Over the Rhine is releasing its third Christmas album, Blood Oranges in the Snow, on Nov. 4, but The New York Times’ website is offering an early listen through its “Press Play” website. Click here to listen.
The album, which follows previous “reality Christmas” efforts Snow Angels and The Darkest Night of the Year, is available now for pre-order here. Pre-orders of the CD will instantly receive a digital version of the album.
OTR’s Linford Detweiler and Karin Bergquist will do some acoustic dates after Blood Oranges’ release, beginning next week in Washington state. The duo’s “Acoustic Christmas” tour officially begins Dec. 5 in Virginia and culminates with OTR’s annual hometown holiday show at the Taft Theatre on Dec. 20.
The Greater Cincinnati Film Commission continues to bring film shoots to the Queen City — next up is Andy Goddard's The Blunderer, starring Jessica Biel and Patrick Wilson. The film, based on the Patricia Highsmith novel of the same name, begins filming on Nov. 17 and will be shot entirely in Cincinnati.
Director Andy Goddard, who's worked on various TV shows and directed the upcoming Elijah Wood drama Set Fire to the Stars, will take on the 1954 psychological thriller by Highsmith. Another adaptation from the author, Carol, was filmed locally this past spring — it starred Cate Blanchett, Rooney Mara, Sarah Paulson and Kyle Chandler and was directed by Todd Haynes. It will debut sometime in 2015.
Producers from Carol are returning for the second time this year, giving major kudos to the city.
"We had a great experience in Cincinnati on our film Carol," said Christine Vachon of Killer Films in a press release. “The Film Commission, the rebate, locations, infrastructure and welcoming people of Cincinnati brought us back a second time within one year."
It also sounds like this will be another production that takes advantage of Cincinnati's historic architecture and temporarily puts the city in a retro time warp — filmmakers are looking for period cars from 1960 or earlier. To get involved with that, email email@example.com.
Additionally, they're looking for extras (send a headshot and email to firstname.lastname@example.org) and qualified crew (send resume to email@example.com). The Blunderer is set to film here Nov. 17-Dec. 21.
This summer, on-the-rise Northern Kentucky-based Hip Hop artist Trademark Aaron released his excellent EP Act Accordingly, which included a bonus track titled "The Best," a collaboration with Cincinnati MC Easy Lantana, the RCA/Polo Grounds Music recording artist who made waves nationally last year with his single, "All Hustle, No Luck."
The track about hard work and perseverance now has an accompanying music video. The clip, directed by Franco Mudey and Mark Merkhofer, had its premiere yesterday on the front page of popular video site Vevo.
Trademark Aaron's next performance is part of what could very well be the best local Hip Hop show of the year, this Thursday at Over-the-Rhine’s Rhinegeist. Reflection Eternal, renowned Cincinnati-based producer/artist Hi-Tek’s collaboration with legendary MC Talib Kweli, headlines the 8 p.m. concert, marking a rare appearance by the duo. Thursday’s lineup also features Cincinnati heroes Mood, who took Cincy Hip Hop nationwide in the ’90s, Buggs Tha Rocka (who’s prepping a new album release for early December), ClockworkDJ (Mac Miller’s official DJ), Valley High, Aida Chakra and many others.
Tickets for the 8 p.m. concert are $20 in advance (through cincyticket.com) or $30 at the door (if there are any tickets remaining). There are also $60 advance VIP tickets available, which include a meet-and-greet with the artists.
Morning y’all. Before we begin, I have to share something only tangentially related to the news. Last night I went and checked out a concert at Union Terminal, which has a 100-year-old organ in house and more than 4,000 pipes for that organ built into the walls. I don’t know a whole lot about baroque and classical music, but I do know a lot about loud music, and it was insanely loud. And awesome. Very recommended. To tie this into newsy stuff, I’ll just say go weigh in one way or the other on Issue 8 (the icon tax) at your local polling place.
City Council’s Budget and Finance Committee yesterday more or less tied up what the city will do with its $18 million budget surplus. The committee, which is composed of all nine council members basically adopted City Manager Harry Black’s recommendations outright. The decision came with controversy, however, as some on Council again questioned the process by which the recommendations were proposed. Council members Chris Seelbach, Yvette Simpson and P.G. Sittenfeld pushed back on the process, accusing Budget Committee Chair Charlie Winburn of trying to push the proposals through quickly and asking why public input wasn’t sought on the proposals before they were brought before Council for a vote. The three abstained from voting for Black’s recommendations.
• Council also wrangled again over funding for Mayor John Cranley’s Hand Up Initiative at the committee meeting. Several council members had questions about why some established programs are being cut to fund the $2.3 million jobs initiative, especially when the city is running a large budget surplus. Councilman Chris Seelbach pushed for an amendment to the ordinance funding the program to try and restore some cuts to housing advocacy group Housing Opportunities Made Equal and People Working Cooperatively, which helps the elderly and low-income with home weatherization, maintenance and energy efficiency. Those programs lost federal dollars from Community Development Block Grants that have been diverted to the mayor’s new jobs program. The amendment was voted down, 5-4.
“These programs employ people,” said Councilman Wendell Young, who, along with council members Seelbach, Sittenfeld and Simpson voted for the amendment. “When these programs take a hit, that impacts their employees. There’s a real paradox there. These programs leverage dollars. Let’s do the right thing. Let’s help everybody.”
Others turned out to either support the mayor’s program or oppose the cuts. Many spoke on behalf of Cincinnati Cooks, which is a Hand Up partner. But some questioned the mayor’s program. Greater Cincinnati Coalition for the Homeless Director Josh Spring praised the organization's partnering with Hand Up, but said cutting other programs was counterproductive and unnecessary.
“Are we really going to lower poverty by five percent in five years by serving just 4,000 people? What the mayor has accomplished is that he has forced groups that get along to come down here and fight each other,” Spring said. “We do have a surplus. There are other ways to do this. Things like lead abatement, things like home repair, things like upward mobility so that folks experiencing low incomes can move up economically — those aren’t handouts.”
• One other skirmish broke out at the marathon meeting, which was still going when I stopped watching it on Citicable at about 6 p.m. (yes, I lead an exciting and enviable life). The tussle broke out over money that was once set aside for permanent supportive housing in the city. That money had been earmarked for a prospective 99-unit affordable housing development in Avondale for those recovering from addiction and other issues called Commons at Alaska. However, pushback from some community members there hamstrung that development. Now it will be used for other things.
“Last June, we had money set aside in the budget for permanent supportive housing,” Seelbach said. “I know some people say Alaska Commons doesn’t have enough community buy-in. But permanent supportive housing is an essential part of the equation. We were told we were not going to be eliminating it. And now guess what? We’re eliminating permanent supportive housing. Well, I’m not going to do that.” Seelbach voted against moving the money, along with Simpson, Young and Sittenfeld.
• That’s enough City Council action, at least until Wednesday. Let’s move on. Normally, the words “best” and “suburbs” in the same sentence cause heavy cognitive dissonance in my brain. But this is cool, I guess. Three Cincinnati suburbs have been ranked among the best in America by a new study. Madeira (3), Montgomery (21) and Wyoming (24) were tops in the region and among the best in the country, according to Business Insider. The rankings looked at nearly 300 ‘burbs across the country and took into account housing affordability, commute times, poverty, public school ratings and the number of stifling gated communities, GAP outlets and SUVs with stick figure family stickers on the back window per capita. Just kidding on those last ones, guys. Suburbs can be cool, too.
• The end of a long, watery saga: Jeff Ruby’s Waterfront restaurant, a boat that has been basically sinking since August, is being demolished.
• The Ohio Department of Transportation commissioned a study to determine future transit needs, and it found that the state will need to double its funding of transit over the next decade to more than $1 billion due to increasing demand. In 2000, the state spent $44 million for public transit. In 2013, it spent just $7.3 million. ODOT also gets money for transit from the federal government, however. Gov. John Kasich's administration has been especially cold to public transit, calling passenger rail supporters a "train cult" and turning down $400 million in federal funds for a commuter line between Cincinnati, Columbus, and Cleveland. He also, you know, withheld state funds for the streetcar. This is why we can't have nice things.
• In Ohio and beyond, it’s looking more and more likely that Democrats are going to take a beating this midterm election. That’s especially true in Congress, where once-safely Democratic House seats suddenly seem to be up for grabs. If Dems lose enough of those seats, they may not have any chance of taking back a majority in the House until redistricting rolls around again. Many analysts and some in the party have blamed the potential slide in House seats on the unpopularity of the president.
• Finally, if all this news is just too overwhelming for you (I know how you feel) check out this porcupine. He’s eating a pumpkin. It's adorable. You’re welcome.
Our night in Milan did not have one of those types of promoters. Hell, to even call him a promoter is an insult to the concept of promotion. Let’s dive in a little bit and discuss just what potential promoters should and shouldn’t do when bands come a’callin.
First thing’s first — it’s always helpful to be at the venue by the scheduled get-in time. When bands like us arrive, we’ll generally have some questions for you about our lodging for the night, dinner, load-in and load-out logistics, etc. This is especially pertinent on tours like this due to the fact that we aren’t even from this continent; a little extra handholding is appreciated.
What you shouldn’t do is show up at the venue at 9 p.m. when load-in started at 6 p.m. and not even introduce yourself to anyone.
Second, please follow the agreed upon terms of the contract and make sure that the obligations you have are completed satisfactorily. On this tour, Valley of the Sun has two major requests in their contract: a hot meal every night (or a 15 Euro buyout) and accommodations after the show. These accommodations have varied from a promoter’s floor to nice hotels.
If you got caught with a joint that one time in college here in Cincinnati and now you're applying for jobs, that youthful indiscretion can make it much tougher for you.
But that could change. Some of the 10,000 Cincinnatians convicted under an unpopular and now-repealed marijuana law may soon be able to put the past behind them.
City Council’s Law and Public Safety Committee today passed an ordinance that, if backed by a full Council vote Wednesday, would allow some city residents convicted of having less than 200 grams of marijuana to have the charges removed from their criminal record.
In 2006, the city passed an ordinance making it a criminal offense to have even small amounts of the drug. A first offense was a fourth-degree misdemeanor punishable by up to 30 days in jail and a $250 fine. A second offense could net someone a first degree misdemeanor charge punishable by 90 days in jail and a $1,000 fine.
Under Ohio law, possession of small amounts of marijuana is a minor misdemeanor charge akin to a parking ticket. Those charges are much easier to get expunged. But municipalities can pass tougher laws against the drug, leading to a patchwork of penalties from one place to another.
Cincinnati’s law was repealed by City Council in 2011, but the after effects remain for many in the city. The drug charges stay on a person’s criminal record, are difficult to get expunged and could inhibit them from getting jobs or school loans.
“Our goal to seal these records so citizens can get on with their life and get jobs," said Councilman Charlie Winburn at the Monday meeting. Winburn, a Republican, has been pushing the ordinance as he runs for state Senate in Cincinnati’s largely Democratic 9th District.
Ian McLagan, who performs at Southgate House Revival on Wednesday, is a Rock and Roll Hall of Fame inductee. And for good reason.
In 1965, he replaced one Jimmy Weston as keyboard player in Small Faces, one of the two great Mod bands (the other was The Who) who captured the youthquake mood and sense of liberation that swept the Swinging London of the mid-1960s.
In Britain, Small Faces had hit after hit featuring vocalist/guitarist Steve Marriott — “Sha-La-La-La-Lee,” “All or Nothing,” “Tin Soldier,” “Lazy Sunday,” “Here Come the Nice,” “The Universal” and more. Their one U.S. hit, the psychedelicized “Itchycoo Park,” has been a Rock-radio staple from the day it hit the charts in 1967.
When Marriott departed, the remaining group members — McLagan, bassist Ronnie Lane and drummer Kenney Jones — decided to carry on by recruiting two members of The Jeff Beck Group, singer Rod Stewart and guitarist Ronnie Wood. Called Faces, they became one of Britain’s most successful bands of the early 1970s with their rough-hewn, pub-friendly style of rowdy-yet-tender acoustic-electric Rock. Among their classics are “Stay With Me,” “Cindy Incidentally” and “Ooh La La.”
With all the talent in that band, it didn’t stay together too long. Stewart’s concurrent solo career got too big, while Wood was wanted by The Rolling Stones and Jones by The Who. McLagan, whose vocal duties were limited in Small Faces and Faces (who were simultaneously inducted into the Rock Hall in 2012), became an in-demand session and touring keyboardist for Bonnie Raitt, Billy Bragg, Bob Dylan, The Rolling Stones and many others.
He also began occasionally releasing his own mostly small label albums, solo and with The Bump Band, that showcased his ruggedly naturalistic voice and songwriting talents. He has lived in Austin, Texas, since 1994, after moving to the U.S. from Britain and living in L.A. for 16 years.
At the time of his Austin move, Lane was also there. But the latter’s worsening multiple sclerosis soon prompted a move to less-humid Trinidad, Colo. In fact, Lane already was planning that move when McLagan told him he was coming to Austin. So their time together in the same town only lasted for one and a half months. Lane died in 1997.
McLagan’s solo career took a great leap forward with 2009’s Never Say Never, filled with sometimes-rueful, sometimes-redemptive songs, melodic and rhythmic, prompted by the loss of his wife, Kim, in an auto accident. The songs have some of the majesty of Paul McCartney’s “Maybe I’m Amazed,” another high point of early-1970s British Rock.
That album, in turn, inspired the label Yep Roc — home to still-vital veteran singer/songwriters like Nick Lowe, Dave Alvin and Robyn Hitchcock — to distribute his follow-up, this year’s fine United States. It’s been getting rave reviews and is helping McLagan finally emerge as a bandleader.
The album is bringing McLagan (with Bump Band bassist Jon Notarthomas) to Southgate House Revival in Newport Wednesday. As far as he can recall, this is his first show as a headliner in the Cincinnati area since his first solo album, Troublemaker, came out in 1979.
“This year I’ve toured as much as I have in last 10 years,” the affable, sunny-dispositioned McLagan says in a phone interview. “Now I have a record company that wants me to tour and that’s great.”
It’s also a little strange. McLagan, 69, is a member of British Rock & Roll royalty — of the same generation, and often friends with, those who have been arena-filling superstars for six decades and counting. Yet his Cincinnati area date is surprisingly low profile, with little advance publicity. (For a variety of reasons, Southgate House didn’t announce it until just two weeks before the show.)
It’s an odd situation. He’s been making music professionally for 50 years, yet is still establishing himself as a touring attraction.
“The funny thing is, if I’d made several albums in the 1960s and had some success, the people that like my albums now would have grown up liking them,” McLagan says. “I didn’t have that, and I realize I’m stumbling around this wonderful world trying to attract attention now.
“It’s pretty funny, really. But I just love what I do,” he says. “I am so blessed that all I’ve done in my professional life, since I was 17-18, is play music and somehow make a dollar here and there.”
One thing that remains constant in McLagan’s shows — in his psyche — is his love for his late wife. He met her when she was estranged from husband Keith Moon. He always performs several songs from Never Say Never.
“I sing to my wife; it helps me,” he confides. “She was my muse. I’ve written so many songs about her, to her, with references to her, and still do. She’s a big part of my life. We were together for 33 years. It actually does me good — she’s with me all that time in that way.”
Even though McLagan isn’t that famous as an individual, he was in groups whose records sold millions. So shouldn’t his royalties afford him such a cushion he can treat work like a hobby?
“Ha, ha, ha — you’re very funny,” he replies.
He explains Small Faces were on a modest salary that was paid by their manager, Don Arden, with knowledge of their Immediate record label’s head, Andrew Loog Oldham. They never got royalties during the band’s lifetime.
McLagan joined Small Faces in 1965 after original keyboardist Weston left following the group’s first British hit, “Watcha Gonna Do About It.” Although it wasn’t why original Small Faces keyboardist Weston left, he had been the only member of the original lineup who wasn’t actual small, height-wise.
McLagan, who was, had been gigging with more Blues-oriented groups, including one led by Boz Burrell (future King Crimson and Bad Company member).
“They got me because they read a review of a show I was in with another band that said I played Hammond organ and I was really good, and it had a photograph with my name under it," McLagan says. “But it wasn’t a photograph of me, it was of Boz Burrell. So when they saw me, they laughed and Steve picked me up because they hadn’t known I was short. How cool is that? They said, ‘He doesn’t look like his photograph but he looks all right.’ ”
Arden asked McLagan how much he was earning and he said five pounds (the British currency) a week, a very small sum. So he offered McLagan 30 pounds during probation and then an even split with the others.
“He was showing off,” McLagan says. “I was thinking, ‘Wow, I’m a millionaire.’ Eventually, I asked Ronnie Lane, ‘What’s going on? Am I still on probation?’ They knew nothing about it. We went up to the office and Ronnie said to Don, ‘Hey, Mac’s in the band, all right?’ My money went down to 20 pounds a week — that’s what they were getting! We never got anything other than 20 pounds a week for two years and then it was 50 pounds a week. Since 1997, we now get our royalties. Of course, Small Faces albums are not selling in the amount they were when we didn’t get paid, but we are at least getting something.
“But you know what? It didn’t fucking matter,” he continues. “I’m earning every day, Don Arden’s dead, Andrew and I have made up and we’re friends. The money’s gone so move on.”
As for the Faces, McLagan says their record label — Warner Bros. — does pay. But it’s been slow to release archival product. The four-disc Warner/Rhino retrospective Five Guys Walk into a Bar came out back in 2004.
“The Faces sell a little bit but Warner Bros. are such a bunch of idiots because they didn’t realize if we haven’t got records out we can’t make any money,” McLagan says. “It’s taken a while, but there should be a Faces live album … out next year.”
The album was recorded in the States during the Faces’ heyday.
“We’ve just discovered this recently,” McLagan says. “We recorded it and completely forgot about it. I heard a couple tracks and it sounds really good.”
McLagan then reveals an enticing possibility.
“Hopefully we’ll tour behind it,” he says. “Rod’s keen, I’m keen, Kenney’s keen and Ronnie Wood is keen, so I don’t see anything in the way of it.”
In the meantime, McLagan’s Wednesday show at Southgate House is a rare chance to see this great Rock & Roll musician in an intimate setting. (Click here for ticket info.)
Progressive Italian Indie/Electronic band JoyCut are continuing their ever-expanding global takeover with an extensive fall tour, which includes a free show tonight at Over-the-Rhine's MOTR Pub. Cincy trio Orchards open the show at 10 p.m.
JoyCut blends elements of Dark Wave, EDM, Post Rock and other adventurous styles to concoct its engaging, often mesmerizing instrumental sound, most recently heard on the full-length PiecesOfUsWereLeftOnTheGround. JoyCut has performed with heavyweights like The Arcade Fire and Modest Mouse and only this year began touring the States. The trio's first U.S. visit was very well-received and resulted in tons of glowing press and other accolades (JoyCut was named MTV's Iggy Artist of the Week in April and radio has been embracing the new LP). Not too shabby, especially for an all-instrumental band.
Hey all! We’re hustling this week to put together our election issue, which will be just overrun with everything you need to know before Nov. 4 or, heck, right now if you’re doing the early voting thing. In light of that, I’m going to hit you with a brief, just-the-facts version of morning news.
• Some folks in the city, including advocates for the poor, are upset with the way Mayor John Cranley’s new job training program, called the “Hand Up” initiative, will be funded. That initiative is getting some of its funding from federal grants originally slated for other established programs in the city. Cranley says those programs aren’t the best use of the federal funds, and that his program will help up to 4,000 Cincinnatians reach self-sufficiency. Others, however, challenge that assertion.
• Seven Greenpeace activists were scheduled to stand trial today for hanging a banner protesting P&G’s use of palm oil from the company’s headquarters in March. But that trial has been postponed until Jan. 20. Another activist who was also facing charges died Oct. 6. A ninth took a plea deal Sept. 8 and is awaiting sentencing. The remaining activists could face more than nine years in prison on felony burglary and vandalism charges.
• Yet another development deal may be happening soon on Central Parkway in Over-the-Rhine. Have you ever driven down Central Parkway near Liberty Street and wondered what the building that says Warner Brothers on the front was all about? Developer Urban Sites is considering turning the 40,000-square-foot historic building, which was used by the film company as a vault, into offices or apartments.
• Democrat Senate candidate and Kentucky Secretary of State Alison Lundergan Grimes is still running neck and neck with Sen. Mitch McConnell in one of the country’s most-watched races. Recent polls put the two dead even, and, in a sign that folks who follow such things think she still has a chance, Grimes was endorsed by two of Kentucky’s major newspapers over the weekend. Both the Louisville Courier-Journal and the Lexington Herald-Leader have backed Grimes. McConnell’s challenger made a last-minute swoop through Covington over the weekend, showing up to hang out with a few dozen supporters at the MainStrasse Village Dog PawRade.
• Let’s zoom out to the bigger picture on the Senate. This AP story explores how weak Republican governors in some states could hurt the party’s chances of taking back the Senate, which it desperately, desperately wants to do so it can keep President Obama from doing really communistic type things like making sure people have health care and stuff.
• Finally, while we’re talking about elections, could the national attention focused on civil unrest Ferguson, Mo., spur greater black turnout in this midterm election? I normally don’t pay too much mind to the Daily Beast, but this article is thought-provoking.
Cranley’s “Hand Up” job initiative will be funded in part by cuts to other anti-poverty and blight mitigation programs. That has some advocates for the poor up in arms.
The Hand Up program, which has an overall budget of $2.3 million, will provide education, job training and other services for Cincinnatians experiencing poverty. It will fund nonprofit job training organizations Cincinnati Cooks, Cincinnati Works and Solid Opportunities for Advancement and Retention.
Cranley says the program will eventually provide more than 4,000 Cincinnatians with jobs making at least $10 an hour. But it will do so by redirecting more than $1 million from federal Community Development Block Grants that was budgeted to other well-established Cincinnati programs that serve the poor.
Former City Council candidate Michelle Dillingham, who now works for the Greater Cincinnati Coalition for the Homeless, says the cuts are short-sighted and unfair.
“The programs the mayor has recommended for elimination are the few we have that are able to address systemic discrimination and inequality faced by our citizens,” she wrote in an Oct. 21 editorial in the Cincinnati Enquirer. She also noted that there are other more pressing concerns the funds could be used for.
“Block-grant funds could also be used to create more units of affordable housing,” she says, “an especially acute need given than homelessness in the city is increasing and the average age of a person receiving emergency shelter last year here was 9.”
Cranley says the cuts have been vetted by a board that approves the city’s use of CDBG funds. CDBG grants, which come from the Department of Housing and Urban Development, allow cities some flexibility in how they’re distributed. But HUD hasn’t prioritized job training over the kinds of programs being cut, critics like Dillingham say.
The cuts include $40,375 from Housing Opportunities Made Equal, which does tenant advocacy work, tenant education and other services. About $152,000 will come from People Working Cooperatively, an organization that provides home repairs, energy efficiency help and other services to low-income people.
Some critics, including Over-the-Rhine Community Council President Ryan Messer, say Cranley’s message of job training over assistance for the poor mirrors regressive conservative talking points about poverty, including Wisconsin Republican U.S. Rep. Paul Ryan’s infamous budget proposal last year, which slashed spending on food aid and other anti-poverty programs.
Cranley has said that the program is designed prioritize teaching people to provide for themselves over “traditional welfare handouts.”
Councilman Chris Seelbach has been skeptical of the cuts and has drawn up a motion to restore funds to some of the programs. He’s hoping to get the motion before council at its Nov. 3 meeting.