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by Mike Breen 02.03.2012
Posted In: Playlist, Music Video at 12:07 PM | Permalink | Comments (0)
 
 
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Are You Ready for Some Football (Songs)?!

A totally ridiculous and random Super Bowl playlist

Though the Super Bowl is taking place about 100 miles from Cincinnati, my guess is that most of us locals will be sitting on our couches, casually watching from the comfort of our own homes. If you're like me, you cringe at the cost of going to a hometown NFL game. The people at the Super Bowl might not all be those much-talked-about top-1% rich folks … but they're at least top-10% if they can afford Super Bowl prices (or they're lower-income people prepared to go homeless for a few months).

If you're staying home Sunday and watching the game on the tube, here's a little Super Bowl music playlist — a mix of the obvious and the obtuse — you can drink beer to while getting ready (or when you turn the sound down for Madonna's halftime show).

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by Mike Breen 05.11.2012
 
 
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This Date in Music History: May 11

The world's most expensive concert T-shirt and Greg Dulli turns 47 today

On this date last year, somebody paid $10,000 for a T-shirt. An Australian man purchased a 1979 Led Zeppelin concert T-shirt on eBay for that amount, making it the most expensive concert T-shirt ever sold. (Though I bet The Eagles got close on their various, outrageously-priced reunion tours in recent years.) The shirt appears to be a "back stage pass" from the concert.

After the sale, Denver weekly Westword posted a story on its blog counting down the next 10 most costly shirts purchased. From their research, they deemed a James Brown shirt with a bad caricature of the Godfather of Soul and the words "I'm Black and I'm Proud," an early Nirvana shirt featuring a parody of John Lennon's Two Virgin's album cover and a "Metal Up Your Ass" Metallica shirt as the next most rare, each going for $1,000.

Currently, the most costly concert shirts available on eBay are a 1976 Stones shirt (yours for $7,900), a 1973 Who concert "staff" shirt ($4,691.82), a different Zep shirt (from, I believe, the same concert as the one that cost 10 grand; $3,949.21) and a Johnny Thunders shirt from 1984 ($3,909.72).

Here are a couple of Ohio tunes written in honor of those crucial concert souvenirs. Early Hamilton, Ohio, Punk band ChemDyne and Columbus' Watershed both had songs called "Black Concert T-Shirt."





Born This Day: Musical movers and shakers sharing a May 11 birthday include legendary songwriter ("God Bless America," "White Christmas") Irving Berlin (1888); one of the greatest white Soul vocalists ever with The Animals, Eric Burdon (1941); drummer and founding member of The Allman Brothers Band, Butch Trucks (1947); producer and founding member of avant-garde Pop group the Art of Noise, Gary Langan (1956); original MTV VJ Martha Quinn (1959); and frontman for one of Cincinnati's all-time greatest Rock bands, The Afghan Whigs, Greg Dulli (1965).

Dulli — born and raised in Hamilton, Ohio — is currently gearing up to begin performing once again with his Whigsmates John Curley (still living, working and playing music in Cincinnati) and Rick McCollum (now living in Minneapolis). Tickets for the group's first show in 13 years — May 23 at the Bowery Ballroom in New York City — go on sale today at noon. According to the band's website, the fan pre-sale sold out and there are "a very limited number of tickets" left. The band will warm up for the show on May 22 with a performance on Late Night with Jimmy Fallon.

Will the Whigs merely do a reunion victory lap then go their separate ways again? It's unclear so far, but in interviews with Dulli, he seems very inspired playing with his old pals again. In terms of a possible new Whigs album, he told the website www.thisisfakediy.co.uk, "I am going to keep the book open and keep the possibility, all possibilities available. We're going to see what happens, and react to what happens, but right now it's wide open. Yes, maybe, maybe not, we'll see. I hate to be ambiguous, but in this particular case, I think it's best." (He also said re-issues of the band's back catalog are "definitely going to happen.")

Raise a glass and wish Mr. Dulli a happy 47th birthday. Here are a few clips of Dulli's extracurricular activities during his days with the Whigs to help you celebrate:

• In 1994, Dulli sang John Lennon's parts on the soundtrack to Backbeat, a film about early Beatles bassist Stuart Sutcliffe. On the soundtrack he was part of a band that included Thurston Moore (Sonic Youth), Mike Mills (R.E.M.), Dave Pirner (Soul Asylum) and Foo Fighter/ex-Nirvana drummer Dave Grohl. Here they are doing a song originally made a hit by Cincinnati-born music icons The Isley Brothers.



• Dulli teamed with Grohl again in 1995, playing guitar on his debut album, Foo Fighters. Grohl played all of the instruments on the album except for a guitar part on "X-Static," which Dulli provided.



In 1999, Dulli recorded a cover of "Dixie Peach Promenade (Yin for Yang)," a tribute to late Moby Grape member Skip Spence and his cult classic album, Oar.


 
 
by Deirdre Kaye 01.13.2012
Posted In: Live Music, Music Video, Music News at 11:06 AM | Permalink | Comments (0)
 
 
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Goat Rodeo Sessions Live on the Big Screen

Yo-Yo Ma/Chris Thile "supergroup" to have concert simulcast to hundreds of theaters across the country, including here in Cincy

The first time I heard Yo-Yo Ma was on the episode of West Wing when his White House performance triggered Josh Lyman’s PTSD. Obviously, this was a horrible first impression. It tainted my opinion of the cellist for nearly a decade. Recently, though, I’ve become rather fond of Mr. Ma. That fondness only multiplied when his new album, The Goat Rodeo Sessions, found its way into my hands. A “goat rodeo” is a situation where a thousand things must come together and go perfectly in order for it to work. The album, a collection of Americana/Bluegrass works, must have felt like exactly that when Ma sat down and began collaborating with bassist Edgar Meyer, mandolin virtuoso Chris Thile (Punch Brothers, Nickle Creek), and fiddler Stuart Duncan. The album contains only one song with vocals, sung by vocalist Aoife O’Donovan (who sounds a lot like Alison Krauss).

The Goat Rodeo Sessions is available for purchase now, but on Jan. 31, music fans across the country will have the chance to see it performed live.

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by Mike Breen 10.20.2011
Posted In: Live Music, Local Music, Music Video at 11:55 AM | Permalink | Comments (0)
 
 
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Squeeze the Day for 10/20

Misfits, Drive-By Truckers, Q102's Bosom Ball and Hans-Joachim Roedelius, plus This Day in Music

Music Tonight: Pioneering German music experimentalist Hans-Joachim Roedelius performs a rare Cincinnati show tonight at The Mockbee (2260 Central Pkwy., just past the Western Hills Viaduct if you're heading towards downtown). Roedelius is legendary in avant garde circles and his adventurous work in Krautrock (with Cluster and Harmonia), Ambient and Electronica has had a hand in shaping the sound of a lot of contemporary music. Suffice to say, certain types of music (from Techno to Dubstep to Indie Rock) would likely sound different if Roedelius were never born. Consequence of Sound recently posted this interview with Roedelius, in which the 76-year-old trailblazer (he turns 77 Wednesday, but says, "Only my body feels the age, not my mind") talks about his upcoming appearance at Moogfest, his more recent work with acoustic music and poetry and collaborating with Brian Eno. Below is a sampling of Roedelius work over the past 40 years. Admission tonight is $10 and showtime is 8 p.m. Xambuca and Nebulagirl open.

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by Mike Breen 04.19.2012
Posted In: Live Music, Local Music, Music Video at 10:30 AM | Permalink | Comments (0)
 
 
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Q&A with Magnolia Mountain's Mark Utley

Frontman talks about his local Americana band's past, present and future

This Friday night, Cincinnati's finest Americana outfit, Magnolia Mountain is set to celebrate the release of its fantastic new LP, Town and Country, easily one of the best locally-produced albums of the year. Frontman Mark Utley and his bandmates will party in Town and Country's honor by performing tomorrow at the Ballroom at the Taft Theatre. The all-ages show kicks off at 8 p.m. with guests Jeremy Pinnell and the 55's, Chuck Evanchuck and the Old Money and Chuck Cleaver and Lisa Walker from Wussy performing a duo set.

Click here to read this week's CityBeat feature on Magnolia Mountain. Below is the full interview with Utley.

CityBeat: Tell me about the new album. What was your mindset going into it — did you have a good sense of what you wanted to do right away? Did it end up as you planned?

Mark Utley: I think the goal with all the Magnolia Mountain records has been to document where we were as a band and where I was as a songwriter at those specific times. The two years since we released Redbird Green have been a real rollercoaster ride for me personally — really high highs and very low lows — and I think that shows up in the songs. I tend to write fairly literally. It was a difficult record to make but it feels great to have made it.  They’re the best songs I’ve ever written and it’s the best record we’ve made yet.

We didn’t do a Magnolia Mountain album in 2011, mostly because of how long (the benefit project) Music for the Mountains took to put together. So we had a ton of songs written and I was anxious to get back in the studio. I wanted to expand on what we did on Redbird Green in almost opposing directions. The song “Hellbound Train” from that record was a huge audience favorite, but it wasn’t really like any other song on that album. So I wanted to write some more in that direction, but I was also writing songs on the banjo where it seemed like all I wanted to do was keep stripping things off until I got to the bare essence of them.

CB: What's the significance of calling the album "Town and Country"?

MU: It’s a nod to that dichotomy, the rockier stuff set right alongside the folkier songs. It’s interesting to me, because the original template for this band was something along the lines of Neil Young’s Live Rust record, where we would start out a show almost whisper-soft with folky acoustic stuff, and by the end of the night we’d be playing riff-heavy rock songs on electric guitars. But the earlier MM lineups didn’t have all of that in them. This lineup does, and I love it.

CB: You mentioned that you had at least a twinge of concern that perhaps Town and Country was almost too varied. That's something I've always loved about Magnolia Mountain, yet it annoys me sometimes when other bands do it. I think the key is you have the ability to make it still sound like Magnolia Mountain; you never lose context when you're listening. Is it fair to say you had those concerns?

MU: I don’t think I was afraid it would be too varied, but I did (and do) have concerns that the record might alienate some earlier fans by incorporating too many different styles and sounds. But I’m hoping that other people will feel like you do, that it all still feels like part of a legitimate whole. Because I don’t write in different styles as some sort of genre exercise, I write like this because all these styles of music are just part of what I love and who I am.

Patterson Hood of Drive-By Truckers made a name for himself and his band by exploring “The Southern Thing,” meaning all the contradictions and the dynamic of growing up in the modern South and how other people see that and how you see yourself. Well, it hit me a while ago that so much of the music that gets termed “Americana” or “AltCountry” or whatever, is kind of “The Midwestern Thing.”

I mean, think about it, I grew up in southern Indiana and I’ve lived here in southern Ohio for over 20 years. We’re on the border of north and south, our ears hear a mixture of Rock and Pop and Country and R&B every day growing up.  We hear phrases like “world’s biggest small town” tossed out as compliments and as urban as we try to be sometimes, our backgrounds are often very blue collar, very working man, very rural, even.

I think Magnolia Mountain is very much about all that, and I couldn’t be prouder of it.

CB: This one will be on vinyl as well, correct? What's with your dedication to the vinyl release? Do you personally feel your own music sounds better on vinyl than, say, a CD or digital file?

MU: I think pretty much everything sounds better on vinyl. I’m so happy vinyl records are coming back and I’m on cloud nine that all three of our records are available in that format. There’s nothing like that sound, that feel of the album in your hands, dropping the needle in the groove and looking at the artwork and the liner notes while you listen. It’s a ritual. It’s magic.

CB: When someone asks you what your band sounds like, and it's someone who might not have a great grasp on musical styles beyond the surface ones, what do you say?

MU: It kind of depends on if they have any grasp at all. I usually start with words like “rootsy” or “Americana” and if their eyes gloss over I’ll default to “Folk” or “Country."  Or change the subject. I accepted long ago that the vast majority of the population doesn’t live or die by music the way I always have, so I don’t hold it against people for not catching obscure musical references or being well-versed in sub-genres. I’m just trying to find words or chords that people respond to no matter what their musical pedigree.

CB: Do you often say you play Country music, or is it just not worth the hassle of explaining that it's not THAT kind of Country music?

MU: I do use the term, although sparingly, and usually with a lot of hyphens. A lot of people associate Country music with a laundry list of negative connotations, and sometimes you can’t overcome that. But that’s kind of their problem and I try not to make it mine.

As far as the curse of “New Country,” yeah, I hate most of it as much as the next guy, but I also know that a lot of people listen to it because they don’t really have the time or the inclination to dig any deeper. But I also think that most people, no matter what their background or their musical preconceptions, tend to recognize honesty, real emotion, and lack of bullshit when it’s presented to them and that’s what I want to present to an audience.

CB: So how many musicians are currently in Magnolia Mountain? It seems you have had a fairly steady revolving door of co-players in the group with you, though, again, there's never a huge difference from lineup to lineup. Tell me a bit about who you’re playing with now?

MU: We’re still at eight, where we’ve been for a long time, but there are four new faces joining four original members in the Town and Country line-up:  Renee Frye on vocals, Jeff Vanover on guitar, Todd Drake on drums, and Kathy Woods on fiddle, joining me, vocalist Melissa English, bassist Bob Donisi, and Bob Lese on mandolin and harmonica.  All four of the new folks came in at roughly the same time, and fortuitously enough, right at the beginning of the Town and Country recording sessions, so they all had the opportunity to put their stamp on the record, and boy, did they ever.

I couldn’t be happier with how they’ve all worked out. They’re such incredible players and singers and great people to know and spend time with. For whatever reason, this version of the band feels the most comfortable in its own skin and I love that. The audiences seem to sense it, too. The new stuff is going over great live.

CB: How do rehearsals work? How frequently do you all get together? it would seem to be a logistical headache, at the very least.

MU: We rehearse once a week at my palatial Price Hill estate. We move the dining room table out of the room and set up in a circle. Some of us amplified, some of us not. It’s pretty low key, kids and dogs and cats coming and going. Usually everybody’s there every week. That’s how we learn so many new songs all the time, originals and covers. The process never really stops.

CB: The video for “The Hand of Man” and the Music For the Mountains benefit compilation have gotten the band and the cause of stopping mountaintop removal mining a lot of attention. Do you have more plans related to that or another cause in the works?

MM: Assuming the new location of the Southgate House is up and running by then, I’d like to do another multi-artist “Music for the Mountains” benefit concert in the fall. I don’t have the energy for another compilation album right now, but maybe down the road. The bad guys don’t sleep, you know, and neither can we. It’s just my little thing that I feel like I can do to help the folks that fight it day in, day out.

CB: Why was it important to you to become involved with the mountaintop mining campaign? Did the success the music had on getting the cause more attention give you a new perspective of the power of music?

MM: It just hit me as wrong on every conceivable level. It’s environmentally wrong, horribly short-sighted, and what it’s done to the residents of those areas is nothing short of criminal. It amazes me how well the coal companies have been able to use their corporate, political and financial muscle to hide it or dance around it for so long. 

I do generally find, though, that once people become aware of what’s happening, either through a book or a speaker or a song, that they want it to stop, and that’s encouraging.

CB: The way people make and share and listen to music has changed a ton since your days with (Utley's late ’80s AltRock band) Stop the Car. Do you think Stop the Car would have been able to take things further if they had the resources you have now?

MU: Yeah, I do. For a couple of years there, at least, I would’ve put (Stop the Car) up against anybody, but we were so isolated back then, living in southern Indiana. It felt like we were playing in a vacuum. The kind of connections that the internet made possible were unheard of back then. I’m very thankful to have them now.

CB: When did you start listening to roots and Americana music, and start becoming a serious fan?

It was incremental. My dad listened to what you’d now call classic Country when I was growing up, but I couldn’t change the station quick enough. I’ve always been one to seek out the heroes of my heroes, though, and through bands like X, I started digging through older American Country and folk music. Hank Williams hooked me immediately. Woody Guthrie.  Lead Belly. The Carter Family. You go deeper and deeper and deeper. It just never stops.

CB: What do you make of the (for lack of a better word) "trend" of a lot of musicians who would have fronted Punk Rock or Metal bands 10 years ago turning instead to Folk and Roots music these days? What do you think the draw is, particular to our times? Or do you think it's because kids are exposed to so many different styles nowadays?

MU: Well, they say that religion is the last refuge of a scoundrel, but perhaps it’s really Country music. 

I don’t know, really, other than the fact that people can sense the authenticity of some of this music and perhaps they want to discover it more deeply, or co-opt it to their own ends, or try it on like a new suit of clothes. Whatever it is, and however the trends cycle in and out, I think people can tell who plays these kinds of music because it’s part of them and who’s just trying on the suit.

CB: Along those same lines, what do you think it is about American roots music that has given it such a fervent fan base overseas?That cult following for Americana in Europe and elsewhere seems to have been going strong for a long time now. I'm sure you've probably had more than a few nice reviews from the "foreign press."

MU: Europeans have always had an insatiable appetite for American musical forms. The British Invasion was nothing but them taking our music, making it their own and shooting it back at us.

Again, there’s the attraction of a sense of an authenticity, of something foreign and exotic, of times and places and people either long gone or vanishing inexorably. Our world is getting more and more controlled, more homogenized, more corporate, soulless and these Roots music forms are the antithesis of that.

CB: What's next up for the group? Is touring a possibility? Have you done radio campaigns and things like that in the past? Shopped music for licensing?

MU: We recently signed with a digital label from down south called This is American Music (TIAM). They’ll be handling the digital sales for all three of our records and we’ve contracted them to do promotion for Town and Country, as well. So we’ll finally have someone to take what we do and try and get it in front of people, which we’ve never had before. 

We’re also working with a booking agent out of Nashville who’s setting up some tour dates for us, and we’ll be doing some trade off gigs with some of the other TIAM bands. It’s difficult with the size of our group, but we’re going to go out on the road as much as we can. I’m also doing more stripped-down gigs with Renee and Jeff as a trio, and we’re looking at touring with that configuration as well.


 
 
by Mike Breen 01.31.2012
Posted In: Local Music, Music News, Music Video at 03:32 PM | Permalink | Comments (0)
 
 
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Hear Heartless Bastards' 'Arrow' LP Now

Onetime Cincinnati-based band gearing up for its fourth full-length release on Valentine's Day

Cincinnati-bred/Austin-based rockers Heartless Bastards' new album Arrow is due in stores on Valentine's Day (Feb. 14), but you can hear the long-player in its entirety right now via NPR's website (here). The NPR promotion is just the latest in the build-up to the excellent album's release. Arrow — the fourth HB full-length overall and first for new label Partisan Records — was named by The New Yorker as one of the most anticipated albums of 2012, while Rolling Stone and KCRW have premiered tracks from the album and Spin's website premiered the below video clip featuring the first single, "Parted Ways." Pre-orders for Arrow are being taken on iTunes and through the Partisan site (here), as well as through the band's own site (here), where you can order the album in various formats and as part of various goodies-filled bundles.

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by mbreen 07.29.2011
Posted In: Live Music, Music Video at 03:41 PM | Permalink | Comments (0)
 
 
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Weekend Music Advisory for July 30-31

Music This Saturday: In 2006, Fountain Square underwent a renovation, not only in a physical sense but also in the way the heart-of-the-city’s space was used by citizens and visitors. The 3CDC group behind the refurbishment greatly expanded the number and quality of events presented on the Square. The biggest part of the expansion focused on live music events, so it made sense that, to celebrate the “reopening” of Fountain Square, several big-name artists performed at the relaunch celebration, including OK Go and Los Lobos. Kicking off the festivities was Hip Hop star Talib Kweli, who performed with Cincy breakout Hip Hop artist Hi-Tek. Saturday, Talib is back for another free performance on the Square, this time as part of the every-Saturday “Slam!” concert series, organized by local promo crew Self Diploma.

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by mbreen 10.18.2011
Posted In: Live Music, Local Music, Music Video at 10:52 AM | Permalink | Comments (0)
 
 
rolling stones some girls

Squeeze the Day for 10/18

Music Tonight: We usually (always) give suggestions for live music to check out in this space, but today, we're telling you to go to the movies. But there's still quite a "live music" component. For one night only, the never-before-seen concert flick Rolling Stones: Some Girls Live in Texas is being screened at movie theaters across the country. The film features footage from a July, 1978, concert in Fort Worth, Texas, during the band's tour for Some Girls (which featured hits like "Shattered," "Miss You" and "Beast of Burden"). The movie screens locally at the Deerfield Towne Center theater and the Springdale Showcase Cinemas at 7:30 p.m. tonight. The special screening also includes a recent 20-minute interview with Mick Jagger about the concert and era. The film will be released on DVD on Nov. 21. Below is a trailer for the film and rehearsal footage from the band's appearance later in ’78 on Saturday Night Live, performing Some Girls track "Respectable."

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by Mike Breen 11.29.2012
Posted In: Music News, Live Music, Local Music, Music Video at 11:28 AM | Permalink | Comments (0)
 
 
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WATCH: Emery Sessions Go Hip Hop

Cincinnati MC Buggs Tha Rocka featured in unique one-shot video series filmed at historic Emery Theatre

Deft local MC Buggs Tha Rocka, who balances his excellent solo work with performances and recordings with the group Gold Shoes, has become the first Hip Hop artist to participate in the ongoing "Emery Sessions," a series of excellent music videos, filmed in one-shot by world-class photographer Michael Wilson at the restored classic Cincinnati venue, The Emery Theatre. Audio was handled once again by local musicians Cameron Cochran and Henry Wilson.

The series not only celebrates local music but also showcases the grand old theatre, a century-old Cincinnati treasure that fell into disrepair but has recently returned to "active venue" status thanks to the work of The Requiem Project.

Buggs and DJ Ghost performed "Stephanie's Song" for their Session. Unlike previous clips (which have spotlighted a host of local artists, from Over the Rhine to Jeremy Pinnell and the 55s, as well as Bluegrass legend Ralph Stanley and many others), Buggs and DJ Ghost don't perform on the theatre's stage, but in another nook and cranny elsewhere in the building.

"Stephanie's Song" is from Buggs Tha Rocka's fantastic The Wrath of Zeus mixtape, which is available for free download here.



Take a look at some of the other Emery Sessions here.

 
 
by Mike Breen 02.24.2012
Posted In: Local Music, Live Music, Music Video at 11:50 AM | Permalink | Comments (0)
 
 
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Music Tonight: D.R.U.G.S., Dementia Precox and More

This week in my weekly local music column, Spill It, I wrote about the unexpected glut of really strong music events this week. Tonight may be the hardest of all to make a decision about. Let's work through this together, man. We'll find something for you to do.

• Catch a couple of Indie Pop success stories live and in person tonight in Covington as buzz bands Young the Giant and Cincinnati's very own Walk the Moon play Madison Theater, just the latest in a string of sold-out shows on the groups' current tour. We've been writing more and more about Walk the Moon over the past year (here's the latest), as the four-piece continues to charm the masses leading up to their debut album for RCA Records (late spring/early summer is the current target). Young the Giant is a little further along in its buzzdom, having released its first wide-exposure album, a self-titled affair on Roadrunner Records, in late 2010 (digitally)/early 2011 (physically). But YTG did a lot of legwork leading up to that point, building a following and airplay stats in Southern California as The Jakes, before becoming Young the Giant in 2009 and singing its deal. The band got a big shot in the arm after appearing at the MTV Video Music Awards last year; virtually unknown to most viewers, the band was featured between the likes of Lady Gaga and Lil Wayne, performing on some weird cubby-hole/light-box stage for 300 invited fans from their hometown of Irvine. Watch a clip below and read more here.

If you have tickets, tonight's YTG/WTM show starts at 8 p.m.; doors open at 7.


Dementia Precox was a Dayton, Ohio, band that lasted almost exactly the span of the ’80s and influenced musicians not only in the Gem City, but all over the region and beyond. The band had a sound uncommon to most ears in Dayton (and most other places), an adventurous exploration of primal rhythms and the grinding "sounds of the city" (via scraping percussion played, literally, on pieces of metal) that was many listener's first introduction to "Industrial" music. Dementia's style evolved in its decade of existence, originally more in tune with the avante grade style of Throbbing Gristle before morphing into something more widely understood as "Industrial" music after adding more synths and electronic elements.

Dementia Precox was one of those bands that laid groundwork for others to build upon, but never really got its fair due. Cincinnati experimental vets BPA were inspired by Dementia, according to drummer Todd Witt, who adds that he feels the group paved the way for the Dayton's development of one of the more exciting underground music scenes anywhere.

The band had done rare reunion shows after splitting, the last time being in 2007 when they performed in Cincy and Dayton. But a true full reunion isn't possible any more — Dementia frontman/snyth tweaker/cofounder/sound-shaper Gyn Cameron passed away last September in Florida.

The band members reunited again to honor Cameron in Dayton the following month, and they'll do it again in Cincinnati tonight at Northside Tavern with BPA opening. According to the band's Facebook page, the first get together was "a reawakening of creativity" so inspiring, they are carrying on as a band under the name Dementia, a tribute Cameron probably would have appreciated — putting his old friends back in touch with each other and having them bond over (and commit to making more) art.

Showtime is 10 p.m. and there's no cover charge. Here's an old clip of DP's "Maladie D'espirit."



Click below for many more show suggestions around Greater Cincinnati tonight.

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