If you follow music coverage in CityBeat (hey, isn't that really why you pick up the paper?), you're certainly aware of Green Day's 2004 recording American Idiot.
But since you're reading my weekend theater previews, you must be
interested in other kinds of performance, so here's a tip: For two nights
only, Green Day's American Idiot, a stage version of the powerful Punk score, will be onstage at the Aronoff. That's right — Friday and Saturday
only, just three performances, much shorter that Broadway in
Cincinnati's two-week presentation of touring Broadway musicals. I can
vouch for this one, since I saw it a year ago during a similar tour stop
It's the story of three disaffected guys who take different downward
spirals when confronted with the numbing boredom of everyday life —
"alien nation" — as they sing in the opening number. The recording was
conceived as a "Punk Rock Opera" and turned into a Tony Award-nominated
Broadway show in 2010, with a lot of involvement by Green Day's lead
singer Billie Joe Armstrong (who actually appeared onstage in New York
at various performances; that's not happening here in Cincinnati).
There's a day-of-performance lottery for a limited number of $25
tickets; you need to show up two-and-a-half hours before the performance
you're hoping to see (8 p.m. Friday, and 5 and 8 p.m. on Saturday)
with a valid photo ID. Complete an entry form and wait 30 minutes to
find out if you're a winner. If you prefer to just go ahead and buy your
seats ($38-$91), you can call the Aronoff box office: 513-621-2787.
In the classic musical Gypsy,
Rose has very concrete ideas regarding how to turn her daughters into
stars (long before Green Day was punking out, to be sure): Back in the
1920s and ’30s she pushed her kids onto vaudeville stages whether they
liked it or not.
Things never went quite as she imagined, which was
really a desire for her own fame and stardom. It's one of the great
musicals, and the role of Rose has been compared to King Lear. That
might be a bit of a stretch, but she's a tragic character who's
fascinating to watch. There's a ton of great music, composed by Jule
Styne with lyrics by a very young Stephen Sondheim and lots of humor
along the way, especially the hilarious number by three strippers, "You
Gotta Get a Gimmick." Cincinnati Landmark opened its production Thursday
night, and it will be onstage at the Covedale Center for the Performing
Arts through May 4. Tickets ($21-$24): 513-241-6550.
Mary Chase's comedy Harvey
won the 1945 Pulitzer Prize and had a four-year Broadway run (1,800
performances). The story of Elwood P. Dowd and his invisible friend, a 6-foot tall rabbit named Harvey, is perhaps best known for the 1950
movie featuring Jimmy Stewart in an Oscar-nominated performance. That's
all well and good, but it's a show that audiences love to see live and
in-person, and you can do just that at Covington's Carnegie for the next
three weekends (tonight through April 27).
It's directed by Buz Davis, who produced shows at the Carnegie when it
was a dilapidated wreck back in the ’80s and ’90s. Now he's returning to
stage Harvey in the beautifully renovated Otto M. Budig Theatre.
(Tickets ($17-$24): 859-957-1940.) Davis has assembled a strong cast for this family-friendly comedy, you
can catch a few of them in this charming promotional video: Still onstage are several recommended productions: The Mountaintop at Ensemble Theatre (final extended performance is Saturday evening; 513-421-3555); A Delicate Ship at the Cincinnati Playhouse (through April 20; 513-421-3888; CityBeat review here); and The Twentieth-Century Way at Know Theatre (through May 3; CityBeat review here.) And if Monday comes and you want still more: Check out True Theatre's next installment — True Dating (7:30 p.m.
at Know Theatre). This round of monologues of real experiences will
feature stories of dating that led to true love, and some that went off
the tracks along the way. Tickets ($15): 513-300-5669.