Louisville's giant Forecastle music festival, taking place July 12-14 (the same weekend as Cincinnati's Bunbury Music Festival), today announced its preliminary lineup. Headliners include Avett Brothers, The Black Keys, The Flaming Lips, Animal Collective, Jim James, Crow Medicine Show, Grace Potter & the Nocturnals, Big Boi, Matt & Kim and Alabama Shakes. The festival is held annually at Louisville's Waterfront Park, though this year there will be special "off site" late night shows.
Below is the full lineup. For tickets (which go on sale Wednesday at noon) and complete information, click here.
The Black Keys
The String Cheese Incident
The Avett Brothers
The Flaming Lips
Old Crow Medicine Show
Grace Potter & The Nocturnals
The Forecastle Incident (with special guests)
Young the Giant
Matt & Kim
Sharon Jones & The Dap-Kings
The Joy Formidable
Kurt Vile & The Violators
Toro y Moi
Bob Mould Band
El-P & Killer Mike
Shovels & Rope
Alasdair Roberts & Friends
The 23 String Band
A Lion Named Roar
Friday, Apr 27 - MerleFest Festival Grounds
Every morning I wake and thank baby Jesus I am a biped, agile and have been blessed with a no mess ability to pee standing up. And in a steady torrent. Just about anywhere without attracting attention (well, there was that county deputy in Abington, Va., a while back who got a bit riled). Middle age is good.
Here's a tip for you campers. Your welcome to stay up as late as you want, but if it's 3 a.m. and your talking like your in your living room, don't complain at 6 a.m. if I'm banging pots like I'm in my kitchen.
Oh, and you've pitched your tent in poison ivy.
Thursday after an early evening catnap (middle age) to the sounds of Daily and Vincent (meh — great Stanley Brothers style harmonies, lay off the Cracker Barrel shtick), I made my way over to to the Dance Tent to catch some Blind Boy Chocolate and the Milk Sheiks. This Asheville, NC, street ensemble features five guys doing hokum string/jug band/blues music from the late 1920's and early ’30s. Guys in newsie caps, mutton chops, bowler hats with tattooed ears (ouch, that had to hurt), nose rings — yep, total 20-sumpthin freaks.
Calling out tunes by long (and soon to be) forgotten Blues and string players from the early part of the last century, Blind Chocolate plays hard-driving, bawdy, syncopated, all-acoustic string music. Lyrically rich in double entendres, liquor and murder. This ain't the square dance stuff my Uncle Blake played and my dad danced to in parlors across the Cumberland Plateau during the Great Depression; this is the music found in jukes and bars and back room drinkeries and the kids love it. Every 10 years or so, string music comes back into fashion, and that, my friends, is a good thing. John Hartford is clapping from his grave. It's comforting to witness people giving over to the coherent dissonance of barely tunable instruments, played together and with vehemence. Banjolin, steel guitar, washtub bass, washboard and tenor banjo, three guys trading vocals, four guys shouting in unison and giving call-backs. Dwight Hawkins (Blind Boy Chocolate?) plays saw, bones and the short scale tenor banjo in a style I've never seen before. And does it really well. The banjolin player, Nicholas Marshall (one of the Milk Sheiks?), occasionally picks up a thoroughly modern looking mandolin, temporarily breaking the temporal enchantment. After a lull at the top of their long set as people wondered in and grew accustom to being ass-to-elbow, the crowd was jumping and yelling, kids from 8 to 80 whirled and shimmied.
After a few cups of coffee this morning (Friday), I headed over to the Americana stage to check out another Asheville based band, The Honeycutters. North Carolina has a rich history of Alternativecountryrootsrockamericana bands. From The Backsliders to the Avett Brothers, this state churns ’em out and the natives support band after great band. The Honeycutters fit the Avett Brothers mold of instantly likable songs and gifted melodies. It's got to be hard, after playing clubs and bars, to get up early enough to hit the stage by 9:30 a.m. The Honeycutters brought their 'A' game and delivered an instantly familiar and pleasant set. Just what my psyche needed after listening all night to my campground neighbors. The mandolin player plays in well-worn territory while acoustic guitar player Peter James fills the space with sweet crosspicking and occasionally lays into his guitar in a fashion somewhat reminiscent of early Paul K. Lead singer Amanda Anne Platt's beautiful alto fills the air — add in some tasteful three part harmonies and you have a AAA Radio winner.
From the Americana tent, my soul freshly refilled, I headed back over to the Cabin Stage for a set by Blues historian, storyteller and performer Frutland Jackson (Fruit Land). Hailing from Chicago, Frutland covers seamlessly and flawlessly all styles of blues from delta to north Mississippi to Chicago to Piedmont, all the while telling in a remarkably engaging and non-professorial way what distinguishes one style from another. I've seen plenty of Blues player who like to lecture during performances, and mostly I feel like shouting, "Shut the fuck up and play!" but Frutland had me wanting to bum rush the stage in awe and anticipation that he may answer some questions I have about Depression-era singers and groups. First set I've seen in a lonnnnng while that ended to soon. Most of his songs were originals done in a specific style with a voice that ranged from guttural to heartfelt tremble (think Ledbetter doing "Goodnight Irene"). Outstanding!
Some of the many things to do at MerleFest besides running from one stage to another trying to catch acts is sitting around and playing music with other attendees. Along with an open mic area, there are three tents set up where you sit down and play — Old Timey, Bluegrass and Anything Goes. The Anything Goes tent is like a hippy camp-out with one bazillion guitars around a raging fire in the middle of the night, playing Casey Jones minus the alcohol and LSD. The stuff nightmares are made of, but if you've never done this kind of thing, there's no reason to be a jaded asshole like me — grab your guitar and jump in. Everyone is clean and welcoming.
I sat around the Old Timey Tent as it had the least guitar-to-other-instrument ratios. (By the way, aspiring musicians — learn guitar to impress the girls or boys; learn something else for a working job.) A couple of old timers were letting fly on some fiddle tunes. Quite nice. The guitar player was strumming a pre-1935 Martin D18. I know about these things, and they tickle me pink.
Time for lunch!
The full lineup for this year’s MidPoint Music Festival is expected to be announced before Friday’s MidPoint Indie Summer concert on Fountain Square, but the schedule for one specially-themed hub of venues is now known. The stages along Jackson Street, the small cut-through road on which Know Theatre (which has two MPMF stages) and ArtWorks (one stage) are being collectively rebranded as “MidPoint’s Bioré Strip,” named for a product from sponsor Bioré Skincare, and will celebrate pioneering women in music and the female artist’s important role in local music and MPMF’s10-year history. The stages on the “Strip” will highlight women solo performers and acts with a female presence, a collection of performers from across the globe that includes the biggest acts at the festival (Deerhoof, Xiu Xiu, The Watson Twins), buzzing up-and-comers (Jessica Lea Mayfield, The Worsties, Lydia Loveless) and local favorites.(Carole Walker, Kelly Fine, The Fairmount Girls). See the full three-day lineup below.
Though eclectic enough to be considered “AltCountry,” Terminal Union captures the heart and soul of vintage Country on Making Arrangements. What puts Terminal Union ahead of many of their peers — and makes these songs so riveting — is the emotional weight the frontmen inject into the writing and performances. Being able to make an immediate emotional connection with listeners is not something you can learn; it's innate.
On the song "Magnificent Sounds," the group pays tribute to another pair of artists who also came off as instinctively talented and able to bring a soul-stirring levity to practically every note played, seemingly effortlessly — Miles Davis and Townes Van Zandt. Veteran local musician Michael "Mad Dog" Mavridoglou provides some bonus passion with his warm Jazz trumpet riffs on the track, which somehow sounds completely at home in the band's Country/Roots context.
Elsewhere, highlight tracks like “Comeback Kid” and “Devil’s in the Details” have the power of Steve Earle in peak form, while the piano-buoyed “One of the Ones” and “I Fell You” are wonderfully composed ballads that defy genre classifications — they are simply amazing, timeless songs.
Preview a pair of songs from Making Arrangements below. Visit terminalunion.com for more on the band and see them live this Saturday at Newport's York Street Cafe, where the group will be participating in the One More Girl on a Stage benefit show.
Cincinnati has a wealth of music festivals, from MidPoint Music Festival, Cincy Blues Fest, Macy's Music Festival, Bunbury to new additions like the expanded One More Girl on a Stage event this fall, the recently announced MOXY Music Fest, scheduled for June, and numerous others. But for those who like to get a fresh sampling of some of the newest artists from Greater Cincinnati representing a wide range of genres, The Heights Music Festival has been your best option.
This weekend, The Heights Music Festival returns to venues in the Clifton Heights neighborhood for its eighth edition. Usually, The Heights fest is biannual, with an event in both the fall and the spring. But this weekend's HMF will be the only one in 2013. Organizer Rome Ntukogu of Far-I-Rome Productions says The Heights will definitely be back in 2014, bigger and better. He's simply taking a break to work on some new ideas for the event; understandable, considering large chunks of the Clifton Heights neighborhood (near the University of Cincinnati) are under heavy reconstruction now, part of a revitalization effort that should put HMF in a good position when it returns. The area will be almost like a new (and nicer) neighborhood by then.
The first Heights Music Fest (originally called the Clifton Heights Music Festival) was held in 2009 and was considerably smaller, with four venues and about 20 performers. Last year, The Heights featured over 75 bands in five venues and included a "Day Fest" on Saturday.
So Friday and Saturday's pre-hiatus is something of a return to the HMF roots, with four venues and around 30 acts. But it's the same eclectic mix of newcomers and up-and-comers from the local scene. And $5 gets you admission to all four venues — Rohs Street Café (the only all-ages venue), Baba Budan’s, Mac’s Pizza Pub and Christy’s Biergarten, a historic building that has been at the center of a battle over whether it should be demolished or sold off in the name of progress or preserved in the name of history (as many residents would like). You can purchase an all-venue pass at any of the four venues.
This year's Heights lineup once again runs a vast gamut of styles, from Reggae, World music, Roots/Americana and Hip Hop to Punk, Jazz, Synth Pop, Funk and various spins on Rock (from Indie to Hard).
Below is the rundown of performers. (Note: There have been some shifts in the lineup since CityBeat's Spill It column about the fest ran on Wednesday; check it out here for a playlist featuring several of the participating artists.)
• Rohs Street Café: The Freebies (8 p.m.); MC Forty (9 p.m.); Young Colt (10 p.m.); The Yugos (11 p.m.).
• Baba Budan’s: One Day Steady (9 p.m.); Wonky Tonk (10 p.m.); Brazilian Jazz (11 p.m.).
• Mac’s Pizza: Rachel Mousie (9 p.m.); Common Center (10 p.m.); Big Rock Club (11 p.m.); Olu, Crack Sauce (midnight).
• Christy’s: Zach Starkie & Guest (9 p.m.); The Newt (9:45 p.m.); AC The Entity, Citoak (10:30 p.m.); Filthy Beast (11:30 p.m.); Gold Shoes (12:15 a.m.).
• Rohs Street Café: Brent Stroud (9 p.m.); Moonbeau (10 p.m.); Little Lights (11 p.m.).
• Baba Budan’s: VanillaSake (9 p.m.); Sulla (10 p.m.); LZRPNY (11 p.m.); Horsecop (midnight).
• Mac’s: Koala Fires (9 p.m.); Emily and The Complexes (10 p.m.); Tana Matz (11 p.m.) and MJs Blues (midnight).
• Saturday at Christy’s: Jordon Schneider & Guests (9 p.m.); Baoku & The Image Afrobeat Band (10 p.m.); The Almighty Getdown (11 p.m.); The Killtones (midnight).
If you like live music, sharing a port-a-potty with tens of thousands of people, camping and open drug use, you'll be excited to hear the the line-up for the 10th annual Bonnaroo has just been announced! Check it:
* Arcade Fire
* Widespread Panic
* The Black Keys
* Buffalo Springfield feat Richie Furay, Stephen Stills, Neil Young, Rick Rosas, Joe Vitale
* My Morning Jacket
* Lil Wayne
* String Cheese Incident
* Robert Plant & Band of Joy
* Mumford & Sons
* The Strokes
* The Decemberists
* Ray Lamontagne
* Iron & Wine
* Girl Talk
* Dr. John and The Original Meters performing Desitively Bonnaroo
* Alison Krauss and Union Station
* Pretty Lights
* Florence & the Machine
* Superjam ft. Dan Auerbach and Dr. John
* Explosions in the Sky
* Gogol Bordello
* Big Boi
* Scissor Sisters
* Gregg Allman
* Global Gypsy Punk Revue curated by Eugene Htz
* Warren Haynes Band
* Old Crow Medicine Show
* Bootsy Collins & the Funk University
* Wiz Khalifa
* Matt & Kim
* Grace Potter & the Nocturnals
* The Del McCoury Band and the Preservation Hall Jazz Band
* Mavis Staples
* Béla Fleck & the Flecktones
* Chiddy Bang
* Bruce Hornsby & the Noisemakers
* Loretta Lynn
* Cold War Kids
* The Walkmen
* Wanda Jackson
* Neon Trees
* Portugal. The Man
* Sleigh Bells
* Amos Lee
* Best Coast
* The Sword
* The Drums
* The Black Angels
* School of Seven Bells
* J. Cole
* Nicole Atkins & the Black Sea
* Freelance Whales
* Justin Townes Earle
* Ryan Bingham
* Deer Tick
* Band of Skulls
* Sharon Van Etten
* Abigail Washburn
* Omar Souleyman
* Twin Shadow
* Man Man
* The Low Anthem
* Alberta Cross
* Railroad Earth
* Jessica Lea Mayfield
* Smith Westerns
* The Head and the Heart
* Karen Elson
* Beats Antique
* Clare MaGuire
* Hayes Carll
I must admit after pushing back the announcement and basically saying they've got more headliners than they know what to do with, I am a little disappointed. More bands and comedy acts will be confirmed as we get closer to the festival, which takes over Manchester, Ten. June 9-12.
General admission tickets go on sale Saturday. Pre-sale tickets sold out on Black Friday in 2 hours, so they're expected to sell fast. Go here for more details. All you B'rooers out there, what do you think of this preliminary line-up?
With the summer music-festival season winding down and Cincinnati’s MidPoint Music Festival just two weeks away (did you pick up this week’s CityBeat for official guide, right? If not, you can find info here), you might think there’d be a music-fest lull this week. But two (very different) festivals northeast of Cincinnati are keeping the vibe alive this weekend — the Foxfire Freedom Festival in Morrow, Ohio, and the Longstone Street Festival in Milford, Ohio.
The Foxfire fest, dubbed a “music and sustainability festival,” takes place Friday and Saturday at Morgan’s Riverside Campground & Cabins in Morrow, along the Little Miami River (you can even go canoeing if you’re up for it!). The $45 two-day ticket, available at the gate, covers camping Friday and Saturday night (one-day, non-camping tickets are $15). Foxfire will feature vendors and information related to being an environmentally-friendly citizen (the “sustainability” mention), with live music from several area Roots/Americana/Bluegrass performers, as well as acts that play other genres (or a fusion of several).
Friday’s Foxfire lineup kicks off at 6 p.m. and features Dead Man String Band, Easy Tom Eby, Jared Schaedle, Joe Wolf, Heather Hamlet and Richard Cisneros. On Saturday, music begins at noo. The Saturday lineup features Common Center, Baoku Moses And The Image Afro-Beat Band, Lawson Family Reunion, Simply Dan String Band, Aaron Hendrick Trio, Black Mountain Throwdown, Adam Singer, Little Miami String Band, Allen Talbott, Blue Caboose and a songwriters-in-the-round session with Greg Mahan, Wolfcryer and Achilles Tenderloin.
Click here for links to more info on all of the artists.
The Longstone Street Festival takes place Saturday along Main Street in Milford’s historic downtown district. The annual free event celebrates Milford with various food and arts and crafts vendors, plus a stage featuring a variety of musical acts all day long. This year, the music starts at noon with My Brother’s Keeper (featuring Andrew Hibbard). Other Longstone performers include Seabird, Harbour, Along the Shore, Taylor Shannon, Shiny and the Spoon, Daniel in Stereo, Static Wonder and a band featuring students from the School of Rock Mason.
For full details (including info on vendors, kids’ activities and more), visit longstonestreetfestival.com. The times the various performers are playing the Longstone Street Festival can be found at the event’s Facebook page, which also includes music and video samples of several of the artists.
The Foxfire Freedom Festival and the Longstone Street Festival are both open to all ages and are family friendly.
Saturday, Apr 28: Jubal's Kin Festival Grounds
Saturday at MerleFest broke hard and cold. Our camping neighbors had an impromptu jam session at 3 a.m., which is to be expected when camping at a music festival geared towards people who not only love to watch and listen, but also play. It would have been one thing to hear the soft strains of a string jam or the gentle harmony of "Wildwood Flower," but some dude shouting the lyrics to "Whipping Post" over badly tuned guitars played really hard … not the thing mountain dreams are made from.
So I sat, at sun up, reading and drinking coffee, plotting revenge and the instead of taking my revenge, made the accused coffee, read some more and generally moved real slow. Crustymarhsmellowman. I did get to play a couple tunes with Pete McWhirter as he moved past to grab some coffee on his way to open his booth.
Then I moved real slow some more.
Really real slow.
After lunch, I decided to make an attempt to see some music.
I had already missed Jim Lauderdale at the Creekside Stage. To bad, I like some Jim Lauderdale and it would have been a nice wake up, but there you are. I saw on the schedule Jubal's Kin at the Dance Tent, looked at the clock and … damn missed that, too. But what ho! There they are on the schedule at the Americana Tent immediately following their Dance Tent set. It's a MerleFest miracle! I grabbed my camera and another cup of coffee and headed out.
Jubal's Kin, all nerves and bad house sound on Day 1, was all smooth and in good voice on Day 3. They filed the promise I thought I saw at the Cabin Stage on what always seems like an eternity ago and delivered a set full of vigor, with pristine sound delivered by the sound person. Their originals are fresh with sparse instrumentation and the kind of tight harmonies that only siblings can deliver. Never lyrically embarrassing with overplayed earnestness or too casual observation, they meld in with beautifully arranged and originally considered traditional tunes. There's "The Cuckoo," that ancient English broadside, rendered as if Billie Holiday had spent some time in the Eastern Kentucky mountains. "Buffalo Gal" was reconsidered as a pop tune with a well delivered encouragement to jump in on the chorus and sing along. Gaelanne's fiddle playing is absolutely gorgeous in a John Hartford/Matt Comb's kind of way, though leaning a bit heavier on the front of the beat as opposed to sitting in the pocket. And her banjo playing is just delicious. They added one more member for this set — "Uncle Joe" on pedal steel and fiddle. With "Baby Brother" on bass, Jubal's Kin appears to be a family band.
Satisfied my instincts were intact, I left the Americana Stage to catch some other music. I wondered into the Traditional Tent to catch some of mountain legend Red June. He was explaining to the audience what a jam session was. Have I mentioned the Traditional Tent smells like a barn? I don't think it's intentional, but the wet grass combined with an enclosed space has rendered an unfavorable impression. After the lesson on what a "jam" is, Red invited a local banjo player up to do a fiddle tune with the fiddle player who didn't bring a fiddle, but did bring a mandolin. Not to fear! You can play fiddle tunes on mandolin (or piano for that matter), so he requested the newest banjo player and the fiddle player with the mandolin decide on a tune they both knew and then play it. Five minutes of discussion and tuning followed. As I headed out of the tent I thought "Just like a jam session," and went down to the Creekside Cabin to catch the rest of the Snyder Family Band and the following act, Sierra Hull and Highway 111.
The Snyder Family Band is a family Bluegrass band (no irony at MerleFest!). Like all Bluegrass bands they have a banjo, sing harmonies and play Bluegrass. Of course they play it really well. People love them. Standing ovation.
I waited around for Sierra Hull and Highway 111 to take the stage. Sierra Hull, 5-foot-nothing and former wiz kid master of the mandolin is now a promising songwriter and ingenue. I'm familiar with this script and am bored not two minutes into the first song. Sigh. I stop in the field in front of the Watson Stage to hear some of "Assembly of Dust." Young Nashville Country script. Know it. Boring. Moving on.
It's coming up on 3 p.m. and time to give my sister a break in her booth in the Heritage Tent. Nancy Roberson is a weaver based out of Knoxville, Tenn. She's been showing, selling and demonstrating at MerleFest for about as long as there has been a MerleFest. She heads out for her afternoon nap (apparently a hardwired Roberson DNA trait) and I pleasantly meet the mass of retail customers streaming by and wondering into her booth.
Nancy makes shawls. Well kind of. Not only does she design each warp for the loom, but on these particular pieces of clothing, she has design the shawl itself. It's twisted, sewn up the back, and pulled over your head like a loose fitting sweater. The front gathers in soft bunches and hangs across the chest. The ladies love them. Woven of soft cotton and rayon with the occasional silk woven in for effect, the main color of each shawl is broken up with a rhythm of competing and sometimes complimentary colors. People can't help but be drawn in by the colors and when the reach out and touch them, you always get an "Oooooo, these feel so nice and are so beautiful." If you don't, it's a replicant — ready your phasers.
When Nancy returned, I checked the schedule and cheese whiz on a cracker if Jubal's Kin wasn't playing in the barn-like Traditional Tent. Finally a chance to catch this band in more intimate surroundings, smell be damned. I headed over, got there early and claimed a seat near the front. In short order the band was on stage, laughing and calling out songs. They moved though a load of traditional tunes, all rendered in a sweet, imaginative way, like "Dinah Blow Your Horn," with added lyrics and a new verse melody. The Carter Family's "No Depression" was delivered in soul rendering pain. About midway through the set, a guitar string broke enabling some spontaneous double fiddle and dancing. While the guitar player stepped off stage, "Uncle Joe" and Gaelanne tuned their fiddles and discussed which tune to play. In a matter of thirty seconds (this is no a jam session) launched into a Skillet Lickers number my dad probably danced to when he was their age. A friend jumped up on stage and launched into some spirited clogging. Not to be undone, "Baby Brother" put his bass down, peeled off his shoes and joined the Appalachian chorus line at the end of the stage with some well executed Buck Dancing.
Yes sir, these kids from Florida are the real shit. I've spent decades in front of poseurs, wannabees, shitty players and hopefuls. Using a foundation of traditional music obviously passed along from a family that loves this stuff at an early age, Jubal's Kin are making something very real, unique and personal that compels you to be a part.
This is why I come to MerleFest. Thanks, guys, for inviting me in.
Exhausted from a night of no sleep and a day of wandering and finding Jubal's Kin, I headed back to my book and coffee and called it a day.