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by Rick Pender 05.02.2013
Posted In: Theater at 10:55 AM | Permalink | Comments (0)
 
 
photo joan marcus

Well, Bless My Soul: 'Sister Act' is Fun!

You probably remember Whoopi Goldberg's popular film Sister Act from 1992, an unlikely story about an aspiring singer who witnesses a murder and needs to be hidden until the trial — in a convent. Of course, the contrast between Goldberg and the staid nuns, especially the Mother Superior (played by Maggie Smith). It became a musical in 2009 in London, in 2011 on Broadway and now a touring production. Sister Act: The Musical opened Tuesday at the Aronoff Center.

Of course, Goldberg isn't in it, 20 years later. But she is the producer, and her attitude prevails. Her statement about the show pretty well sums it up: "Sister Act is not rocket science — it's hell-bent on being fun and silly, with a little heart thrown in." That's pretty much what I expected.

What surprised me was the talent of the touring cast, performers who are fully committed to deliver an evening of entertainment. Ta'rea Campbell has star power in the Delores/Sister Mary Clarence role, and she's surely a better singer than Whoopi Goldberg ever was. She conveys the shift from attitude to gratidude with sincerity. Hollis Resnik, a veteran musical theater performer from Chicago, captures the starchy disdain needed for the Mother Superior.

The entire ensemble is solid, especially Lael Van Keuren as the innocent postulant who breaks out of her shell, Florrie Bagel as an enthusiastic, starstruck nun and Diane J. Findlay as an elderly nun who finds her mojo. E. Clayton Cornelious is the socially inept cop looking out for Delores, in part because he had a crush on her in high school; he has dreams of being a smooth operator ("I Could Be That Guy," which features some astonishing costume changes as he fantasizes). And there are cartoonish villains: Delores's violent one-time boyfriend Curtis played by Kingsley Leggs. His three thugs, played hilariously by Ernie Pruneda, Charles Barksdale and Jason Simon bring the house down when they explain how they can have their way with the ladies, even if they're nuns ("Lady in the Long Black Dress").

Of course, Sister Act is full of stereotypes and predictable humor, but its all done with energy and polish, which makes it worth seeing. Production values are excellent, from a lot of quick costume changes (you can't imagine how many acres of glittering material went into this show) to a psychedelic Philadelphia cathedral interior that gets wilder and brighter as the story builds, culminating in a performance for the Pope.

There's nothing profound about Sister Act, which is part of the fun.

 
 
by Rick Pender 04.28.2013
Posted In: Theater at 10:49 AM | Permalink | Comments (0)
 
 
lynn meyers

ETC Shares News About Four Shows for Next Season

Two additional shows will round out 2013-14 season

Ensemble Theatre Cincinnati today announced four of its six shows for the 2013-2014 season, which opens on Sept. 4. Producing Artistic Director D. Lynn Meyers says, "We are planning a truly original, fresh and exhilarating season of dynamic regional premieres, and I am absolutely thrilled to showcase some of the hottest titles and newest voices this coming year." 

I'll add my vote of confidence: Meyers' play selection has been unerring for several seasons: Even if the titles aren't immediately familiar, ETC's productions have been engaging and among the best work onstage locally. It's a bit of annual amusement for ETC subscribers that Meyers takes longer than most to pull together what she will present — but that's because she's bargaining, wheedling and pleading with agents, rights organizations and sometimes playwrights themselves right up until the last minute to land very recently produced works. In fact, for the coming season, rather than wait until everything is in place, Meyers has is announcing four shows for the company's 28th season, with slots still open for productions in February and May 2014.

Here's what we know, for now:

Other Desert Cities by Jon Robin Baitz (Sept. 4-22, 2013). The searing comedy by the creator of TV's hit drama Brothers & Sisters, was a Pulitzer Prize finalist, and The New York Times called it "the best new play on Broadway" a year ago. When a once-promising novelist returns home to Palm Springs to visit her parents, conflict ensues when she reveals she's been writing a juicy, tell-all memoir focusing on the tragic death of her antiwar-activist brother. 

Rapture, Blister, Burn by Gina Gionfriddo (Oct. 9-27, 2013). It's another Pulitzer Prize finalist, this one is by a writer whose credits include Law & Order and the recent Netflix series starting Kevin Spacey, House of Cards. It's a social comedy about a rising young academic who's not at all certain that she's leading the life she wants. An evening with a friend who's a stay-at-home mom leads to an interesting game of musical chairs.

Around the World in 80 Days by Joseph McDonough and David Kisor (Dec. 4, 2013-Jan. 4, 2014). ETC will revive one of the first of its holiday shows created back in 1999. Based on Jules Verne's classic novel, it's the story of a crazed circumnavigation of the globe in 1899 by the brilliant Englishman Phileas Fogg, who wages a fortune that he can do it in record time. Bandits, buffalo and winter storms are just a few of the obstacles he must overcome, but the story promises great fun for families.

The Mountaintop by Katori Hall (March 19-April 6, 2014). This show won London's Olivier Award for the season's best new play, and its Broadway production featured Samuel L. Jackson and Angela Bassett as Dr. Martin Luther King Jr. and a feisty young hotel maid. The civil rights leader is cooling down in a lonely Memphis hotel room after delivering one of his greatest speeches. The next day, tragedy would strike. It's a powerful piece of theater by a rising young playwright, according to all who have seen it.

Subscriptions are already on sale for ETC's season. More information is available by calling 513-421-3555. Single tickets will go on sale to the general public on August 5, 2013.
 
 
by Rick Pender 04.26.2013
Posted In: Theater at 08:46 AM | Permalink | Comments (0)
 
 
ac_onstage_cock_photo_deograciaslerma

Stage Door: Weekend Choices

You still have several weeks to see Cock (aka "The Cockfight Play" for journalism wimps) at Know Theatre. (It's onstage through May 11.) It's an oh-so-contemporary piece of theater about a gay man — or rather a man — who thought himself to be gay until he breaks up with his boyfriend and takes up with a woman. (CityBeat review here.) The play involves the tense dance of indecision he becomes part of as his lovers fight over him. It's about 90-minutes of fiercely acted theatrics, staged in a setting that looks like the arena where cockfighting happens. Definitely for mature audiences who appreciate shows that don't pull punches. Tickets: 513-3

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by Rick Pender 04.19.2013
Posted In: Theater at 10:17 AM | Permalink | Comments (0)
 
 
cock photo- deogracias lerma

Stage Door: Bounty of Choices

There's a bounty of theater choices to keep you entertained this weekend, with productions on venues all over town — including on several university campuses. Here are a few you might want to check out.

New Edgecliff Theatre, which has presented shows at the Columbia Performance Center on Cincinnati's East Side for quite a few years, has been itinerant this year while they seek a new home. They're completing their fifteenth season with a production of David Auburn's Proof at the Aronoff Center's Fifth Third Bank Theater, which looks like it's where they'll land for their next season. (I'll be writing more about NET in my next CityBeat "Curtain Call" column on April 24.) I attended the show's opening on Wednesday, and it's a solid production of a very engaging play, the winner of the 2001 Pulitzer Prize. Greg Procaccino, NET's former artistic director, has returned to stage a simple but effective production that features Rebecca Whatley as Catherine, the anxious, self-doubting young woman who has been a caregiver for years for her father, a renowned math professor whose mental instability has been a factor and a threat in his daughter's life. The show has several gripping twists and turns, as well as a satisfying resolution. Through April 27. Tickets: 513-621-2787.

Last week I was at the opening of Cock, a regional premiere and Know Theatre's second production of the season. (CityBeat review here.) It's the story of a man falling out of a gay relationship and into one with a woman; he's torn by indecision and doubt about which way to go. The show is staged (by director Brian Robertson) like a cockfight, with the characters "pecking" at one another emotionally. It's also presented in an unusual setting, bertween two rows of bleachers (like a cockfight arena), so you're close to the action and able to see how others are responding. It's a fight to the finish, and you can never be certain of the outcome. Strong acting and a very contemporary, well-written script by British playwright Mike Bartlett. Through May May 11. Tickets: 513-300-5669.

This is the final weekend at the Carnegie in Covington for the hard-hitting musical Parade by composer and lyricist Jason Robert Brown and playwright Alfred Uhry. (CityBeat review here.) It's based on the true story of Leo Frank, unjustly accused of murdering a young teenaged girl working in the factory he managed in Atlanta in 1913. A Jew from New York, Frank was the target of profound anti-Semitism and never had a realistic chance to defend himself, although his wife tried mightily to expose the prejudice. It's a powerful production, featuring a cast of musical theater talent from UC's College-Conservatory of Music, directed by Dee Anne Bryll and Ed Cohen. The show is not easy to watch, but it's deeply moving. Through Sunday. Tickets: 859-957-1940.

Every two years since 1981, Northern Kentucky University has presented the Year End Series Festival — shortened to the "YES," ten days of presentations of three world premieres. This year's shows are a murder-mystery farce, Heart Attack with a Knife by Oded Gross; David L. Williams Spake, a drama set in Siberia; and a comic fable about fame and friendship, Furbelow by J. Stephen Brantley. YES is a gargantuan undertaking, and it represents how NKU prepares its drama students for careers in the theater. Shows are presented in rotating repertory, so you should check the Web site for specific performance dates. Tickets: 859-572-5464.

At other area universities this weekend: At the Cohen Family Studio Theater at UC's College-Conservatory of Music, you can see a production of Emily Mann's Execution of Justice (UC's College-Conservatory of Music, through Sunday, 513-556-4183), a new docu-drama about the trial of Dan White for the murder of Harvey Milk, San Francisco's first openly gay Supervisor and Mayor George Moscone. It's staged by retiring UC drama professor Michael Burnham. And for musical theater fans, you can see Stephen Sondheim and James Lapine's popular fairytale musical Into the Woods at Miami University (through April 27, 513-529-3200).
 
 
by Rick Pender 04.18.2013
Posted In: Theater at 08:27 AM | Permalink | Comments (0)
 
 
know at night - photo eric vosmeier

Fringe Has Sprung

Tenth annual event begins May 28

Sure signs of springtime in Cincinnati: The Reds are playing (and winning), trees in Over-the-Rhine are covered with white blossoms — and Know Theatre has announced the lineup for the upcoming Cincinnati Fringe Festival. 2013 is a significant year for the Fringe: It's marking the 10th  anniversary of the annual celebration of weird creativity. Last evening a big crowd gathered at Know Theatre's Jackson Street facility to hear what's in store for the May 28-June 8 festival.

Eric Vosmeier, Know's producing artistic director, shared the news that, building on a decade of success, the Fringe received a record number of applicants for 2013, with 70 percent of the applications coming from brand-new producers. That's one of the best parts of the Fringe, the fact that a new jolt of energy arrives annually from performers that haven't been seen locally. Sixty-three percent of the 2013 applications were from out of town, including several from international producers. There will be 35 productions in all, by 17 local groups and 18 from out of town. There will be 19 plays, seven solo shows, two dance pieces, two musicals, and five multimedia/variety pieces.

Vosmeier said that it was no easy task for the Fringe selection committee to assemble this lineup. The group was made up of theater professionals from Greater Cincinnati: Heather Britt, Michael Haney, Dave Levy, Miranda McGee, D. Lynn Meyers and Torie Wiggins. “The quality of applications continues to get stronger and larger each year," he said. "I'm so happy to have these amazing leaders of the local theatre community as a part of our jury, and we're grateful for their time in deciding the 2013 lineup.”

The official CityBeat Fringe Kick-Off Party takes place Tuesday, May 28, at Know Theatre. This year's event will also be a 10th birthday celebration, with many of the festival's founders in attendance. The evening, which kicks off at 6 p.m., will feature Indie rock group Bethesda and food from a half-dozen local eateries. The evening (suggested donation: $5) is an opportunity to meet Fringe artists, staff, volunteers and other audience members.

The full Fringe schedule will be published in CityBeat's May 15 edition, but you can get some information at the refreshed website: www.cincyfringe.com. I'm looking forward to return visits by Wonderheads (from Portland, Ore., who did some amazing work with masks in last year's Grim and Fischer; their new piece is titled LOON), Four Humors Theatre (from Minneapolis, whose always creative troupe will be staging Lolita: A Three Man Show) and Tanya O'Debra (from New York City; whose Radio Star was a much admired work in 2012; this time she's in a two-person piece, Shut UP, Emily Dickinson). Performance Gallery, based here in Cincinnati and a regular annual presence every year is staging Mater Facit, "an absurd look at motherhood, nationalism, war, sex and sacrifice." Tangled Leaves Theatrical Collective, another Cincinnati-based group popular with local audiences, will produce Vortex of the Great Unknown.

Of course, the real fun of Fringe is being surprised by new material and performers, and this year's lineup offers plenty of that: Poe and Mathews: A Misadventure in the Middle of Nowhere (Los Angeles); Questions of the Heart: Gay Mormons and the Search for Identity (Bloomington, Ind.); The Bubble and Other Displays of Moral Turpitude (from Cincinnati-based North American New Opera Workshop); The Elephant in My Closet (New York City); and a production of Cincinnati playwright Catie O'Keefe's The Space Between my Head and my Body (by Shark Eat Muffin Theatre Company). I could go on and on — Know's announcement news release is 20 pages! Based on a decade of Fringing, I like to say that the festival is "theater roulette": You never know what's going to happen when you show up for a performance, and serendipity is the only predictable element. That's what makes it fun. I don't want to wish away springtime, but is it May 28 yet?

 
 
by Rick Pender 04.12.2013
Posted In: Theater, Visual Art at 09:26 AM | Permalink | Comments (0)
 
 
legallyblonde2

Stage Door: Controversy, Conversation and Comedy

Tonight (Friday) Know Theatre opens a new production of a work that's bound to launch a lot of conversations. And let's not beat around the bush: The real title of Mike Bartlett's play is Cock (The Cockfight Play is the substitute title for media that are afraid to offend). It's a tense comedy about sexual identity: John takes a break from his longtime boyfriend and unexpectedly falls in love with a woman. The story is about how he's caught in a tug-of-war between these two lovers, and the play's conflict is John's navigation of his sexuality and his selfhood. It's also told without scenery or props, focusing squarely on the relationships. According to Know's Eric Vosmeier, "It's a kind of pansexual love story that's told very simply without all the trappings of a traditional production." Vosmeier describes this production as "one of the first victories of Know's new scheduling model." The rights for Cock just became available; this is only the second American production of the play that premiered at London's Royal Court Theatre in 2009. The show runs through May 11. Box office: 513-300-5669

This weekend is the opener for Covedale Center's production of Legally Blonde, the show that kicked up controversy in a Loveland High School staging last fall that led to the firing of a dedicated director. I still shake my head over what could offend anyone about this PG rated piece of musical theater, but you can check it out and decide for yourself at the Covedale. It's about a young woman who won't take "no" for an answer and becomes her own woman in the process — outshining everyone at Harvard Law School. It's kind of crazy, but a lot of fun. No one will get fired over this one, I suspect. Box office: 513-241-6550

The Otto M. Budig Theatre at the Carnegie in Covington is in the midst of a run of Jason Robert Brown's Parade. My schedule and the theater's haven't matched up yet, but I'm eager to see it — I'm headed there for the Sunday matinee this weekend. Set in the sweltering intolerance of 1913 Atlanta, Parade is the story of Leo Frank, a northerner and Jewish factory manager, wrongfully accused of murdering a 13-year-old girl in his employment. Despite media frenzy and public outrage, his courageous wife struggles in vain to clear his name. The show won 1999 Tony Awards for best book and best score. This is an off-campus production by the musical theater program at UC's College-Conservatory of Music, and it's been given high marks by the judging panel from the League of Cincinnati Theatres: for the ensemble, for musical direction by Steve Goers, for featured actor Noah Ricketts and for lighting design by Alan Hanson and Wes Richter. It's onstage through April 21. Box office: 859-957-1940

Untethered Theater is midway through it's run of Jeff Daniels' Apartment 3A, presented at the Clifton Performance Theatre on Ludlow, a few blocks east of the Esquire. It's about a once idealistic young woman who has been disillusioned in just about every aspect of her life. The show is an exploration of faith and hope in today's world, described as "an uncynical play about cynics in cynical times." Through April 27. Tickets: 513-939-0599


 
 
by Rick Pender 04.05.2013
Posted In: Theater at 08:06 AM | Permalink | Comments (0)
 
 
onstage 4-3 - midsummer @ cincy shakes - maggie lou rader & justin mccomb - photo rich sofranko

Stage Door: Tickets Available for 'War Horse'

I'm off to the Humana Festival of New American Plays at Actors Theatre of Louisville this weekend, where I'll be checking out plays that could well be on their way to theaters across America in future seasons. For those of you staying here in Greater Cincinnati, there's lots of good stuff to get out and see onstage:

War Horse completes its Cincinnati stop on Sunday. I heard a rumor that it's not selling well, which strikes me as mystifying. It's one of the best pieces of theater I've seen on tour in ages. (Review here.) Of course, it's not a musical (which is what people who go to the Broadway Series at the Aronoff have come to expect) and it was made into a moderately successful movie by Steven Spielberg. But the stage production is a miraculous piece of theater artistry, especially the onstage creation of living breathing horses, life-sized puppets that are manipulated (by three performers) that you'll be convinced you're watching the real thing. The silver lining to poor attendance, I suppose, is that tickets are readily available. You should get yours right away for the chance to see this Tony Award-winning production: Final performance is on Sunday. Box office: 800-987-2787

Last evening I made time to see Cincinnati Shakespeare's production of A Midsummer Night's Dream. It's going to be around for several more weeks, and it's definitely an entertaining — and unusual — rendition of the tale of mixed-up lovers. (Review here.) Director Jeremy Dubin has transported it from the mythical Athens that Shakespeare envisioned and landed it in a swampy Southeastern U.S. in the 1940s, complete with a few guys with drawls in uniform and a clown in a loud plaid sports coat. The latter is CSC Nick Rose, and watching him overact as Nick Bottom, the weaver who imagines himself to be a brilliant performer, is hilarious. MND's mix of magic and humor is always fun, even if it doesn't make much sense, especially in this setting.  Box office: 513-381-2273, x1.

Also worth checking out is the Cincinnati Playhouse's entertaining production of The Book Club Play. It's good in the same way as a well-done TV sitcom: Familiar characters pushed to comic extremes, funny situations that you can identify with, story twists that surprise and amuse. (Review here.) Because book clubs are a big deal these days, lots of people are flocking to see this show (it's been extended to May 5), so you should call now to get your tickets. I can assure you that you'll leave the theater with a smile on your face. Box office: 513-421-3888.

Smiles cannot be predicted with the staging of Jason Robert Brown's very serious musical, Parade, at the Carnegie. But a piece of great drama and fine music is certainly in store if you head to Covington for this one, staged by Ed Cohen and Dee Ann Bryll. It's actually a studio production from UC's College-Conservatory of Music, featuring some outstanding talent from one of America's best training programs for Broadway talent. The story of a falsely accused factor manager, railroaded into a murder conviction mainly because of anti-Semitic attitudes, is heart-rending. But it makes for powerful theater. It opens tonight and runs through April 21. Box office: 859-957-1940.
 
 
by Rick Pender 03.27.2013
Posted In: Arts community, Theater at 12:29 PM | Permalink | Comments (0)
 
 
american idiot photo john daughtry

Look for 'American Idiot: The Musical' in Cincinnati Next Year

Aronoff to host Green Day-inspired Punk Rock opera in spring 2014

Two weeks ago I caught a touring performance of American Idiot: The Musical when it made a three-evening stop at Dayton's Victoria Theatre (see review here). The performance of Green Day's album transformed into a musical theater piece was a noisy blast of defiance, full of energy – although a downer of a story about three guys being overwhelmed by everyday life. But that's what you's probably expect of a "Punk Rock Opera." We'll have it for two nights in Cincinnati, Friday, April 11, and Saturday, April 12, 2014 (that's right, a year from now) as part of the Broadway Across America series at the Aronoff (about twice the size of the Victoria). If you're a fan of Green Day, you'll want to see this one. And if you like shows such as next to normal, a recent big hit for Ensemble Theatre, it's worth noting that Green Day's songs were orchestrated for the stage show by Tom Kitt, who composed N2N's story of a bipolar mom struggling to keep her family together.

 
 
by Rick Pender 03.25.2013
Posted In: Theater at 11:00 AM | Permalink | Comments (0)
 
 
onstage_blake robison - photo sarah bradley

Playhouse Announces 2013-14 Season

Blake Robison to stage "Cabaret," "Pride and Prejudice" among compelling new work

People look to the Cincinnati Playhouse for classic entertainment and the best contemporary theatre,” says Blake Robison, producing artistic director, as he announces his second season, coming in September. For 2013-2014 he’s assembled an array of big titles — including the classic Kander and Ebb musical Cabaret and a stage adaptation of Jane Austen’s Pride and Prejudice — and a collection compelling new work (including two world premieres), mostly on the Shelterhouse Theatre stage.

The Cincinnati Playhouse in the Park has two stages: The Robert S. Marx Theatre is the mainstage with 626 seats; the Thompson Shelterhouse (which is in fact a one-time park shelter) can accommodate an audience of 225. Both have thrust-style stages surrounded by audience seating on three sides, making the action is close and intimate in both theaters.

On the Marx Stage:

·      Fly by Trey Ellis and Ricardo Khan (Sept. 7-Oct. 5, 2013). The story of World War II’s Tuskegee Airmen is told using live action, video projections and tap dancing. This new work will be directed by Khan, its co-creator.

·      Cabaret by John Kander and Fred Ebb (Oct. 19-Nov. 16, 2013). Set in Berlin in the 1930s, and especially in the decadent Kit Kat Club, it’s a musical love story with lots of choreography. Marcia Milgrom Dodge, a Broadway veteran, will direct.

·      A Christmas Carol, adapted by Howard Dallin (Nov. 27-Dec. 29, 2013). Michael Evan Haney will direct the holiday show with a cast of 30 for the 21st time.

·      Clybourne Park by Bruce Norris (Jan.18-Feb. 16, 2014). This one won the 2011 Pulitzer Prize and Tony Award for best play. Inspired by Lorraine Hansberry’s classic play, A Raisin in the Sun, the play is explores racial attitudes in a Chicago neighborhood in 1959 and 2009. Artistic Associate Timothy Douglas (who staged the current production of A Trip to Bountiful) is the director.

·      Pride and Prejudice, adapted by Joseph Hanreddy and J. R. Sullivan (March 8-April 5, 2014). Robison will direct this lavish, full-scale production of Jane Austen’s classic romance.

·      Venus in Fur by David Ives (April 19-May 17, 2014). Maybe you know Ives’ very funny collection of skits, All in the Timing. This is a full-length comedy about a director seeking the right actress who gets more than he bargained for. Artistic Associate KJ Sanchez is staging this one. 

On the Shelterhouse Stage:

·      Seven Spots on the Sun by Martín Zimmerman (Sept. 28-Oct. 27, 2013). The first of several world premieres for the season, this one is a fable of revenge and redemption set in a Latin American village just after a brutal civil war. Sanchez is directing this one.

·      The Complete History of Comedy (Abridged) by the Reduced Shakespeare Company (Nov. 9-Dec. 29, 2013). The same guys who abbreviated Shakespeare, the Bible and American history are at it again, premiering their latest abridgment right here in River City.

·      4000 Miles by Amy Herzog (Feb. 8-March 9, 2014). Robison will stage this tale of a pair of unlikely roommates, a 91-year-old grandmother and her 21-year-old grandson.

·      A Delicate Ship by Anna Ziegler (March 22-April 20, 2014). Another world premiere production, this one by an impressive young playwright who offers a humorous and heartbreaking look at love, memory and decisions that change lives. Michael Haney will direct. (Haney, perhaps Cincinnati’s best local director, was the Playhouse’s Associate Artistic Director from 2001 to 2013; starting in the fall, he joins Douglas and Sanchez in a trio of “artistic associates” who each will direct two shows.)

·      The North Pool by Rajiv Joseph (May 3-June 1, 2014). Rajiv Joseph’s riveting psychological drama is the story of a transfer student from the Middle East whose life quickly becomes complicated. Douglas is the director.

 
 
by Rick Pender 03.22.2013
Posted In: Theater at 07:47 AM | Permalink | Comments (1)
 
 
dont cross the streams

Stage Door: Comedy, Conflict and Classics

My schedule hasn't afforded me the time to see the production of Don't Cross the Streams: The Cease and Desist Musical, a show that began its life in the Cincinnati Fringe Festival back in June. (It also was a festival highlight at the IndyFringe in Indianapolis in August.) But the very tongue-in-cheek piece inspired by the film Ghostbusters (but not allowed to say that) has now been expanded into a full-fledged musical that's onstage at Newport's Monmouth Theatre, presented by Falcon Theatre and Hugo West Theatricals. The League of Cincinnati Theatres has termed the show a "recommended production," so it's evident that their judging panel enjoyed it. One panelist called it "a lively, enthusiastic spoof," and another said that the show is "an evening of theater that doesn't take itself too seriously. The show just had a two-weekend run, so it's final performance is Saturday at 8 p.m. Tickets: 513-479-6783.

Ensemble Theatre's production of Black Pearl Sings! features one of the finest performances by a local actor that I've seen this season. Torie Wiggins plays a woman in the 1930s who translates her memory of songs from her African ancestors into a ticket out of prison and to some notoriety in New York City. Wiggins nuanced performance is complemented by veteran Annie Fitzpatrick as the folk music researcher who sees Pearl as her own ticket to success. Their tentative relationship becomes a delicately balanced friendship, while both explore issues of racism, sexism and getting ahead. Definitely worth seeing. Through March 31. Box office: 513-421-3555. 

Lizan Mitchell is at the other end of the career spectrum from Wiggins, but she too plays Carrie Watts, a sprightly, elderly African-Amerian woman whose powerful sense of home takes her on an impromptu journey back to her roots in A Trip to Bountiful at the Cincinnati Playhouse. It's laced with sadness, since what she remembers no longer exists, but her memories and her joyful take on life make it all worthwhile, not only for her but for others in her life, including her browbeaten son and his selfish wife as well as a sweet young woman who is Carrie's companion on a long bus ride. Through April 7. Box office: 513-421-3888.

This weekend Cincinnati Shakespeare is opening a production of the much-loved Shakespearean romantic comedy, A Midsummer Night's Dream. It's been transported to 1940s America and set in a Jazz-inspired magical forest, with original musica composed by resident sound designer Doug Borntrager; there's also original choreography by Brittany Kugler. The production is staged by Jeremy Dubin, and features veteran actor Nick Rose in the role of Nick Bottom the Weaver, the guy who makes an ass of himself — literally. It's a tangled, funny story that all works out perfectly in the end. A great show to kick off springtime. Through April 21. Box office: 513-381-2273 x1. 

 
 

 

 

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by Samantha Gellin 01.30.2015 47 hours ago
Posted In: Theater at 09:33 AM | Permalink | Comments (0)
 
 
etc the other place - photo ryan kurtz

Stage Door: Women in Distress on Local Stages This Weekend

Ensemble Theatre Cincinnati continues its hot streak of well-cast and engaging scripts with Sharr White's The Other Place, the story of a brilliant but abrasive woman who is losing her grip. Regina Pugh is excellent in this moving and sometimes funny production, ably supported by Michael G. Bath as her perplexed husband, and with two performers usually seen at Cincinnati Shakespeare, Kelly Mengelkoch and Billy Chace, in an array of supporting roles. This is a drama that keeps you guessing as to what's the truth behind the story that's unfolding. When it all comes together, the revelation is devastating. Definitely worth seeing. Box office: 513-421-3555.

Another powerful piece of theater is onstage at Know Theatre, where another Cincy Shakes regular is featured in the one-woman adaptation of Margaret Atwood's The Handmaid's Tale. The script feels a tad long, but it's such a pleasure to watch Corinne Mohlenhoff as Offred — and a half-dozen other distinct characters — that all you can do is marvel at her skill in presenting them, not to mention in memorizing more than two hours of text. This frightening dystopian tale of America's possible future staged by Brian Phillips (Cincy Shakes artistic director and Mohlenhoff's husband) on a very effective set designed designed by Andrew Hungerford (Know's artistic director) is definitely worth seeing. Box office: 513-300-5669.

Other productions worth seeing on local stages: A collection of Johnny Cash tunes in Ring of Fire at the Cincinnati Playhouse (CityBeat interview here), the humorous Greater Tuna at Covedale (CityBeat review here) and a compelling staging of Samuel Beckett's breathtaking piece of absurdity, Waiting for Godot, at Cincy Shakes (CityBeat review here).

Get ready for more fun at Know Theatre with the kick-off of the second season of Serials!, this one subtitled "Thunderdome." Starting Monday evening at 7:30 p.m. (and continuing at two-week intervals through the end of March) will be five 15-minute pieces intended to be episodically developed. But this time, two will be voted off each week by the audience, to be replaced by two new works the next time around. Sounds like fun, and if this repeats the success of last summer's inaugural event, it's a chance to see local actors and writers at work. Box office: 513-300-5669.

Rick Pender's STAGE DOOR blog appears here every Friday. Find more theater reviews and feature stories here.
 
 
by Rick Pender 01.23.2015 8 days ago
Posted In: Theater at 09:33 AM | Permalink | Comments (0)
 
 
cast of ring of fire_ photo sandy underwood 2

Stage Door: Theater Abounds This Weekend

I attended the opening of Ring of Fire: The Johnny Cash Musical at the Cincinnati Playhouse last evening. The show offers some sense of the great Country music singer's life, but it's not detailed in the way Rosemary Clooney was portrayed in the Playhouse's recent production. Instead, it's Cash's music that's front and center, performed by a half-dozen veteran musicians and four singer/actors, two men and two women, all of whom convey the sincerity and strength that were his calling card. Jason Edwards and Derek Keeling have voices reminiscent of the"Man in Black," the former in maturity and the latter as brash young man. Trenna Barnes and Allison Briner round out the quartet, sometimes conjuring the persona of June Carter, Cash's talented wife. Both are great singers, but Barnes is especially powerful and entertaining as a young spitfire in numbers like "Cry, Cry, Cry." The show features more than 30 numbers, some familiar, several sung amusingly by the musicians, and all engaging. Especially fun is "I've Been Everywhere," the second act opener that has all 10 performers singing, playing guitars and accelerating through a list of cities where Cash toured. Read more about the show in my interview (CityBeat interview here) with Edwards, who is also the show's director. Box office: 513-421-3888.

Speaking of the Playhouse, I should also mention that this weekend kicks off performances of Theory of Mind, the story of a teenager on the autism spectrum. It's about his first date with a young woman unsure of her own reasons for romance. Ken LaZebnik's play, created for young people who are 11 or older, premiered at the Playhouse in 2009 and was successful with kids and adults. This weekend it will show up at Prospect House in Price Hill on Friday at 7 p.m., at the Hyde Park Health Center on Saturday at 2 p.m. and at the Dunham Recreation Center in Price Hill on Saturday at 7 p.m. Some performances are free. For more details and a schedule of locations and dates (through Feb. 22), go to www.cincyplay.com.

You shouldn't miss Waiting for Godot at Cincinnati Shakespeare Company (through Feb. 7). The production features excellent acting by Bruce Cromer (if you've seen A Christmas Carol at the Playhouse, you know him as Ebenezer Scrooge) and Cincy Shakes stalwart Nick Rose. Playing a pair of sad-sack hobos waiting for someone who never shows up, they capture the desperation of human existence in Samuel Beckett's masterpiece of theater of the absurd. I gave the show a Critic's Pick. (CityBeat review here.) Tickets: 513-381-2273. 

Two other productions kick off this weekend — the very funny Greater Tuna at the Covedale Center, through Feb. 15 (513-241-6550) in which two actors play many of the people in the "third smallest town in Texas," and the very serious Handmaid's Tale at Know Theatre, through Feb. 21 (513-300-5669). The latter, a one-woman adaptation of Margaret Atwood's dystopian novel, features Cincy Shakes regular Corinne Mohlenhoff. I interviewed playwright Joe Stollenwerk in my Curtain Call (review here) column in CityBeat. 

At Clifton Performance Theatre on Ludlow Avenue Friday through Sunday only, you'll find a free show about coping with mental illness, She's Crazy, Mental Health and Other Myths features two local actresses, Sherry McCamley and Cathy Springfield, who developed this cabaret show that uses original songs and personal stories to reduce the stigma of mental health. Space is limited, so you are urged to call for reservations: 513-861-7469.

Not for this weekend, but coming soon, you can get some bargains on tickets at Ensemble Theatre (where The Other Place opens next Wednesday). If you've never purchased tickets to ETC, you can score two $10 tickets during the first two weeks of each of its next three productions. A few restrictions apply, but it's a perfect opportunity to check out this excellent theater company if you've not been there. ETC is quick to point out that it's located in the Over-the-Rhine, where there are restaurants and events galore and easy parking in nearby garages. Box office: 513-421-3555.

Rick Pender's STAGE DOOR blog appears here every Friday. Find more theater reviews and feature stories here.

 
 
by Rick Pender 01.16.2015 15 days ago
Posted In: Theater at 09:36 AM | Permalink | Comments (0)
 
 
cinderella_photo_carol-rosegg-

Stage Door: A Weekend of Classic Musicals and Plays, Plus a Party and Some Lies

Things are off to a good start for 2015: The touring production of Cinderella at the Aronoff is a very entertaining retooling of music by Rodgers and Hammerstein into a more contemporary version of the classic fairy tale. It's the same story, but the attitudes are of the 21st century, with a "power to the people" thread running through it and Cinderella conveying a populist message, convincing her prince that democracy is the way to go. The music is charming and there's some magical things done with quick changes in and out of ball gowns that will keep audiences guessing as to how it's done. I gave this one a Critic's Pick with my CityBeat review. Tickets: 513-621-2787.

Another classic musical is onstage at Covington's Carnegie: West Side Story. The show requires a lot of dancing and strong orchestral support, and this production offers both.The leads have excellent voices, although I felt (CityBeat review here) they were a tad too operatic for "kids" affected by gang warfare. Nevertheless, this show has some of the finest music ever written for the stage — the score is by Leonard Bernstein and the lyrics by Stephen Sondheim — so it's definitely worth seeing. Tickets: 859-957-1940.

Cincinnati Shakespeare Company opens its production of one of the 20th century's great stage works, Samuel Beckett's Waiting for Godot this weekend. I haven't seen it yet, but with a cast feature stage veteran Bruce Cromer and longtime Cincy Shakes actor Nick Rose, it's sure to be watchable. Here's a fun fact: Cromer has played Scrooge in A Christmas Carol at the Cincinnati Playhouse for eight years; this year Rose understudied the role and actually had to cover several performances when Cromer was out of commission with a twisted ankle. I expect their onstage chemistry to fuel a production that audiences will enjoy. 513-381-2273.

CCM voice professor Pat Linhart presents her annual faculty recital on Sunday afternoon at 4 p.m. It's a free event at Patricia Corbett Theater on the UC Campus. Every year Linhart assembles a program of zany humor and heartfelt singing, accompanied by the inestimable Julie Spangler. There are always a few surprises, and this year should be no exception. The theme is "It's My Party" celebrating Pat's 65th birthday, and I'm envisioning party hats and noisemakers for everyone in the audience.

Rick Pender's STAGE DOOR blog appears here every Friday. Find more theater reviews and feature stories here.
 
 
by Rick Pender 01.09.2015 22 days ago
Posted In: Theater at 09:31 AM | Permalink | Comments (0)
 
 
rebecca kling - photo provided

Stage Door: Alternative Theater & More

The tragic suicide of Leelah Alcorn a week ago has drawn attention to the challenges faced by transgendered individuals. All the more reason that you ought to head to Know Theatre (1120 Jackson St., Over-the-Rhine) on Friday or Saturday evening at 8 p.m. for Rebecca Kling's Fringe Encore performance of Something Something New Vagina. Kling's solo show in the 2014 Fringe fascinated and informed audiences (she was also in town for the 2012 Fringe with a piece about being transgendered, Storms Beneath Her Skin), and we're lucky she's returned coincidentally close to the Kings High School student's death. Kling's show is about loving one's self and one's body; it's a shame Leelah couldn't have seen it. But you have the chance. Be forewarned that Kling, who is a transgender artist and educator is frank and funny; she ends each evening with a "Strip Q&A" answering any questions audience members wish to pose. If you attend one of her performances, I guarantee you'll come away with new insights into the transgender experience. Tickets ($15) can be purchased at the door or online.

Since I'm on the subject of alternative theater, let me point you to the Queen City Queer Theatre Collective which presents a reading at Below Zero Lounge (1122 Walnut St., Over-the-Rhine) of Paula Vogel's And Baby Makes Seven on Monday evening at 7:30 p.m. It's the story of two lesbians who enlist the help of a friend to have a child while they negotiate the imaginary family they have already created. Performing will be Maggie Lou Rader and Justin McCombs from Cincy Shakes and local actress Erin McCamley. QCQTC uses theater to celebrate and encourage dialogue around queer experiences; the group offers these readings on the second Monday of each month. Admission is free, but they'd appreciate a $5 donation at the door. More info: facebook.com/qcqtccincinnati.

If you're looking for more traditional fare you have two choices this weekend: The touring production of Rodgers + Hammerstein's Cinderella retells the traditional fairytale with a few modern twists. It's an entertaining production with lavish costumes (Tony Award-winning, by the way), imaginative sets, lovely choreography and a cast of fresh-faced performers. I gave it a Critic's Pick with my CityBeat review here. Tickets: 513-621-2787.

If Broadway musicals are your thing, you need to catch West Side Story at the Carnegie between now and Jan. 18. The show was a big hit back in 1957, and its iconic score by Leonard Bernstein with lyrics by Stephen Sondheim is one of the best collections of stage music ever. Abigail Paschke, who played Maria in the Carnegie's staging of The Sound of Music a year ago, is a very different Maria this time, one of the star-crossed lovers in this contemporary version of Romeo and Juliet. Tickets: 859-957-1940.

This is the last weekend for Tenderly: The Rosemary Clooney Musical, which started back in November at the Cincinnati Playhouse and has been extended twice because of audience demand. It's the story of the girl singer from Northern Kentucky and Cincinnati who became an international star in the 1950s, then had to reinvent herself when pop music moved in a new direction and drugs nearly ended her high-flying career. Many of Clooney's best tunes are authentically recreated by actress Susan Haefner. Final performance is 7 p.m. on Sunday. Tickets: 513-421-3888.

Rick Pender's STAGE DOOR blog appears here every Friday. Find more theater reviews and feature stories here.

 
 
by Rick Pender 01.02.2015 29 days ago
Posted In: Theater at 09:37 AM | Permalink | Comments (0)
 
 
michael marotta_susan haefner_rosemary clooney in tenderly_photo sandy underwood

Stage Door: Start the New Year with a Show

With the holidays just behind us, there's a kind of a lull on local stages, but this weekend has a few offerings to consider. At the Cincinnati Playhouse there's a popular production that's been extended twice, so you still have chances to see Tenderly: The Rosemary Clooney Musical through Jan. 11. The show is a great recreation of the career of girl singer Clooney who grew up in Northern Kentucky and Cincinnati and rose to stardom in the 1950s and 1960s, only to find that the music world's fascination with Rock 'n' Roll was putting her in the rear view mirror. But she figured out how to reinvent herself and overcome drug dependency, too. Susan Haefner acts the part and sings a slew of convincing renditions of Clooney's Pop and Jazz hits. Michael Marotta plays her therapist and more: He steps in and out of portraits of all the other people in Clooney's life, from her mother and her sister to big names like Frank Sinatra and Bing Crosby. It's a very entertaining show, guaranteed to warm up an early January night at the theater. Tickets ($30-$85): 513-421-3888.

Ensemble Theatre Cincinnati is offering one final weekend of its "non-denominational" holiday fairytale musical, Sleeping Beauty. With songs by local composer David Kisor and an entertaining script by Cincinnati playwright Joe McDonough, this production is good for kids and adults. Acting intern Deirdre Manning steps out in the title role with a fine singing voice and fellow intern Terrance J. Ganser is her Rock star prince and her soulful savior a century later. But the real zip in the show comes from Deb G. Girdler's evil Wisteria and Michael G. Bath as Falcon, her devious assistant. Final performance is 2 p.m. on Sunday. Tickets ($18-$44): 513-421-3555.

Speaking of ETC, for the next week or so the theater is offering $10 off adult tickets to performances early in the runs of an engaging thriller The Other Place (Jan. 29-Feb. 3), the drama with historical context Detroit '67 (March 18-24) and a romantic comedy Outside Mullingar set in Ireland (May 6-12). Just mention the coupon code NEWYEAR15 when purchasing tickets in those date ranges online (www.ensemblecincinnati.com), in person or by phone (513-421-3555), and you'll save $10. That's a good way to get 2015 off on the right foot!

Rick Pender's STAGE DOOR blog appears here every Friday. Find more theater reviews and feature stories here.
 
 
by RICK PENDER, CityBeat staff 12.22.2014 40 days ago
Posted In: Theater, Arts community at 09:24 AM | Permalink | Comments (0)
 
 
eric ting, associate artist - photo_cincinnati playhouse in the park

Call Board: Theater News

More Directing Talent at the Playhouse. Last Wednesday the Cincinnati Playhouse in the Park announced that Obie Award-winning director Eric Ting will join the theater as an Associate Artist for the 2015-2016 season. Playhouse Artistic Director Blake Robison said, "I've known Eric for nearly 15 years, when he began his career as a student at the University of Tennessee. Since then he has created an impressive body of work as one of the country's most gifted young directors. He's in touch with a new generation of American playwrights, and he brings a fresh perspective to the classics. He's distinguished himself off-Broadway with an Obie Award. And his time at Long Wharf Theatre [in Connecticut as associate artistic director] has given him experience in an institutional theatre." Ting's 2012 Obie recognized his direction of Jackie Sibblies Drury's We Are Proud to Present a Presentation on the Herero of Namibia, Formerly South-West Africa from the German Sudwestafrika, Between the Years 1884-1915. The New Yorker called his production at Soho Rep "a thrilling opportunity to see both a serious new talent developing her voice and what an inspiring director can do to encourage it." Ting said he's honored to be named an associate artist at the Playhouse: "I've long admired Blake's work as an artistic leader and have been following the storied work of the Playhouse ever since my sister's family settled in nearby Montgomery. The associate artists program combines two of the things I hold most dear in life: art-making and community building." Ting joins three other associate artists: Timothy Douglas, Michael Evan Haney and KJ Sanchez. According to Robison, these directors "form the backbone of our directing corps and bring diverse backgrounds, experiences and viewpoints to the Playhouse."

Bowled Over. I made my first excursion to Cheviot late last week to see The Drama Workshop's production of a revue of music by Stephen Sondheim, Putting It Together. The community theater's cast of five did a commendable job with Sondheim's challenging tunes, and I was glad to get to see what TDW has done with its new home, The Glenmore Playhouse, a former bowling alley that's become a spacious performance venue thanks to the hard work of the group's many volunteers. TDW recently announced its five-show 2015-2016 season: the musical comedy I Love You, You're Perfect, Now Change (Sept. 11-27); Ira Levin's murder mystery, Death Trap (Oct. 22-Nov. 8); Barbara Robinson's The Best Christmas Pageant Ever (Dec. 4-13); Paul Slade Smith's Unnecessary Farce (Feb. 26-March 13, 2016); and the world's longest-running musical, The Fantasticks (April 22-May 8, 2016). More information: www.thedramaworkshop.org.

Christmas Caroling. For the first time in 24 years, the Cincinnati Playhouse decided to have an understudy for Ebenezer Scrooge in A Christmas Carol, and it's a good thing they did: Bruce Cromer had to miss several performances after he sprained his ankle "making merry" during a rambunctious scene in the show. Another local professional, Nick Rose — a founder and a stalwart performer with Cincinnati Shakespeare Company for two decades — stepped up from a smaller role and handled a number of performances commendably. Cromer has played Scrooge for a decade (following eight years as Bob Cratchit), so it's nice to know that another fine actor might be ready to become the old curmudgeon when it's time. … Speaking of Dickens' classic story, tune in to WVXU (FM 91.7) on Christmas Eve at 7 p.m. for a recording of versatile master comedian Jonathan Winters (an Ohio native who died at age 87 in 2013) presenting his own distinctive reading of the holiday story of redemption. The pioneer of improvisational stand-up comedy, an Ohio native, was a mentor for the late Robin Williams.

Last-Minute Theater Gift? Need just one more gift to finish your Christmas shopping? The creative folks at Cincinnati Landmark Productions have put together three clever packages for dinner and a show at one of their theaters. For $75 there's the "Covedale and Coneys Bundle," offering a pair of tickets to a performance at the Covedale and a $25 gift card for Price Hill Chili. If you're willing to wait until summer is here, you can purchase an "Incline District Complete Night Out" for $100; it includes two tickets to a show at the brand new Warsaw Federal Incline Theater (due to open in June), plus a $50 gift card to either the Incline Public House or Primavista. And if you care to splurge, for $200 you can get "The Incline District Summer of Fun" tickets for all three shows during the summer of 2015 at the Incline Theater plus a $75 gift card for either the Incline Public House or Primavista. For more information or to purchase one of these packages: 513-241-6550.

Happy holidays to one and all!


CityBeat's Rick Pender posts theater notices on CALL BOARD every Monday morning.
 
 
by Rick Pender 12.19.2014 43 days ago
Posted In: Theater at 09:31 AM | Permalink | Comments (0)
 
 
soldiers christmas - aaron epstein_ jeffrey k. miller - photo mikki schaffner

Stage Door: Tears or Laughs

Take your pick with these holiday shows

It's unusual that we get a chance during the holidays to see a world premiere of a new play, but it's happening at Northern Kentucky University's Corbett Theatre, where New Edgecliff Theatre and Actor & Playwrights Collaborative are producing Phil Paradis's new script, Soldier's Christmas, through Sunday. The show commemorates the centennial of the memorable "Christmas Truce" in which British and German troops stopped fighting along the Western Front during World War I and came together to celebrate the holiday. I had the opportunity to see its opening performance last week, and I can assure you that it's worth your time. A strong cast of men play nine solders, especially focused on one Brit, Corporal Tug Wilson (Aaron Epstein) and one German, Sgt. Gerhardt Dietrich (Jeffrey K. Miller). They meet tentatively after a furious episode of hand-to-hand combat, seeking warmth. They recognize their common ground and slowly convince their fellow soldiers of the common humanity that they share, leading to a momentary celebratory event in which they sing carols in their own language and discover how much alike they are. These scenes are counterpointed by five actresses playing women — wives, mothers, sisters, lovers — of the soldiers, telling their stories in monologues and chorus-like passages. Paradis's script covers the emotional spectrum, from humor to pathos, from anguish to joy. Cincinnati theatrical veteran Robert Allen directed the piece, and he keeps it from become maudlin or unbelievable. In fact, the tale is deeply moving — not to mention profoundly sad when the men are all but forced to return to their trenches and the senseless warfare that they've momentarily escaped. Nevertheless, a thread of hope runs through Soldier's Christmas, an emotion that makes this seem fitting for the season. Tickets ($18-$22) are available for performances on Friday and Saturday at 8 p.m. and a Sunday matinee at 3 p.m.

For something completely different, look for the hilarious production of Every Christmas Story Ever Told (and then some) at Cincinnati Shakespeare Company. This is the ninth consecutive year for Cincy Shakes to present this mash-up of holiday tales told by three inventive comic actors and one very drunk Santa Claus. I've seen the production, featuring Sara Clark, Billy Chace, Justin McComb and Miranda McGee (she's Santa with a can of Foster's and her native Australian accent) for several years running. Even when I know what's coming, I find myself laughing out loud. That's because the cast and director Jeremy Dubin refresh the material every year with topical references and new bits, so it you have to keep up with their quick wit and frequent ad libs. McComb is the goofy but mischievous innocent; Chace is a pompous hipster; and Clark is the Dickens devotee who tries to coax her colleagues to pull together for the greatest "BHC" (Beloved Holiday Classic) of them all, A Christmas Carol. They steadfastly refuse, spewing forth with machine-gun rapidity one sharp parody or silly take on these familiar stories . The second act (the entire performance is about 90 minutes with an intermission) seems to be headed into Scrooge territory, but it keeps veering off into It's a Wonderful Life — in the most delightful and daffy way. After awhile you begin to wonder whether these shows are all somehow connected. And in fact they are: with an exclamation point provided at the end with a rendition of "Every Christmas Carol Ever Sung," an amazing compilation of musical numbers spliced together. Tickets ($28) for this production are virtually sold out, but it's worth a call to see if you can get in, especially for tonight's special 11 p.m. performance. In case you're wondering, Cincy Shakes does have a liquor license so you can join in the good fun with a drink of you own. Box office: 513-381-2273.

Most every local stage in Cincinnati is presenting a holiday show this weekend, so check CityBeat's listings for more choices. It's a great weekend to go out and have fun at the theater.

Rick Pender's STAGE DOOR blog appears here every Friday. Find more theater reviews and feature stories here.

 
 
by Rick Pender 12.15.2014 47 days ago
Posted In: Theater, Performance Art at 09:54 AM | Permalink | Comments (0)
 
 
pricehillholiday

Call Board: Theater News

Actors Sought: If you're an actor looking for an unusual afternoon this week, the Cincinnati Police S.W.A.T. team invites you to volunteer for a training event on Tuesday from noon to 3 p.m. at a location near downtown. Officer Tim Eppstein wrote this in his announcement: "Volunteers will play characters in S.W.A.T.-type situations that may include hostage situations, barricaded individuals and suicidal individuals. These trainings have been very effective for the S.W.A.T. negotiators, and the volunteer actors report that it is a positive experience, allowing them to grow as actors and have fun in an extreme role." Eppstein needs 5-6 volunteers; if you're interested, give him a call at 513-352-4566. ]

A Mega-Hit: Crossroads Church in Oakley (3500 Madison Rd.) has a major holiday hit on its hands, it appears. Its annual monumental production of Awaited, under way since Dec. 5, completely filled 29 performances in less than 24 hours when free tickets were made available in late November. That's a total audience of 100,000 seats, double the number that attended a year ago. Crossroads has presented Awaited since 2007. It's the familiar Bible story of Jesus's birth staged in a spectacular production described as "a Christmas rock concert meets the ballet meets Cirque du Soleil meets the Omnimax"; it uses a cast and crew of 265 volunteers. Performances continue through Dec. 23, and the event's website encourages those interested to look into standby seating and to check in periodically regarding the availability of returned tickets.

Celebrate on the West Side: There's a new event on Saturday at the historic Dunham Arts Center (1945 Dunham Way): A day full of festivities, The Price Hill Holiday Xtravaganza, begins at 11 a.m. with Santa's Frosty Follies, a 45-minute revue of favorite holiday characters and songs. (Tickets are $8.) Santa shows up after the show to review kids' lists and pose for picture. The day culminates with a 7 p.m. performance of It's All About Love, a 90-minute holiday variety show featuring tributes to the Andrews Sisters, Frank Sinatra, Elvis, Whitney Houston and more. (Tickets for this one are $16; $14 for students and seniors.). Proceeds from the day will benefit restorations of the arts center, which is the home for Sunset Players, a community theater company. (The building was part of a one-time tuberculosis hospital dating back to 1879.) You can order tickets online or by calling 513-588-4988.

The Feds Support Our Local Arts Scene: The National Endowment for the Arts made seven grants to Cincinnati area arts organizations, pumping $165,000 into our local arts economy for 2015. One of these will support the Cincinnati Playhouse's production of Tracy Scott Wilson's Buzzer, about a young lawyer who moves back to a rapidly redeveloping neighborhood where he grew up. The play (March 21-April 19 on the Shelterhouse Stage) will encourage dialogue about race, gentrification and urban renewal. Another grant will support Cincinnati Opera's world premiere of Morning Star (June 30-July 9 at the School for Creative and Performing Arts) by composer Ricky Ian Gordon and librettist William Hoffman, a work about the immigrant experience a century ago in New York City. Other local grant recipients include ArtWorks, Cincinnati Ballet, Cincinnati Symphony, Kennedy Heights Art Center and Taft Museum of Art.

At the Movies: In less than two weeks you'll be able to see the new film of Stephen Sondheim's great musical Into the Woods featuring Meryl Streep, James Corden, Emily Blunt, Anna Kendrick, Chris Pine and Johnny Depp. Directed by Rob Marshall (he won the 2002 Academy Award for his film of the musical Chicago), it opens on Christmas Day. Here's the trailer: http://youtu.be/Rl1CWNFClqg


CityBeat's Rick Pender posts theater notices on CALL BOARD every Monday morning.
 
 
by Rick Pender 12.12.2014 50 days ago
Posted In: Theater at 09:38 AM | Permalink | Comments (0)
 
 
plaid tidings_covedale center- photo mikki schaffner

Stage Door: A Weekend of Holiday Theater

This weekend affords you numerous chances to see a holiday show. (Quite a few shows will still be onstage in another week, but you might be too busy shopping or baking cookies ...)

A Christmas Carol at the Playhouse has been drawing crowds for 24 seasons, and it's worth seeing (CityBeat review here). Lots of people do it as a family outing. (Tickets: 513-421-3888.) If kids are younger, you might consider Sleeping Beauty at Ensemble Theatre Cincinnati (CityBeat review here). This is the 18th year that ETC has offered a musical fairy tale created by two local artists, playwright Joe McDonough and composer David Kisor. (Tickets: 513-421-3555). Both shows are lots of fun (Christmas Carol does have some ghosts, of course, but they are portrayed with humor and wit), quickly paced and dazzlingly produced with costumes and sets that make watching an enjoyable outing.

A new holiday show to the area is Soldier's Christmas, presented at Northern Kentucky University by New Edgecliff Theatre and the Actors & Playwrights Collaborative. This weekend marks the premiere of local playwright Phil Paradis's show about a remarkable event that happened on Christmas Eve 1914 when battle-weary British and German soldiers came out of their World War I trenches, left their weapons behind and celebrated the holiday together. The "Christmas Truce" was also the subject of Cincinnati Opera's Silent Night, presented last July. (Tickets: 888-428-7311).

If you simply want to have a good time, I gave a Critic's Pick to the Covedale Center's production of Forever Plaid: Plaid Tidings (CityBeat review here). The show is a sequel to the amusing musical about a quartet of Doo-Wop singers who return from heaven to do the big concert they missed out on in life (they died when their car was broadsided by a busload of girls on their way to see the Beatles' American debut on The Ed Sullivan Show). This time they're back to do a Christmas concert. It's a lot of silliness, of course, but the four guys — all musical theater majors at UC's College-Conservatory of Music — are talented singers, dancers and actors, so they're a blast to watch. (Tickets: 513-241-6550).

More high-jinks are available thanks to OTR Improv at the courtyard at Arnold's Bar & Grill for The Naughty Show (starting Sunday evening, presented by Know Theatre; tickets: 513-300-5669), as well as Falcon Theater's production in Newport of The Eight Reindeer Monologues (it finishes up this weekend; 513-479-6783).

Finally, if you're tired of holiday stuff (and who isn't when it gets cranked up not long after Halloween?) there are three choices for you: Cincinnati Shakespeare's very funny The Comedy of Errors (CityBeat review here; tickets: 513-
381-2273); Know Theatre's mysterious and magical The Bureau of Missing Persons (CityBeat review here; tickets: 513-300-5669); and Cincinnati Playhouse's staging of Tenderly: The Rosemary Clooney Musical (CityBeat review here; 513-421-3888). The latter has been selling lots of tickets, causing the Playhouse to extend the show until Jan. 11.
Rick Pender's STAGE DOOR blog appears here every Friday. Find more theater reviews and feature stories here.
 
 
by Rick Pender 12.09.2014 53 days ago
Posted In: Theater at 11:00 AM | Permalink | Comments (0)
 
 
clooney copy

Call Board: Theater News

Actors Sought. Ensemble Theatre Cincinnati hosts its third annual Meals for Monologues on Monday and Tuesday between 11 a.m. and 5 p.m. at 1127 Vine St. in Over-the-Rhine. It's an open casting call to Equity and non-union actors for theater, film, TV and/or commercial projects cast by the theater's artistic director D. Lynn Meyers. Interested performers should bring two non-perishable food (pasta, canned goods, etc.) or toiletry items (soap, toothpaste) to the theater — to be donated to the Freestore/Foodbank as well as a current headshot and résumé and a short prepared monologue, song or two monologues. (No accompanist, so songs need to be performed a capellla.) Time slots are five minutes maximum and are available by appointment only. The deadline was last Friday, but a quick email to Ben Raanan (braanan@ensemblecincinnati.org) will let you know if any slots are still available. Meyers is a member of the Casting Society of America, and she has tons of projects and connections beyond shows at ETC; she recently did a lot of casting during two locally shot films, Carol and Miles Ahead.

Seasonal Fundraiser for New Edgecliff. The classic holiday story, Miracle on 34th Street — yes, the one with Kris Kringle and Natalie Wood as a child actor — will be brought to life as a radio production on Sunday evening at the Northside Tavern (4163 Hamilton Ave.) as an old-time radio drama. Produced by New Edgecliff Theatre with sound effects by WMKV's Mike Martini, it's a benefit to the theater group. Admission is $35, and it includes a dessert buffet at intermission provided by Cincinnati State's Midwest Culinary Institute. Tickets: 888-428-7311 (or at the door).

Rosie Keeps Singing. The Cincinnati Playhouse's production of Tenderly: The Rosemary Clooney Musical seems to be a big hit. The show, onstage in the Shelterhouse, opened on Nov. 20, and on its first night artistic director Blake Robison announced that sales were brisk enough to make it possible to extend the production a week beyond its intended closing date (Dec. 28) to Jan. 4. Demand for tickets has continued, so the Playhouse has extended the show another week, now closing on Jan. 11. Tickets: 513-421-3888.

Welcome to Dystopia. If you've read Margaret Atwood's 1985 novel The Handmaid's Tale, you know it's a creepy vision of the not-too-distant future in which the United States has become a theocracy called the Republic of Gilead. An oppressive regime forces women to bear children for population growth, but Offred resists the demands made of her. Cincinnati Shakespeare gave Joe Stollenwerk's adaptation of the show a workshop in 2009 and a short-run production in 2011 featuring veteran Cincy Shakes actress Corinne Mohlenhoff as Offred. Next month Know Theatre fills in a TBA slot in its season with the show's first full-fledged production (Jan. 23-Feb. 21). Cincy Shakes' Brian Phillips will stage the one-woman piece with Mohlenhoff. They are married, so this is an unusual opportunity for them to work together on a new work rather than the classics that Cincy Shakes usually stages. Tickets ($20) are now available: 513-300-5669.


CityBeat's Rick Pender posts theater notices on CALL BOARD every Monday morning.

 
 
 
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