MusicNOW, the popular new music festival founded by Cincinnatian Bryce Dessner of internationally acclaimed Indie Rock band The National, will celebrate its 10th anniversary this year when the fest returns March 11-15 at Music Hall, Memorial Hall and first-time venue Woodward Theatre.
On March 10, the Over-the-Rhine fest will be celebrated with the digital release of a compilation album featuring musical highlights from MusicNOW’s first nine years. MusicNOW- 10 Years will feature previously unreleased performances by Dirty Projectors, Sufjan Stevens, Bon Iver’s Justin Vernon, Bonnie “Prince” Billy, Grizzly Bear, My Brightest Diamond and others.
The album’s “Trials, Troubles, Tribulations” by Sounds of the South, a project featuring Vernon, Sharon Van Etten, Megafaun, Matthew E. White and Fight the Big Bull, was recently released as a preview.
“The first track ‘Trials, Troubles, Tribulations’ gets at the spirit of the compilation and the event. It is an American bluegrass gospel song written by Estil C. Ball. Here it is performed by Sounds of the South, a project featuring Justin Vernon (Bon Iver, Volcano Choir), Sharon Van Etten, Megafaun, Matthew E. White, and Fight the Big Bull. The project, organized by Megafaun, initially appeared at Duke Performances in North Carolina and MusicNOW in Cincinnati, Ohio, and subsequently traveled to Sydney Festival in Australia.”
In the press release for the album, Dessner says, ““Many of my most significant memories as a musician have taken place in Cincinnati during the MusicNOW Festival over the last 10 years. When we started, we were driven to create an intimate music festival that was as much a creative refuge for the artists as it is for the audience to partake in intimate and rare performances. We have celebrated works in progress and new commissions, new collaborations and detailed music of all kinds regardless of genre or popularity."
This year’s MusicNOW festival features appearances by Stevens, Nico Muhly, So Percussion, Timo Andres, concert:nova with Jeff Zeigler, Cloud Nothings, Will Butler and more. The National will also perform at the festival on March 13 at Music Hall with the Cincinnati Symphony Orchestra. Click here for full details and ticket info.
Sounds of the South "Trials, Troubles, Tribulations"
Robin Pecknold "Silver Dagger"
Sufjan Stevens "The Owl & The Tanager"
eighth blackbird "Omie Wise"
My Brightest Diamond "I Have Never Loved Someone"
Dirty Projectors "Emblem Of The World"
Tinariwen "Imidiwan Ma Tenam"
Tim Hecker "Chimeras (Live) 2011"
Colin Stetson "Nobu Take"
Owen Pallett "E Is For Estranged"
Erik Friedlander "Airstream Envy"
Bonnie 'Prince' Billy "Love Comes to Me"
Grizzly Bear "While You Wait For The Others"
The Books with Clogs "Classy Penguin"
Andrew Bird "Section 8 City"
Justin Vernon "Love More"
One of Cincinnati finest Hip Hop artists, Buggs Tha Rocka, is making his new album, Scattered Thoughts of an American Poet, available for free starting today on various outlets across the internet (it’s already generated fairly widespread buzz, including write-ups from the U.K. and France).
Buggs recently spoke with CityBeat’s Brian Baker (who called the new LP a “masterpiece”) about the new release (which features guest spots from Donte from MOOD, Moxy Monster, Tanya Morgan, Aida Chakra and Cool Kids’ Chuck Inglish among others) and his progress in the Hip Hop world.
“The type of Hip Hop I do has always focused on technicality and emotion,” Buggs said. “I take pride in being a wordsmith. That’s where the ‘American poet’ came from. And ‘scattered thoughts’ is really what it is. It’s everything I’ve been through, things I’m seeing in the news, a little bit of everything. My ups, my downs, my life in one CD. Instead of putting on a facade and an image, it’s really organic and natural.”
You can read Baker’s full interview with Buggs here.
Buggs is hosting an intimate release party/performance this Friday at Over-the-Rhine club Maudie’s. Showtime is 9 p.m., admission is $7 ($5 in advance here) and Buggs will be joined by MOOD’s Donte (and probably other guests?) at the show.
Buggs has unveiled several videos (made in conjunction with Alvin Jordan and others) for various tracks from the album leading up to the release. Here’s a clip for “Angel of Death” featuring Piakhan:
Here’s the clip for “Bad Habits”:
Here’s Buggs and Pappadon in the clip for “OuterXSpaceXLove”:
Here’s “Rapture” featuring Phoenix Aphrodite:
This is the clip for “My$tery”:
And here is the newest clip, for the track “Religiously,” which was released today:
Visit Buggs’ official site here for the latest info and to download the album. You can also click below to check out and grab a copy of Scattered Thoughts of an American Poet.
In early September, Cincinnati major-label act Walk the Moon had its new single, “Shut Up and Dance,” released by RCA Records. The song — which the band performed on Late Night with Seth Myers on Sept. 15 — is slated for inclusion on the band’s next full-length for RCA, the group’s second for the label. The new album is due for release later this year.
Today, the “Shut Up and Dance” video was made public. In the press materials for the new clip, frontman Nicholas Petricca says, “Influenced by the plot-driven music videos of the 80s and nerdy visuals of 90s television, our new video for Shut Up and Dance is a trippy story of dork victory. We are the proud mothers and co-directors of this weird throwbacky fantasy, alongside the brilliantly funny Josh Forbes.” There’s also an awesomely awkward dance break from Petricca in the clip.
Walk the Moon is currently doing a national tour (with fellow Cincinntians Public opening several dates) that has largely sold out; an announcement of a more extensive spring tour in support of the new album is due in the coming weeks.
Check out Mashable’s piece on the new video, in which Petricca picks his favorite ’80s music videos here.
The Cincinnati Dronescape recording project stemmed from an idea forged by local resident Isaac Hand over the summer. Hand and a friend went around town recording sounds that they felt were “quintessentially Cincinnati.” The found sounds, Hand says, included “the sound of the Western Hills Viaduct, the train yards, the hum of the (University of Cincinnati Medical Center), the Moerlein Brewery” and other location-specific noises.
They then distributed the sounds to various musicians, who mixed them into their own unique compositions.
The results are featured on the mesmerizing and creative Cincinnati Dronescape album, which, along with Cincinnati Drones (an album featuring the original source-material soundscapes), is available to stream and download via cincinnatidronescape.bandcamp.com (see below; hard copies can also be found in local-music friendly record retailers in the area). The sonic adventurers featured on the album include ADM, umin, Molly Sullivan, Jarrod Welling-Cann, Zijnzijn Zijnzijn and several others.
This Saturday at 7 p.m., the project participants will gather in the West End at the intersection of Gest and Summer streets (near Union Terminal) and play Cincinnati Dronescape from several cars simultaneously. Copies of the CD will also be available for purchase at the listening party event. For more information on the project and listening party, click here.
Cincinnati Pop Rock quartet Mixtapes formed about four years ago and immediately hit the road with a relentless dedication. The band’s hard work paid off and it has experienced great success, building a dedicated fan base across the country with great live shows and hook-drenched, nationally-released albums and singles.
As anyone who has seen Mixtapes live knows, the band’s shows are adrenalized, sweaty fun and their music, while growing more mature and diverse with each release, is sheer fist-pumping, singalong joyfulness.
Frontman Ryan Rockwell was living the dream. But somewhere along the way, his life became more like a nightmare. The fact that Mixtapes’ launch coincided with the death of his father certainly played a part in Rockwell’s difficulties. Though details are vague, according to a press release, Rockwell “started to watch himself deteriorate and become the type of person he hated the most. He tried things he never thought he would and got dangerously close to not making it out.”
"I had never felt more alone," Rockwell says in the release. "Friends that I have had for years literally just stopped talking to me, stopped responding, a large number of them. I turned to the only thing I knew, and I started writing about it. I don't know who was wrong or who was right, but I know how much it hurt and people that I have helped and would do anything for left me when I needed help the most. Other people stepped up and saved me. I don't place blame though … I became a different person for awhile.
Rockwell was trying to understand what was going on in himself to make him so unhappy, but found it difficult to express. So he did what he does best and channeled his emotions into writing and recording songs. Working with friends Kamal Hiresh and Zach George and using the name Youth Culture, Rockwell hit the basement and created what would become the 10-track album, I Hate How Normal I’ve Become, an accomplished and eclectic collection of songs that, while still instantly catchy, possess much more darkness than Mixtapes’ jubilant Punk Pop.
Rockwell released the Youth Culture album late last month as a “pay-what-you-want” (yes, even if you want to pay nothing) download.
“This is an album for people going through things they don't like to talk about or know how to express,” Rockwell says. “We did it all ourselves and paid for it all ourselves. First and foremost, we want you to hear it — which is why it's free. If you like it enough, we'd very much appreciate a donation to recoup costs and eventually put it out on vinyl. But as always with everything I've done, I just want it to get out there, so thank you so much for taking the time to listen; there's a lot of bands out there, thanks for giving this a spin."
Listen to I Hate How Normal I’ve Become below, then click the player to grab your very own copy.
Fans worried that Youth Culture might signal the end of Mixtapes, fear not. The band is currently crisscrossing the United States on the massive Vans Warped Tour, which it'll be a part of until August. (The band is slated to appear at the Warped Tour’s Cincinnati stop on July 16 at Riverbend Music Center.)
Heavy Hinges is a new-ish band featuring some faces likely familiar to dedicated local music fans. Guitarist Jeremy Singer and drummer Brian Williamson have played in numerous groups over the past two decades, while singer/guitarist Dylan Speeg and bassist Andrew Laudeman were members of long-running, super-diverse Cincinnati crew Buckra. Maya Banatwala is the relative newcomer in the band, but her soul-drenched co-lead vocals in the Hinges serve as the group’s secret weapon.
Heavy Hinges debut album, Mean Old City, shows signs of some of Buckra’s trademark sonic diversity, but it’s channeled in a more focused manner. Ultimately, Heavy Hinges is a great Rock & Roll band, but its sound is touched by influences from Blues, Pop, Funk and Soul to various other forms of American Roots music. Like Alabama Shakes, Heavy Hinges manages to sound remarkably vital and “of the now” — despite the obvious vintage inspirations — thanks to the sincerity and vigor poured into each note. Mean Old City bristles with a timelessness that has less to do with the classic genres flirted with throughout and more to do with the from-the-heart songwriting and playing.
Here’s a music video for Mean Old City track “Booze May Be Your Lover, Not Your Friend”:
Speeg and Banatwala make for great co-frontpeople, crisscrossing their melodies and harmonies sometimes like X’s Exene Cervenka and John Doe and other times like June and Johnny Cash, with each singer possessing a voice quite distinct from each other, yet still sounding like they were made for each other when they come together. Meanwhile, the rest of the band are flawless and perform with a similar soulfulness; Williamson and Laudeman are a jaw-droppingly great rhythm section, while Singer’s guitar leads and solos are as attention-grabbing as the singers’ powerful vocal one-two punch.
Heavy Hinges host a free release party for the new album Saturday at 10 p.m. at Northside Tavern with DAAP Girls. Read CityBeat's profile of Heavy Hinges from early this year when the band was nominated in the "Best New Artist" category at the Cincinnati Entertainment Awards.
Local MC Puck has unleashed a great new track, “Weekend Warrior,” along with a solid accompanying music video (which includes a guest appearance from Cincy Hip Hop duo Those Guys). The young Hip Hop artist shows the positive effect and influence of Kanye West’s recent experimental work (and there’s even a Kanye nod in the background during the video). It’s a powerful listen/look:
Click here for more on Puck and below to download the new track for free:
You can catch Puck live on June 21 for free on Fountain Square as part of the "Beats by Self Diploma" concert series.
Cincinnati Alt Funk/Dance Rock quartet Founding Fathers have built a buzz locally over the past few years with their energized live shows and infectious, slanted grooves. The band has been hard at work lately in the studio, recording those grooves for a forthcoming full-length.
Earlier this year, Founding Fathers gave the public its first taste of the new recorded material in the form of a music video for the track “Stop, Drop and Roll.” The clip, directed by Bangout Films, mixes some cool live performance footage with woozy visuals that show a blurry, surrealistic night of barroom debauchery (including some creepy, hallucination-worthy dudes with smiley faces for heads). The video wonderfully matches the blustery, more rocking side of Founding Fathers’ sound, which also shows elements of avowed influences like LCD Soundsystem and Talking Heads. If you remember — and loved — Columbus, Ohio's Funk Punk greats Royal Crescent Mob, “Stop, Drop and Roll” should be right up your alley.
Founding Fathers performs a free show this Saturday night at MOTR Pub and fans in attendance will have a chance to hear even more of a preview of the forthcoming full-length. The band is offering up a special four-track EP/album preview to those in attendance. Saturday’s show starts at 10 p.m. Vito Emmanuel is also on the bill.
For more on Founding Fathers, click here.
The album is an endangered concept in music, with MP3s and streaming encouraging more and more people to listen to tracks “a la carte.” If people aren’t listening to a collection of songs intentionally put together by an artist in a specific order, why should the artist bother trying? It’s one of the reasons releasing EPs seems to have become more popular than issuing full-lengths.
With some exceptions, the “album as art” concept has long been dwindling amongst Hip Hop artists, many of whom have more fully embraced the hodge-podge “mixtape” format, which is perhaps more in tune with our ADD/social media-plagued culture.
So it’s beyond refreshing to hear the new release from Cincinnati MC Sleep, Branded: The Damon Winton Story, a collection of eight tracks that tells the story of a young man’s troubled upbringing. It’s not just that Sleep has compiled eight songs that kind of fit together; Branded is a fully envisioned tale that requires the listener to hear the entire album in order to get the total impact. And it’s quite an impact.
It helps that Sleep’s “concept album” is based on some excellent storytelling skills, contains some fierce rhymes (with a flow and timbre that recalls Jay-Z at his peak) and is supported by the excellent, often hauntingly atmospheric production of Dope Antelope, which brilliantly reflects the dark, chaotic, heart-breaking nature of the story. The way Sleep — half of local duo 2-Man Cypher — lays the story out is also sharply clever. In lieu of titles, each track is labeled as simply “Question,” followed by the track number. The album opens with a police officer hitting “record” to begin his interview with the main character’s social worker about “what could have led up to what transpired with him this past weekend.” To kick off each track, the social worker is asked about a different aspect of the trouble the young man had experienced and been in.
Working backwards from the incident (which isn’t revealed until “Question 8,” so the listener is left to wonder what transpired), Sleep creates evocative, harrowing slices of life, usually told from the main character’s point of view, but with other voices popping in occasionally to give an even bigger picture. The young man’s horrific surroundings are revealed gradually; the listener learns that he has self-mutilated himself, been molested, lost (or never had) faith or religion and had family involved in drugs. Sleep’s brilliance is turning the smaller stories from the big picture into vivid, cinematic tales in themselves — “If this is grown folks’ business/Then why when you conduct it, there’s a child as a witness,” he raps after it’s revealed that the main character’s mother had substance abuse issues. When the social worker tells the officer that the young man had been bullied over his clothes in school, Sleep echoes that pain with lines like, “The peer pressure to be above the status quo/It’s never ending, it’s never taking sabbaticals.”
By the last track, the listener is primed to hear just what happened to the main character, but when his fate is revealed, it’s not what most would expect, making the album that much more powerful. (In the spirit of not ruining the final act, I’ll refrain from giving away the ending.)
Sleep’s Branded shows just how much power Hip Hop still has to tell a realistic story poetically but without hyperbole. It’s an incredibly moving piece of work that stands as one of the best Hip Hop albums to come out of Greater Cincinnati in recent memory. And Sleep shows that if he ever gets tired of the Rap game (which itself would be tragic becomes the genre needs more voices like his), he’ll be able to find some kind of career as a writer, be it an author, a journalist, a filmmaker or whatever field he decides to lend his talents to.
If you’re a fan of intelligent Hip Hop or just great storytelling in general, you must download (for free or whatever you’d like to kick in) Branded immediately at sleep513.bandcamp.com.
Here is a music video for the track, "Question 2":
After launching last year locally at the MidPoint Music Festival and nationally at New York’s CMJ conference, the intuitive and comprehensive music industry e-book Musicians’ Desk Reference has relaunched with a new format. Created in Cincinnati by longtime local musician and promoter Brian Penick (also the founder of The Counter Rhythm Group, which has helped numerous local acts garner national attention and work), MDR is moving from its original, one-time-purchase approach to a monthly (or annual) subscription plan.
For those who may have been cautious about its upfront cost, Musicians’ Desk Reference, which is customizable to the user’s needs (no matter where they are in their career) and features information, templates and advice relating to everything from touring, promoting and recording to radio and press campaigns and well beyond, is now available to test-drive for free. The no-cost 30-day trial doesn’t even require a credit card; click here to get started.
Artists serious about pursuing a career in music will likely become more interested in MDR as they dive in and look at all it has to offer. After the 30-day trial, MDR can be accessed for $10 a month or $100 for the year.
Visit musiciansdeskreference.com for complete info.