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by Steve Rosen 10.17.2014 3 days ago
Posted In: Movies at 02:40 PM | Permalink | Comments (0)
 
 
art_craft

New Art World Documentary has Strong Cincinnati Connection

Next Friday, the documentary Art and Craft is opening at the Mariemont Theater. It's the story of an art forger, Mark Landis, who gave his work away to museums and colleges.

He was exposed by Matthew Leininger, before the latter became a Cincinnati Art Museum registrar. While in Cincinnati, in 2012 Leininger and Aaron Cowan, curator of UC-DAAP galleries, organized an exhibit about Landis, which was covered in CityBeat at the time.

Landis even came to the opening. The film, which is being nationally distributed and has done good business elsewhere, uses footage and information from that show. So for the Cincinnati opening, Leininger and Cowan both will participate in an audience discussion after the 7:30 p.m. showings next Friday and Saturday (Oct. 24 and 25). This poster, with a certain Saul Bass-like suspense-movie vibe, has just been released.

Watch for a full article in next week's CityBeat by Movie Critic tt stern-ezi.
 
 
by Steven Rosen 10.17.2014 3 days ago
at 10:24 AM | Permalink | Comments (0)
 
 
momohara, emily hanako - gather, 2014, video still

Two FotoFocus Shows Not to Miss

Hard to believe, but we’re halfway through October, the main month of the FotoFocus Biennial. (Some FotoFocus-related shows run longer.)

So this weekend is really a great time to get out and see some of the shows — fotofocusbiennial.org has a full list. Find CityBeat's full FotoFocus preview here.

Two that I highly recommend, and that I’m afraid might be overlooked because of bigger museum shows, are Emily Hanako Momohara’s Heirloom — at Downtown’s Weston Art Gallery — and David Benjamin Sherry’s Western Romance at a temporary space at 1500 Elm St. in Over-the-Rhine. Momohara’s show is up through Nov. 30 but Sherry’s ends Nov. 1.

Both use color wonderfully to make you focus on objects and/or landscapes close-up — so close-up they have a transporting, transcendent effect if you can spend enough time with them.

Sherry, an L.A. artist recently featured on The New York Times Magazine’s cover, uses color in a psychedelic way, achieving the effect he wants during processing. It gives his Western mountain and desert landscapes a glaze — a “purple haze,” in the case of “Putting Grapes Back on the Vine” — that turns physical geography into a state of mind. There are also in the show black-and-white prints by masters of Western photography — Ansel Adams, Carleton Watkins — to acknowledge Sherry’s debt and also proclaim a change.

Momohara, who taught photography at the Art Academy of Cincinnati but now is relocating to China, is using Heirloom to explore ideas about her Okinawan and Japanese ancestry. These distinctive still photographs and photograph-like videos isolate and deeply contemplate objects related to or inspired by that.

The vertically formatted pieces — like the fantastic “Gathering” video, which looks at luminescent, open-mouthed koi as they crowd around the water’s surface — seem to be moving forward a grand narrative, like scrollwork. And the more horizontal pieces, like “Mask #1,” revel in mystery through the way illuminated objects occupy space in an otherwise dark ground.

To me, these two shows are among FotoFocus’ very best — and I especially hope Momohara returns at some point with something much more extensive.

 

 

 
 
by Rick Pender 10.17.2014 3 days ago
Posted In: Theater at 08:30 AM | Permalink | Comments (0)
 
 
bruce cromer_an iliad_etc _photo ryan kurtz

Stage Door: An Iliad, Varekai, and Other Items of Note

On Wednesday evening I attended one of the most remarkable solo performances I've ever seen: Bruce Cromer starring in An Iliad at Ensemble Theatre Cincinnati.  Based on Homer's epic poem about the Trojan War, the poetic but dynamic script calls on one actor to play a dozen or so characters. Cromer does everyone of them (sometimes interacting with one another) with both imagination and detail. But mostly he's "The Poet," trapped by his role to tell this story — and the story of war in general — for nearly three millennia. He lets us see the attraction of glory and the devastation of senseless combat often for trivial reasons (the stealing of one man's wife by another lit the fuse on the Siege of Troy). The play is a condemnation of war and an acknowledgement of its inevitability. But it's also a celebration of theater, and Cromer is an absolute marvel to watch: After 100 minutes (no intermission) he's dripping with sweat from the effort and bowing to a genuine standing ovation. This is a production that no theater fan should miss. Tickets ($28-$44): 513-421-3555

There's a Cirque du Soleil show, Varekai, at the Bank of Kentucky Center at Northern Kentucky University. Like most, it's light on content and high on entertainment: A winged man falls from the rafters into a magical world where he recovers, witnessing the delights of strange creatures — who also happen to be marvelous performers: tumblers, aerial artists, jugglers and acrobats. As always, there's a pair of clowns who have fun with a few audience members. I didn't find Varekai (it's a Gypsy word that means "wherever") quite as breathtaking as some of the Cirque shows I've witnessed, but that's a relative remark, not a judgment on this production. The "Russian Swings" just before the finale feature acrobats hurled high into the air by massive swings, landing in the arms of others or on canvas sails. (Don't try this at home.) Varekai is a great escape and totally family friendly. Final performance is Sunday at 5 p.m. Tickets ($28-$145): 800-745-3000

For a quick taste of Know Theatre's Moby Dick, check out this trailer: http://youtu.be/QMbqos66s0s. There's singing of sea shanties, hoisting of sails and a tremendous battle with the Great White Whale. I'm hoping that this ambitious production gets its sea legs soon: It felt a bit wobbly during the opening week. But Herman Melville's classic American novel has life breathed into it by a cast of eight hardworking actors. Onstage through Nov. 8. Tickets ($18, but performances on Wednesdays are free): 513-300-3669

Other items of note: On Monday evening, Know Theatre hosts the quarterly presentation of TRUEtheatre, real stories told by everyday people; this time around it's True Hair. … The following night at KNow, Cincinnati Fringe favorite Kevin Thornton is back in town to present another of his one-man shows of music and comedy, this one is called Talky Concert Thingy. He's a load of unpredictable talent, always watchable. … Falcon Theatre (they perform at the Monmouth Theatre in Newport) this weekend opens a production of the classic thriller, The Woman in Black. It's a good scare for the Halloween season. Tickets: 513-479-6783 … Children's Theatre of Cincinnati is offering public performances of Disney's Beauty and the Beast JR. at the Taft this weekend (and Saturday, Oct. 25). Tickets ($7-$25): 800-745-3000
 
 
by Jac Kern 10.16.2014 4 days ago
Posted In: Opera, Comedy, Classical music at 12:11 PM | Permalink | Comments (0)
 
 
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Comic Musical Duo Igudesman & Joo Performs at SCPA Tonight

Comic musical duo Igudesman & Joo performs at the School for Creative and Performing Arts’ Mayerson Theater tonight, presented by the Constella Festival. Korean-British pianist Richard Hyung-ki Joo and Russian violinist Aleksey Igudesman mix Classical music with other popular genres and humor for a wholly entertaining performance. Check out this popular performance (which has more than 7 million YouTube views):

    

CityBeat writer Anne Arenstein spoke to Joo about the duo's unique spin on performing the classics.

It was hate at first sight when Igudesman and Joo met. There’s a hilarious account of what brought them together on their website, but according to Joo, the moment of truth came a couple of months later. 

“We shared the notion that the Classical music world which we loved so much was taking itself way too seriously,” Joo says. “Going to concerts was like going to a funeral.”

“We were young and we didn’t know much but we knew Classical music was full of life,” he continues. “Through our own projects and the music we wrote, we could at least create events that we would want to go to.”

Go here to read the full interview.

"An Evening with Igudesman and Joo" takes place at 8 p.m. tonight at SCPA’s Mayerson Theater, 108 W. Central Parkway, Over-the-Rhine. More information and tickets: 513-549-7175 or constellafestival.org.

 
 
by Steven Rosen 10.15.2014 5 days ago
Posted In: Visual Art at 11:58 AM | Permalink | Comments (0)
 
 
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FotoFocus' Sharp, Smart Programming at Memorial Hall

The centerpiece of the FotoFocus Biennial’s programming was its five days of events at Memorial Hall — films, panel discussions, lectures and a Saturday-night performance of This Filthy World by John Waters.

As the Wednesday-Sunday events coincided with other key FotoFocus events — the excellent Screenings exhibit of short art films curated by the biennial’s artistic director, Kevin Moore, was at Lightborne Studios during the same period — it was hard to attend everything.

But what I did attend was really rewarding — thought-provoking discussions about photography that centered on ideas and thus were of interest to everyone. In fact, that’s a point I think needs to be made about FotoFocus as it seeks to grow its following: It isn’t a narrow-focused event for photography professionals; it’s for anyone who likes the visual arts. That should be everyone.

Here are some of the highlights of what I was able to attend:

A panel discussion on FotoFocus’ Vivian Maier: A Quiet Pursuit exhibition, about the secretive Chicago street photographer whose work has only recently been discovered since her death. One guest was Howard Greenberg, the New York fine-art photography dealer who represents John Maloof, the Chicago owner of much of Maier’s archives of unpublished work. Regarding a current dispute with another party over who has the right to print and sell her work, Greenberg said he and Maloof were close to an agreement with the city of Chicago-appointed attorney for the Maier estate to let sales of prints resume while the dispute proceeds, since the income would benefit the estate.

A conversation with photographer Elena Dorfman, whose recent Empire Falling project documented old Rust Belt quarries but then manipulated the images into something slightly ethereal, offered stimulating ideas about how post-industrial ruins have become melancholy pilgrimage sites — accidental earthworks to rival “Spiral Jetty” or “Lightning Field.”

Friday night’s keynote lecture on “Shadow and Substance: Photography and the Civil War,” by Jeff L. Rosenheim of the Metropolitan Museum of Art, was fantastically involving. He was an engaged and engaging speaker. For instance, he explained why there are so few actual photographs of battles – with both sides blasting away, sometimes imprecisely, at each other on battlefields, few photographers wanted to set up their cumbersome equipment along the dangerous sides to capture the action. But once a battle was over, it wasn’t so difficult to document the bodies on the ground.

A panel discussion on the growth of Instagram, tied to a FotoFocus-sponsored “Fotogram” project for which Instagram photos were fed into a screen at the temporary ArtHub structure in Washington Park, had food for thought. Jose Garcia, the ArtHub’s architect, somewhat jokingly characterized Instagram selfies as “a cry for help.” And Nion McEvoy, chairman and CEO of San Francisco’s Chronicle Books, observed that new technology — with its emphasis on swiftly delivered virtual transmissions rather than carefully crafted physical objects — has been met with a healthy, growing counter-movement encompassing vinyl records, locavore-oriented slow foods, letterpress printing and more. And, he said, Chronicle Books’ main business is still print.

John Waters drew a big crowd to Memorial Hall — FotoFocus had sold 200 more passes than seats (a pass was good for all Memorial Hall events, not just Waters) and was worried. Fortunately, not every passholder came to his Saturday night show — there were some empty seats on the sides. His show lived up to its This Filthy World title, as he joked about seemingly every sex act known to the human race (and maybe some known only to aliens).

But he also made humorous references to artists — he’s an art connoisseur — and some of his political observations had the kind of shocking in-your-face bite reminiscent of Lenny Bruce. For instance, on abortion, he said (and I paraphrase a little, since I didn’t take notes), “If you’re not going to love your child, don’t have him. I don’t want him to grow up to kill me."

Afterwards, he signed objects for fans and then joined a small group of FotoFocus organizers, supporters and guests for a late dinner on the Memorial Hall stage. As fate would have it, he sat next to me. Charming man.

 
 
by Steven Rosen 10.10.2014 10 days ago
Posted In: Visual Art at 09:16 AM | Permalink | Comments (0)
 
 
gahahl_elmundo_still_high

Some of the Best Films in Town Are at FotoFocus’ Screenings

Since they’re not playing at a multiplex, or even an indie theater like the Esquire, you might easily overlook some of the best films in town right now. They’re in FotoFocus’ Screenings program, curated by its artistic director Kevin Moore and showing at Lightborne Studio, 212 E. 14th St. in Over-the-Rhine 11 a.m.-8 p.m. today through Sunday.

This is basically a program of shorts presented in a comfortably spacious room (usually a studio) fitted with big sofas. But two hour-long (approximately) films are continuously alternating in a smaller second room, also decked out with sofas. The one I saw on Thursday, Rainer Ganahl’s 2013 El MundoA Classical Music Concert, was a transfixing achievement both film and music. It’s really worth seeking out.

The filmed, staged concert takes place in a Spanish Harlem discount store going out of business – everything is drastically on sale and looks picked-over, as if waiting for a dumpster to clear it out. Previously, the building was a theater and you can see traces of its former-life ornamentation.

The heat must have been turned off for this event. The concertgoers Ganahl has brought to the place are dressed warmly – one woman looks ready to explore the Arctic at intermission.

In the middle of this stuff there is a grand piano. There, during the course of the film, two pianists play – one an accompanist and another a sublime soloist. There is also a young violinist (Rachel Koblyakov) and two operatic singers. The most spectacular presence is the older diva Ok-Cha Lim, wearing the reddest possible formal dress with a red wrap around her shoulders and wrists. She dramatically sings arias from Madame Butterfly and Tosca.

The film is split-screen, so you watch the performers do their pieces on one side while another camera wanders around the crowd and the store itself, stopping to inspect the goods. It’s an intimate enough space you can see the crew moving in and out of the frames. You can’t help but think about how, on one hand, capitalism churns out so much disposable stuff while on the other hand art produces timeless beauty. Or, how art can enrich any environment.

For more information, visit www.fotofocusbiennial.org.
 
 
by Rick Pender 10.10.2014 10 days ago
Posted In: Theater at 08:20 AM | Permalink | Comments (0)
 
 
moby dick_left to right montez o jenkins as queequeg _rico reid as ahab _photo_deogracias lerma

Stage Door: A Whale, Two Brothers and a Beast

Know Theatre sets sail this weekend with tonight's opening of Moby Dick. It's Herman Melville's great American novel stripped down to its bare essentials of men at sea doing battle with a creature that maimed their obsessive captain. It's Know's first main stage show staged by new artistic director Andrew Hungerford, who's teamed with co-director Michael Burnham, retired from CCM but no doubt as inventive as ever in bringing unusual material to audiences. Featuring the haunting music of sea shanties and a stage full of theatricality, it being performed through Nov. 8. Tickets ($20 in advance): 513-300-5669. And here's a tip: Wednesday evening performances are free as part of Know's "Welcome Experiment," intended to bring new audiences to its Over-the-Rhine facility.

UC's College-Conservatory of Music is presenting Willy Russell's powerful British musical Blood Brothers today and tomorrow in the Cohen Family StudioTheater. Set in 1950s Liverpool, it's about a woman with too many children who is talked into giving up one of a pair of newborn fraternal twins. Despite her efforts and those of the unstable woman who wanted a baby, the boys meet and become not just friends but "blood brothers." They don't know their history, they simply feel drawn to one another. That leads to a tragic, perhaps inevitable, confrontation. But there is humor and an energetic Pop Rock score along the way. Hannah Kornfeld is heartbreaking as the conflicted mother; Thomas Knapp and Karl Amundson turn in heart-breaking performances as the ill-fated boys, from age 7 to 22. This weekend only; the final performance is Saturday evening at 8 p.m. Tickets are free but need to be reserved (513-556-4183); call in advance — performances are often sold out.

Perhaps you'd like to take a kid or two to see a show. The Cincinnati Playhouse's "Off the Hill" production, Roses & Thorns, based on "Beauty and the Beast," would be a fine choice. It's a touring production for kids ages 7 and up, and it's making its way to various neighborhoods over the next month or so (through Nov. 2). I attended a preview recently and found it thoroughly enjoyable. It's a sweet retelling of the familiar story whose love and devotion saves her family and breaks a curse on a monstrous beast who's really a handsome prince. The show uses clever props and costumes, slapstick, satire and high camp styles; its four actors are professionals in training, and their work, playing multiple characters and making quick changes, is great fun to watch. This weekend it's onstage at the Lebanon Theatre Company (10 S. Mechanic St., Lebanon) on Sunday at 2 p.m. Check the Playhouse's website for future performances around the Tristate. Tickets in Lebanon are $5: 513-228-0932

If you missed Kevin Crowley's one-woman show Sarge during the Cincinnati Fringe Festival last June, it's getting a reprise this weekend and next (it's onstage tonight through Oct. 20). Christine Dye's performance as the devoted but deluded wife of Penn State football coach Jerry Sandusky, found guilty of molesting young boys, won the Critics Pick of the Fringe. Dye is remarkable in three monologues that reveal the mind of a woman who cannot accept her husband's true nature. It's being presented in a double bill with another short script by local actor and playwright Crowley, The Monkey's Paw, a dark comedy about a couple struggling with the anxieties of early parenthood. Performances at Clifton Performance Theater, 404 Ludlow Avenue. Tickets ($25): 513-861-7469

I gave Critic's Picks in CityBeat recently to two excellent productions recently, and they remain onstage this weekend. I Loved, I Lost, I Made Spaghetti at the Cincinnati Playhouse is a one-woman piece about cooking and relationships (charming actress Antoinette LaVecchia prepares an Italian dinner while describing her bad luck with men). Tickets ($30-$75): 513-421-3888 … The Little Dog Laughed finishes its run this weekend at New Edgecliff Theater at Hoffner Hall (4120 Hamilton, Ave., Northside. It's the story of a gay actor whose agent is trying to keep him from ruining his career by being public about his persuasion. It's surprising how a play from 2007 could present anxieties about something that today is much more accepted, but this production is great fun to watch thanks to four fine actors, especially Kemper Florin as the motor-mouthed, scheming agent. Tickets: ($20-$27): 888-428-7311
 
 
by Steven Rosen 10.08.2014 12 days ago
at 08:09 AM | Permalink | Comments (0)
 
 
ac_johnwaters-700x615

Key FotoFocus Events Begin Today

Today starts the key stretch of FotoFocus Biennial activities at Memorial Hall, which begin at 8 p.m. with Triumph of the Wild, a show of animated firms by Martha Colburn accompanied by music from Thollem McDonas, Tatiana Berman and the four-person Constella Ensemble.

On Thursday, programming at Memorial Hall turns to the theme of Photography in Dialogue. At 1 p.m., the film Gerhard Richter Painting will be screened followed by a response from Anne Lindberg. At 3:30 p.m., FotoFocus Artistic Director Kevin Moore and Contemporary Arts Center Director Raphaela Platow will discuss the FotoFocus show at CAC, The One-Eyed Thief: Taiyo Onorato & Nico Krebs. And at 5 p.m., there will be a forum on another FotoFocus-sponsored show, Vivian Maier: A Quiet Pursuit.

On Friday, Memorial Hall activities center on Landscapes. At 1 p.m., the film Somewhere to Disappear, With Alec Soth screens, followed by a response from Matthew Porter. At 3 p.m. is a conversation with photographer Elena Dorfman and 21c Museum Hotel curator Alice Gray Stites. At 4:30, photographer David Benjamin Sherry — the subject of a FotoFocus show — will be in conversation with Elizabeth Siegel. And at 6 p.m., Jeff L. Rosenheim, photography curator at Metropolitan Museum, lectures on "Shadow and Substance: Photography and the American Civil War."

On Saturday, the subject is Urbanscapes and events get underway at 1 p.m. with the film Bill Cunningham New York, followed by a response from Ivan Shaw. At 3:30 is a forum on street photography with three curators — Moore, CAC's Steven Matijcio and Cincinnati Art Museum's Brian Sholis. At 5 p.m. comes a discussion on the Fotogram project at the ArtHub, which opens today in Washington Park. Participants include its architect, Jose Garcia. And the big event gets underway at 8 p.m., when John Waters presents This Filthy World.

Sunday offers three forums, starting at 1 p.m. when Jordan Tate and Aaron Cowan discuss the FotoFocus show Inpout/Output with artist Rachel de Joode. At 2:30 p.m. is a conversation with Fred and Ruth Bidwell on Bidwell Projects and Tate's Transformer Station, Cleveland art project. At 3:30 p.m., there is talk about film with Moore, Colburn and Kristen Erwin Schlotman.

Attendance at Memorial Hall events requires a passport ticket, which cost either $25 or $75, depending on benefits ($15 for students), and are available at www.fotofocusbiennial.org.
 
 
by Paloma Ianes 10.07.2014 13 days ago
at 12:48 PM | Permalink | Comments (0)
 
 
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Such + Such Recognized in West Elm Small Business Contest

Local design studio one of 20 finalists in the running for $25,000

Cincinnati-based design company Such + Such has been selected as one of 20 finalists for popular home furnishing retailer West Elm’s national “We Love Local Small Businesses Grant” contest. The grand prize winner will receive $25,000 and mentorship from West Elm while three runners-up will have their products featured in West Elm stores during the upcoming holiday season.

“The fact that we were chosen to move forward in this competition has blown us away,” said Alex Aeschbury, co-founder of Such + Such, in a press release. “We couldn't have gotten here without the support of Cincinnati, and it’s fitting that Cincinnati will help take our brand to the next level.” Such + Such’s founders Aeschbury and Zach Darmanian-Harris, former students at University of Cincinnati's College of Design, Architecture, Art, and Planning, have provided design and fabrication services for a variety of clients nationwide, as well as some of Cincinnati’s local favorites Neon’s Unplugged, Sloane Boutique and the Cincinnati Art Museum.

Coinciding with the contest, Such + Such in August launched a product line featuring hand-crafted furniture and home decor pieces including coffee tables, stools and wall clocks. All of the pieces from this inaugural line are sustainably made from naturally felled ash wood locally sourced from the Ohio Valley.

Such + Such joins 19 other small companies from around the U.S. whose creations include pottery, hand-dyed textiles, organic soap and skincare and handmade novelty goods. These finalists will be judged based on online votes, originality, design, story, commitment to local production and depth of product assortment. Public voting is open through Oct 14, and can be done here. The winners will be announced Nov 19.

There will be a voting party hosted by PB&J, a local PR and design firm that merged with Such + Such in 2013. The party will take place from 5:30-7:30 p.m. tonight at the PB&J offices at 1417 Main St. 1A in Over-the-Rhine. Rhinegeist Brewery will be providing refreshments.

 
 
by Rick Pender 10.03.2014 17 days ago
Posted In: Theater at 08:17 AM | Permalink | Comments (0)
 
 
antoinette lavecchia in i loved, i lost, i made spaghett_ photo sandy underwood

Stage Door: Spaghetti, Macbeth and More

Last night I was at the Cincinnati Playhouse for the opening of I Loved, I Lost, I Made Spaghetti, a charming one-woman play based on Giulia Melucci's foodie memoir from 2009. The frame of the show is that it's set in a stylish kitchen where actress Antoinette LaVecchia prepares a meal while sketching out her numerous disconnects in search of love, feeding boyfriends but finding herself starving. Four couples pay a bit more ($35 apiece beyond the ticket price) to sit at tables directly in front of her kitchen where she serves antipasti, salad and spaghetti Bolognese that she prepares as she talks about a series of amusing but unpromising relationships, convincingly painting portraits of her ill-fated choice in men. La Vecchia is so natural in the role (which she originated in 2012 and has played at several regional theaters since then) that you'll feel like you're one of her best friends. Running through Oct. 26, this Shelterhouse production gets a Critic's Pick. Tickets ($30-$75): 513-421-3888

I also thoroughly enjoyed New Edgecliff Theatre's production of The Little Dog Laughed (at Hoffner Hall, 4120 Hamilton Ave., Northside). The four-actor comedy by Douglas Carter Beane is about Diane, an acerbic agent, and Mitch, the actor whose career she's advancing. He's found a boyfriend he really likes (even though boyfriend is a male prostitute with a girlfriend), but she's convinced that this news could ruin his chances … and hers. Kemper Florin is a hoot as the motor-mouthed agent, spouting all sorts of crazy theories about how things should be in monologues that directly address the audience. The entire cast does a fine job, and I gave this one a Critic's Pick. Tickets ($20-$27): 888-428-7311


Area universities have two classics to offer. At UC's College-Conservatory of Music in a brief weekend run (through Sunday) it's Shakespeare's classic tragedy, Macbeth. In an unusual twist, the production features third-year female drama student Laura McCarthy as the power-mad military man who seizes the throne of Scotland. Tickets ($27-$31): 513-556-4183 … South of the Ohio River, Northern Kentucky University presents Euripides' The Bacchae, a play first performed in 405 B.C. The tale of power, revenge, decadence and debauchery takes place in Thebes, where citizens are torn between worship of the god Dionysus and the centrality of reason and humanism. Sunday will be the conclusion of a two-week run of the production. Tickets ($14): 859-572-5464

The musical Dirty Dancing, based on a hit movie from 1987 about young love at a family resort in the Catskills, wraps up two weeks of performance at the Aronoff Center. The touring production, presented by Broadway in Cincinnati through Sunday, features some dazzling video and lots of dancing. The story is pretty predictable, but it's one that people love. "Don't put Baby in the corner." Tickets ($39-$89): 513-621-2787
 
 

 

 

by Steve Rosen 10.17.2014 3 days ago
Posted In: Movies at 02:40 PM | Permalink | Comments (0)
 
 
art_craft

New Art World Documentary has Strong Cincinnati Connection

Next Friday, the documentary Art and Craft is opening at the Mariemont Theater. It's the story of an art forger, Mark Landis, who gave his work away to museums and colleges.

He was exposed by Matthew Leininger, before the latter became a Cincinnati Art Museum registrar. While in Cincinnati, in 2012 Leininger and Aaron Cowan, curator of UC-DAAP galleries, organized an exhibit about Landis, which was covered in CityBeat at the time.

Landis even came to the opening. The film, which is being nationally distributed and has done good business elsewhere, uses footage and information from that show. So for the Cincinnati opening, Leininger and Cowan both will participate in an audience discussion after the 7:30 p.m. showings next Friday and Saturday (Oct. 24 and 25). This poster, with a certain Saul Bass-like suspense-movie vibe, has just been released.

Watch for a full article in next week's CityBeat by Movie Critic tt stern-ezi.
 
 
by Steven Rosen 10.17.2014 3 days ago
at 10:24 AM | Permalink | Comments (0)
 
 
momohara, emily hanako - gather, 2014, video still

Two FotoFocus Shows Not to Miss

Hard to believe, but we’re halfway through October, the main month of the FotoFocus Biennial. (Some FotoFocus-related shows run longer.)

So this weekend is really a great time to get out and see some of the shows — fotofocusbiennial.org has a full list. Find CityBeat's full FotoFocus preview here.

Two that I highly recommend, and that I’m afraid might be overlooked because of bigger museum shows, are Emily Hanako Momohara’s Heirloom — at Downtown’s Weston Art Gallery — and David Benjamin Sherry’s Western Romance at a temporary space at 1500 Elm St. in Over-the-Rhine. Momohara’s show is up through Nov. 30 but Sherry’s ends Nov. 1.

Both use color wonderfully to make you focus on objects and/or landscapes close-up — so close-up they have a transporting, transcendent effect if you can spend enough time with them.

Sherry, an L.A. artist recently featured on The New York Times Magazine’s cover, uses color in a psychedelic way, achieving the effect he wants during processing. It gives his Western mountain and desert landscapes a glaze — a “purple haze,” in the case of “Putting Grapes Back on the Vine” — that turns physical geography into a state of mind. There are also in the show black-and-white prints by masters of Western photography — Ansel Adams, Carleton Watkins — to acknowledge Sherry’s debt and also proclaim a change.

Momohara, who taught photography at the Art Academy of Cincinnati but now is relocating to China, is using Heirloom to explore ideas about her Okinawan and Japanese ancestry. These distinctive still photographs and photograph-like videos isolate and deeply contemplate objects related to or inspired by that.

The vertically formatted pieces — like the fantastic “Gathering” video, which looks at luminescent, open-mouthed koi as they crowd around the water’s surface — seem to be moving forward a grand narrative, like scrollwork. And the more horizontal pieces, like “Mask #1,” revel in mystery through the way illuminated objects occupy space in an otherwise dark ground.

To me, these two shows are among FotoFocus’ very best — and I especially hope Momohara returns at some point with something much more extensive.

 

 

 
 
by Rick Pender 10.17.2014 3 days ago
Posted In: Theater at 08:30 AM | Permalink | Comments (0)
 
 
bruce cromer_an iliad_etc _photo ryan kurtz

Stage Door: An Iliad, Varekai, and Other Items of Note

On Wednesday evening I attended one of the most remarkable solo performances I've ever seen: Bruce Cromer starring in An Iliad at Ensemble Theatre Cincinnati.  Based on Homer's epic poem about the Trojan War, the poetic but dynamic script calls on one actor to play a dozen or so characters. Cromer does everyone of them (sometimes interacting with one another) with both imagination and detail. But mostly he's "The Poet," trapped by his role to tell this story — and the story of war in general — for nearly three millennia. He lets us see the attraction of glory and the devastation of senseless combat often for trivial reasons (the stealing of one man's wife by another lit the fuse on the Siege of Troy). The play is a condemnation of war and an acknowledgement of its inevitability. But it's also a celebration of theater, and Cromer is an absolute marvel to watch: After 100 minutes (no intermission) he's dripping with sweat from the effort and bowing to a genuine standing ovation. This is a production that no theater fan should miss. Tickets ($28-$44): 513-421-3555

There's a Cirque du Soleil show, Varekai, at the Bank of Kentucky Center at Northern Kentucky University. Like most, it's light on content and high on entertainment: A winged man falls from the rafters into a magical world where he recovers, witnessing the delights of strange creatures — who also happen to be marvelous performers: tumblers, aerial artists, jugglers and acrobats. As always, there's a pair of clowns who have fun with a few audience members. I didn't find Varekai (it's a Gypsy word that means "wherever") quite as breathtaking as some of the Cirque shows I've witnessed, but that's a relative remark, not a judgment on this production. The "Russian Swings" just before the finale feature acrobats hurled high into the air by massive swings, landing in the arms of others or on canvas sails. (Don't try this at home.) Varekai is a great escape and totally family friendly. Final performance is Sunday at 5 p.m. Tickets ($28-$145): 800-745-3000

For a quick taste of Know Theatre's Moby Dick, check out this trailer: http://youtu.be/QMbqos66s0s. There's singing of sea shanties, hoisting of sails and a tremendous battle with the Great White Whale. I'm hoping that this ambitious production gets its sea legs soon: It felt a bit wobbly during the opening week. But Herman Melville's classic American novel has life breathed into it by a cast of eight hardworking actors. Onstage through Nov. 8. Tickets ($18, but performances on Wednesdays are free): 513-300-3669

Other items of note: On Monday evening, Know Theatre hosts the quarterly presentation of TRUEtheatre, real stories told by everyday people; this time around it's True Hair. … The following night at KNow, Cincinnati Fringe favorite Kevin Thornton is back in town to present another of his one-man shows of music and comedy, this one is called Talky Concert Thingy. He's a load of unpredictable talent, always watchable. … Falcon Theatre (they perform at the Monmouth Theatre in Newport) this weekend opens a production of the classic thriller, The Woman in Black. It's a good scare for the Halloween season. Tickets: 513-479-6783 … Children's Theatre of Cincinnati is offering public performances of Disney's Beauty and the Beast JR. at the Taft this weekend (and Saturday, Oct. 25). Tickets ($7-$25): 800-745-3000
 
 
by Jac Kern 10.16.2014 4 days ago
Posted In: Opera, Comedy, Classical music at 12:11 PM | Permalink | Comments (0)
 
 
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Comic Musical Duo Igudesman & Joo Performs at SCPA Tonight

Comic musical duo Igudesman & Joo performs at the School for Creative and Performing Arts’ Mayerson Theater tonight, presented by the Constella Festival. Korean-British pianist Richard Hyung-ki Joo and Russian violinist Aleksey Igudesman mix Classical music with other popular genres and humor for a wholly entertaining performance. Check out this popular performance (which has more than 7 million YouTube views):

    

CityBeat writer Anne Arenstein spoke to Joo about the duo's unique spin on performing the classics.

It was hate at first sight when Igudesman and Joo met. There’s a hilarious account of what brought them together on their website, but according to Joo, the moment of truth came a couple of months later. 

“We shared the notion that the Classical music world which we loved so much was taking itself way too seriously,” Joo says. “Going to concerts was like going to a funeral.”

“We were young and we didn’t know much but we knew Classical music was full of life,” he continues. “Through our own projects and the music we wrote, we could at least create events that we would want to go to.”

Go here to read the full interview.

"An Evening with Igudesman and Joo" takes place at 8 p.m. tonight at SCPA’s Mayerson Theater, 108 W. Central Parkway, Over-the-Rhine. More information and tickets: 513-549-7175 or constellafestival.org.

 
 
by Steven Rosen 10.15.2014 5 days ago
Posted In: Visual Art at 11:58 AM | Permalink | Comments (0)
 
 
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FotoFocus' Sharp, Smart Programming at Memorial Hall

The centerpiece of the FotoFocus Biennial’s programming was its five days of events at Memorial Hall — films, panel discussions, lectures and a Saturday-night performance of This Filthy World by John Waters.

As the Wednesday-Sunday events coincided with other key FotoFocus events — the excellent Screenings exhibit of short art films curated by the biennial’s artistic director, Kevin Moore, was at Lightborne Studios during the same period — it was hard to attend everything.

But what I did attend was really rewarding — thought-provoking discussions about photography that centered on ideas and thus were of interest to everyone. In fact, that’s a point I think needs to be made about FotoFocus as it seeks to grow its following: It isn’t a narrow-focused event for photography professionals; it’s for anyone who likes the visual arts. That should be everyone.

Here are some of the highlights of what I was able to attend:

A panel discussion on FotoFocus’ Vivian Maier: A Quiet Pursuit exhibition, about the secretive Chicago street photographer whose work has only recently been discovered since her death. One guest was Howard Greenberg, the New York fine-art photography dealer who represents John Maloof, the Chicago owner of much of Maier’s archives of unpublished work. Regarding a current dispute with another party over who has the right to print and sell her work, Greenberg said he and Maloof were close to an agreement with the city of Chicago-appointed attorney for the Maier estate to let sales of prints resume while the dispute proceeds, since the income would benefit the estate.

A conversation with photographer Elena Dorfman, whose recent Empire Falling project documented old Rust Belt quarries but then manipulated the images into something slightly ethereal, offered stimulating ideas about how post-industrial ruins have become melancholy pilgrimage sites — accidental earthworks to rival “Spiral Jetty” or “Lightning Field.”

Friday night’s keynote lecture on “Shadow and Substance: Photography and the Civil War,” by Jeff L. Rosenheim of the Metropolitan Museum of Art, was fantastically involving. He was an engaged and engaging speaker. For instance, he explained why there are so few actual photographs of battles – with both sides blasting away, sometimes imprecisely, at each other on battlefields, few photographers wanted to set up their cumbersome equipment along the dangerous sides to capture the action. But once a battle was over, it wasn’t so difficult to document the bodies on the ground.

A panel discussion on the growth of Instagram, tied to a FotoFocus-sponsored “Fotogram” project for which Instagram photos were fed into a screen at the temporary ArtHub structure in Washington Park, had food for thought. Jose Garcia, the ArtHub’s architect, somewhat jokingly characterized Instagram selfies as “a cry for help.” And Nion McEvoy, chairman and CEO of San Francisco’s Chronicle Books, observed that new technology — with its emphasis on swiftly delivered virtual transmissions rather than carefully crafted physical objects — has been met with a healthy, growing counter-movement encompassing vinyl records, locavore-oriented slow foods, letterpress printing and more. And, he said, Chronicle Books’ main business is still print.

John Waters drew a big crowd to Memorial Hall — FotoFocus had sold 200 more passes than seats (a pass was good for all Memorial Hall events, not just Waters) and was worried. Fortunately, not every passholder came to his Saturday night show — there were some empty seats on the sides. His show lived up to its This Filthy World title, as he joked about seemingly every sex act known to the human race (and maybe some known only to aliens).

But he also made humorous references to artists — he’s an art connoisseur — and some of his political observations had the kind of shocking in-your-face bite reminiscent of Lenny Bruce. For instance, on abortion, he said (and I paraphrase a little, since I didn’t take notes), “If you’re not going to love your child, don’t have him. I don’t want him to grow up to kill me."

Afterwards, he signed objects for fans and then joined a small group of FotoFocus organizers, supporters and guests for a late dinner on the Memorial Hall stage. As fate would have it, he sat next to me. Charming man.

 
 
by Steven Rosen 10.10.2014 10 days ago
Posted In: Visual Art at 09:16 AM | Permalink | Comments (0)
 
 
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Some of the Best Films in Town Are at FotoFocus’ Screenings

Since they’re not playing at a multiplex, or even an indie theater like the Esquire, you might easily overlook some of the best films in town right now. They’re in FotoFocus’ Screenings program, curated by its artistic director Kevin Moore and showing at Lightborne Studio, 212 E. 14th St. in Over-the-Rhine 11 a.m.-8 p.m. today through Sunday.

This is basically a program of shorts presented in a comfortably spacious room (usually a studio) fitted with big sofas. But two hour-long (approximately) films are continuously alternating in a smaller second room, also decked out with sofas. The one I saw on Thursday, Rainer Ganahl’s 2013 El MundoA Classical Music Concert, was a transfixing achievement both film and music. It’s really worth seeking out.

The filmed, staged concert takes place in a Spanish Harlem discount store going out of business – everything is drastically on sale and looks picked-over, as if waiting for a dumpster to clear it out. Previously, the building was a theater and you can see traces of its former-life ornamentation.

The heat must have been turned off for this event. The concertgoers Ganahl has brought to the place are dressed warmly – one woman looks ready to explore the Arctic at intermission.

In the middle of this stuff there is a grand piano. There, during the course of the film, two pianists play – one an accompanist and another a sublime soloist. There is also a young violinist (Rachel Koblyakov) and two operatic singers. The most spectacular presence is the older diva Ok-Cha Lim, wearing the reddest possible formal dress with a red wrap around her shoulders and wrists. She dramatically sings arias from Madame Butterfly and Tosca.

The film is split-screen, so you watch the performers do their pieces on one side while another camera wanders around the crowd and the store itself, stopping to inspect the goods. It’s an intimate enough space you can see the crew moving in and out of the frames. You can’t help but think about how, on one hand, capitalism churns out so much disposable stuff while on the other hand art produces timeless beauty. Or, how art can enrich any environment.

For more information, visit www.fotofocusbiennial.org.
 
 
by Rick Pender 10.10.2014 10 days ago
Posted In: Theater at 08:20 AM | Permalink | Comments (0)
 
 
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Stage Door: A Whale, Two Brothers and a Beast

Know Theatre sets sail this weekend with tonight's opening of Moby Dick. It's Herman Melville's great American novel stripped down to its bare essentials of men at sea doing battle with a creature that maimed their obsessive captain. It's Know's first main stage show staged by new artistic director Andrew Hungerford, who's teamed with co-director Michael Burnham, retired from CCM but no doubt as inventive as ever in bringing unusual material to audiences. Featuring the haunting music of sea shanties and a stage full of theatricality, it being performed through Nov. 8. Tickets ($20 in advance): 513-300-5669. And here's a tip: Wednesday evening performances are free as part of Know's "Welcome Experiment," intended to bring new audiences to its Over-the-Rhine facility.

UC's College-Conservatory of Music is presenting Willy Russell's powerful British musical Blood Brothers today and tomorrow in the Cohen Family StudioTheater. Set in 1950s Liverpool, it's about a woman with too many children who is talked into giving up one of a pair of newborn fraternal twins. Despite her efforts and those of the unstable woman who wanted a baby, the boys meet and become not just friends but "blood brothers." They don't know their history, they simply feel drawn to one another. That leads to a tragic, perhaps inevitable, confrontation. But there is humor and an energetic Pop Rock score along the way. Hannah Kornfeld is heartbreaking as the conflicted mother; Thomas Knapp and Karl Amundson turn in heart-breaking performances as the ill-fated boys, from age 7 to 22. This weekend only; the final performance is Saturday evening at 8 p.m. Tickets are free but need to be reserved (513-556-4183); call in advance — performances are often sold out.

Perhaps you'd like to take a kid or two to see a show. The Cincinnati Playhouse's "Off the Hill" production, Roses & Thorns, based on "Beauty and the Beast," would be a fine choice. It's a touring production for kids ages 7 and up, and it's making its way to various neighborhoods over the next month or so (through Nov. 2). I attended a preview recently and found it thoroughly enjoyable. It's a sweet retelling of the familiar story whose love and devotion saves her family and breaks a curse on a monstrous beast who's really a handsome prince. The show uses clever props and costumes, slapstick, satire and high camp styles; its four actors are professionals in training, and their work, playing multiple characters and making quick changes, is great fun to watch. This weekend it's onstage at the Lebanon Theatre Company (10 S. Mechanic St., Lebanon) on Sunday at 2 p.m. Check the Playhouse's website for future performances around the Tristate. Tickets in Lebanon are $5: 513-228-0932

If you missed Kevin Crowley's one-woman show Sarge during the Cincinnati Fringe Festival last June, it's getting a reprise this weekend and next (it's onstage tonight through Oct. 20). Christine Dye's performance as the devoted but deluded wife of Penn State football coach Jerry Sandusky, found guilty of molesting young boys, won the Critics Pick of the Fringe. Dye is remarkable in three monologues that reveal the mind of a woman who cannot accept her husband's true nature. It's being presented in a double bill with another short script by local actor and playwright Crowley, The Monkey's Paw, a dark comedy about a couple struggling with the anxieties of early parenthood. Performances at Clifton Performance Theater, 404 Ludlow Avenue. Tickets ($25): 513-861-7469

I gave Critic's Picks in CityBeat recently to two excellent productions recently, and they remain onstage this weekend. I Loved, I Lost, I Made Spaghetti at the Cincinnati Playhouse is a one-woman piece about cooking and relationships (charming actress Antoinette LaVecchia prepares an Italian dinner while describing her bad luck with men). Tickets ($30-$75): 513-421-3888 … The Little Dog Laughed finishes its run this weekend at New Edgecliff Theater at Hoffner Hall (4120 Hamilton, Ave., Northside. It's the story of a gay actor whose agent is trying to keep him from ruining his career by being public about his persuasion. It's surprising how a play from 2007 could present anxieties about something that today is much more accepted, but this production is great fun to watch thanks to four fine actors, especially Kemper Florin as the motor-mouthed, scheming agent. Tickets: ($20-$27): 888-428-7311
 
 
by Steven Rosen 10.08.2014 12 days ago
at 08:09 AM | Permalink | Comments (0)
 
 
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Key FotoFocus Events Begin Today

Today starts the key stretch of FotoFocus Biennial activities at Memorial Hall, which begin at 8 p.m. with Triumph of the Wild, a show of animated firms by Martha Colburn accompanied by music from Thollem McDonas, Tatiana Berman and the four-person Constella Ensemble.

On Thursday, programming at Memorial Hall turns to the theme of Photography in Dialogue. At 1 p.m., the film Gerhard Richter Painting will be screened followed by a response from Anne Lindberg. At 3:30 p.m., FotoFocus Artistic Director Kevin Moore and Contemporary Arts Center Director Raphaela Platow will discuss the FotoFocus show at CAC, The One-Eyed Thief: Taiyo Onorato & Nico Krebs. And at 5 p.m., there will be a forum on another FotoFocus-sponsored show, Vivian Maier: A Quiet Pursuit.

On Friday, Memorial Hall activities center on Landscapes. At 1 p.m., the film Somewhere to Disappear, With Alec Soth screens, followed by a response from Matthew Porter. At 3 p.m. is a conversation with photographer Elena Dorfman and 21c Museum Hotel curator Alice Gray Stites. At 4:30, photographer David Benjamin Sherry — the subject of a FotoFocus show — will be in conversation with Elizabeth Siegel. And at 6 p.m., Jeff L. Rosenheim, photography curator at Metropolitan Museum, lectures on "Shadow and Substance: Photography and the American Civil War."

On Saturday, the subject is Urbanscapes and events get underway at 1 p.m. with the film Bill Cunningham New York, followed by a response from Ivan Shaw. At 3:30 is a forum on street photography with three curators — Moore, CAC's Steven Matijcio and Cincinnati Art Museum's Brian Sholis. At 5 p.m. comes a discussion on the Fotogram project at the ArtHub, which opens today in Washington Park. Participants include its architect, Jose Garcia. And the big event gets underway at 8 p.m., when John Waters presents This Filthy World.

Sunday offers three forums, starting at 1 p.m. when Jordan Tate and Aaron Cowan discuss the FotoFocus show Inpout/Output with artist Rachel de Joode. At 2:30 p.m. is a conversation with Fred and Ruth Bidwell on Bidwell Projects and Tate's Transformer Station, Cleveland art project. At 3:30 p.m., there is talk about film with Moore, Colburn and Kristen Erwin Schlotman.

Attendance at Memorial Hall events requires a passport ticket, which cost either $25 or $75, depending on benefits ($15 for students), and are available at www.fotofocusbiennial.org.
 
 
by Paloma Ianes 10.07.2014 13 days ago
at 12:48 PM | Permalink | Comments (0)
 
 
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Such + Such Recognized in West Elm Small Business Contest

Local design studio one of 20 finalists in the running for $25,000

Cincinnati-based design company Such + Such has been selected as one of 20 finalists for popular home furnishing retailer West Elm’s national “We Love Local Small Businesses Grant” contest. The grand prize winner will receive $25,000 and mentorship from West Elm while three runners-up will have their products featured in West Elm stores during the upcoming holiday season.

“The fact that we were chosen to move forward in this competition has blown us away,” said Alex Aeschbury, co-founder of Such + Such, in a press release. “We couldn't have gotten here without the support of Cincinnati, and it’s fitting that Cincinnati will help take our brand to the next level.” Such + Such’s founders Aeschbury and Zach Darmanian-Harris, former students at University of Cincinnati's College of Design, Architecture, Art, and Planning, have provided design and fabrication services for a variety of clients nationwide, as well as some of Cincinnati’s local favorites Neon’s Unplugged, Sloane Boutique and the Cincinnati Art Museum.

Coinciding with the contest, Such + Such in August launched a product line featuring hand-crafted furniture and home decor pieces including coffee tables, stools and wall clocks. All of the pieces from this inaugural line are sustainably made from naturally felled ash wood locally sourced from the Ohio Valley.

Such + Such joins 19 other small companies from around the U.S. whose creations include pottery, hand-dyed textiles, organic soap and skincare and handmade novelty goods. These finalists will be judged based on online votes, originality, design, story, commitment to local production and depth of product assortment. Public voting is open through Oct 14, and can be done here. The winners will be announced Nov 19.

There will be a voting party hosted by PB&J, a local PR and design firm that merged with Such + Such in 2013. The party will take place from 5:30-7:30 p.m. tonight at the PB&J offices at 1417 Main St. 1A in Over-the-Rhine. Rhinegeist Brewery will be providing refreshments.

 
 
by Rick Pender 10.03.2014 17 days ago
Posted In: Theater at 08:17 AM | Permalink | Comments (0)
 
 
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Stage Door: Spaghetti, Macbeth and More

Last night I was at the Cincinnati Playhouse for the opening of I Loved, I Lost, I Made Spaghetti, a charming one-woman play based on Giulia Melucci's foodie memoir from 2009. The frame of the show is that it's set in a stylish kitchen where actress Antoinette LaVecchia prepares a meal while sketching out her numerous disconnects in search of love, feeding boyfriends but finding herself starving. Four couples pay a bit more ($35 apiece beyond the ticket price) to sit at tables directly in front of her kitchen where she serves antipasti, salad and spaghetti Bolognese that she prepares as she talks about a series of amusing but unpromising relationships, convincingly painting portraits of her ill-fated choice in men. La Vecchia is so natural in the role (which she originated in 2012 and has played at several regional theaters since then) that you'll feel like you're one of her best friends. Running through Oct. 26, this Shelterhouse production gets a Critic's Pick. Tickets ($30-$75): 513-421-3888

I also thoroughly enjoyed New Edgecliff Theatre's production of The Little Dog Laughed (at Hoffner Hall, 4120 Hamilton Ave., Northside). The four-actor comedy by Douglas Carter Beane is about Diane, an acerbic agent, and Mitch, the actor whose career she's advancing. He's found a boyfriend he really likes (even though boyfriend is a male prostitute with a girlfriend), but she's convinced that this news could ruin his chances … and hers. Kemper Florin is a hoot as the motor-mouthed agent, spouting all sorts of crazy theories about how things should be in monologues that directly address the audience. The entire cast does a fine job, and I gave this one a Critic's Pick. Tickets ($20-$27): 888-428-7311


Area universities have two classics to offer. At UC's College-Conservatory of Music in a brief weekend run (through Sunday) it's Shakespeare's classic tragedy, Macbeth. In an unusual twist, the production features third-year female drama student Laura McCarthy as the power-mad military man who seizes the throne of Scotland. Tickets ($27-$31): 513-556-4183 … South of the Ohio River, Northern Kentucky University presents Euripides' The Bacchae, a play first performed in 405 B.C. The tale of power, revenge, decadence and debauchery takes place in Thebes, where citizens are torn between worship of the god Dionysus and the centrality of reason and humanism. Sunday will be the conclusion of a two-week run of the production. Tickets ($14): 859-572-5464

The musical Dirty Dancing, based on a hit movie from 1987 about young love at a family resort in the Catskills, wraps up two weeks of performance at the Aronoff Center. The touring production, presented by Broadway in Cincinnati through Sunday, features some dazzling video and lots of dancing. The story is pretty predictable, but it's one that people love. "Don't put Baby in the corner." Tickets ($39-$89): 513-621-2787
 
 
 
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