I tried to watch last night's Video Music Awards on MTV, but it was such an awkward and confusing clusterfuck, I couldn’t take much of it, flipping through for a few moments before moving on out of embarrassment for the people on the screen. I usually like when awards shows are a little chaotic (and the VMAs are known for their often-desperate attempts to be “not your mama’s awards show”). And I actually have always enjoyed the pop-culture pageantry of awards shows in general. But on last night’s VMAs, the annoyance factor was so high, I couldn’t even watch it on a “so bad you can’t look away” level. It made me anxious and uncomfortable, like watching someone fumbling over their words and breaking down while giving a speech in public (kind of like Kanye on last night's show).
It wasn’t really even the performances that made it so unwatchable (most were pretty solid for what they were). It was all of the in-between absurdity that made it so cringe-worthy.
Speaking of performances, some Cincinnati artists did well on the big stage. Walk the Moon has become so experienced with these kinds of high-profile appearances that it wasn’t surprising the band’s umpteenth performance of “Shut Up and Dance” was flawless. Airing during the opening of the pre-show “rainbow carpet” portion, I found myself thinking (as I do whenever I hear the hit on the radio), “You know, they have other songs, including a new single?” “Shut Up” was considered a “song of the summer” contender, though it’s been on the radio for like 15 years (OK, it was released as a single in September of 2014, but still). Then the band played the new single, “Different Colors”! And MTV promptly cut them off. (Even “Shut Up” was interrupted mid-song so the pre-show hosts could introduce the program, the clumsiness of which ended up being indicative of the overall mess the VMAs turned out to be.)
The weirder Cincinnati-related appearance came during Macklemore & Ryan Lewis’ performance of their new single, “Downtown.” I was not aware of the guest artists on the song (OK, I was not aware they had a new song), so I turned it on just as Hip Hop legends Melle Mel, Kool Moe Dee and Grandmaster Caz were rapping while walking down the street, thinking it was some cool old-school tribute the awards show was presenting. Then Macklemore came on and I reached for the remote, still unable to figure out what was going on. Then Eric Nally from late Cincinnati greats Foxy Shazam joined in, singing the chorus and doing some of his trademark stage moves and I officially thought I was just having a dream.
Nally did a great job and he caused a lot of buzz online, mostly of the “Who was that guy?” variety (when the single was released last week, a bunch of idiots rehashed the “Eric Nally is racist” stories from back in 2013 when Foxy Shazam released the single, “I Like It.”)
It’s weird mash-up of a song, parts of which I like, while other parts I find tremendously aggravating. Which is kind of what the VMAs were. Is this the present state of popular youth culture? Throw a bunch of unrelated stuff together, put it in a blender and then just stare at the blender, not caring or knowing what the end result is?
MTV/Viacom had something called the O Music Awards for a few years recently, honoring things like “Favorite Fuck Yeah Tumblr,” “Favorite Animated Gif,” “Best Tweet” and “Best Artist With A Cameraphone.” The O Awards ceremony seemed unscripted and filmed without any director whatsoever. It doesn’t appear the O awards are still a thing; perhaps last night’s VMAs were a sign that the network is turning its long-running awards program into the Os?
The VMAs were largely just a big WTF moment that people would talk about/complain about/make fun of online. Which is probably exactly what MTV was going for and, scarily, perhaps the shape of youth-oriented entertainment to come.
If you have access to a radio or television set, then you’re likely well aware that “Shut Up and Dance” by Cincinnati Dance Pop crew Walk the Moon has become a bona fide Pop hit. The single has been certified platinum, meaning it has sold more than one millions copies. The catchy, danceable track is currently at No. 5 on Billboard’s singles chart and has also performed very well on various other charts. “Shut Up” reached No. 2 on iTunes Top Songs chart and Billboard’s digital charts. On Spotify, the song has been streamed more than 78 million times, while “Shut Up”’s video has held a steady presence in the Top 10 of VH1’s Top 20 video countdown. Talking is Hard, Walk the Moon’s second album for RCA Records, continues to benefit from the single’s success, moving as high as No. 14 on Billboard’s overall album chart.
The Cincinnati band has worked hard to push “Shut Up and Dance” to the upper reaches of the Pop charts. Along with the usual late-night talk show circuit, Walk the Moon has also appeared on network morning shows like The Today Show (which used various WtM tunes as bumper music throughout the day the band appeared) and The Ellen DeGeneres Show.
When DeGeneres introduced the group on her show, she called “Shut Up” the band’s “No. 1 hit,” which it wasn’t at the time but could end up there as Walk the Moon keeps up its relentless promotional push. WtM’s is also becoming a bigger and bigger concert draw, selling out many of its shows across the country (the band just recently completely another successful U.S. jaunt).
And WtM has also been making it onto prime time TV lately. Last month, Riker Lynch and Allison Holker danced to “Shut Up” for a routine on ABC’s Dancing with the Stars. Tuesday night (May 12), the band will play “Shut Up” as special guests on NBC’s popular singing competition, The Voice. Tune in to catch the performance at 8 p.m.
Though several Cincinnati-based acts have done well on a national level, crossing over to the top of the Pop charts is pretty rare, particularly for artists who choose to remain in their hometown while pursuing their career. Walk the Moon comes home to play Cincinnati’s Bunbury Music Festival on June 5 along the Ohio’s riverfront. Click here for tickets/details.
The new music video from veteran Cincinnati funkateer (and relentless road dog) Freekbass recently appeared online. The clip for “Everybody’s Feelin’ Real” — the slinky, head-boppin’ Pop/Funk title track from Freekbass’ most recent full-length release — shows a variety of scenes and special guests to the viewer through a smartphone screen (fitting, as more and more people seem to be viewing life in that manner anyway).
Though endearingly short on special effects, the clip is still wildly engaging, particularly as you play “spot the cameo.” The video features some big-name special guests from the world of music, including Mike Gordon of Phish, Ryan Stasik of Umphrey's McGee, George Porter Jr. of The Meters, Stefan Lessard of Dave Matthews Band, Bernie Worrell from P-Funk and Talking Heads, Steve Molitz from Particle, Zion Godchaux of BoomBox, Cincinnati native Alan Light (music journalist and former editor of Vibe and Spin magazines) and Bigg Robb from Zapp. Cincinnatians and baseball fans will also notice a very familiar face — the Hit King himself, Pete Rose, pops up to sing/lip sync part of a chorus.
Click here to stream/purchase Everybody's Feelin' Real. It should be Freekbass’ last self-released effort for a while; earlier this year he announced that the respected indie label Ropeadope will release his next album.
Stellar local singer/songwriter Jeremy Pinnell has revealed one of his first new songs since the release of last year’s magnificent album OH/KY in the form of a new music video shot by famed local photographer Michael Wilson. Wilson — who has done promo shots and album covers for artists ranging from Over the Rhine and Joshua Redman to Lyle Lovett and The Replacements — filmed the clip in a Boone County, Ky., horse barn in mid-March, using his “one-shot” (meaning no edits) technique, previously seen in clips from The Emery Sessions a few years back and more recently seen in a pair of clips for local Country band Bulletville's new album.
Pinnell, whose sound has shifted towards a more traditional Country vibe since his days with local bands like The Light Wires and The Great Depression, performs in the clip for the new “Feel This Right” backed by his pals, the Honky Tonk crew The 55s, whose Cameron Cochran produced, recorded, mixed and mastered the video.
"When I walked into the barn and shouted, and listened to the way the sound resonated off the dirt floor and the old wooden siding, I had a feeling something amazing was going to be captured,” Cochran says. “The light was perfect, the day was perfect, the band was in good spirits, the song was great, we had someone with an amazing eye looking through a camera — all we had to do was get out of the way of what was about to happen, and that was exactly what we did."
Yesterday, Cincinnati Alt Pop foursome Walk the Moon continued its promotional blitz behind its sophomore major label album, Talking is Hard,
with a performance on Ellen DeGeneres' popular daytime talk/variety
show. After being introduced by DeGeneres as a "great Rock & Roll
band from Cincinnati, Ohio," the group played its single "Shut Up and
Dance" and singer Nicholas Petricca ran into the crowd to rock out with
Coincidentally, another Cincinnati-born band, The Afghan Whigs, appeared on national television the night before, performing "The Lottery" from their latest album on late night's Jimmy Kimmel Live. Watch it here and a web-exclusive performance of "I Am Fire," with a dash of Fleetwod Mac's "Tusk," here. WtM also played Kimmel late last year when the new album was released.
Walk the Moon will play a hometown show at Bogart's on
April 1 (like many shows on the band's current tour, it has already sold
out), then returns this summer to play the Bunbury Music Festival in
early June (tickets available here).
Local Rock crew Electric Citizen (winners of a 2015 Cincinnati Entertainment Award in the “Hard Rock/Metal” category) just unleashed a new music video for its delicious slab of trippy heaviness, “Light Years Beyond.” The clip, which features some cool throwback visual stylings and was directed by David Brodsky, premiered on Vice’s music site, Noisey, today.
The track is off of the band’s great album Sateen, which came out last year on RidingEasy Records. Click here for more on Electric Citizen. And read CityBeat’s interview with the band from last year here.
One of Cincinnati finest Hip Hop artists, Buggs Tha Rocka, is making his new album, Scattered Thoughts of an American Poet, available for free starting today on various outlets across the internet (it’s already generated fairly widespread buzz, including write-ups from the U.K. and France).
Buggs recently spoke with CityBeat’s Brian Baker (who called the new LP a “masterpiece”) about the new release (which features guest spots from Donte from MOOD, Moxy Monster, Tanya Morgan, Aida Chakra and Cool Kids’ Chuck Inglish among others) and his progress in the Hip Hop world.
“The type of Hip Hop I do has always focused on technicality and emotion,” Buggs said. “I take pride in being a wordsmith. That’s where the ‘American poet’ came from. And ‘scattered thoughts’ is really what it is. It’s everything I’ve been through, things I’m seeing in the news, a little bit of everything. My ups, my downs, my life in one CD. Instead of putting on a facade and an image, it’s really organic and natural.”
You can read Baker’s full interview with Buggs here.
Buggs is hosting an intimate release party/performance this Friday at Over-the-Rhine club Maudie’s. Showtime is 9 p.m., admission is $7 ($5 in advance here) and Buggs will be joined by MOOD’s Donte (and probably other guests?) at the show.
Buggs has unveiled several videos (made in conjunction with Alvin Jordan and others) for various tracks from the album leading up to the release. Here’s a clip for “Angel of Death” featuring Piakhan:
Here’s the clip for “Bad Habits”:
Here’s Buggs and Pappadon in the clip for “OuterXSpaceXLove”:
Here’s “Rapture” featuring Phoenix Aphrodite:
This is the clip for “My$tery”:
And here is the newest clip, for the track “Religiously,” which was released today:
Visit Buggs’ official site here for the latest info and to download the album. You can also click below to check out and grab a copy of Scattered Thoughts of an American Poet.
Alabama-born Hip Hop artist Yelawolf plays Newport’s Thompson House tonight at 7 p.m. Tickets are $25.
Yelawolf began making waves in 2005 after self-releasing his debut album, Creek Water. The gifted MC landed a major-label deal with Columbia within two years, but the deal fizzled out and Yelawolf returned to working the underground. By the start of this decade, Yelawolf’s signed with Eminem’s Shady Records.
His debut for the label, 2011’s Radioactive, featured guests like Killer Mike, Lil Jon and Kid Rock and was a chart and critical success. More track releases, mixtapes and collaborations kept fans occupied after the 2012 announcement of his second Shady Records album, Love Story, which will materialize next year. Yelawolf has been selling out shows all over the country, so you might want to call ahead or show up early.
Vibe recently posted an interview with the MC about his latest goings-on. Check it out here.
• Fantastic modern Americana trio The Lone Bellow plays the 20th Century Theater in Oakley tonight. Showtime is 8 p.m. and tickets are $20 at the door.
The Lone Bellow broke through with last year’s self-titled debut album and the trio’s forthcoming LP, Then Came the Morning — due January 27 and produced by Cincinnati native/The National guitarist Aaron Dessner — is drawing a lot of buzz already thanks to the release of a pair of singles. Here’s the video for the most recent one, “Fake Roses”:
Read Brian Baker’s full preview of tonight’s show from the most recent CityBeat here.
Louisville Electro Pop artists The Pass, who’ve become popular with local audiences thanks to repeated visits to the Cincinnati area (providing highlight sets for more than a couple MidPoint Music Festivals), performs a free show tonight at Over-the-Rhine’s MOTR Pub. Local trio JetLab (which just released its self-titled debut last week) opens things up around 10 p.m.
The Pass’ show tonight is the start of a tour in support of the band’s new EP release, High Road, which follows the release of four 7-inch singles at the start of 2014 and comes out this Tuesday. “Take You Out,” a track from the new release, was debuted on the website We All Want Someone to Shout For yesterday. The site says the track "deliver(s) a world of glossy synths, love-sick vocals, and a feel-good atmosphere that you can’t shake anywhere else but the dance floor. With so many electronic groups relying heavily on computers and other effects these days, it’s great to see The Pass deliver such groovy tunes as a full live band. It truly separates them from the rest of the pack."
• Nashville-based Americana artist Nora Jane Struthers and her band The Party Line play Newport’s Southgate House Revival tonight. Mike Oberst of local Folk faves The Tillers opens the show at 8:30 p.m. Tickets are $10.
Struthers was born in Virginia and raised in New Jersey, getting her first taste of the musician’s life as a tween fiddler and traveling to festivals and conventions with her father (a banjoist). Struthers decided to pursue a career in teaching, but after a few years she switched her focus back to music, inspired by watching Tim O’Brien perform at the Telluride Bluegrass Festival. Her 2010 debut solo album showcased her stellar lyrical abilities and mastery of traditional Americana and Bluegrass sounds. She hit her stride with last year’s Carnival, bolstered by her full-time band, The Party Line.
Struthers is gearing up for the release of her new album with The Party Line, Wake, which is due in February of next year. The album is said to be more eclectic and nods in a more Rock direction, inspired by her love of recent albums by Hayes Carll and Jason Isbell.
NPR’s Ann Powers recently interviewed Struthers about the new album (read it here) and unveiled the new album track, “The Same Road.”
• According to B-105 FM’s website, tonight’s Toys for Tots benefit show at Toby Keith’s I Love this Bar and Grill is sold out (the bar’s website says there may be “limited tickets” available at the door tonight). The 8 p.m. concert features headliner Easton Corbin, plus up-and-comers Maddie & Tae and RaeLynn.
Veteran metallers Every Time I Die play Bogart's in Corryville tonight. The Ghost Inside, Hundredth, Architects and Backtrack are also on the bill. Doors open at 6 p.m. and tickets are $26.27.
ETID's creative approach has earned them fans outside of just the Metal world (though they don't seem to have suffered the wrath of purists like Deafheaven or other act that dare to stray from the imaginary blueprint). Here's what Brian Baker had to say about the band's most recent album in his preview for this week's CityBeat.
Every Time I Die's latest album, From Parts Unknown, is the band's third album for Epitaph and seventh overall, and stands as a stylistic scrapbook of their best qualities — full bore Metalcore anthemics, songs both howled and sung, scathingly focused lyrics and guest appearances from Coalesce's Sean Ingram and the Gaslight Anthem's Brian Fallon. From Parts Unknown may also be the most lavishly praised album in Every Time I Die’s estimable catalog. The title of a song from the new album may provide the best description of the Every Time I Die live experience: “If there is room to move, things move.”
• Another monster of the Metal world, pioneering Bay Area Thrash crew Exodus, is also in the area tonight. The band plays Covington's Madison Theater at 6:10 p.m. Tickets are $25 and the show is open to all ages.
Emerging from the same scene that produced Thrash kings like Testament and Metallica (Kirk Hammett was an original member of Exodus), the band has been tearing shit up for the past 34 years (with a break-up, reunion and then full-time reformation sandwiched in the middle). This past October, Exodus released its 10th album (and first in four years), Blood In, Blood Out.
• If brutal Metal is not your thing, Newport's Southgate House Revival has Texas-born/Georgia-raised/Nashville-based singer/songwriter Lera Lynn tonight in the Revival Room. Locals Wilder open the show at 8 p.m. Tickets are $15 at the door.
Lynn is usually found in the Folk/Americana section of record stores, but she also sprinkles her endearing sound with a variety of other influences (Jazz, Rock, Pop, Country and beyond). Here's Lynn's soulful, rootsy take on TV on the Radio's "Wolf Like Me," for example:
Lynn's 2014 album The Avenues has been drawing favorable reviews. Here's what NPR's Meredith Ochs had to say:
Long before you figure out exactly what lyrics Lera Lynn is singing, you'll feel the melancholy and mystery in her music. Wistful melodies and the cry of a steel guitar are set to gentle, meditative rhythms. Even the song's sonic spaces suggest loneliness. With the music alone, Lynn creates a tone poem of romantic uncertainty.