For some musicians, their 9-to-5 is little more than a means to an end. Pizza and guitar strings don’t pay for themselves, after all. Others take pride in their work, both on stage and in the “real world,” but view them as two parts of a whole.
But for Jess Lamb, her twin identities as a musician and teacher are deeply intertwined. She works hard in both professional avenues and has put a large amount of effort into maintaining them, even during her post-American Idol influx of activities. It’s a balancing act with some unexpected complications that she is still learning to walk gracefully. But for Lamb, there is no other choice.
“I think that the public has seen me as a teacher and I don’t want my name to be tainted by this other persona, this other career, this other life. So I don’t want to be slosh drunk. I don’t want to be like Jim Morrison in my experimenting with life. But at the same time there’s a whole other vibe with playing in venues, playing in bars and it is very different from the teacher thing,” Lamb explains.
Before Idol, Lamb’s work as a musician and an ESL teacher were more easily separated. Nowadays, with the added exposure that Idol has brought to her and her late-night performances around town, she has had to go to greater lengths to protect the sanctity of both. A shot of Jameson may not be thrown back with the same careless abandon as a few months prior and photo ops are utterly devoid of the counter-cultural staples of, say, a middle finger or devil horns. This isn’t to say that Lamb was or is a reckless partier at night and a quiet bookworm during the day.
Rather, what happens at night can bleed into the daylight hours and her work in one aspect of life can’t compromise the other. She has to take into account who her new audience members may be and how they learned of Lamb. Being a teacher requires maintaining professionalism at all times. When a teacher is shown on national television, keeping that even-headed mentality all day and all night becomes even more important.
Considering all the time that Lamb has spent on her music after her Idol run, some may wonder why she doesn’t put the teaching on hold for the time being. Between the Idol recaps she does regularly for Fox 19 since leaving the show, the myriad interviews, the residencies at Japps in Over-the-Rhine and Jags in West Chester (as well as other shows), the studio work and all the other opportunities that have arisen, finding time for teaching is pretty much impossible at this point. In fact, Lamb has cut down her teaching work to roughly four hours a week, doing basic lesson planning and similar activities. But she still carves out time for her teaching for a very important purpose.
“I don’t do it for the money, it’s not sustaining me. I do it for my spirit. It’s for something that feels important, I don’t know that what I’m doing all the time feels important,” Lamb says.
She views being a teacher and an entertainer as two professions with two different contributions to society. Music and teaching both give something back to the community at large, but she feels that teaching impacts the public on a much larger scale. While singing in a smoky bar reaches a small amount of people, teaching has a much larger reach.
Ultimately, Lamb is a musician and teacher in equal measure. At this point, the music is taking more of her time, but she is determined to not let it take all of it.
“I don’t want to cancel out one or the other with a teacher persona that’s too square or a Rock star persona that’s too crazy and unstable,” Lamb says.
For Lamb, finding a mix of her two professions and passions is an ever-present struggle. When Idol rocketed her music to the forefront, she has had to constantly work to balance it out with activities that are equally as fulfilling. It hasn’t been an easy process by any means but one that she sees as absolutely necessary.
Just don’t be offended if she turns down a shot of whiskey next time you run into her in the Main St. district.
Nick Grever is checking in periodically with Cincinnati-based American Idol contest Jess Lamb about her post-Idol life. Check out previous "Beyond Idol Chatter" posts here. Visit jesslamb.com for music, show dates and more.
Former Cincinnati-based (now Austin, Texas headquartered) band Heartless Bastards have announced the release of its fifth album, Restless Ones, on the Partisan Records imprint on June 16. It’s the band’s first new full-length since 2012’s acclaimed Arrow, the group’s debut for Partisan. (The band took local group Wussy on tour after Arrow's release.)
The Bastards, who recently opened some arena concert dates for Rock music legend Bob Seger, also announced a string of tour dates beginning in June that will bring them back to Cincinnati for a two-night stand at Woodward Theater. The band plays the newly remodeled/reopened Over-the-Rhine venue June 25-26 with opener Craig Finn (frontman for The Hold Steady).
A limited number of tickets for the Woodward shows are available starting today at noon through a special songkick.com presale. Click here for details.
Yesterday, Cincinnati Alt Pop foursome Walk the Moon continued its promotional blitz behind its sophomore major label album, Talking is Hard,
with a performance on Ellen DeGeneres' popular daytime talk/variety
show. After being introduced by DeGeneres as a "great Rock & Roll
band from Cincinnati, Ohio," the group played its single "Shut Up and
Dance" and singer Nicholas Petricca ran into the crowd to rock out with
Coincidentally, another Cincinnati-born band, The Afghan Whigs, appeared on national television the night before, performing "The Lottery" from their latest album on late night's Jimmy Kimmel Live. Watch it here and a web-exclusive performance of "I Am Fire," with a dash of Fleetwod Mac's "Tusk," here. WtM also played Kimmel late last year when the new album was released.
Walk the Moon will play a hometown show at Bogart's on
April 1 (like many shows on the band's current tour, it has already sold
out), then returns this summer to play the Bunbury Music Festival in
early June (tickets available here).
On Tuesday, March 17, Cincinnati duo Bad Veins will see its latest album, The Mess Remade, released nationally. The 13-track effort isn't an entirely "new" album, but a re-recorded/remastered version of Bad Veins' sophomore full-length, The Mess We've Made, which came out in 2012 on the Modern Outsider label. The record — which features new cover art, as well — comes after some big changes in lead Vein Benjamin Davis' band — the departure of original drummer Sebastien Schultz (who now plays with local Indie Pop group Multimagic), the addition of new drummer Jake Bonta and a new label home, the third nationally-distributed label in Bad Veins' lifespan (its self-titled debut was released on Dangerbird Records).
The Mess Remade is being released on the Dynamite Music imprint, a new company founded by Marco Liuzzo and Mitch Davis (son of music biz legend Clive Davis). The label is partnered with Caroline, which is part of Capitol Records and Universal Music Distribution. Bad Veins are the company's second announced signees, following Pop singer Ryan Cabrera.
The Mess Remade includes two new tracks, "I Shut My Heart Down" and a cover of The Muppets' classic "Rainbow Connection" (Davis performed the song solo to open the 2013 Cincinnati Entertainment Awards ceremony). The early release of "Rainbow Connection" in January and last month's puppet-filled music video release (premiered at The AV Club) caught some buzz online. The album also features a shorter "radio edit" of the leadoff track "Kindness," as well as the original 5-minutes-plus version.
Here is a video clip for the new "Kindness":
And here's the "Rainbow Connection" clip:
Noisetrade.com has a four-track sampler of Remade available here if you can't wait a week.
Find more about Bad Veins here.
Jess Lamb’s initial performance for the judges on American Idol’s bus tour was undeniably a show stopper. It wrapped up the episode and introduced America to one of Cincinnati’s brightest talents, while also moving her on to the Hollywood round after impressing the judges. Her second televised appearance, a group rendition of Meghan Trainor’s “All About That Bass,” was considered one of the stronger performances of the Idol Groups round.
That is why it shocked many viewers when she was quietly cut from the show after the performance.
Allegations quickly followed blaming Lamb’s cut on comments that Jennifer Lopez had made regarding the age of some of the contestants, due to Lamb being one of the older performers in the competition (she is only 29). If there’s anything that Lamb would like to set straight it is this: Don’t believe everything you hear. And this is far from the end of the road for her.
“Honestly, I got nothing but really awesome comments from [Lopez]. No bad comments, nothing,” Lamb explains.
Lamb is still unsure as to exactly why she didn’t move on to the next round — American Idol never provided her with a reason — but she does not believe that it was Lopez’s comments or her age that caused the cut. Lamb frequently questioned the editing of the episode and the presentation of Lopez’s comments while discussing the episode and the ensuing fallout.
While the cut was undeniably a blow to Lamb, it is one she is quickly recovering from. In fact, when the episode aired, she wasn’t even able to watch because she was working on one of her myriad new projects at the time.
“I’m busier since Idol than I ever have been. I’m working with Bootsy [Collins], writing with his backup singer, talking with his wife about a project she wants me to work on, preparing for [record label] showcases,” Lamb says.
While Idol’s promised record contract is now out of reach, that hasn’t slowed down Lamb’s work towards her goal of signing with a label and releasing a full-length album. In fact, Idol gave her the exposure that she needed to land on the radar of several big names within the Pop music community. “Grammy-award winner” is descriptor not often connected to people working with local music acts, but it applies in this instance. (Lamb can’t divulge too much information about certain facets of her industry interactions, so vague hints will have to do for now.)
Details are still being discussed and Lamb is still under Idol’s contractual obligations restricting her from signing with any labels before the show is over and a set period of time has passed since its finale. But Lamb is making the best of the time between now and May.
“I’m just trying to do what I’m legally able to do,” Lamb says.
While American Idol continues its search for the next American pop star, Lamb is determined to grow her career using many of the tools that she’s been using for years. She’s constantly attempting to break into new markets, make music with new people and perform for new audiences. The only difference is that she now has a national TV show appearance to help with promotion and publicity. The details of her release from American Idol may be shrouded in a bit of controversy, but ultimately what will endure are her fans’ memories of her performances. It is those memories that will be reignited once American Idol runs its course and Lamb is able to finally take the steps she’s been feverishly working towards putting in place.
And with several months till Idol’s run completes, Lamb has plenty of time to make some very big plans.
Local Rock crew Electric Citizen (winners of a 2015 Cincinnati Entertainment Award in the “Hard Rock/Metal” category) just unleashed a new music video for its delicious slab of trippy heaviness, “Light Years Beyond.” The clip, which features some cool throwback visual stylings and was directed by David Brodsky, premiered on Vice’s music site, Noisey, today.
The track is off of the band’s great album Sateen, which came out last year on RidingEasy Records. Click here for more on Electric Citizen. And read CityBeat’s interview with the band from last year here.
Last year, Cincinnati Hip Hop artist MC Till (aka Adam Hayden) did the unexpected and released The Neighborhood, an amazing album that brilliantly fused Jazz with Hip Hop rhymes. This year, Hayden is working on another delightful musical curveball — a Hip Hop-centric album (available on vinyl) and book project for children titled The Corner.
The seeds of the project were planted several years ago when his friend, graphic designer/videographer/rapper Vernard Fields, who has worked over a decade with special needs children in the Cincinnati Public Schools system, mentioned to Hayden that he wanted to make a Hip Hop album for kids. In 2012, while Hayden was working as an assistant CPS teacher, he discovered that by rapping some children’s poetry, he quickly and easily captured the attention of the first grade class in which he was in charge. Recalling Fields orginal suggestion, Hayden got back in touch with him and the pair worked out some material and presented it to an even younger audience (pre-schoolers), where they were again a big hit. Hayden and Fields then teamed up with illustrator Charlie Padgett to create the visuals for The Corner.
The high-quality book and album will be made available as hard copies and digitally (an app and website are also in the works) and the trio hopes that schools will be interested in using their project in the classroom. The Kickstarter perks offered for the campaign for The Corner include having bundles sent to specific teachers and schools (there’s even an accompanying study guide for teachers).
The ambitious project won’t be cheap to produce; the three artists are currently aiming for more than $48,000 in their Kickstarter campaign. If you’d like to contribute and/or check out the project, click here or on the video below.
The 18th annual Cincinnati Entertainment Awards ceremony/party, presented by CityBeat to honor Greater Cincinnati’s amazing music scene, is just around the corner. The show — featuring performances by nominees like Young Heirlooms, Buggs tha Rocka, Mad Anthony, Injecting Strangers, The Cliftones and more — is set for Sunday, Jan. 25 at Covington’s Madison Theater. Click here to get your tickets now. VIP tickets are also available. VIPs get membership to the Cincinnati Music Heritage Foundation, a James Brown or Hank Williams T-shirt (or limited edition poster made with Eli's BBQ sauce!), beer, appetizers, soft drinks and private seating.
There is still time to vote for your favorite nominated artists — but not much. The ballot closes Thursday night at midnight. Click here to add your two cents before it’s too late.
For a CEA warm-up, be sure to come to Bogart’s this Saturday for our annual Best New Bands showcase, featuring performances by New Artist of the Year CEA nominees Dream Tiger, Honeyspiders, Prim, Elk Creek, Leggy and Noah Smith, as well as fellow relative newcomers Kate Wakefield, JetLab, Harbour and Near Earth Objects.
Tomorrow (Dec. 3) marks the 35th anniversary of the concert tragedy at Riverfront Coliseum (now US Bank Arena) where 11 music fans were crushed and killed after fans pushed their way into the arena to see British Rock legends The Who perform. Tomorrow at 7 p.m., a vigil will be held on the plaza between U.S. Bank Arena and Great American Ballpark, where 11 lanterns will be lit in the memory of the victims.
There have been ongoing efforts to erect a memorial marker at the site of the tragedy. The Cincinnati Music Heritage Foundation got involved in 2009 to work with family members, survivors and city officials to establish the marker, help organize vigils and assist in spreading awareness of the cause.
The organization, with help from local journalist Rick Bird (who was covering The Who concert in 1979) and input from family members, survivors and others, have drafted text to be placed on the marker, which still needs final approval before it is put in place at the site of the tragedy.
The Music Heritage Foundation says Cincinnati Mayor John Cranley is “putting his full support behind this effort,” so the marker may be closer to becoming a reality.
From the Music Heritage Foundation’s press release, here is the proposed text for the marker:
Walter Adams Jr. 22 Trotwood OH
Peter Bowes 18 Wyoming OH
Connie Sue Burns 21 Miamisburg OH
Jacqueline Eckerle 15 Finneytown OH
David Heck 19 Highland Heights KY
Teva Rae Ladd 27 Newtown OH
Karen Morrison 15 Finneytown OH
Stephan Preston 19 Finneytown OH
Phillip Snyder 20 Franklin OH
Bryan Wagner 17 Fort Thomas KY
James Warmoth 21 Franklin OH
Deepest respects to the families,
friends and many survivors.
Eleven concertgoers, trapped
in a crush of people, died
at the southwest plaza
entrance to Riverfront Coliseum
waiting to see The Who.
Many others were injured in
what was the deadliest concert
tragedy in United States history.
The tragedy spurred passage of a
crowd safety ordinance, which
became a model for the world.
Last month, several photos featuring the members of Cincinnati’s Wussy hanging out at the CBS studios in New York made their way to the band’s social media accounts. Turns out the band wasn’t just taking a studio tour; they were invited guests!
Wussy filmed an in-studio session and were interviewed for a feature on the band that will appear on CBS This Morning Nov. 29. The date was revealed on this past Saturday’s CBS This Morning. It will be the band’s network television debut, the latest milestone for Wussy, which has seen its national profile continually rise gradually over the past several years.
CBS This Morning’s Saturday edition has been doing weekly musician profiles for a while now on a segment called “Saturday Sessions.” The show has featured artists like The Head and the Heart, Trampled by Turtles, Delta Spirit, Gaslight Anthem and Counting Crows in recent months (British musicians Johnny Marr and James play the next two “Saturday Sessions,” respectively).
Here are the Cincinnati natives of The National performing a session for the show earlier this year.