While Congress has been wrangling back and forth for months about raising the federal minimum wage, the City of Cincinnati is doing what it can to encourage businesses to pay their employees enough to get by.
The Cincinnati Living Wage Employer Initiative will officially recognize employers paying their employees at least $10.10 an hour, the same hike congressional Democrats have been pushing in the House and Senate. The program looks to reward businesses and nonprofits that take the step, providing a website, cincinnatilivingwage.com, where consumers can check to see which businesses pay employees a fair wage.
Though the program is voluntary, the hope is that positive recognition and consumer pressure will encourage businesses to pay employees a wage that allows them to be self-sustaining.
“Although the city of Cincinnati cannot legislate a higher minimum wage–that’s left up to the state–we do feel we have a crucial role to play in creating a culture of living wage employers,” said Councilman P.G. Sittenfeld at an Oct. 2 news conference announcing the initiative, which he’s helped push.
“Cincinnati cannot wait on Congress to take action,” he said. “But our local businesses and organizations can raise their minimum wage voluntarily and immediately, and individuals can make conscientious consumer decisions about spending their money with those employers.”
So far, four organizations, including the city, are listed as partners in the initiative. One is Cincinnati-based Grandin Properties, whose CEO Peg Wyant appeared with Sittenfeld at the Oct. 2 announcement.
Another is Pi Pizza, which is opening its first store in Cincinnati downtown at Sixth and Main Streets on Oct. 13. The company, based in St. Louis, has paid non-tipped workers at its seven locations in Missouri, Washington DC and elsewhere $10.10 an hour for five months. The company looks to employ about 100 people in Cincinnati.
Pi Pizza CEO Chris Sommers estimates about 75 percent of those employees will be hourly and not working for tips, meaning they’ll benefit from the wage boost. Sommers said the increased payroll costs are more than balanced by reduced employee turnover rates and increased productivity.
“We did it without raising prices, and we did it after extensive quantitative and qualitative analysis to make sure we could pay for it and that we could still grow and expand to cities like Cincinnati,” Sommers said of the wage boost.
He encouraged other businesses to make a similar commitment.
“If Pi Pizza can do it, you can do it,” he said. “It’s the right thing to do. It’s good for business–more people walking around, with not only more money to put gas in their cars, more money to get their cars fixed, but also more people to buy pizza. And that’s important, right?”
Boosting the minimum wage has caused a deep debate in the United States. Proponents, including President Barack Obama, who called for the boost to $10.10 during this year’s state of the union address, say that low-wage workers don’t make enough to survive easily or raise families, boosting dependence on government programs like the Supplemental Nutrition Assistance Program, or food stamps. Opponents, however, including Republicans in Congress like House Speaker John Boehner, say that it will cost businesses more and stifle job growth. Republicans also say that most low-wage jobs are held by high school students, part-time workers who aren’t trying to sustain themselves independently or raise families.
Bureau of Labor Statistics data, however, show that two-thirds of minimum wage workers are over the age of 19. Sommers said that few, if any, of the 107 employees at a recent orientation for Pi Pizza’s Cincinnati location were young students.
The federal minimum wage is currently $7.25, though 23 states, including Ohio, have a higher minimum. The highest wage in the country is in Washington State, where employers must pay adult non-tipped workers at least $9.87. Ohio’s minimum wage is currently $7.95, which will increase to $8.10 in January, thanks to a 2005 constitutional amendment that pegs the state’s minimum to inflation. Even at this new state minimum wage, however, a worker working 40 hours a week will still gross less than $17,000 a year. At $10.10, the same worker would earn $21,000– enough to put a family of three just above the federal poverty level.
“While even the higher hourly wage will leave some people vulnerable, the extra earned income represents the difference between people being able to sustain a basic existence or not,” Sittenfeld said.
Those jonesing for more music fest goodness after last weekend’s spectacular MidPoint Music Festival have some great options this weekend. Bluegrass fans should be especially excited for a couple of them.
• The Bend in the River Art & Music Festival debuts this Saturday and Sunday in Lower Price Hill (2104 St. Michael St., next to The Sanctuary: Center for Education and the Arts). The festival/fundraiser runs 5-11 p.m. Saturday and noon-6 p.m. Sunday with the goal of bringing the community together (and showcasing it to others) and raising money for the Community Matters (cmcincy.org) and Education Matters (emcincy.org) organizations.
Along with food trucks and booths, beer from MadTree Brewing and Rhinegeist and a variety of vendors and artists showing their wares, local musical acts from a variety of genres will provide live music. Tim Caudill, Pike 27, Blue Caboose, Under New Order, The Part-Time Gentlemen and Ohio Knife perform Saturday, while Wild Carrot, Sibling Rivalry, Matthew Schneider and Phoenix (the local Rock cover band, not the internationally famous French Indie Pop group) play Sunday.
Admission to the Bend in the River Art & Music Festival is $7 or $10 for a two-day pass (Lower Price Hill residents receive a coupon to attend for free).
• The DevouGrass Festival presents its first-ever event Saturday at the Devou Park Bandshell (1700 Montague Road, Covington). The family friendly event runs noon-dusk, and while there is no admission charge (even free parking is available throughout the park), organizers are asking for donations to the Children’s Home of Northern Kentucky.
Along with food trucks, other vendors, various children’s activities and performances by Circus Mojo and kids’ fave Joel the Singing Librarian, DevouGrass will also feature sets by area Roots/Bluegrass outfits Blue Caboose (noon), Ma Crow and the Lady Slippers (3 p.m.), Hickory Robot (3 p.m.) and the Downtown County Band (6 p.m.).
For complete festival info, visit devougrass.com.
• The Versailles State Park Bluegrass Festival returns with a new location and name: the Friendship Music Festival at the Old Mill Campground in Friendship, Ind. (facebook.com/oldmillcampground), which hosts the very popular Whispering Beard Folk Festival annually and is only about an hour drive southwest of Cincinnati. Despite moving from the state park and changing the moniker, the fest will continue to spotlight some of the region’s finest Bluegrass and Roots music practitioners.
On Saturday, the music starts at noon with a lineup featuring Mamadrones, Common Ground, Rural Route 2, Lee Sexton with John Haywood and Brett Ratliff, Whiskey Bent Valley Boys, The Tillers and Bradford Lee Folk & the Bluegrass Playboys. The music picks back up Sunday at 11 a.m. with Mt. Pleasant String Band, followed by James White & Deer Tick, Blue Mafia, Whipstitch Sallies, Rattlesnakin’ Daddies and Tony Holt and the Wildwood Valley Boys.
Weekend passes for the Friendship Music Festival are $10; one-day passes are $5. Camping is available. Visit friendshipmusicfestival.com for full details.
Heya! CityBeat reporters fanned out across the city this morning picking up what’s happening. We’re omnipresent, omniscient and fueled by dangerous amounts of coffee. Nah, just kidding. There were two of us, and we each swooped in on a story or two. Here’s what we found.
Cincinnati Police officers in the Central Business District as well as some neighborhood-based officers will begin carrying the overdose reversal drug naloxone today. Some medical personnel with the city’s fire department already carry the antidote, but select CPD officers will carry it on a six-month trial basis since officers are usually the first on the scene of drug overdoses. If the trial is successful, the practice of carrying the antidote may be expanded throughout CPD. The drug prevents respiratory failure from overdoses of heroin and prescription opiates.
• Cincinnati’s domestic partner registry kicked off today. The registry lets same-sex couples register with the city so that employers who offer same-sex benefits can verify employees’ partner status. Councilman Chris Seelbach, who sponsored the original measure in council, held a kick-off at City Hall this morning. Several couples filled out applications and a notary was on site to notarize them. The registry will make it easier for businesses that provide same-sex partners benefits, since the companies won’t need to spend their own resources verifying couples’ partner status.
• On the other side of downtown, Councilman P.G. Sittenfeld held an event announcing a voluntary initiative encouraging Cincinnati businesses to pay employees higher wages. The initiative will recognize local businesses that pay employees at least $10.10 an hour. That rate, initially proposed by President Obama, has been batted about in Congress for the last six months. The event took place at soon-to-open Pi Pizza, a St. Louis-based company that has been paying workers at its seven locations in St. Louis, Washington, DC and elsewhere $10.10 for four months. The pizzeria is located at Sixth and Main and will open Oct. 13. Along with Pi, long-time Cincinnati business Grandin Properties is also among the first organizations to be recognized by the city for paying its workers a living wage.
• Lincoln Heights Fire and Police Departments were both shuttered this morning due to a lapse in insurance coverage. Dispatchers for Hamilton County said both stopped responding to calls at midnight. Lincoln Heights leaders are meeting this morning to discuss the situation, and neighboring municipalities, including Lockland, have taken over response to emergency calls in the meantime. The Lincoln Heights Police Department has been rocked by recent allegations of corruption, though there is no indication the sudden closure of the department is related to the accusations of widespread officer misconduct.
• If you’re planning on heading to the West Side this weekend, be advised: the lower deck of the crumbling Western Hills Viaduct will be closed most of the day this Saturday for emergency repairs. The exit ramp from southbound I-75 to Harrison Ave. will also be closed until 10 a.m. that morning. The aging viaduct has been the focus of a lot of attention over the past number of months as engineers develop plans to replace it.
• State Rep. Dale Mallory is under investigation for campaign finance violations stemming from his failure to accurately report Bengals tickets he received from lobbyists. The Democrat, who hails from the West End and whose family has a half-century history in state politics, could face legal repercussions for not reporting tickets worth nearly $400 given to him by payday lender Axcess Financial and law firm Taft, Stettinius and Hollister. The lobbyists have already paid fines for failing to report the gifts. Mallory’s lawyer calls the issue a “paperwork error or technical violation” and says he is working with the Franklin County Prosecutor’s office to resolve the matter. Mallory faces misdemeanor charges for filing false disclosure forms, which could result in a maximum penalty of 180 days in jail and a $1,000 fine.
• Kentucky’s intense Senate race may come down to one key issue: coal. This long-form piece explores how both Republican Senate Minority Leader Mitch McConnell and his Democratic challenger Alison Lundergan Grimes are falling over themselves to be seen as a big friend to big coal, which for years has held the fate of Kentucky in its hands. Yes, the piece is from Yahoo News. Stay with me here, it's pretty good. It’s shaping up to be the most expensive Senate race in history, and it has big implications for whether Democrats keep their slim majority there.
• Finally, Ohio is America's 44th happiest state, and Kentucky is 47th, according to a study by finance website WalletHub. Funny, I felt much less happy in the other states I've lived in, but I guess the data says that's just me and I'm a weirdo because I like it here.
It was an eventful night at the Madison Theater in Covington when CHVRCHES came to town Sept. 29. A pretty good sized crowd turned up at Covington’s Madison Theater, which was a little surprising, since they shamefully receive almost no local radio airplay. Oddly, our local “alternative” station The Project sponsored a meet and greet contest with the band, even though the station has never played a CHVRCHES song. Across the river, WKNU has played them. Once. Five months ago, according to a search of the station’s online playlist.
The make-up of the crowd was another surprise. It was an almost teen-free show, with most folks falling between late college and near retirement. That could be due to the fact that CHVRCHES make modern Electronic music but with a very retro feel. And they’ve got tunes.
The Range (who opened for Chromeo at the MidPoint Music Festival) came on stage promptly at 8 p.m., and began his first song. After 45 minutes, that song finally ended. CHVRCHES were set to take the stage at 9:15 p.m., but just after 9 p.m., the fire alarms in the theater went off. Here’s a handy tip: when you’re in large venue, look not only for the nearest exit, but all exits. Security decided it would be cool to deny access to the fire exits at the back of the theater. What the fuck!? Do you not know what happened not three miles from here in 1979? Or in Rhode Island a few years back? Fortunately, everyone was able to file out safely, and pass the time in a well-behaved manner out on the blocked-off street while fire officials investigated.
According to theater management, who were very upset with the way the evacuation was handled, security was provided by the promoter. After the show, the two sides discussed in detail the proper procedures in order to avoid any such occurrences in the future.
Once the all-clear was given, security did do a nice job of getting everyone back in quickly and efficiently. CHVRCHES thanked the crowd for their patience and apologized, saying the fog machine they were using is what likely tripped the alarm.
Coming out of the gate strong, the band launched its set with two singles, the very fine “We Sink,” followed by the popular “Lies.” Like many Electronic bands, they don’t move around a lot, with Iain Cook and Martin Doherty stationed at their synth racks, flanking singer Lauren Mayberry. This isn’t as visually limiting as it sounds. Ms. Mayberry is an outspoken critic of sexism and misogyny in music, so it feels a little awkward to point out that she’s quite lovely and very engaging in her stage presence. Flying around the stage a la Dave Gahan of Depeche Mode, or Trent Reznor of Nine Inch Nails simply isn’t her style, yet she still holds the crowd.
Her mates weren’t chained to the instruments all night, at least not Doherty, who traded places with Mayberry while he sang “Under the Tide.” Mayberry returned to center stage for what is arguably the band’s most popular track, “The Mother We Share,” which is also one of the best songs of the past few years.
The enthusiastic crowd of course wanted more, bringing the band back out for the obligatory, but much-desired, encore, wrapping up with “You Caught the Light” and “By the Throat.”
Good morning readers! I can hardly believe it's October. This week's issue of CityBeat is full of wonderful, esoteric words. (It also has the information you need to enjoy FotoFocus 2014, the month-long celebration of photography and lens-based art throughout Greater Cincinnati. Pick one up!)
Best word in this week's issue: besmirched, in Kathy Y. Wilson's "The Semantics of Weed" (This is probably the only article anywhere in which the words "ISIS air strike" and "weed" are used in the same sentence).
besmirched: To besmirch is to dirty or spoil something or to damage someone's reputation (v.)
In this issue: "Winburn drops Thomas’ name like an ISIS air strike, incessantly blaming Thomas for the original 2006 weed ordinance that besmirched the records of weed offenders charged with minor misdemeanors who now have problems securing jobs, housing, etc."
Or, as Carrie Nation (a radical member of the 19th century temperance movement) once said:
“Men are nicotine-soaked,
beer-besmirched, whiskey-greased, red-eyed devils.”
Next best word: titular, in the preview of the movie Annabelle.
tiltular: of, or having the nature of, a title; titled (adj.) Not to be confused with the word titillating, which has a much different meaning, but try saying titillating titular three times fast.
In this issue: "In a world filled with sequels, prequels and spin-offs developed off the flimsiest of premises, Annabelle arrives with solidly built awareness thanks to the presence of the titular doll in last year’s horror release The Conjuring from James Wan (Saw)"
Panoply: beautiful and striking set up, magnificent decor or clothing, or a protective covering. (n.)
In this issue: It actually appears in the headline "Bind Dancers Present a Panoply of Authentic Indian Dance", a piece by Katy Valin on Articulate Ability.
And lastly, moniker, in Mike Breen's Spill It. I guessed that moniker meant monkeys, or had something to do with monkeys, or maybe money, but no.
moniker: a name or nickname.
In this issue: "Despite moving from the state park and changing the moniker, the fest will continue to spotlight some of the region’s finest Bluegrass and Roots music practitioners."
Oakley’s 20th Century Theater has only been the venue it is today for about the last 20 years. When it originally opened in August 1941, the now-vintage glowing sign that lit up the era-glorifying name represented a simple one-screen movie theater. Its history and how it changed from that to what it is today fits into the citywide and national history of cinemas like a plastic rodent fits a Whac-A-Mole machine.
Willis Vance, a local businessman that ended up owning a string of theaters and other establishments around town, was the original owner of the theater. At the time of its inception, no theater that housed more than one screen even existed. In fact, as silly as it may sound now, that concept wouldn’t seriously surface in the industry for a few more decades.
Cinemas would have a single film they would play every night, generally whatever was very popular at the time. When a new piece of black-and-white gold would come out of Hollywood, they would swap it in, making it the new nightly showing.
Vance opened the theater with the 20th Century Fox (see what he did there) production Blood and Sand. This may have been a thoughtful tribute to the movie’s star Tyrone Power, an American box-office sellout actor that was born in Cincinnati. While he didn’t grow up here, he did return to the Queen City in his early teenage years, during which time he learned and honed his skills in drama. He went on to become extremely well known and sought-after in the industry, appearing in famous films such as The Mark of Zorro, The Black Swan and dozens of others.
The theater thrived for some time, having hit the ground running with notable qualities like air conditioning and valet parking. To people of my generation, that is a “What?” factor, but it was actually the first theater in the city to keep your ass cold during a movie. It also boasted being one of the first fire-proof buildings in the city, taking that extra step in keeping the heat out.
But almost a decade after it first lit its tower and opened its doors, the cinema industry began to slowly change.
A Canadian inventor named Nat Taylor erected a second screen right next door to his theater in Ontario. He showed the same movie on both for several years at first, simply upping his audience capacity. However, he eventually got tired of swapping out movies for new releases when the old movies were still making money, so he started selling tickets to two movies.
I call the change slow because although this idea was birthed mid-century, it didn’t begin to significantly affect the industry until the ‘60s and ‘70s.
In 1963 Stan Durwood, AMC owner, cinema pioneer and self-proclaimed inventor of the multi-plex, opened the Parkway Twin Theater. It was the first theater with two screens under the same roof, although not for long. The idea caught on and throughout the ‘60s other dual-screen theaters began to pop up. Durwood expanded his Twin Theater from two screens to four, then six.
Through the next two decades the multi-plex concept exploded, with competition for the most screens and best accommodations running rampant. Nat Taylor, who also laid claim as the original inventor of the multi-screen theater, cofounded an 18-screen Cineplex in 1979. He garnered a Guinness World Record, it being the largest theater in the world at the time.
These large cinemas wreaked havoc on the industry for the small-time, local theaters. The charm of a little art deco theater with free valet and air-conditioning no longer held up to the big dogs.
By 1974 20th Century was owned by Levin Services, a management company that also owned several additional theaters and drive-ins around the area. Union strikes that year brought mayhem to Levin. Angry union members broke into the Ambassador Theater, just a block away from 20th Century on Madison Road, to destroy the seats, slash the screen and split the speaker wires. They wrecked the projectors by ripping out their innards with a crowbar, and poured cement into the reels of The Sting, the movie being shown at the time.
Levin closed the Ambassador and several other theaters, including 20th Century. Most reopened after a few weeks, at least for some time. The Ambassador eventually closed for a while after became an Ace Hardware.
The 20th Century lasted just under another decade, succumbing to the cloud of the multi-plex and closing its doors as a movie theater for good in 1983.
But it wasn’t the only pebble to be crushed by a boulder. F&Y Construction, the company that built the Streamline Moderne style building for Willis Vance, built several other theaters in the region. They built the Madison in Covington, Ky., the Covedale Center for the Performing Arts, and the Redmoor in Mount Lookout. Those are the ones that remain open and standing. Among others they built in the area were the Guild Theater, Hollywood Cinema North, Marianne Theater, Norwood Theater, Sunset Theater, Westwood Theater, Valley Theater and the Ridge Theater. All of these are now closed; two of them have even been demolished.
I can’t say for certain that the multi-plex led to the demise of each one, but its reasonable to assume the industry change had great range. And on top of that, those are only the theaters built by that single construction firm.
After 20th Century was closed in ’83, it was left to neglect for almost a decade. It rotted through water damage and vandals left their mark with graffiti and broken windows. To me, imagining this conjures up a similar image to the Imperial Theater, the decrepit building at Mohawk and McMicken that used to screen adult films and host burlesque shows in the ‘60s.
The early 1990s rolled around and found the community caught between demolishing the fallen cinema or pouring money into restoration. Mike Belmont stepped up and went for the latter approach. After extensive work, he reopened the doors of the building as Belmont’s Flooring Company.
His business only remained in the building he saved for a year, moving just down the street to the old Oakley Bank where Belmont’s still resides in modern business glory. Apparently Belmont had a thing for old buildings.
After he left the Cincinnati Church of Christ, then a group just over a decade old, occupied the building for 4 years before themselves moving on to some higher calling.
This brings us up through this old cinema’s rise and fall to 1997. It was then that the building was bought and 20th Century Productions rose like an entertainment-driven spirit out of the floorboards. Devoted to special events and concerts, they have turned the building into a beautiful venue that hosts almost anything from a raucous rock concert to a quaint wedding reception.
In 2010 they took a final step in the renovation of the building that had never been done. The 20th Century Tower that stands over its doorway was given back its glow to illuminate the night again, drawing in all who look to be entertained.
Here’s what’s coming up at the old one-screen (now one-stage):
Oct. 8: Cherub
Oct. 16: Ruthie Foster
Oct. 23: Paul Thorn Band
Oct. 29: Suicide Girls
In what can only be described as an offering to the Internet gods, Drake got an emoji tattoo.
Still no confirmation on whether that emoji is high-fiving hands or praying hands illuminated by Jesus’ power.
Smart girls gained an epic win over bimbos this weekend as George “Forever Bachelor” Clooney married lawyer/activist/author Amal Alamuddin. Cocktail waitresses across the globe mourn as they realize it wasn’t him, it was them.
American Horror Story: Freak Show premieres in a week and we finally have a look at some actual show footage. This short preview packs in a lot — look out for Pepper (Naomi Grossman), the only AHS character to cross over into multiple seasons (you may remember her from Asylum — Freak Show takes place in 1952, about 12 years before the events of Asylum); Sarah Paulson playing conjoined twins Bette and Dot; Kathy Bates as a bearded lady; Angela Bassett as triple-tittied woman (sit down, Jasmine); Evan Peters as a man with ectrodactyly (giving him claw-like hands); smallest living woman Jyoti Amge; John Carroll Lynch’s terrifying clown; and, of course, Jessica Lange in her final AHS performance as the striking German ringleader of it all.
ICYMI: Rhinegeist’s Bryant Goulding is featured in GQ’s “The 50 Best Craft Beers Every Man Must Try.” Goulding serves as an expert with tips on the best “stein filling quenchers,” suggesting Sierra Nevada Summerfest, Weihenstephaner Pilsner, Three Floyds Gumballhead, Double Mountain Vaporizer and Moonlight Reality Czeck Pilsner for when you really want to get yo drink on.
The Magic Mike sequel will be air-humping its way into theaters next summer — without director Steven Soderbergh or Matthew McConaughey. Magic Mike XXL will be helmed by Gregory Jacobs (who co-produced the original); Channing Tatum, Matt Bomer, Joe Manganiello, Kevin Nash, Adam Rodriguez and Gabriel Iglesias are all set to reprise their roles. Newcomers this time around include a very curious mix of actors: Elizabeth Banks, Donald Glover, Amber Heard, Jada Pinkett Smith, Andie MacDowell and Michael Strahan. The official synopsis, found here, is equally confusing. Didn’t the dudes move to Miami at the end? Didn’t Channing Tatum quit stripping for his dead-faced nurse friend?
Am I the only one who wishes SNL’s weird ‘90s sitcom sketch was a real show? By far one of the funniest moments of Saturday’s season premiere.
Apparently this isn’t the first skit of its kind with Kyle Mooney and Beck Bennett — check out this very sexually tense episode with Andrew Garfield, which was cut from his episode last May. From the stiff acting and awkward delivery to the constant laugh tracks, applause and “ooohs,” this bit nails that weird, satirical, almost Tim & Eric-esque humor that’s so popular right now. Hopefully we’ll see it again later in the season.
No movie trailers this week, but know that Zombieland 2, Hot Tub Time Machine 2 and Taken 3 are all happening so we can probably just give up on movies for now.
Hey hey morning news readers! I’m back and ready to talk about what’s going on. So let’s go.
As we get closer to November, it’s worth taking a look at where local political action committee donations, or money to candidates from organizations like unions and businesses, are flowing. Few surprises in the data from the Ohio secretary of state: Republicans come up big in PAC money, with Gov. John Kasich, Attorney General Mike DeWine and others getting big ups from places like P&G, Cincinnati Bell and AK Steel. Democrats like AG candidate David Pepper and treasurer hopeful State Rep. Connie Pillich have also gotten the PAC hookup, mostly from union groups. Local PACs have contributed more than $1 million to candidates. That money doesn’t represent the total amount business owners or group members gave — they can still donate individually as well.
• Three elderly Hamilton County couples are involved in a complex tangle that could cost the state of Ohio the billions of dollars it receives Medicaid funding. Ohio has refused to pay Medicaid benefits to the couples for nursing home care due to their purchases of financial products called annuities they made in order to become income-eligible for the program. Special laws govern which annuities retired couples can buy in order to “spend down,” or reduce their assets to a level at which they’re eligible for federal aid. Lawyers for the couples say they complied with that law, and a Cincinnati U.S. District Court judge has agreed. That means Ohio is out of compliance with federal Medicaid regulations, and could lose its funding from the federal government. That would potentially cost more than 2 million Ohioans their health coverage. The judge has given the state until Oct. 3 to become compliant with the law.
• It’s almost hard to imagine this, given the long-term dearth of good employment options, but some area industries are actually running a worker shortage. Truck drivers, HVAC workers, plumbers and other so-called “medium skill” careers are losing workers to retirement fast, and fewer young workers are stepping into the vacancies. There are downsides to these industries, including long hours away from home for truck drivers, but for a roving drifter such as myself, that’s hardly a problem. Hm. I do like driving…
• Imagine you’re a 38-year-old mother of three living in a suburb of Columbus and looking for a little fun. What do you do? If you live in the state that birthed aviation, (quiet, North Carolina) you go out and get the state another milestone, becoming the first woman to fly solo around the world, that’s what. Geraldine Mock, who passed away at the age of 88 yesterday, took off from Columbus in March 1964 and raced another woman with a two-day head start for the distinction. Jerrie won, returning 29 days after departure. Her plane was old and not in the best shape, but that apparently didn’t daunt Jerrie, who first took an interest in flight at age 7. She was also undaunted by the rigid ideas about what was appropriate for a lady at the time.
“I did not conform to what girls did,” she once said in an interview. “What the girls did was boring.”
• A couple days late on this one, but it bears mentioning. The Supreme Court has issued a stay on a lower court’s ruling that prohibited Ohio’s early voting rollback. That means that new restrictions on the number of early voting days passed by Republicans are still in place for now. Lower courts ruled that the laws, which eliminated so-called “golden week” during which Ohioans could register and vote in one fell swoop, as well as some Sunday voting hours, were unconstitutional because they placed an undue burden on minority voters. The Supreme Court’s conservative justices disagreed, and with early voting already slated to have started, the ruling comes as a victory for state Republicans.
• While we're on politics, here’s U.S. Rep. John Boehner talking about how he’s still going to be speaker of the House when the next Congress reconvenes in January, and also showering Jeb Bush and Ohio-based GOP presidential possibilities with praise. His confidence in keeping his job as head of the House of Representatives is bold, considering he barely held on to the position last time and the fact that there are likely to be even more ornery tea party-types in the House this time around to give him grief. We’ll see Boehner. We’ll see.
• Finally, something even more terrifying than the prospect of another Bush in the White House and more tea partiers in Congress: A man who recently arrived in Dallas from Liberia has tested positive for Ebola. Disease experts say there is little risk of the virus becoming as widespread here due to advanced isolation and sanitation practices, but still. Ever read that book Hot Zone? Yeah, maybe don't read it right now.
On Friday, Saturday and Sunday, Mainstay Rock Bar will be celebrating its final weekend before closing its doors after five and a half years in operation. As I prepared to write about the closure of my favorite local bar, I struggled to figure out just how to voice my sadness. I’m still not entirely sure how but I did think of a ton of stories that exemplify why Mainstay was so special to me.
I started going to Mainstay back in college before it was even Mainstay. It was called The Poison Room and my friends and I used to go to their weekly ’80s dance night. My memories of those nights are fond (if a bit hazy), but I was too new to the scene for the closure to upset me too much. When the location reopened with a new moniker and a makeover, I was happy to have another place that catered to my musical tastes. But it took some time for my love of Mainstay to truly grow.
Looking back, the closures of the original Southgate House and Mad Hatter in Northern Kentucky are what sparked my connection to Mainstay. With two of my normal haunts gone in the space of months, I needed another place to go and Mainstay was at the top of a fairly short list. I started only going for shows, but the bar soon lived up to its name. It transitioned from just a music venue to a reliable fallback to my first choice. Need a good burger? Mainstay. Want to sing some karaoke? Mainstay. Interested in hearing some Rock & Roll? Mainstay. Do you prefer bartenders that actually know what they’re talking about? Mainstay.
Of course, a major part of Mainstay Rock Bar’s appeal to me was that middle word — the “Rock.” Mainstay has been host to some of the best local and regional bands the area has to offer. In recent years, the selection of bands and performances has also become more and more eclectic. There are few bars that can host a Hip Hop show one night, a burlesque performance the next and a Surf Rock show to round out the weekend. Mainstay has proven time and time again that its dedication to the local music scene is genuine by taking the time to champion bands on the rise and hosting all sorts of community events like the ubiquitous Midpoint Music Festival. And they’ve done it all without charging a cover on any shows save the biggest of the big. If you wanted to take a chance on a new band or genre, Mainstay was the place to go. At least you had a fantastic beer selection to console you if you didn’t like what you heard.
For all of my wild and crazy memories, the ones I have of my time with the staff are the fondest. Memories like an interview being derailed when the entire band and I took a minute to stare at the hot new bartender (sorry Becky, hopefully Mangrenade and I tipped you well that night). Or pulling the curtain for Dandelion Death with Scary. Or riding Chris’s knee scooter to the bathroom, weaving in between a busy Friday night crowd. Or the little things, like Lena taking the time to listen to my post-breakup moaning and buying me a “girl’s suck” shot when it was all said and done. The staff (past and present) of Mainstay consists of an insane bunch of people who love the music, love the atmosphere and know how to have a good time. And that attitude coursed through the entire venue night after night. To be a part of it at any point in time was intoxicating. To be welcomed in as a friend and included in the shenanigans was humbling.
As I became more of a fixture of the establishment, the more I grew to know the staff and feel accepted. I’ve frequently called Mainstay my Heavy Metal Cheers; it’s the only bar in Cincinnati where I can walk in and be greeted with a handshake or high five and see my favorite beer and shot sitting on the bar.
As I reach the end of this article, I still don’t know how to say just what Mainstay means to me. It’s where I sang dozens of Danzig songs, watched hundreds of bands take the stage, spent several birthdays and drowned far too many brain cells. There isn’t a place in Cincinnati quite like Mainstay and its closing will leave a pretty big hole in my heart. But I wanted to say thank you for the five and a half years of memories and raise a glass – full of Jameson, of course – to the people that made that place so special.
For your final weekend, I’ll be sitting at the bar, enjoying a shot and a brew at Mainstay — where everybody knows your name… or at least your favorite drink.
A Tavola has made its mark on Over-The-Rhine with its rustic wood fired pizzas and superb flavor combinations. What you might not know about the high-end pizza joint is that its craft cocktails are one-of-a-kind. CityBeat sat down with A Tavola’s head bartender Aaron Strasser to pick his brain, and it turns out he is as personable as he is creative and stirs up one hell of a cocktail.
CityBeat: How did your career in bartending start?
Aaron Strasser: I was a history major at UC, and my favorite period of time was Prohibition. I found it very interesting that you could ban one of the greatest things in the world — the cocktail. I really got into studying that when I was in college. I also started flavor profiles. I grew up in the kitchen with my mom and she always baking stuff and I loved tasting all the flavors and figuring out, ‘Oh, you can pair this with this.’ I got my start here at A Tavola almost four years ago. I didn't know much, but what I did know is flavor profiles and combinations. So the owners gave me a chance and allowed me to make the bar what it is now.
CB: What’s your favorite spirit?
AS: I usually go with my whiskeys and bourbon. Rye whiskey for sure.
CB: What’s the strangest ingredient you’ve used in a cocktail?
AS: I have a couple. I always saw that simple syrups were being made with fruits and some herbs and spices, but I wanted to make a simple syrup out of a vegetable, so I made a red beet and ginger simple syrup, which goes great with gin. It’s very unique, it’s a beautiful color and the taste was very interesting. I didn't want to just use fruit. Another strange ingredient in our new cocktail menu is the jalapeño jam instead of a simple syrup. It’s a recipe that one of my kitchen people and I have worked on. I wanted to have something that was sweet and savory. We do a lot of that as far as combinations go — even in our food — lots of sweet and savory.
CB: Do you see a change in cocktail culture around OTR?
AS: Oh, yeah, its definitely growing. There is a lot more appreciation as far as drinks go. A lot of people are not just ordering cocktails that they know, instead they are actually looking at the cocktails and asking, ‘What does this place have to offer that I haven’t tried before?'
CB: If you had to pick one cocktail to drink for the rest of your life what would it be?
AS: An Old Fashioned.
1 slice of orange
1 sugar cube
1 or 2 dashes of Angostura bitters
2 oz. rye or bourbon whiskey
Place the sugar cube in a glass and add one or two dashes of Angostura bitters and a splash of club soda. Muddle the the sugar cube. Add whiskey and ice. Stir until sugar is dissolved. With a lighter, singe a strip of orange peel and pinch the peel to release oils. Add the orange peel and the Amarena cherries to top it all off.
That’s the opinion of John Sanphillippo of San Francisco, in this recent article from newgeography.com about how acquaintances from there who, upon finding that city too expensive, moved to Cincinnati and discovered a similar environment, only affordable.
His point is very provocative — young people who want but can’t afford the progressive, stimulating urban life that is such a lure for cities like San Francisco, Brooklyn, N.Y., Seattle or Boston aren’t giving up on their dreams and retreating to the familiar dullness of Great American Suburbia.
Instead, they’re finding that all cities now — and especially what he calls “Rust Belt” cities — are alive with examples of progressive New Urbanism. And he singles out Cincinnati as a choice example.
The photos aren’t marked, but you can see Shake It Records, the Suspension Bridge, East Walnut Hills, Vine Street. And the author doesn’t even mention the streetcar.
This article ran Saturday on the New Geography site, a joint venture of author Joel Kotkin (The City: A Global History) and Praxis Strategy Group devoted to “analyzing and discussing the places where we live and work.”
According to his bio, Sanphillippo “lives in San Francisco and blogs about urbanism, adaptation, and resilience at granolashotgun.com. He's a member of the Congress for New Urbanism, films videos for faircompanies.com, and is a regular contributor to strongtowns.org. He earns his living by buying, renovating, and renting undervalued properties in places that have good long- term prospects.”
For the past two and a half weeks, Arnaud’s van has been home for five full-grown men. While we’ve been lucky enough to not have to spend the night in it at any time, we’ve done pretty much everything else. We’ve eaten in here, we’ve slept in here, we’ve emptied bladders (well, only one … Nick was desperate), it houses all of our possessions on this continent and we’ve had far too many inappropriate conversations in here. It has all the comforts of home … except for TV, Internet, showers, a kitchen or any sort of privacy. But then again, some of our non-moving accommodations don’t have any of those things either, so it’s fine.
We even have our own “rooms.” Arnaud usually drives with Ryan copiloting. If you move one bench back, Nick sits in the farthest seat from the door so he can lean against the window to nap. The next seat is empty and holds our various jackets, water bottles, candy and other items a touring band needs. Next to that is me; my seat offers no real advantage other than the ability to get out fast at rest stops when the call of the wild can be heard. Aaron has claimed dominion over the back bench, but two of the seats hold two overnight bags and random stuff (mostly scarves that Aaron has bought along the trip).
The ride is rough; it seems like the shocks were an afterthought and you can feel every bump in the road. Turns make the van shift and roll and the seats don’t adjust from their full upright and locked position. This all adds up for a ride that isn’t very comfortable or relaxing. If you’re wondering how we can sleep in here under such conditions, all I can say is that touring Europe is a very tiring experience, no matter how fun it is.
Of course, the real reason we needed the van is to not just transport ourselves, but all of the band’s gear from show to show without the need for a trailer. And that, my friends, is an experience all it’s own. Arnaud and Nick have set up a system to load and unload the back of the van efficiently at each stop. While I play Tetris at shows, those two play Tetris in real life. Just take a look at this setup and tell me that isn’t almost artistic to see how much crap can be fit into such a small space.
This van has been a constant in our lives for almost a month now; while I can only speak for myself, I have to say that I will almost miss it when I get back home. While the ride might be rough, there was an element of comfort and familiarity in crawling into this thing as we headed towards our next show. And it’s the place where we all really bonded as a group — being stuck in a tin can with four other dudes for six hours will do that to you. It’s been a special spot for all of us.
But, man, I really wish the seats reclined.
CityBeat contributor Nick Grever is currently traveling Europe on tour with Cincinnati Rock band Valley of the Sun. He will be blogging for citybeat.com regularly about the experience.
Brian Powers, the Cincinnati librarian who has done exhaustive work researching King Records history, thought he had found a “Holy Grail” photo — of the West End record store that Syd Nathan owned before starting King.
He knew it had been on Central Avenue, but didn’t know what it looked like.
It was in the Hebrew Union College/Skirball Museum FotoFocus-connected exhibit Documenting Cincinnati’s Neighborhoods, which features George Rosenthal’s photographs, taken in the late 1950s, of the West End before I-75 construction would dramatically alter it. Rosenthal’s photographs, owned by Cincinnati Museum Center, hadn’t been shown at least in 50 years, if ever.
Visiting on the exhibit’s opening day, Oct. 22, Powers saw one Rosenthal photo of a Central Avenue record store at 1567 Central Ave. Just a small storefront with a homey screen-door, it had what looked like neon signs that announced “Records All Speeds” and then listed the choices: Spirituals, Classics, Pops, Rhythm-Blues, Bop, Hillbilly & Western.
You can also partially see some letters and the initials “CO” at the top of the signs. Some additional written information was on a window, and another sign offered television sets for $29. Nathan wouldn’t have still owned such a store in this time period — he started King in 1943 — but might it have carried on the same location, more or less unchanged, with someone else in charge?
Powers told Henry Rosenthal, the late George’s son, about his hunch. And in his opening remarks, Henry mentioned it. Henry was particularly proud because he owns the desk that James Brown kept at King Records’ headquarters in Evanston. “It’s my prize possession,” he said.
Among the Rosenthal family members at the opening, besides Henry, were Jean Rosenthal Bloch, George’s wife; daughter Julie Baker; George S. Rosenthal and Roger Baker, George’s grandsons; great-grandson Clay Baker, and cousin Ed Rosenthal. With several hundred in attendance, it was an important moment in recognizing Rosenthal’s work.
Alas, when Powers (who didn’t attend the reception) later started researching, he saw the record store in this photo wasn’t where Nathan’s was located.
“Syd’s shop was at 1351 Central Ave.,” he said via E-mail. “The shop in the photo is at 1567 Central. It was called Mo-F-A Co. It’s listed as a TV repair shop. It was owned by a guy named Ted Savage, who seemed to have lived there with his wife.
“It looks like Syd handed over his store to Ike Klayman around 1945 to 1946. I don’t see 1351 Central listed after 1949. It may have been torn down by then. It’s where Taft football field is now.”
Powers added that he has seen a photo of a record store owned by Klayman, but believes it is at a different location
So the search for a photo of Nathan’s record store goes on, but meanwhile this very evocative one is now — finally — available to be seen.
The exhibit, which looks at what life in Cincinnati was like in the West End and Downtown before much was torn down for controversial “urban renewal” from the 1960s to 1980s, both in terms of their architecture and the conditions of the poor, also features powerful photos by Daniel Ransohoff and Ben Rosen.
It is up through Dec. 21 at the Skirball and Jacob Rader Marcus Center on the HUC campus, 3010 Clifton Ave. Go here for details.
All right! So I’ve got some great Halloween parties lined up and it’s really hard to sit still and focus on important things. But since that’s pretty much what being a grownup is about, and since they pay me to (kind of) be a grownup around here, let’s talk about news for a few.
• Though most of the action happened in committee meetings, City Council made final a bunch of things it has been working on, including funding the mayor’s Hand Up initiative. The jobs program has been controversial since the funding will come in part from other programs. Get the back story on that here.
Council also gave the thumbs up for City Manager Harry Black’s proposals for the city’s $18 million budget surplus. The city will stash most of it away in savings or emergency accounts for weather and such, give some to a new data analysis office, use some to fight infant mortality and to repay neighborhood programs.
Council also gave final approval to an ordinance that would make getting expungements easier for those convicted under Cincinnati’s old marijuana law. Lingering criminal records for a number of city residents mean difficulty finding jobs and getting school loans, something the new law looks to address.
Finally, council passed new regulations on Uber and Lyft. You can read more about that here. Busy day.
• A while back I told you about outspoken Butler County Sheriff Richard Jones taping an interview for The Daily Show. Well, this probably goes without saying, but… it didn’t go so well. It’s gotta be hard when you’re diametrically opposed to the viewpoints of the show you’re going on, and they have all the editing power, but still. It was rough. Jones, who made his way down to the belly of the liberal beast, Austin, Texas, for the taping, continually insisted that illegal immigrants get all sorts of free stuff the rest of us aren’t privy to. I’ll let you watch the results yourself if you haven’t already.
• Also a while back, and also something you should watch — the Cleveland Plain Dealer editorial meeting at which Gov. John Kasich more or less ignored beleaguered challenger Ed FitzGerald. I also, because I’m thoughtful like that, linked you to a page with a video of the exchange, or, well, lack thereof. Only the Plain Dealer later took that video down, which is weird, right? So here it is again. Warning: strong language in the article accompanying the vid, including the terms "douchecanoe" and "asshat."
• Kentucky Secretary of State Alison Lundergan Grimes is getting more help from the Clintons in her nail-biter of a challenge to Sen. Mitch McConnell. Hillary Clinton will appear with Grimes today in Louisville and Saturday in Covington at 11th-hour campaign rallies. No word what their Friday plans are, but I’m going to some great Halloween parties if y’all are reading and interested.
The show by Trigger Hippy (featuring Joan Osborne and members of The Black Crowes) scheduled for tonight at Newport’s Southgate House Revival has been postponed due to a death in Osborne’s family. The band is hoping to reschedule the show soon. But there are plenty of other solid live music options in Greater Cincinnati tonight.
Reflection Eternal, renowned Cincinnati-based producer/artist Hi-Tek’s collaboration with legendary MC Talib Kweli, headlines the 8 p.m. concert, marking a rare appearance by the duo. The lineup also features Cincinnati heroes Mood, who took Cincy Hip Hop nationwide in the ’90s, Buggs Tha Rocka (who’s prepping a new album release for early December), Trademark Aaron (whose new video for “The Best,” featuring Easy Lantana, recently premiered on Vevo’s home page), Clockworkdj (Mac Miller’s official DJ), Valley High, Eddie Vaughn, Aida Chakra and many others.
Tickets are $30 at the door while they last.
• Dynamic, groovy and fun rockers Automagik are putting out a limited edition, Halloween-themed EP, Monster Party, for the holiday. The five-track collection features appropriate tracks taken from the group’s two albums. as well as the new title track.
The band will have Monster Party available at its show Thursday night at Newport’s Thompson House (purchasers can “name their price”). The 8 p.m. event (with just a $5 cover) also features area acts Dark Colour, Motherfolk, Celestials and Young Colt, plus a live art performance by Kara Mitchell. Costumes are encouraged — those wearing the best ones will be rewarded with a piece of Mitchell’s artwork.
Here’s one of the previously released Automagik tracks included on the Monster Party EP:
• Also playing Thompson House tonight (in one of the other rooms) is Jamaican Reggae fave Cocoa Tea. Tea’s fellow countryman Louie Culture also appears, along with soulful Folk/Soul/Jazz/Reggae singer Etana, Cincinnati’s The Cliftones and others. Showtime is 9:30 p.m. and tickets are $25.
Cocoa Tea began making waves in the mid-’80s before busting out internationally in the ’90s. Tea scored some major U.S. press in 2008 when he released a song in support of the man who would become our country’s first African American President (in case you’re unclear to whom I’m referring, the song was called “Barack Obama”) and this year he released his 30th LP, Sunset in Negril, on his own Roaring Lion label.
• After adding to their already huge press kit at the recent CMJ festival in New York City, Cincy Trash Pop trio Tweens has been added to the bill at Over-the-Rhine’s The Drinkery tonight, making an already great show even better. The band is joining Brooklyn trio Nude Beach and excellent Cincinnati-based newcomers Leggy. Making infectious, classics-influenced Pop Rock, Nude Beach is touring behind its just released album 77. Here’s the album’s single “For You”:
The free show kicks off at 9 p.m.
• British rockers You Me at Six play Corryville’s Bogart’s tonight. Doors open at (of course) 6 p.m. The U.K.’s Young Guns and L.A.’s Stars in Stereo open.
You Me at Six is beginning to make waves in the States after building a large and loyal fan base in the U.K. The band is currently touring behind its critically acclaimed latest, Cavalier Youth, a big hit in their homeland (it became the group’s first No. 1 album when released early this year).
Here’s the video for You Me at Six’s “Room to Breathe”:
Click here for even more live music events tonight in the Cincinnati area and feel free to plug any other shows going on tonight in the comments.
With Halloween coming up Friday, we’ve got lots of costumes to look forward to/dread: over-the-top celebrity ensembles, clever pop culture costumes, folks who didn’t get the memo that Halloween is not an excuse to be racist. But we get an awesome early costume from Paralympian Josh Sundquist. The athlete lost his left leg as a child and couldn’t be any better of a sport about it, as evidenced by his creative costumes year after year. This time around, he’s a foosball player.
Holy shit, Harry Potter can rap.
LeVar Burton has read countless books to children during his time on Reading Rainbow. But now, Burton just wants kids to Go the Fuck to Sleep.
Let’s talk about last week’s SNL. Jim Carrey hosted for the third time, this one in advance of
the upcoming Dumb and Dumber sequel (so help us, god). If you’re wondering why
the comedian never starred on the sketch comedy show, instead getting his big
break on In Living Color, he tried
— read more about his failed auditions here.
While the episode had its low points — more on musical guest Iggy Azalea later — Jim Carrey served up classic Jim Carrey insanity with plenty of physical humor, face-morphing impressions and even a walk down memory lane with his characters from the past 25 years. Best of all was his take on the weird Matthew McConaughey Lincoln ads.
Then there was Iggy Azalea. The musical guests so far this season have all catered toward a mostly younger audience, but that’s typically the case. And whether you’re sick of her faux Atlanta rap-cent or you still have “Fancy” as your ringtone, Iggy has churned out hit after hit over the past year and she should have been able to produce at least a mildly entertaining performance. But she did not. Both performances flat-lined, plagued with bad lip synching to less-than-stellar pre-recorded tracks, awkward quasi-dancing (you don’t have to have choreography just because you’re a girl, you know) and featured artists with whom she had zero chemistry. And I know following every episode of SNL someone writes a “Was this the worst performance in SNL history?” commentary, but you really have to watch the uncomfortable, dead-eyed performances for yourself.
It seemed more like a skit making fun of white girl
rappers than anything. But it stands as a reminder that ass alone does not a rapper make.
Blog You Should Follow: Drunk J. Crew
Pardon my Seinfeldism, but what is the deal with kids on competition shows? First there was MasterChef Junior, where kids who have been cooking since they were in diapers compete to impress Gordon Ramsay and other chefs. Now there’s Project Runway: Threads with little Tim Gunns that know their way around a sewing machine better I can ever dream (hot glue is my savior). Do you want me to feel inferior to 9-year-olds?
Apparently you can permanently alter the color of your eyes if you hate yourself just enough!
Marcel the Shell is back! Jenny Slate and Dean Fleischer-Camp’s lovable personified shell returns for the first time since 2011 with a new video and a book, Marcel the Shell: The Most Surprised I've Ever Been. Marcel the Shell with Shoes On went viral in 2010 but the short film actually has critical accolades, too: It was awarded Best Animated Short at AFI FEST 2010, was an official selection of the 2011 Sundance Film Festival and won the Grand Jury and Audience Awards at the New York International Children's Film Festival. (You know, just in case you needed any further proof that Jenny Slate is the best.)
And speaking of new installments of viral videos, there’s a new Between Two Ferns with — as Zach Galifianikis calls him — Bradley Pitts.
New movie trailers to hit the Interwebz: Paddington Bear, a character made popular through children’s books since 1958, gets the live-action treatment in Paddington; A troubled young man finds the will to live when his young but more mature niece is put in his care in Before I Disappear; and Brooklyn Nine-Nine’s Chelsea Peretti has a stand-up special coming to Netflix next month, One of the Greats.
Two relatively new Ohio parks, Cincinnati’s Washington Park and Columbus’ Columbus Commons and Scioto Mile, were among the four finalists for the non-profit Urban Land Institute’s 2014 Urban Open Space Award.
According to the Institute, the award “celebrates and promotes vibrant, successful urban open spaces by annually recognizing and rewarding an outstanding example of a public destination that has enriched and revitalized its surrounding community.”
The 2014 winner was Klyde Warren Park in Dallas, described by the Institute as a “5.2-acre deck park built over a recessed freeway in Texas” (similar to what Cincinnati planners want to do with downtown’s Fort Washington Way). It bridges “the downtown Dallas cultural district with burgeoning mixed-use neighborhoods, reshaping the city and catalyzing economic development.”
The award was made at the Institute’s October meeting.
The two other finalists were Tulsa’s Guthrie Green and Santa Fe’s Railyard Park and Plaza.
To be eligible, parks had to meet these criteria:
▪ Be located in an urbanized area in North America;
▪ Have been open to the public at least one year and no more than 15 years;
▪ Be predominantly outdoors and inviting to the public;
▪ Be a lively gathering space, providing abundant and varied seating, sun and shade, and trees and plantings, with attractions and features that offer many different ways for visitors to enjoy the space;
▪ Be used intensively on a daily basis, and act as a destination for a broad spectrum of users throughout the year;
▪ Have a positive economic impact on its surroundings;
▪ Promote physical, social, and economic health of the larger community; and provide lessons, strategies, and techniques that can be used or adapted in other communities.
Restaurateur Jon Zippersteain — the man behind Japanese gastropub Kaze in OTR and sushi/steakhouse Embers in Kenwood — is slated to open the new Mercer OTR on Nov. 4.
The Mercer, at corner of Vine and Mercer streets (on the ground floor of the Mercer Commons apartment complex), will be a casual, European-influenced bistro with seating for up to 60.
"This restaurant was inspired by the sophistication and Mod sensibilities of '60s cinema, which idealized and often parodied 'The Sweet Life' a la 'La Dolce Vita'," says Zipperstein in a recent press release. "There is a vibrant lifestyle here in OTR that we want to echo. I want people to think of The Mercer as a living room for the neighborhood."
Chef Dan Stoltz will interpret rustic Italian-European dishes — like duck-leg cassoulet, porterhouse for two, short ribs, risotto and chicken saltimbocca — in a modern, contemporary way. All pasta, including garganelli, will be made in-house.
On the bar end, the full-service bar — overseen by head mixologist Greg Wefer — will seat 40 and include Prohibition-era favorites like the Americano (Campari, Aperol, sweet vermouth and lime) and a Blood Orange Sazerac (rye, Solerno and blood orange bitters), plus a diverse wine list and local and craft beers.
The restaurant is slated to open on Nov. 4 and will be — get this! — accepting reservations. Make them at opentable.com or call 513-381-0791.
The Mercer OTR, 1324 Vine St., Over-the-Rhine, 513-381-0791, facebook.com/TheMercerOTR.