Music lovers complaining about the out-of-touchness of the Grammy awards is like stand-up comedians complaining about airline food. Both are overdone and clichéd, but the frustration is a shared experience that people instantly identify with. With the Grammys, sometimes an unlikely win or loss is so infuriating and baffling, people can’t help but go ballistic. This year’s event was a rollercoaster that reflected both the Grammys’ perpetual practice of giving trophies to irrelevant and/or the “safest” artists and the program’s well-intentioned efforts of late to get with the times. I can’t remember ever describing a Grammys ceremony as “shocking,” but this year’s was full of surprises both pleasant and mind-numbingly inexplicable.
It was recently announced that the historical marker proposed for the former site of Herzog Studios (811 Race St., current downtown home to CityBeat’s offices) has been approved. Thanks to the hard work of the Cincinnati USA Music Heritage Foundation, Brian Powers and others, the marker will be installed at the site — where Hank Williams recorded trademark tunes like “I’m So Lonesome I Could Cry,” and artists like Flatt & Scruggs and The Delmore Brothers also worked — on Nov. 22, the day of the Cincinnati Entertainment Awards.
Three of the finest music festivals in the region — spring’s Nelsonville Music Festival in northeastern Ohio, summer’s Forecastle Festival in Louisville and Cincy’s own MidPoint Music Festival, returning Sept. 22-24 — have made recent announcements concerning their 2011 events.
The local music scene lost one of its veteran players this past weekend. Larry Malott — also a veteran of the Vietnam War — suffered a brain aneurysm last Wednesday from which he never recovered.
A gifted bassist, Malott (who was 65) was the low-end anchor of hard-working, popular local Blues band Them Bones. Along with regular gigs with the group around town (and beyond — the band has toured in Europe and represented Cincinnati at 2010's International Blues Challenge in Memphis, Tenn., placing an impressive third overall), Malott and Them Bones were also the anchor of the long-running Sunday night Blues jams at Newport club, Mansion Hill Tavern, hosting the weekly event since 2001. Many local musicians gathered this past Sunday at the open jam to pay their respects to Malott. Judging by the outpouring of grief and appreciation on social media the past few days, Malott was not only a great bass player and dedicated Blues supporter, he was also something of a mentor to other local musicians and incredibly supportive of his fellow artists.
Visit Malott's Facebook page to leave a message for his family and for info on upcoming funeral services (a public tribute appears to also be in the works). His family is asking that, in lieu of flowers, supporters make a donation to their favorite charity and/or one of the following ones — Sophie's Angel Run, Cincinnati Shriners Burns Hospital, Down Syndrome Association and/or Blues in the Schools.
Sad to report this morning that Joe Maier, former bassist for popular local instrumental Post Rock band Johnnytwentythree, passed away suddenly on June 19. He was just 31 years old.
Maier and his brother, guitarist Michael Maier, formed the band Halo in the late ’90s, which featured drummer Stephen Imwalle. The three formed Johnnytwentythree in the early ’00s, with Imwalle switching his focus to film (creating the visuals for the band's live shows and video projects).
J23 also included Brian Tyree on drums and Joe Maier's wife Brianne Maier on violin. Joe and Brianne had two young twin daughters. In lieu of flowers, donations for the couple's girls can be made to the Joseph B. Maier Memorial Fund C/O Fifth Third Bank 3715 Ebenezer Road. 45248. Click here to share your condolences.
Check out a CityBeat feature story on J23 here and give a look/listen to a couple of music clips from the band below.
Those Guys have emerged as one of the more impressive up-and-comers in Cincinnati Hip Hop, both via their digital/CD releases (a handful of singles and a trio of excellent mixtapes) and their live show, which incorporates a three-piece live band. Those Guys features MC's J.Al and Jova, who met as high school freshmen and started the group upon graduation in 2008. Citing influences like Kanye, The Clipse and Kid Cudi, the duo issued Greater Than the Mixtape Volume 1 in 2009.
The most recent in their Greater Than the Mixtape series (Volume 3) was released late last year, kicking off with the monster track "You Ain't Know," which showcases the duo's telepathic back-and-forth, superb lyricism and a fat and funky musical approach.
The duo has been garnering extra attention with their just-released video (Those Guys' first) for "You Ain't Know," which was filmed in Monroe just prior to Halloween and features some spectacular scenes of the crew blowing up a car. Who says you need a big budget for action-movie-like special effects? (The group thanks the City of Monroe's parks, fire and police department as well as the Butler County Bomb Squad in the video description on YouTube, so the fiery shoot was on the up-and-up.)
The video has been creating major buzz on social media, even drawing praise from Hip Hop legend Redman, who tweeted "Dope ass video … thats wut Im talkn bout … sumtn different … hard shit."
Check the clip below, then visit the duo's Bandcamp site to download the latest mixtape and other Those Guys material for free. You can find more about Those Guys at their official site, Facebook page and on Twitter here.
Though it feels like we're just getting over the glorious musical hangover caused by the 2010 edition of the MidPoint Music Festival, today marks the beginning of MPMF's 2011 cycle. Starting today, artists interested in performing at this year's MidPoint can begin submitting press kits.
Local music fans who like their Indie Pop noisy and creative need to check out Pop Empire, a new duo featuring Cameron Cochran (of The Sheds, Lions Rampant fame) and Henry Wilson. And, like Cochran's Sheds (which gave away all of its music free online), Pop Empire is recession-friendly. Head to popempire.com and download the band's debut EP, Rainy Child, for free.
Despite Frank Ocean's deft leg-syncing and Taylor Swift's torture-porn-disguised-as-wholesome-circus, Akron, Ohio's Dan Auerbach and The Black Keys were The Grammys' big story last night, winning five trophies, the most of any artist.
While the Keys won the Grammys for Best Rock Album, Best Rock Song and Best Rock Performance, Auerbach scored two solo Grammys for his production work, winning the trophy for Producer of the Year (Non-Classical) and also winning one for producing Dr. John's Locked Down, the Blues Album winner.
While Grammys for album winners are usually given to the producers, engineers, mastering engineers and artists, hopefully Cincinnati's Brian Olive will also score one for his work on the LP. Auerbach — who has produced albums by both Olive and Cincinnati's Buffalo Killers — enlisted Olive (an original member of Cincinnati's Greenhornes) to work on the Dr. John album. Olive has songwriting credits on every track on Locked Down, and he's also credited with playing guitar, percussion and woodwinds, as well as providing background vocals. (Check out CityBeat's profile of Olive from 2011, about his Auerbach-produced Two of Everything album, here.)
Kudos to Mr. Olive! That's him — the handsome feller with big side-burns playing sax (and a little guitar) in this video for the album's "Revolution."
Check out all the winners from last night's Grammys here, and click here or here for some extra musings about the show.