Oscar nominations were announced this morning. At first glance, I have to admit that this year’s batch seems uncommonly competent.
The 10 Best Picture nominees are all worthwhile in one way or another, and four of them actually made my top 10 of 2010: The Social Network, Toy Story 3, True Grit and Winter’s Bone. See, I told you they were competent.
The Sundance Film Festival's opening weekend is now in the books, and if occasional CityBeat contributor/Salt Lake City Weekly A&E editor Scott Renshaw is any guide, Park City, Utah, is again awash in movie mayhem.
Surprisingly, early word on No Strings Attached — Ivan Reitman's sexually liberated romantic comedy featuring Natalie Portman and Ashton Kutcher — is strong.
What does it say when Golden Globes’ host Ricky Gervais is getting more post-show attention than the night’s winners (or January Jones’ gravity-defying dress)? Sure, Gervais’ sharp-tongued shots at various targets — from the easy (Charlie Sheen, Robert Downey Jr. and Mel Gibson) to the slightly less so (Steve Carell, Tim Allen and God) — were often insensitive and sometimes crass, but none of them were necessarily untruthful or even far from what most viewers would say about each recipient.
Based on writer Beau Willimon's stage play Farragut North, Ides of March features Clooney, who co-wrote the screen adaption with partner Grant Heslov, as a “Howard Dean-type governor” who's trying to win the Democratic nomination for president.
There's no denying that the Guild had a tough job in narrowing the field — it was another stellar year for the ever-evolving genre — but only two of the final five would have made my list: Inside Job (read my interview with Ferguson here) and Client 9, both of which appeared on my top 10 list of 2010 films.
Tuesday has long been one of my favorite days of the week. Why? That’s when new music and movies traditionally hit stores for purchase and/or rental. Remember John M. James’ column/list of new albums that used to appear in CityBeat? I admit that was the first thing I turned to as a music-mad pre-CityBeat-staff college kid when I picked up the paper every week. Where are you, John?
I try to stay away from movie trailers as much as possible — either because they rarely give you an accurate idea of what a movie is truly about or because they reveal the entire thing in two minutes. (On the other hand, I suppose I'd rather spend a few minutes with something like Tron: Legacy or The Tourist than sit through two mind-numbing hours.)
An example of the first reason is on display in the difference between the theatrical trailer version of No Strings Attached (which is set to open wide Jan. 21) and its much racier red band version.