Buoyant Electro Pop group Stepdad pulls into MOTR Pub in Over-the-Rhine tonight. The free show kicks off around 10 p.m. with locals Halvsies.
Stepdad was formed in Chicago in 2009 by frontman Mark “Ultramark” Tafel and his roommate, Ryan McCarthy. The duo — which has grown Stepdad into a five-piece band over time — soon relocated to Grand Rapids, Mich., and self-released its debut recording, the Ordinaire EP, online. The EP drew wider attention to Stepdad, which signed to Michigan indie label Quite Scientific and re-released the EP in 2011.
After completing its debut album, Wildlife Pop, with a little help from Kickstarter, the band signed with Black Bell Records, the relatively new imprint founded by Passion Pit’s Ayad Al Adhamy and distributed by Warner Brothers Records. Wildlife Pop, released last summer, is an incredibly endearing listen, layering vintage-sounding synth bleeps and squiggles with broader, lush Electro atmospherics and a rhythmic base that is muscular and dance floor ready. At the core is Ultramark’s steady stream of exuberant melodies, which adds greatly to Stepdad’s jubilant sound (though, spoiler alert, the lyrics can be much deeper and darker than the upbeat vibe suggest). Wildlife Pop falls somewhere between the M83’s shadowy, cerebral Electronic explorations and Capital Cities’ (see below) warm and cheerily infectious Dance Pop.
Here is the music video for Wildlife Pop single, “Will I Ever Dance Again”:
• Virtuoso Blues/Rock/Roots guitarist, songwriter and singer Sonny Landreth returns to Cincinnati tonight for an 8 p.m. show at Oakley’s 20th Century Theater. Rootsy local rockers Monkeytonk open.
After cutting his teeth in the ’70s playing with Zydeco/Cajun/Roots accordionist Clifton Chenier, Landreth (who grew up in Louisiana) launched his solo career in the ’80s, building his reputation as a masterful player and innovative slide guitarist.
Last year, Landreth released another wildly diverse album, Elemental Journey, his first all-instrumental effort which features guests like fellow guitar wizards Joe Satriani and Eric Johnson, as well as additives like symphonic strings and steel drums.
Here is a live clip of Landreth performing at Eric Clapton’s Crossroads Guitar Festival in 2010:
• Over at Covington’s Madison Theater tonight, bring your dancing shoes because Fitz and the Tantrums and Capital Cities are going to have the venue jumping with their ear-grabbing/dance-inducing sounds. Showtime is 7:30 p.m. and the event is open to all ages. Tickets are $25 at the door. L.A.’s Electro Dance rockers Beat Club open.
L.A. band Fitz and the Tantrums’ propulsive, modern update of vintage Soul/R&B caught the music world’s attention in 2010 with the release of their debut LP, Pickin’ Up the Pieces, both a critical and commercial success thanks in part to the powerful single, “MoneyGrabber,” a song that was perfectly timed to the national outrage over big banks and other mischievous financial institutions that led to the Occupy Wall Street movement. The Tantrums’ second album (and major-label debut), More Than Just a Dream, was released by Elektra Records this past May. Here’s a clip for that album’s “Out of My League”:
Electro Pop duo Capital Cities garnered a lot of mainstream attention this year with its debut album, In a Tidal Wave of Mystery, released in June through Capitol Records. The album features the insistently catchy and winsome singles “Kangaroo Court” and “Safe and Warm,” both from the twosome’s self-titled 2011 EP debut. Like MGMT’s “Kids” or Walk the Moon’s “Anna Sun,” songs that were originally issued on earlier, pre-fame recordings but were released to widespread success on their respective major label debuts, “Safe and Sound” was released originally in 2011 and, two years later, continues to earn Capital Cities more fans. The duo’s super-catchy Synth Pop is hard to resist and the more people are exposed to Capital Cities, the bigger they seem to get.
• R&B singer Jaheim was already wowing audiences at a young age, winning the infamous talent show at the Apollo Theater three times when he was just 15. It was the start of a long, fruitful career that kicked off in earnest when the singer was in his early 20s and was signed to the Warner Brothers-distributed label Divine Mill. Since his debut album in 2001, Jaheim has been a regular visitor to the upper airspace of the R&B charts. His new album, Appreciation Day, was released earlier this year and earned praise for being one of the best displays of Jaheim’s seamless blending of the classic seductive R&B artists like Teddy Pendergrass and Luther Vandross popularized with today’s Neo Soul and Hip Hop-informed approach. Here’s the album’s single “Age Ain’t a Factor”:
Jaheim brings his “Appreciation Tour” with singer Chrisette Michele to downtown’s Aronoff Center tonight, in the venue's Procter & Gamble Hall. Showtime is 7:30 p.m.