Over-the-Rhine's new three-level bar and restaurant, Taft’s Ale House — named for William Howard Taft, the 27th president of the United States, former Supreme Court Justice and native Cincinnatian — opens on Monday, Red’s Opening Day, and will feature a variety of specialty beers, as well as an emphasis on tri-tip beef (cut from the bottom sirloin). Helmed by Cincinnati local Kevin Moreland, former brewer at Listermann/Triple Digit, and partners Dave Kassling, a New York restauranteur, and Dave Williams, a UC grad, the bar, which is located at 1429 Race St., inhabits a building that formerly housed the 19th-century St. Paul’s German Evangelical Protestant Church.
Moreland describes his first experience in the building as walking into complete disarray. He had to use the side doors on Fifth Street to get in and, after entering, he walked into “straight dirt” and looked up to see holes the size of office spaces in the ceiling. To save the church, which was on the verge of destruction, he contacted 3CDC. Through their partnership — 3CDC helped stabilize the building, which had been abandoned for almost 50 years — they were able to restore the building, emphasizing it's historical appeal and architecture. The structure still retains it's dramatically high 40-plus-foot ceilings, large, Gothic-style arch windows and former bell tower. But now, instead of parishioners, it can hold more than 200 patrons.
“Part of what’s going on in OTR is saving something that used to be there,” says Taft’s Ale House General Manager Keith Maloy. “It would have been easier for us to start from scratch and build a new place. It would have been easier to construct and less expensive, but we would have lost a lot of the charm that’s in this building.”
The building’s three levels essentially create three different environments depending on an individual’s mood. There is the main beer hall level, with picnic tables, bar games and TVs; a mezzanine level for casual dining; and then Nellie’s Tap Room on the lower level. Nellie's, named after William Howard Taft's wife, is more of a cocktail bar than a beer hall, though the drink menu is still beer-centric; Nellie's serves Taft brews with eight guest taps from local and regional brewers, plus wine and cocktails.
The entirety of the building's décor, with Rookwood tiles and assorted antique ephemera, is inspired by the William Howard Taft National Historic Site in Mount Auburn, Taft's boyhood home.
“As soon as you walk in Taft’s home, you see this kind of laid-out pattern of multiple colors," Moreland says. "I wanted that to be something as a key feature in our place, so we did it. We had some hand-cut tile made to match that pattern. … A lot of the furniture matches and the color of the wood as well.”
Moreland considers Taft’s Ale House to be a gift to the city, specifically to OTR. “I wanted to keep things here in the heart of OTR and try to work with our neighbors because they’re going to be our patrons as much as we’re going to be their patrons,” he says. And in terms of patronage, Moreland started by working with other local vendors, linking local products and businesses to his passion for creating unique and innovative craft beers.
Taft’s partnered with Maverick Chocolate in Findlay Market to create their Maverick Chocolate Porter, featuring Maverick's cacao nibs and roasted cacao husks. Moreland also incorporated Findlay vendor Dean’s Mediterranean's products into the Culebra Cut Coconut Brown, an American brown ale infused with toasted coconuts. And Taft’s Mooly Wooly Coffee Milk Stout is made with oatmeal, lactose and coffee that comes straight from Coffee Emporium.
“You can classify it however you want, but I classify beer by what it is," Moreland says. "There are these style guidelines that people like to follow, but I’m not that person. You can only brew so much IPA that tastes like everyone else’s IPA, so we have that but we wanted to spin it around.”
Other favorite brews include a Caribbean style ale — Nellie's Keylime Caribbean Ale —that focuses on key lime and coriander, and an IPA called Rookwood Mosaic, with mosaic hops.
With creative beer, comes a creative menu, so don't expect pizza or burgers at Taft’s Ale House. During his time studying breweries and pubs around the country, Moreland saw different variations of the same menu time and time again, but his discovery of tri-tip beef changed the game. And General Manager Maloy could not agree more. The restaurant trims and ages the steak for 21 days, massages it with a dry rub, chars it, smokes it over hickory chips and then bakes it.
“The tri-tip beef is great," Maloy says. "It’s a great cut of beef — we char it, smoke it. You can slice it thin and make a sandwich or cut it bigger like a traditional steak. We have interesting sides too: roasted vegetables, tater tots instead of french fries and sweet potato fries.”
Moreland and Maloy’s main focus is “marrying the [tri-tip] beef with the beer” while still making it affordable. They understand the importance of serving customers at a rate where it's cost-effective to come back. Sandwiches, like the Alehouse (tri-tip steak, onions, blue cheese and red ranch sauce) run between $7.50 and $10, while platters, which are served with mashed potatoes, gravy, roasted veggies and cornbread, are $17 (for grilled chicken breast) to $20 (for 12-ounces of tri-tip steak). A small kids menu features little steak and chicken sandwiches and chicken wings, served with tots. For vegetarians, there's a large selection of salads with housemade dressing.
The experience of the customer is an ongoing theme in the vision of Taft’s Ale House. Many restaurants could say the same, but Taft’s physical setup lends itself to attaining customer satisfaction. Quality, an experience, and being passionate about what you do is how Moreland describes their mentality.
“Sometimes I have to pinch myself," he says. "I don’t feel like it’s real yet. I’ve learned a lot. I can tell you it’s been an awesome experience. Passion breeds success. The passion we’re putting into crafting great beers is incredible.”
Taft’s Ale House opens Monday, on Moreland’s birthday. The first 100 people to arrive receive a free Red’s-Cincy-W.H.Taft-inspired T-shirt along with a glass of First Pitch Pale Ale. As for the future, Moreland is already thinking about taking the brand national, hoping to bring “big dollars” back to the city’s hotels, bars, eateries and more. “That is my focus: putting Cincinnati on the map for great craft beers,” he says.
4 p.m.-2 a.m. Monday-Friday; noon-2 a.m. Saturday and Sunday. Sundry and Vice, 18 W. 13th St., Over-the-Rhine, facebook.com/sundryandvice.
All photos by Aaron Conway
What happens when a guy who grew up in an inner-city neighborhood returns as a successful attorney, back because it’s now the trendy place to live? That’s Jackson’s story: He’s upwardly mobile and black, moving in with Suzy, his white schoolteacher girlfriend. But she’s not so comfortable with their arrangement. Add to the mix Don, Jackson’s privileged boyhood white friend who’s had drug issues and now needs a place to crash. The apartment’s buzzer is a reminder that their world isn’t so simple. Tracey Scott Wilson’s new play isn’t set in Over-the-Rhine, but it could be. Through April 19. $30-$85. Playhouse in the Park, 962 Mt. Adams Circle, Mount Adams, 513-421-3888, cincyplay.com.
It’s hard to stand out in the crowded Blues/Roots Rock field but Dallas-based Somebody’s Darling is a stacked deck of secret weapons. The visceral ’70s-to-today guitar pyrotechnics of David Ponder, the massive keyboard groove of Michael Talley, the velvet jackhammer rhythm section of bassist Wade Cofer and drummer Nate Wedan, and the smoke-and-whiskey-cured vocals of Amber Farris combine to create a blistering Blues sound that is reassuringly familiar and yet fascinatingly singular. Although Farris, who also plays electric and acoustic guitars, generates plenty of fair comparisons to Bonnie Raitt, Susan Tedeschi and Heartless Bastards’ Erika Wennerstrom (and maybe even a little Natalie Merchant in a rare quiet moment), she and Somebody’s Darling may align closest to Grace Potter and the Nocturnals by virtue of the slinky dynamism and mesmerizing power they both effortlessly exhibit. Somebody’s Darling plays Southgate House Revival's Revival Room on Friday. Tickets/more info here.
I've seen The Lion King five times, on Broadway and on tour. I wrote about it in a feature this week, describing how a successful but not terribly
profound animated Disney feature became a stage musical that's a
worldwide phenomenon. A touring production is at the Aronoff through April 26;
it's the third time the show has landed in Cincinnati.
evaluate the performers — who are highly talented and extremely polished
in their presentation of the show — I decided to pay attention to the
visuals this time around. It was worth it. The Lion King has the
most inspiring opening of any show I've seen: A call and response
between Rafiki, a nervous mandrill and two others brings together a
clutch of African animals to Pride Rock where a regal pair of lions,
King Mufasa and Queen Sarabi are presenting their new cub. The animals
enter the theater from all directions — from the stage wings and down
the Aronoff's aisles, enabling the audience to see the actors in their
puppet gear up close as they sing "The Circle of Life." It's a great way
to begin the show's magic.
But it's only the start: There is color and pageantry to burn in this story — from a colony of loony hyenas to a fatal stampede of antelopes. The second act opens with the chorus dressed in colorful clothes with ornate puppet birds and kites sing "One on One." I was reminded of the wonderful South African choral groups that inspired Cincinnati audiences during the World Choir games in 2012 — passionate harmonizing and heart-thumping rhythms. From start to finish, The Lion King is a remarkable experience. If you've seen it once, it's worth going again to appreciate new dimensions of this gorgeous production. Tickets: 513-621-2781.
Hey all. I’m hyped for the season’s first thunderstorm, which is officially rolling in as I type this. As far as I’m concerned, it’s finally spring. On to the news.
Residents displaced by the King Towers fire in Madisonville last Thursday will be able to stay in their extended stay hotel in Blue Ash for another two weeks, but after that their fate is uncertain. The 20-plus residents can’t move back into the building until it is investigated and cleaned, a process that could take months. Many have lived in the building for a long time and don’t have access to cars to get around. The fire injured several and killed firefighter Daryl Gordon, whose funeral drew thousands from across the country yesterday to downtown Cincinnati.
• A proposal by Cincinnati developer North Pointe Group in Over-the-Rhine would build 21 single-family homes on some city-owned vacant lots on Main Street north of Liberty Street. It would also redevelop a vacant building there into eight so-called “workforce apartments.” North Pointe says the houses will sell for around $400,000 to $600,000 each. The apartments will all be approximately 630 square feet and cost about $800-$950. The plan has drawn some controversy, which we explore in our news feature this week. North Pointe says it will need to tear down popular basketball courts on the land. After some residents complained, the developer agreed to keep two of the six hoops standing. But some are still skeptical of the proposal, saying it could change the character of the neighborhood.
• Cincinnati-based news giant E.W. Scripps Co. is officially out of the newspaper business for the first time in its 135 year history as of Wednesday. In a merger with Journal Communications, based in Milwaukee, Scripps has traded off its remaining newspapers for 12 TV stations and 34 radio stations across the country. The company has said it’s looking to expand its presence in TV and to own radio stations in the markets where it also broadcasts TV news. That could mean Scripps could eventually acquire radio stations here in Cincinnati.
• Suspended Hamilton County Juvenile Court Judge Tracie Hunter would like the Ohio Supreme Court to remove her ongoing felony trial from the county’s court system. Hunter is being retried on a felony count of misusing a court credit card after a technicality kept a jury from considering evidence for that charge when Hunter was tried late last year. A jury hung on eight of nine felony counts in that trial, convicting her of one count related to information she allegedly gave her brother, a county court employee, about an inmate.
Hunter and her attorney, Clyde Bennett II, say Hunter can’t get a fair trial in the county thanks to acrimony between her and many of the judges here. Bennett says prior decisions by Hamilton County Judge Patrick Dinkelacker, who is currently presiding over the case, were used as evidence in Hunter’s earlier trial, causing a conflict of interest. Judge Norbert Nadel presided over Hunter’s original trial, but he retired earlier this year and Dinkelacker was elected to replace him. Dinkelacker previously presided over an appeals court where he made the rulings in question about Hunter’s case.
• Another local connection to the weed-legalization efforts led by ResponsibleOhio: Cincinnati-based developer David Bastos is an investor in the ballot initiative, which aims to legalize the sale of marijuana and restrict commercial growth to 10 marijuana farms around the state. Bastos is a partner in Bridge Property LLC, which would establish one of those farms in Lucas County. ResponsibleOhio needs to collect 300,000 signatures by this summer in order to get their amendment to Ohio’s constitution on the November ballot. Should it pass, Ohioans over the age of 21 would be allowed to buy marijuana, apply for a marijuana vendor’s license (similar to a liquor license) and grow small amounts of the drug for personal use, a late concession to opponents of the measure’s limit on commercial growth.
• The Cincinnati Reds are on track to break their season ticket sales records, thanks in part to the MLB All-Star Game coming to the city July 14. The Reds’ previous record at Great American Ballpark is 15,648. Last year they sold about 14,500 and they’re on pace to reach more than 16,000 sales this year. There’s a clear incentive for baseball nuts to make the big commitment: Season ticket holders are automatically offered the opportunity to purchase All-Star Game tickets, which are a hot item. Both half-season (40 games) and full-season (80 games) ticket holders get a crack at the All-Star Game tickets.
• The 2016 Senate race in Ohio is heating up. Republican Senator Rob Portman, nearing the end of his first term in the Senate, will have to fight off either Gov. Ted Strickland or Cincinnati City Councilman P.G. Sittenfeld, both Democrats, in that contest. But he’ll have a lot of ammunition. Portman reported he’s raised $2.75 million in the last 90 days for his campaign. Portman has steeled himself for a primary challenge from the right — he angered some conservatives with his pro-marriage equality stance after his son came out as gay — but so far, no challenger has materialized and Portman has netted big cash and big endorsements. Portman could face a big challenge from Strickland, who is Ohio’s former governor and who has been endorsed by former President Bill Clinton. All this alignment of cash and big-name endorsements shows how crucial Ohio will be to the 2016 election, when the presidency and control of the Senate will both be on the line.
That’s it for me. Tweet at me, comment or email me with your news tips.
I'm swirling a 24 oz. PBR tall-boy around 2 a.m. at a bar fashioned from an old church in a neighborhood I can't quite figure out. Is it up-and-coming like our own Over-the-Rhine? Or are we "on the wrong side of the tracks"? I don't really care at this point. I've already gotten drunk once today and spent 12 hours in the burning southern sun. I just want a bed.
There are 20-somethings in rompers, board shorts and woven sandals hunting for a festival after-party lined up around the block waiting for over an hour to sit on picnic benches and drink crummy beers together at a 300% markup over buying them at a gas station. We are only inside because someone among some newly found friends has sweet-talked the back door guy. Point is, I'm bored and ready for bed. I engage a fellow Cincinnatian at this bar after awkwardly sitting in silence for the past 30 minutes. Someone points to an open garage door leading to an abandoned courtyard where a bonfire is burning and shadowy figures have been shuffling in and out of all night. Oh man … I've been to these parties back home. They often end in way more cocaine than I'm comfortable being around or racially tense fights. But it’s the path I have to take to find out where I can sleep, so I throw my hood up to go as unnoticed as possible and dive in.
"If you high as fuck and you having a good time say yeah!"
"If you drunk as fuck and you having a good time say yeah!”
A track starts playing a familiar synth line. Everyone in the rundown rock yard throws their hands up in unison and screams, "I DONT FUCK WIT' YOU!!" Big Sean's breakup anthem blares over the PA. Yes! I'm so down with this. The fact that I'm in dirty soccer shorts and an Against Me! hoodie doesn't matter. The fact that I'm not from here doesn't matter. My age doesn't matter. My race doesn't matter. We all dance and sing along together until the cops show up. Forget the kids waiting in line to drink bad beer on park benches hoping to get laid; this is the most live party I've been to in a long while and nothing like it has ever happened back home.
But this isn't home, it's Atlanta. And it's the best part of Shaky Knees festival. I had headed to the unofficial capital of the South two days earlier with wildly different expectations. I was nervous, expecting an endlessly expansive metropolis like Chicago or New York where you could get lost for days just searching for a legal parking spot and shouldn’t expect to find a place to rest your head for less than $100 per night.
Instead I was greeted by a uniquely diverse, affordable and welcoming city that didn’t feel much more overbearing than Nashville or our own city. A welcoming attitude of southern charm and hospitality was the cherry on top of every restaurant and bar we’d visit.
Before I go on I feel it should be pointed out that while fully qualified to review a music festival, I fall into a not so primary target demo for festival promoters. Yes I’m white and middle class, but, more importantly, I’m 29. Not young enough to save up my graduation money and go on a road trip with my gal pals for the “party of the summer.” Not late enough in my 30s, with kids of my own old enough to either stay home alone or come with as I check out whatever ’80s Alt band has dusted themselves off to play in the twilight hours of each day in the name of collecting a paycheck. Most of my demographic is too busy being spit up on at all hours of the night by their newborns to afford spending three days drinking in the sun and being blasted by unhealthy decibel levels. But, alas, here I am.
That all being said, my only real complaint with Shaky Knees was its lack of diversity. It is in the Hip Hop capital of the south (several jokes were made asking locals if Outkast are the “presidents of Atlanta”), but it failed to feature a single Hip Hop or R&B act. There was a small representation of Delta music with Preservation Hall Jazz Band and Trombone Shorty dotting the schedule early Sunday afternoon (which I unfortunately missed as my attendance was unplanned and last minute, so I had to spend Sunday driving home for work). Every band I saw was just white guys with guitars. Not that there’s anything wrong with some of that, but I didn’t see a single other act that had more than one token female or person of color (the exception being Tennis, which had one extra woman on keys tucked in the back of the stage).
Atlanta’s location provides for an amazing opportunity to unite a wide array of music lovers from all over the country. I met travelers from places as far as New York, Miami, Fla., and Nashville, Tenn. It has a stronger African-American middle class than most of the Midwest, as I experienced amongst its nightlife and food scene, and yet the culture of the festival was still focused primarily on a white, suburban, Indie Rock or Folk crowd, which is a shame. Some minor lineup tweaks could make all the difference for an otherwise amazing festival.
Enough of that. We’re here to talk about performances, so let’s party …
Jukebox the Ghost While assessing the lay of the land we settled into our first full set with the Piano Rock trio. My friend, who knows my taste well enough to know I’d instantly want to judge them, insisted I give it a chance. It took a minute, but with interlude banter like, "This is a party song about breaking up," or "This is the dumbest song ever written," these guys are just having too much fun to not want to join in. I mean, come on — they closed with a cover of Queen’s "Don’t Stop Me Now" (yeah, they really had the balls to do that!) knowing full well their younger fan base would be totally lost and they didn’t give a single fuck. Kudos guys. You will do just fine in this world so long as your hairlines stay in tact.
Tennis I was merely nodding appreciatively through most of their set. Then lead singer Alaina Moore, whose neckline plunged all the way to the top of her high-waisted jeans with nothing but some hard working gravity protecting her from indecent exposure charges, introduced the song “Marathon.” One of the band’s older songs, it’s a solid straight up Doo Wop tune. (Now we’re talkin’!) I was pulled in for just a moment. But then all I could do is re-Imagine them as the opening band in the dance in Back to the Future with this same look and style. Marty never even gets the chance to rip through “Johnny B Goode.” The scene would already be too wild for Hill Valley circa 1955 to handle. There are riots in the streets! Marty disappears from the family photo and his existence fades into obscurity. Fin.
Wavves “Finally ‘the youths’ are partying!” I spent a good chunk of this set under the bright sun on searing black top thinking, “There’s gonna be some seriously dehydrated kids in sweaty ironic tees later.” Wavves’ first record was the only thing that swayed me to let my guard down and learn to accept the lo-fi revolution. Plus, “King of the Beach” is a total jam. But something just isn’t right about the energy of this young crowd. It’s like the Warped Tour of my youth for a new generation that doesn't have a George Bush to rally against and vent their angst toward. There’s a wave of aggressive indulgence in the pile of sweaty bodies that’s directed at nothing in particular and I’m too old or out of touch to understand it. Mostly I was thinking Hedonismbot from Futurama would fit right in crowd surfing over this pit. “Oh my!” Wavves new song was on point, though, perhaps suggesting a move away from the low-fi fuzz that covered up the simplicity of their previous work to something a little more richly melodic.
Manchester Orchestra I had to give this band a chance as my roommate texted me from back home insisting I check it out. I trust her. So I go. And, yeah, it’s heavy and I like that, but I’m not sure I get it yet. There are these glimmers of sing-along anthem glory, but in my 30-45 minute blind taste test of them I didn’t get enough of that flavor to crave seconds. Maybe some more research before they visit us for Bunbury next month will bring me around.
The Mountain Goats “AND HARD TIMES ARE WHEN A MAN HAS WORKED AT A JOB 30 YEARS AND THEY KICK HIM IN THE BUTT AND SAY: HEY, A COMPUTER HAS TOOK YOUR PLACE, DADDY. THAT’S HARD TIMES!” This is part of the epic, booming three-minute intro that sets the stage for The Mountain Goats’ show, a voiceover shouting a challenge to the Macho Man Randy Savage daring him to a fight in the ring across an empty stage. It gets you properly amped for what’s to follow. You can feel John Darnielle and his gang carry that energy right onto the stage with them as it ends and the crowd erupts. Don’t make the mistake of lumping these guys in with the dusters “just out for a paycheck” I mentioned earlier based on their age. You will rarely see someone look so happy to sing songs he wrote 20 years ago with as much conviction as Darnielle. His stage presence oozes “I’m a professional, but I’m having a blast!” And the crowd responds, “Alright John. Then I am too!” That presence is so strong he still wins over crowds with brand new songs despite already having a discography over 15 full-lengths deep. What's that streaming down my face as they close out with “No Children,” the hauntingly triumphant ode to the end of the ugliest relationship you’ve ever heard? It’s … it’s just a really heavy bead of sweat! It's hot out here damn it! Leave me alone!
Mastodon At this point in the day I just can’t take standing up anymore. Another minor issue with Shaky Knees overall was the food options. The ratio of local food trucks to festivalgoers yielded unbearably long lines for anyone hoping to catch some of the later acts of the day. Beer however was in ample supply, so I grabbed one to sip on while catching the most Metal moment of the weekend from a hill a hundred or so yards out from the main stage. Metalheads I trust recommend Mastodon and, yeah, they were fine with me too. Only problem is they fell just short of what I’m looking for in their songwriting, a craft often overlooked by Metal bands in my opinion. And so I spent most of their set wishing I was watching Ghost instead and checking my phone for any news of their next release. We should expect that in August.
Pixies Kim Deal purists be damned. Her current replacement did just fine and sounded spot-on like the records to me. While expecting those aging rockers coming out to collect a paycheck I’ve been talking about, there was still a dash of magic left. Or maybe it’s just that little flutter I get when a song starts up that I’ve been listening to for 15 or so years, like “Here Comes Your Man,” with no expectation of ever hearing live because, to be honest, it was a little loose at times. Okay. Really loose. Like, Frank Black stopped in the middle of a song and said, “That was my fault. I went to the chorus too soon,” and went on to the next one loose. Makes you feel a little bummed for folks who shelled out full price for a pass just because they’re so stoked to see their favorite band. So yeah, maybe my nostalgia high is wearing off now that I’m reflecting back and realizing Kim’s replacement was honestly the most engaging part of the set.
The Strokes Lead singer Julian Casablancas isn’t exactly the king of charisma. Hell, he’s not even the dunce in the corner of Charisma 101, which makes it really hard to accept this band as a headliner. His attempts at on-stage banter made for some of the most uncomfortable moments of the weekend. Tie that in with his cracking voice straining to push out the words “How long must I wait” before it just gave out during the first song of their encore, “Vision of Division.” Their set became downright unbearable at times. Unfortunately, on top of this, “Reptilia” is the only song I really care for and they opened with it. So I was over it quick. The crowd didn’t seem to care though. They all still went nuts when the song that sounds exactly like “Last Night” but isn’t it came on halfway through their set.
And so, in my constant battle of jaded cynicism vs. the fact that I do genuinely love live music, I’d say day one ended in a draw. On to round two!
Kevin Devine We raced back to the festival grounds to catch this set, but I wasn’t quite awake enough yet and needed to finish my coconut water to get things going. But Kevin didn’t care. His high energy set was better than anticipated and got me back in the game. He’s got the Indie/Emo “slow burn, build and release” pattern down and I’m totally ready to go up and down for the ride. Definitely keep an ear out for him.
Mariachi El Bronx Exactly what it sounds like. It’s Los Angeles hardcore band The Bronx … playing mariachi. I honestly resisted them for years as my friends raved and I assumed it was just another silly novelty crossover band. But they’re such great players that they managed to transcend the novelty and throw one hell of a party. Unfortunately, The Bronx gang seemed to draw the short end of the stick for the entire festival as this set was early on the main stage where the bass in the mix was for a much larger headlining crowd and it ruined the whole balance of the band. I had to leave halfway through as my body couldn’t handle the blasting waves of low end. But their bass player sure sounded great!
Speedy Ortiz “I think Squidbillies is here right?” lead singer Sadie Dupuis says between songs with minimal irony or facetiousness in her voice. And it’s this feeling of off beat intimacy the band tries to interject into the mid-afternoon, sun-drenched crowd that draws me in. It helps me understand why others are drawn to them, while my aging ears struggle to get hip to it. Dupuis voice and melodies, along with everyone else’s performances, are great, their style of off-the-beaten-path harmonic and chord structure however have never really set in for me. It kind of killed off my mariachi buzz and I stepped out halfway through to plan the rest of my day in some shade.
Viet Cong I went into this thinking the tough as nails name meant I was about to see a bratty and loud Punk band, which I was kind of stoked about. But the droning bass and synth is all good too! Makes me want to get in the world’s angriest space shuttle and fly to the moon. As they droned the last two chords of their final song back and forth for nearly three minutes I found myself wanting to shout, “Just take off damn it!” These guys would be equally good for when you're drunk alone at 4 a.m. again and your Joy Division records are just too far out of reach, plus you need a little extra edge to encourage you to break a few things!
Metz If you wish The Hives were still a hard touring band, these guys will get you half way there. Plus they’re a lil’ heavier to boot. That being said, the riffs could be a little catchier for my taste, but they still deliver enough to keep me hanging on and start snooping around for their records next time I’m out. Plus, you’ve got to love a band that you know is making somebody in Canada say, "You know that quiet guy in accounting? Yeah he TOTALLY shreds on the weekends!" Probably also worth mentioning here that these guys will be tearing up the Woodward Theater with Viet Cong on July 21st and it’s definitely going to be worth being there.
FIDLAR Plain and simple: This is why I love Punk. Just look at the dumb, unbridled joy on the faces of this sea of kids bouncing up and down in unison. There’s a certain “it” factor that the best live acts have regardless of technical difficulty or skill required to accurately perform their songs which I’ve never been able to put my finger. (FIDLAR said it best during their own set: “That’s right guys, all you need is three chords!”) This band definitely has it. The fact that I’m getting too old and responsible to honestly relate to their lyrics doesn’t matter. I think cocaine is childish and immature and I think drinking cheap beer is a waste of calories … but goddamn. I just can’t help but scream along in unison with these kids and share their same dumb, shit-eating grin. They are rescheduling their recently cancelled show at Thompson House. Keep an eye out for the new date and be prepared to lose your goddamn mind.
The Bronx And this is why I love hardcore! This is one of the tightest performances I saw up to this point despite unfortunately having the smallest crowd. No frills, just solid playing and tight execution. I had tried getting into them on record a few years back and something didn't click. Now it does. Time to go back and start working on picking up some change on the dance floor again.
Neutral Milk Hotel Yep. There's still too much ex-girlfriend attachment to this band for me to really enjoy it. Plus, they played at the time of day where no matter how close you want to get, you bottleneck at a point in the crowd that’s too far away to really feel a part of the set. “Maybe I should see if the Bronx is still playing? Why did I leave!? If one more person near me gushes over how cool using a saw as instrument is heads might roll …” Also the flock of blond college-age girls flocking out of the crowd after “In the Aeroplane Over the Sea” was played early in the set was amazing. Am I being too cynical? Whatever. Jeff Mangum’s voice is still on point after all these years. Still worth it.
Wilco At this point that bottleneck was just too far away to really get into what was happening on stage, which bummed me out because I had to miss Wilco’s show in Cincy a few days earlier. The drunk people next to me were almost as loud as the reverberations distantly ringing on the stage. But hey — they’re still cranking out the hits and they're still Wilco, so you gotta love it. But I was a little too buzzed and nervous about not getting a good spot and running into this same situation for the Avetts, so I dipped out a little early.
The Avett Brothers “Effortless.” People challenge me all the time to explain why I believe these guys are objectively one of the best live musical acts in music right now and this is the only word I can ever seem to muster. The level of focus, mastery and attention to detail that goes into the performance this crew puts on night after night should be obvious to anyone who’s so much as taken a single guitar or voice lesson. The love, passion, joy, and energy they infuse into every song, whether it’s a sing-along anthem like “Kick Drum Heart” or a soft ballad like “The Ballad of Love and Hate,” makes the whole act seem more effortless every time I see them. Whether it’s Seth’s improvisational riffing on their already perfect vocal lines or Scott’s conviction and sincerity when telling the crowd he needs their help singing along with something, I truly believe they would win over any true music fan who is willing to let go and be taken by the power of one of their sets. No other band refracts as much love for what they’re doing on stage back to an audience quite like the Avetts. Their headlining set at Bunbury will be their first performance in Cincinnati since 2008. Do not miss it.
Whoa. What a ride. The fact that I’m having trouble wrapping this up despite the fact that I missed a whole day of the festival is a testament to just how much Shaky Knees has to offer music lovers. I’m having trouble keeping the two-day experience I had from unraveling into a full novella and am now forcing myself to shut up. Despite its limitations, there is still enough diversity to keep most fans of semi-independent Rock or Alternative on their toes. (No. It was not hard to resist a “shaky knees” pun here.) But when you attend next year, don’t let your time adjusting to the southern sun tap all of your energy for experiencing the city’s culture and nightlife. As much as I love Cincinnati, I think we have much to learn from this gem down South and I look forward to returning soon.
— Josh Elstro
Via The Enquirer:
"This is a place that has been through difficult times," Lynch said, referring to the city's riots 14 years ago, which led to a lawsuit and accusations of racial profiling by police. "Cincinnati exemplifies the fact that a city is a living thing — and it is comprised of all residents of a community."
• Cincinnati has long underfunded human services, at least according to its own goal of using 1.5 percent of the city budget for things like programs to end homelessness, provide job training and offer support for victims of crime. It doesn’t look like the city will get back to that rate any time soon, and City Councilman Chris Seelbach yesterday questioned why City Manager Harry Black’s budget doesn’t include $3 million council unanimously agreed in November to use to reduce homelessness and help boost gainful employment.
Here’s some context via the Business Courier:
It has been longstanding city council practice to direct the city manager what to put in the budget by a motion backed by a majority of council members, so Black's statement appears to permanently alter a standing way of doing business at City Hall. It also increases the tension between Black, Cranley and City Council, particularly majority Democrats, over their governing relationship.
With funding allocated for a mayoral priority but not one supported by all council members, Seelbach said it raised concerns over Black’s independence and whether he reports to Cranley or Cranley and all nine council members.
“It strikes me as very strange,” Seelbach said. “It seems like a symptom of that.”
“So noted,” Black said.
• City pools are set to open this week, but six out of the city’s 25 might not open on time because they’re facing a shortage of 65 lifeguards. The Enquirer today noted why the pools are important to low-income children, many of whom receive free lunch and take advantage of having something to do other than the bad stuff kids get into when they’re bored (my words).
• Social justice activists planned to call on Major League Baseball this morning to speak out on racial injustice, specifically police brutality and what the group calls “blatant disrespect of African Americans in Ohio’s justice system.” The press conference scheduled for 11 a.m. today will include Bishop Bobby Hilton of Word of Deliverance, Pastor Damon Lynch III of New Prospect Baptist Church, Pastor Chris Beard of Peoples Church and Rev. Alan Dicken of Carthage Christian Church.
• WCPO Digital’s series on marijuana continued today looks at what Ohio can expect business-wise if and when the state legalizes pot. WCPO sent two reporters who probably can’t pass a drug test anymore to Colorado to report on the industry and a family who moved there from the Cincinnati area so their daughter who suffers from seizures would have access to medical marijuana.
• The Reds say the stadium smoke stack that caught on fire
last weekend will be fully operable by the time the team returns from its
current road trip. Firefighters climbed two ladders to put out the fire in one
of the “PNC Power Stacks” during a game against the San Francisco Giants last
weekend. A few sections of fans were evacuated but the game was never delayed. The Reds got whooped all weekend so the fire was actually a pleasant distraction and ended up on Sportscenter and stuff.
• Apparently there are lines out the door at a new chicken finger restaurant in West Chester called Raising Cane’s and its owners are going to open more stores, potentially one downtown.
• The Federal Trade Commission filed a lawsuit yesterday against a collection of cancer charities it says misused millions of dollars in donations. Sounds like someone’s going to be in serious trouble for it. Worth a read from the Los Angeles Times to hear about the various members of the James Reynolds Sr. allegedly involved.
In reality, officials say, millions of dollars raised by four “sham charities” lined the pockets of the groups’ founders and their family members, paying for cars, luxury cruises, and all-expense paid trips to Disney World for charity board members.
The 148-page fraud lawsuit accuses the charities of ripping off donors nationwide to the tune of $187 million from 2008 to 2012 in a scheme one federal official called “egregious” and “appalling.”
• Twenty-one-thousand gallons of oil is now sitting in the ocean instead of being burned into the air by automobiles. The U.S. Coast Guard says it has formed a four-mile slick along the central California coastline.
• In good California news, Los Angeles City Council approved raising the city’s minimum wage to a nation-high $15 an hour by 2020.
• Documents recovered during the raid that killed Osama bin Laden? Sure.
• Five global banks to pay $5 billion fine and plead guilty to criminal charges after an investigation into whether traders at the banks “colluded to move foreign currency rates in directions to benefit their own positions.” OK.
• Scientists say a snake ancestor had little toes even though it slithered.
If you debating which show you might go see this weekend, my strong recommendation is Ensemble Theatre's Outside Mullingar (ETC, 5/6-24). It's a great script by John Patrick Shanley (who wrote the award-winning play Doubt and the award-winning screenplay Moonstruck). It's set in Ireland, so the characters are overflowing with dry wit. And the actors playing them are a quartet of the performers who Cincinnati audiences love: Joneal Joplin (Scrooge for many years at the Playhouse) is a crusty old man who might not pass the family farm on to his more sensitive son, played by Cincinnati Shakespeare's artistic director Brian Phillips. Dale Hodges, a respected local stage veteran, plays Aiofe, the owner of an adjacent farm; Jenn Joplin (Joneal's daughter) is Aoife's grumpy, opinionated daughter. This is a tale of parents and children, but there's a lovely, stumbling love story at the heart of the play, and it's that's emotionally satisfying. The production was staged by Ed Stern, now retired as the Cincinnati Playhouse's artistic director. It's onstage through May 24. Tickets: 513-421-3555.
Brian Phillips did double-duty recently rehearsing to perform inOutside Mullingar while staging Henry V at Cincy Shakes. As the title suggests, this is one of the Bard's history plays, and it's a chest-thumping one about warfare and England's claim to power. The company is midway through a multi-year project to stage all of Shakespeare's tales of the kings of England in chronological order. That might sound a tad stodgy, but this one is full of fighting and bluster, and there's a thread of comic relief, too. Let's call it the Shakespearean equivalent of an action movie. It's onstage throughMay 30. Tickets: 513-381-2273.
You'll find two plays worth seeing at the Cincinnati Playhouse this weekend. One just opened last night (I haven't seen it yet): It's Annie Baker's award-winner, Circle Mirror Transformation, about some folks taking an acting class at a community center. Their lessons about performing expand to be come life lessons. It's a warm, thoughtful play in the Shelterhouse. On the Marx mainstage, you'll find the very funny Vanya and Sonia and Masha and Spike, inspired by Chekhov but from the zany perspective of Christopher Durang, you don't need any theater history to be laughing out loud as three adult siblings from a dysfunctional family try to keep their balance. Tickets: 513-421-3888.
If you're eagerly awaiting the start of the Cincinnati Fringe (it kicks off on May 26), you should stop by Know Theatre for the American premiere of the Bane Trilogy with performances this weekend and next. It's three monologues about a guy who shoots first and doesn't ask questions in a one-musician film noir comic trilogy. You can experience them sequentially or out of order. Performer Joe Bone is the Guinness world record holder for the most characters portrayed by one actor in a performance; he's accompanied musically by Ben Roe. This show has a heavy-duty buzz: People were telling me about it weeks ago, so I'm sharing the news with you — although I haven't fit it into my schedule yet. It's running for two more weeks. Tickets: 513-300-5669.
Rick Pender’s STAGE DOOR blog appears here every Friday. Find more theater reviews and feature stories here.
Each week CityBeat staffers share their weekend plans: from dinner and drinks or special events to out-of-town concerts and stories we're working on. And some of us just watch TV.
Mike Breen: I’m planning on going to see Pixies at Horseshoe Casino Saturday night. I was actually fortunate enough to see them “back in the day,” before their breakup in the early ’90s. It was 1989, so their classic Doolittle album had been recently released, and they were touring with Love and Rockets, who had just had their first real “hit” with the song “So Alive.” The bands played at Riverfront Coliseum (now U.S. Bank Arena) when the arena was doing concerts in what they called a “theatre” setting (basically putting the stage in the middle of the venue facing one side, selling tickets only for half the arena, so it was slightly more “intimate” than the bigger shows there). My memories of the show are foggy, but I remember being a big fan of both bands at the time and being satisfied with the concert overall. My most vivid memory is of Kim Deal — when she sang, her mouth formed what looked like a big Cheshire Cat grin that beamed all the way up to our nose-bleed seats. (And I think Love and Rockets’ Daniel Ash came out in drag for their “So Alive” encore.)
I also saw Pixies towards the beginning of their lengthy reunion run, in 2005 at Lollapalooza in Chicago, and it was a great set. It was cool to see them reap some of the rewards of their vast influence on the music that led to the creation of Lollapalooza in the first place. And it was amazing to see the over-the-top response from the wide-age-ranging audience.
The Pixies seemed to be solely doing these reunion tours for the money for a few years too long — they’d been a reunion band longer than they were an actual band, before they finally started making new music again (which is actually pretty good). This will be my first time seeing them without Deal, which will be odd. Add the fact that this is a casino concert (which doesn’t have the stigma it once did, especially at Horseshoe, but still …) and I’m mostly just really curious to see how it all goes down. It should be appropriately surreal.
Nick Swartsell: I'm heading to Chicago to catch a few friends' art show Friday and then, on Saturday, to watch Dan Deacon at Thalia Hall. The venue is super-rad. It's a 122-year-old hall in the Pilsen neighborhood modeled after the Prague Opera House. The building contains a punch house, a crazy-ornate performance space, a restaurant and a lot of history. Interesting fact: In the early 20th century, Pilsen had more people from Bohemia than anywhere else besides Prague. In 1915, a group of Bohemian activists drafted documents in Thalia Hall that would prove to be the beginnings of an independent Czechoslovakian state. Crazy stuff. I'll just be dancing my face off to the weirdness that is Dan Deacon, though, not helping helping to create any nations or anything.
Jesse Fox: This weekend is one I've been looking forward to for awhile. On Saturday my band [The Slippery Lips] is playing a show with a band I really like from LA called FIDLAR. I have friends coming down from Chicago and up from Florida to see it, which makes it even more exciting/flattering. Anticipating we will have a pretty fun-filled and wild Saturday, I haven't made any plans for Sunday yet … except perhaps continuing my binge watching of Community now that I have a Hulu Plus account and will likely be useless to the world otherwise.
Editorial Intern Sarah Urmston: My weekend begins getting dragged by my buddy Andrew to see Pitch Perfect 2 at Newport on the Levee, where luckily they serve alcoholic beverages to get me through it. I will also be checking out a house to lease for the upcoming year, saying bye-bye to good old Clifton Heights. Woo-hoo! I am especially anxious to spend Saturday afternoon in OTR, where they will be kicking off the 2015 City Flea in Washington Park. I can't wait to spend money I don't have on vintage/handmade items sold by local vendors and check out the grand opening of style boutique Idlewild Woman! Sunday I'll check out Crossroad's weekly message at Bogarts in Clifton. Church in a bar? Coolest way to end a weekend.Zack Hatfield: I’m heading over to City Flea on Saturday after inhaling brunch at a to-be-determined OTR restaurant I probably can’t afford (a weekend ritual). The flea always has interesting wares — Fern frequently has a snazzy selection of succulents and cacti worth browsing — so good that my apartment has of late turned into a sort of mini-terrarium/cactus shrine. At the risk of sounding nostalgic, I’ll probably check out the Butterflies of the Philippines at Krohn Conservatory on Sunday — I haven’t seen that since I was a kid, and there’s something badass about being surrounded by thousands of butterflies that span the colors of the rainbow. I guess my inner lepidopterist just can’t resist.
Cincinnati City Councilman and U.S. Senate Candidate P.G. Sittenfeld has come out in support of a ballot initiative that would legalize marijuana in Ohio.
The proposed amendment to the Ohio constitution by ResponsibleOhio would allow anyone in the state over 21 to buy marijuana but would restrict commercial growth to 10 sites around the state owned by the group's investors.
[See also: "Going for the Green," CityBeat Feb. 4 2015]
Sittenfeld told reporters in Columbus today that Ohio's marijuana laws are "broken" and that he favors legalization and regulation of the drug. Sittenfeld cited the disproportionate number of people of color jailed over marijuana violations in the U.S. and the dangerous black market for the drug as reasons he supports legalization.
"We have a binary choice between do we want to take this opportunity to move forward from the broken laws of the past, and I would vote yes on this opportunity," Sittenfeld said.
Sittenfeld is the first city councilman to come out in support for the ballot initiative, which needs to collect more than 300,000 signatures by July in order to make it onto the November ballot. The group says it is well on its way to that goal. But some controversy has erupted, both from conservative lawmakers and other legalization groups. Conservatives like Gov. John Kasich and Ohio Attorney General Mike DeWine say that legalization will increase drug usage and crime. Other legalization advocates, on the other hand, decry ResponsibleOhio's proposal as a state-sanctioned monopoly on marijuana.
The group's initial proposal did not allow private growers to cultivate marijuana, but after an outcry from legalization supporters, the group amended its proposal to allow for small amounts of the crop to be grown for personal use.
The group's proposal has garnered an interesting mix of supporters and investors, from basketball Hall of Famer Oscar Robertson, who has pitched in money for the effort, to conservative-leaning business leaders and officials. Hamilton County Prosecutor Joe Deters recently said he supports at least looking into legalization of marijuana, calling Ohio's drug laws "archaic." Deters stopped short of endorsing ResponsibleOhio's plan. He is heading up a task force studying the implications of legalizing the drug here.
Recreational marijuana use is legal in four states, and 19 others allow medicinal use.
Sittenfeld made the comments as he is campaigning for big promotion. The 30-year-old city councilman is currently locked in a tough Democratic primary race against former Ohio Governor Ted Strickland for the chance to run against GOP incumbent Sen. Rob Portman in 2016.
The two went back and forth between talking about how they each lost their virginity, how they met and when they got married and singing raunchy songs about stuff like 69ing and gang-banging Jesus. Nick played guitar and Megan played ukulele.
They also got the audience involved. A couple came onstage for a Newlyweds Game-style bit that was predictable but funny. After Nick and Megan shared a longtime argument with the crowd and we picked sides (Megan won!), she decided it was time to see what else was out there and picked a single guy from the audience to go on a date with her onstage. I have no idea who this dude was — Was he planted there? A rising local comic? Just a random guy with impeccable comedic timing? — but he was probably the most hilarious guest to be brought on stage in all of standup comedy. He played along with Megan’s advances and threw shade at Nick (sadly providing music on their date). He may have gone solo to the show but there is no doubt in my mind he found a ladyfriend that night.
All in all, it was a
gut-busting, nasty but also super sweet 90-minute show. THEY’RE SO IN LOVE!
Of note: Nick looked just as expected, dressed in a flannel shirt and jeans, but he was sans mustache (just some overall stubble) and had a cool, new undercut hairstyle going on (that one that every dude has now); I don’t know how I expected Megan to be dressed but I was surprised to see her in JNCO-style wide leg jeans and a casual T-shirt (reason No. 564 why she’s my hero); they ended the performance with a dance number to Carly Simon’s “Nobody Does it Better,” which ended with Nick apparently hurting himself, as evidenced by a facial expression of pain followed by limping offstage. Hope you’re OK, Nick!
Check out our interview with Nick Offerman here.
Ever notice the way Owen Wilson says, “Wo-oow” in movies? Here are all of those times.
A new American Idol was crowned last night and I don’t care who the winner was (it’s this guy) because it’s not Jess Lamb. But it is worth noting that next season of Idol — its 16th — will be the last. I wish it was because everyone realized that televised music competitions are complete bullshit (case in point: JESS LAMB), but it’s probably just because everyone likes The Voice better.
Also in the cancellation club: The Mindy Project, which is a goddamn crime. Mindy Kaling is a goddess and the show was really hitting a great stride (despite Adam Pally leaving — love that guy) and the last season ended with Mindy (the character) very pregnant and baby daddy Danny traveling to India to meet her parents. Thankfully, there’s chatter about the show moving to Hulu. Other shows hat bit the bust this year include Backstrom, CSI (after 15 years!), The Following, Marry Me, Mulaney, Revenge, Selfie and Weird Loners.
Feminist icon Supreme Court Justice Ruth Bader Ginsburg is getting a biopic and Natalie Portman will star as a young Notorious RBG.
Miley Cyrus’ brother Trace (known best for dating Disney person Brenda Song and being in Metro Station, the band responsible for this song that played on repeat in every Journeys across America in 2008) was supposedly denied entrance to an area bar over the weekend. Trace posted a video on Instagram claiming Brothers Bar & Grill at Newport on the Levee — in his home state — would not let him in due to his excessive tattoos. I don’t know what’s more hilariously pathetic: people complaining about businesses on social media; a celeb sibling partying in freaking Newport; said person being denied access to a bar in Newport; the fact that Brothers has any sort of limits on the types of people that can enter; or the last sentence of this story.
Hey all! I’m going to do a long news blog today. I won’t be doing the blog tomorrow or next week, as I need to burn up the vacation time I have before it expires and my boss says I’m not allowed to work while I’m not working. Tyranny, I say. Anyway, let's get all caught up before I jet.
The big news today is that the Cincinnati Enquirer is looking for a new top editor. Executive Editor Carolyn Washburn’s last day was yesterday, the Enquirer announced today. Washburn’s departure follows former publisher Margaret Buchanan, who left her post in March and was replaced by one-time Enquirer editor Rick Green. Washburn’s tenure saw the Enquirer shed a number of its long-time reporters and copy editors as part of parent company Gannett’s efforts to move toward the so-called “newsroom of the future.” That sounds like some cool, gee-wiz place where reporters fly around on hover boards and drive DeLoreans at 88 mph to break news two days before it happens, but don’t be fooled. It’s actually similar to a regular corporate newsroom, just with no copy editors and more typos. The Enquirer says Washburn will stay in town but has not revealed the circumstances behind her departure or what she’ll be doing next.
• Yesterday City Manager Harry Black unveiled his proposed $2.1 billion budget for 2016-2017. We’re still combing through that 769-page document, but we can give you the highlights. Disappointingly, there are very few pictures in the budget, though there are a lot of graphs. Facial hair growth for certain elected city officials, for example, is on the uptrend. Speaking of Mayor John Cranley, he's backed the budget, suggesting council pass it without amendment. Chances of that happening are on a sharp downtrend, however.
Human services will see $3.7 million in funding under the budget. Some of that will go toward Cranley’s Hand Up initiative and the city-county joint initiative Strategies to End Homelessness. Meanwhile, the $250,000 the city allocated in the last budget to Cradle Cincinnati to fight infant mortality disappears in this budget, and mega-charity funder United Way will get only about half of the $3 million council wanted.
Police and fire are prioritized in the spending plan, with increases that will bring 23 more officers and to Cincinnati’s streets. The budget also proposes big fixes for Cincinnati’s roads over the next five years and the city’s vehicle fleet over the next 12, spending $172 million on the paving alone over that time and another $35 million on vehicles. The plan is to get 85 percent of the city’s roads in good condition. Right now, about half are in poor shape. The city will take on nearly $91 million in debt in the process, though Black says the ratio of debt to cash used in this part of the capital budget is still prudent and that the investments will save the city millions over time.
This is just the first step in the long, sometimes grinding, budget process. We'll keep you up to date as council wrangles with the spending plan and also go in-depth ourselves.
• What else? Things are happening on the state’s voting rights front. We’ll be going in depth on that soon, but here’s some stuff to know: Hot on the heals of a settlement between Ohio and the NAACP on early voting last month, another lawsuit has been filed against the state alleging that its rules disadvantage voters who mostly skew Democrat, low-income and minority. That suit has been filed by Hillary Clinton's top campaign attorney. Meanwhile, there’s a bill in the General Assembly that would require voters to have a voter identification card. Ohioans who make above the federal poverty level (about $12,000 for a single person) would have to pay $8.50 under the proposed law for the card. Critics say that amounts to a poll tax and is unconstitutional. The fight is a big deal, as Ohio is a vital swing state in the 2016 presidential election.
Other politics tidbits:
• Republican Hamilton County Commissioner Chris Monzel wanted to fire County Administrator Christian Sigman over Sigman’s recent comments about The Banks, even drafting a press release announcing the administrator’s departure. Sigman’s job was spared at the last minute, however; Republican Commissioner Greg Hartmann didn’t want to see Sigman dismissed, and Democrat Todd Portune began crafting a compromise. Sigman was taken off economic development duties instead of losing his job, according to the commissioners.
• Real quick, but noteworthy: U.S. Sen. Rand Paul, a GOP presidential hopeful, is polling neck and neck with Democratic prez frontrunner Hillary Clinton in Kentucky, at least according to one new poll.
• Meanwhile, Ohio Gov. John Kasich is down one endorsement for his presidential bid: Ohio Treasurer and fellow Republican Josh Mandel has announced he’s endorsing U.S. Sen. Marco Rubio of Florida. Awkward.
• On the national stage, U.S. Sherrod Brown of Ohio is fighting with the White House over comments President Barack Obama made about U.S. Senator Elizabeth Warren. Warren has been criticizing Obama on what she says is a NAFTA-esque foreign trade deal. She alleges that the Trans Pacific Partnership deal will cost Americans jobs and shouldn’t give so-called “fast track” status to trade deals with other countries. The White House slammed Warren on that assertion, and Brown says their comments about her were disrespectful. Brown has also been fighting the trade legislation package, lobbying other Democrats in the Senate to block it from passage without amendments he says are designed to protect American workers. That’s led to some tension between the White House and Brown. The White House has asked the senator to apologize for his remarks about Obama’s remarks about Warren. Uh, got that? It’s starting to get to GOP levels of in-fighting over there.
That's it for me. See you in a week or so. Tweet at me or email me while I'm gone. Fair warning: I won't check the email but I might see the tweet.