“Sadly, I kind of liked it,” I hear the guy behind me say to his friend as the closing credits of Bruno, Sacha Baron Cohen’s latest outrageous, tongue-in-cheek (and that’s the most appropriate of places) social satire begin to roll. “Is that bad?”
Is there any end to the Saw franchise? The simple answer is no — not as long as torture-porn-loving teenagers and twentysomethings flock to each new, uncommonly brutal installment.
Seth Rogen’s rapid rise atop the comedic heap has been a welcome reprieve from the well-scrubbed, chiseled faces that dominate Hollywood’s leading-man landscape.
But how will Rogen handle success? Can he keep from going down the road of the similarly unconventional, increasingly one-note Jack Black?
More than a year after the Showcase Cinemas inside Kenwood Towne Centre closed suddenly (which was preceded by the unfortunate shuttering of the plush, old-school Kenwood Twin across the street back in 1995), the local movie landscape gets a shot in the arm with the opening of the Kenwood Theatre(7815 Kenwood Road) on Friday.
But there's also another noteworthy local Sundance connection this week: Know Theatre is giving a 2011 Sundance film its Cincinnati premiere with a one-time screening 7 p.m. tonight (Dec. 7) in its space at 1120 Jackson St. in Over-the-Rhine. (Tickets are $10.)
And he's not done yet: Fincher's American version of Stieg Larsson’s The Girl with the Dragon Tattoo is currently in production and has a release date of Dec. 20. How’s that for an early Christmas present?
Movieline is back. Sort of.
Launched in 1989, the magazine was — like the beat it covered — a glossy, gossipy, A-list-laden Hollywood wank-fest full sometimes vapid, usually smart, almost always entertaining content. (I still have a copy of the issue with Wild at Heart’s Nicolas Cage and Laura Dern on the cover.
Why do you suck now?
What’s up with the current vampire/zombie craze?
Yes, there’s always been interest in the genre and its preoccupation with the dark side of human nature and sexuality — from the books of Bram Stoker and Anne Rice to the movies of Bela Lugosi and George A. Romero to the television series Buffy the Vampire Slayer. No doubt blood and bare necks and sucking and such will always be alluring, but what is it about this cultural moment in time that has so many geeking out on the idea of the undead?