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by Rick Pender 08.28.2015 15 hours ago
Posted In: Theater at 07:00 AM | Permalink | Comments (0)
 
 
shakespeare in the park crowd - photo provided by cincinnati shakespeare company

Stage Door

Park your theatergoing outdoors

At this point in the summer you have to look a little harder for theater productions. Most of our local companies are rehearsing for shows to open their 2015-2016 seasons. But that doesn’t mean there’s nothing to see, especially if you’d like to enjoy theater in the great outdoors.

Queen City Flash’s performances of The Complete Tom, from Mark Twain’s tales about Tom Sawyer, are both outside-the-box and — literally — outside, popping up in different area parks for each evening their final romp with Tom Sawyers, Detective, is being presented. In this installment (the fourth of four), Tom and Huck Finn set out to clear a friend implicated in a murder. To catch one of these free performances, you need to reserve a ticket at queencityflash.com. At 4 p.m. on the day of the show, you’ll receive an email with details of the “secret” outdoor location. The production, creatively staged by Bridget Leak, features six actors who play multiple roles using puppets and quick costume changes.

Another outdoor adventure is in store for you if you track down a FREE Shakespeare in the Park performance of a modern-dress staging of Romeo and Juliet this weekend. You’ll find one at Seasongood Pavilion in Eden Park on Friday, another at the McDonald Commons Park Shelter in Madeira on Saturday and a third at Keehner Park in West Chester on Sunday; all performances are at 7 p.m. This series is produced by Cincinnati Shakespeare Company, and it will be toured (as will a production of A Midsummer Night’s Dream) to local schools, community centers and other venues through May 2016.

If you prefer to sit in a theater, head to Covington where The Carnegie has a head start on the theater season with its mid-August production: Stephen Sondheim and George Furth’s innovative Company, onstage through Sunday. Even though the show has been around for 45 years, its outside-the-box approach — no beginning-middle-end story, in particular, but rather a central character, Robert, who’s turning 35 but remains disconnected, despite his married friends pushing help toward relationships — seems timely. Although the Carnegie’s actors are a tad young and don’t really feel like the New Yorkers who Furth’s script portrayed, they do a good job with the songs, and Zachary Huffman does a fine job with the central role. Here’s my CityBeat review. It’s onstage through Sunday. Tickets: 859-957-1940

Rick Pender’s STAGE DOOR blog appears here every Friday. Find more theater reviews and feature stories here.

 
 
by Steven Rosen 08.25.2015 3 days ago
Posted In: Film at 01:17 PM | Permalink | Comments (0)
 
 
photo feb 05, 11 46 20 am (1)

Third Cincinnati-Related Film to Screen at New York Film Festival

The Greater Cincinnati & Northern Kentucky Film Commission — or an enterprising arts-tourism travel agent — might want to look at organizing a charter from here to attend the New York Film Festival from Sept. 25 to Oct. 11.

Previously announced at the fest were two dramatic films shot in Cincinnati — Todd Haynes’ Carol with Cate Blanchett and Rooney Mara, and the closing-night world premiere of Don Cheadle’s Miles Ahead, a biopic about Miles Davis.

But another film with strong Cincinnati connections — Troublemakers: The Story of Land Art — has been named one of 12 documentaries to be showcased at the festival. Its screening dates are Oct. 1 and 4.

Its director, James Crump, was photography curator and chief curator at Cincinnati Art Museum from 2008 until resigning in 2013. And its executive producer is Ronnie Sassoon, the Cincinnati-born widow of hairstylist Vidal Sassoon. Crump in 2007 had directed Black, White + Gray, a documentary about the relationships between Robert Mapplethorpe, Sam Wagstaff and Patti Smith.

Among the 11 other documentaries in the fest are Field of Vision: New Episodic Nonfiction by Laura Poitras, whose Citzenfour won an Academy Award this year, and In Jackson Heights, the latest from Frederick Wiseman.

Who knows? There might be others with strong local connections, too.

Here are the Film Festival’s program notes for Troublemakers.

“The titular troublemakers are the New York–based Land (aka Earth) artists of the 1960s and 70s, who walked away from the reproducible and the commodifiable, migrated to the American Southwest, worked with earth and light and seemingly limitless space, and rethought the question of scale and the relationships between artist, landscape, and viewer. Director James Crump (Black White + Gray) has meticulously constructed Troublemakers from interviews (with Germano Celant, Virginia Dwan, and others), photos and footage of Walter De Maria, Michael Heizer, Robert Smithson, Nancy Holt, and Charles Ross at work on their astonishing creations: Heizer’s Double Negative, a 1,500-feet long “line” cut between two canyons on Mormon Mesa in Nevada; Holt’s concrete Sun Tunnels, through each of which the sun appears differently according to the season; De Maria’s The Lightning Field in New Mexico; and Smithson’s Spiral Jetty, built on the Great Salt Lake in Utah. A beautiful tribute to a great moment in art.”

 
 
by Rick Pender 08.21.2015 7 days ago
Posted In: Theater at 10:32 AM | Permalink | Comments (0)
 
 
stage door 8-14 hundred days @ know theatre - id from left - lindsey mercer - abigail bengson -brian koch - shaun bengson -colette alexander - photo by daniel r. winters

Stage Door

A few end-of-summer theater choices

Theater slows down this time of year as most local companies are readying to launch their 2015-2016 seasons in September. You’ll find two newish productions on local stages — Company at The Carnegie in Covington and 9 to 5 at the Incline in East Price Hill. Stephen Sondheim’s Company is a solid production with a nice turn by Zachary Huffman in the central role of Robert. There are lots of well-performed tunes by a young cast and some able musicians. Here’s my review. I’m not so enthusiastic about the third show of the Incline’s inaugural season: 9 to 5 is a weak offering after the successes of The Producers and 1776. That’s largely due to a script that’s pretty stale and silly, as I mentioned in my review. It’s based on a 1980 movie about a chauvinistic boss and three women who give him his comeuppance. Dolly Parton played a feisty secretary in the movie and had a hit with its title song. When the movie became a 2009 stage musical, she wrote the songs. They don’t add much. Cincinnati Landmark must have pulled out all the stops for the first two shows this summer; this one looks like they cut some corners. These two productions continue through Aug. 30.

This is the final weekend for Hundred Days at Know Theatre. This Rock opera has been an unqualified hit for the 18-year-old Over-the-Rhine venue. I gave it a Critic’s Pick and I’ve talked with several friends who have gone back to see it a second time. Abigail and Shaun Bengson sing their way through a tragic love affair — a marriage cut short by a terminal disease — that ends up feeling pretty joyous since they choose to celebrate their “100 days” as if it was the 60-year marriage they had hoped for. Great concept, great execution. Get a ticket if you can: 513-300-5669

Rick Pender’s STAGE DOOR blog appears here every Friday. Find more theater reviews and feature stories here.

 
 
by Rick Pender 08.14.2015 14 days ago
Posted In: Theater at 12:33 PM | Permalink | Comments (0)
 
 
stage door 8-14 hundred days @ know theatre - id from left - lindsey mercer - abigail bengson -brian koch - shaun bengson -colette alexander - photo by daniel r. winters

Stage Door

Only a few more days for 'Hundred Days'

Know Theatre’s Hundred Days is not running for 100 days. In fact, it has only seven more performances, so I urge you to get your tickets now if you haven’t seen it yet. (I say this in part because I’ve now heard from three acquaintances that they liked the show so much they’ve purchased tickets to go back to watch a devoted couple deal with a marriage that’s foreshortened by illness. So I’m sure some performances are getting very full.) David Lyman gave it a good review in the Enquirer, and I attached a Critic’s Pick to my CityBeat commentary, so we agree — and I suspect you might, too. Abigail and Shawn Bengson, the performers and creators of Hundred Days, are full of energy and passion, and their backup musicians are infected with the same spirit. Next Wednesday (July 19) is a free admission performance, which is likely to be very full. Tickets ($25 in advance): 513-300-5669

This is the final weekend for Cincinnati Shakespeare Company’s very funny show, The Complete History of America (Abridged), featuring three very funny performers — Amanda McGee, Justin McCombs and Geoffrey Barnes. I don’t think you’ll leave the theater knowing more about American history, but you’ll understand our willingness to poke fun at ourselves and others. It has some moments that fall flat, but that’s to be expected in two hours of non-stop efforts at hilarity. When they hit it, the show is a laugh-out-loud riot. Final performance is Sunday at 2 p.m. Tickets: 513-381-2273

Cincy Shakes’ FREE Shakespeare in the Park continues this weekend with performances of A Midsummer Night’s Dream at the Dunham Arts Center in West Price Hill (this one is actually an indoor performance) on Saturday at 2 p.m. and at Covington’s Linden Grove Cemetery on Sunday at 7 p.m. (Not that you want or need to drive to Portsmouth, Ohio, to see a performance, but the troupe is there tonight — showing just how far they’re willing to go to advance the cause of Shakespeare.)

I wish I could tell you that 9 to 5, the third musical in the inaugural season at the Warsaw Federal Incline Theater, is as entertaining or well done as its predecessors, The Producers and 1776. But it isn’t. Nevertheless, based on the strength of the season so far and the novelty of going to a brand-new theater most of the tickets for this lightweight musical have already been snatched up. It’s based on a movie from the 1980s that featured Dolly Parton, Jane Fonda and Lily Tomlin. Parton’s countrified tunes, written for the musical not the movie (which did feature her hit song of the same title), are mildly entertaining, but the story is full of clichéd stereotypes about “working girls” who struggle to work with a chauvinistic boss. The real Parton makes a video appearance, but it’s not quite enough. Through Aug. 30. Tickets: 513-241-6550

Rick Pender’s STAGE DOOR blog appears here every Friday. Find more theater reviews and feature stories here.

 
 
by Rick Pender 08.07.2015 21 days ago
Posted In: Theater at 09:07 AM | Permalink | Comments (0)
 
 
stage door 8-5 -hundred days at know theatre - id - shaun bengson - photo by daniel r. winters

Stage Door

Make ’em Laugh: Midsummer Theater

Hundred Days, a Folk Rock Opera onstage at Know Theatre, continues to be the go-to show of the summer. The story of a marriage that gets short-circuited by a fatal illness turns into a joyous 75-minute concert music written and performed by the dynamic duo of Abigail and Shaun Bengson, with five musicians and singers behind them. Rather than wallow in grief about having only 100 days, they celebrate their love by condensing what they imagine 60 years of life might have held. It’s a lovely story, told in an imaginative, contemporary way. Read my CityBeat review, which gave it a “Critic’s Pick.” Tickets: 513-300-5669

Cincinnati Shakespeare has three excellent comic actors onstage at the moment who know how to wring every possible laugh out of a satiric script. Geoffrey Barnes, Justin McCombs and Amanda McGee are performing The Complete History of America (Abridged), another script by the zany trio who wrote The Complete Works of William Shakespeare (Abridged). I think this one tries a little too hard to be hilarious, so a few moments feel kind of lame, but these three players manage to pick things up, make a little fun of themselves and move right on with more gags, jokes, pratfalls, spit takes and costume changes. It’s an evening of hilarity. Here’s my CityBeat review. Through Aug. 15. Tickets: 513-381-2273

Cincy Shakes’ FREE Shakespeare in the Park tour continues this weekend with a 7 p.m. performances of Romeo and Juliet at Cottell Park in Deerfield (Friday) and the Community Park Pavilion in Milford (Sunday) as well as A Midsummer Night’s Dream — at the Community Pavilion in Glenwood Gardens, a Hamilton County Park. 

Finally, if you’re willing to drive to Dayton for the Human Race Theatre Company’s first-ever Festival of New Works. The weekend offers a collection of readings of five scripts — three plays and two musicals — by local, national and international writers. The lineup includes full readings of Have You Ever Played, Dayton?, a play by Robb Willoughby, and Mann … and Wife, a musical by Douglas J. Cohen and Dan Elish based on the latter’s novel Nine Wives. There will also be three 30-minute “snapshot” readings: Karen Righter’s play, The Day After Epiphany; Central Park Tango, a musical by Nicky Phillips and Robert Gontier; and Scott Stoney’s adaptation of Some Self-Evident Truths, a play based on the journals of Lucille Wheat and Lois Davies. Open talkbacks with the creative teams follow the readings. The “snapshots” (Saturday at 8 p.m.) are presented and ticketed as a group. Readings will be held in the 60-seat Caryl D. Philips Creativity Center of The Human Race and The 212-seat Loft Theatre in downtown Dayton. Info: 937-228-3630 or humanracetheatre.org

Rick Pender’s STAGE DOOR blog appears here every Friday. Find more theater reviews and feature stories here.

 
 
by Rick Pender 07.31.2015 28 days ago
Posted In: Theater at 09:07 AM | Permalink | Comments (0)
 
 
stage door 7-31 - hundred days at know theatre - id - abigail bengson -  photo by daniel r. winters (1)

Stage Door

Make ’em Laugh: Midsummer Theater

On Wednesday evening I took a bunch of kids (four elementary-school-age nieces and a nephew in town for a visit) to see a bunch of kids (high schoolers, average age 16) in Hairspray, this summers’ Cincinnati Young People’s Theatre production at the Covedale Center. The verdict: “We loved it.” One of them said, “They did more singing than talking.” (A good thing, in her opinion.) And one even got the message of black and white teens breaking color barriers and just being teens. So the story from 1962 still makes some sense. The CYPT performers come from 33 schools across Greater Cincinnati. It’s a big undertaking to get that so many performers (I counted 70 in the program) working together, plus several more backstage. Tim Perrino has been doing this for 34 years, so he knows how to get the best out of teen performers, and there are some standouts in this cast — especially Julie Deye and Gabe Schenker as the ebullient but fair-minded plus-sized teen and her lumpy mom. The kids are all right! Performances continue through Sunday at 7:30 p.m. Tickets: 513-241-6550

The most dazzling show onstage right now is Hundred Days, a Folk Rock Opera, at Know Theatre. It’s 75 minutes of great music written and performed by the dynamic duo of Abigail and Shaun Bengson, backed by five talented musicians and singers. But it’s also a fine piece of theater — a love affair cut short by a fatal illness that’s met head-on with clarity and joy to celebrate what might have been 60 wonderful years in just “100 days.” Great concept, great execution. I gave it a Critic’s Pick in my CityBeat review.

You’ll get a lot of laughs out of Cincinnati Shakespeare’s performance of The Complete History of America (Abridged), largely thanks to the comic talents of actors Justin McCombs, Miranda McGee and Geoffrey Barnes. Even if the script  — by the comic trio who originated The Complete Works of William Shakespeare (Abridged) — strains a little too hard to be hilarious, playing fast and loose with America’s past, these three know how to turn every scene into a good laugh. Things occasionally fall flat and a few elements are borderline tasteless, but before you know it they’re off and running again with another gag, joke, pratfall, misunderstanding or just tossing a bucket of water. All in good fun; it’s not very profound nor is it intended to be. Here’s my CityBeat review. Through Aug. 15. Tickets: 513-381-2273

If you like your Shakespeare a bit more traditional — but perhaps just a little funny — some of Cincy Shakes' troupe begins their FREE Shakespeare in the Park tour this weekend. Throughout August they’ll be offering performances in parks across Greater Cincinnati and beyond using a handful of young actors handling multiple roles in two-hour reductions of plays by Shakespeare. This weekend you have three chances to see A Midsummer Night’s Dream — at Eden Park’s Seasongood Pavilion on Friday at 7 p.m., at the Harry Whiting Brown Lawn in Glendale on Saturday at 7 p.m. and in Washington Park on Sunday at 6 p.m.

If you haven’t tuned in yet for the third iteration of Serials! at Know Theatre, you might want to show up on Monday evening at 7:30 p.m. Each of five plays will have the third of five 15-minute installments; the trick this time out is that the playwrights trade places with each biweekly event, so stories definitely veer off in unexpected and unplanned directions. Don’t worry about catching up — there’s a quick preview as each piece starts. But even more, these are just zany stories, made all the zanier by the format. You’ll have fun watching even if you can’t quite figure out what’s going on. Tickets: 513-300-5669

Rick Pender’s STAGE DOOR blog appears here every Friday. Find more theater reviews and feature stories here.

 
 
by Steven Rosen 07.30.2015 29 days ago
Posted In: Movies, Film at 02:28 PM | Permalink | Comments (0)
 
 
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Carol Release Date Moves Up

Indiewire is reporting today that the Weinstein Company, distributor of Todd Haynes’ Cincinnati-shot drama Carol, will move up its theatrical release date to Nov. 20 from the originally planned Dec. 18. It will start out in limited release and then go wider.

That means the company believes the adult-oriented film, starring Cate Blanchett and Rooney Mara, not only will be an Oscar contender but will also be a holiday-season hit along the lines of another film it distributed this way in 2014, The Imitation Game.

Indiewire reports Carol will face the youth-oriented The Hunger Games: Mockingjay – Part 2 on its limited-release opening weekend, “but should benefit from an earlier start than was originally planned.”

 
 
by Anne Arenstein 07.27.2015 32 days ago
Posted In: Opera at 10:00 AM | Permalink | Comments (0)
 
 
cover_turandot-illustration_courtesy-cincinnati-opera

Review: Cincinnati Opera's Turandot

The Opera's 95th season closes Friday

Cincinnati Opera winds up its 95th season in truly grand operatic fashion with an opulent production of Puccini’s Turandot. The singing is (mostly) sublime, the spectacle is lavish and all the production elements are executed with stylish precision.

The opera is a fantasy based on a play by the Venetian Carlo Gozzi. Turandot is a Chinese princess bent on revenge for the rape and murder of an ancient ancestor. If a prospective suitor fails to answer three riddles, off with his head. That doesn’t discourage Prince Calaf, who manages to solve the riddles and melt the ice princess’s reserve. Oh yes indeed, this is a fairy tale.

It’s also Puccini’s grandest opera with fabulous music incorporating romance, drama and Chinese folk melodies. The score was unfinished when Puccini died in 1924; composer Franco Alfano composed the final section using Puccini’s sketches. Despite Calaf’s signature aria “Nessun Dorma,” the best music belongs to the chorus and the two female leads.

Biggest ups to the chorus. They sing with power, precision and a remarkable dynamic control thanks to Chorusmaster Henri Venanzi, who celebrates his 41st year with the CO. Unlike most other operas that feature one big choral number and that’s it, Turandot’s chorus is onstage for almost the entire piece.

Marcy Stonikas is a formidable Turandot, physically and vocally. Her voice has the cold, steely edge for an ice princess but there’s a hint of warmth that fully emerged in the final scene to convey a sense of humanity. “In questa reggia” is Turandot’s big aria and Stonikas did not disappoint. Hers is one of the most exciting voices I’ve heard in a long time and I hope she’ll be back.

The role of the slave Liu usually steals the shows and this was no exception. French soprano Norah Amsellem sings with haunting delicacy and tremendous power. It’s a performance to savor, and she garnered the evening’s loudest ovations. And her limping on the stage was no act — she injured an ankle earlier in the week and was using a brace.

Frank Porretta’s Calaf was barely audible in the first act. He may have been having vocal problems because he powered up in the second act, but “Nessun Dorma” was under pitch and lagged behind the orchestra. Let’s hope he recovers for the remaining performances.

As the court officials Ping, Pang and Pong, Jonathan Beyer, Julius Ahn and Joseph Hu were genuinely responsive Puccini’s score, offering characters ironically comic and human as they sing of returning home. They also executed a vaudeville soft shoe routine with panache.

Bass Andrea Mastroni made an impressive debut as Calaf’s father, Timur. Tenor Chris Merritt sang the Emperor Altoum with poignant beauty.

Under the baton of Ramón Tebar, the Cincinnati Symphony Orchestra gave a stunning performance of this magnificent score. There are so many gorgeous subtleties, from the loudest of gongs to shimmering woodwinds and strings, and they were heard to wonderful effect.

Red is the operative color for André Barbe’s sets and costumes, with black and white running close seconds. A huge red lacquer arch is the main set piece, punctuated by huge white heads on pikes, reminders of the executed princes. The chorus, mandarins and dancers are swathed in black and red. Ping, Pang and Pong sport sky-blue robes, and Turandot and Emperor Altoum are garbed in white. It’s opulent but never excessive.

Most impressive are Renaud Doucet’s staging and choreography. The huge cast of choristers, supernumeraries and dancers move with confidence and precision. Fortunately for us all, the leads are equally graceful and they respond to each other with more than outstretched arms. Doucet creates stage pictures that, for all their scope, never lose focus on the performers. The dancers are a special pleasure. Their costumes with multiple flags projecting from the back don’t make for easy movement, but they make it look effortless.

Go see it. And go hear it. There aren’t many opportunities to see spectacle like this, unless it’s Andrew Lloyd Webber, who mined Puccini’s melodies for inspiration. Puccini did it way better.


TURANDOT continues Wednesday and Friday. More info here.

 
 
by Rick Pender 07.24.2015 35 days ago
Posted In: Theater at 09:40 AM | Permalink | Comments (0)
 
 
100

Stage Door

Hundred Days? Several hundred years? Theater has a lot to offer this weekend

Did you attend the Cincy Fringe back in 2011? If so, maybe you saw Abigail and Shaun Bengson perform a musical work in progress then called “Songs from the Proof.” They came back in 2012 to present a one-night concert of some of the songs. The work evolved into a show called Hundred Days, which had a staging in San Francisco in early 2014. It’s continued to evolve — and its next incarnation will be onstage at Know Theatre for the next month, opening on Friday and running through Aug. 22. It’s about a young couple who fall in love, only to have their time together cut short by a fatal illness. They decide to live the 100 days they have left as though it were 60 years they had hoped for. Lots of music and creativity have gone into this one, and it promises to be a powerful performance with some great tunes. (Read more in my Curtain Call column in this week’s edition of CityBeat.) Tickets: $25 in advance; rush tickets at the door ($10, if available). Free performances on Wednesdays, but reservations required: 513-300-5669.

Cincinnati Shakespeare Company’s 2015-2016 season is beginning as it has for several years with a light-hearted abridgement — but this time it’s The Complete History of America (abridged), opening Friday night and continuing through Aug. 15. The show is the creation of the same nuts responsible for the hilarious Complete Works of William Shakespeare (abridged). It’s the same format: Veteran comic actors Miranda McGee and Justin McCombs, along with newcomer Geoffrey Barnes, will take audiences on a whirlwind tour that sends up America’s greatest hits … and misses. It’s the kind of delirious summer entertainment we’ve come to expect the from our often-more-serious classical theater folks. Tickets ($22-$35): 513-381-2273

Last weekend I went to Stanberry Park in Mt. Washington to see The Complete Tom: 3. Abroad, presented by Queen City Flash, Cincinnati’s flash-mob theater company. It’s the third installment of its four-part play cycle of Mark Twain’s tales of Tom Sawyer, Huck Finn and Jim, the runaway slave. It was charmingly performed by Dave Powell, Rico Reid and Trey Tatum — plus some amusing puppets (aka wooden spoons) and a few sheets for ghost stories. This charming episode features the threesome on a trans-Atlantic voyage in a Jules Verne-like airship, meeting a number of interesting characters along the way — played in quick-change manner by the three actors. Free performances begin at 8 p.m. but don’t go to Stanberry Park — they’ll be elsewhere this weekend. In fact, the outdoor locations remain secret until 4 p.m. the day of performance when an email is sent to ticket holders with a map and parking instructions. The show is a lot of fun and great entertainment for kids, and part of the adventure is figuring out where you’re headed. Take a chance! Tickets — no charge — can be reserved at QueenCityFlash.com

This weekend offers the final performances of 1776 at the Incline Theater (513-241-6550) and The 25th Annual Putnam County Spelling Bee (859-572-5464). Both are worth seeing.

Rick Pender’s STAGE DOOR blog appears here every Friday. Find more theater reviews and feature stories here. 

 
 
by Steven Rosen 07.22.2015 37 days ago
Posted In: Film at 01:19 PM | Permalink | Comments (0)
 
 
miles-ahead-don-cheadle

Cincinnati-Filmed ‘Miles Ahead’ to Premiere at New York Film Festival

The Miles Davis movie, directed by and starring Don Cheadle, will close NYFF Oct. 11

It continues to be a good year for movies shot in Cincinnati. First, Todd Haynes’ Carol premiered in competition at the Cannes Film Festival and was so well-received that its distributor, Weinstein Company, has scheduled a December release to showcase it for Oscar consideration.

Today, Indiewire is reporting that Miles Ahead, the Don Cheadle-directed movie about Jazz musician Miles Davis’ troubled final years, will be the Oct. 11 closing-night showcase for the prestigious 53rd New York Film Festival. The fest is presented by The Film Society of Lincoln Center. Cheadle also plays Davis in the film, shot in Cincinnati last year.

The Indiewire story, written by David Canfield, reports that “NYFF Director and Selection Committee Chair Kent Jones said, ‘I admire Don's film because of all the intelligent decisions he's made about how to deal with Miles, but I was moved — deeply moved — by Miles Ahead for other reasons. Don knows, as an actor, a writer, a director, and a lover of Miles' music, that intelligent decisions and well-planned strategies only get you so far, that finally it's your own commitment and attention to every moment and every detail that brings a movie to life.’”

In the story, Cheadle is quoted as adding, "I am happy that the selection committee saw fit to invite us to the dance. It's very gratifying that all the hard work that went into the making of this film, from every person on the team, has brought us here. Miles' music is all-encompassing, forward-leaning, and expansive. He changed the game time after time, and New York is really where it all took off for him.”

 
 

 

 

 
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