The Emery Theatre is finally on its way back. After years of dormancy, the 100-year-old Over-the-Rhine venue is in the midst of a restoration that will allow artistic endeavors of varying stripes to grace its stage.
The Emery Center Corporation Board and The Requiem Project — the nonprofit brainchild of Tara Lindsey Gordon and Cincinnati native Tina Manchise, a duo intent on restoring the Emery's historic legacy — announced over the weekend that the Emery has secured two architects to take on the renovation: locally based John Senhauser Architects, and Cleveland-based Westlake Reed Leskosky, a firm that specializes in opening closed arts venues.
The Carol Ann’s Carousel was named to honor the life and philanthropy of Carol Ann Haile, according to the information page at mysmaleriverfrontpark.org, and is being funded by a $5 million donation from the Carol Ann and Ralph V. Haile, Jr./U.S. Bank Foundation.
It will sit in a tree-lined plaza amongst a two-story staircase, water cascade and a series of water curtains. The plaza’s lower level will hold a conference center and offices, which will open up to Mehring Way and overlook the lower area of the park. The riverfront carousel is slated to open May 2015.
There will be 44 animals and characters featured on the carousel’s platform, and community engagement sessions are currently being hosted in order to gather as many ideas as possible. The public is invited to share their ideas until June 9, when later the park design team will decide on the final designs based on the city’s suggestions.
Carousel Works of Mansfield, Ohio, the world’s largest wooden carousel manufacturer, will hand carve and paint each animal and character chosen. Ideas are also being gathered for several mural scenes to be painted on the carousel. Jonathan Queen, a local artist, will paint based on what citizens deem what makes Cincinnati unique — its parks, traditions, landmarks.
This riverfront icon will offer a standard two-minute ride and operate year-round.
BuzzFeed, the viral video and pop culture aggregate, loves lists. And Cincinnati has been mentioned in at least two of their “random number funny sentence” list posts this past week.
First, it’s always best to start with dessert … and chili. BuzzFeed contributor and former Cincinnatian Donna Dickens makes a list of all of her favorite Cincinnati foods that are better than food from other cities, claiming, “The worst part about moving away from Cincy is leaving behind this regional feast.”
Included on the list? Graeter’s ice cream, Skyline chili (sorry, Gold Star), Izzy’s giant rueben, Busken cookies, Glier’s Goetta, LaRosa’s, Montgomery Inn sauce and the unnaturally blue, unnaturally delicious, formerly Smurffy blueberry soft serve from King’s Island.
For those of us less interested in praising our meat products (although perhaps we should since they aren’t full of horse), can praise the beautiful history of our public library.
Listed at #28 on the 30 best places to be if you love books list, which includes Shakespeare and Company in Paris as well as the Oxford Union Library, is an image of the Cincinnati Public Library looking as most of us have never seen it — in black and white, yes, but also from its original location, “Old Main,” at 629 Vine Street. With stories and stories of shelves and shelves of books, each with a small catwalk, the expanse and whimsy of this literary wonderland is fantastic. (And really makes you wish it was still there.)
According the Main Library’s flickr page (where you can find more images of the original library location):
“The Main Library has occupied a prominent position in downtown Cincinnati since 1874, when a new building was constructed at 629 Vine Street. Considered the most magnificent public library building in the country at the time, ‘Old Main’ featured one element similar to today’s library: a towering atrium with a skylight ceiling. Of the dramatic atrium, Harpers Weekly said, ‘The first impression made upon the mind on entering this hall is the immense capacity for storing books in its five tiers of alcoves, and then the eye is attracted and gratified by its graceful and carefully studied architecture.’ The building closed in 1955, when the ‘New Main Library,’ located at 800 Vine Street, opened.”
Find more historic
photos of Cincinnati and learn more about the history of our library on the
virtual library Facebook page.
Another historic Cincinnati building is being artfully illuminated. This year's past LumenoCity light mapping to a live orchestra on Music Hall was more popular than ever, and tonight the NEAR*BY Curatorial Collective is doing something similar at Rhinegeist.
Rhinegeist brewery is housed in the skeleton of an old Moerlein bottling plant. And starting at 7 p.m. Thursday (Nov. 20), 17 artists and collaboratives will be exhibiting projected video, sculptural and environmental installations in/on the structure's architecture. The interdisciplinary works will demonstrate how contemporary artists currently embrace the dematerialization of image and how that manifests in a non-traditional art space. The name Rhinegeist literally translates to "ghost of the Rhine," and according to the curatorial statement, "Though often intangible, light and art can likewise be said to haunt or inhabit space."
Participating artists include Brandon Abel, Jen Berter, Nicki Davis, DAAP Clay & Glazes, headed by Katie Parker and Guy Michael Davis (featuring the work of Olutoba Akomolede, Christine Barron, Amanda Bialk, Michael Broderick, Linnea Campbell, Catherine Gilliam, Theresa Krosse, Sarah Maxwell, Megan Stevens, Christine Uebel, Allison Ventura & Victoria Wykoff), Lizzy Duquette, Sam Ferris-Morris, Mark Governanti, John Hancock, Joe Ianopollo, Maidens of the Cosmic Body Running, Andy Marko, Alice Pixley Young, Play Cincy, Lindsey Sahlin, Caroline Turner, Justin West, C. Jacqueline Wood and Charlie Woodman.
The one-night only exhibit kicks off at 7 p.m. and will go until 10 p.m. It's free and open to the public. Rhinegeist is located at 1910 Elm St., Over-the-Rhine. Get more information about the event or NEAR*BY and their mission to create ephemeral and interdisciplinary exhibits that bypass the art institution here.
is getting more national praise — this time from Conde Nast Traveler, which on
its website in December named OTR one of the 10 best architectural sites in the
In “Seeking Frank Lloyd Wright: Best Architecture in the Midwest,” Ashley Petry writes:
Not too long ago, Cincinnati’s Over-the-Rhine neighborhood was one of the roughest parts of town. Now it serves as a case study in successful urban renewal, thanks in part to its notable architecture. The district is home to a large concentration of 19th-century Italianate architecture, and those ornate brick buildings now house trendy restaurants and swanky boutiques. While you’re in town, swing by the University of Cincinnati, whose new building complex was designed by architecture firm Morphosis.
What is remarkable about this is the company OTR's 19th Century Italianate architecture keeps on this select list — except for the Victorian "painted ladies" of St. Louis' Lafayette Square, the others are all Modernist or Contemporary masterpieces, many by the world's great architects.
These include Frank Gehry's Pritzker Pavilion in Chicago's Millennium Park as well as his contribution to Toledo Art Museum's complex; the bedroom at Frank Lloyd Wright's Taliesin in Spring Green, Wis., as well as his contributions to Racine's SC Johnson company's headquarters (and home of one of its presidents), Eero Saarinen's Mid-Century Modernist Miller House in Columbus, Ind. (owned by Indianapolis Art Museum), Santiago Calatrava's breathtaking 2001 addition to the Milwaukee Art Museum and Jean Nouvel's 2006 Guthrie Theater in Minneapolis.
Just a random thought here, but if Cincinnati's past architecture is worthy of such lofty company, should we be putting more thought into getting architects worthy of those mentioned above for our future projects? Calatrava has done some amazing bridges and the Cincinnati Art Museum in the past has had ambitious (but now-stalled) plans for a landmark Contemporary addition.
Read the full Conde Nast Traveler feature here.
LumenoCity, the popular outdoor 3D light and music show, will return to Washington Park with five performances Aug. 5-9.
The Cincinnati Symphony Orchestra will again provide the live music to accompany 3D projection lighting by Brave Berlin that makes the facade of Music Hall appear to come to life.
Performances include a dress rehearsal on Aug. 5 followed by four shows Aug. 6-9. All performances will begin at 8:30 p.m. with the Cincinnati Pops and the audio/visual show with the CSO will begin at 9:40 p.m. each night.
In addition to more performances, changes this year include an admission fee. Tickets cost $15-$20 and attendees must register in advance for a chance to reserve them. Ticket registration is open now through May 16 at 10 p.m. at lumenocity2015.com (limit one entry per person). A select number of registrants will be chosen at random on May 29, and those people will have the opportunity to buy up to four tickets (limit one selected registrant per household). Once selected individuals receive their ticket codes, they can then select particular performance dates on a first-come, first served basis. Codes should be redeemed as early as possible, starting June 1. Overall capacity has been reduced to 6,000 per night (a total of 30,000 across the four performances and dress rehearsal) to limit overcrowding.
Aaron Betsky, who stepped down from his post as Cincinnati Art Museum director last year, has a new job: Dean of the Frank Lloyd Wright School of Architecture.
a press release, Maura Grogan, chair of the Frank Lloyd Wright School's
Board of Governors, said, "We sought a Director who, like Wright,
relishes invention, challenge, and discovery; someone who is excited to
chart architecture's next frontier; a person who in a time of conformity
understands the beauty of idiosyncrasy; a leader who is ready to speak
enthusiastically and persuasively to a profession in need of direction.
It is clear to us that Aaron is that person."
Betsky will lead a fundraising campaign to help the school become an autonomous independent subsidiary of the Frank Lloyd Wright Foundation, as required by the Higher Learning Commission for it to continue its accreditation.