The 2010 MidPoint Music Festival is just three days away, so if you haven't firmed up your plans yet now's the time. And here's the big ticketing detail you need to be aware of: Three-day "all access" wristband sales end before the festival kicks off Thursday, replaced by one-day wristbands on sale each night at all venues.
Besides all of the great music, one of the most fun elements of the MidPoint Music Festival (coming Sept. 26-28 to various venues in Over-the-Rhine and Downtown) is the MidPoint Midway, with its carnival-like atmosphere, music offerings, food and other vendors bustling along the fest’s 12th Street vein.
The “Box Truck Carnival” is one of the cornerstones of the Midway, showcasing the creative minds of Cincinnatians in the form of “box trucks” that are remade into … anything the re-designers can dream up. The organizers at ArtWorks call them “experimental ‘carnival’ booths.”
Last year’s box trucks included a photo booth (from Queen City Project), a “shadow-dance” club (from Golden Brown Enterprises), an improvisational comedy club (from OTR Improv), an interactive magnetic sculpture (from the Loose Parts Project) and a “Free Advice” booth (from Calcagno Cullen).
ArtWorks and Springboard Cincinnati recently put the call out for proposals for the third annual Box Truck Carnival.
Here are some of the details from ArtWorks:
Artists and creatives are invited to create unique interactive installations within the confines of a 16' or 24' long truck. Past submissions have included performance art, a photo booth, putt-putt course, dance party, and more.
Participants will be awarded a $500 stipend for materials and supplies, provided the truck is returned to the rental company with no damage or alterations after the festival. ArtWorks will cover the cost of one week truck rental, insurance, and mileage not to exceed 100 miles. Generators will be provided.
A panel will got through all submissions and pick 8-10 concepts they’d like to see come to fruition. If you’re proposal is accepted, you will be notified by Aug. 9.
The MidPoint Midway is free and open to the public. This year, the hours are 5 p.m.-midnight on Sept. 26 and 27, and noon-midnight on Sept. 28. (On Sept. 28, MPMF is planning some family-friendly fun — dubbed “KidPoint” — from noon-4 p.m. along the Midway. More info on that coming soon.)
See what you can come up with over the next few days. Deadline for submissions is this WEDNESDAY (JULY 31), 5 p.m. Click here for the submission form. Email email@example.com with any questions.
(This post was updated to reflect ArtWorks' recently extended deadline)
A new batch of over 20 artists has been announced for this year’s MidPoint Music Festival, which returns to the clubs and venues of Over-the-Rhine and Downtown Sept. 25-27. The following acts join The Afghan Whigs, who were announced last week as the Washington Park headliners on Sept. 26, at 2014’s MPMF.
New Jersey Indie rockers Real Estate enhanced the buzz they’ve been building on in March when Domino Records issued the group’s latest album, Atlas. The tough critics at Pitchfork, supporters of the band since its 2009 debut, gave Atlas an 8.8 (out of 10) and said it’s “at once their most forlorn album and their most beautiful.” “It is rare, and special, for a band to be this effortlessly and completely themselves,” Pitchfork added.
Noah Lennox is a founding member of Animal Collective but also a successful solo artist under his stage name, Panda Bear. His experimental, psychedelic style will be on glorious display at MPMF as he promotes his latest solo effort, Panda Bear Meets the Grim Reaper, due sometime this year on Domino Records. (Fun fact: Panda Bear was a guest artist on Daft Punk’s Album of the Year Grammy-winning Random Access Memories.)
Ambient Electronic artist Tycho (born Scott Hansen) makes critically acclaimed music for the esteemed Ghostly International label. His latest album, Awake, came out in March and reached No. 2 on Billboard’s Dance/Electronic Albums chart (and No. 23 on the general Billboard album chart). In a review of the new album, Consequence of Sound said, “Listening to Tycho is the aural equivalent of exploring a new art museum. The overall effect is one of remarkable beauty and you still have the option of how you’ll take it in.”
Uniquely adventurous San Francisco metallers Deafheaven take a unique approach to Black Metal, which has led to wider acclaim and a more diverse audience than most other Black Metal bands … and, of course, has led to some of the genre’s fans to decry them as “not Black Metal.” Whatever. The group’s fantastic Sunbather was one of the more compelling albums of 2013 (and, subsequently, one of the best reviewed albums of last year, as well). Here’s CityBeat’s interview with the band from earlier this year.
Gardens & Villa
After spending a couple of years touring the world and becoming a tighter, better band in the process, Californian Indie Electro Pop band Gardens & Villa released its second album, Dunes, on the Secretly Canadian imprint earlier this year.
Danish Indie Rock duo The Raveonettes have been buzzing around since 2001, when Rolling Stone editor David Fricke saw the band at a music festival and publicly raved about them. The twosome’s fuzzy Pop sound was an instant hit upon the release of Chain Gang of Love on Columbia in 2003. Over a decade later, Sune Rose Wagner and Sharin Foo are prepping their seventh full-length and continue to tour the globe.
Sun Kil Moon
Mark Kozelek first brought his emotive, slo-mo Indie Rock to the masses with the great Red House Painters. When that band dissolved around the turn of the century, the singer/songwriter and actor (he was in Cameron Crowe’s Almost Famous and Vanilla Sky) continued the vibe with Sun Kil Moon, which released its sixth album, Benji (featuring Sonic Youth’s Steve Shelley and Will Oldham, among other guests), in February of this year. In July, Kozelek will release a live Sun Kil Moon album.
Barrence Whitfield & the Savages
The Afghan Whigs aren’t the only MPMF band with international acclaim and Cincinnati ties. Vintage R&B/Rock & Roll outfit Barrence Whitfield & the Savages was formed in the ’80s by Soul shouter Whitfield and Peter Greenberg, guitarist for the pioneering Cincy Garage Rock band The Customs (and, later in Boston, DMZ and The Lyres). The twosome reformed the band (with some local musicians in the fold) and released the locally-recorded Savage Kings album in 2010. Building a bigger audience with every tour, the band’s Dig Thy Savage Soul album last year was its best received yet, leading to successful shows across Europe (and a spot of Later … with Jools Holland in the U.K.). Read CityBeat’s feature story on the band from last year when they played a two-night stand at MPMF venue MOTR Pub.
EMA is Erika M. Anderson, a South Dakota native who honed her chops in the California experimental music scene. With EMA, Anderson makes slinky Indie Pop Rock so infectious it caught the attention of indie label giants Matador Records. The label released EMA’s latest album, The Future’s Void, in April to widespread praise.
Ex Hex is the new band from Mary Timony, leader of Helium, member of Wild Flag and also a solo artist (the band name comes from the title of her 2005 Lookout! Records album). The band’s first release, the 7-inch single “Hot and Cold,” came out on Merge Records in March.
Formed by Man Man’s Adam Schatz, Brooklyn’s Landlady became a hometown favorite thanks to consistently great live shows and a 2011 self-released album. In July, the band releases its new album, Upright Behavior, on Hometapes, home to artists like Matthew E. White and Megafaun.
When Massachusetts Indie Rock band Speedy Ortiz had its first official full-length, Major Arcana, released on Carpark Records last year, the band instantly became an audience and critical favorite, landing on many scribes’ “Best of 2013” lists. The A.V. Club called the album “a markedly assured debut, one that makes Speedy Ortiz an act to watch. Like its songs, the band’s detonation is inevitable.” Earlier this year, the band released the Real Hair EP.
Low Cut Connie
After building a strong following in Cincinnati thanks to repeated visits (including a great set at last year’s MPMF), Piano Rock crew Low Cut Connie return for another rollicking show in the Queen City. Read CityBeat’s interview with LCC from March here.
Houston Indie rockers The Tontons hit the touring circuit hard over the past seven years and now, with the release of their second album, Make Out King and Other Stories of Love, earlier this year, the hard work is paying off for the band. The self-released LP received high praise from the likes of The New York Times, Paste and Rolling Stone.
Psych/Proto Punk band Ex-Cult hails from Memphis and recently released its second album, Midnight Passenger, on Goner Records. CMJ says, “This second full-length breathes with a more expansive volume and guitar churn, without resorting to every other current garage band’s habit of just dumping reverb on everything. In fact as this rec moves along, its snaky sprawl sees the band crawling out of its genre garage, like spilled oil and gas seeping into the weeds and cracks in the driveway, making everything a bit more slippery as you approach.”
Brooklyn’s Milagres make Indie Synth Rock for the Kill Rock Stars label. After the success of their 2011 album, Glowing Mouth, the band released Violent Light in early 2014.
Formed by two former members of Reggae group John Brown’s Body, trippy Dance Rock band Rubblebucket self-released its debut, Rose’s Dream, in 2008. Since then, the band has had its cover of The Beatles’ “Michelle” declared on the 50 greatest Fab Four covers of all time by Paste, appeared on Jimmy Kimmel Live and recorded with LCD Soundsystem’s Eric Broucek. The band’s most recent release is the EP Save Charlie.
NYC-based Mutual Benefit is the dreamy project of singer/songwriter Jordan Lee, who grew up in suburban Columbus, Ohio. Last year’s debut full-length, Love’s Crushing Diamond, drew comparisons to the likes of Sufjan Stevens and Grizzly Bear.
The Cave Singers
Seattle Indie Folk group The Cave Singers formed in 2007 out of the ashes of the great Pretty Girls Make Graves. The band’s latest album, Naomi, came out last year on Jagjaguwar.
Canadian Indie rockers July Talk formed just a couple of years ago, but already they have an international profile, touring with artists like Billy Talent and Besnard Lakes and catching audiences attention with a great live show. The group recently premiered a new music video for “Summer Dress,” a song slated for a forthcoming EP.
St. Paul & the Broken Bones
Alabama Soul ensemble St. Paul & the Broken Bones’ great sound and live show have made them a favorite on the international touring circuit. The band’s debut album, Half the City, came out earlier this year, leading to the group’s appearance on CBS’s The Late Late Show and, more recently, a nomination for Emerging Act of the Year from the Americana Music Association.
Three-day tickets (and VIP tickets) are on sale now at mpmf.cincyticket.com. Today at noon, single-show tickets for The Afghan Whigs’ all-ages (kids under 10 can get in free with a paying adult) concert in Washington Park on Sept. 26 go on sale at the same site.
If you still have the energy after ooh-ing and ahh-ing at the fireworks on the river Sunday night — or if you're avoiding them altogether because you hate crowds (I'll be live tweeting the TV broadcast of the fireworks for all you homebodies) — two great Ohio bands are performing for free at Over-the-Rhine club MOTR Pub immediately following the big booms.
The fireworks after-party kicks off with Columbus Indie Rock crew Indigo Wild, a crafty, eclectic band that has built a nice following in Cincy thanks to frequent performances in the area (band members live in both Cincinnati and Ohio's capital). Here's a fun music video for Indigo Wild's song "Rowboats," featured on the band's debut release, the If By Sea EP (which came out last year around this time; click here to listen or purchase).
Headlining the show are The Ridges, an Athens, Ohio-based Orchestral Indie Folk troupe that has also amassed a solid following in Cincinnati. The MidPoint Music Festival vets — who perform in different configurations, depending on which members are available (including string and horn players) — return to play MPMF.12 in a few weeks. The Ridges are currently prepping a full-length album (recorded here in Cincinnati), so fans may even get a few new songs at the MOTR show.
The group performed at this summer's MidPoint Indie Summer concert series on Fountain Square, where they did an interview with CityBeat's John Byrne for a cool video feature. Learn more about the band and hear a few snippets of music in the piece below. (You can view more videos from Byrne's Indie Summer video series here.)
Have fun at MidPoint on Friday? Did you temper your drinking habits and take care of your eardrums well enough to get back out there tonight? Below check out some audio/visual previews of a few of Saturday's best MidPoint Music Festival bets (read our previews off all of these acts and more at mpmf.com). And, again, feel free to pimp anyone we failed to mention in the comments below.
If you are a musician who has an act they'd like to showcase at this year's MidPoint Music Festival and you haven't submitted for consideration, you better get on it. Tomorrow is the final day submissions will be accepted.
In related news, the MidPoint Indie Summer concert series (which has it's own Wikipedia page!) returns every Friday on Fountain Square starting June 1. Expect lineup announcements soon. A certain amazing local Power Pop/Rock band has "hinted" they will be a part of the series this year. But you didn't hear it from me.
MidPoint has also posted some fresh artwork that you are encouraged to use to create your own "posters, clothes, or otherwise interesting and useful things." Get your base materials here and check out the design below.
MPMF news and musings: The official MidPoint Music Festival guide (on the streets of Greater Cincinnati until Wednesday, then resurfacing when it's MPMF-time) included a few feature stories this year about some of the festival's bonus features and additions. Read Leyla Shokoohe's interview with MPMF main-man, CityBeat's own Dan McCabe, about the fest's dedication to Over-the-Rhine and new MPMF venues Washington Park and the Emery Theatre here.
And now, with the countdown down to just 12 days, here are our daily MidPoint Music Festival 2012 picks …
Grizzly Bear (Brooklyn, NY)
Indie Art Pop
When this year’s initial MPMF performers were announced, eclectic Brooklyn crew Grizzly Bear was by far the name that seemed to most excite fest-goers. The group’s eccentric mix of artsy arrangements, organic psychedelia and boundless experimentalism has been earning the fans an ever-increasing and loyal fanbase since their lysergic debut release in 2004. Though continually adventurous, the band’s sound has grown and matured with the size of its following — 2009’s Veckatimest debuted at No. 8 on Billboard’s album chart and seemingly made every single music critic in the world’s “Top 10 Best” list that year. Expect an even bigger response from critics and fans when Grizzly Bear finally unleashes the much-anticipated new release, Shields, released just prior to the band’s MPMF stop. There’s a very good chance one of MPMF.12’s biggest acts will be sporting a Top 10 album by the time they get to Washington Park (an MPMF first).
You'll Dig It If You Dig: Brian Wilson at his “off-the-meds” creative peak, listening to an “AM Gold” Soft Rock compilation and a Kraut Rock comp after drinking gallons of psychedelic mushroom tea.
Grizzly Bear headlines the Washington Park stage on Friday, Sept. 28 at 8:30 p.m. The band performed the lead-off track from its new Shields album, "Sleeping Ute," on Late Night with Jimmy Fallon last night. Take a look/listen:
Rich Aucoin (Halifax, CAN)
On his enthralling 2011 full-length, We’re All Dying to Live, Canadian musician Rich Aucoin decided he’d invite Canada to record with him. As a result, the album features over 500 musicians, whose teaming on Aucoin’s dynamic, funky and craftily constructed tracks makes Dying to Live sound like the Electro Disco party of the century. But it’s not just a mindless exercise in dancefloor stereotypes — there’s depth and nuance to Aucoin’s songwriting and layering that might not be noticeable initially. Unlike a lot of Dance acts, Aucoin’s music isn’t disposable fun — it’s essential and commands repeated listens.
Dig: ’80s Synth Pop, ’70s Disco, of Montreal, 4AD artists, Chic and Duran Duran in art school together.
Rich Aucoin performs at Below Zero Lounge on Thursday, Sept. 27, at 11 p.m. Here is the hour-long film created to sync up with We're All Dying to Live (plus, of course, the full album for a free preview listen).