently supporting efforts to save and preserve the original site of King Records’ facilities and also attempts to have a permanent marker placed at the site of the old Riverfront Coliseum (now U.S. Bank Arena) in memory of the 11 fans who lost their lives in 1979 trying to get in to see The Who perform (a tragic event that led to the betterment of concert safety procedures throughout the industry).
Just two more days of the Cincinnati Fringe Festival, so here are a few recommendations for great shows you can still catch. (Look for reviews of these performances on CityBeat's Fringe page here.) Many Fringe performances are sold-out, so check in advance to be sure seats are still available: cincyfringe.com.
It's morning! I have news! Morning news! Wow, sorry, that's a lot of exclamation points. I sprung for the large iced coffee this morning and probably need to settle down a little. Anyway, here we go:
Cincinnati is playing host to the annual National Urban League Conference this week. The event, held by one of America’s oldest and largest civil rights organizations, is expected to draw 8,000 people to the city for events Wednesday through Saturday.
The conference is a big deal for Cincinnati. Last time the city tried to host the event in 2003, it was recovering from the 2001 civil unrest that gave Cincinnati a national reputation for race problems. Notable black entertainers boycotted downtown and the Urban League took its conference elsewhere. Since then, some reconciliation and a lot of revitalization has happened, but many old problems remain. In a report called “The State of Black America,” the Urban League ranked the city 74th out of 77 peer cities in terms of economic equity between blacks and whites. Blacks in the Greater Cincinnati area make an average of $24,272 a year compared to $57,481 for whites, the greatest disparity of any city in the region.
Here’s a quote worth thinking about in a Cincinnati Enquirer piece on the event:
"The riots ... were also about economic frustration," said Donna Jones Baker, president and chief executive of the Urban League of Greater Southwest Ohio. "These economic gaps continue. And while we have a vibrancy in the city because of wonderful things happening, we have a group of people who can't access them. We can’t expect people to suffer in silence forever.”
Among those attending the event are Vice President Joe Biden and Kentucky Senator Rand Paul. Biden will make opening remarks Wednesday and Paul will deliver a town hall speech Friday. This seems like a good opportunity for both to keep their speaking short and their listening long, but yeah.
• The cost of renovating Union Terminal and Music Hall may be more than initially estimated, a group of consultants say. International real estate company Hines looked over engineers’ $331 million cost estimates and found places where more money may be needed for both projects. The possible overrun could amount to $10 million more added to the project.
The revelation comes during a continuing disagreement about where renovation money should come from. Hamilton County Commissioner Greg Hartmann suggests the city chip in to help shore up the landmarks. Hartmann argues that the county can’t “go it alone” in efforts to fix the buildings. A further city contribution would be in addition to the $10 million the city has already pledged for the renovations. Mayor John Cranley shot back at Hartmann yesterday with an editorial detailing the city’s ongoing commitment to the buildings.
• A group of parachutists landed on a parking garage at Fourth and Elm yesterday, according to police. Annnd…. that’s about all anyone knows about it. The group may have been BASE jumpers parachuting from Carew Tower, or may have jumped from an airplane, though air traffic controllers at Lunken Airport didn’t report anything out of the ordinary. Maybe they were protesting something, but none were wearing tiger suits or waving banners shaming Procter & Gamble, so it's hard to tell.
• Horseshoe Casino, which has been open just over a year, is undertaking a half-million dollar, 8,700-square-foot expansion. The new addition sounds like it will be a patio for people to take smoke breaks when they need to cool off from all the fun they’re having fighting battles against the one-armed bandit (that’s a slot machine for those not hip to casino lingo). The patio will be enclosed, have a bar and will only be accessible from inside the casino, Horseshoe representatives say, though they’re tight-lipped so far about further details.
• Cincinnati and Mayor Cranley are featured prominently in a Governing magazine article about changes in the way cities view their outlying suburbs. The article discusses how some cities are shifting away from the view that suburbs are valuable prizes to be annexed or wrapped up in Indianapolis/Louisville-style city and county combined governments. A renewed interest in cities among the young and well-to-do and an increase in suburban poverty are cited as reasons for the shift in thinking from some city leaders.
Cranley’s view that Cincinnati is just fine without taking over surrounding suburbs challenges conventional accepted wisdom.
“You had a sentiment that urban cores need the wealth of the suburbs to have a better budget picture,” he says in the article. “People in the suburbs escaped the city to flee the problems. But that’s changing. You’re going to see cities in a better financial situation than a lot of the suburbs.”
• Finally, a story that could (hopefully) only happen in New York City, where a developer has won permission from the city to have two separate entrances in a new apartment building — one for well-to-do residents of its luxury units and another for the tenants of its required-by-law affordable units. So, basically, a poor door.
Last year, another developer explained just such a plan for another building thusly:
“No one ever said that the goal was full integration of these populations,” said David Von Spreckelsen, a senior VP at Toll Brothers, a New York development company. “So now you have politicians talking about that, saying how horrible those back doors are. I think it’s unfair to expect very high-income homeowners who paid a fortune to live in their building to have to be in the same boat as low-income renters, who are very fortunate to live in a new building in a great neighborhood.”
Translation: Being rich is hard when you have to rub elbows with not-rich folks, who should just shut up and enjoy the crumbs we’re throwing them.
Don't walk. Run to the School for Creative and Performing Arts (SCPA) to catch the remaining performances of La Calisto, an opera composed in 1653 that's equal parts romance and raunch, performed by a superb cast of singers, instrumentalists and dancers who are all clearly having a wonderful time.
Composer Franceso Cavalli was savvy enough to take opera out of palaces and into public theaters, where he made a fortune. He used the story of virgin Calisto, a follower of the goddess Diana, who is seduced by Jove and transformed into a bear by the vengeful Juno. Diana has her own problems with hormones and so does another of her followers. There's not much sacred and a lot of profane, not to mention profanity.
There's a lot of transformation going on: Jove disguises himself as Diana to get it on with Calisto, meaning that bass baritone Daniel Okulitch puts on a long white robe, dons a wig and sings in convincing falsetto. A horny follower of Diana is sung by a male, a high soprano takes on the role of a frustrated satyr — and just what gender are the rest of Pan's satyrs and Diana's huntresses? Ted Huffman's staging is witty and occasionally wild; the battle between Pan's and Diana's tribes seems to involve more than the six or seven dancers onstage, thanks to the acrobatic choreography of Zack Winokur.
Okulitch sings Jove with the requisite authority and gravitas, which also renders him ridiculous when lust for Calisto overtakes him. Okulitch is equally adept singing in falsetto, which is no easy task when it involves vocal ornamentation. Andrew Garland, a great recitalist with innate comic instincts, is a natural as Jove's gofer Mercury.
Aaron Blake may be diminutive in stature but he has a huge, ringing tenor, and he was a hilarious Pan. Michael Maniaci sang Diana's lover Endymion, his pure male soprano giving the role genuine tenderness. Thomas Michael Allen sang the libidinous nymph Linfea entirely in falsetto.
The women are all excellent, especially soprano Nathalie Paulin, a convincingly innocent Calisto. Mezzo Jennifer Johnson Cano was a formidable Diana, singing with authority and melting emotion. Alisa Jordheim's agile soprano easily handled the demands of the frustrated Satirino, and Alexandra Deshorties embodies vengeance and fury as Juno.
The chamber orchestra is joined by the phenomenal Catacoustic Consort and during intermission, a lot of the audience stopped by the orchestra pit to check out the theorbos, Baroque harp, lirone and viola da gamba. Conductor David Bates led a lively, nuanced reading of the score.
The action plays out on a unit set used for last year's Galileo Galilei, with a wonderful star curtain that descends as Calisto ascends to the heavens to become Ursa Major, or the Big Dipper.
La Calisto is Cincinnati Opera's first Baroque opera and they couldn't have made a better choice. It's heavenly.
The third and final day of Forecastle finally arrived. The fest’s weekend felt much longer than, well, a weekend, though each day seemingly flew by. By this point, the festival started to feel like home.
I entered the media tent expecting familiar faces, waited like a patient puppy in front of its food bowl for happy hour, snagged a band interview or two and wandered from stage to stage. Despite my tired eyes, I knew that I could get used to this. Like all good things, though, Forecastle had to come to an end. But not before one last day of fun.
I got to the fest just in time for The Weeks at the Boom Stage. After interviewing the band the previous day, I was looking forward to seeing what they would present live, and I wasn’t disappointed. A Southern-rooted band (Mississippi-rooted, to be exact), the Rock vibe was heavy with lead vocalist Cyle Barnes belting out his husky, Caleb Followill-esque lyrics. These young and rowdy dudes proved to be the perfect start to a sunny afternoon of music.
I scooted away from the stage to browse through the artist tents behind me. As I’ve said, I’m a total sucker for band posters, so off to shop I went. Thankfully my new friend Coltin found me before I could spend too much and we made our way to happy hour in the media tent.
It is quite possible that this is the most pizza I have ever consumed in a three-day period, but when free food calls, one must answer. After taking advantage of the day’s free amenities, Coltin and I attempted (and failed) to get into the Bourbon Lounge, so found our way to the Mast Stage for Brett Dennen. The songs that Dennen write are simple — They aren’t trying too hard, but they’re pleasant, and Dennen’s vocals tie everything together quite nicely. After several songs, though, it was time to wander again, so to the Boom Stage I returned.
Trampled By Turtles was next on my list, as I was scheduled to interview them that evening. Day 3 was much hotter than the others — the cool breeze that carried us through Days 1 and 2 had left us, and bodies glimmered in the summer sun. If you’re getting the idea that this stopped anyone from basking in the heat for their favorite bands, you’re wrong. I realized this as TBT began their set, the audience dancing without hesitation. Perhaps this proves to be true for most shows, particularly at a festival such as this — our bodies ache, our feet hurt, we are “hangry,” but once the music begins we forget it all. We are taken to a different place. TBT did this for their audience as the incredibly fast-fingered Erik Berry on the mandolin drove the crowd wild. It was a sight to see.
Day 3 required much more wandering on my part and floating between bands, so, knowing that I needed to at least catch a few songs from Jenny Lewis’ set, I made my way to the Mast Stage. Wishing my beagle Rilo (named after Rilo Kiley) was with me, I swayed to Lewis’ songs from her latest album, The Voyager, and was quickly reminded of why I fell in love with her old band some years back. Lewis is a little sassy and a lot of fun, rocking out on stage with her band dressed in white and rainbow suits. After a few songs it was time for my last interview of the fest.
I met with a few guys from Trampled By Turtles in the media tent for a quick chat, though I was admittedly distracted by the sounds of Nickel Creek in the distance. I wrapped up our interview and bolted to the stage like I’ve never brisk-walked before. With a smile on my face and happy tear in my eye, I was thrilled to watch a band that I’ve adored since middle school.
I cannot begin to describe how happy I was to see Nickel Creek, especially considering they played so much of their early material. Songs like “The Lighthouse’s Tale”, “Reasons Why” and “When You Come Back Down” from their 2000 self-titled album and “This Side,” along with the instrumental tunes from 2002’s This Side, were all featured, and each song sounded as perfect as the recordings. After so many years, Nickel Creek sounds as beautiful as ever and the band even has a new record out, A Dotted Line. I think I could have died a happy gal after seeing them.
After Nickel Creek, until Beck’s Forecastle-ending performance, I travelled from stage to stage (mostly in search of food) and ran into Adam, a fellow photojournalism pal from school. It was nice to see a friend after only briefly seeing familiar faces throughout the day, so together we went to dance to Flume. It was quite literally a party under the freeway as the Australian DJ blasted his beats from the stage, hands in the air and a sea of bodies moving in sync. Once that set ended it was time for Beck, and Adam and I ran to the stage.
Over the course of Beck’s first few songs we managed to weasel our way toward the front, getting closer to the main stage than I had been the entire weekend. There couldn’t have been a more perfect end to Forecastle.
Beck sang the beautifully airy and springtime-sounding songs from his latest release Morning Phase, but didn’t fail to bring the party with old favorites like “Loser”, “Girl” and more, eventually ending the night with “Sexx Laws” for the encore. One would never realize that Beck has been at this for as long as he has. His energy was amazing; bouncing across the stage between band members, the party atmosphere was what we needed to wrap up the night (and fest).
The audience was immense but was perhaps one of the friendliest crowd I encountered over the weekend — not sure if that’s due to the realization that our tired feet would soon get the rest they needed or perhaps it was just the booze. Either way, Forecastle ended with one of the best shows of the weekend, and we left on the perfect note to wrap up the fest.
Things to know for Forecastle if you plan to go next year: Wear comfortable shoes. Know that if you come in sandals, you will leave with very dirty feet.
Stay hydrated. Keep water with you, especially if the weather is as hot as Day 3 this year. Music festivals require long days, so don’t forget to take care of yourself.
Come with a schedule. You can create a custom schedule on the Forecastle website and print it out, something that helped me immensely this year in keeping track of things. Don’t be afraid to go outside your comfort zone, though. Discovering new music is what festivals are all about!
Heavy stuff in the news today, but there’s a bright spot at the end of this rundown, something so inspiring it will probably change your life. Well, maybe just your week. Err, I don’t want to oversell it. I promise you’ll be amused for at least a couple minutes if you make it to the end of this. Read on.
The next chapter in the saga of nine Greenpeace activists who hung banners from P&G buildings happens today. A pretrial hearing will determine whether lawyers for the activists will be able to access P&G e-mails about the event to use in their case. Lawyers are also requesting records about maintenance of the building, more than likely related to the alleged $18,000 in damage done to windows in the building. That damage is part of prosecutors’ case that the group should face felony charges. Meanwhile, the Greenpeace activists are considering a plea deal that would keep them out of jail but saddle them with probation and felonies on their records. A date for the trial is expected to be set today.
Update: One of the nine protesters will take the plea deal, WLWT reports. The other eight will go to trial to face burglary and vandalism charges.
• Hundreds rallied downtown Sunday to show support for Palestinians living in the Gaza Strip, where more than 400 civilians have been killed over the past few weeks in clashes between Israel and Palestinian militant group Hamas. Local protesters said their rally was about highlighting Palestinian civilians’ human rights.
“We have to be the voice for the voiceless," said Zeinab Schwen, a Symmes Township resident with family in Gaza. "For the children and parents, we have to speak up. It is not OK. It is not OK what Israel is doing.”
Israel launched a ground offensive Sunday in Gaza in response to rocket attacks from Hamas. Israeli leaders say they’re not trying to hurt civilians, and that Palestinian militants are putting them in harm’s way. But some witnesses claim that the Israeli army is targeting ambulances and other civilian vehicles as it carries out its offensive. In addition to the hundreds killed in Gaza, more than 3,000 Palestinians have been wounded by the fighting. 20 Israeli soldiers, including two with American citizenship, have also been killed.
• Macy’s, the Cincinnati-based department store behemoth, is nearing a settlement in a civil rights suit brought by actor Rob Brown. Brown, the star of TV series “Treme,” says the chain’s New York City store profiled him and others due to his race. He is black. According to his suit, Brown was handcuffed and detained by security at the store for more than an hour when attempting to buy a watch for his mother. Other shoppers have filed similar complaints alleging they were held by security and accused of stealing because of their race. Details of the upcoming settlement have not been released.
• More questions are arising about ethics in the Ohio Attorney General’s office. The Dayton Daily News had an investigative piece Saturday about the AG’s office and the way it hands out contracts to outside firms. It’s a subject that has been reported on in the past–a number of media outlets have investigated law contracts the AG has awarded to legal firms who donate to the DeWine campaign and the Ohio GOP. Today’s piece finds similar connections with contracts awarded to firms to collect on debts owed to the state. The piece finds a high correlation between firms that donate to DeWine’s campaign and ones that get those collections contracts. Especially noteworthy are instances where firms run by those close to DeWine win contracts over more experienced vendors.
• Death and destruction. Racial Profiling. Allegations of cronyism. To give you a break from all the doom and gloom in this morning news, I found someone who has attained an amazing, completely laudable achievement, someone who can restore our faith in humanity and expand our understanding of what is possible in this world. It’s this guy, who just set the world record for number of tattoos of the same cartoon character on a person’s body. He has 41 Homer Simpson tats, all on his arm. He’s reached this pinnacle of human achievement despite having been forbidden from watching the show by his father, who he calls “a real life Ned Flanders” when he was growing up. Next time you think you can’t do something, that your goal is too hard, that the world is too harsh, remember this man.
It is with sadness that we report the death of one of Cincinnati's great art patrons, Lois Rosenthal, at age 75. This notice was in today's issue of The New York Times:
ROSENTHAL--Lois, 75, on July 20, 2014, died peacefully. She is survived by her husband Richard, their children Jennie (Allan) Berliant and David, her grandchildren Elizabeth and Andrew Berliant and Eva and Mae Rosenthal, and her brother Harvey (Mary) Reis. An activist, environmentalist, supporter and participant in organizations that defended the oppressed, the hungry, and the disadvantaged, she initiated many programs and activities. From the Ohio Innocence Project which has exonerated 17 wrongfully convicted people, to the Fresh Produce initiative at the Freestore Foodbank, and the Rosey Reader Program which has provided books to over 30,000 Cincinnati Public School children, grades K-3, to foster a love of reading, to her creation of Uptown Arts which provides free classes in art, music, acting and dance to five-ten year old city kids. During Lois' 28-year tenure on the board of the Cincinnati Playhouse in the Park, she and her husband established the Rosenthal New Play Prize which produced 15 world premier productions, several nominated both for the Pulitzer Prize and produced in New York. As a member of the Board of the Cincinnati Art Museum, Lois and Dick endowed the museum to allow free admission in perpetuity. Lois was also a member of the Board of The National Underground Railroad Freedom Center. There, once again drawing on her compassion for those with little or no voice, she envisioned, championed and funded Invisible: Slavery Today, the world's first museum-quality, permanent exhibition on the subjects of modern-day slavery and human trafficking. Along the way, Lois wrote a weekly consumer column for the Cincinnati Enquirer for 10 years, had a call-in radio show, and wrote features for several national magazines. Among her seven books, Living Better was a Book of the Month Club selection. Lois relaunched Story magazine in 1989 with her husband. In five of the 10 years she edited Story, it was nominated for the National Magazine Award for short fiction. In two of those years Story won the prestigious award. Like the founders of Story-- Whit Burnet and Martha Foley-- who first published the works of today's marquis writers, Lois first published stories by Juno Diaz, Elizabeth Graver and Nathan Englander among others. Mother, wife, friend to many, Lois Rosenthal transformed organizations, intellectually and with creative determination. We're all better for her high standards, her dynamic personality, the impact she made on so many lives, and her contagious enthusiasm for doing good.There will be a memorial service in the Marx Theater at Cincinnati Playhouse in the Park at 4:30 p.m. on Sept. 15.
What I love about Day 2 of a fest is that I usually have my bearings — I understand the layout of the festival and know how to find what I need. What I love more about Day 2 of a fest is that, while things seem the same, there is still much to be discovered, like new music, food and more. When Day 2 of Forecastle arrived, I went into the morning with expectations that would end up being far exceeded.
I got to the press tent early Saturday to meet with my first interview of the day, with Australian band Boy & Bear. I saw these guys perform at CMJ Music Marathon several years back and it was good to catch up with them again. I suggest listening to their latest record, Harlequin Dream, just released last year, if you‘ve never heard Boy & Bear before. The band will also be making their way across the United States in October, so look out for them! (LIYL The Avett Brothers, Trampled By Turtles).
After talking to Dave and Dave of Boy & Bear, it was still early in the day, and I forgot that music didn’t start for another couple of hours. Thank goodness it wasn’t too early for Heine Brothers’ Coffee, so to my iced coffee sanctuary I went. The morning felt nice and calm before the craziness that is Forecastle arrived, so I took a moment to walk the grounds and soak everything in. I could feel great things coming for that day, and great things indeed did come.
When the music finally began, I went to find my way to the Boom Stage (my unofficial favorite stage of the fest this year, I’ve decided), but not before meeting a fellow college radio DJ. We talked for a few about radio things and the bands we were excited to see that day, and when we finally split ways I found myself in front of Hurray for the Riff Raff. Funny enough, as my college radio station’s Music Director, I had passed on Alynda Lee Segarra‘s latest record, but as I stood watching her live set I couldn’t figure out why. She was amazing. With the full band, the sound was soulful and remnant of New Orleans Y’at, as if the group of musicians had just been resurrected from a Louisiana swamp (in the best way possible). I stuck around the stage for Boy & Bear and Lord Huron, who together gave me my Americana fix for the day, before traveling to the other side of the fest.
At the Ocean Stage, I waited for Avey Tare’s Slasher Flicks to begin. As a longtime fan of both Animal Collective and Dirty Projectors, I’ve been enjoying the recent collaboration between Dave “Avey Tare” Portner and Angel Deradoorian known as Slasher Flicks, and it was nice to see that happen live. It was clear that the audience was full of Animal Collective fans — where I was standing, Portner nearly started a riot when he came on to the stage. Slasher Flicks began full of high energy and noise, which one might expect from the howling (sometimes screeching) vocalist, who was backed by Ponytail drummer Jeremy Hyman. The audience bobbed along to each of the playfully spooky yet jazzy songs and the band, who had just come from the Pitchfork festival in Chicago, danced along with us from the stage. As the set ended, I quickly made my way back to the media tent to begin my next scheduled interviews.
First I talked to a few dudes from The Weeks, a band that is from Mississippi but now based in Nashville, about touring and new tunes. These guys recently toured with Kentucky’s own Buffalo Rodeo and noted that they prefer to tour with friends when given the chance. This was perhaps the most fun interview that I’ve done so far — these guys were super laidback, giving me the perfect opportunity to get out any nervous giggles before speaking with Dave “Avey Tare” Portner.
A long time fan of Animal Collective, I was both excited and incredibly nervous to talk to the man who fronted the band, even if he was with a different project. We met in a trailer behind the Ocean Stage (which was, at the time, accompanied by a very loud DJ) and began to chat. Portner was incredibly kind and open to conversation, something I always appreciate about an artist. He opened up about the formation of Slasher Flicks, the new record and how it served as a means for “moving on.” He even dropped a hint about new Animal Collective material coming out within the next year. It is definitely worth noting that Portner complimented my bright green and electric blue nails, which I had been referring to earlier in the week as “boy repellent” on account of their somewhat crazy nature. Leave it up to a member of Animal Collective to like them, of course.
After talking to Portner about my favorite Animal Collective songs and such off the record, I finally left him alone and floated across the fest to the Mast Stage. My head still buzzing and heart still racing from the conversation I just had, I stood swaying along to my favorites as Band of Horses belted from the stage. “No One’s Gonna Love You” and “Is There A Ghost” soared across the lawn for a moment that took me back to high school. I fell in love with the band all over again.
As the night progressed, so did my exhaustion, so I found myself at a bench near the WFPK Port Stage for Drew Holcomb & the Neighbors. A refreshing break from the hustle and bustle of the day, Drew Holcomb and his band played their tunes as the soundtrack to the river at dusk, the colorful festival lights slowly growing more prominent against the evening sky. I’ll admit it, I closed my eyes for a minute to soak in the beautifully bluesy tunes traveling from the Port Stage, especially when “What Would I Do Without You” began. Holcomb sings pretty songs of love and Jesus, and the Forecastle crowd was definitely into it. I watched across the river as Jack White’s audience began crawling closer and closer to the stage, my cue to make my way over.
I decided to watch White perform from a distance, finding a spot where I could see him and not simply watch the screens on the sides of the stage. He cranked out White Stripes classics like “My Doorbell,” as well as his solo tracks like “Love Interruption” for the huge crowd. His band, in the most classic Rock & Roll way, was quite entertaining to watch. They didn’t need much as far as props and graphics go, just their energy and passion.
It worked. White was the perfect end to Day 2, and, knowing Day 3 would be here soon, I looked forward to the few hours of sleep I would gather before heading out again.
To check out if you’re Forecastling today: Eno hammocks. Give your feet a break, they deserve it!
Sober Sailing. These guys want you to be safe and composed at the fest. They support each other in staying alcohol- and drug-free at Forecastle, so if you need some encouragement in doing the same, just give ‘em a visit.
Heine Brothers’ Coffee. The folks working here have been especially kind and the coffee is great. What could be better than nice folks and good brew?
Kentucky’s Forecastle is a music festival that I had never been to before this year. At the end of Day 1, I was asking myself why.
After spending the majority of my Friday bouncing from stage to stage and tent to tent (still with much more to explore today), I found myself having the time of my life in this little temporary corner of Louisville known as Forecastle. Despite the spitting rain and chilly temperatures, the energy here is booming, the crowd is eager (though polite, for the most part) and the mood is happy. It’s obvious that it would take quite the storm to sink this ship, and it’s looking like smooth sailing from here for the next two days.
When I first got to Louisville after encountering terrible traffic (if you plan on going and are traveling south, LEAVE EARLY), I found myself a free little parking spot along River Road and proceeded on my trek to the festival. Free parking has its price, I suppose. For the record, you can pay to park, but was this gal was going to do what it took to save her pennies.
Thankfully I found CityBeat’s own photographer extraordinaire Jesse Fox at check-in, and we both arrived just in time for our interview with Punk band Against Me!. We waited under the press tent about 20 minutes past the scheduled interview time (you get used to this in the music world and begin to expect it) until Laura Jane Grace and Atom Willard entered the scene. Jesse and I shook their hands with mouths agape and eyes wide, nervous as all-get-out. They turned out to be very kind and Laura complimented my belt (therefore I am wearing it every day forever now). It’s the little things, you know? This is what I love about music festivals, conferences, etc. — it truly is a different world.
After our interview with Laura and Atom, we went to the Boom Stage to check out The Black Lips. These Atlanta-based dudes rule. Once their set finished I retreated once again to the media tent for some ’za from Mellow Mushroom and ah-mazing moonshine cocktails from Ole Smoky Tennessee Moonshine. (I also went to charge my phone.) I found familiar faces in the media tent as the CityBeat crew quite literally funneled in and took it over. I couldn’t have been more excited. I met new folks and took time to chat but was quickly out on the field again to explore. There is just so much to see!
I found myself back at the Boom Stage for Against Me! The band put on an amazing, high-energy performance with Laura Jane Grace bouncing around the stage. They played their best old hits (“I Was A Teenage Anarchist,” anyone?), but of course cranked out the new record, Transgender Dysphoria Blues, too.
Once Against Me!’s set ended, I had a bit of time to explore. The layout of the festival is quite nice, really. Nothing is too far from wherever you want to go and food/restrooms are almost always within arm’s reach. I had no difficulty traveling from stage to stage and found it easy to find almost everything (except for the Port Stage, that one takes a bit more exploring to get to). I can appreciate these details about a festival of this size.
I saw some old favorites one day one — Local Natives and Outkast, just to name a few — but I wanted to take the time to try something new as well. This was when I wandered to the Ocean Stage to find Nightmares On Wax. I had no idea what to expect and stood in the (what seemed to be very young) crowd, staring at the stage with the words “Nightmare On Wax” rotating in lights along the back of the stage. I began to get antsy, second-guessing my decision. Just then, the band excitedly entered the stage and began. The beat dropped and I couldn’t stop moving. The band’s sound is hard to pinpoint — there were definitely Reggae and Hip Hop influences in it, but it was perhaps more of a jam-band sound without all the instruments. I didn’t care what it was. I was into it, and so were the people around me. Not a soul was standing still. If you haven’t checked out Nightmares On Wax, the apparent brainchild of England native George Evelyn, you need to, especially when you’re sitting by the pool or driving on a summer night.
Outkast ended the night of course, playing all the hits (“SpottieOttieDopaliscious” and “Da Art of Storytellin’ (Pt. 1)” are my personal favorites, but they played a lot of their later material, too). Their show was nothing short of amazing. Andre 3000 is as odd as ever, Big Boi was as cool as ever and the two are truly a match made in heaven. You don’t need me to tell you that, though. With sore feet and limbs, I trudged back to my car to retreat for the night. I’m already excited for day two.
Things to check out if you’re Forecastling this weekend: Old Smoky Tennessee Moonshine cocktails. They are amazing. I suggest the Dolly, but they are all delicious.
Giant creatures walking around. You can find a giant monkey, bird, man, caterpillar-thing. These things just make you happy.
Poster exhibit on the far side of the festival (next to the Boom Stage). There are amazing band posters (which I’m a total sucker for) featuring tons of artists to check out. Go show ’em some love!
Cincy Summer Streets — a new free citywide festival series — takes cars off the road to make way for a pop-up playground for kids and adults alike. Like a block party on steroids, the inaugural Cincy Summer Streets takes over a one-mile strip in East Walnut Hills Saturday with activities like dance classes, yoga, magic shows, art workshops and more. Participating groups include Pones, Inc., Circus Mojo, Hoopinnati, Double Dutch Cincinnati Rope Twisters, Queen City Bikes, The Shakti Factory and The Yoga Bar. The fun takes place from 9 a.m.-2 p.m. Saturday on Woodburn Avenue between Madison Road and East McMillan Street, continuing down McMillan to Gilbert Avenue — so plan your driving and parking accordingly. Or better yet, bike over — Woodburn and McMillan will be open to foot traffic and bikes. Next month, Cincy Summer Streets heads to Northside for a similar fest Aug. 24. Find more details here.
A number of county fairs are in full swing this weekend: Kenton County (through Saturday), Butler County (Sunday through July 26), Warren County (through Saturday) and Clermont County (Sunday through July 26)
If your wardrobe could use an injection of local pride, stop by the Cincinnati T-Shirt Market Friday on Fountain Square. This annual market showcases more than a dozen local vendors. Whether you’re looking for tees representing area teams, Cincy-centric jokes or just local businesses, there are plenty of options on the square. The market runs until 11 p.m., coinciding with tonight’s MidPoint Indie Summer show. Young Colt, Mardou, DAAP Girls and Wesley Bright & the Hi-Lites will be rocking the MPMF stage on Fountain Square from 7-11 p.m.
The Burlington Antique Show has brought vintage collectibles to the Tri-state for the past 33 years. Unique, quality bits of nostalgia are all around at the show — you won’t need to rummage through tons of junk to find treasures, though sifting through the antiques is half the fun. The Burlington Antique Show is located on the Boone County Fairgrounds every third Sunday, April-October from 8 a.m. to 3 p.m. Admission is $3; early bird admission give eager shoppers early hours, 6-8 a.m., for $5.
Why not enjoy the classic
summer tradition of a picnic in the park this weekend? This week’s cover story offers six picnicking
destinations and tips on where to fill your basket nearby. Read it here.
The news transpiring this morning is all across the board.
The reshaping of Cincinnati’s downtown continues, and one of the biggest signs of more impending changes is the increase in housing in the city’s urban core. More people are interested in living in or near downtown, and developers are happy to oblige. Construction is ongoing for nearly 1,000 new apartments and condos in and around downtown, The Business Courier reports in a rundown of new construction today. The biggest projects include phase two of The Banks, which will have 305 new apartments, the so-called 580 building on Walnut Street, which is being converted from office space to 179 luxury apartments, and between 180 and 225 new apartments going in above Macy’s downtown location. There are also a number of projects happening in Over-the-Rhine, including a $26 million development in the Pendleton area that will also include 40,000 feet of retail space.
• All that change isn’t going unnoticed. It seems like I’m talking about Cincinnati making it onto some top 10 list or national publication at least a couple times a week here at the morning news, and here’s another one: Fortune magazine included Cincinnati in a list of top five cities with up-and-coming downtown areas. The article highlights Over-the-Rhine, saying, “while it’s still a work in progress, it’s already been transformed into one of Cincinnati’s most vibrant communities.” Oh, to work at a national magazine, parachute into a city for a couple days and reduce complex, decades-old dynamics into pithy, erudite observations. But I digress.
• Tea partiers won a victory of sorts in U.S. District Court yesterday when Judge Susan Dlott ruled a group of the political activists could pursue suits against Internal Revenue Service employees in Cincinnati. The activists’ claims, first filed last year, state that IRS officials unfairly flagged their applications for nonprofit status based on the fact the groups have names indicating they are conservative or have “tea party” in the name. Nonprofits can’t be primarily political, and in assessing a groups’ application, the IRS must determine the level of political involvement in which a group engages. While the IRS admits it did flag tea party groups, it also did so for some liberal groups, including Occupy-affiliated activists. Still, the conservative groups argue that the IRS acted in a discriminatory way by delaying or denying their applications. The judge’s ruling clears the way for the groups’ lawsuits to go forward.
• There’s a new senate candidate in Kentucky joining the Mitch McConnell/Alison Lundergan-Grimes fray, and he wants you to know he’s full of crap. “Honest” Gil Fulbright is a fake candidate created by represent.us, a group advocating to get big-money influence out of politics. Fulbright, who is played by an actor from New York, is pretty honest about his intentions.
“People of Kentucky, you deserve complete honesty, so here it is,” he says in a video. “I don't care about you. Unless you are a donor, a lobbyist who can write a big fat check, the result that you get from voting for me is negligible."
The parody is a way for the group to drive home its point that most politicians in Congress are beholden to the big-money donors who help them get elected. The group says satire is a more effective way to reach people than traditional news. Probably true.
Kentucky’s senate race, where Democrat Lundergan-Grimes is working to unseat incumbent and Senate Minority Leader Mitch McConnell, is expected to be the most expensive in history. Candidates and outside groups are on track to spend $100 million to convince voters they’re the better choice. A good deal of that money comes from big-money donors and PACs.
• Finally, while we’re talking about Kentucky, I need to share this story with you. The morning news absolutely does not condone law breaking, but if you’re going to do it, you might take a tip from this criminal genius. A Corbin, Kentucky man was arrested Tuesday for shoplifting. When taken to the station, he asked to make his requisite one phone call. Did he use that call to get in touch with a family member, friend or significant other who could bail him out? No, no. He used his only phone call to order five pizzas in the name of the officer who arrested him. The pizzas were then delivered to the police station, to the confusion of officers. This was either an A-plus troll move or an act of kindness. Something tells me this guy knew it was going to be a long night for everyone involved and just wanted to get the party started right. The authorities were not amused, however, and are now adding charges of impersonating an officer to his shoplifting counts.
Just like at last weekend’s Bunbury Music Festival, this weekend’s inaugural Country/Folk/Americana-centric Buckle Up Music Festival (founded by the creators of Bunbury) will feature several great Cincinnati area artists. Fans planning to attend the fest (running today through Sunday at Sawyer Point/Yeatman’s Cove on the riverfront) should definitely makes time to check out some of the locals — collectively they are proof that Greater Cincinnati’s Roots scene remains one of the strongest in the region. (Click on each performer’s name for more info and song samples and click here for a map with stage locations.)
Greater Cincinnati acts performing at Buckle Up on Friday include The Dan Varner Band (2 p.m.; Amphitheater Stage), Andrew Hibbard (2:45 p.m.; Acoustic Stage), Lonesome Jared & the Heart Attacks (2:45 p.m.; Lawn Stage), Jamison Road (4:15 p.m.; Acoustic Stage), Messerly and Ewing (5:45 p.m.; Acoustic Stage), Jeremy Pinnell and the 55’s (6:30 p.m.; Amphitheater Stage) and Pistol Holler (8 p.m.; Amphitheater Stage).
On Saturday, catch local Buckle Up performers Wild Carrot (2:45 p.m.; Acoustic Stage), Shiny and the Spoon (2:45 p.m.; Lawn Stage), Kentucky Timbre (3:30 p.m.; Amphitheater Stage), Buffalo Wabs & the Price Hill Hustle (5 p.m.; Amphitheater Stage), Arlo McKinley & the Lonesome Sound (5:45 p.m.; Lawn Stage) and The Tillers (8 p.m.; Amphitheater Stage), who recently had their amazing new music video for the track “Willy Dear” world-premiered on the site for American Songwriter Magazine.
Sunday’s Buckle Up lineup features area performers Honey & Houston (2 p.m.; Lawn Stage), Alone at 3AM frontman Max Fender (2 p.m.; Acoustic Stage), The Kentucky Struts (2:45 p.m.; Amphitheater Stage), JetSet GetSet (3:30 p.m.; Lawn Stage), Straw Boss (4:15 p.m.; Amphitheater Stage), Mark Utley and Bulletville (5 p.m.; Lawn Stage), Bobby Mackey (5:45 p.m.; Amphitheater Stage) and Noah Smith (7:15 p.m.; Amphitheater Stage).
For the full Buckle Up lineup, ticket information and more, visit buckleupfestival.com. And check out our interview with founder Bill Donabedian about Buckle Up and last weekend’s Bunbury fest here and Brian Baker's Top 10 "must-sees" here.