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by Mike Breen 09.19.2014 32 hours ago
 
 
yugos

WATCH: The Yugos Perform “Follow You”

Before opening MidPoint Friday next week, local Indie rockers reveal a live video of their recent single

On their most recent tour, excellent Northern Kentucky Indie Rock band The Yugos stopped by Toledo, Ohio’s SixtyTen Recording Studio to record its latest single, “Follow You,” as part of the facility’s “SixtyTen Sessions” video series.

The studio version of the single, released earlier this summer, can be streamed/downloaded here.


One week from the day, The Yugos will be opening up MidPoint Music Festival’s Friday festivities. The band plays at 5 p.m. Friday on the MidPoint Midway stage, right before another of the fest’s most anticipated acts, Real Estate, performs. The Midway stage is free and open to the public (no tickets/passes required), thanks to stage sponsor P&G. It’s also an all-ages show.


Click here to hear more from The Yugos, and here to check out more sessions from SixtyTen.


 
 
by Mike Breen 09.18.2014 53 hours ago
Posted In: Live Music, Local Music, Music News at 11:48 AM | Permalink | Comments (0)
 
 
wnku.cover_

WNKU Supports Local Music, Local Music Supports WNKU

Cincinnati area musicians team up for Northern Kentucky public radio station’s fall fund drive

While commercial radio throws a bone here and there to homegrown musicians in Greater Cincinnati via specialty shows or segments, public radio station WNKU (89.7 FM; wnku.org) frequently adds songs from local artists to its regular-rotation playlist. And it has for years. The station also covers the local scene online with news and reviews, hosts local musicians for its live in-studio Studio 89 program and sponsors numerous musical events across the Tristate.


Local musicians are returning the favor by appearing on the new compilation album, Get Real Gone: Road Songs for Public Radio. In lieu of, say, a cliched tote bag gift, WNKU will be giving CDs of the album to those who donate during the station’s fall fund drive. Listeners who become “sustaining members,” paying just $8 a month, or those who donate $96 can score a disc of their very own. 


The compilation features tracks by Roger Klug, Brian Lovely’s Flying Underground, Eclipse Movement, Goose, The Newbees, Balderdash, Tim Goshorn, Kim Taylor, psychodots, Marcos, Graveblankets, Davis Kinney, Charlie Fletcher, Jeff Seeman and Bromwell-Diehl. 


This Saturday and Sept. 27, several of the Get Real Gone participants will perform live at WNKU’s studio. This Saturday, the lineup features Davis Kenney (10 a.m.), Balderdash (noon), The Newbees (1 p.m.), Roger Klug Power Trio (2 p.m.) and Graveblankets (3 p.m.). On Sept. 27, tune in to hear Kim Taylor (10 a.m.), Jeffrey Seeman (10:40 a.m.), Brian Lovely’s Flying Underground (11:30 a.m.), Goose (1 p.m.), Charlie Fletcher (with The Bluebirds; 2:30 p.m.) and the Bromwell-Diehl Band (3:15 p.m.). 


Click here for more info and here to make a donation.

 
 
by Mike Breen 09.18.2014 56 hours ago
Posted In: Local Music, Music Video at 09:26 AM | Permalink | Comments (0)
 
 
buggs

The State of Cincinnati Hip Hop is Strong

Check new videos from Buggs Tha Rocka, Those Guys, Trademark Aaron and Sleep

Tonight, Cincinnati mayor John Cranley will be giving his “State of the City” speech. For a snapshot of the state of the city’s Hip Hop scene, take a look at the following recent music videos. Judging by these tracks and visuals, I’d say the state of Cincinnati Hip Hop is strong. 

• Yesterday, the reigning Cincinnati Entertainment Awards champ for top Hip Hop act in the city, Buggs Tha Rocka, put out a clip for his track “Rapture,” featuring local singer Phoenix Aphrodite. The song is from Buggs’ forthcoming album, Scattered Thoughts of an American Poet, which is set for release Oct. 7 and features a great guest list, including Chuck Inglish from The Cool Kids, Tanya Morgan, Piakhan, MOOD and more.

Rapture feat. Phoenix Aphrodite from Buggs Tha Rocka on Vimeo.

• Middletown-based Hip Hop duo Those Guys just premiered their latest video, “King.” Featuring J.Al and Jova, Those Guys top themselves with every new release and “King” is no exception. Their tagline/motto is “Good Hip-Hop Music” and after listening to “King,” you’ll find it hard to disagree. The track is from the twosome’s recent release, Bueno, which you can download here.


• Last year, Northern Kentucky MC Trademark Aaron gained a lot of  well deserved attention with his great track/video for “Faith,” which was featured on Vevo’s homepage and shared far and wide across the Hip Hop blogosphere. TA’s latest video, for “Gold” from his recent Act Accordingly release (which we wrote about here), premiered on Vevo’s homepage last week and features local drummer Aaron Roy as a special guest (on both the track and in the video). 


• Another area Hip Hop MC, Sleep, also got some props from Vevo, which showcased his stellar clip/track “I Shot Lincoln” on its homepage last month. Sleep released the amazing concept album Branded: The Damon Winton Story this past spring (one of my favorite albums of 2014 so far; check out a review here) but the “I Shot Lincoln” video/track (featuring special guest Kue the Vandal) is separate from that project. Like Branded, the “I Shot Lincoln” visuals are a little disturbing and unusual but endlessly engaging. 

 
 
by Mike Breen 09.17.2014 3 days ago
Posted In: Local Music, Music History at 03:44 PM | Permalink | Comments (0)
 
 
1346708

Cincinnati in Song

Blog compiles impressive list of songs featuring “Cincinnati” in their titles

This morning we received a message from former CIncinnatian/current Silver Spring, Md., resident Chris Richardson about some Cincinnati music-centric posts on his cool music blog, Zero to 180


Richardson has a rich knowledge of music in general — his blog “celebrates studio songcraft and some of the lesser-known stories behind the songwriters, musicians, producers, engineers, arrangers, label owners and the like” —  and he has good taste because he appears to be a big fan of pioneering local label King Records. (Here’s a great post about an interesting connection between King and Jamaican Ska.)


Yesterday, the blog featured a fun post with a run down of songs from the past to the present that feature Cincinnati in the title. Tracks range from earlier cuts by Duke Ellington (“Cincinnati Daddy”) and Johnny Burnette (“Cincinnati Fireball”) through more recent material, like “Cincinnati Harmony” by The Dopamines, “Oh, Cincinnati” by The Seedy Seeds and “All Roads Lead to Cincinnati” by Jake Speed and the Freddies. Check the full list here.




There are several great tunes on the list, but this one is pretty terrifying:



Anything he missed? 

 
 
by mbreen 09.16.2014 4 days ago
Posted In: Local Music, Live Music, Music Video, Music News at 08:58 AM | Permalink | Comments (0)
 
 
wtm

WATCH: Walk the Moon Plays New Single on 'Late Night'

Cincy band's second full-length for RCA Records due later this year

The reigning Cincinnati Entertainment Award winners of the Artist of the Year honors, Alt Pop quartet Walk the Moon, are finally set to release their second album for RCA Records. The album's lead single, "Shut Up and Dance," was released Sept. 10 and last night the group performed the song on Late Night with Seth Meyers. (Watch below.)

The band's sophomore RCA full-length will be out before the year's end, according to the label.

Walk the Moon kicks off its coast-to-coast “Shut Up and Tour” tour of smaller clubs in Seattle on Oct. 8. The band will perform some of the new material on the tour, which does not include a hometown date. The group will be in Columbus, Ohio, on Oct. 21, but that show instantly sold out. The Columbus date is also the first of several shows that will feature like-minded Cincinnati Pop Rock trio Public as opening act.


 
 
by Mike Breen 09.11.2014 9 days ago
Posted In: MidPoint Music Festival at 11:16 AM | Permalink | Comments (0)
 
 
10614398_10152693277934938_7024903946490629615_n-1

MidPoint Music Festival Guide Available Now

The 2014 MPMF guide features performer previews, Midway attraction info and more

Be sure to grab a copy of this week’s edition of CityBeat to check out the official guide for the 2014 MidPoint Music Festival, which kicks off two weeks from today. You can also view the guide online here

The guide once again features short previews of all 150-plus artists performing at MPMF, as well as info on other attractions at the fest, including the MidPoint Midway, transportation options, ArtWorks’ “Ink Your Love” project, a MidPoint visitor's guide (with info on restaurants, bars and more around the MPMF route) and much more. 


NOTE: There are some conflicting ticket prices listed in the guide for the stage at Washington Park. Refer to the Ticket and Box Office Info page (page 5) and below for the correct information. We apologize for our error.


Washington Park (All ages) 

• Thursday: Chromeo, The Range

$27 advance; $30 at gate. 

Gates at 5 p.m.; show starts at 6 p.m.

Friday: The Afghan Whigs, Wussy, Joseph Arthur: 

$27 advance; $30 at gate. 

Gates at 5 p.m.; show starts at 6 p.m.

Saturday: OK Go, Empires, Public, Modoc

$20 advance; $25 at gate. 

Gates at 1 p.m.; show starts at 2 p.m.


Visit mpmf.cincyticket.com to purchase three-day passes, VIP tickets (only a few remain), single day tickets and tickets for the Washington Park shows in advance. 


And be sure to grab the smartphone app at live.mpmf.com, on which you can customize your schedule and read MPMF-related Twitter and Instagram posts. 


And you can listen to most of the performing artists via the Spotify playlist below:


 
 
by Charlie Harmon 09.10.2014 10 days ago
Posted In: Music History at 01:23 PM | Permalink | Comments (0)
 
 
bogarts_steveziegelmeyer2

These Walls Have Heard It All: Bogart's

Bogart’s, the never-so-clean music venue that sits along the construction-ridden stretch of pavement known as Short Vine, goes back far beyond any concert you may have seen there in the past several decades. It holds a rich history dating back more than a century, although this isn’t so easily apparent now.

Live Nation, a national live-events company that promotes acts and operates a large list of venues around the country, took over Bogart’s in 1999 in a deal with Nederlander Entertainment, who was operating the venue at the time.

One of the myriad changes they have made over the years has been a revamp of the old website, molding it to the standard format they use for all their venues, which in a way deemphasizes the historical significance of the place. I’d think the wrinkled timeline of the building might be a point of interest, but I suppose concert-goers are more concerned with getting tickets to collectively bob heads in a loud room than the age-old energy of that very room.

Here’s what you may not know about Bogart’s.

Bogart’s hasn’t always been Bogart’s. Built in 1890, it was originally called the Nordland Plaza Nickelodeon and, fitting with popular entertainment of the period, it was a vaudeville theater.

Imagine this: lights illuminate figures flying through the air, turning and twisting as they clutch their trapeze over the small stage. They complete a routine and the room is filled with a crowd-hushing roar, followed by the entrance of a ringmaster rearing a lion up to full height right in front of your eyes. He leads it in circles, keeping it calm and cool, before leading it back offstage to allow a magician to come out, accompanied side-stage by two comedic cross-gender impersonators, hooting and howling as the illusionist pulls a hair out of his hat or cuts a man in half. The show ends with a small orchestra playinga classical piece to guide three dancers across the platform.

This was “vaudeville,” fringe American entertainment named after the creation of Sargent’s Great Vaudeville Company in Louisville. It’s fascinating to wonder what wild things we could have seen at the Nordland Plaza in the early 20th century.

As technology developed, folks apparently grew less accustomed to leaving their houses for public, live entertainment, and TV took over the world of entertaining. The theater succumbed to the competition from the television industry and transformed into a German film theater in the mid-1950s under the same name.

Some time later it reverted back to live entertainment, becoming a restaurant theater with the new name Inner Circle. This nightclub was far from the talk of the town, slowly spiraling into failure until a man named Al Porkolab and two partners bought the building.

They named it Bogart’s, which was short for Bogart’s Café Americain, a reference to the movie Casablanca, apparently one of Pokolab’s favorites. In its earliest days it followed the movie as a theme, decorating with tropical trees and offering food with the ambiance of tuxedoed servers and a lounge band. The venue only sat a few hundred people at this point, and the restaurant-club followed Inner Circle down a fissure to failure in just months.

At this point Porkolab took over, buying out his partners and extensively remodeling the building, turning it into a nightclub that featured local, national and international music acts. It opened as such in 1982.

It remained open in this state, still housing only several hundred people, for a decade. During that time it garnered a little heat, specifically from Cincinnati Mayor Charles Luken in 1985, who wanted the place shut down due to the neighborhood havoc that would ensue after the late-night dance parties the club would host from 2-6 a.m. on Sundays.

The building underwent another round of renovations in 1993 that turned the few hundred seats into 1,500, the current capacity of the venue. With the larger volume, the venue began bringing in acts that were too big for a small bar or club but wouldn’t get booked by a big-time venue.

Many bands you know now that would sell out a huge venue played Bogart’s in their proving days. To name a few, acts such as Red Hot Chili Peppers, Phish, Slayer and Pearl Jam (who, as a matter of fact, is coming in October to play US Bank Arena) impressed crowds on that intimate stage.

In ’97, Nederlander took over operations, leading us back to the highly reputed ownership by Live Nation, who according to their short paragraph of history on the site, “continues the tradition of quality live entertainment that has been [the venue's] forte since the building was built.”

Check out the upcoming shows at this old vaudeville hall:

Sept. 11: Taking Back Sunday
Sept. 12: Paul Weller

Sept. 16: August Alsina: Testimony Live
Sept. 19: Nick Carter and Jordan Knight

Sept. 20: Blacklight College Party
Sept. 26: Matisyahu

Go here for Bogart's photos throughout the years.

 
 
by Mike Breen 08.29.2014 22 days ago
Posted In: MidPoint Music Festival, Music News at 09:43 AM | Permalink | Comments (0)
 
 
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MidPoint Music Festival Ticket Deal Ends Tuesday

Prices for three-day MPMF passes go up after Labor Day

Three-day “All Music Access” tickets for the 13th annual MidPoint Music Festival remain one of the best music fest deals in the country. But if you wait until after Monday to get yours, you’ll have to pay a little more. 


On Tuesday, prices for the three-day passes will increase from $69 to $79. It’ll still be a great deal with the $10 bump, but you like to save money, right? Click here to get your tickets, which will get you into all of the shows throughout the three-day affair (barring shows that reach capacity by the time you get there).


The festival returns in less that a month, running Sept. 25-27 on multiple stages throughout Downtown and Over-the-Rhine and featuring more than 150 performers from all over the world


MPMF (which is owned and operated by CityBeat) has added a few acts over the past few weeks. Artists added to the lineup in just this past week include Nashville’s Mary Bragg, Columbus, Ohio’s Old Hundred, Stockholm, Sweden’s Baskery, returning MPMF faves Sol Cat (from Nashville), Louisiana’s Baby Bee and L.A. Pop band machineheart



You can keep track of further schedule changes at MPMF.com, as well as on the festival’s Facebook, Twitter and Instagram accounts.


To check out some tunes from this year’s crop of MPMF artists, click below for a 10-and-a-half-hour Spotify playlist.



 
 
by Mike Breen 08.22.2014 29 days ago
Posted In: Live Music, Local Music, Festivals at 11:38 AM | Permalink | Comments (0)
 
 
cjj_logo_horizontal_0001

Crown Jewels of Jazz Festival Begins Tonight

Washington Park and SCPA host events throughout the two-day fest presented by Learning Through Art, Inc.

The Crown Jewels of Jazz Festival returns Friday and Saturday with an adjusted format. While last year’s fest was spread out across the Over-the-Rhine area, this year’s Crown Jewels is more streamlined, with free events concentrated in OTR’s Washington Park.

The fest kicks off Friday night with an 8 p.m. concert featuring unique and widely acclaimed Jazz singer Gregory Porter, as well as Cincinnati native Mandy Gaines (whose been busy performing throughout Europe and Asia).


Saturday at Washington Park, the fest kicks up again with Phil DeGreg, Baba Charles Miller and Kathy Wade (whose Learning Through Art, Inc. presents the Crown Jewels fest) performing and telling the story of Jazz (and other music) in a program called “Journeys: A Black Anthology of Music” at 4 p.m. At 5 p.m., “Piano Picnic in the Park” will showcase area pianists; DeGreg, Jim Connerly, Billy Larkin, Charles Ramsey III, Cheryl Renee, Steve Schmidt and Erwin Stuckey will each perform their two favorite Jazz numbers during the hour and a half performance. 

Then it’s time to dance! The fest closes out at 8 p.m. with “Dancing Under the Stars” at the park’s bandstand, featuring music from the 18-piece Sound Body Jazz Orchestra and dancers/teachers from the Dare to Dance Ballroom Dance and Fitness Studio.

Given that it is presented by Learning Through Art, Inc., it is fitting that the Crown Jewels of Jazz fest will also include an educational program Saturday morning for high school musicians at the School for Creative and Performing Arts, just across the street from Washington Park’s 12th Street entrance. The CJ2 Jazz Camp, which will feature clinics, classes and more with many of Cincinnati’s top Jazz musicians and educators (including DeGreg, Stuckey, Jim Anderson, Marc Fields, Ted Karas, Mike Wade, Art Gore, Brent Gallaher and many others), begins at 8:30 a.m. There is a $35 fee per student.

For complete info on the Jazz Camp and all of the Crown Jewels of Jazz events, visit learningthroughart.com. And click here to read CityBeat's interview with Wade about the fest and her org's other work.


 
 
by Nick Grever 08.21.2014 30 days ago
Posted In: Live Music, Local Music, Reviews at 09:51 AM | Permalink | Comments (0)
 
 
500 album cover

REVIEW: 500 Miles to Memphis’ ‘Stand There and Bleed’

Local rockers host listening party tonight for their finest effort to date

500 Miles to Memphis’ two most recent album releases are local classics that reside in two vastly different musical landscapes. Their 2007 album, Sunshine in a Shot Glass, offers 12 tracks of undiluted Country Punk. The album starts off with the band’s hit “All My Friends are Crazy” and doesn’t let up. The band’s followup, 2011’s We’ve Built Up to Nothing, took the Country Punk roots and drastically expanded on the concept. Influenced by The Beatles, the Cincinnati-based quintet added layer upon layer of instrumentation to craft an epic that radically expanded the groundwork laid in 2007. 

Now, in 2014 the band is set to unleash Stand There and Bleed. With its latest release, 500 Miles to Memphis has pulled back and opted for a simpler, more straightforward group of songs. In doing so, the band has written its best album to date.

The band will host a listening party for the new album tonight (Thursday) at The Drinkery in Over-the-Rhine. The album will be played in its entirety at 9 p.m., then the group will play an acoustic set at 10 p.m. The event is free. (The official release date for Stand There and Bleed has yet to be announced.)

At its core, 500 Miles to Memphis has always been about vocalist/guitarist Ryan Malott telling the stories of his life. And with three years in between releases, Malott has plenty to talk about. Stand There and Bleed is Malott’s most personal output so far. We see a glimpse of tour life in “Medication,” the joys of marriage in “Takes Some Time” and the trials of addiction in “Easy Way Out.” Malott may have traded the bottle for coffee and a Playstation controller, but the struggle is ongoing. In fact, the best tracks on the album are the ones that document Malott’s missteps, but only because the album has so much hope, as well. There is a light at the end of the tunnel, and Malott is steadily working his way towards it.

Joining Malott is bassist/vocalist Noah Sugarman, drummer Kevin Hogle, guitarist/vocalist Aaron Whalen and lap steel guitarist David Rhodes Brown. This all-star lineup compliments Malott’s lyrics expertly. Gone are We Built Up to Nothing’s more eccentric instrument choices; 500 stripped away the excess to more fully focus on what it had in house. The result is an album that’s more consistent and true to 500’s vision as a whole. Malott is influenced by Country and Punk Rock in equal measure and these influences come across stronger than ever on Bleed, with each member adding their own touch on the theme. Hogle’s drumming is still some of the best in town; his musical ear enables him to mold his style to each and heighten the mood of all. Brown’s steel playing on Stand There and Bleed keeps the more Punk-based tracks grounded in 500’s roots and elevates the Country tracks to another level with effortlessly delivered solos. Finally, Whalen and Sugarman’s guitar and bass inject energy throughout the record that reinforces Stand There and Bleed’s straightforward, powerful delivery.

Malott’s vocal delivery has been honed and refined on Stand There and Bleed, as well. Malott is an unabashed fan of Green Day and comparisons to Billie Joe Armstrong in songs like “Bethel, OH” and “Abilene” are undeniable. Malott has also continued to inject large amounts of emotion into his vocals. He’s always been an expressive singer but the earnestness and pain in “You’ll Get Around” and “Alone” show a departure from We’ve Built Up to Nothing’s more polished vocals. Part of the recording process was breaking Malott of those good habits and getting him used to putting the feeling back into each take. What results is an album that’s a little rougher around the edges and much more emotionally captivating for the listener.

500 Miles to Memphis has been pushing its music forward for years, constantly hitting the road to share its take on Country Punk. The band has been virtuous to the genre and also bent it to an almost unrecognizable state. With Stand There and Bleed, the quintet has met somewhere in the middle. The band has trimmed the fat, focused on what each (incredibly talented) member brings to the table and built a record that is its most focused and honest to date. 

The band has traveled way more than 500 miles to reach where they are now, but with albums like Stand There and Bleed carrying them, they have plenty more ahead of them.


 
 

 

 

Music
 
by Mike Breen 09.19.2014 32 hours ago
 
 
yugos

WATCH: The Yugos Perform “Follow You”

Before opening MidPoint Friday next week, local Indie rockers reveal a live video of their recent single

On their most recent tour, excellent Northern Kentucky Indie Rock band The Yugos stopped by Toledo, Ohio’s SixtyTen Recording Studio to record its latest single, “Follow You,” as part of the facility’s “SixtyTen Sessions” video series.

The studio version of the single, released earlier this summer, can be streamed/downloaded here.


One week from the day, The Yugos will be opening up MidPoint Music Festival’s Friday festivities. The band plays at 5 p.m. Friday on the MidPoint Midway stage, right before another of the fest’s most anticipated acts, Real Estate, performs. The Midway stage is free and open to the public (no tickets/passes required), thanks to stage sponsor P&G. It’s also an all-ages show.


Click here to hear more from The Yugos, and here to check out more sessions from SixtyTen.


 
 
by Mike Breen 09.18.2014 53 hours ago
Posted In: Live Music, Local Music, Music News at 11:48 AM | Permalink | Comments (0)
 
 
wnku.cover_

WNKU Supports Local Music, Local Music Supports WNKU

Cincinnati area musicians team up for Northern Kentucky public radio station’s fall fund drive

While commercial radio throws a bone here and there to homegrown musicians in Greater Cincinnati via specialty shows or segments, public radio station WNKU (89.7 FM; wnku.org) frequently adds songs from local artists to its regular-rotation playlist. And it has for years. The station also covers the local scene online with news and reviews, hosts local musicians for its live in-studio Studio 89 program and sponsors numerous musical events across the Tristate.


Local musicians are returning the favor by appearing on the new compilation album, Get Real Gone: Road Songs for Public Radio. In lieu of, say, a cliched tote bag gift, WNKU will be giving CDs of the album to those who donate during the station’s fall fund drive. Listeners who become “sustaining members,” paying just $8 a month, or those who donate $96 can score a disc of their very own. 


The compilation features tracks by Roger Klug, Brian Lovely’s Flying Underground, Eclipse Movement, Goose, The Newbees, Balderdash, Tim Goshorn, Kim Taylor, psychodots, Marcos, Graveblankets, Davis Kinney, Charlie Fletcher, Jeff Seeman and Bromwell-Diehl. 


This Saturday and Sept. 27, several of the Get Real Gone participants will perform live at WNKU’s studio. This Saturday, the lineup features Davis Kenney (10 a.m.), Balderdash (noon), The Newbees (1 p.m.), Roger Klug Power Trio (2 p.m.) and Graveblankets (3 p.m.). On Sept. 27, tune in to hear Kim Taylor (10 a.m.), Jeffrey Seeman (10:40 a.m.), Brian Lovely’s Flying Underground (11:30 a.m.), Goose (1 p.m.), Charlie Fletcher (with The Bluebirds; 2:30 p.m.) and the Bromwell-Diehl Band (3:15 p.m.). 


Click here for more info and here to make a donation.

 
 
by Mike Breen 09.18.2014 56 hours ago
Posted In: Local Music, Music Video at 09:26 AM | Permalink | Comments (0)
 
 
buggs

The State of Cincinnati Hip Hop is Strong

Check new videos from Buggs Tha Rocka, Those Guys, Trademark Aaron and Sleep

Tonight, Cincinnati mayor John Cranley will be giving his “State of the City” speech. For a snapshot of the state of the city’s Hip Hop scene, take a look at the following recent music videos. Judging by these tracks and visuals, I’d say the state of Cincinnati Hip Hop is strong. 

• Yesterday, the reigning Cincinnati Entertainment Awards champ for top Hip Hop act in the city, Buggs Tha Rocka, put out a clip for his track “Rapture,” featuring local singer Phoenix Aphrodite. The song is from Buggs’ forthcoming album, Scattered Thoughts of an American Poet, which is set for release Oct. 7 and features a great guest list, including Chuck Inglish from The Cool Kids, Tanya Morgan, Piakhan, MOOD and more.

Rapture feat. Phoenix Aphrodite from Buggs Tha Rocka on Vimeo.

• Middletown-based Hip Hop duo Those Guys just premiered their latest video, “King.” Featuring J.Al and Jova, Those Guys top themselves with every new release and “King” is no exception. Their tagline/motto is “Good Hip-Hop Music” and after listening to “King,” you’ll find it hard to disagree. The track is from the twosome’s recent release, Bueno, which you can download here.


• Last year, Northern Kentucky MC Trademark Aaron gained a lot of  well deserved attention with his great track/video for “Faith,” which was featured on Vevo’s homepage and shared far and wide across the Hip Hop blogosphere. TA’s latest video, for “Gold” from his recent Act Accordingly release (which we wrote about here), premiered on Vevo’s homepage last week and features local drummer Aaron Roy as a special guest (on both the track and in the video). 


• Another area Hip Hop MC, Sleep, also got some props from Vevo, which showcased his stellar clip/track “I Shot Lincoln” on its homepage last month. Sleep released the amazing concept album Branded: The Damon Winton Story this past spring (one of my favorite albums of 2014 so far; check out a review here) but the “I Shot Lincoln” video/track (featuring special guest Kue the Vandal) is separate from that project. Like Branded, the “I Shot Lincoln” visuals are a little disturbing and unusual but endlessly engaging. 

 
 
by Mike Breen 09.17.2014 3 days ago
Posted In: Local Music, Music History at 03:44 PM | Permalink | Comments (0)
 
 
1346708

Cincinnati in Song

Blog compiles impressive list of songs featuring “Cincinnati” in their titles

This morning we received a message from former CIncinnatian/current Silver Spring, Md., resident Chris Richardson about some Cincinnati music-centric posts on his cool music blog, Zero to 180


Richardson has a rich knowledge of music in general — his blog “celebrates studio songcraft and some of the lesser-known stories behind the songwriters, musicians, producers, engineers, arrangers, label owners and the like” —  and he has good taste because he appears to be a big fan of pioneering local label King Records. (Here’s a great post about an interesting connection between King and Jamaican Ska.)


Yesterday, the blog featured a fun post with a run down of songs from the past to the present that feature Cincinnati in the title. Tracks range from earlier cuts by Duke Ellington (“Cincinnati Daddy”) and Johnny Burnette (“Cincinnati Fireball”) through more recent material, like “Cincinnati Harmony” by The Dopamines, “Oh, Cincinnati” by The Seedy Seeds and “All Roads Lead to Cincinnati” by Jake Speed and the Freddies. Check the full list here.




There are several great tunes on the list, but this one is pretty terrifying:



Anything he missed? 

 
 
by mbreen 09.16.2014 4 days ago
Posted In: Local Music, Live Music, Music Video, Music News at 08:58 AM | Permalink | Comments (0)
 
 
wtm

WATCH: Walk the Moon Plays New Single on 'Late Night'

Cincy band's second full-length for RCA Records due later this year

The reigning Cincinnati Entertainment Award winners of the Artist of the Year honors, Alt Pop quartet Walk the Moon, are finally set to release their second album for RCA Records. The album's lead single, "Shut Up and Dance," was released Sept. 10 and last night the group performed the song on Late Night with Seth Meyers. (Watch below.)

The band's sophomore RCA full-length will be out before the year's end, according to the label.

Walk the Moon kicks off its coast-to-coast “Shut Up and Tour” tour of smaller clubs in Seattle on Oct. 8. The band will perform some of the new material on the tour, which does not include a hometown date. The group will be in Columbus, Ohio, on Oct. 21, but that show instantly sold out. The Columbus date is also the first of several shows that will feature like-minded Cincinnati Pop Rock trio Public as opening act.


 
 
by Mike Breen 09.11.2014 9 days ago
Posted In: MidPoint Music Festival at 11:16 AM | Permalink | Comments (0)
 
 
10614398_10152693277934938_7024903946490629615_n-1

MidPoint Music Festival Guide Available Now

The 2014 MPMF guide features performer previews, Midway attraction info and more

Be sure to grab a copy of this week’s edition of CityBeat to check out the official guide for the 2014 MidPoint Music Festival, which kicks off two weeks from today. You can also view the guide online here

The guide once again features short previews of all 150-plus artists performing at MPMF, as well as info on other attractions at the fest, including the MidPoint Midway, transportation options, ArtWorks’ “Ink Your Love” project, a MidPoint visitor's guide (with info on restaurants, bars and more around the MPMF route) and much more. 


NOTE: There are some conflicting ticket prices listed in the guide for the stage at Washington Park. Refer to the Ticket and Box Office Info page (page 5) and below for the correct information. We apologize for our error.


Washington Park (All ages) 

• Thursday: Chromeo, The Range

$27 advance; $30 at gate. 

Gates at 5 p.m.; show starts at 6 p.m.

Friday: The Afghan Whigs, Wussy, Joseph Arthur: 

$27 advance; $30 at gate. 

Gates at 5 p.m.; show starts at 6 p.m.

Saturday: OK Go, Empires, Public, Modoc

$20 advance; $25 at gate. 

Gates at 1 p.m.; show starts at 2 p.m.


Visit mpmf.cincyticket.com to purchase three-day passes, VIP tickets (only a few remain), single day tickets and tickets for the Washington Park shows in advance. 


And be sure to grab the smartphone app at live.mpmf.com, on which you can customize your schedule and read MPMF-related Twitter and Instagram posts. 


And you can listen to most of the performing artists via the Spotify playlist below:


 
 
by Charlie Harmon 09.10.2014 10 days ago
Posted In: Music History at 01:23 PM | Permalink | Comments (0)
 
 
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These Walls Have Heard It All: Bogart's

Bogart’s, the never-so-clean music venue that sits along the construction-ridden stretch of pavement known as Short Vine, goes back far beyond any concert you may have seen there in the past several decades. It holds a rich history dating back more than a century, although this isn’t so easily apparent now.

Live Nation, a national live-events company that promotes acts and operates a large list of venues around the country, took over Bogart’s in 1999 in a deal with Nederlander Entertainment, who was operating the venue at the time.

One of the myriad changes they have made over the years has been a revamp of the old website, molding it to the standard format they use for all their venues, which in a way deemphasizes the historical significance of the place. I’d think the wrinkled timeline of the building might be a point of interest, but I suppose concert-goers are more concerned with getting tickets to collectively bob heads in a loud room than the age-old energy of that very room.

Here’s what you may not know about Bogart’s.

Bogart’s hasn’t always been Bogart’s. Built in 1890, it was originally called the Nordland Plaza Nickelodeon and, fitting with popular entertainment of the period, it was a vaudeville theater.

Imagine this: lights illuminate figures flying through the air, turning and twisting as they clutch their trapeze over the small stage. They complete a routine and the room is filled with a crowd-hushing roar, followed by the entrance of a ringmaster rearing a lion up to full height right in front of your eyes. He leads it in circles, keeping it calm and cool, before leading it back offstage to allow a magician to come out, accompanied side-stage by two comedic cross-gender impersonators, hooting and howling as the illusionist pulls a hair out of his hat or cuts a man in half. The show ends with a small orchestra playinga classical piece to guide three dancers across the platform.

This was “vaudeville,” fringe American entertainment named after the creation of Sargent’s Great Vaudeville Company in Louisville. It’s fascinating to wonder what wild things we could have seen at the Nordland Plaza in the early 20th century.

As technology developed, folks apparently grew less accustomed to leaving their houses for public, live entertainment, and TV took over the world of entertaining. The theater succumbed to the competition from the television industry and transformed into a German film theater in the mid-1950s under the same name.

Some time later it reverted back to live entertainment, becoming a restaurant theater with the new name Inner Circle. This nightclub was far from the talk of the town, slowly spiraling into failure until a man named Al Porkolab and two partners bought the building.

They named it Bogart’s, which was short for Bogart’s Café Americain, a reference to the movie Casablanca, apparently one of Pokolab’s favorites. In its earliest days it followed the movie as a theme, decorating with tropical trees and offering food with the ambiance of tuxedoed servers and a lounge band. The venue only sat a few hundred people at this point, and the restaurant-club followed Inner Circle down a fissure to failure in just months.

At this point Porkolab took over, buying out his partners and extensively remodeling the building, turning it into a nightclub that featured local, national and international music acts. It opened as such in 1982.

It remained open in this state, still housing only several hundred people, for a decade. During that time it garnered a little heat, specifically from Cincinnati Mayor Charles Luken in 1985, who wanted the place shut down due to the neighborhood havoc that would ensue after the late-night dance parties the club would host from 2-6 a.m. on Sundays.

The building underwent another round of renovations in 1993 that turned the few hundred seats into 1,500, the current capacity of the venue. With the larger volume, the venue began bringing in acts that were too big for a small bar or club but wouldn’t get booked by a big-time venue.

Many bands you know now that would sell out a huge venue played Bogart’s in their proving days. To name a few, acts such as Red Hot Chili Peppers, Phish, Slayer and Pearl Jam (who, as a matter of fact, is coming in October to play US Bank Arena) impressed crowds on that intimate stage.

In ’97, Nederlander took over operations, leading us back to the highly reputed ownership by Live Nation, who according to their short paragraph of history on the site, “continues the tradition of quality live entertainment that has been [the venue's] forte since the building was built.”

Check out the upcoming shows at this old vaudeville hall:

Sept. 11: Taking Back Sunday
Sept. 12: Paul Weller

Sept. 16: August Alsina: Testimony Live
Sept. 19: Nick Carter and Jordan Knight

Sept. 20: Blacklight College Party
Sept. 26: Matisyahu

Go here for Bogart's photos throughout the years.

 
 
by Mike Breen 08.29.2014 22 days ago
Posted In: MidPoint Music Festival, Music News at 09:43 AM | Permalink | Comments (0)
 
 
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MidPoint Music Festival Ticket Deal Ends Tuesday

Prices for three-day MPMF passes go up after Labor Day

Three-day “All Music Access” tickets for the 13th annual MidPoint Music Festival remain one of the best music fest deals in the country. But if you wait until after Monday to get yours, you’ll have to pay a little more. 


On Tuesday, prices for the three-day passes will increase from $69 to $79. It’ll still be a great deal with the $10 bump, but you like to save money, right? Click here to get your tickets, which will get you into all of the shows throughout the three-day affair (barring shows that reach capacity by the time you get there).


The festival returns in less that a month, running Sept. 25-27 on multiple stages throughout Downtown and Over-the-Rhine and featuring more than 150 performers from all over the world


MPMF (which is owned and operated by CityBeat) has added a few acts over the past few weeks. Artists added to the lineup in just this past week include Nashville’s Mary Bragg, Columbus, Ohio’s Old Hundred, Stockholm, Sweden’s Baskery, returning MPMF faves Sol Cat (from Nashville), Louisiana’s Baby Bee and L.A. Pop band machineheart



You can keep track of further schedule changes at MPMF.com, as well as on the festival’s Facebook, Twitter and Instagram accounts.


To check out some tunes from this year’s crop of MPMF artists, click below for a 10-and-a-half-hour Spotify playlist.



 
 
by Mike Breen 08.22.2014 29 days ago
Posted In: Live Music, Local Music, Festivals at 11:38 AM | Permalink | Comments (0)
 
 
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Crown Jewels of Jazz Festival Begins Tonight

Washington Park and SCPA host events throughout the two-day fest presented by Learning Through Art, Inc.

The Crown Jewels of Jazz Festival returns Friday and Saturday with an adjusted format. While last year’s fest was spread out across the Over-the-Rhine area, this year’s Crown Jewels is more streamlined, with free events concentrated in OTR’s Washington Park.

The fest kicks off Friday night with an 8 p.m. concert featuring unique and widely acclaimed Jazz singer Gregory Porter, as well as Cincinnati native Mandy Gaines (whose been busy performing throughout Europe and Asia).


Saturday at Washington Park, the fest kicks up again with Phil DeGreg, Baba Charles Miller and Kathy Wade (whose Learning Through Art, Inc. presents the Crown Jewels fest) performing and telling the story of Jazz (and other music) in a program called “Journeys: A Black Anthology of Music” at 4 p.m. At 5 p.m., “Piano Picnic in the Park” will showcase area pianists; DeGreg, Jim Connerly, Billy Larkin, Charles Ramsey III, Cheryl Renee, Steve Schmidt and Erwin Stuckey will each perform their two favorite Jazz numbers during the hour and a half performance. 

Then it’s time to dance! The fest closes out at 8 p.m. with “Dancing Under the Stars” at the park’s bandstand, featuring music from the 18-piece Sound Body Jazz Orchestra and dancers/teachers from the Dare to Dance Ballroom Dance and Fitness Studio.

Given that it is presented by Learning Through Art, Inc., it is fitting that the Crown Jewels of Jazz fest will also include an educational program Saturday morning for high school musicians at the School for Creative and Performing Arts, just across the street from Washington Park’s 12th Street entrance. The CJ2 Jazz Camp, which will feature clinics, classes and more with many of Cincinnati’s top Jazz musicians and educators (including DeGreg, Stuckey, Jim Anderson, Marc Fields, Ted Karas, Mike Wade, Art Gore, Brent Gallaher and many others), begins at 8:30 a.m. There is a $35 fee per student.

For complete info on the Jazz Camp and all of the Crown Jewels of Jazz events, visit learningthroughart.com. And click here to read CityBeat's interview with Wade about the fest and her org's other work.


 
 
by Nick Grever 08.21.2014 30 days ago
Posted In: Live Music, Local Music, Reviews at 09:51 AM | Permalink | Comments (0)
 
 
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REVIEW: 500 Miles to Memphis’ ‘Stand There and Bleed’

Local rockers host listening party tonight for their finest effort to date

500 Miles to Memphis’ two most recent album releases are local classics that reside in two vastly different musical landscapes. Their 2007 album, Sunshine in a Shot Glass, offers 12 tracks of undiluted Country Punk. The album starts off with the band’s hit “All My Friends are Crazy” and doesn’t let up. The band’s followup, 2011’s We’ve Built Up to Nothing, took the Country Punk roots and drastically expanded on the concept. Influenced by The Beatles, the Cincinnati-based quintet added layer upon layer of instrumentation to craft an epic that radically expanded the groundwork laid in 2007. 

Now, in 2014 the band is set to unleash Stand There and Bleed. With its latest release, 500 Miles to Memphis has pulled back and opted for a simpler, more straightforward group of songs. In doing so, the band has written its best album to date.

The band will host a listening party for the new album tonight (Thursday) at The Drinkery in Over-the-Rhine. The album will be played in its entirety at 9 p.m., then the group will play an acoustic set at 10 p.m. The event is free. (The official release date for Stand There and Bleed has yet to be announced.)

At its core, 500 Miles to Memphis has always been about vocalist/guitarist Ryan Malott telling the stories of his life. And with three years in between releases, Malott has plenty to talk about. Stand There and Bleed is Malott’s most personal output so far. We see a glimpse of tour life in “Medication,” the joys of marriage in “Takes Some Time” and the trials of addiction in “Easy Way Out.” Malott may have traded the bottle for coffee and a Playstation controller, but the struggle is ongoing. In fact, the best tracks on the album are the ones that document Malott’s missteps, but only because the album has so much hope, as well. There is a light at the end of the tunnel, and Malott is steadily working his way towards it.

Joining Malott is bassist/vocalist Noah Sugarman, drummer Kevin Hogle, guitarist/vocalist Aaron Whalen and lap steel guitarist David Rhodes Brown. This all-star lineup compliments Malott’s lyrics expertly. Gone are We Built Up to Nothing’s more eccentric instrument choices; 500 stripped away the excess to more fully focus on what it had in house. The result is an album that’s more consistent and true to 500’s vision as a whole. Malott is influenced by Country and Punk Rock in equal measure and these influences come across stronger than ever on Bleed, with each member adding their own touch on the theme. Hogle’s drumming is still some of the best in town; his musical ear enables him to mold his style to each and heighten the mood of all. Brown’s steel playing on Stand There and Bleed keeps the more Punk-based tracks grounded in 500’s roots and elevates the Country tracks to another level with effortlessly delivered solos. Finally, Whalen and Sugarman’s guitar and bass inject energy throughout the record that reinforces Stand There and Bleed’s straightforward, powerful delivery.

Malott’s vocal delivery has been honed and refined on Stand There and Bleed, as well. Malott is an unabashed fan of Green Day and comparisons to Billie Joe Armstrong in songs like “Bethel, OH” and “Abilene” are undeniable. Malott has also continued to inject large amounts of emotion into his vocals. He’s always been an expressive singer but the earnestness and pain in “You’ll Get Around” and “Alone” show a departure from We’ve Built Up to Nothing’s more polished vocals. Part of the recording process was breaking Malott of those good habits and getting him used to putting the feeling back into each take. What results is an album that’s a little rougher around the edges and much more emotionally captivating for the listener.

500 Miles to Memphis has been pushing its music forward for years, constantly hitting the road to share its take on Country Punk. The band has been virtuous to the genre and also bent it to an almost unrecognizable state. With Stand There and Bleed, the quintet has met somewhere in the middle. The band has trimmed the fat, focused on what each (incredibly talented) member brings to the table and built a record that is its most focused and honest to date. 

The band has traveled way more than 500 miles to reach where they are now, but with albums like Stand There and Bleed carrying them, they have plenty more ahead of them.


 
 
 
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