Cincinnati Shakespeare Company opens its
production of the infrequently staged Measure for Measure tonight. Director Brian Isaac Phillips says, “We have discovered a lot of
satire and wit as we explore the biting social criticism in
this play. The behavior of these characters … is like a dark comic
mirror, held up to nature. Shakespeare has written a play that begs us
to examine modern day decadence and hypocrisy.” Phillips has set the
production in the corrupt and hypocritical Prohibition Era, to "give
modern audiences a context for the
actions and the characters' deeply held opinions." It's onstage through
May 26. Tickets: 513-381-2273 x.1.
The Marvelous Wonderettes
are back at Ensemble Theatre Cincinnati with another sequel to the 2010
show that set box-office records. This time the theme is "Caps and
Gowns" — which means graduation (in 1958) and a wedding (in 1968). The
quartet of girl singers are lively and sometimes harmonious, although
each one has her quirks and pet peeves.
The spread of a decade allows a
range through two distinct periods of Rock & Roll, one innocent, the
other a bit more knowing. ETC has reunited three of the four actresses
who've played these parts before, and the fourth slot – filled by Leslie
Goddard — is a petite stick of dynamite in cats' eye glasses. The show
opened on Wednesday, and it will surely be a hot ticket again — ETC has
already extended it by two weeks beyond its original closing date.
I went to see Sister Act,
based on the Whoopi Goldberg film from 1992 about nuns and disco, with
low expectations. I was pleasantly surprised: This is a solid production
of a very silly show, with some genuine talent in the leading roles,
and plenty of energy in the ensemble. The music (by composer Alan
Menken, who also wrote Little Shop of Horrors, Beauty and the Beast, The Little Mermaid, Newsies
and many more) is entertaining, the production looks great — lots of
glitter and sequins — and some moments of touching emotion (cliched, but
moving nonetheless). Don't expect anything profound and you'll have a
good time. It's onstage at the Aronoff Center. Tickets: 800-982-2782. If you're in a darker mood, check out Double Indemnity at the Cincinnati Playhouse. It's a stage version of a noir
classic, a pair of lovers plot to murder her husband and score a big
insurance take (boyfriend is an insurance salesman). But things don't
quite work out as planned. Very stylish imagery and actors who get the
hard-boiled tough-guy style of story-telling from the 1940s. Paul
Shortt's cleverly designed set moves the action quickly from scene to
scene using two turntables, so it's almost like a movie with "wipes"
from once setting to the next. Tickets: 513-421-3888.