Megadeth can be considered one of today's legendary bands, not just in Metal, but in all of music. They are synonymous with a time period, moments in the lives of so many of their fans. They may have a different look than when the band was formed in 1983 but they are one of the founding fathers and would definitely find themselves on the Mount Rushmore of American Metal and can still fill festival stadiums all over the world. Megadeth have been doing their thing for almost 30 years and show no signs of stopping. They had released their fittingly named 13th studio album TH1RT3EN last year before they came to Cincinnati. They will return to Ohio as one of the main acts at next week’s Rock on The Range.
Over the past year, CityBeat spoke with band drummer Shawn Drover twice and lead guitarist Chris Broderick at Mayhem Festival about life on tour and what the future holds for the band. Megadeth's timeless sound continues on. Hear for yourself when the group performs on the Main Stage in Columbus Sunday night with Marilyn Manson and Rob Zombie for the Rock on the Range festival.
CityBeat: I know you joined the band in 2008, right?
Chris Broderick: Yeah, the very beginning.
CB: What was it like the first time you played and jammed with Dave (Mustaine)?
Chris: It was a little intimidating at first I think. But one of the things that really happened was we had to get to work so quickly. We had to get so much done so fast.
CB: Because of the album and the tour right?
Chris: Well yeah because of the tour at the time. I didn’t really have time to think about what was going on. I was just working. I was trying to knock out as many songs as I could before we went on tour less than a month away. That was my focus really.
CB: You are a classically trained guitarist, right? Can you tell me, how do you think that prepared you for Megadeth and to play metal music?
Chris: Well I don’t know if anything prepares you for Metal music or Megadeth. But I do think it does give me a different skill set, one where I can look at more melodies and harmonies and construction of those types of the aspects of the music and apply what I’ve learned in classical guitar theory or classical theory to the Metal genre.
CB: That’s kind of what stood out to them, right, when they called you to join the band, because you did a lot of classically trained type work?
Chris: It’s hard for me to say. I know it was an influence on their decision, but I know that it was a recommendation of Glen Drover and Shawn Drover that encouraged them to call me.
CB: Good recommendations. They probably didn’t even have to ask.
Chris: And then some of the YouTube clips that I had posted also.
CB: I have been hearing so many bands that are picking people off YouTube. It’s really amazing, Cinderella type stories of people being picked up off YouTube videos.
Chris: Well, it’s one of those things that is awesome in a way because it gives the individual the power of PR, somebody that can market you and get you to the right people to get you a gig or get you the right contact. So it is kind of cool that way.
CB: What was your highlight from the Big 4 concerts?
Chris: It was probably the last Big 4 show actually in the UK. That was pretty huge. We got to play on stage with some of the original members of Diamond Head. Honestly, they weren’t my biggest influence. They were a little bit before my time. But because I am playing with so many people that they heavily influenced, it was instant respect on my behalf and their behalf. It was quite awe-inspiring to see Hetfield (James) kind of bowing down before him when he went to do the solo. It was awesome.
CB: What is it like on the road these days? Is it really clean living?
Chris: Yeah. It almost has to be because we have so much going on. I couldn’t do all this press and all the meet and greets and stuff like that. It works out pretty well for me too because luckily I never acquired a taste for that kind of that thing. I guess I am too Type A. I always want to be in control.
I went to high school in West Chester and, once I got a car, I discovered that I was a city mouse. I fell in love with Cincinnati around the time I fell in love with photography. Coming to Provident Camera was a pilgrimage for me. It was the first place I drove to in the city by myself, so it meant adulthood. It was a place filled with people (workers and customers alike) who had as much passion for photography as I did, so it meant I wasn't alone.
EDITOR’S NOTE: Marcus Mitchell, aka local Hip Hop artist and inspiration Skandal Da Ruckus Man, passed away this week after a battle with leukemia. In tribute, here is an interview with Marcus from March 2005, written by CityBeat contributor Mildred C. Fallen, from our archives. Check next week’s issue of CityBeat for more remembrances of the fallen Cincinnati music supahero.
To dub Marcus D. Mitchell a “big man” doesn’t necessarily state the obvious. In some cultures, “big man” also translates as a local personality who speaks on behalf of his people, commences rituals and parleys with other “big men.” And facing foes, big men fight for honor.
In 2000, Mitchell, better known as Skandal (or Skandal Da Ruckus Man), flew to New York to freestyle on BET’s 106 and Park and contended with other unsigned MCs on HBO’s Blaze Battle. Today, the self-described juggernaut of Supapowers has been reincarnated as an industry ghost writer and producer after someone attempted to rob him of his ambition last spring.
While he was away, thieves carted away his studio equipment and masters. Although his property never resurfaced, he feels he knew the thief’s motive.
“Damn monkeys!” he declares, still affected. “Whoever stole it was doing it to get at me personally, because they didn’t touch anything else in the house, not even money. It was Easter Sunday, at that! Man, they know they goin’ to hell!”
Depressed and unable to produce tracks or record vocals, Skandal bounced back after supportive colleagues bartered their efforts.
“A lot of cats just saw the opportunity (to barter) and was like, ‘You ain’t got no equipment? Man, I been wantin' to do beats with you for years,’ ” he says.
Producers Fame and DJ Scott pitched in and donated many of the tracks heard on Vet Game, his first in a series of mixtape compilations to be distributed through the internet. Presented by Hall of Justice Entertainment and co-sponsored by Supapowers cohorts CJ the Cynic and Da Kid, Vet Game tongue-lashes antagonists, reprimands local radio and guides listeners of a tour of the Queen City, pointing out its idiosyncrasies.
Rounding out the compilation are appearances from Trina Holidai and Michelle Hollis, Piakan, Science, Donte (of Mood), Hi-Tek and J-Wiz.
“As far as the bangers, look for ‘Get Stole On’ and ‘Spell My Name Right,’ both produced by DJ Scott. ‘The Wrong Nigga’ talks about the break-in on Easter, when I was at Mom’s gate eating a plate,” he says. Thunderous vocals set violators straight as they detonate: “Y’all ain’t do nothin’ but put Skan/Back to ’96 with the hunger pangs.”
Reloading, “The Big Payback” unflinchingly fires direct hits at local black radio and venue promoters for lack of support. On the other hand, he shouts out Big Kap of New York’s influential station, Hot 97, for giving “For the Queen” 30 spins in a week, and says the exposure opened doors for him to sell songs to other artists, which subsidized his upcoming CD, Vigilante World.
“People don’t understand; you’ve got to invest in yourself before that big record deal comes,” he explains.
“For the Queen” traces Skandal’s roots back to Woodward High School “Bomb Show” performances and huddling in rhyme-ciphers against out-of-towners on Fountain Square.
“Before all the fightin’ and shootin’ started, we defended this city against all outsiders,” he says. “It was like something out of the movie Highlander.
“(Cincinnati) always had a beast,” he continues, naming warriors who fell into obscurity. “Regan used to be the most feared in a MC battle; he passed the torch to me and Clips (J-Wiz). Now Ill Poetic is the beast.”
“I used to really, really admire (Skandal),” says Ill Poetic, a solo artist and half of the duo Definition. He met Skandal following the Blaze Battle. “He was battling at Top Cat’s and I was amazed that Zone (the other half of Definition) knew him. He was just one of those people I kept hearing about.”
Although the HBO Blaze Battle episodes are available on DVD, Skandal laments, “Ain’t no honor in battling anymore, so now songwriting is where it’s at. There’s money in it. Cats who are known for their battle rep often aren’t known for making hit records.”
Skandal hopes his upcoming release, Vigilante World, will change that.
“I got the formula,” he says. “The problem is that nobody is rockin’ the (Hip Hop) heads and the streets at the same time. There’s nothing wrong with making good music that people who don’t make music can jam to.”
Having hosted local battles, he observes that today too many MCs lack originality and rely on trading insults to win battles.
“(There) was a time when you could murder ‘em with style,” he says. “Now, you only get response from the crowd when you say a punch-line, which is what I don’t like about battling anymore."
Skandal cites crowd-judged battles and MCs who deliver pre-written raps as the demise of the art form. He also emphasizes that styles differ from region to region.
“A lot of New York rappers spit written (verses) in battles and call it a ‘freestyle.’ And in the Midwest we call freestyling right off the top of the head,” he explains. “We used to listen to the New York style, not knowin’ they was spittin’ writtens in a freestyle, and we thought New York was just ‘cold wit’ it’ off the head.”
But since New York MCs assumed the precedent for battling, Skandal says he and his friends used New York as a benchmark in the beginning until they crafted their own niche.
Endearingly, he refers to his friends Supapowers as “stand-up guys I’d take a bullet for.” But of everyone, his mother is his best friend.
“She gives me an insight to things that you can only get from experience. I’m a true mama’s boy and if anybody got anything to say about it, come holla at me,” he says.
His weightiest ambition is to appeal to the female market and he’s slimming down because he feels that MCs like Notorious B.I.G., Big Punisher and Heavy D were merely lucky to be seen as sexy.
“They were rarities,” Skandal says. “When you’re fat, I don’t give a fuck, people are biased. I wanna have the whole package, not just the skills. I wanna have the whole market on lock.”
Drop those pickles and ice cream, ladies! Becoming Mom Spa in Mason is looking for the hottest pregnant gut in the Tristate for its Beautiful Belly Contest.
Knocked up chicks are encouraged to send in a photo of their lovely lady lumps, which will be displayed on the spa's Facebook page for public voting. Because that doesn't sound like it could go horrifyingly wrong.
For every vote on the photos, Becoming Mom will donate $1 to the March of Dimes. Prizes for top-voted bellies include gift certificates to The Polo Grille, Buy Buy Baby, Radiant Hair Removal (which you should probably think about before you submit a photo...) and other businesses. Becoming Mom will also crown Most Creative Belly Shot, Belly Shot that Best Represents the Journey to Motherhood and Most Beautiful Belly with $100 a pop.
Before MomsLikeMe.com hijacks this shit, I want to be clear. Being pregnant is totally cool (as long as you aren't a white trash idiot who learned the hard way that a pregnancy pact doesn't come with an MTV contract). I mean, you and a dude made a person! Holy shit, that's like one of the coolest things humans can do. And it's particularly special for women, because they get to let the thing simmer in 'em, pop it out and then feed it with milk their own bodies produce. That's hella eco-friendly. Pregnant women even look cool most of the time.
Terrifying other times.
Motherhood should totally be celebrated. I don't think a pregnant woman needs to hide her belly under a tent dress by any means, but do you really have to go to Sears, strip down and get a portrait of yourself covering up your boobs and vag like you're some kind of bloated Venus? No amount of retouching in Photoshop is going to make you feel like you look like Demi.
Not pictured: a normal pregnant person
But I know what you're thinking. You're going the tasteful route: planning on the denim/white oxford ensemble?
What a unique idea!
And let's think about who's truly affected by a contest like this: the little tadpole inside. How's Junior gonna feel when he finds out mom whored him out on Facebook before he was even born? All this for a couple bones and some Greater's gift cards. It's bad enough you picked the kid's name off a Web site, then tweaked it to end with "-ayden."
But if you disagree, send your belly shot to firstname.lastname@example.org by April 22. Winners will be announced on - wait for it - Mothers Day. Aw!
This is the caliber of photo Becoming Mom is looking for, so, preggy ladies, take note:
Mariah Carey continues to set the bar high:
They have been talking about it since they were 15 years old. Now, about 15 years later, all it took was an evening stroll through some back alleys on the way to The Famous Neons Unplugged in Over-the-Rhine to stumble across the perfect spot for their new start-up, Collective Espresso.
Owners Dave Hart and Dustin Miller had always dreamed of opening a coffee shop together. Lifelong friends and Ohio natives, the two spent a few years on separate journeys living in and being inspired by different states along the West Coast and working in multiple restaurants and cafes along the way.
"We kind of just moved to Cincinnati with the plan that we would figure it out," Hart explained nonchalantly as he reached for a cup and saucer behind the bar. Cold November rain fell outside during our interview, but the coffee and conversation warmed the already cozy shop as I sat comfortably on a stool that Hart and Miller hand-made, at the rustic bar that they crafted out of an old barn door. Just like the simplicity of the shop's design, Miller explained that it's their goal to very simply, "make great coffee taste great."
"There are a lot of great natural things happening in this coffee," Miller explained, joining Hart behind the bar. "It's our job as baristas to make it look and taste awesome. We want the coffee to speak for itself."
The shop, on the brink of opening, will mainly serve Deeper Roots Coffee — which is local — and Quills Coffee from Louisville, Ky. However, since they have a multiple roaster format, they are excited that they have the freedom to serve anything that piques their interest.
I watched in awe as the duo made the perfect cup of coffee through a process known as the drip method. This procedure takes about two and a half minutes and is performed through several steps in a homemade set-up resembling a science lab experiment.
"Each cup of coffee is made-to-order," Hart explained as he smelled the complex aroma from the coffee. "We don't want to be so slow that it's frustrating to get a cup of coffee here, but we like the idea of people being able to chill out for a few minutes and have a real coffee experience."
There are many ways to get your caffeine fix at Collective Espresso including espresso, macchiatos, cortado, cappuccino, lattes and mochas. The average price for a drink is $2.50-$3.50.
Although they recognized some great coffee shops that Cincinnati already has to offer, Hart explained that they thought the Cincinnati coffeehouse scene was missing something — Collective Espresso. With seating arranged in a bar-like fashion, the shop provides a welcoming atmosphere to stop in, have a cup of coffee over the daily news (CityBeat, of course) and meet or catch up with neighbors.
"If people are as dorky about coffee as we are, we also want to be a place where people can explore different brew methods and learn about different coffees," Miller added.
Just as the perfect cup of coffee takes time, the finishing touches are being put on Collective Espresso. The shop, located at 207 Woodward St., (off Main Street) is expected to open very soon.
More than a year after the Showcase Cinemas inside Kenwood Towne Centre closed suddenly (which was preceded by the unfortunate shuttering of the plush, old-school Kenwood Twin across the street back in 1995), the local movie landscape gets a shot in the arm with the opening of the Kenwood Theatre(7815 Kenwood Road) on Friday.
Dennis Yost, the lead singer for the group Classic IV (known best for its indelible hit “Spooky”), passed away in Hamilton early Sunday morning. Though not a Cincinnati native, he had lived here for several years and was embraced by the local music community.
Rumors have been circulating for most of this year, but the official press release came out today. Here's is what it said:
Kaldi’s Coffeehouse & Bookstore, “the living room of Over-the-Rhine,” has announced that it will permanently close the doors at its current location at the end of December 2008. Although owner Jeremy Thompson has been searching for a new location for some time, it has not yet been decided where the concept might reopen.
The coffeehouse, bookstore, restaurant and live music nightclub has been a consistent part of the Over-the-Rhine community since its opening in the early 1990s. As CityBeat reported last summer, “OTR without Kaldi’s is unthinkable.”
Building renovations have led to a discontinuation of the bar/restaurant’s lease. Earlier this year, those same changes claimed Kaldi’s kitchen and half of its available seating.
Kaldi’s catering services will continue to be offered, and its operations at the Art Academy of Cincinnati will not cease. Although much of Kaldi’s appeal was its atmosphere, setting and physical space, Thompson still hopes to set up shop elsewhere.
For the time being, Kaldi’s is generally open at noon daily. It closes at midnight on weeknights, and 2 a.m. on weekends.
The lineups for 2013's PNC Summer Music Series on Fountain Square — featuring live music from different genres for free throughout the summer — have been coming out gradually. We're happy to announce the lineup so far for the Friday night "Indie Summer" shows (presented by CityBeat and the MidPoint Music Festival).
Look for the rest of the finalized lineups — for American Roots Tuesdays, Reggae Wednesdays, Salsa Thursdays, Saturday's popular Beats night (with Hip Hop, Dance and Electronica) and the acoustic-music-meets-wine-tastings "Sunday in the Grove" — later this week. Washington Park in Over-the-Rhine is also again presenting regular music programming this year, with Jazz on Wednesday, Bluegrass and Roots music on Thursday and R&B/Soul/Hip Hop on Fridays, plus a new Tuesday night feature, Dance Under the Stars, featuring dance lessons in a variety of styles.
The bad news? The Indie Summer shows kick-off on May 31 with the final show by fantastic Cincinnati Indie Pop band Pomegranates. The good news? It will also be the first show by Healing Power, Pomegranates' new name. The opener will also serve as a "release party" for great local Indie crew The Yugos. Christian altrockers Seabird will also use their Indie Summer show to celebrate the release of a new album, the band's first independent release after a couple of albums on Credential Recordings/Universal Music Group. Northern Kentucky rockers Dept. Store Alligators will also put out their new release in conjunction with their Aug. 16 appearance with Belle Histoire.
Local restaurant/club chain 4EG will host "Happy Hour" parties on Fridays as well, featuring various local DJs and drink specials from 5-8 p.m. Indie Summer concerts are open to fans of all ages and run from 8-11 p.m. all summer on the Square. Click here for details.
July 12: Plumb; more TBA
Aug. 9: Archers Paradox; (headliner to be announced on June 2)