In the late ’70s, Punk Rock and New Wave were blossoming in New York City. But those genre tags were just a convenient labeling device, a catch-all that didn’t take into consideration all of the varied influences artists were bringing with them under that umbrella of Punk or New Wave. Bands would drag things like Rockabilly or Disco into their audio realm and craft their own new sound out of it, with barely any fans blinking an eye, let alone screaming, “That’s not Punk!”
Cincinnati trio Animal Circles bring that sort of kitchen-sink approach into their compositions, craftily blending together Surf Rock, Punk, Roots/Folk/Country sounds, Rockabilly and other styles into their own distinctive sonic smoothie. With the access people have to every type of music these days, it’s a wonder why every band doesn’t have Animal Circles’ sense of eclectic wonderment.
The band celebrates the release of its debut album, Eva Lee, Saturday at Northside Tavern. The free show also features Bloomington, Ind., rockers Thee Open Sex and local Black Sabbath tribute, Druid Piss.
Animal Circles’ variety and sense of dynamics make Eva Lee a thoroughly entertaining from start to finish. From the full-throttle burner “Brooks and Then Done,” with its speeding-out-of-control-train shuffle and rumbling Surf guitar licks (a consistent on the record) to the anxious, Jack-White-goes-to-the-beach vibe of “Squid Attack” to the vintage Country-flavored rocker “Southern Bell,” the band keeps your interest, not just with its unique ingredients, but also its strong sense of songwriting and melody.
The “Surfin’ Space Cowboy” approach has the potential to get old fast, so it’s to AC’s great credit that Eva Lee is such a consistently compelling listen. This is no novelty act.
Here is the Eva Lee track "Life on the Bonzai Pipeline."