Another historic Cincinnati building is being artfully illuminated. This year's past LumenoCity light mapping to a live orchestra on Music Hall was more popular than ever, and tonight the NEAR*BY Curatorial Collective is doing something similar at Rhinegeist.
Rhinegeist brewery is housed in the skeleton of an old Moerlein bottling plant. And starting at 7 p.m. Thursday (Nov. 20), 17 artists and collaboratives will be exhibiting projected video, sculptural and environmental installations in/on the structure's architecture. The interdisciplinary works will demonstrate how contemporary artists currently embrace the dematerialization of image and how that manifests in a non-traditional art space. The name Rhinegeist literally translates to "ghost of the Rhine," and according to the curatorial statement, "Though often intangible, light and art can likewise be said to haunt or inhabit space."
Participating artists include Brandon Abel, Jen Berter, Nicki Davis, DAAP Clay & Glazes, headed by Katie Parker and Guy Michael Davis (featuring the work of Olutoba Akomolede, Christine Barron, Amanda Bialk, Michael Broderick, Linnea Campbell, Catherine Gilliam, Theresa Krosse, Sarah Maxwell, Megan Stevens, Christine Uebel, Allison Ventura & Victoria Wykoff), Lizzy Duquette, Sam Ferris-Morris, Mark Governanti, John Hancock, Joe Ianopollo, Maidens of the Cosmic Body Running, Andy Marko, Alice Pixley Young, Play Cincy, Lindsey Sahlin, Caroline Turner, Justin West, C. Jacqueline Wood and Charlie Woodman.
The one-night only exhibit kicks off at 7 p.m. and will go until 10 p.m. It's free and open to the public. Rhinegeist is located at 1910 Elm St., Over-the-Rhine. Get more information about the event or NEAR*BY and their mission to create ephemeral and interdisciplinary exhibits that bypass the art institution here.
Adding to the ever-growing number of public art murals in Covington, Ky., BLDG welcomed the Brooklyn-based street art collective, FAILE in October to complete a massive painted Pop art installation in their torn collage style that spans three walls and either side of Sixth Street.
BLDG, the locally grown art gallery/branding firm, is responsible for numerous murals around Covington including (but not limited to) 10 recognizable black and white characters done by The London Police on notable Covington landmarks and businesses, as well as the current COV200 mural project for the city’s bicentennial celebration, which will involve more than 20 murals by the time it’s completed.
FAILE artists Patrick McNeil and Patrick Miller sent a crew of two studio assistants to begin the initial layout for the piece, which involved pouncing an outline of the design onto walls with cheesecloth bags filled with powdered pigment. Unfortunately for their studio assistants who had come to do the initial legwork, whenever it would rain (and before they could trace a more permanent outline with Sharpie), a storm shower would come and wash it all away.
Despite some less than ideal weather conditions during the two-week installation process, the artists themselves came into town the final two days of painting and were able to finish the grand installation by Oct. 23, when I met up with them at Arnold’s amidst a full table of BLDG employees, headed by Lesley Amann.
Amann recently stepped in as partner at BLDG after the founder — her husband, and the driving force behind BLDG’s commitment to public art — passed away a year ago this month. Lesley said that the FAILE mural was one of the last projects Mike began before he got sick and when I asked Miller and McNeil, “Why Covington?” McNeil echoed that sentiment.
According to the artist, a large factor in FAILE’s involvement was due to, “getting to know these guys and wanting to pull through for them and represent.”
Project leaders unveiled the new three-wall piece to the public on Oct. 23 and the mural included such iconography as the FAILE dog and a cat burglar on the opposing wall, as well as a visual reference to some of the collaborative’s newer works, which depict classic American muscle cars.
Patrick Miller puts their artistic approach in simple terms.
“Our work has always been about making images that people can find their own narrative in and relate to in their own way. It’s always more fun for us to see the way people react to the work — the kind of stories they make up about it. Whenever you’re doing public work, that’s the beauty of it: It’s meant for anyone to come see.”
Covington’s collection of high-end street art expands today with the unveiling of a vibrant mural created by Brooklyn-based artists FAILE. The mural will cover the rear walls of the adjacent Republic Bank and Donna Salyer’s Fabulous Bridal buildings on the corners of Sixth Street and Madison Avenue.
Patrick McNeil and Patrick Miller, collectively known as FAILE, create multimedia installations and collage, incorporating an experimental style and popular cultural references. Although FAILE has exhibited art in traditional gallery spaces, their work on city walls across the globe has put them on the innovative edge of the street art community. Amsterdam, New York, London, Bethlehem, Palestine and Vienna are just a few of the cities where FAILE’s work can be found.
The Covington collage-style mural was inspired by the artists’ “rip style painting.” It features classic FAILE motifs along with suggestions of Kentucky culture. The placement of the mural on two adjacent buildings allows the split images to visually converse with each other through space. The mural’s high contrast and dramatic aesthetic references FAILE’s inspiration from screen printing along with urban contemporary art. The humorous overtone of the mural’s imagery makes a strong visual connection to pop art and comic book illustrations.
Covington’s BLDG, a cooperative arts organization working to “foster inspiration, the visionary and the uncommon” will host the unveiling of the mural. BLDG nurtures creativity by providing branding, gallery space, publicity and refuge for artists and innovative thinkers. Their unique team brings internationally celebrated artists to the Covington area, placing the city on the list of artistically progressive areas. BLDG’s projects have included collaborations with the London Police and Prefab77.
will take place from 5-7 p.m. tonight at the mural site. Drinks and food will
be provided by Rhinegeist, Arnolds, Tito’s Vodka and The Gruff (a pizza
shop/deli coming soon to Covington). Go here for more info.
As Downtown and Over-the-Rhine continue to see a growth of walking tours related to the revived inner city's heritage (especially its brewing heritage) and architecture, a new one will soon be offered dedicated to its ever-growing collection of public murals.
ArtWorks, which is responsible for many of those murals (including a just-finished one at Eighth and Main streets dedicated to Cincinnati-born Pop artist Tom Wesselmann), will launch the tours in October as part of its Mural (Celebration) Month. They will continue into November, and then take a break. Beginning in 2015, they'll run April through November. Reservations will be needed for the tours, which will run 90 minutes and cost $20 for adults.
Artworks also is looking for volunteers to guide those tours. If you're interested in either, visit artworkscincinnati.org where information will be available soon. Bus tours are being discussed, too, once streetcar construction is completed.
View 2014 EcoSculpt submission guidelines or to submit your original eco-friendly design hereec.
BuzzFeed — a popular source for news bits, pop culture stories and “list-icles” such as “19 Relics From The ’90s Hologram Epidemic — has published many stories about Cincinnati this year alone. There's “15 Gorgeous Photos Of The Old Cincinnati Library,” which compiles swoon-worthy photographs of our Main Library’s past, as well as “11 Cincinnati Foods That Are Better Than Yours” and “31 Ways To Tell You’re From Cincinnati,” both of which have been shared on social media by countless locals — and mocked/criticized for being outdated and overly-generalizing (some of us actually subsist on a diet of foods that are not covered with runny chili and cheese!).
Chris Breeden, promotions director at Arnold's Bar and Grill, recently added another local list-icle to the site (on BuzzFeed’s
Community page), highlighting the city’s bevy of public art created by
globally recognized street artists.
Breeden's “9 World Famous Street Artists (You Never Would Have Guessed Are) Up In Cincinnati, OH” features photos of work by Shepard Fairey, Vhils, The London Police and other street artists that have adorned Cincinnati surfaces. Also on the list is French artist JR, who was recently in town for his exhibit at the Contemporary Arts Center (on view through Feb. 2, 2014).
Street art featured in the list can be seen everywhere from Arnold's downtown and Amerasia in Covington, Ky. The story details
each artist’s background and home base as well as how to find each
Treece is searching for that “magical spot.” He doesn’t risk the charge of vandalism
like graffiti artists, but he still risks a trespassing charge with every foray
into the night.
Light painting is a photography technique that involves moving a camera or adding a light source while operating with a slow shutter speed. The resultant images include colorful, swirly lines and other creative effects. Like graffiti artists, “both of us trespass illegally. Both of us are night owls. Both of us have explored tunnels, creeks, bridges and abandoned buildings and have gained such a good understanding about the layout of the city,” Treece says.
Suffice it to say, Treece’s understanding of all the nooks and crannies of the city is far more in-depth than the average daylight city dweller.
Before his nightly jaunt into the darkness, Treece packs his equipment bag. At first glance, you wouldn’t think anything is out of the ordinary. Treece stuffs a Nikon D90 camera, remote shutter release, Nikon SB-600 Flash and two tripods into the main compartment of the bag. But the smaller compartments receive the stranger tools of the trade.
He reveals children’s toys, ones that light up. Treece begins to stuff light swords, mini color changing glow sticks, six different kinds of flashlights, laser pointers, finger LEDs, glow sticks and his custom nine LED light orb tool into every remaining compartment of his equipment bag.
All that’s missing is the party favors. At this point, it’s almost unclear if he’s going to a rave or going out to light paint.
Treece almost forgets the most important tool: batteries — lots of them.
Light painting hasn’t always been Treece’s passion, however. “I’ve always been interested in art, but my interest in light painting started sometime around May or June of last year,” he says. “I was browsing the Internet randomly and saw a picture of what looked like a spinning waterfall of sparks. I had seen light painting prior to this photo, but it really didn’t click that these [light painters] were using super long exposures and crazy light sources to create works of art.”
That night, Treece spent hours reading up tutorials on the website lightpaintingphotography.com and a particular online community that called itself “the light junkies.” There he learned that it was plausible to make his own contribution to the light painting community.
Not all places are created equal in the light painting community. Living in Cincinnati is both wonderful and a pain. Clifton Heights, Treece’s main stomping ground, provides him with an incredible amount of light pollution, which can be attributed to the area’s attempt to curb crime activity.
Cincinnati still provides an ample amount of opportunity to create. “[Cincinnati] has some of the most bad-ass tunnels built in the early 1900s. … Cincinnati also has a creek system, which over time had to be cemented because of industrial waste,” Treece says. “These tunnels and channels have created some of the best spaces for light painting.”