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by Rick Pender 12.19.2014 52 hours ago
Posted In: Theater at 09:31 AM | Permalink | Comments (0)
 
 
soldiers christmas - aaron epstein_ jeffrey k. miller - photo mikki schaffner

Stage Door: Tears or Laughs

Take your pick with these holiday shows

It's unusual that we get a chance during the holidays to see a world premiere of a new play, but it's happening at Northern Kentucky University's Corbett Theatre, where New Edgecliff Theatre and Actor & Playwrights Collaborative are producing Phil Paradis's new script, Soldier's Christmas, through Sunday. The show commemorates the centennial of the memorable "Christmas Truce" in which British and German troops stopped fighting along the Western Front during World War I and came together to celebrate the holiday. I had the opportunity to see its opening performance last week, and I can assure you that it's worth your time. A strong cast of men play nine solders, especially focused on one Brit, Corporal Tug Wilson (Aaron Epstein) and one German, Sgt. Gerhardt Dietrich (Jeffrey K. Miller). They meet tentatively after a furious episode of hand-to-hand combat, seeking warmth. They recognize their common ground and slowly convince their fellow soldiers of the common humanity that they share, leading to a momentary celebratory event in which they sing carols in their own language and discover how much alike they are. These scenes are counterpointed by five actresses playing women — wives, mothers, sisters, lovers — of the soldiers, telling their stories in monologues and chorus-like passages. Paradis's script covers the emotional spectrum, from humor to pathos, from anguish to joy. Cincinnati theatrical veteran Robert Allen directed the piece, and he keeps it from become maudlin or unbelievable. In fact, the tale is deeply moving — not to mention profoundly sad when the men are all but forced to return to their trenches and the senseless warfare that they've momentarily escaped. Nevertheless, a thread of hope runs through Soldier's Christmas, an emotion that makes this seem fitting for the season. Tickets ($18-$22) are available for performances on Friday and Saturday at 8 p.m. and a Sunday matinee at 3 p.m.

For something completely different, look for the hilarious production of Every Christmas Story Ever Told (and then some) at Cincinnati Shakespeare Company. This is the ninth consecutive year for Cincy Shakes to present this mash-up of holiday tales told by three inventive comic actors and one very drunk Santa Claus. I've seen the production, featuring Sara Clark, Billy Chace, Justin McComb and Miranda McGee (she's Santa with a can of Foster's and her native Australian accent) for several years running. Even when I know what's coming, I find myself laughing out loud. That's because the cast and director Jeremy Dubin refresh the material every year with topical references and new bits, so it you have to keep up with their quick wit and frequent ad libs. McComb is the goofy but mischievous innocent; Chace is a pompous hipster; and Clark is the Dickens devotee who tries to coax her colleagues to pull together for the greatest "BHC" (Beloved Holiday Classic) of them all, A Christmas Carol. They steadfastly refuse, spewing forth with machine-gun rapidity one sharp parody or silly take on these familiar stories . The second act (the entire performance is about 90 minutes with an intermission) seems to be headed into Scrooge territory, but it keeps veering off into It's a Wonderful Life — in the most delightful and daffy way. After awhile you begin to wonder whether these shows are all somehow connected. And in fact they are: with an exclamation point provided at the end with a rendition of "Every Christmas Carol Ever Sung," an amazing compilation of musical numbers spliced together. Tickets ($28) for this production are virtually sold out, but it's worth a call to see if you can get in, especially for tonight's special 11 p.m. performance. In case you're wondering, Cincy Shakes does have a liquor license so you can join in the good fun with a drink of you own. Box office: 513-381-2273.

Most every local stage in Cincinnati is presenting a holiday show this weekend, so check CityBeat's listings for more choices. It's a great weekend to go out and have fun at the theater.

Rick Pender's STAGE DOOR blog appears here every Friday. Find more theater reviews and feature stories here.

 
 
by Rick Pender 12.15.2014 6 days ago
Posted In: Theater, Performance Art at 09:54 AM | Permalink | Comments (0)
 
 
pricehillholiday

Call Board: Theater News

Actors Sought: If you're an actor looking for an unusual afternoon this week, the Cincinnati Police S.W.A.T. team invites you to volunteer for a training event on Tuesday from noon to 3 p.m. at a location near downtown. Officer Tim Eppstein wrote this in his announcement: "Volunteers will play characters in S.W.A.T.-type situations that may include hostage situations, barricaded individuals and suicidal individuals. These trainings have been very effective for the S.W.A.T. negotiators, and the volunteer actors report that it is a positive experience, allowing them to grow as actors and have fun in an extreme role." Eppstein needs 5-6 volunteers; if you're interested, give him a call at 513-352-4566. ]

A Mega-Hit: Crossroads Church in Oakley (3500 Madison Rd.) has a major holiday hit on its hands, it appears. Its annual monumental production of Awaited, under way since Dec. 5, completely filled 29 performances in less than 24 hours when free tickets were made available in late November. That's a total audience of 100,000 seats, double the number that attended a year ago. Crossroads has presented Awaited since 2007. It's the familiar Bible story of Jesus's birth staged in a spectacular production described as "a Christmas rock concert meets the ballet meets Cirque du Soleil meets the Omnimax"; it uses a cast and crew of 265 volunteers. Performances continue through Dec. 23, and the event's website encourages those interested to look into standby seating and to check in periodically regarding the availability of returned tickets.

Celebrate on the West Side: There's a new event on Saturday at the historic Dunham Arts Center (1945 Dunham Way): A day full of festivities, The Price Hill Holiday Xtravaganza, begins at 11 a.m. with Santa's Frosty Follies, a 45-minute revue of favorite holiday characters and songs. (Tickets are $8.) Santa shows up after the show to review kids' lists and pose for picture. The day culminates with a 7 p.m. performance of It's All About Love, a 90-minute holiday variety show featuring tributes to the Andrews Sisters, Frank Sinatra, Elvis, Whitney Houston and more. (Tickets for this one are $16; $14 for students and seniors.). Proceeds from the day will benefit restorations of the arts center, which is the home for Sunset Players, a community theater company. (The building was part of a one-time tuberculosis hospital dating back to 1879.) You can order tickets online or by calling 513-588-4988.

The Feds Support Our Local Arts Scene: The National Endowment for the Arts made seven grants to Cincinnati area arts organizations, pumping $165,000 into our local arts economy for 2015. One of these will support the Cincinnati Playhouse's production of Tracy Scott Wilson's Buzzer, about a young lawyer who moves back to a rapidly redeveloping neighborhood where he grew up. The play (March 21-April 19 on the Shelterhouse Stage) will encourage dialogue about race, gentrification and urban renewal. Another grant will support Cincinnati Opera's world premiere of Morning Star (June 30-July 9 at the School for Creative and Performing Arts) by composer Ricky Ian Gordon and librettist William Hoffman, a work about the immigrant experience a century ago in New York City. Other local grant recipients include ArtWorks, Cincinnati Ballet, Cincinnati Symphony, Kennedy Heights Art Center and Taft Museum of Art.

At the Movies: In less than two weeks you'll be able to see the new film of Stephen Sondheim's great musical Into the Woods featuring Meryl Streep, James Corden, Emily Blunt, Anna Kendrick, Chris Pine and Johnny Depp. Directed by Rob Marshall (he won the 2002 Academy Award for his film of the musical Chicago), it opens on Christmas Day. Here's the trailer: http://youtu.be/Rl1CWNFClqg


CityBeat's Rick Pender posts theater notices on CALL BOARD every Monday morning.
 
 
by Rick Pender 12.12.2014 9 days ago
Posted In: Theater at 09:38 AM | Permalink | Comments (0)
 
 
plaid tidings_covedale center- photo mikki schaffner

Stage Door: A Weekend of Holiday Theater

This weekend affords you numerous chances to see a holiday show. (Quite a few shows will still be onstage in another week, but you might be too busy shopping or baking cookies ...)

A Christmas Carol at the Playhouse has been drawing crowds for 24 seasons, and it's worth seeing (CityBeat review here). Lots of people do it as a family outing. (Tickets: 513-421-3888.) If kids are younger, you might consider Sleeping Beauty at Ensemble Theatre Cincinnati (CityBeat review here). This is the 18th year that ETC has offered a musical fairy tale created by two local artists, playwright Joe McDonough and composer David Kisor. (Tickets: 513-421-3555). Both shows are lots of fun (Christmas Carol does have some ghosts, of course, but they are portrayed with humor and wit), quickly paced and dazzlingly produced with costumes and sets that make watching an enjoyable outing.

A new holiday show to the area is Soldier's Christmas, presented at Northern Kentucky University by New Edgecliff Theatre and the Actors & Playwrights Collaborative. This weekend marks the premiere of local playwright Phil Paradis's show about a remarkable event that happened on Christmas Eve 1914 when battle-weary British and German soldiers came out of their World War I trenches, left their weapons behind and celebrated the holiday together. The "Christmas Truce" was also the subject of Cincinnati Opera's Silent Night, presented last July. (Tickets: 888-428-7311).

If you simply want to have a good time, I gave a Critic's Pick to the Covedale Center's production of Forever Plaid: Plaid Tidings (CityBeat review here). The show is a sequel to the amusing musical about a quartet of Doo-Wop singers who return from heaven to do the big concert they missed out on in life (they died when their car was broadsided by a busload of girls on their way to see the Beatles' American debut on The Ed Sullivan Show). This time they're back to do a Christmas concert. It's a lot of silliness, of course, but the four guys — all musical theater majors at UC's College-Conservatory of Music — are talented singers, dancers and actors, so they're a blast to watch. (Tickets: 513-241-6550).

More high-jinks are available thanks to OTR Improv at the courtyard at Arnold's Bar & Grill for The Naughty Show (starting Sunday evening, presented by Know Theatre; tickets: 513-300-5669), as well as Falcon Theater's production in Newport of The Eight Reindeer Monologues (it finishes up this weekend; 513-479-6783).

Finally, if you're tired of holiday stuff (and who isn't when it gets cranked up not long after Halloween?) there are three choices for you: Cincinnati Shakespeare's very funny The Comedy of Errors (CityBeat review here; tickets: 513-
381-2273); Know Theatre's mysterious and magical The Bureau of Missing Persons (CityBeat review here; tickets: 513-300-5669); and Cincinnati Playhouse's staging of Tenderly: The Rosemary Clooney Musical (CityBeat review here; 513-421-3888). The latter has been selling lots of tickets, causing the Playhouse to extend the show until Jan. 11.
Rick Pender's STAGE DOOR blog appears here every Friday. Find more theater reviews and feature stories here.
 
 
by Steven Rosen 12.11.2014 10 days ago
Posted In: Visual Art at 11:20 AM | Permalink | Comments (0)
 
 
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Cincinnati Art Museum to Host MetaModern Show

Delving into Modernism’s relationship to today’s Contemporary artists, Cincinnati Art Museum in 2016 will present the traveling show MetaModern. It is organized by Krannert Art Museum at the University of Illinois at Urbana-Champaign in collaboration with curatorsquared of Winter Park, Florida, and Boston. In Cincinnati, it will be curated by Amy Dehan, Decorative arts and Design curator, and Matt Distel, adjunct Contemporary curator.

According to the website of the Krannert, where the show opens on Jan. 30, the participating artists “adopt the actual vocabulary of the modern movement to question the content of style and its relationship to history. Their work challenges the tenets of modernism head-on. Some of them recast iconic forms in materials that inherently question the precepts of the originals.”

Among the 20 international artists are several familiar names to Cincinnati Art Museum visitors — Jill Magid, whose videos are in the current Eyes on the Street exhibit, and photographer James Welling, subject of a 2013 exhibit. Other participating artists include Terence Gower, Conrad Bakker, Edgar Orlaineta, Gabriel Sierra, Kendell Carter and Fernanda Fragateiro and Barbara Visser.

In Cincinnati, the curators plan to borrow Mid-Century Modern design objects and graphic works from local collections to show with the traveling exhibit’s new art that, in essence, comments upon the older work.

Thus, the show here will connect Modernism with today’s (Postmodern) Contemporary art. The local curators also hope the show educates the public that Cincinnati has a strong tradition of support for Modernist art, design and architecture, which is now enjoying a revival

The tentative dates for the Cincinnati exhibition are June 18 to Sept. 11, 2016. Other cities planning to present the exhibit are Scottsdale, Ariz., Orlando, Fla., Palm Springs, Calif., and Marquette, Mich. (home of Northern Michigan University).

 
 
by Rick Pender 12.09.2014 12 days ago
Posted In: Theater at 11:00 AM | Permalink | Comments (0)
 
 
clooney copy

Call Board: Theater News

Actors Sought. Ensemble Theatre Cincinnati hosts its third annual Meals for Monologues on Monday and Tuesday between 11 a.m. and 5 p.m. at 1127 Vine St. in Over-the-Rhine. It's an open casting call to Equity and non-union actors for theater, film, TV and/or commercial projects cast by the theater's artistic director D. Lynn Meyers. Interested performers should bring two non-perishable food (pasta, canned goods, etc.) or toiletry items (soap, toothpaste) to the theater — to be donated to the Freestore/Foodbank as well as a current headshot and résumé and a short prepared monologue, song or two monologues. (No accompanist, so songs need to be performed a capellla.) Time slots are five minutes maximum and are available by appointment only. The deadline was last Friday, but a quick email to Ben Raanan (braanan@ensemblecincinnati.org) will let you know if any slots are still available. Meyers is a member of the Casting Society of America, and she has tons of projects and connections beyond shows at ETC; she recently did a lot of casting during two locally shot films, Carol and Miles Ahead.

Seasonal Fundraiser for New Edgecliff. The classic holiday story, Miracle on 34th Street — yes, the one with Kris Kringle and Natalie Wood as a child actor — will be brought to life as a radio production on Sunday evening at the Northside Tavern (4163 Hamilton Ave.) as an old-time radio drama. Produced by New Edgecliff Theatre with sound effects by WMKV's Mike Martini, it's a benefit to the theater group. Admission is $35, and it includes a dessert buffet at intermission provided by Cincinnati State's Midwest Culinary Institute. Tickets: 888-428-7311 (or at the door).

Rosie Keeps Singing. The Cincinnati Playhouse's production of Tenderly: The Rosemary Clooney Musical seems to be a big hit. The show, onstage in the Shelterhouse, opened on Nov. 20, and on its first night artistic director Blake Robison announced that sales were brisk enough to make it possible to extend the production a week beyond its intended closing date (Dec. 28) to Jan. 4. Demand for tickets has continued, so the Playhouse has extended the show another week, now closing on Jan. 11. Tickets: 513-421-3888.

Welcome to Dystopia. If you've read Margaret Atwood's 1985 novel The Handmaid's Tale, you know it's a creepy vision of the not-too-distant future in which the United States has become a theocracy called the Republic of Gilead. An oppressive regime forces women to bear children for population growth, but Offred resists the demands made of her. Cincinnati Shakespeare gave Joe Stollenwerk's adaptation of the show a workshop in 2009 and a short-run production in 2011 featuring veteran Cincy Shakes actress Corinne Mohlenhoff as Offred. Next month Know Theatre fills in a TBA slot in its season with the show's first full-fledged production (Jan. 23-Feb. 21). Cincy Shakes' Brian Phillips will stage the one-woman piece with Mohlenhoff. They are married, so this is an unusual opportunity for them to work together on a new work rather than the classics that Cincy Shakes usually stages. Tickets ($20) are now available: 513-300-5669.


CityBeat's Rick Pender posts theater notices on CALL BOARD every Monday morning.

 
 
by Rick Pender 12.08.2014 13 days ago
Posted In: Theater at 09:30 AM | Permalink | Comments (0)
 
 
christmas carol_cincinnati playhouse - photo sandy underwood

Stage Door: A Ho-Ho-Whole Lotta ​Holiday Shows

If you want to go to the theater this weekend, you have plenty of choices, so long as you have the spirit of the season. Let's start with the familiar: Cincinnati Playhouse launched its 24th year of A Christmas Carol last week, and it's always a pleasure to see, featuring Bruce Cromer as Scrooge. But there are many more fine acting performances, including Ryan Wesley Gilreath as Bob Cratchit and Douglas Rees as the ebullient Mr. Fezziwig. Played out on a wingding of a set that spins and glitters and makes it possible to tell the story swiftly, Dickens' classic tale is a wonderful holiday tradition. Through Dec. 28. Tickets ($30-$85): 513-421-3888

Another tradition continues at Ensemble Theatre Cincinnati, where Sleeping Beauty is being revived for the fourth time. For 18 seasons, ETC has presented original shows by two local creators, playwright Joseph McDonough and composer David Kisor. It's a family-friendly piece that's conceived to entertain kids and adults with its innocent charm and a message that one person can truly make a difference. Many of ETC's regular actors return annually to do these shows, especially Deb G. Girdler (as the evil Wisteria) and Michael G. Bath (as her nefarious henchman). Intern Deirdre Manning is the sweet princess who sleeps for 100 years, and Terrance J. Ganser is both the prince who fulfills her curse and the one who breaks her free a century later. Especially enjoyable as a trio of mischievous fairies are Sara Mackie, Denise Devlin and Brooke Steele as Marigold, Lilac and Daisy. (They will be familiar to ETC audiences from several productions of the "Marvelous Wonderettes.") Through Jan. 4. Tickets ($28-$44): 513-421-3555

Lots of good holiday choices are up and running elsewhere: Forever Plaid – Plaid Tidings at the Covedale Center on the West Side; The Comedy of Errors at Cincinnati Shakespeare Company downtown; The Eight Reindeer Monologues at Falcon Theatre in Newport; and the Children's Theatre of Cincinnati's production of The Snow Queen at the Taft Theatre downtown.

If you prefer to avoid elves, nutcrackers and bah-humbugs, you should try Tenderly: The Rosemary Clooney Musical (CityBeat review here) at the Playhouse or The Bureau of Missing Persons, a the magical, mysterious production at Know Theatre (CityBeat review here).

Ho, ho, ho, indeed. That's enough theater to make anyone jolly.

Rick Pender's STAGE DOOR blog appears here every Friday. Find more theater reviews and feature stories here.

 
 
by Steven Rosen 12.04.2014 17 days ago
Posted In: Visual Art at 12:31 PM | Permalink | Comments (0)
 
 
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Important New Art Film Coming to Cincinnati Art Museum

National Gallery, the latest film by the great American documentarian Frederick Wiseman, will get a free screening at Cincinnati Art Museum at 1 p.m. on Jan. 25, 2015. No tickets or advance reservations are required.

Typical of Wiseman’s inquisitively reportorial and humanistic work, this carefully and thoughtfully takes viewers inside the world of London’s National Gallery — one of the world’s finest museums. The film is three hours long.

Wiseman, who is 84, has been making films that carefully examine societal institutions — cultural, social, educational, medical and political — since his 1967 landmark Titicut Follies, about life inside the Bridgewater State Hospital for the criminally insane in Massachusetts.

His much-lauded more recent films — which did not have a showcase theatrical screening in Cincinnati — include last year’s At Berkeley and 2009’s La Danse, about the Paris Opera Ballet.

That National Gallery will be presented in a theater here — the art museum’s auditorium holds some 300 — shows the ambition of the museum’s associate photography curator, Brian Sholis, to offer more and a wider variety of films as part of his programming.

A lower-profile (compared to National Gallery) presentation last Sunday of a new documentary about digital photography, Harvey Wang’s From Darkroom to Daylight, brought a surprisingly good turnout of 55 people to the art museum’s library. 

 
 
by Steven Rosen 12.02.2014 19 days ago
Posted In: Visual Art, Arts community at 02:10 PM | Permalink | Comments (0)
 
 
benedict

Cincinnati Art Museum's Popular Curator Benedict Leca Gets Promotion

Benedict Leca, a much-liked curator of European Art at Cincinnati Art Museum whose departure in 2012 to become chief curator at Hamilton, Ontario's, Art Gallery of Hamilton prompted protest, has moved again. It's a promotion. Perhaps his greatest accomplishment at Cincinnati was organizing Thomas Gainsborough and the Modern Woman. Here are a few paragraphs from the press release from the Redwood Library & Athenaeum of Newport, R.I. It is especially notable for the fact the erudite Leca use the term dix-huitièmiste to describe himself in a quote — how many other museum directors would do that?

Edwin G. Fischer, M.D., President of the Board of Directors of the Redwood Library & Athenæum, announced the appointment of Benedict Leca, Ph.D., as its new Executive Director, effective January 15, 2015, following a competitive national search.

“This is tremendous news for the Redwood,” stated Dr. Fischer, “An expert in 18th-century art, history, and material culture, Benedict is uniquely qualified to move the Library into the national spotlight as a center of thought and culture. He has a wealth of experience and is extremely well-suited to lead this 268-year old cultural institution.” 

As Executive Director, Leca will articulate and advance the Redwood’s historic mission as a hybrid cultural institution with “nothing in view but the good of mankind.” Building on the Redwood’s unique position as a catalyst for dialogues about education across periods and disciplines, Leca’s work will focus on fully realizing the opportunities inherent to the athenæum model through an expanded array of public programs, forums, and exhibitions—both on-site and on-line—that will foster networks of intellectual exchange locally, regionally, and around the world. 

Prior to his current tenure at the Art Gallery of Hamilton, Ontario, as Chief Curator and Director of Curatorial Affairs (2012-14), Leca was Curator of European Painting, Sculpture and Drawings at the Cincinnati Art Museum. 

He was the first Andrew Mellon Post-Doctoral Fellow in the French Paintings department at the National Gallery of Art in Washington (2003-2007), and served on the staff of the Fogg Art Museum, Harvard University (1999-2000). Mr. Leca also currently holds the position of Adjunct Assistant Professor of Art History in the School of the Arts, McMaster University in Hamilton, Ontario. 

Mr. Leca has curated many important exhibitions: Charles-Nicolas Cochin: Draftsman of the Enlightenment (2003); Rembrandt: Three Faces of the Master (2008); Thomas Gainsborough and the Modern Woman (2010—2011); Monet in Giverny: Landscapes of Reflection (2012); The Painter Pictured: French Nineteenth-Century Paintings and Portrait Photographs (2013); the current The World is an Apple: The Still Lifes of Paul Cézanne, executed in partnership with the Barnes Foundation, Philadelphia (2014-15), and the forthcoming Illuminations: Italian Baroque Masterworks in Canadian Collections to be held at the Art Gallery of Hamilton and the Art Gallery of Alberta, Edmonton, in 2015.

(Thanks to Judith H. Dobrzynski's Real Clear Arts blog at http://www.artsjournal.com/realcleararts/ for alerting us to this story.)

 
 
by Rick Pender 12.01.2014 20 days ago
Posted In: Theater at 08:52 AM | Permalink | Comments (0)
 
 
susan haefner as rosemary clooney - photo sandy underwood

Stage Door: Clooney, Christmas Carol and Comedy

Earlier this week I took my mom to see Tenderly: The Rosemary Clooney Musical at the Cincinnati Playhouse (CityBeat review here). It was just as good the second time around. Mom, who loved Clooney as a performer in her heyday, had this to say: "It was like seeing her perform live!" I agree: Susan Haefner offers a wonderful interpretation of a Cincinnati icon; and it's great fun to watch Michael Marotta (the only other actor onstage) play her psychiatrist and a dozen or so other characters from Rosie's life. It's a great story of a woman who overcame some daunting demons and made a second career when she had been largely forgotten. Through Jan. 4. Tickets ($30-$85): 513-421-3888.

Even though everyone's Christmas decorations have been up for a while, the holiday season doesn't really begin for me until the Cincinnati Playhouse opens its production of A Christmas Carol. Well, there's no more waiting for that one: For the 24th consecutive year, the Mt. Adams theater kicks things off tonight with a glittering production of Charles Dickens' story of the re-education of Ebenezer Scrooge by several ghosts and the loving family of Bob Cratchit. This show is worth seeing simply for Bruce Cromer's winning performance in the pivotal role, but there's so much more — it's a scenically beautiful production, and the ensemble totally enters into the spirit of the season and brings the audience right along, too. Through Dec. 28. Tickets ($30-$85): 513-421-3888.

Shakespeare's The Comedy of Errors is not exactly a holiday show, but it's a lot of fun (CityBeat review here), what with two sets of twins intersecting without realizing the confusion they're causing. Of course, it all sorts out eventually with a happy ending and multiple weddings. Set in a carnival town and costumed as if it were America in the 1930s, Cincinnati Shakespeare Company's production induces laughter from start to finish. It would be a happy weekend outing for anyone, young or old. Through Dec. 13. Tickets ($22-$36): 513-381-2273.

Know Theatre's production of The Bureau of Missing Persons is an evocative and entertaining piece of alternative theater (CityBeat review here). The story of a woman's quest from her New York City apartment to a cave in Moscow in search of someone missing is described in the show's publicity as "a poignant tale of loss and redemption — part mystery, part love story." It's also the directorial debut for Tamara Winters, who recently became Know's associate artistic director. There's a preview tonight and the official opening is Saturday evening; it will be onstage through Dec. 20. Tickets ($20 in advance; $10 at the door 10 minutes prior to curtain, if available … cash only): 513-300-5669.

Rick Pender's STAGE DOOR blog appears here every Friday. Find more theater reviews and feature stories here.
 
 
by Steven Rosen 11.26.2014 25 days ago
Posted In: Visual Art at 11:32 AM | Permalink | Comments (0)
 
 
caroline turner and ian anderson

Lessons from 'Lightgeist'

One of the best things about Cincinnati’s current urban renaissance is that older spaces — some unused or even previously unknown — are being reinvented for new purposes. Churches and firehouses become brewpubs and restaurants, office buildings become apartments, underground tunnels become tourist attractions.

Since artists are sensitive to their surroundings, a group called Near*By has lately begun to use such spaces — sometimes — for special-event exhibitions. Happenings, sort of.

In its press release, Near*By describes itself as “an untethered curatorial collective that seeks to bypass the art institution, working as liaison between artists and pluralistic audiences. We aim to create ephemeral and interdisciplinary exhibitions that connect art with location and meld curatorial and artist practices while blurring the boundaries between installation and white cube.”

I’ve missed some of the previous events, although I’ve heard that Andy Marko’s attempt to launch his guerilla campaign to become Cincinnati’s Minister of Performance Art (why not?) was amusing at Fountain Square last October. And High Art, an event held atop the Carew Tower also in October, almost avoided a rainfall. Near*By’s first event, last May’s Moon Show, proved very sagacious — it was based on a premise the Apollo 11 moon landing was a staged event; the movie Interstellar plays with (and upends) that premise, too.

But I did make last week’s Lightgeist at Over-the-Rhine’s Rhinegeist brewpub and it was great. Rhinegeist has the open space of an old-fashioned upper-floor school gym (maybe a couple of them) and looks like one, too, although not too many school gyms would have huge metal brewing tanks for beer.  

Actually, the space was part of the old Christian Moerlein brewery’s bottling plant, which was in business from 1853 until Prohibition. The building’s rebirth as a craft-beer business has been one of the Cincinnati revival’s bigger success stories.

For Lightgeist, Near*By invited 17 artists/artist groups to show work for just one night throughout the space. There were familiar names and new ones, many with connections to alternative galleries or the University of Cincinnati’s College of Design, Architecture, Art, and Planning. The theme was “dematerializing” the image, which resulted in some fine video and sound work especially.

Lightgeist started at 7 p.m. and, according to Maria Seda-Reder (a Near*By member as well as a CityBeat arts writer), some 300 people came to witness the work during the next three hours. (Other Near*By members include Jon Auer, Chris Reeves, Loraine Wible, Joe Hedges and Anastasiya Yatsuk.)

It was a party atmosphere with plenty of beer, but the audience was there to see the work. And there were people of all ages, revealing that there is growing curiosity about local contemporary art — a necessity for any city trying to have an urban renaissance.

I didn’t take detailed notes on everything, but Charles Woodman’s debut of his “Wavelength-pure signal, no camera” screen image was involving, and Alice Pixley Young’s projection of bird-like moving images against and past an arrangement of physical objects was deeply moving. Caroline Turner and Ian Anderson’s ghostly pinprick of white light on an eerie background was a work deserving of more time.

Lightgeist was the latest evidence that this has been a great year for presentations of video and film art here — DAAP’s Electronic Art program and screenings at Weston Gallery, Manifest, FotoFocus and Cincinnati Art Museum’s Eyes on the Street.

In the last half-dozen years, we’ve had quite a few ambitious artist coops and collectives start up bricks-and-mortar galleries/performance spaces but fail to keep them going. (Semantics is the most notable exception.) So Near*By’s idea is a good one — use the surplus of fascinating spaces around town for one-off events. It’s not a substitute for having more permanent contemporary spaces, which we need, but it’s an important part of any art scene.

Near*By is planning 2015 events now — some of which may involve collaborations with galleries.  There will be more coverage in CityBeat.

 
 

 

 

 
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