Music lovers complaining about the out-of-touchness of the Grammy awards is like stand-up comedians complaining about airline food. Both are overdone and clichéd, but the frustration is a shared experience that people instantly identify with. With the Grammys, sometimes an unlikely win or loss is so infuriating and baffling, people can’t help but go ballistic. This year’s event was a rollercoaster that reflected both the Grammys’ perpetual practice of giving trophies to irrelevant and/or the “safest” artists and the program’s well-intentioned efforts of late to get with the times. I can’t remember ever describing a Grammys ceremony as “shocking,” but this year’s was full of surprises both pleasant and mind-numbingly inexplicable.
Get ready, MidPoint Music Festival fans. This Friday, the first 10 or so artists booked for 2013's MPMF — returning to the streets and venues of Over-the-Rhine and Downtown Sept. 26-28 — will be announced. And longtime MPMF sponsor Dewey's Pizza will have the scoop.
Friday, those wanting the info first should head to facebook.com/DeweysPizza ("like" their page, not just for the yummy grub they serve but for the support they've given MPMF and local music over the years). Then, of course, check this here music blog for a recap and more details.
Also of interest to MPMF fanatics are the lineups for this year's "Indie Summer" concerts, every Friday on Fountain Square from May 31-Aug. 30. The performers for the MidPoint- and CityBeat-sponsored shows are expected within the week. Keep an eye on this blog for the full announcement as soon as we get the green light to post it. (The lineups for the other themed Fountain Square music nights — six per week — are due very soon as well.)
For artists wanting to be considered for a performance slot at MPMF.13, the time to submit is now, as the deadline is quickly approaching. Submissions will be accepted (visit mpmf.com for directions) until May 11 at 11:59 p.m.
Several weeks ago, two pricing tiers of "early bird" and "loyalty" MPMF tickets sold out almost immediately. Tickets for MPMF.13 go back on sale this Friday through cincyticket.com ($69 for a three-day pass or $169 for "VIP Experience" tickets).
Sad to report this morning that Joe Maier, former bassist for popular local instrumental Post Rock band Johnnytwentythree, passed away suddenly on June 19. He was just 31 years old.
Maier and his brother, guitarist Michael Maier, formed the band Halo in the late ’90s, which featured drummer Stephen Imwalle. The three formed Johnnytwentythree in the early ’00s, with Imwalle switching his focus to film (creating the visuals for the band's live shows and video projects).
J23 also included Brian Tyree on drums and Joe Maier's wife Brianne Maier on violin. Joe and Brianne had two young twin daughters. In lieu of flowers, donations for the couple's girls can be made to the Joseph B. Maier Memorial Fund C/O Fifth Third Bank 3715 Ebenezer Road. 45248. Click here to share your condolences.
Check out a CityBeat feature story on J23 here and give a look/listen to a couple of music clips from the band below.
Two big-time concert announcements came down the chute today, representing the broadest of broad spectrums of musical stylings. The Rockstar Energy Drink Mayhem Festival returns to Riverbend for the fifth straight year on July 24. Metal fans will find this year's Mayhem lineup to be the best yet, with headliners Slipknot and Slayer alone making it one of the bigger concert events of the summer. Others appearing on the tour include As I Lay Dying, Anthrax and High on Fire (the lineup changes along the tour route, so all of those bands might not be on the Cincy show). Official "Get Off Your Ass" pre-sale tickets (Mayhem's name, not mine) go on sale April 6 (click here for details). A "very special guest" addition to the main stage won't be announced until March 5.
My guess is that it isn't Soft Rock superstar Barry Manilow (Kenny G would be a better fit), but Manilowmaniacs will be able to catch Barry at his own concert. On April 20, Manilow performs at Northern Kentucky University's Bank of Kentucky Center.
Tomorrow (Thursday) marks the first Cincinnati Reds’ Opening Day in some time where fans actually have cause to be realistically optimistic about the team’s chances of going deep into the playoffs come the end of the season. If you’re planning on going all out for Opening Day, a good place to start your reveling is at Arnold’s, as local Folk faves Jake Speed and the Freddies once again host its baseball-themed variety show. The fun kicks off at 9:30 a.m. and you can be there in spirit if you can’t make it in person by listening to WNKU, which will simulcast the festivities live.
Those Guys have emerged as one of the more impressive up-and-comers in Cincinnati Hip Hop, both via their digital/CD releases (a handful of singles and a trio of excellent mixtapes) and their live show, which incorporates a three-piece live band. Those Guys features MC's J.Al and Jova, who met as high school freshmen and started the group upon graduation in 2008. Citing influences like Kanye, The Clipse and Kid Cudi, the duo issued Greater Than the Mixtape Volume 1 in 2009.
The most recent in their Greater Than the Mixtape series (Volume 3) was released late last year, kicking off with the monster track "You Ain't Know," which showcases the duo's telepathic back-and-forth, superb lyricism and a fat and funky musical approach.
The duo has been garnering extra attention with their just-released video (Those Guys' first) for "You Ain't Know," which was filmed in Monroe just prior to Halloween and features some spectacular scenes of the crew blowing up a car. Who says you need a big budget for action-movie-like special effects? (The group thanks the City of Monroe's parks, fire and police department as well as the Butler County Bomb Squad in the video description on YouTube, so the fiery shoot was on the up-and-up.)
The video has been creating major buzz on social media, even drawing praise from Hip Hop legend Redman, who tweeted "Dope ass video … thats wut Im talkn bout … sumtn different … hard shit."
Check the clip below, then visit the duo's Bandcamp site to download the latest mixtape and other Those Guys material for free. You can find more about Those Guys at their official site, Facebook page and on Twitter here.
Three of the finest music festivals in the region — spring’s Nelsonville Music Festival in northeastern Ohio, summer’s Forecastle Festival in Louisville and Cincy’s own MidPoint Music Festival, returning Sept. 22-24 — have made recent announcements concerning their 2011 events.
The local music scene lost one of its veteran players this past weekend. Larry Malott — also a veteran of the Vietnam War — suffered a brain aneurysm last Wednesday from which he never recovered.
A gifted bassist, Malott (who was 65) was the low-end anchor of hard-working, popular local Blues band Them Bones. Along with regular gigs with the group around town (and beyond — the band has toured in Europe and represented Cincinnati at 2010's International Blues Challenge in Memphis, Tenn., placing an impressive third overall), Malott and Them Bones were also the anchor of the long-running Sunday night Blues jams at Newport club, Mansion Hill Tavern, hosting the weekly event since 2001. Many local musicians gathered this past Sunday at the open jam to pay their respects to Malott. Judging by the outpouring of grief and appreciation on social media the past few days, Malott was not only a great bass player and dedicated Blues supporter, he was also something of a mentor to other local musicians and incredibly supportive of his fellow artists.
Visit Malott's Facebook page to leave a message for his family and for info on upcoming funeral services (a public tribute appears to also be in the works). His family is asking that, in lieu of flowers, supporters make a donation to their favorite charity and/or one of the following ones — Sophie's Angel Run, Cincinnati Shriners Burns Hospital, Down Syndrome Association and/or Blues in the Schools.
We've written a bit in the past about the new film-meets-music "One Shot Music Video" series, beautifully shot, black-and-white short films of various local musical acts shot at the historic Emery Theatre (which is back in action as a functional venue this weekend). Shot by world renowned photographer Michael Wilson with audio help from the musical duo Pop Empire, the clips are filmed in one continuous take (thus the name).
The project has started to take shape and is on a roll now. Pop Empire's Cameron Cochran reports that the series is now named for the venue — "The Emery Sessions" — and will be comprised of footage from 10 artists, all shot at the theater. It's a great way to not only spotlight local music, but also show off the theater in a great light.
Wilson and Pop Empire have completed a couple of videos for Daniel Martin Moore for the first of the series. The second in the series is Over the Rhine (longtime compadres of Wilson's, who has shot OTR album covers and promo shots — including the one above — since the band's very beginning). OTR is familiar with the surroundings; the band played the "preview party" hosted by The Requiem Project which re-introduced the 100-year-old theater to locals late last year.
Here's a clip of Over the Rhine's Linford Detweiler and Karin Bergquist performing "The Laugh of Recognition" from the twosome's latest album, The Long Surrender. (Click over to local blog Each Note Secure to check out another clip from the project.)
Cochran also runs the all-free, all-digital "record label" The Recording Label, which has issued stellar recordings by The Kickaways, Vacation, Sacred Spirits and Pop Empire. He says working on "The Emery Sessions" inspired him to give the label a more local-specific name. The Recording Label is now called Cincinnati Recording Service. Click here for the new site.
And here are a few words from Cochran on the Sessions and the label:
If we are consuming light then sound is accompanied by sight. Many musical performers understand this concept and will incorporate a visual component to their audio performance. The idea behind the "One Shot Music Video" is to approach music from the opposite direction. The audience approaches the music from a visual perspective first because whether they know it or not the first performance they see is the photographer's. It is the photographer's eye that navigates them through the musical performance. The hidden live performance is the one done with the camera.
The Emery Theatre was the perfect place to begin our exploration of this relationship between listening and watching live musical performances. Each musician we have recorded and that we are going to record have a love for this amazing space and understands what the Emery Theatre means to our great city of Cincinnati. It is perhaps our own experiences working in this theatre and the pride that has developed for our hometown of Cincinnati that inspired us to change the name of The Recording Label to Cincinnati Recording Service. This name change is also a tip of the hat to another person who loved his city as well as the power that American music has to bring people together, Memphis' very own Sam Philips.