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by Rick Pender 06.01.2012
Posted In: Theater at 09:32 AM | Permalink | Comments (0)
 
 
fringe1

Stage Door: Fringe, 'Avenue Q,' CSC, etc.

There’s more theater and performance than you can shake a stick at in Over-the-Rhine this weekend, thanks to the 2012 Cincinnati Fringe Festival. (In fact, if you stand on a corner in OTR and shake a stick, you could be mistaken for a Fringe act …) You can read about all the Fringe productions that are up and running here, but here’s half-dozen shows that CityBeat’s reviewers have recommended: Grim & Fischer: A Deathly Comedy in Full-Face Mask (this one has a limited run, closing on Saturday, and it’s had brisk box office since it opened on Wednesday); Methtacular (a one-man show about a musical theater actor who’s a gay crystal-meth addict); Sweet, Burning Yonder (an eco-sensitive comedy about the weird aftermath of Hurricane Katrina); Quake: A Closet Love Story (about a broken-up couple trapped in a closet after an earthquake); Don’t Cross the Streams (a full-fledged musical that starts with a movie about busting ghosts and spins way beyond); and Blown Up (a FringeNext production by high schoolers). Go to cincyfringe.com for more information about schedules and tickets.

While it’s not part of the Fringe, Avenue Q, presented by Showbiz Players at Covington’s Carnegie Center, has the same zany vibe. It’s an X-rated musical with puppets that might visually remind you of Sesame Street — until they open their dirty mouths. The show was a surprise Tony Award winner several years back, and it promises lots of laughs for those who go. Through June 10. 859-957-1940.

If you want something more traditional, try Cincinnati Shakespeare Company’s production of The Merchant of Venice, one of Shakespeare’s most difficult plays. It’s officially categorized as a comedy because it has humorous and romantic elements. But the central story about a potentially fatal argument between a moneylender and a businessman is anything but amusing. CSC’s artistic director Brian Isaac Phillips takes on the role of the rapacious moneylender who has faced anti-Semitic discrimination for his entire life. Is Shylock a villain or a victim? Shakespeare gives him aspects of each, and CSC’s production does not tilt in either direction. You get to decide, and it won’t be easy. Box office: 513-381-2273, x1.

Be sure to consider downtown’s newest performance venue, Speakeasy Theatre, storefront space at 815 Race Street. Their inaugural production is Paul Baerman’s The Whistler, set in 1965 in an unnamed Southern city awash in racist attitudes. The Andy Griffith Show is in its fifth season, and the guy who whistles the theme (played here by local professional actor Michael G. Bath) is living off his royalties. But life gets more complicated when he meets an African-American trumpet player (played by Tony Davis) who shares his passion for music. The Whistler will be onstage through June 10. Box office: 513-861-7469

Each week in Stage Door, Rick Pender offers theater tips for the weekend, often with a few pieces of theater news.

 
 
by Rick Pender 07.07.2011
Posted In: Theater at 12:50 PM | Permalink | Comments (0)
 
 
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'Winter Wonderettes' Wins LCT Award

In my CityBeat column this week I shared the news that the Acclaim Awards are gone and that the League of Cincinnati Theatres (LCT) have stepped up to create a new awards program. The first two recognitions of the season have been awarded to Ensemble Theatre of Cincinnati’s (ETC) Christmas-in-July celebration, Roger Bean’s Winter Wonderettes. This musical sequel to ETC’s biggest-ever box-office hit, The Marvelous Wonderettes, has earned these awards for its acting ensemble and specialized design.

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by Rick Pender 10.19.2012
Posted In: Theater at 09:20 AM | Permalink | Comments (0)
 
 
onstage - blue man group - balls - photo paul kolnik

Stage Door: Blue Man Group

My first and foremost recommendation for the weekend is  Blue Man Group. (Review here.)  It's a performance experience unlike much of anything else you've probably ever experienced in a theater — raucous music, zany humor, eye-popping technology and infectiously fun engagement with the audience. Amazingly, it's done without spoken words — the guys mime (well, kind of, it's actually more like they're mute in the style of Harpo Marx, with a lot of staring and double-takes), although they're backed up by awesome video that does offer some instruction (and laughs) for the literate. As I've said before, it's hard to describe but easy to enjoy. This is Blue Man Group's first time in Cincinnati, presented by Broadway Across America; the Aronoff Center might never be the same. (Through Oct. 28) Box office: 800-982-2787.

Last night I enjoyed opening night for the thoroughly authentic and charming production of Neil Simon's
Brighton Beach Memoirs at the Cincinnati Playhouse in the Park. It's the story of a Jewish family in Brooklyn in the 1930s, but thanks to Simon's witty, heartfelt recollections of his own youth, it has a feeling of universality. The narrator is Eugene Morris Jerome (who's a stand-in for Simon himself), and actor Ryan DeLuca conveys the joys and pangs of adolescence and puberty with feeling and hilarity. He frequently addresses the audience about his interactions with his grouchy parents and his woebegon aunt, his worldly brother, his pampered cousins — he's documenting them for something he'll write when he's older, a novel or perhaps a play! And that play is the one onstage at the Playhouse, the first Neil Simon script ever presented there in more than 50 seasons. (Through Nov. 10.) Box office: 513-421-3888.

Continuing productions of the comedy
Mrs. Mannerly at Ensemble Theatre Cincinnati (513-421-3555) and Shakespeare's romantic tragedy Romeo & Juliet at Cincinnati Shakespeare Company (513-381-2273, x1) have been positively reviewed and appreciated by audiences. This weekend also marks the opening of Cincy Shakes' staging of Shakespeare's bloody history of the Roman emperor Titus Andronicus, staged with tongue in cheek (and in a pie) for the Halloween season. It happens on the nights when the R&J cast takes a breather.

You might also consider two special events: New Edgecliff Theatre's annual one-night fundraiser,
Sweet Suspense Theatre, a presentation in the style of a radio play, happens on Saturday evening. This year the production, a new adaptation of Oscar Wilde's story of The Canterville Ghost, is being presented at the Cincinnati Art Museum — and includes an extended intermission with lots of goodies from local bakeries and restaurants. (Tickets: 888-588-0177). You might also want to check in with the Playhouse about ticket availability for Post Secret on Monday evening; the one-night presentation of  a piece based on an anonymous "true confessions" website is rumored to be sold out, but there might be a waiting list if you call the box office. (513-421-3888)



 
 
by Rick Pender 10.26.2012
Posted In: Theater at 09:35 AM | Permalink | Comments (0)
 
 
onstage 10-31 - brighton beach memoirs (cincinnati playhouse) - eugene (ryan deluca) observes his family - photo sandy underwood

Stage Door: Options Abound

You'll have to pick and choose this weekend because there's so much theater onstage. In addition to our professional theaters, it's worth checking out production at universities: Tonight through Sunday, CCM's esteemed musical theater program is offering the cult favorite Chess, with music by ABBA's Björn Ulvaeus and Benny Andersson. The story is set in Bangkok and Budapest during a mid-1970s world chess championship — and it's driven by gamesmanship between nations, between lovers and, of course, between chess players. I saw the opening on Thursday, and it's a BIG show with a gigantic cast. Several leading roles are double cast (with more juniors than seniors, in fact, which bodes well for CCM productions for this season and next). In particular, Matthew Paul Hill, playing the Russian grand master Anatoly, lifted the roof of Corbett Auditorium with his powerful baritone voice singing the stirring "Anthem," the Act 1 finale. Tickets ($30) Box office: 513-556-4183. At Northern Kentucky University you'll a production of Royal Gambit by German playwright Hermann Gressieker (translated into English in the late 1950s). The subject is King Henry VIII and his six wives, and this looks to be a beautifully costumed show, featuring senior Seth Wallen in the leading role. Tickets ($14). Box office: 859-572-5464.

Neil Simon's funny and endearing Brighton Beach Memoirs is onstage at the Cincinnati Playhouse. I gave it a Critic's Pick (review here), and I'm sure audiences will love this sweet portrait of growing up in Brooklyn in the 1930s, where a loving but fractious family copes with hard times. It's told from the perspective of  Eugene, a precocious adolescent (he's really Simon as a 15-year-old), who takes notes on his family's behavior. Well acted and beautifully staged. Box office: 513-421-3888l.

My schedule hasn't permitted me to see several shows that are getting good notices, including recognition from the folks evaluating productions for the League of Cincinnati Theatres. I'm catching up this evening with Cincinnati Shakespeare Company, which is offering two shows this month.
Romeo & Juliet is its mainstage show, and Sara Clark is getting high marks for her portrait of romantic but tragic young love. Brian Phillips' staging picked up an LCT nod, and the show received an overall recommendation from LCT. On the evenings when R&J is not onstage, there's another Shakespeare work for thrill seekers, specially selected and staged for the Halloween season: the bloody, gory tale of revenge, Titus Andronicus. Veteran actor Nick Rose plays a crazed Roman general, and just about everyone I've heard from says his performance is memorable. (It earned him an LCT nomination, too.) Box office: 513-381-2273.

This weekend is the final one for
Mrs. Mannerly at Ensemble Theatre. When Harper Lee reviewed this one for CityBeat (review here), she gave it a Critic's Pick, and I agree wholeheartedly. (LCT named it a recommended production, too.) CEA Hall of Fame actress Dale Hodges is great fun to watch as a strict etiquette teacher in 1967, and Raymond McAnally plays all the other characters — a bunch of kids who are learning how to behave in a "mannerly" way. It's funny from start to finish, but there's a heart-warming message within the story. Definitely worth seeing. Box office: 513-421-3555.

At Clifton Performance Theatre, Clifton Players are staging
A Bright New Boise, which also picked up an LCT recommendation. I haven't seen it, but the show won an Obie Award (that's for outstanding off-Broadway plays) in 2011, and it has a strong cast. This is a newish venue that's specializing in "storefront theater." Should be worth supporting. Tickets ($20): 513-861-7469. 

 
 
by Rick Pender 12.18.2009
Posted In: Theater at 03:55 PM | Permalink | Comments (0)
 
 
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Stage Door: Sideways Stories a Hot Ticket

Audience response can be a good indicator of which holiday shows are hitting the mark. While I found the humor in Know Theatre's Sideways Stories from Wayside School to be a tad forced (you can read my full review here), the theater’s box office phone (513-300-5669) has been ringing steadily, so they've added a performance this weekend on Saturday at 3 p.m., and also on Dec. 27, the final day end of the run.

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by Rick Pender 06.05.2009
Posted In: Theater, Dance at 10:49 AM | Permalink | Comments (0)
 
 
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Stage Door: Fringe. Fringe. Fringe!

I have three words for you regarding theater-going this weekend: Fringe. Fringe. Fringe.

If you haven't dropped in yet for this stimulating festival of push-the-envelope performances, you're missing out on the greatest dose of annual creativity that we get here in Cincinnati. And a lot of your friends have already caught on: Fringe Producer Eric Vosmeier tells me that as of Thursday they've hit their ticket goal for the entire festival ... and there are still two more days to go!

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by Rick Pender 03.09.2012
Posted In: Theater at 11:16 AM | Permalink | Comments (0)
 
 
onstage 3-9 - merrily we roll along - cast at cincinnti playhouse - photo sandy underwood

Stage Door: Sondheim, Afghan Women's Writing and More

Last night I attended the opening of the Cincinnati Playhouse production of Stephen Sondheim’s Merrily We Roll Along. It’s been directed by John Doyle, who inventively staged Sondheim’s Company in 2006, a production that moved to Broadway and earned a Tony Award. He uses the same approach this time — actors who provide their own musical accompaniment — and the results are top-notch because he’s assembled a strong, talented cast. This show has long been viewed as one of Sondheim’s few failures, but you wouldn’t know that from this staging: It’s a showbiz tale of success that has not led to happiness. We start at the end, with three former friends at one another’s throats, and then trace back to their earliest moments together. With great music, a stylized set piled with pages of music (the central character is a composer) and some intriguing decisions by Doyle about elevating a realistic tale to something more deeply emotional, this version of Merrily is a great choice for anyone who loves musicals. Through March 31. Box office: 513-421-3888

A completely different choice is the Afghan Women’s Writing Project at Know Theatre, this weekend only. Playwrights Elizabeth Martin and Lauren Hynek took material written by women in Afghanistan who risk their lives to write their stories and turn them into material for the stage. Several outstanding local actresses — including CEA Hall of Famer Dale Hodges and frequent CEA award winner Annie Fitzpatrick — are among the interpreters. Performances are Friday and Saturday at 8 p.m., Sunday at 3 p.m. If you go on Friday, plan to stick around for a post-show discussion. Tickets ($18): 513-300-5669

If you like heart-warming, schmaltzy tales, you should find your way to Newport’s Monmouth Theatre where Falcon Theatre is presenting Visiting Mr. Green. It’s the story of a young man “sentenced” to regular visits with an elderly gentleman he nearly ran over. Beneath the surface of their disparate worlds they discover some surprising common ground. What makes this rather predictable story come to life is the acting: Joshua Steele and Mike Moskowitz, who happen to be grandfather and grandson, portray their characters with believability. This is the second of two weekends, Saturday at 7:30 p.m., Sunday at 3 p.m. Tickets: 513-479-6783

A year ago Cincinnati Shakespeare had a big hit with Jane Austen’s Pride & Prejudice. They’ve done it again with another adaptation, Sense & Sensibility. This time it’s two sisters, one rational and one emotional, wonderfully portrayed by Kelly Mengelkoch (as the reserved, reasonable Elinor) and Sara Clark (as willful, romantic Marianne). They’re surrounded by droll supporting characters in a story of romance and domestic intrigue. I gave the production a Critic’s Pick. It’s onstage until March 18, but many performances have sold out. Tickets: 513-381-2273

Speaking of Cincinnati Shakespeare, the company recently announced its 2012-2013 season, which will feature some memorable characters — Sherlock Holmes, Atticus Finch (in To Kill a Mockingbird), Romeo & Juliet, Lady Bracknell (in Oscar Wilde’s hilarious The Importance of Being Earnest), Richard II and Nick Bottom (Midsummer Night Dream’s aspiring actor who makes an ass of himself). You can read about the entire season in my blog post from last Sunday.

Each week in Stage Door, Rick Pender theater tips for the weekend, often with a few pieces of theater news.

 
 
by Rick Pender 10.20.2010
Posted In: Television, Theater at 09:46 AM | Permalink | Comments (0)
 
 

Broadway "In Performance" at the White House

Tune to PBS this evening for A Broadway Celebration: In Performance at the White House (9 p.m. on WCET locally) , featuring some of the biggest stars from the New York stage. Nathan Lane emcees the quickly paced hour, Idina Menzel — recently in Cincinnati with the Pops — sings "Defying Gravity" from Wicked and "What I Did for Love" (with composer Marvin Hamlisch as her accompanist), and veteran Elaine Stritch belts out two numbers from Stephen Sondheim's Follies, "Broadway Baby" and "I'm Still Here" (the latter earns the event's only standing ovation).

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by Rick Pender 11.09.2012
Posted In: Theater at 09:01 AM | Permalink | Comments (0)
 
 
to do_onstage_grim and fischer_ kate braidwood and andrew phoenix_photo james douglas

Stage Door: The Little Guys

There's plenty of good theater available around town in the next few days, including the just-opened production of Hank Williams: Lost Highway at the Cincinnati Playhouse, as well as Romeo and Juliet and Titus Andronicus, which finish their runs at Cincinnati Shakespeare this weekend. But for this week's edition of Stage Door, I'm recommending three productions that might not be on your radar.

One of the big hits of the 2012 Cincinnati Fringe Festival, Grim and Fischer, is back for performances on Friday and Saturday. It was only offered three times back in June, and a lot of people missed the unusual "full-face mask" show about death (aka Grim, as in "Grim Reaper") matching wits with elderly Mrs. Fischer, who's not ready to take her leave of this world. Everyone who saw the wordless piece raved about it, so Know Theatre (they guys who present the Fringe) have brought back the two performers from Wonderheads Theatre in Portland, Ore., to give us three more chances, Friday and Saturday evening at 8 p.m. plus a 3 p.m. Saturday matinee. I'm not missing their 50-minute performance this time around. Tickets ($12): 513-300-5669.

Community theater often brings back classics that audiences love, and Footlighters (you can find them at Newport's Stained Glass Theatre, right across the street from the York Street Cafe) is doing just that with Thornton Wilder's 1938 Pulitzer Prize winner, Our Town. But don't think you've been there and done that, since this production takes several familiar conventions and freshens them. The "Stage Manager," usually a folksy older guy, is played by a woman, and many of the references to New England life in the early 1900s are minimized, which makes the show feel a lot more universal and relevant to life today. Through Nov. 18. Tickets ($20): 859-652-3849.

And my third recommendation is from another community theater, one that really knows its way around musicals: Cincinnati Music Theatre is staging Stephen Sondheim and George Furth's Company, a Tony winner from 1970 — and again in 2007 when the Cincinnati Playhouse's revival of the story of Bobby and his married friends moved to Broadway and was named the year's best musical revival. It has a brilliant and energetic score, great comic scenes and songs you're likely to know, including "Another Hundred People," "The Ladies Who Lunch" and "Being Alive." CMT presents its shows at the Aronoff Center's Jarson-Kaplan Theater. Through Nov. 17. Tickets ($22): 513-621-2787.

 
 
by Rick Pender 05.25.2012
Posted In: Theater at 09:09 AM | Permalink | Comments (0)
 
 
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Stage Door: Theater Offerings For a Hot Weekend

It’s a three-day weekend that’s more about being outdoors and kicking off summer fun. That being said, if you’re looking for a theater production that will give you some laughs for your weekend, I recommend catching a performance of see The Second City 2: Less Pride – More Pork at the Cincinnati Playhouse in the Park on its Shelterhouse Stage. I found it a notch up from the very entertaining first iteration of the show that set box-office records for the Mount Adams theater during the 2010 holiday season. Lots of hilarious fun-poking at … us. The clever cast from Chicago’s renowned comedy/improv troupe uniquely tailors each performance to the audience that shows up. Box office: 513-421-3888.

I haven’t seen the Showboat Majestic’s opening production of its 90th season (that’s right, the boat has been entertaining audiences for nine decades!), but Babes in Hollywood is another show that’s light and entertaining. It’s a revue of tunes made famous by Judy Garland and Mickey Rooney back in the 1930s and ’40s when they were happy-go-lucky adolescent stars. I did see the four-member cast do a number at last Monday’s LCT Awards event, and they have fine voices and a sense of style. I suspect this show will be popular with the grey-haired audience that frequents the Showboat, but I bet people of any age will have a good time watching. Box office: 513-241-6550.

If you want something a tad more profound, try Cincinnati Shakespeare Company’s production of The Merchant of Venice, one of Shakespeare’s most difficult plays. It’s officially categorized as a comedy because it has humorous and romantic elements. But the central story about a potentially fatal argument between a moneylender and a businessman is anything but amusing. CSC’s artistic director Brian Isaac Phillips takes on the role of the rapacious moneylender who has faced anti-Semitic discrimination for his entire life. Is Shylock a villain or a victim? Shakespeare gives him aspects of each, and CSC’s production does not tilt in either direction. You get to decide, and it won’t be easy. Review here. Box office: 513-381-2273, x1.

There’s a new theater downtown, just a few doors north of Cincinnati Shakespeare’s venue. They’re calling themselves Speakeasy Theatre, and they’re performing in a storefront space at 815 Race Street. Their inaugural production is Paul Baerman’s The Whistler. The show, directed by Tim Waldrip, is set in 1965 in an unnamed Southern city where a lot a racist attitudes are out in the open. The Andy Griffith Show is in its fifth season, and the guy who whistles that show’s theme (played here by local professional actor Michael G. Bath) is living off the royalties of his work. But life gets more complicated when he meets an African-American trumpet player (Tony Davis is taking on the role) who shares his passion for music. The show just opened on Thursday and I haven’t seen it, but it’s always good to give a new theater a try. The Whistler will be onstage through June 10. Box office: 513-861-7469.

Each week in Stage Door, Rick Pender offers theater tips for the weekend, often with a few pieces of theater news.

 
 

 

 

 
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