Music Saturday: If Herman Munster had decided he wanted to play stand-up Country/Rockabilly bass, he'd have a gig in the band of enigmatic performer Unknown Hinson offered to him immediately. Despite the high camp of UH's persona (his bio says he looks like "Dracula's nasty little brother who spent some hard years drinking and working as a carnival barker for a second-rate freak show"), the super-charged, funny-as-all-hell Honky Tonk he and his band pump out is seriously kick-ass. Billy Bob Thorton has called Unknown one of his favorite songwriters and a "genius picker," Simpsons creator Matt Groening has lauded his guitar playing (and comedic sensibility) and Hank Williams III has Unknown's face tattooed on his arm — all high (and kinda weird, fittingly) praise. Combined, the image and sound make for a thoroughly entertaining concert experience. Read more about Hinson (who voices the character Early Cuyler on The Squidbillies) from this week's CityBeat here. Unknown Hinson is at the Southgate House in Newport Saturday with The Lewis Brothers. Showtime is 9 p.m. Tickets are $15 in advance or $18 at the door. And bring all your gal pals — "womens likes it," or so I've heard. Give a listen to a li'l Hinson holiday cheer in the form of "Black and Blue Christmas" below.
Though the Super Bowl is taking place about 100 miles from Cincinnati, my guess is that most of us locals will be sitting on our couches, casually watching from the comfort of our own homes. If you're like me, you cringe at the cost of going to a hometown NFL game. The people at the Super Bowl might not all be those much-talked-about top-1% rich folks … but they're at least top-10% if they can afford Super Bowl prices (or they're lower-income people prepared to go homeless for a few months).
If you're staying home Sunday and watching the game on the tube, here's a little Super Bowl music playlist — a mix of the obvious and the obtuse — you can drink beer to while getting ready (or when you turn the sound down for Madonna's halftime show).
Music Tonight: Cleveland Art Punk band HotChaCha bring its dancey Post Punk rhythms and soulful melodies to Newport’s Southgate House tonight, playing the club’s Parlour room. The show is the fourth date on the Northern Ohio foursome’s extensive nationwide run with eclectic upstate New York Indie septet Summer People (which has been compared to The Cramps and Nick Cave), promoting the two bands’ split 12-inch EP release, Do It. The vinyl release is a limited edition, but in cyberspace, there are no limits, so give the EP a listen here.
Music Tonight: Say goodbye to August tonight with some classic Hip Hop at Bogart's, one of many recent and upcoming Hip Hop shows from the longstanding Corryville concert venue. Rock the Bells began seven years ago as a stand-alone Hip Hop festival in California, but today the brand has been expanded to included RTB package tours and smaller club tours, like the one in town tonight.
Shinedown has been touring on its most recent album, Amaryllis, for the last two years and has just started its Carnival of Madness tour to complete touring on the record. It is the band's biggest, brightest and loudest tour yet. With each album, Shinedown's rocking sound shows bigger energy and different sides, as well as different looks.
CityBeat was able to catch up with bass player Eric
Bass to discuss life on tour and the close bond the band members have,
even after all these years. Shinedown will be tearing up the PNC
Pavilion at Riverbend on Saturday night on its Carnival of Madness tour
stop with Papa Roach, In This Moment and Skillet. (The concert is sold out.)
CityBeat: You guys have really been successful with the last couple albums. You have been on the Billboard charts for over two consecutive years. Did you ever expect that would happen?
Eric Bass: Did I ever expect it? I always hoped it would happen, I guess. You work really hard. We have this thing we say: "Keep your head down, stay humble and move forward." We are blown away by the success. To be honest with you, if you had told the 17-year-old me this was what was going to be happening, he’d be ecstatic. I can’t say that I expected it to happen. We wanted it to happen. We worked really hard for it. We are not surprised, I guess you could say, because of the hard work. It is a true blessing to be able to do what we do and have the success we have had.
CB: The band has been touring constantly. How do you make time to write new songs on the road?
EB: We actually don’t write on the road. We like to separate the two. We go home when we are done with this tour. We will lock ourselves away for a year and write as many songs as we can. Then, when we are done with that, we will go out and tour again and complete the process. We wrote “Diamond Eyes” on tour because it was for a movie soundtrack. That was the first experience we had with that. It worked out and everything went well with it. We work really hard when we are on tour. We are a go-go-go all day long band with interviews, meet and greets and that sort of thing. So there is really not a lot of time to get in and be creative like that. We prefer to separate the two and that creates the situation where each record is pretty different from the others because they are different times and you are not overlapping time periods. You are separating into blocks. It makes the records really interesting.
CB: I have photographed you on your last couple tours. Your shows have grown larger and larger with more pyro and turned into huge Rock shows. How did you guys prepare for Carnival of Madness?
EB: Well we started talking about it two or three months ago and we said, “It’s not going to be small.” That was the whole thing. We were going to make it as big as we could possibly make it. We are bringing our whole sound system with us. We are bringing our own lights. We are bringing our own pyro. We basically have carnival performers that are out with us. It is just a conscious, concerted effort to, every time, step your game up. We have sort of become known for that when we do these big headlining runs. We don’t want to disappoint anybody. People paid good money and want to see a great Rock show and that’s what they are going to get.
CB: You actually have carnival performers on stage with you?
EB: We actually do, yes. It’s going to be fun. I think everybody is going to really enjoy the show.
CB: The first show was this past weekend. How is it going so far?
EB: We are one down. We have the second one tonight. The first one was great. Internally, we found a couple things we could do differently, do a little bit better. We are definitely going to do that. The first show was great. The crowd was very receptive. It was awesome. I think tonight is going to be even better. Then the Cincinnati show, by that time, we will be well-oiled machines and veterans.
CB: Shinedown has a huge social media presence. Why is it important for you guys to stay connected to your fans in that way?
EB: Because the fans are the reason we get to do what we do. We never forget that. The fans are the boss, the most important thing. The fans buy the tickets, they buy the records. I have to say, and it’s going to sound cliché but it’s not meant to be, we have the best fans. Our fans are ridiculously loyal. We like to keep up with them. We actually know … you would be surprised how many fans we know. I’ll see fans at meet and greets that I will know from Twitter. We keep up with them and we know what’s going on. We like to hear what they have to say. They are going to let us know if something is not right. They will let us know if they don’t like something, if they like something. It’s a great tool to utilize as well. You get instant feedback on what you are doing.
CB: What are your hobbies outside of playing music all the time?
EB: It’s kind of funny. I say all my hobbies become my jobs. I produce records. I do a lot of songwriting. I engineer, mix records. A lot of my hobbies have become my job.
I am a golfer. I enjoy golf a lot. More recently, I have started building model airplanes. I needed a quiet hobby I can sit in my house and do. It is something I have found solace in. It may be a little geeky, a little nerdy, but it is fun.
CB: You actually co-wrote “I’ll Follow You” correct?
CB: I love that song. I know it is the new single and it is out, but what is the story behind the song?
EB: The story of the song is pretty interesting. The piano part I had for a couple years. I had been playing it in sound checks. We don’t write on the road, but if it’s something someone in the band hears, “Hey remember that. Record that.” We are pretty in tune with that sort of stuff.
We were out on our acoustic tour that we did on the end of our last record cycle with Will Hoge, a great singer-songwriter from Nashville. Nobody had really said anything about the piano thing I had, so I thought maybe it will be good for Will.
So I hit him up and said, 'On the next day off, I want to show you this piano piece I have got and we can write a song.' He gave me his number and said to give him a call. I gave him a call the day of, I called him like three times, never went to voicemail, never picked up.
The next day, I was like, “I called you three times.” He said, “It never came through. I don’t know what happened.” That day at soundcheck, Brent was like, “What’s that thing you are playing?” I was like, “Man, I have been playing it for three years.” He finally woke up to it. We actually had the recording that day at sound check kind of going through the song. Some of the lyrics are actually in there from that first time we ever played it through, he and I.
If you fast forward six months when we finally wrote it, finally sat down and wrote the song, it happened seamlessly. We wrote it in like two hours, the whole thing was done. Lyrically, it is about the person in your life who is your best friend, your spouse or your girlfriend, your boyfriend or someone really close to you, that person you will always be there for and they will always be there for you.
CB: The band took a different turn on the latest album, playing with the full orchestra. How did that concept come about?
EB: We talked about how Madness had a lot of string-sections stuff. We just talked while we were writing the record about how to make this record a little bigger and a little more grand. That was the first thing that came up, we need to do something with horns and full orchestra, rather than just string sections.
It was fun. It was a blast to be in there to watch that stuff be recorded, watching your vision come to life was amazing. There is very little that we do that is not a conscious decision. We kind of see what we want to do next. We were talking about our next record the other day on the bus. We will probably start working on that next year. We already kind of got an idea for it of what we want it to be. It is pretty phenomenal to have this type and level of instruments on something you have worked on. You pinch yourself every once in a while because it’s so cool.
CB: You guys have been together for some time. Are you all still friends? Do you still hang out?
EB: It’s pretty funny, we love each other so much. We all still ride the same bus even though we don’t have to. We, all four of us, camp out in the same place. We work out together every day. We eat together every day. We really are brothers. We have our moments of getting agitated with each other and angry with each other. There is something different that I don’t see in a lot of bands we travel with. There are some, but they are few and far between. You get a group of people that genuinely like each other and genuinely get along.
I can count on one hand the times I have been up in someone’s face in my band, that I have been that angry with someone. We just don’t get like that. We talk things out. If there is a problem, we sit down and we are very honest with each other. We don’t harbor any animosity toward each other for anything.
“I’ll Follow You” is out right now and is a song Brent and I wrote. Everybody in the band is happy as hell about that because it is doing well. “Bully” is a song Brent and Zach wrote, and I was happy as hell that was doing well. A lot of people get caught up in the unimportant stuff, like who makes more money or what’s going on with this or who’s more popular in the band. We don’t care about that stuff. It’s about the band, the entire group. We all really care about each other. We hang out when we aren’t on tour. It is really a blessing.
CB: It is amazing you guys spend so much time together and it is still like that. There aren’t many people I could spend 24 hours a day with?
EB: We see each other more than we see our wives and girlfriends and our families. We are married. We have to get along. There is no way around it. You can tell on stage. We smile at each other on stage. We joke around. We throw picks at each other. It’s genuine. It’s not an act. You can tell bands on stage that don’t like each other, and you can definitely tell bands on stage that do, and we are one of those bands that really like each other.
• A killer triple bill at Bogart's in Corryville tonight features three of the more kick-ass bands from the new breed of Rock & Roll buzz bands. Known for their explosive live shows and shimmery, energized Indie Rock style, San Diego-spawned/Brooklyn-based Delta Spirit headlines, supporting its self-titled breakthrough release from earlier this year. Endearing and invigorating L.A. Garage Pop foursome Fidlar opens things up at 8 p.m., followed by the smoking'-hot JEFF the Brotherhood, a killer duo from Nashville featuring bros Jake and Jamin Orrall. The band's latest album, the addictive Hypnotic Nights, was produced by The Black Keys' Dan Auerbach and is JEFF's debut for Warner Brothers Records.
JEFF the Brotherhood performed "Staring at the Wall" from Hypnotic Nights last night on Conan. Read more about tonight's show here and here.
• Psych/Rock/Roots trio Buffalo Killers’ current tour with rootsy NYC Blues Rock band Hollis Brown winds through Cincinnati tonight for a show at the Ballroom at the Taft Theatre. Tickets are at the door. Showtime is 10 p.m.
While still touring in support of Dig. Sow. Love. Grow,, the group’s fourth album which was released on Alive Records this past summer, the BKs have recently issued some even newer material. The local Shake It Records imprint recently released Buffalo Killers’ two-sided single for the Dangerous Highway: A Tribute To The Songs of Eddie Hinton series, on which the trio covers the Muscle Shoals musician’s “Heavy Makes You Happy (Sha-Na-Boom-Boom)” and “Still Water Runs Deep.” The group also just recently went into the studio to record two new tunes, “Nothing Can Bring Me Down” and “Baptized,” which are available as pay-what-you-want downloadable singles at buffalokillers.com.
On Nov. 27, Alive is releasing the live compilation, Alive at the Deep Blues Festival, which kicks off with a pair of epic BK tunes. Recorded during the recent Alive-roster-heavy Deep Blues Fest in Minnesota, the album also features a pair of tracks from label mate and fellow local Brian Olive. (Olive and his band play for free at Northside Tavern on Thanksgiving Eve, Nov. 21.)
Here's an epic version of Buffalo Killers' "It's a Shame" from the live set.
• Downtown at Arnold's tonight, catch influential cult hero Paleface, a man who has been on the cutting edge of contemporary music's continual fascination with traditional Folk music and an influence on some of the more adventurous musicians who seek to translate that vintage spirit into their own voice. Over the past 20-plus years, the singer/songwriter has been an Anti Folk torchbearer and an Indie Folk mentor, first learning songwriting and lo-fi recordings from underground legend Daniel Johnston in the late ’80s. From there he went on to teach a few tricks to roommate Beck (pre-fame), help the so-called "Freak Folk" scene grow freakier and folkier and collaborate frequently with pals The Avett Brothers. Whether directly or indirectly, if you dig today's "Indie Folk" — or any brand of slanted or subversive Americana — you've likely heard the results of Paleface's unique influence.
Paleface's show tonight at Arnold's — a makeup date for a show canceled in late August — is free and great local Folk Pop group Shiny and the Spoon opens the show at 9 p.m. (Click here to read more.)
Here's a mini documentary about the making of Paleface's latest, One Big Party.
• Tonight you can get your roller boogie on as the bi-annual OTR Skate event returns to help raise funds for Cincinnati Recreation Commission’s Over the Rhine Recreation Center and its scholarships and staffing. The roller rink fun goes from 8-11 p.m. at the OTR rec center (1715 Republic St.) and admission is $5, which includes skate rental (you can also bring your own). Along with numerous raffles for items donated by local businesses, skaters can also play pool, air hockey and other games, or ask the Cincinnati Rollergirls roller derby team members on hand for some tips. Giving the event an extra dose of Rock & Roll attitude, local band The Yugos will perform along with Columbus Indie rockers Indigo Wild. (Facebook event here).
Here's a Yugos track released this spring called "You Don't Want Change, Change is for the Deranged"; check out the group's self titled full-length here.
• Hip Hop comes to Northside tonight with a free, 10 p.m. show at The Comet featuring local artist Abiyah, plus Philly's Has-Lo and New York City's Prem Rock (formerly known as Premonition).
Has-Lo's first taste of national attention came when he did well in the 2007 MTVU Best Music on Campus contest. With his intelligent lyrical prowess and dark, dynamic production style, Lo's initial EP releases and last year's In Case I Don't Make It album garnered buzz in the underground for the producer/MC. Anticipation has been building for his just-released long-player, Conversation B, a trippy rewiring of In Case featuring production collaborations with Exile, J-Zone, Oddisee, Kev Brown, Eric Lau, Apollo Brown and others. The results are blissfully psychedelic and unpredictable. Here's a remix of Lo's "Inherit the Stars."
• "Unity Jam 7," a recurrent local music event that showcases a wide range of local artists in the name of bringing different people together, takes place tonight at Centennial Barn (110 Compton Rd., Hartwell). Tickets are $20 at the door, with a portion of the proceeds going to the New School Montessori program. The event kicks off with a "Zumbathon" at 5 p.m. Music starts at 7 p.m. and wraps with a "drum circle" at around 10 p.m. The lineup — which spans from Jazz, Fusion and Latin music to Reggae and a variety of other forms of World music — features Unity Jam organizer Baoku Moses and his Image Afro-beat Band, Lisa Marie, Azucar Tumbao, Junya Be, Pharaoh Loosey, Mayan Ruins, Salsa Ires, Mr. Brown Mysterious Sounds and Garry Leidy.
Click here for even more live music in Greater Cincinnati tonight.
Grammy-winning Classical music ensemble eighth blackbird will be joined by Philip Glass tonight at Memorial Hall for Day 2 of the MusicNOW festival (which kicked off last night at the Christ Church Cathedral and Westminster Abbey assistant organist James McVinnie). Glass — also in town to check out the Cincinnati Symphony Orchestra's world premiere of one of his latest works Friday and Saturday at Music Hall — will join 8bb onstage for the performance of his piece, "Music In Similar Motion." The ensemble will also perform a piece by Glass protege Nico Muhly (likely to be in the audience or guesting at some point, as he's performing at tomorrow's MusicNOW event) and other material, including a specially-composed tribute to Glass.
The appearance is 8bb's birthday/thank you gift to the legendary, now 75-year-old modern composer.
“Our entire concert is a birthday present for Philip Glass,” 8bb flautist and spokesperson Tim Munro told our Anne Arenstein. “When we knew we’d be collaborating with Philip, we decided to create a program with three compositions that represent three times in his life. We also have four pieces by composers influenced by Glass.”
Read the full interview with 8bb here.
Sandro Perri is also on tonight's bill. Read Jason Gargano's interview with Perri here.
Since our Morning News and Stuff writer hates football and refused to comment on the Super Bowl (not even the Puppy Bowl!), I thought I'd take a minute to discuss yesterday's huge game. Well, the music heard during the TV broadcast, anyway.
While I'm not a huge Madonna fan (I love the idea of her more than her music), I thought her halftime show was excellent. Then I looked on the internets and it told me that I was stupid and it was actually horrible and, even worse, offensive! Things I learned: Madonna is, like, really old; she may have lip-synced during portions of the performance; and MIA said "Fuck you, America" with her middle finger. (Like Janet Jackson's boob, I wouldn't have even noticed had it not been overblown in cyberspace.)
Oh, and MIA, according to the AP report, also "appeared" to say a cuss word. (She didn't, clearly stopping her line, "I don't give a shit," at "Shhhh" — nice reporting AP!)
On this date last year, somebody paid $10,000 for a T-shirt. An Australian man purchased a 1979 Led Zeppelin concert T-shirt on eBay for that amount, making it the most expensive concert T-shirt ever sold. (Though I bet The Eagles got close on their various, outrageously-priced reunion tours in recent years.) The shirt appears to be a "back stage pass" from the concert.
After the sale, Denver weekly Westword posted a story on its blog counting down the next 10 most costly shirts purchased. From their research, they deemed a James Brown shirt with a bad caricature of the Godfather of Soul and the words "I'm Black and I'm Proud," an early Nirvana shirt featuring a parody of John Lennon's Two Virgin's album cover and a "Metal Up Your Ass" Metallica shirt as the next most rare, each going for $1,000.
Currently, the most costly concert shirts available on eBay are a 1976 Stones shirt (yours for $7,900), a 1973 Who concert "staff" shirt ($4,691.82), a different Zep shirt (from, I believe, the same concert as the one that cost 10 grand; $3,949.21) and a Johnny Thunders shirt from 1984 ($3,909.72).
Here are a couple of Ohio tunes written in honor of those crucial concert souvenirs. Early Hamilton, Ohio, Punk band ChemDyne and Columbus' Watershed both had songs called "Black Concert T-Shirt."
Born This Day: Musical movers and shakers sharing a May 11 birthday include legendary songwriter ("God Bless America," "White Christmas") Irving Berlin (1888); one of the greatest white Soul vocalists ever with The Animals, Eric Burdon (1941); drummer and founding member of The Allman Brothers Band, Butch Trucks (1947); producer and founding member of avant-garde Pop group the Art of Noise, Gary Langan (1956); original MTV VJ Martha Quinn (1959); and frontman for one of Cincinnati's all-time greatest Rock bands, The Afghan Whigs, Greg Dulli (1965).
Dulli — born and raised in Hamilton, Ohio — is currently gearing up to begin performing once again with his Whigsmates John Curley (still living, working and playing music in Cincinnati) and Rick McCollum (now living in Minneapolis). Tickets for the group's first show in 13 years — May 23 at the Bowery Ballroom in New York City — go on sale today at noon. According to the band's website, the fan pre-sale sold out and there are "a very limited number of tickets" left. The band will warm up for the show on May 22 with a performance on Late Night with Jimmy Fallon.
Will the Whigs merely do a reunion victory lap then go their separate ways again? It's unclear so far, but in interviews with Dulli, he seems very inspired playing with his old pals again. In terms of a possible new Whigs album, he told the website www.thisisfakediy.co.uk, "I am going to keep the book open and keep the possibility, all possibilities available. We're going to see what happens, and react to what happens, but right now it's wide open. Yes, maybe, maybe not, we'll see. I hate to be ambiguous, but in this particular case, I think it's best." (He also said re-issues of the band's back catalog are "definitely going to happen.")
Raise a glass and wish Mr. Dulli a happy 47th birthday. Here are a few clips of Dulli's extracurricular activities during his days with the Whigs to help you celebrate:
• In 1994, Dulli sang John Lennon's parts on the soundtrack to Backbeat, a film about early Beatles bassist Stuart Sutcliffe. On the soundtrack he was part of a band that included Thurston Moore (Sonic Youth), Mike Mills (R.E.M.), Dave Pirner (Soul Asylum) and Foo Fighter/ex-Nirvana drummer Dave Grohl. Here they are doing a song originally made a hit by Cincinnati-born music icons The Isley Brothers.
• Dulli teamed with Grohl again in 1995, playing guitar on his debut album, Foo Fighters. Grohl played all of the instruments on the album except for a guitar part on "X-Static," which Dulli provided.
In 1999, Dulli recorded a cover of "Dixie Peach Promenade (Yin for Yang)," a tribute to late Moby Grape member Skip Spence and his cult classic album, Oar.