In Electronic music, the punkish encouragement to “just jump in and see what happens,” regardless of proficiency, resulted in the creation of Krautrock, Hip Hop, Synthpop, New Wave and many other styles. Some of the top innovators of those genres were driven by a “naïvite” that added a more “human” element (going against the common critique that all Electronic music is cold and robotic). Today, with the hugely increased access to affordable tools to create Electronic music, that more exploratory approach is back and thriving, resulting in innumerable subgenres and an unending stream of adventurous bedroom artists.
Cincinnati’s Randall Rigdon, Jr., is one of those bedroom maestros. Using the name Dark Colour (fleshed out with other musicians in a live setting), Rigdon doesn’t let all of those subgenres distract him, instead embracing a variety of Electro styles and putting them together in his own personalized way.
Dark Colour’s recent full-length debut, Prisoner, is reminiscent of hearing things like New Order, LCD Soundsystem, MGMT or Neon Indian for the first time. Rigdon has solid writing and lyrical skills, but it’s the multi-hued textures, kaleidoscopic array of synth sounds, endearing beats and a shifting ambiance (showcasing his deft ability to create distinct moods) that set Dark Colour apart from the EDM pack.
Prisoner (which follows 2011's debut EP, Memories, a release that was pulled from shelves after a dispute over an uncleared sample) ranges from Ambient dreamscapes and artsy Indie Electronica to funky Chillwave and bubbling Electro Pop, with many tracks containing multiple elements of each. Frequently slathered with a trippy glaze of effects, Rigdon’s melodies are most often delivered in either a hushed, spectral murmur or a whirling falsetto, while the eclectic, always-danceable beats have a surprisingly live feel, even when resembling something conjured from an ancient drum machine. There’s also a refreshing lack of current dancefloor trends; not that it would kill the album, but dropping in a grinding Dubstep groove, for example, would totally break its often hypnotic spell.
On Prisoner, Dark Colour makes digital music with an analog heart, instantly catchy Electro Art Pop that never panders and frequently surprises.