The fantastic Cincinnati Folk trio The Tillers will make its television debut Wednesday at 7 p.m. on the USA network. The acoustic band (Michael Oberst, Sean Gell and Jason Soudrette) were interviewed in June by legendary news anchor Tom Brokaw for a documentary about the people and places along Route 50, the stretch of highway that runs from Maryland to California.
The sixth season of TV One's entertaining and informative Unsung series, showcasing artists who did well but didn't quite reach the heights many expected, kicks off tonight at 10 p.m. with an episode about the late, great Soul star Isaac Hayes. Next week, on Jan. 30, the series focuses on a group that was formed at Kentucky State University and ended up calling Cincinnati its home base — Midnight Star.
The R&B/ElectroFunk nine-piece band was a major success in the ’80s, giving the music world massive hits like "Slow Jam," "No Parking on the Dance Floor" and "Freak-a-Zoid." But the band eventually splintered — due to "arguments over money and management," according to the Unsung synopsis — with Reggie Calloway and brother Vincent leaving and eventually forming Calloway (which had success with the smash "I Wanna Be Rich" in 1989).
Midnight Star carried on and produced a couple more albums that featured R&B chart hits before taking a break. The "hiatus" ended in 2000 and Midnight Star continues to this day, performing most recently at the Macy's Music Festival last summer. Click here to read up on the band circa 2013.
The Unsung series has a loose definition of "unsung" (as the Isaac Hayes episode suggests), but its profiles of various R&B/Soul, Hip Hop, Funk and Gospel artists are always fairly illuminating. The show has dedicated episodes to a wide range of successful artists, from The Ohio Players and Zapp to Kool Mo Dee and Big Daddy Kane to George Clinton, The Spinners and another Cincinnati-affiliated star, Bootsy Collins.
Unsung (Documentary) - Bootsy Collins... by GENERATIONDISCOFUNK
The rest of Unsung's season six includes episodes on EPMD, Lou Rawls, Eddie Kendricks, The Whispers, Mint Condition, Johnny Gill and a special two-hour look at the Disco phenomenon.
TV One is channel 217 for local Time Warner Cable subscribers (1217 for the HD channel).
One of the most notable music venues in the region, Newport's historic Southgate House, has announced it will close its doors for good after a Dec. 31 show headlined by locally-based/internationally-acclaimed Punk band The Dopamines. A press release sent out Monday night (and a posting on the club's web site) announced that "after more than thirty years in continuous operation as a music and arts venue," the Southgate House will be shut down, though no reason was given.
Details on future plans were also vague; the release says owner Ross Raleigh is hoping to "relocate" the venue in 2012 and that more information would be available soon. The full press release — and an update — are below.
Rockers Papa Roach hit the scene in 2000 with their most successful studio album, Infest. Six albums later, they are still headlining tours and festivals across the country including this weekend’s Rock on the Range in Columbus.
I was able to catch up with the man behind the music, Jacoby Shaddix, the lead vocalist. The two discussed the hard times and redemption that led to Papa Roach's most recent album, The Connection, released late last year.
Papa Roach plays Rock on the Range's Main Stage Saturday
afternoon, getting the night ready for Three Days Grace, Stone Sour and
The Smashing Pumpkins. Find full Rock on the Range details here.
CityBeat: What is your favorite Rock on the Range memory?
Jacoby Shaddix: Shit man, coming in headlining the second stage and utterly fucking demolishing it and being the only band asked back the next year to play the Main Stage and crushing it again.
CB: If you could trade places with anybody for one month who would it be?
JS: My wife.
JS: I just want both of us to live our lives in each other’s shoes for a month. I think we both would learn a lot. I know that it is not the super mega-kick ass Rock star answer, but that is some real shit.
CB: I know you wrote the last album through some of the toughest times of your life. Are any of the songs hard to play for you personally?
JS: No, they are just really good reminders. It is like I had to re-calibrate my life and re-focus myself on what my priorities were in my life and what was important to me and where I wanted to put myself five years from now and 10 years from now. All the decisions I made in the process of making this record I believe are some of the most important decisions that I’ll make in my lifetime. I think the songs are real good reminders of that desperate place that I once was.
CB: Well my favorite song on the album when it came out was “Where Did the Angels Go”…
JS: We had a No. 1 Rock track with that song, which was fucking awesome.
CB: Can you tell me the story behind the song?
JS: As we were making the record, me and my wife had split up at that time and I was strung out again. It is no secret that I have substance abuse issues and I was caught up again and I finally decided that enough is enough. I had to stop and that just utter desperation of hanging on to life by a thread and just feeling completely alone and so broken and not really knowing if I was going to be OK. I just finally realized how much my demons ate me alive and it was time to get myself back and that is where that song came from, utter desperation.
CB: Is it hard to be on the road and stay sober?
JS: Not this time around. It used to be really hard. I have a network of sober musicians I stay really close with and I have a support group through that.
It is finally clear to me in my life I can’t fucking drink, I can’t do drugs, because it eats me alive. I am finally on the road enjoying my life. I faced a lot of demons in the process of getting sober again and I finally put a lot of stuff to rest. I am trying to work on being in the moment, like some of that Buddhist-type culture philosophy — if I am not here now then what is the point? If I am not feeling the moment, then what is the point of my life. Just focusing on that, my spirituality makes all this other stuff that goes on out here on the road way more tolerable and way more fun.
CB: Have you ever had an experience that led you to believe in angels?
JS: I don’t necessarily have a grasp on the idea of angels. I have an understanding of people that have come like saviors in a sense, people that have been sent to me by my higher power to show me and guide me out of the darkness. I had to be broken down to realize I needed help.
CB: People have shown up at the right time?
CB: If you could ask one question to a psychic about your future what would you ask?
JS: I wouldn’t ask anything. I wouldn’t want to know. What do you want to know? Are you going to live different or some shit? I’d rather let it be. Let the future be what it is going to be.
CB: What does your perfect day look like?
JS: Perfect day — wake up next to my wife, sex right off the bat. Then go downstairs and cook breakfast for my kids, take them to school, go for a run, dance with my wife, go fishing with my brother-in-law in the bayou swamp, stretch out and warm up, play a Rock & Roll show, then fall asleep next to my wife. That sounds pretty fucking kick ass.
CB: I know your songs that you write are very autobiographical. Have you considered writing a book or a memoir in the future?
JS: Oh definitely, that is something I am going to definitely do in my life. 100 percent.
CB: No immediate plans?
JS: No immediate plans, but I have put pen to paper. It is something that I can craft as I go along.
CB: What can the fans expect this weekend at Rock on the Range?
JS: A fan that is on fucking fire. We have been doing these festivals, May is a big festival month, and we have been fucking annihilating audiences. We just devastated Carolina Rebellion, just ripped that shit up, we had a great show. Fort Rock in Florida, Rockville down in Florida. Memphis in May was awesome at the Beale Street Festival. That was rippin’. I just feel like we are tuned up and primed for these big festivals. I have to say, all these other bands, bring your fucking A-game because P Roach is coming to town and we have come to rip it.
CB: Memphis was awesome. I saw most of the set. It was awesome. It was great as always. I look forward to shooting you guys again. Smile for the camera on Saturday.
JS: Fuck yeah. Cool. We will see you Saturday.
Music Tonight: Just four short years ago, Marbin — performing tonight at The Greenwich in Walnut Hills — came together in Israel when two musicians met just when both were in coming-of-age “crossroads” periods in their lives. Israeli saxophonist Danny Markovitz had just completed his military service (he was an infantry sergeant) when he met Israeli-American guitarist Dani Rabin, who had also just been through a rigorous experience, graduating with a degree from The Berklee College of Music. In 2008, the Marbin duo re-situated themselves in the U.S., landing in Chicago. Since then, the work hasn’t stopped, as Marbin spends around 250 days a year performing (in the Windy City region and across the States).
Lucinda Williams is a premier female act in Country and American Folk music. She has been blazing the roads since the late ’70s and has not slowed down. She still appears at music festivals all across the country, even gaining international acclaim. Her most recent album, Blessed, is her eleventh studio album. Williams has been nominated for 14 Grammys, taking home three awards. In 2002, Time magazine called her “America's best songwriter.”
AN OPEN LETTER to the four million members of the National Rifle Association:
Dear fellow citizen,
The NRA released a statement yesterday on your behalf expressing that you all are “shocked, saddened and heartbroken” by the news of the massacre at Sandy Hook Elementary. Yes, we all are.
For years you have willingly given your money to an organization that has largely ignored pleas from policemen across our country to limit access to assault weapons and armor piercing ammunition.
You have spent countless millions of dollars silencing and vilifying voices that, while supportive of gun ownership, were calling for moderation in the distribution of weapons that could be used for mass destruction of human life, including the gun used by Friday’s killer that shot one first grader 11 times. And 19 other first grade children. And 6 adults in the space of a few minutes…
When previous heartbroken victims of gun violence who lost children or spouses tried to speak out to hopefully help prevent others from suffering similar unspeakable loss, you rallied for your rights, and gave the suffering no quarter.
For years you have marketed the idea to the citizens of this country that the US government is a potential enemy bent on harming its own citizens, and the only way we could all be safe was if we each purchased a private arsenal of weapons.
While you are reportedly “shocked, saddened and heartbroken,” how many of your members after Friday’s shooting have changed their profile pictures to images of guns, or tweeted messages like “I’m buying a gun the day after Christmas. Join me! #NRAlifelongmember” How many of your members boasted last Friday that they were going to take their kids to a firing range?
You continue to lobby in support of all of us carrying concealed weapons into schools, day care centers, movie theaters, and public squares. You argue that if only we could all walk around packing heat, our society could be safer and more peaceful. You lobby for wider “stand your ground” laws, so we can all load up and take the law into our own hands and play judge and jury (and God?) in the heat of the moment.
The members among you who call themselves Christian often bemoan the fact that “God has been removed from our schools” and yet those very members ignore the direct teachings of Jesus as recorded in Scripture that call upon all followers of Christ to work to break the cycle of violence and not return evil for evil.
Too many of us have stood by silently while you’ve played the part of the playground bully in our public discourse, and distorted our constitution for profit. While we as a nation have improved upon the vision of our “founding fathers” to end slavery in this country, to allow women the right to vote, and to outlaw hate crimes, you cling rigidly to a few words written when the right to bear arms referred to a single shot muzzle loading rifle.
Your voice has been powerful and strident, and too many of us have remained silent in our disbelief of what we were hearing from you. Our silence has been deadly.
If you are indeed “shocked, saddened and heartbroken” consider the part (if you are able and willing to join the rest of us in searching our souls) your organization has played when it comes to last Friday’s shooting. Consider the fear that your organization markets. Consider the bitter fruit of your labors that we must all taste.
And please consider asking forgiveness, changing your ways, and offering whatever healing you are capable of to the hurting in Newtown, Connecticut, as opposed to condoning responding to violence with still ever more violence, ad nauseum.
Unless you can do your part (along with the rest of us), and change in response to Friday’s tragedy, there will be still worse to come.
I live on a small farm in Ohio, own two guns (and my own business) and have family members who are big game hunters. I am rethinking my responsibility as a citizen of this country. We all are. I invite you to do the same.
You’re holding your big press conference tomorrow. We’ll be listening. But I am confident that many millions of us will no longer be silent.
Voting for Greater Cincinnati's annual celebration of our amazing local music scene, the Cincinnati Entertainment Awards, is now open. Vote for your faves or, even better, do some research online, check out all of the nominees and THEN pick who you think is most deserving.
Click here to get started on your ballot.
The 16th annual CEA ceremony will be held at Covington’s Madison Theater on Jan. 27, featuring more live performances than ever and first-time host Ted Clark, known for his monthly “live chat show” Ted Clark After Dark. Ted will present a special edition of Ted Clark After Dark at the after-party, this year held at The Loft, just around the corner from the Madison and above Tickets (the former home to the Rock club Radio Down). The after-party will also include the annual “Fashion Trashies,” presented by members of local Indie Pop legends The Fairmount Girls and honoring the best/worst/weirdest-dressed CEA attendees.
Tickets to the Jan. 27 ceremony/party will go on sale this coming Wednesday through CincyTicket.com. Proceeds from ticket sales are being donated the Cincinnati USA Music Heritage Foundation.
Another new aspect of this year’s CEAs involves the “New Artist of the Year” nominees. The acts nominated in that category will perform at the first-ever CEA new music showcase at Bogart’s on Jan. 18 (confirmations pending). Audience votes at the event will help determine the winner of the category, along with votes from the nominating committee (who also choose the Album and Artist of the Year winners).
Tickets for the new music showcase will go sale soon through Ticketmaster.
Now, a few words on "the process." Since the nominees were announced on Wednesday, I've received several queries asking "How do I get nominated for a CEA?" from various artists and/or their representatives.
It's the same answer found in the old joke, "How do you get to Carnegie Hall?"
Practice. And also work hard and keep spreading the word about your awesome music.
As has been the case in the entire the 16-year existence of the CEAs (and as has been noted every year in our coverage of the event, including this year), a nominating committee is assembled each year to determine the CEA nominees. These include writers, promoters, club owners, local-music radio hosts and others whose opinion on local music-makers we trust. This year's committee included approximately 40 such people. We try our best to include those whose expertise is either wide-ranging or specific to a particular genre represented in the CEA categories. (Judges do not have votes counted if they're cast for an artist with whom the judge directly works.)
This year, invitations to participate in the nominating process were sent out to nearly 70 people, so obviously certain experts declined to participate, missed the deadline for nominees or just ignored our request.
The committee is asked to nominate up to three artists per category who caught their eyes and ears this past year. The only guidelines are that the artists should have been active in the past 365 days, the nominees should be largely original (though certainly talented, straight-up "cover bands" are generally not eligible) and the judges are also instructed to give special consideration to any act that has released new recorded material in that same time-frame.
The CEA nominating judges are listed in the CEA "program" annually. I will not release their names here because I've personally received many rude or stupid emails telling me what an idiot I am for not nominating "fill in the blank." The nominating committee was kind enough to participate; I don't want to open any of them up to such haranguing and harassment.
Finally, I'd just like to say that every year there are TONS of really great acts that deserve a nomination but don't get one. It's not personal. It's not "political." It's not "who you know." It's simply a matter of time and space. If every artist who deserved a nomination got one, the CEA show itself would run 16 hours — and that's just to read the nominations for each category.
I agree to some extent that award shows like these are a little frivolous and that the process for nominations isn't perfect. It never is, for any awards show. We have thought about letting the public nominate the artists (a la the long-gone "CAMMY" awards presented by The Enquirer), but ultimately feel that the way the CEA process is set up works best. Because, ultimately, whoever wins their category is going to deserve it.
Though we take the process seriously, we've always thought of the CEAs as more of a celebration than a contest. I invite you to think of it the same way and join us for the show, whether you were nominated or not. The CEAs are for the ENTIRE Greater Cincinnati music scene. The awards are just a good excuse to get everyone together. Instead of being a sore sport about your lack of attention, come out and congratulate and party with your fellow nominees.
As CityBeat’s Assistant Music Editor for the past three months, I’m the person behind most of the music listings—those microscopic items printed in the middle of the newspaper every week. With the assistance of Real Actual Music Editor Mike Breen and a crazy little interface called Zipscene, I make them appear there and on the Web site.