Creative Cincinnati MC Buggs Tha Rocka has just released a video for his “State of Hip-Hop Freestyle” track, featuring sounds from the late, great J. Dilla and taken from 2012’s The Wrath of Zeus mixtape, which was hosted by DJ Clockwork and is available for free download here.
The “State of Hip Hop” clip was shot in Amsterdam by Snow Rowe, who also performs/records with the great local Hip Hop crew Valley High. Rowe’s video for Valley High’s “8 Ball” won the inaugural “Best Music Video” prize at the recent Cincinnati Entertainment Awards.
Buggs Tha Rocka took home the 2014 “Hip Hop” Cincinnati Entertainment Award (his second win in a row) and he has video evidence to prove it:
Last Sunday's Cincinnati Entertainment Awards show — which featured 19 awards for local musicians and nine top-notch performances — is available to watch now courtesy of the fine folks at ICRCTV. Now's your chance to watch, in the comfort of your home, the show about which people have said was "fun," "blerg," "entertaining," "disappointing," "amateurish," "too noisy" and "lacking in chairs"!
Cincinnati Entertainment Awards 2014 Winners
Rock: Electric Citizen
Indie/Alternative: DAAP Girls
Metal/Hard Rock: Moonbow
Punk: The Dopamines
Folk/Americana: The Tillers
Bluegrass: Rumpke Mountain Boys
Country: Jeremy Pinnell and the 55’s
Singer/Songwriter: Molly Sullivan
World Music/Reggae: The Cliftones
Hip Hop: Buggs Tha Rocka
Electronic: Black Signal
Blues: Ricky Nye
Jazz: The Faux Frenchmen
R&B/Funk/Soul: The Cincy Brass
Best Live Act: Foxy Shazam
Best Artist Not Nominated: Young Heirlooms
Best Music Video: “8 Ball” by Valley High
Album of the Year: Fists of Love - I Sang My Heart Out to a Snake Once
New Artist of the Year: Tweens
Artist of the Year: Walk the Moon
The Cincinnati Entertainment Awards ceremony/party returns for its 17th annual celebration of the Greater Cincinnati music scene this Sunday at Madison Theater (730 Madison Ave., Covington, madisontheateronline.com). The show is open to music fans of all ages and kicks off at 7 p.m. (Doors open at 6 p.m.)
This marks the first year the CEAs have gone up against that OTHER music awards show, The Grammys (made possible by the CEA ceremony’s move from November to January last year). Don’t worry — you can DVR The Grammys or check out the best bits later online.
Along with the presentation of awards in 19 categories and lots of fun planned by first-time host (and CityBeat Arts & Culture Editor) Jac Kern, this year’s CEAs will feature more live performances than ever. The show will open with a secret — an all-star crew going by the name Saint Ain’t Mangled Angels. There will also be a special appearance by Folk trio The Tillers, who will pay tribute to their former bassist, Jason Soudrette, who passed away last year. Rounding out the great performance lineup are 2014 CEA nominees DAAP Girls, The Almighty Get Down, Moonbow, Valley High, Honey & Houston, The Yugos and The Upset Victory. (Check out all of this year's nominees here.)
Immediately after the CEA show, ticket holders are invited to attend the famous/infamous after party at BLDG (30 W Pike St., Covington, 513-491-4228). Indie/Electronic band Dark Colour will perform and Melissa Fairmount and Dana Hamblen of The Fairmount Girls will once again be doling out the “Fashion Trashies,” special handmade awards given to the best/worst/weirdest dressed CEA attendees (so be sure to look your best/worst/weirdest on the red carpet!).
Tickets to the CEA show are available at cincyticket.com for $20 (they’ll be $25 at the door). Proceeds benefit the Cincinnati USA Music Heritage Foundation. Also available at cincyticket.com are special VIP tickets. For $40, VIPs get some goodies from the Heritage Foundation (including a membership), food and drinks, private seating, performances by DJ squad Selectas Choice and more.
For those who can’t make it Sunday, follow @CityBeatMusic on Twitter to find out who wins what live as the awards are handed out.
Click below to check out this year’s nominees in first time category, Best Music Video. The videos will be shown on the big screen at the Madison a half hour before the 7 p.m. start time.
Saturday at Bogart’s you’ll have a chance to see 10 of Greater Cincinnati’s finest up-and-comers as CityBeat presents the first “Best New Bands” showcase. The event coincides with our “Best New Bands” cover story, featuring profiles and info on all of the performers — grab a copy if you haven’t.
Below is the lineup, which includes all six of the local acts nominated in the “New Artist of the Year” category and four other favorites, plus some audio/video previews to whet your appetite. Click the artists’ name to read CityBeat’s stories (and some great original photography) about each. The stories include links to the acts’ websites and more music.
The doors open at 7 p.m. Saturday at Bogart’s and admission is just $5. Performers will be featured on two stages, so it will be non-stop music all night.
7:30 p.m. Pop Goes the Evil
8 p.m. Molly Sullivan
8:30 p.m. Injecting Strangers
9 p.m. ADM
9:30 p.m. Mardou
10 p.m. Austin Livingood
10:30 p.m. Archer's Paradox
11 p.m. Little Lights
11:30 p.m. Tweens
12:15 a.m. Electric Citizen
Voting for the 17th annual Cincinnati Entertainment Awards, celebrating the best of the Greater Cincinnati music scene, ends TONIGHT at midnight. Click here to cast your ballot for your favorite nominated local artists.
The CEA ceremony is set for Sunday, Jan. 26, at Covington’s Madison Theater. The show/party will feature performances from CEA-nominated artists Honey & Houston, Moonbow, The Yugos, The Upset Victory, Valley High, The Almighty Get Down and DAAP Girls, as well as a secret opening performance by an entity known (as of now) only as Saint Ain't Mangled Angels (those who read CityBeat regularly will likely be able decipher the thinly-veiled pseudonym).
Also added to the run of show for the CEA event is a special performance by Cincinnati Folk trio The Tillers, who released their fantastic Hand on the Plow album and toured the U.K. with Pokey LaFarge in 2013. The group, nominated for CEAs in the Folk/Americana, Album of the Year and Artist of the Year categories, will be paying tribute to their former bassist Jason Soudrette, who lost his battle with acute myeloid leukemia late last year.
Outside of singing at his church occasionally, brilliant Americana singer/songwriter David Wolfenberger
hasn’t performed in the area for quite some time. After working with the group The Marshwiggles in the late ’90s, Wolfenberger put out three stellar solo albums between1999-2006, earning him high praise both domestically and abroad. But besides occasional performances and scant new material (what he has released has been for charity), the 1999
Cincinnati Entertainment Awards winner for Artist of the Year has kept a low profile for the past several years.
Tonight, Wolfenberger is coming "out of exile"
to join an old friend in concert.
Wolfenberger is re-teaming with Mark
Olson, half of the brain trust behind the best work of The Jayhawks, at
Newport’s Southgate House Revival. Wolfenberger
toured extensively with Olson in the early ’00s as a member of The Original Harmony Ridge
Creekdippers, the group Olson formed with then-wife Victoria Williams
after he left The Jayhawks.
Wolfenberger opens tonight's show with a solo, acoustic set at 8 p.m. and he will also join Olson during his set (along with Olson's current touring partner — and wife — Ingunn Ringvold). Tickets are $12 at the door.
Wolfenberger has been posting some of his older material on his Reverbnation page and, in an email, he said he will be posting new songs "on occasion in the future." Here's one of his earlier cuts, "Tentatively Vince Foster," from his 1999 solo debut, Tales from Thom Scarecrow, released on the local Blue Jordan Records.
The winners of the "Best New Artist" trophy at the most recent Cincinnati Entertainment Awards, DAAP Girls, will celebrate the debut of their new music video tonight at Japp's Annex on Main Street in Over-the-Rhine.
The spooky, visually arresting clip is for "Molly," one of the many great tracks off of the band's debut album, Tape Songs (every song has a girl's name). Shot at the Kenneweg Compound in Alexandria, Ky., "Molly" was directed by local visual artist Philip LaVelle, alongside graphic designer Josh Jacob and videographer Sean Steininger. The video is mesmerizing and matches up with the lurching, dreamy swagger of the song perfectly. It's fairly low-budget, but doesn't look it, with it's creatively captivating effects and overall vibe.
DAAP Girls guitarist/singer Stuart MacKenzie provided this synopsis of the video:
"The video tells a story of five young people on the cusp of adulthood enjoying a last weekend together. (Unbeknown) to them, they are being viewed by the ghosts of their future's past. The video incorporates aspects of romance, nostalgia and magical realism to tell an alternate, complimentary story to the song."
Tonight's new video celebration at Japp's kicks off at 9 p.m. with a DAAP Girls performance, followed by the screening of the clip at 10 p.m. The band will perform after the screening as well.
Here's a sneak peek of "Molly," followed by the video's creative credits:
Directed by Philip LaVelle
Filmed by Sean Steinger and Josh Jacob
Edited by Sean Steinger, Josh Jacob and Philip LaVelle
Special effects by Josh Jacob
Casting by Erica Turer
Catering by Joe Diedenhofer
Filmmed on location at Kenneweg Compound, Alexandria, KY
Special thanks to Josh and Stephanie Kenneweg
Cast: Cody Reinhard Amir Gamble, Zachary Müller, Sarah Davenport, Rosie Carpenter, Emma Roberts, and Allison Gathof
DAAP Girls is: Jay Duckworth, Stuart MacKenzie, Daniel Peterson, Alex Duckworth, Michael Felger, Collin Thompson, Brian Gilronan.
The 2013 Cincinnati Entertainment Awards ceremony/party late last month at Covington’s Madison Theater was filmed on high-quality video and this Saturday, for the first time in the 16-year history of the CEAs, fans who want to relive the performances and presentations (or those who missed it altogether) will have a chance to watch the show on television.
The show includes the short but very sweet live sets from Bad Veins’ Ben Davis, The Dopamines, Gold Shoes, Ricky Nye, Jess Lamb and Culture Queer, as well as an all-star presentation of songs from the Come Play the Lost Notebooks of Hank Williams at Herzog EP put together by the Cincinnati USA Music Heritage Foundation.
Saturday at 9 p.m., thanks to the Intercommunity Cable Regulatory Commission, the full show will be aired on ICRC TV, available in select communities in the Cincinnati area via Time Warner Cable channel 4. The show will be rebroadcast on the same channel Monday at 8:30 p.m., March 1 at 10 p.m. and March 2 at noon. (Check here — in the column on the left — to see if the broadcast is available in your area.)
For those in Cincinnati proper, you can watch the CEAs on Time Warner channel 24 on Feb. 27 and on March 6 at 9 a.m. A Northern Kentucky broadcast is also in the works, as is the ability to watch the program online. Stay tuned to this here music blog for the latest updates.
If those air times don’t work for you, you can also purchase a copy on DVD. Simply email email@example.com to inquire about delivery and prices. (Program reference number is 16534.) To relive the ceremony in photos and words, click here.
On Sunday night, hundreds of local musicians — as well as the many of the fans who love them — had Covington's Madison Theater packed to capacity to celebrate the 16th annual Cincinnati Entertainment Awards.
It was another love fest, as the music, laughs, camaraderie and drinks flowed throughout the tight three-hour ceremony/party CityBeat founded over a decade and a half ago as a means of honoring Greater Cincinnati's music makers (and, originally, local theater artists and productions).
Though it has lessened over the years as more people have grown to understand the CEAs better, there is still plenty of griping about the awards every year. The vast majority of complaints are about who gets nominated. It's understandable in light of the talent that is overlooked annually. Having so many talented and deserving artists in our city making quality music is a good problem to have. But if every worthy musical act in the Tri-State area were to be nominated for a CEA each year, the categories would include dozens of nominees and the show itself would have to be a sleepover affair. You think the Oscars are too long? Sit through one 16-hour CEA show and you'll be begging for a witty Billy Crystal musical number.
Like every year, the sport of CEA bashing is quickly forgotten once inside the venue for the ceremony. The awards celebration is the one time of the year where fellow musicians from every genre — some friends already, some friends-to-be, others perhaps only known via social media messages — gather in one place. There doesn't seem to be a ton of competitive spite within our music scene and the musicians I've talked and worked with, for the most part, are always pretty down to earth. (As if on cue, the griping returned right after the show — a comment on Sunday night's blog post featuring the winners of this year's awards deemed the whole program an embarrassment. Sixteen years of my life, wasted! Oh, anonymous trolls, where would you be without the internet?)
The CEAs can't help but become a communal love fest. (Yes, the drinking probably helps this quite a bit, as well.) In general, there seems to be a lot of internal support amongst local musicians, and it feels like external support and appreciation (outside of jerky, anonymous comments) is on an upswing. The CEAs are always a great reflection of that community spirit.
Ben Davis of Indie Pop duo Bad Veins kicked off the CEAs with his trademark taped accompaniment, but without bandmate, drummer Sebastien Schultz. Davis' performance was still compelling, capped off by that timeless ode to magic and mystery, The Muppets' chestnut, "Rainbow Connection." The singer/multi-instrumentalist set the tone (and the bar) for the night's performances, which included plenty of revelations and some fun, novel surprises.
Those unexpected moments are always the performance highlights of any awards show and this year's CEA lineup and production provided loads of highlights. Local Boogie Woogie torchbearer Ricky Nye rumbled through a great set of rollicking Blues, building up to a cool collaborative climax as Blake Taylor and Jonathan Reynolds of fellow CEA "Blues" category nominees 46 Long joined the pianist/singer. Nye and 46 Long had been embroiled in a mock online feud leading up to the show. Music heals! (Nye ended up winning the category.)
International Punk sensations The Dopamines gave the show a jolt with their explosive performance, launching into Guided By Voices' "A Salty Salute," but only after bassist Jon Weiner managed to insult nerds and "old fucks" in his introduction (they're "Punk," he reminded everyone later). From there, the trio launched into a mini-set of their own adrenalized anthems with fiery swagger. Fans were made.
The same can be said for singer Jess Lamb, the soulful vocalist who wowed the crowd with a few hypnotic songs, joined by her guitarist and bassist (who doubled on throbbing kick-drum). The sparse set-up belied the soaring sounds conjured, guided by Lamb's remarkable voice. Lamb was nominated for a CEA in the R&B/Funk/Soul category, a testament to her unique sound, which comes closer to resembling Florence and the Machine than, say, Usher. We may need to create an "Alternative/Soul/Rock" category to accommodate Lamb next year.
The Hip Hop/Rock band Gold Shoes are also keen hybridizers, and their CEA performance was a great display of the group's unique spin on Hip Hop fusion. The band provides a dynamic backdrop that's spiced with elements of Funk, Rock, Pop, Jazz and beyond. But the group isn't just providing a playground for frontman Buggs Tha Rocka to unleash his tight, captivating flow. The group writes melodic songs with strong, unique chorus hooks. Their CEA performance was a clinic on how to combine Hip Hop with other types of music without sounding like a cheap Pop grab (" … featuring Adam Lavine!"), Gym Class Heroes or, God help us all, Limp Bizkit.
The Cincinnati USA Music Heritage Foundation, which provided a great experience for VIP ticket buyers in the balcony, reminded everyone of the Queen City's place in shaping popular music with a segment presented by the group's president, musician Marvin Hawkins. After talking a bit about the organization's plans to continue honoring the area's rich musical past in 2013 (expect a lot of King Records-related events in honor of the locally-based groundbreaking label's 70th anniversary), Hawkins joined a host of local Roots musicians for a spin through a pair of songs from the recent collection, The Lost Notebooks of Hank Williams, a project spearhead by Bob Dylan that involved writing songs from a cache of unearthed lyrics written by the American music icon. The all-star band assembled — including Magnolia Mountain's Mark Utley and Renee Frye, David Rhodes Brown and Sylvia Mitchell — expertly played songs they had recorded at the Music Heritage Foundation's downtown headquarters, in the same space once occupied by Herzog studios, the site where Williams recorded "Lovesick Blues" and other classics.
The CEA show itself ran smoothly and first-time host Ted Clark proved to be a great fit for the show. Clark's deadpan, sardonic humor — familiar to those who flock to his "live talk shows" at MOTR Pub — was reminiscent of Zach Galifianakis and sometimes he had great lines that were maybe to subtle for the CEA's "party atmosphere." But from those of us paying attention — bravo, Mr. Clark.
There was an array of entertaining acceptance styles from the winners, ranging from choked-up and sincere to pumped-up and enthusiastic to more matter-of-fact. Wussy had a huge night, taking home the Album of the Year (for Strawberry) and Artist of the Year CEAs, capped by some funny lines while accepting. Drummer Joe Klug joked that, for anyone doubting they deserved the Artist award, Wussy "played Little Rock, Ark., four times in the past year."
The award presenters — a collection of local music supporters and personalities, mostly from radio and press outlets, as well as sponsor reps — did a great job hammering home the "support local music" message of the CEAs' mission. But presenter and CityBeat Arts and Culture Editor Jac Kern provided one of the funniest bits in CEA history with her tribute to Beyonce — via a soon-cut-off lip-synced performance of the National Anthem.
Culture Queer capped off the show (or warmed up the after party?) with a set that captured the fun of the night, rocking out a trio of quirky, animated Electro Indie Art Pop gems with their trademark film backdrop. The sprightly CEA trophy hostesses came out for some dancing on finale "Born Again," their funky get-ups matching CQ's twitchy, offbeat anthem — and the jubilant, colorful energy of the entire night — perfectly.